Posts Tagged ‘morocco’


Photo: Taylor Luck
Yeshiva students are seen studying in a Casablanca sukkah hut last October. “Jews and Muslims have a long history of amity in Northern African countries like Morocco and Tunisia,” says the
Christian Science Monitor.

It seems to me that when people want to get along, they do. In the following story, we see how two religions usually depicted at odds have coexisted comfortably in Northern Africa for generations. What isn’t clear to me is how communities can start this kind of positive relationship if they haven’t had it before. There has to be a way.

Taylor Luck reports at the Christian Science Monitor from Morocco, “Even as congregants recite evening prayers at Temple Beth El, the Muslim call to prayer rings out from minarets across the city and into the courtyard, a mix of Arabic and Hebrew filling the dusk sky with praises to God. And as the yeshiva students file out of Beth El (literally, House of God), Mohammed, the gatekeeper, kneels down in Muslim prayer at the synagogue’s entrance.

“This is not a mirage; this is Casablanca. After decades of economic migration and geopolitical tensions that reduced North African Jewish communities from hundreds of thousands to a few thousand people, hope is being rekindled in Morocco and Tunisia that as Jews keep the light of their communities alive, so too does the region’s unique model of Muslims and Jews living side by side.

“For even in a time of global polarization, Moroccans and Tunisians are proving that historical bonds bind, rather than divide, Jews and Muslims, whose shared past they say paves the way for a shared future. …

“In Morocco, a country that is 99% Muslim, whose monarch carries the title ‘commander of the believers,’ a distinct Hebrew culture nevertheless permeates practically every town today. … Moroccans will be quick to tell you that this is not only Jewish heritage, but Moroccan heritage.

“ ‘We have Jewish life from the cradle to the grave in Morocco,’ says Zhor Rehihil, an anthropologist specializing in Moroccan Judaism and curator of Casablanca’s Museum of Moroccan Judaism. …

“King Mohammed VI has promoted the return of the Moroccan Jewish diaspora and Israeli tourism to the country, funding the preservation and renovation of 162 ancient Jewish cemeteries and several synagogues across the country. Under Moroccan law, anyone with Moroccan Jewish ancestry can claim citizenship.

The preamble to Morocco’s 2011 post-Arab Spring constitution enshrines Moroccan Jews as integral to the national fabric, stating that Morocco ‘is a sovereign Muslim state … whose unity is nourished and enriched by its African, Andalusian, Jewish, and Mediterranean constituents.’ …

“ ‘Visiting Arabs and Israelis see the atmosphere in the [Casablanca] streets, signs in Hebrew, Jewish and Muslim families living together in the same apartment building, and they can hardly believe it,’ says Serge Berdugo, secretary-general of the Council of Jewish Communities of Morocco and a community leader. ‘But the fact is, it is not a slogan or some dream, it is daily life for us, and that is a model we need to preserve for the world.’ ”

Meanwhile in Tunisia, “The demand for kosher meat – seen as even more meticulously prepared than by Islamically halal butchers in the capital – is high among Tunisian Muslims as well as Jews.

“On a rainy Friday this October, men and women lined up at the kosher butchery of Amran Fennech, the store name in Hebrew and Arabic, red spicy merguez sausage hanging from the storefront. Ask anyone in central Tunis; hands down, Amran has the best cuts in town. …

“ ‘We are Jews and we are Tunisians – we have specific cuisine, a specific dress, and a specific way of life – you can’t separate one from the other,’ Mr. Fennech says. …

“Historians say the high-water mark of Jewish-Muslim relations may have been over a millenium ago at the time of Al-Andalus, or Islamic Iberia, when the Muslim empire stretched across the Mediterranean to modern-day southern Spain.

“Jews and Muslims had become an intertwined community that was a beacon of science, philosophy, art, and enlightenment while much of Europe was in the Dark Ages. They flourished as the leading scientists and writers: philosopher Moses ben Maimon (Maimonides), diplomat and physician Abu Yusuf ibn Shaprut, poet Moses ibn Izra. …

“For Tunisia’s Jews, communal tensions arose in the second half of the 20th century amid regional crises and the birth of Israel. …

” ‘Every time there was a war in the region, tensions would increase and certain people would direct their anger toward their Jewish neighbors,’ says one 50-year-old Jewish resident, preferring not to speak in the name of the community.

“But in the 21st century, particularly after the 2011 revolution, Jewish Tunisians say they have noticed a marked difference. …

“ ‘At the time of the revolution, there were bigger issues than the Jewish community and the question of Israel; the troublemakers left us alone,’ says Mr. Fennech, the butcher. ‘Now we are all living in a new Tunisia together.’ …

“Officially there are no diplomatic relations between Morocco and Israel, forcing Israeli visitors to receive visas in a third-party country such as Spain. Israeli tourists to Tunisia must fly to the island of Djerba; there are no direct flights to Tunis. But Israeli and European Jewish tourism to Morocco and Tunisia is on the rise; as is the demand for kosher foods and Jewish religious tourism experiences. Locals hope visitors come away with a lesson as well.

“ ‘For the good of the community, for the good of the world, for the good of Morocco, and for the good of Judaism, we must remain to maintain this link between peoples,’ says Mr. Berdugo, the Moroccan community leader.”

More here.

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In a recent NY Times article, art critic Holland Cotter expressed skepticism that a show of new artists lumped together as “Arab” could work. (Some artists declined to participate for the same  reason.)  The artists in the New Museum exhibit are from “Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, not to mention Europe and the United States.”

But in the end, he was thrilled with the opportunity to see the new works.

“It’s a big show, intricately pieced together on all five floors of the museum, and starts on the street-level facade with a large-scale photograph of an ultra-plush Abu Dhabi hotel. The image was installed by the cosmopolitan collective called GCC, made up of eight artists scattered from Dubai to London and New York who make it their business to focus on the preposterous wealth concentrated in a few hands in a few oil-rich countries on the Persian Gulf.”

Cotter goes on to describe many of the pieces in detail, here, and concludes with some advice for visitors.

“To appreciate this show fully, a little homework can’t hurt. But really all you need to do is be willing to linger, read labels and let not-knowing be a form of bliss. In return, you’ll get wonderful artists, deep ideas, fabulous stories and the chance, still too seldom offered by our museums, to be a global citizen. Don’t pass it up.”

The show will be up until September 28.

Photo: Ruth Fremson/The New York Times

“Here and Elsewhere” show at the New Museum

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Judith Ross has a beautifully written and photographed WordPress blog she calls Shifting Gears. Recent posts have covered a visit with her younger son, who is a Peace Corps volunteer in Morocco.

I was particularly taken with an entry in which Judith captures a luscious blue color that is reiterated all over one picturesque town, on everything from fishing boats to bread baskets.

She writes that one morning, she and her husband and son “climbed into our rental car and headed to Essaouira, a beach town. Much less intense than Marrakech, it was a good place to start our journey. [Our son] has friends there, who are also in the Peace Corps.

“The name of the riad where we stayed, Les Matins Bleus, reflected the town’s color scheme. …

“At the docks you can buy fish directly from the fishermen. Then, back in the medina, stop at the market for vegetables, before taking these purchases to a restaurant where they grill your food to perfection and serve it to you with bread – which also functions as your knife, fork, and spoon.” More.

Photo: Judith A. Ross

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Today I walked down to 300 Summer St. for one of the Channel Café’s great lunches and to see the latest in the Fort Point Arts Community Gallery.

The exhibit, a touring show organized by Terra “Touria” Fuller, features unusual carpets woven by Zahra, a cave-dwelling nomad in Morocco, and Mouhou, a subsistence farmer.

Touria also created a documentary. In “Living with Barbarians and Cave Dwellers … Fuller moves to the pre-Saharan desert plains of Morocco from 2008-2010 and integrates into an Amazigh village and learns the survival skills necessary to live with a family of cave-dwelling nomads on the edge of the village. Over two years, she follows along and documents their lives. This is a rare look into a private and fiercely independent nomadic people made possible by the patient friendship Fuller built with the villagers and cave dwelling society.”

More about the Boston show here.

Touria also is bringing two master weavers on tour this year, and you can learn about that at Kickstarter.

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