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Posts Tagged ‘Saudi Arabia’

Photo: Taylor Luck.
Saudi university graduates tour the rock inscription at Jabal Ikma, one of several sites dated to the ancient Arab kingdoms of Dadan and Lihyan that are spread out across Al Ula, northwest Saudi Arabia, March 7, 2020.

Residents of Saudi Arabia have been learning recently about two previously unknown, ancient civilizations on their peninsula — making them proud to be recognized for something beyond oil.

Taylor Luck reported at the Christian Science Monitor, “Tarek never knew his daily commute was in the footsteps of ancient Arab kings. The 30-year-old Al Ula resident runs his hands over the exposed brick and rock inscriptions he has known since a child as ‘the ruins,’ listening as a tour guide lists the achievements of the tribes that built a kingdom on these sands 3,000 years ago.

“Squinting at the rock-carved tombs in front of him, he sees something greater than a civilization: a connection.

‘They prayed, they grew dates, they performed pilgrimages and welcomed visitors to the oasis like we do today,’ Tarek says as he stops to pose for a selfie in front of a rock engraving. ‘They lived just like us.’

“Today Saudi authorities and archaeologists are unearthing and promoting Dadan and Lihyan, two Arab kingdoms whose traces have lain under sand and obscurity for centuries. Cited in the Old Testament and ancient Greek texts, the ancient kingdoms once ruled vital trade routes.

“Saudi citizens are pointing to the kingdoms as proof not only that this arid region was home to civilizations centuries before the modern oil boom, but that the people of Saudi Arabia are the latest in a proud lineage stretching back millennia – that there is more to being a Saudi than oil and religion. …

“While most of the Middle East and Mediterranean were rich in legendary city-states, the vast Arabian deserts were, for generations of archeologists and academics, flyover country of little note or historical value. A blank spot on the map of the ancient world. If they were so great, where are the monuments? Where are the cities?

“The cities, it turns out, are still being unearthed. And what has already been uncovered of Dadan and Lihyan in the deserts of northwest Saudi Arabia has turned conventional wisdom on its head.

“Here in Al Ula, the remnants of these sprawling desert kingdoms from the first millennium B.C. are woven into the landscape: Temple columns, 1-meter-thick brick walls, rock-carved tombs, detailed statues, and inscription-scrawled boulders poke out among date farms, houses, and newly-established eco-resorts.

“Most of what scholars know today of these kingdoms is from the hundreds of rock inscriptions scrawled across the area in the Dadanite language, a Semitic offshoot, telling of kings and pilgrims, migrant communities, and daily life and death. And taxes. …

“ ‘This is their library, a collection of their civilization and stories carefully carved into stone,’ says [tour guide] Thuraya, who was trained to interpret rock art. ‘Lihyanites and the Dadanites … were advanced kingdoms that you could put in the same sentence as ancient Egypt or Mesopotamia.’

“The Dadanites controlled the lucrative trade of incense – namely frankincense – which was cultivated in Yemen and carried on camel caravans through Dadan en route to temples in Pharaonic Egypt, Mesopotamia, and the Levant, where this fragrant tree resin played an important role in religious ceremonies. …

“ ‘Incense was the petrol of the times, this is why Dadan flourished,’ says Abdulrahman Alsuhaibani, an associate professor at King Saud University in Riyadh who has been leading excavations at Dadan for the past decade.

“What has been excavated speaks to their advancements: one temple features perfectly square tombs and intricate lion statues carved into the rockface. At another, wells and an 8-foot-tall stone basin believed to have been used for ablution by pilgrims coming to give tribute to a pantheon of gods suggest an advanced water management system.

“In the fifth century B.C., another tribe built upon Dadan to create Lihyan, an empire extending west into the Gulf of Aqaba and Sinai and north toward the Levant. What has been uncovered speaks to the Lihyanites’ influence: two imposing larger-than-life statues of Lihyan kings, standing like half-robed pharaohs, were recovered at a Lihyanite temple. … Local residents say they have seen ‘dozens’ of statues and human-shaped stone idols over the years while picnicking in the valleys. 

“This is likely because Lihyan’s economic juggernaut was built not only on incense trade, but on tribute paid at its temples. It also was a hub for dried dates, which have grown in abundance here for nearly 3,000 years and travel well on weekslong desert treks.

“Today, this same oasis accounts for one-third of Saudi Arabia’s date production and is renowned across the country. … Such was Lihyan’s fame, ancient Greek cartographers and Pliny the Elder referred to the Gulf of Aqaba as the Gulf of Lihyan, a name that was in use for three centuries.

“But then, shortly before the first century B.C., the rival Nabataeans from southern Jordan inhabited Lihyan and transformed it into the town of Al Hajr, or Hegra, the second city of their empire. Within years, all mention of Lihyan suddenly stopped.”

Imagine! Three hundred years of fame and then nothing.

Hard to read about archaeology without thinking of Shelley’s poem:

“And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains.” 

More at the Monitor, here.

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Photo: CNRS / MADAJ / R. Schwerdtner
Mysterious 2,000-year-old camel carvings found in Saudi Arabian desert.

The lure of space travel notwithstanding, there’s still a lot to discover and puzzle out on Planet Earth. In this story, archaeological adventurers ask why life-size camels might have been carved 2,000 years ago in a Saudi Arabian desert.

Ruth Schuster explores the mystery at Haaretz. “About a dozen life-sized stone sculptures and reliefs of camels have been found in a markedly inhospitable site in northern Saudi Arabia. While camelid art has existed in the region going back millennia, nothing quite like this has been found before.

“The somewhat eroded statues are tentatively dated at around 2,000 years old, give or take a century or more, according to a collaboration between the French National Center for Scientific Research and the Saudi Commission for Tourism and National Heritage reported [in] the Cambridge journal of Antiquity. …

“No associated artifacts were found at Camel Site that could give clues about origin – no hammers, picks or anything.  …

“For all the art, Camel Site seems not to have been inhabited. As the authors write, it ‘does not seem propitious for permanent human settlement.’ However, they point out, the fact that ‘this isolated and seemingly uninhabitable site attracted highly skilled rock-carvers is striking testimony to its importance for surrounding populations.’

“For instance, it might have been a place of veneration going back generations. … Or the site could have been a boundary marker. Or a rest stop for caravans. …

“The camels were carved in proportion. Muscles and heads, particularly the muzzles and eyes, and the thickness of the legs were individual. These were lovingly depicted camels.”

More about the work to uncover the story of the carved camels may be found here. I was surprised to learn camels actually emerged first in North America.

By the way, I once rode a camel briefly. I was five months pregnant with John. I think I pretty much just got on and then got off.

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In a recent NY Times article, art critic Holland Cotter expressed skepticism that a show of new artists lumped together as “Arab” could work. (Some artists declined to participate for the same  reason.)  The artists in the New Museum exhibit are from “Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, not to mention Europe and the United States.”

But in the end, he was thrilled with the opportunity to see the new works.

“It’s a big show, intricately pieced together on all five floors of the museum, and starts on the street-level facade with a large-scale photograph of an ultra-plush Abu Dhabi hotel. The image was installed by the cosmopolitan collective called GCC, made up of eight artists scattered from Dubai to London and New York who make it their business to focus on the preposterous wealth concentrated in a few hands in a few oil-rich countries on the Persian Gulf.”

Cotter goes on to describe many of the pieces in detail, here, and concludes with some advice for visitors.

“To appreciate this show fully, a little homework can’t hurt. But really all you need to do is be willing to linger, read labels and let not-knowing be a form of bliss. In return, you’ll get wonderful artists, deep ideas, fabulous stories and the chance, still too seldom offered by our museums, to be a global citizen. Don’t pass it up.”

The show will be up until September 28.

Photo: Ruth Fremson/The New York Times

“Here and Elsewhere” show at the New Museum

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