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Posts Tagged ‘lebanon’

Photo: Marwan Naamani/picture alliance/Getty Images
Amelia at the
Christian Science Monitor says, “As its economy and government collapse, Lebanon has become almost unrecognizable to its own people. Now, they are rallying around each other.”

When corrupt leadership creates a failed state, ordinary people may step up.

Taylor Luck has the story of Lebanon’s struggle today.

“Each day for Safa is the same: a race for a solution. Her husband, a construction worker, has been without work for six months. The two now worry about how to make their nearly bare cupboard – and the $30 in their bank account – stretch to make their next month’s rent. Her children skip one to two meals per day.

“ ‘We have no government, no services, no electricity, no currency, no hope,’ says Safa, who did not wish to use her full name. ‘Who can we even turn to?’

“It is a question being faced by many Lebanese: What happens when a state fails, and no one is there to help?

“In Lebanon – in the midst of what the World Bank is calling the worst economic collapse the world has seen since 1850, and in the aftermath of the third-largest nonnuclear explosion in human history – people are finding hope as scarce as the medicines and baby formula disappearing from store shelves.

Yet some are finding solace in leaning on one another, and, thanks to civil society groups that are refusing to give up, strength to make it through another day. …

“ ‘No one is coming to save us,’ says Beirut resident Rayan Khatoun.

“Her response, starting two years ago, was to help found a grassroots network that identifies the needs of vulnerable Lebanese families and launches fundraising appeals on social media.

“With support from the Lebanese diaspora abroad, the network, called All of Us, has helped hundreds of families, providing rent money to keep some off the streets, and providing others with dry food staples whose shelf life is unaffected by electricity cuts. …

“The collapse of Lebanon’s economy and the decline of government services have been a work in progress for years, the product of worsening political gridlock and corruption among competing sectarian elites.

“What began as a very visible failure to deliver basic services, such as trash collection, worsened as the country defaulted on its international debt and the economy crumbled. A grassroots protest movement two years ago sprang up to demand systemic political change, even before the pandemic and the devastating blast at the Port of Beirut destroyed for many Lebanese the last shreds of government function or accountability. …

“Lebanon has now become unrecognizable to its people. Beirut and most of Lebanon are in darkness. Out of cash, the national electricity provider turned off its generators completely [in October]. In the best of times, it provides one to two hours of electricity per day. …

“As the Lebanese say, ‘The surprises just keep coming.’ … It now costs more than 300,000 Lebanese pounds – nearly half the monthly minimum wage – for 20 liters (5.3 gallons) of gasoline. …

“ ‘Our coping mechanism is to make fun of the situation, slave the next day just to survive, come back home and rest a little,’ says Ms. Khatoun. ‘People just don’t have the energy to be angry.’

“The economic crisis is felt by all classes, but is crushing the working class. … [But] the fact that Lebanese’s misery is caused by financial and government mismanagement, rather than by earthquakes or war, makes it a tough sell to donor countries, many of whom insist that Lebanon stand on its own feet. …

“To help compensate for a failing government social safety net, the World Food Program is providing food parcels to 100,000 of the most vulnerable families across Lebanon, and modest cash assistance to 1.6 million people. …

“Unlike in previous crises, wealthy Gulf Arab states, the international community, and even Iran are not coming to Lebanon’s rescue with big-ticket bailouts. Instead, Lebanese are stepping up themselves, trying to do good where they can with rapidly dwindling resources. …

“Volunteers soldier on also at Embrace, a mental health care group whose emotional support and suicide prevention hotline, Lifeline, has become a critical service in the wake of last year’s port blast. …

“[But] dozens of Embrace’s volunteers have left Lebanon because they too, exhausted, can no longer afford life in the country. Embrace is already training the next batch of staff. … Says Rêve Romanos, a clinical supervisor and psychotherapist at Embrace. ‘Hopelessness is a recurrent theme for all of us.’

“But small things can help people cope, Dr. Romanos says. ‘Sometimes, just being able to vent, talk it out, and have someone listen can make a difference.’ ”

More at the Monitor, here.

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Art in Time of War

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Photo: Dalloul Foundation
Installation view of the Ramzi and Saeda Dalloul Art Foundation in Beirut, Lebanon. The private museum is not expected to open to the public for a few years.

Today’s article brings up the dilemma I mentioned recently about trying to share something interesting when the situation on the ground is changing fast and the thing described could disappear overnight. (My version of the Greek philosopher Heraclitus: “You can’t step in the same river twice.”)

In September,  Rebecca Anne Proctor of artnet News attempted to capture the fluid art scene in Beirut, Lebanon, amid daily antigovernment protests.

“Hanging in the booth of Saleh Barakat Gallery during the 10th edition of the Beirut Art Fair last week was the latest work by Lebanese painter Ayman Baalbaki: a large-scale depiction of Beirut’s Piccadilly Theatre in its present, ruined state, priced at $250,000. Painted in fleshy red and black brushstrokes, the empty, ghostly theatre in Hamra serves as a potent reminder of both the city’s rich cultural history and its present economic predicament.

“Bordered by Syria to the north and east and Israel to the south, the little Levant country of Lebanon is used to continuous states of economic and political woe. Yet after its parliament approved a 2019 austerity budget in late July in an attempt to rescue the economy from spiraling debt and unlock billions of dollars in international aid, many believe the country is now experiencing some of its darkest days yet. …

“The country has also been deeply affected by the Syrian refugee crisis. Lebanon, home to a population of six million, is currently hosting more than 950,000 Syrian refugees, according to the UNHCR. There are also mounting tensions with Israel—in late August, Israeli drones struck an Iranian-backed Palestinian militia in the Eastern Bekaa Valley. …

“ ‘The crisis is very present and things are very tough, but what do you do in such a moment?’ asks the prominent Beirut art dealer Saleh Barakat. … ‘It’s either you close or you make a decision to continue. We took the latter decision. We want to resist by moving on in a positive way.’

“One small silver lining, he says, is that artists feel less pressure to churn out commercial material, freeing them up to experiment. … Often, that results in art that reflects the world around them.

“Most recently, Barakat mounted ‘Interminable Seasons of Migration,’ an exhibition of sculptures made out of bits of car metal by Lebanese artist Ginane Makki Bacho that portrayed the millions of refugees escaping conflict in Syria.

‘I wanted to show the tremendous exodus of people fleeing the war with or without expectation or hope of a secured destination,’ the 71-year-old artist says. …

“Even in times of crisis, however, the art market manages to chug along, and Beirut is home to a number of deep-pocketed collectors who can ride out the storm … ‘It was a really good week,’ [Barakat] says. ‘I was very surprised.’

“The fair remains under the leadership of its founder, French-born Laure d’Hauteville, who has worked to raise the profile of the event. … She claims that ‘the fair has not at all been affected by the economic crisis — we had more museum groups and collectors than ever.’ …

“ ‘I remain an optimist,’ says Mazen Soueid, an economist and advisor to Lebanon’s prime minister, of Lebanon’s future. ‘Resilience is part of the country’s DNA; a lot of the downside is due to the regional rather than the local factors. Let us be frank: the region is at war; and for a country in the middle of a region at war, we are actually still holding up.’ …

“Indeed, the new austerity measures seem not to have dramatically affected Beirut’s rising crop of new museums. … Among them is the Beirut Museum of Art (BeMA), dedicated to Lebanese art and slated to open in 2023. …

“There’s also the Dalloul family collection, known as the Ramzi and Saeda Dalloul Art Foundation (DAF), comprising more than 4,000 Modern and contemporary Middle Eastern artworks. Their private museum is scheduled to open within the next three years. …

“[Some dealers are] facing challenges they never could have anticipated. ‘We are going through a huge crisis,’ says Joumana Asseily, owner of Marfa’ Gallery, … They new austerity measures have affected Asseily’s ability to transport artworks abroad. … Recently, she tried to reclaim three works that were lent to a traveling exhibition in Europe, only to be asked at customs to pay for the objects as if she had purchased them.

“ ‘It’s a nightmare. … I still have artworks stuck in customs — it’s been around eight weeks. [But] even if it is a struggle, I want to stay and work. There are great artists, a great scene, and amazing energy in Beirut.’ ”

More here.

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Photo: Joseph Eid / Agence France-Presse
Painting the word “Peace” in Arabic over 85 rooftops on a Tripoli street for a project led by twin Lebanese street artists over a three-year period.

Nearly everyone wants peace. Nearly everyone expresses that over and over. You would think we would have peace by now. One large-scale expression of the world’s fervent wish in a city badly damaged by conflict took three years to accomplish.

Agence France-Presse reports, “From the street below it’s easy to miss the workers daubing rooftops as part of an ambitious art project in two battle-scarred neighbourhoods of Lebanon’s Tripoli.

“But the Ashekman street art duo behind the project say that once they’re done, the pistachio-green rooftops they are painting will spell out the word ‘Salam’ — Arabic for ‘peace’ — on a scale visible from space.

“The project, three years in the making, is the brainchild of 34-year-old twins Mohammed and Omar Kabbani. …

“They chose a site spanning the Bab Al Tebbaneh and Jabal Mohsen neighbourhoods, which have fought successive rounds of armed clashes in recent years. …

“Peace has been elusive in Sunni-majority Bab Al Tebbaneh and the adjacent Alawite-majority Jabal Mohsen. Fighters from the two areas have battled each other periodically for decades, and the war in neighbouring Syria, pitting a Sunni-dominated uprising against Alawite president Bashar Al Assad, has further stirred existing enmities. …

“Ashekman’s project runs on either side of the infamous Syria Street separating the two neighbourhoods. The duo hired workers from across the divide to help them complete the project.

” ‘All of the workers live here in the neighbourhood, they lived the conflict, some of them got shot,’ Omar Kabbani said.

” ‘Two years ago they were hiding from bullets … now they’re painting their rooftops proudly.’

“The brothers are sensitive to the observation that their project does little to address the most obvious scars of fighting or the area’s desperate poverty, often identified as a catalyst of the violence.

“They say they chose paint that will seal rooftops against rain and reflect ultra-violet rays, cooling the homes below.

“And in order to paint the rooftops, they had to negotiate with residents and often had to clear large amounts of trash and debris. …

“Walid Abu Heit, 29, joined the project as a painter after hearing about it from March, a Lebanese NGO that has worked on reconciliation and rehabilitation in the rival neighbourhoods. …

“He and other workers lugged heavy tubs of paint up seven floors and began plastering a roof with the fluorescent green, which flecked his hands and boots.

” ‘It’s an amazing project,’ he said, smiling and shading his eyes from the blazing sun.

” ‘The word peace, it’s a great word … we haven’t seen it for a long time, now we’re seeing it again.’

Read more here; also at National Public Radio, here.

And ponder the power of artistic twins here, at one of my posts on street artists Os Gemeos. The Greenway’s first giant mural, which they painted, is still my favorite. It makes you think about “The Other” as a sweet little kid.

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Photo: The Daily Star
A temporary refugee camp in the eastern Lebanese town of Marj near the border with Syria.

Tina Rosenberg has an interesting op-ed at the NY Times about how aid groups in Lebanon are making life easier both for themselves and for the refugees that have flooded the country.

“Consider Lebanon, a country of 4.5 million people that has taken in probably close to 1.5 million Syrians fleeing their civil war. …

“In 2004, 99 percent of the world’s humanitarian aid came in the form of commodities: sacks of grain, stacks of blankets, building materials. Last year, that number had fallen to about 94 percent, according to a committee financed by Britain’s Department for International Development to study how best to use cash in humanitarian aid.

“Cash is catching on. A decade ago, the United Nations World Food Program was trying out cash in a few pilot programs. Now cash makes up a quarter of the organization’s portfolio …

“Since it’s easier, safer and carries less risk of corruption to provide cash electronically instead of handing people envelopes of bills, mechanisms should exist for debit cards or cellphone banking. …

“It’s no problem in Lebanon, a middle-income country known for commerce. … Here’s how it works: Each needy Syrian refugee family gets a banking card. Family members use it to shop for food at the 450 participating stores and markets; a family of five gets about $135 per month. …

“Many humanitarian groups in Lebanon help with sanitation systems and other in-kind assistance. Many run schools, or provide skills or business training. The cash is intended to address (a little; it’s not really enough to live on) refugees’ most urgent problems: What’s for dinner? Where am I sleeping?

“ ‘There is nothing that could replace cash,’ said Alan Moseley, the Lebanon country director for the International Rescue Committee, a member of the Lebanon Cash Consortium. ‘If we provided shelter materials, clothing, food or direct rent subsidies, it would be more costly to deliver and people would be getting things they don’t necessarily need.’ ”

More.

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You know how once you become aware of a thing, you see it everywhere? That’s what I’ve been experiencing since I learned about how the Providence Granola Project trains refugees on the ins and outs of a food business, acclimating them to the US work culture and helping them develop concrete skills.

Now every few days I seem to read about another food business focused on hiring refugees. Autumn Spanne wrote recently for the Guardian about one in New York that hires refugees who have cooked for large groups (including large families).

“When Manal Kahi arrived in New York from Lebanon two years ago, to pursue a master’s degree in public administration, she longed for authentic hummus, but couldn’t find a restaurant or supermarket that came close to her expectations. So she started making her own, based on a recipe from her Syrian grandmother.

“The recipe was a hit with her friends, and it occurred to Kahi that there might be a successful business in it. The idea also dovetailed with her growing concern about the Syrian refugee crisis. Since the beginning of 2013, the number of Syrian refugees registered worldwide by the United Nations has grown from half a million to more than 5.5 million. …

“Kahi sought a way to help. She decided to start a social enterprise designed to help refugees from all over the world get established in their new country and provide New Yorkers a positive entry point for interacting with the city’s refugee community. Kahi’s efforts put the spotlight on the role business has to play in the refugee crisis, and whether there’s a need for new approaches to help recently arriving refugees integrate and become self-sustaining.”

In January, “Kahi and her brother launched Eat Offbeat, a for-profit meal delivery startup that employs recently resettled refugees from around the world as chefs who prepare traditional dishes from their countries of origin. The main prerequisite is that they enjoy cooking and have had experience cooking for groups – even if that just means extended family. …

“The goal, said Kahi, is twofold: help refugees get a foothold in the US, and ‘change the narrative around refugees.’ ”

More here.

Photo: Eva Cruz/Eat Offbeat  
Potato kibbeh is one of the dishes on the Eat Offbeat menu.

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It seemed clear from the start that the refugee job-training company Providence Granola Project was onto something.

Now I’m realizing that related concepts can spring up independently in other places. Maybe there should be a trade group.

Check out this story about a food-delivery business in New York that hires refugees.

Autumn Spanne writes at the Guardian, “When Manal Kahi arrived in New York from Lebanon two years ago, to pursue a master’s degree in public administration, she longed for authentic hummus, but couldn’t find a restaurant or supermarket that came close to her expectations. So she started making her own, based on a recipe from her Syrian grandmother.

“The recipe was a hit with her friends, and it occurred to Kahi that there might be a successful business in it. The idea also dovetailed with her growing concern about the Syrian refugee crisis. …

“She decided to start a social enterprise designed to help refugees from all over the world get established in their new country and provide New Yorkers a positive entry point for interacting with the city’s refugee community. Kahi’s efforts put the spotlight on the role business has to play in the refugee crisis, and whether there’s a need for new approaches to help recently arriving refugees integrate and become self-sustaining. …

“The result went far beyond hummus. [In January], Kahi and her brother launched Eat Offbeat, a for-profit meal delivery startup that employs recently resettled refugees from around the world as chefs who prepare traditional dishes from their countries of origin. …

“Al Janabi, who uses only her last name out of concern for the safety of family still in Iraq, was one of Eat Offbeat’s first hires. … For months, she was afraid to go anywhere alone. Her first solo trip on the subway was to the Eat Offbeat kitchen in Brooklyn. …

“ ‘I want people in the US to know that refugees have few opportunities here, but we bring our skills with us,’ she said. ‘We come in difficult circumstances.’ …

“Al Janabi and two other refugees from Nepal and Eritrea … learned basic food preparation and hygiene techniques – skills that they can use to get other jobs, or perhaps eventually open their own business, said Kahi.

“ ‘Ultimately we want to change the narrative around refugees, for New Yorkers and the rest of world to see that refugees don’t have to be a burden, they have economic value.’ ” More here.

Photo: Eva Cruz/Eat Offbeat
Potato kibbeh is one of the dishes on the Eat Offbeat menu.

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It’s hard to read about the deprivations of refugees, especially the children and especially in winter. That’s why I appreciate hearing about any kindness extended to them. National Public Radio recently had a story on the kindness of Clowns without Borders.

Laura Secorun-Palet writes, “On a cold November morning, 300 children gather in a soccer field in Zaatari, a Jordanian village next to the country’s largest refugee camp. …

“Today the children are not lining up to collect food coupons or clothes from NGOs: They are here to watch the clowns.

“On the ‘stage’ — a space in front of a velvet curtain covering the goal — a tall, blond woman performs a handstand while doing the splits, while two other performers run around clapping and making funny faces. As the upside-down woman pretends to fall, the children burst into laughter.

“The performers are circus artists from Sweden …

“Clowns Without Borders is a global network of nonprofit organizations that, for the past 20 years, has been spreading laughter in the world’s saddest places. The group’s most recent annual report says more than 385 artists performed 1,164 shows for its chapters in 2012 in 38 countries, both in the developing world and for refugees and other disadvantaged children in Western countries.

” ‘It’s very important to give kids a chance to be kids again,’ explains Lilja Fredriksson, one of the Swedish performers.” More here.

Another way to help refugees is through the wonderful Minneapolis-based nonprofit American Refugee Committee.

Photo: Bilal Hussein/AP
Lebanese clown Sabine Choucair, a member of “Clowns Without Borders,” performs for children in June at a Syrian refugee camp in the eastern town of Chtoura, Lebanon.

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In a recent NY Times article, art critic Holland Cotter expressed skepticism that a show of new artists lumped together as “Arab” could work. (Some artists declined to participate for the same  reason.)  The artists in the New Museum exhibit are from “Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, not to mention Europe and the United States.”

But in the end, he was thrilled with the opportunity to see the new works.

“It’s a big show, intricately pieced together on all five floors of the museum, and starts on the street-level facade with a large-scale photograph of an ultra-plush Abu Dhabi hotel. The image was installed by the cosmopolitan collective called GCC, made up of eight artists scattered from Dubai to London and New York who make it their business to focus on the preposterous wealth concentrated in a few hands in a few oil-rich countries on the Persian Gulf.”

Cotter goes on to describe many of the pieces in detail, here, and concludes with some advice for visitors.

“To appreciate this show fully, a little homework can’t hurt. But really all you need to do is be willing to linger, read labels and let not-knowing be a form of bliss. In return, you’ll get wonderful artists, deep ideas, fabulous stories and the chance, still too seldom offered by our museums, to be a global citizen. Don’t pass it up.”

The show will be up until September 28.

Photo: Ruth Fremson/The New York Times

“Here and Elsewhere” show at the New Museum

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The Arab world is divided on whether Jennifer Grout is an interloper or the reincarnation of their beloved Egyptian chanteuse Umm Kalthoum. Last night she placed third in the Beirut-based “Arabs Got Talent.”

You will be hearing a lot about this young American singer of classical Arabic songs, who is wowing judges without being able to speak a word of Arabic. If nothing else, she is giving the show international recognition. This story is from Agence France Presse (AFP).

Having taught herself to sing “the Arab world’s best-known, most difficult songs,” says AFP, Grout gave contestants in “Arabs Got Talent” a run for their money.

In early December, “Her blonde hair loose and without a sign of make-up, the 23-year-old appeared before a panel of judges to audition for the ‘Arabs Got Talent.’

“When Egyptian film star and panel member Ahmed Helmy asked her in Arabic what her what her name was, she didn’t have a clue what he was saying.

“But then she began to play the oud and sing a classic by Egyptian diva Umm Kalthoum, ‘Baeed Annak’ (Far From You).

“She stunned the audience, enunciating every word to perfection as her voice effortlessly navigated the quarter-notes that make Arabic music so distinctive. …

“As a 20-year-old student in Boston, Grout says she ‘came across an online article about Fairouz” [a Lebanese singer often referred to as ambassador to the stars].

” ‘I listened to her and watched a video of her, and I was just really intrigued and mesmerised by her voice. So I decided to start exploring Arabic music more,’ Grout told AFP.”

Read more about her discovery of Arab music and the classical instrument called the oud three years ago and how she ended up competing on a show in Lebanon, here.

Photo: Joseph Eid/AFP
Jennifer Grout, a contestant in the pan-Arab TV show “Arabs Got Talent”, poses for a photo at the MBC television station studios in Zouk Mosbeh, north of Beirut, on December 4, 2013.

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