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Posts Tagged ‘resilient’

Photo: Asem Salama / Scientific Reports..
A diagram of the inside of the Great Pyramid of Giza in Egypt.

Today’s story about the brilliant design of the the Great Pyramid of Giza reminds me that people living in the 21st century should never assume they are more intelligent than people centuries ago. Many of our ethical stances show improvement. We have advanced gadgets and skills. But we have lost ancient skills needed to manipulate ancient gadgets.

And what about building construction? The high rise in New York City that threatens to collapse is surely an example of inferior design capability.

Compare that to the pyramids. Richard Widdington writes at Artnet, “Over the past 4,600 years, the Great Pyramid of Giza has weathered a dozen or so major earthquakes. … Cumulatively, seismic activity is one factor that explains why the structure has lost around 30 feet in height since it was completed at the peak of Egypt’s Old Kingdom.

“Otherwise, the wonder of the ancient world has endured relatively unscathed. Unlike the earlier Step Pyramid at Saqqara or the aptly named Bent Pyramid at Dahshur, the Great Pyramid of Giza is free from earthquake-induced structural damage. A new study led by seismologists at Egypt’s National Research Institute of Astronomy and Geophysics measured such resilience and concluded that it might be partly by design.

“[Researchers] used an accelerometer to measure natural vibrations at 37 locations inside and around the pyramid, including on its exterior stones, within its chambers, and in the surrounding soil. They found the majority of the vibrations inside the structure exhibited ‘exceptional homogeneity’ and ranged between 2.0 and 2.6 hertz. This means the stress of an earthquake is distributed evenly throughout the pyramid. Crucially, this differed from the surrounding soil, which averaged 0.6 hertz, effectively offering the ground as a natural shield that prevents seismic energy from amplifying as it passes into the monument. Building on top of a carefully leveled limestone bedrock, researchers noted, also helped to anchor the structure. The results were published in Scientific Reports in May.

“ ‘The Great Pyramid behaves as a single, cohesive unit that naturally vibrates at a fundamental frequency of approximately 2.3 Hz,’ one of the researchers, Asem Salama, said over email. ‘The frequency difference prevents the destructive phenomenon of resonance, the primary culprit behind the collapse of modern buildings, when a structure’s frequency matches the earthquakes vibrations.’

“Another factor preventing shockwaves from amplifying as they rise through the pyramid is a series of five rooms built directly above the King’s Chamber, which sits at the heart of the structure. Known as weight-relief chambers, they were designed to protect the hallowed space from the immense weight of the stone blocks above it. In the context of earthquakes, however, they act as a built-in ‘shock absorbers,’ diminishing the vibrations that reach them.

“Last, there’s the Great Pyramid of Giza’s most visibly obvious advantage: its bottom-heavy, symmetrical shape. This ensures weight and stress are distributed evenly throughout the structure.

“​ ‘The earthquake resilience of the Great Pyramid of Giza is not a historical fluke, but the pinnacle of an ancient engineering evolution,’ Salama said. ‘Much like modern engineering advances through iterative science and lessons learned from past structural failures, Egyptian architects refined their techniques over generations. Prior disasters, such as the collapse of the Meidum Pyramid, provided critical data. By the time the Great Pyramid’s architects broke ground, they had mastered the physics of permanence.’ ”

More at Artnet, here. No firewall.

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The Arabic Sesame Street was designed especially for children in refugee camps, but it’s a delight for other children, too.

I posted about the development of a “Sesame Street” for Middle East refugees in 2016 (here) and for Bangladesh refugees in 2019 (here).

To give you the latest, I’m sharing a recent interview that National Public Radio’s Deborah Amos conducted in Beirut.

NPR Host Audie Cornish
” ‘Sesame Street’ is taking on one of the world’s biggest crises — the plight of Syrian refugee children. The Muppets are reaching out to millions of displaced children in a new program. Refugee children face special issues — losing their homes, missing time from school and frequent moves. They grapple with emotions and fears they barely understand. NPR’s Deborah Amos reports from Beirut.

Deborah Amos
“The Syrian refugees at this soccer practice are part of the target audience for ‘Ahlan Simsim’ — ‘Welcome Sesame,’ a new show on Arab TV stations and online — also for refugee kids in Jordan, Iraq and Syria. Some here are old enough to remember the war. Many more were born as refugees, raised by parents who fled violence and devastating loss and can pass on the trauma. …

Bassil Riche
“Definitely, these kids have experienced something that no kid should have to experience.

Amos
“Bassil Riche, the soccer coach, has seen the signs in these kids.

Riche
“Maybe the kid misses a shot or something. You know, you can see kind of over-the-top anger or frustration or disappointment in themselves. It’s important for them to talk about these things and not keep it inside.

Amos
“Getting those emotions out is the aim of the new program. … Produced in Amman, Jordan, the scripts are in consultation with regional educators and researchers. For 50 years, ‘Sesame Street’ has pioneered programs to address childhood challenges. The new challenge — to create a show for children who are likely to remain refugees throughout their childhood. Scott Cameron is the executive producer in New York.

Scott Cameron
“The show was developed to help children become smarter, stronger and kinder and give them skills to be — to thrive and be resilient. …

Amos
“[Grover] speaks Arabic in ‘Ahlan Simsim.’ The newcomers are Jad — bright yellow — Basma is purple. She becomes Jad’s best friend when he arrives in the neighborhood. Jad is sometimes sad because he’s had to leave everything behind, including his favorite toys. Research shows displaced children don’t have the language to identify emotions and the skills to cope, says Cameron. So that’s a key educational goal.

Cameron
” ‘Ahlan Simsim’ focusing an entire season on emotions is … a bold move that is born out of a need.

Amos
“The teaching techniques are sometimes silly. They’re always fun.

Cameron
“Debka dancers are three animated dancers whose sole function is to identify emotions and label them in a really funny way. … They pop into frame out of nowhere, sometimes. So it’s always fun to see where they’re going to come from. Sometimes, they pop up out of the bushes. They do a dance. They are a very important way for us to make sure that the children pay extra attention when we’re first introducing the vocabulary word that matches the emotion.

Amos
“Syrians are now the largest refugee population in the world. The statistics for going home are grim. Displacement lasts longer than ever before, sometimes for decades. Head writer Zaid Baqaeen says he never uses the label.

Zaid Baqaeen
“It was never put in any script that, oh, you’re labeled as a refugee or not because our focus is about welcoming. …

Amos
“The welcome is extended on the ground. In a partnership with the International Rescue Committee, the IRC is sending thousands of outreach workers to four countries and extend the lessons of the TV production and tackle some of the hardest subjects, says Cameron. … The ‘Ahlan Simsim’ project is a new way to correct the shortcomings of traditional humanitarian aid that provides for immediate needs but does little to prepare a generation to become resilient adults.”

NPR transcript and audio are here.

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