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PUBLIC WORKS Musical Adaptation of William Shakespeare's
TWELFTH NIGHT

Conceived by Kwame Kwei-Armah and Shaina Taub 
Music and Lyrics by Shaina Taub
Choreography by Lorin Latarro
Directed by Oskar Eustis and Kwame Kwei-Armah

Featuring Kim Blanck (Femal

Photo: Joan Marcus
From left, Daniel Hall, Lori Brown-Niang, Shaina Taub, and Shuler Hensley in “Twelfth Night” at the Public Theater’s Shakespeare in the Park. Brown-Niang’s peignoir is usually “the first to go” on exceptionally hot nights when the feathers start shedding.

On this second day of fall in Massachusetts, the temperature was only 45 degrees at 6 a.m., when I wrote this. I felt very glad that 2018’s overpowering heat and humidity were past.

I can only imagine what it must have been like for outdoor actors under fierce stage lighting in summer 2018. At American Theatre, there’s a fun article about designing costumes for actors performing in all kinds of weather.

Billy McEntee wrote, “Across the country, as actors and audiences endure rain, heat, and bugs to present and partake of free professional performances of the Bard’s classics, one group of designers has a special challenge: costume designers. …

“ ‘Designing for outdoor environments is challenging yet fascinating,’ said Ying-Jung Chen, the costume designer for Independent Shakespeare Company’s ‘Titus Andronicus’ in Los Angeles. … ‘I’ve learned a lot through each outdoor experience about fabric technology and construction techniques.’ …

“It’s the dry heat that can prove most threatening. Evenings in the summer can stay above 80 degrees in Southern California; couple that with acrobatic performances, bushy wigs, and blaring stage lights, and actors are sure to sweat through even the thinnest of fabrics. …

“But heat invites more than just exhaustion and sweat; it’s also a magnet for bugs, something that Chen had to account for when creating stage blood for her costumes.

” ‘Blood is integral to Titus,’ Chen says. ‘My recipe was successful in past indoor productions. With a corn syrup base, it’s easy to wash out, edible, and realistic. But when doing outdoor performances, the sugar-based corn syrup attracts bugs. Fortunately, the theatre company has years of outdoor performance experience and provided a great recipe that’s washable, edible, and doesn’t allure insects.’ …

“Rain is no stranger to American Players Theatre in Spring Green, Wisc., though the threat of precipitation doesn’t change the creative process. As costume designer Robert Morgan succinctly puts it: ‘Design first, problem-solve later.’ He’s the costume designer for APT’s ‘As You Like It’ (running through Oct. 7). …

“ ‘Shoes are covered with non-slip dance rubber,’ he says. ‘But evening dew can make our outdoor stage slippery, so at APT we add sand to paint’ to give the stage’s surface extra traction.

“As in L.A., Morgan must also consider sweltering temperatures. This includes having freezer packs on hand for actors to wear beneath their costumes and crafting a ‘heat plan.’ which is ‘meant to accommodate the actors’ well-being on exceptionally hot, muggy nights and matinees under an unforgiving midsummer sun,’ Morgan said. …

“Oppressive heat and humidity are staples of New York summers as well. After a successful first run in 2016, Andrea Hood returned to design costumes for the Public Theater’s current Shakespeare in the Park production, ‘Twelfth Night,’ a Public Works musical adaptation with songs by Shaina Taub. …

“Hood plans not only the intricacies of [the] fabrics but also how costume pieces may adjust with unexpected precipitation. ‘Fuchsia feathers often come loose on [the character] Maria’s peignoir in “Twelfth Night,” ‘ she notes. ‘It isn’t the most practical costume for an outdoor space, so if it’s raining she would likely skip that change altogether. It’s the one piece that would probably not go onstage in the rain.’

“But a light drizzle doesn’t always signal a costume adjustment, or even a cancelled performance. In fact, its effect—combined with stellar acting, of course—can be as spellbinding as any theatrical flourish, more dazzling than any stage magic.

“ ‘Last year it was pouring for the first night of tech for “As You Like It,” ‘ Hood recalled. ‘The actors didn’t get into costume at all.’ Instead they wore street clothes, covered with plastic ponchos. ‘It was wonderful,’ she enthuses. ‘By midnight there were only five actors left running a number over and over again, still managing to smile. I loved being in the audience watching them—the rain didn’t even matter.’ ”

More at American Theatre, here.

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Photo: Moximox

After a year of waiting impatiently for summer, we always wanted to squeeze in every memorable summer activity we had ever done: crabbing, seining with a net, riding waves, building sand castles, walking to the Sunken Forest, digging for mole crabs, painting shells and selling them outside the house (what my father called teasingly “gypping the public”), roasting marshmallows at night. We did not want to miss one thing because we knew we’d have to wait a whole year for another chance. And in those days, a year seemed like an eternity.

One of the more iconic things I associate with summer is sea glass, and I recently was intrigued to learn from @chasonw on instagram that there was a place you could have the sea-glass experience any time of year. It’s called Glass Beach, and it’s at Fort Bragg, California. As pretty as sea glass is, you will not be surprised to learn that the abundance at Glass Beach is the result of years of dumping garbage.

From Wikipedia: “In 1906, Fort Bragg residents established an official water dump site behind the Union Lumber Company. … When [a second dump was] filled in 1949, the dump was moved north to what is now known as ‘Glass Beach,’ which remained an active dump site until 1967. …

“Over the next several decades, what was biodegradable in the dump sites simply degraded and all the metal and other items were eventually removed and sold as scrap or used in art. The pounding waves broke down the glass and pottery and tumbled those pieces into the small, smooth, colored pieces that often become jewelry quality and that cover Glass Beach and the other two glass beaches. …

erysimummenziesiieurekPhoto: Gordon Leppig & Andrea J. Pickart
Menzie’s Wallflower, an endangered species that grows at Glass Beach in California.

“About 1,000 to 1,200 tourists visit Fort Bragg’s glass beaches each day in the summer. Most collect some glass. Because of this and also because of natural factors (wave action is constantly grinding down the glass), the glass is slowly diminishing. There is currently a movement by Captain J.H. (Cass) Forrington to replenish the beaches with discarded glass.”

If you saw yesterday’s post, you know that replenishing the beach would be hard. There is a shortage of glass everywhere. Sea glass is moving into a category closer to semiprecious stones than its embryonic form as trash.

More at Wikipedia, here.

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The first stage of waiting is over. Some bad things avoided, others not so good. While waiting for my sister to be out of surgery, I walked  around New York City, sometimes with her husband and close friend. I took these pictures.

I’m not going to add a lot of description, but I wanted you to know that the amazingly beautiful garden, managed by volunteers, is in Riverside Park, that there is lots of biking in Central Park in the morning, that the city has “cooling centers” for seniors on hot days, and that the place I’m staying has a lobby like the Alhambra.

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I had a kooky friend in high school who claimed she could analyze you from your description of your favorite scene. At first, I described something sunny with flowers and little brooks and birds singing in trees. Her analysis: I was conventional, appreciated safety.

I was offended and said I had other favorite scenes. I described a stormy ocean with huge waves and dark clouds racing above, driftwood tossed on a rocky shore. She didn’t want to accept that one. She didn’t believe it. Added that I sounded like I had a split personality.

All of which is to say that I do like both kinds of scenes but that for taking pictures, I really prefer sunlight. Here are a few recent photos. Mostly sunny, mostly Rhode Island.

I have a favorite here. It is not perfect by photographer standards, but I love it. Can you guess?

http://www.haroldlopeznussa.com/

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071917-OMG-hydrangea-6tagTime for another photo roundup. All these pictures are from Massachusetts, except for the sunflower, which is reaching for the sun in Providence. Most of the photos are self-explanatory, but the tuba band is marching for an annual sidewalk sale that blocks off Walden Street, and the Mariachi band was featured at the library’s concert series.

Also, I liked how a trash can become a lovely little garden. The tree in the cemetery looked to me like it was frowning.

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I just went back to bathe in the golden glow of blogger KerryCan’s early summer memories here. I’ve been planning to take her up on the idea of sharing a childhood summer photo and letting train of thought take over.

KerryCan says she and her cousins had “absolutely nothing to worry about except breaking a plastic flip flop or getting sticky drips of Popsicle running down an arm,” which doesn’t quite fit my childhood. But I was always looking forward and believing something nice was coming.

I began dreaming of Fire Island in January or so — creating a paper pocket on our front door with Ocean Beach postcards tucked in and badgering grown-ups with “When are we going?”

And goodness knows, I dearly loved the ocean, swimming every day in my early teens unless there was a red warning flag. On choppy mornings, I might be the only one out there in front of the lifeguards.

Here I am at about age 10 with the older of my two brothers, probably competing for who could run fastest.

I didn’t learn until I was practically a grandmother that some kinds of competition with him might be ill-advised — like the time I tried to bend back my thumb the way his joints allow him to and ended up with a trigger finger and a hand operation! Ha, ha. Laughing now.

On this Atlantic beach, we used to dig for the tiny armadillo-like mole crabs that we called “jumpies.” Where are they now?

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Signs and portents. Summer is winding down. The writing is on the telephone wires. The sidewalk squirrel is gathering nuts. My neighbor’s garden is producing bounty. A dragon has appeared on the beach. We seized our last chance for a ladies’ lunch overlooking the harbor. I bought Jubali beet-cucumber-apple juice at the farmers market because it was called Beet Poet.

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