
Paul and Millie Cao, the subjects of a short documentary contender in 2020, pose with filmmaker Laura Nix and Colette Sandstedt. The 92nd Oscars was broadcast in February, right before the pandemic.
Walk Run Cha Cha was a 2019 American documentary short with an inspiring message about the multicultural role of ballroom dance in America. It was directed by Laura Nix of the New York Times, which distributed the film. Ada Tseng wrote about it for the Los Angeles Times.
“It’s a bustling weeknight at Lai Lai Ballroom & Studio in Alhambra. The disco lights flicker over couples scattered across the dance floor, and the speakers blast Mandarin-language pop.
“Chipaul and Millie Cao, who come at least four nights a week, practice the routine they’ll be performing for their anniversary party. It’s a jive and cha-cha number set to a medley of Michael Jackson songs.
“They are planning a January party to mark three milestones: their 30th wedding anniversary, Millie’s birthday and Chipaul’s 40 years in the United States.
“This month they got another reason to celebrate: Walk Run Cha Cha, a 20-minute short documentary directed by Laura Nix about the Caos’ real-life refugee love story, made the Oscar shortlist for documentary short. …
“The Caos met the director when she stumbled upon Lai Lai while researching mini-malls in the San Gabriel Valley for another film project. Intrigued, Nix started taking group classes. …
“Chipaul works as an electrical engineer, Millie as an auditor. They didn’t start taking ballroom dancing classes together until about seven years ago, but they have gone on to perform in dance competitions and events all around Southern California. …
“The Caos, who are ethnically Chinese but were born and raised in Vietnam, met as teenagers in the 1970s. During the war, a Vietnamese government ‘morals code’ banned dancing even in private homes. Parties were held anyway, and Millie still remembers a shy Chipaul reaching his hand out and asking, ‘Shall we dance?’
“But only six months after they met, the young lovers were separated. The Viet Cong came to power, and Chipaul knew he and his family had to leave.
“Unlike Millie, who lived in Saigon, Chipaul’s family lived in a small town where it was obvious who was Chinese Vietnamese. He went to a Mandarin-language school, his mother was a businesswoman, their community had money and property to be confiscated. They soon became targets. …
“Chipaul, 20 at the time, and his family took an early boat out of Vietnam and stayed at a Taiwanese refugee camp before coming to America.
“It took six years for him to figure out how to get Millie here. The process involved sponsoring her on behalf of her long-estranged father, who was living in the U.S.
“ ‘I came by plane, after two unsuccessful attempts by boat,’ she says. ‘That is something like God arranged, because if I escaped like the boat people, I probably cannot survive.’
“Nix’s short documentary tells the Cao’s love story as a series of new beginnings — how they had to restart their relationship after Millie came to the U.S. and how they’re now just learning to enjoy their lives and reconnect through dance after decades of being in survival mode. …
“She describes a moment before a performance, as Chipaul nervously takes off his Patagonia jacket to reveal a sequined costume.
“ ‘The crowd went, “Wow!” ‘ Nix says. ‘And then they dance, and the place went crazy. People were crying. They gave them a standing ovation.’ …
“The full-length feature will have more of the Caos’ backstory as well as more fantasy sequences that express what they are feeling emotionally through dance. Because, to Nix, Walk Run Cha Cha is more than a love story. It’s about the importance of remembering and celebrating the history of immigrants in the U.S.
“ ‘You have Eastern Europeans teaching Latin dance to people in the Chinese diaspora from Vietnam,’ says Nix, who is French Canadian and English. ‘To me, that’s the best version of America.’ “
More at the Los Angeles Times, here.