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Posts Tagged ‘fort point arts’

A few photos.

The Barrow Bookstore featured a Thoreau quote on its kale-decorated book barrow at Thanksgiving: “My Thanksgiving is perpetual … for my wealth is not possession but enjoyment.” This shop off Main Street is the place to go for gently used and out-of-print books.

A yellow rose was blooming on Beacon Hill as late as November 19.

Fort Point Arts has a new show by six contemporary mosaic artists using a variety of techniques and materials. One favorite example: Aesop’s wisdom about the fox, the grapes, and the crow, rendered as a mirror.

Finally, no matter how many times I have walked up and down School Street in Boston, I have failed until now to zero in on the reason it is called School Street. A Latin school was established there in 1635, before the founding of Harvard even, and many notables attended over the years. You should be able to read these names on the plaque in the sidewalk: Benjamin Franklin, Samuel Adams, John Hancock, Charles Bullfinch, and Ralph Waldo Emerson. Boston Latin is still going strong, but in a new location.

I love that the original Boston Lain was teaching Latin and Greek, languages I once knew a bit. I am also reminded that those languages were taught at outdoor hedge schools in 18th Century Ireland, when the English were blocking education by Catholics.

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Today I sat on a shady bench next to Fort Point Channel and ate my Vietnamese noodles from the food truck. In front of me, floating on a green platform visited by cormorants, were two sheep — a big one and a small one. As the breeze and the tide nudged the platform, it turned slowly, showing the sculptures with different shadings and from different angles.

Steve Annear at the Boston Globe says, “The installation, called ‘Who Wears Wool,’ was created by artist Hilary Zelson, and pays homage to the Fort Point area’s former wool trade. … Earlier this year, FPAC [Fort Point Arts Community] put out a request for proposals seeking an artist who could weave together a prominent display connecting the neighborhood’s arts community with residents and visitors.  …

“For the project, Zelson said she layered EPS foam — or expanded polystyrene — to create the bodies of the sheep. The layers are held together with a spray adhesive, and the sheep are bolted to the dock with an armature of steel rods. Once built, the sheep were covered in packing peanuts to create the look of wool, before the entire thing was covered with a white acrylic latex coating …

“Zelson started working on the project in August. The first six weeks alone were dedicated to planning, she said.

“ ‘Once I was able to get the foam to my studio, I was working seven days a week,’ she said. ‘It was probably a 300-hour project.’ … The project — from the 3D renderings to the welding to the stacking of foam — was documented on Zelson’s Instagram account”

More here.

What I see in my photo are a ewe and a lamb — and cormorants.
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As usual, the Fort Point area is swimming in art this September. The few examples below don’t begin to scratch the surface, but they caught my eye: a longtime mural in a Farnsworth Street garage, a mosaic at Channel Center, and the rainbow-like installation “Shimmer” that draws a smile from many passersby.

Says the Fort Point Arts site, “ ‘Shimmer‘ is a temporary public art installation by Fort Point artists Claudia Ravaschiere and Michael Moss. Using the refractive qualities of florescent and jewel toned plexi glass, this piece activates the the Congress Street Bridge and changes the public perception of a familiar urban environment.  The piece is constructed to catch the natural and ambient light to create a luminous field of color and alternating hues. The visual impact of the’ Shimmer’ will change as the light changes throughout the day.”

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The 13th Fort Point Artwalk was 4 to 7 today. (Saturday and Sunday, the Artwalk will be 12 to 5.)

We got started a little late because we had dinner first at Trade, but we definitely enjoyed what we had time to see.

The Boston Design Museum at the corner of Melcher and A streets had art made of moss in frames that caught my eye. We also liked seeing the models for the Street Seats contest that I blogged about a while back.

Across the way, Ari Hauben’s show was energetic and amusing. Hauben teaches art to kids with special needs in Boston, and he has strong feelings about the country’s current emphasis on standardized tests — especially for the student population he knows best.

He and an optical-engineer friend from Rochester, NY, acquired 50 Melcher Street, and for the current show, Hauben papered the floor with standardized tests. He put up large, green chalk boards with pedagogical insights and opportunities for guest commentary.

And he was eager to explain just how he creates the current works from Instagrams sent him by friends. The website says,  “His style could be defined as blending pop and street art techniques into mixed media works. The process predominantly involves newspaper, epoxy, spray paint, and layering techniques that are integrated into a variety of visual platforms.”

The prices are indicated by grades: A, B, C, D, F. I especially liked a picture of weathered yellow sheds and the work called Peach Farm, below. Lots more variety, here.

WCVB’s Chronicle interviewed Hauben here.

Art: Peach Farm by Ari Hauben

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If I come to work early, I often take a walk at lunch. I love the Greenway, which is especially nice in spring and summer. And the Fort Channel district (the Mayor likes to call it the Innovation District) seems to have something new to see almost every week — repurposed warehouses, galleries, restaurants, pocket parks.

Fort Point Arts got bumped from its space next to Flour (a yummy restaurant) on Farnsworth, so one lunchtime I made a point of checking out its new space off A Street.

I especially like that they show art depicting the Fort Point neighborhood — partly because walking there makes me attached to that part of Boston, and partly because Fort Point is changing fast. (About 18 years ago, when I went to an arts open house there, many artists had studios with beds on ledges and  tiny kitchens. Some artists were squatting in dangerous buildings with wires hanging down, no heat, no doors, no lighting. That world is gone.)

Laura Davidson was one of the featured artists when I was last in the Fort Point Arts shop. She had some block prints of her neighborhood that I admired.

Be sure to check her home page. Everyone should have a home page that looks like a treasure map.

Art:Endangered Neighborhood” reprint of 1995 view of Fort Point), 2012, Laura Davidson

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Today I walked down to 300 Summer St. for one of the Channel Café’s great lunches and to see the latest in the Fort Point Arts Community Gallery.

The exhibit, a touring show organized by Terra “Touria” Fuller, features unusual carpets woven by Zahra, a cave-dwelling nomad in Morocco, and Mouhou, a subsistence farmer.

Touria also created a documentary. In “Living with Barbarians and Cave Dwellers … Fuller moves to the pre-Saharan desert plains of Morocco from 2008-2010 and integrates into an Amazigh village and learns the survival skills necessary to live with a family of cave-dwelling nomads on the edge of the village. Over two years, she follows along and documents their lives. This is a rare look into a private and fiercely independent nomadic people made possible by the patient friendship Fuller built with the villagers and cave dwelling society.”

More about the Boston show here.

Touria also is bringing two master weavers on tour this year, and you can learn about that at Kickstarter.

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John and two college friends rented a motor boat in Fort Point Channel Friday to see the sights of Boston Harbor. But first they motored near my building so I could wave as they passed under this piece of public art.

The Mystic Scenic Studios site explains the art:

“A designer named Peter Agoos approached Mystic Scenic Studios with the idea of creating two life-sized human figures made of aluminum to hang above the Fort Point Channel in Boston.

“Mystic Metal’s, Mike Onischewski, fabricated the figures from an aluminum sheet; [they] were then covered with refractive dichroic film with the help of David Forshee, also of Mystic Scenic Studios.

“The piece was installed on July 2, 2012, with a team of 12 volunteers who worked from a small boat on the water and a scissor lift on land. The piece was strung from a 300-foot yellow tightrope between the Samson Post structure on Summer Street and the counterweight tower on Congress Street. The life-sized figures were counterbalanced on the rope and inspired by a classic articulated wooden artist’s manikin.”

Photograph: Mystic Scenic Studios

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