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According to Christopher Joyce at National Public Radio, young whooping cranes learn from older ones, and when older cranes are unavailable, they can learn from ultralights.

“Being a wildlife biologist in the 21st century increasingly means rescuing rare animals from extinction. Among the success stories is the whooping crane. Seventy years ago there were only about 16 birds left on the planet. Now there are about 600.

“But breeding more birds isn’t enough. Scientists want to restore the crane’s way of life, too. And a team of ecologists at the University of Maryland have discovered something that suggests they are succeeding: Captive-bred are picking up tips from older birds about how to skillfully navigate south for the winter.

“It’s a sign that those whooping cranes are passing knowledge from one generation to the next and, in a sense, rebuilding their culture.”

So how do whoopers raised in captivity learn to follow and where to go when there are no older birds around?

“Workers drive around the enclosures in an ultralight, one-person aircraft … that moves along the ground. It’s the first step in teaching these birds to identify an as a mature whooper. Then when the birds are yearlings and it’s migration time, they’re shipped up north, to Wisconsin.

” ‘The ultralight in Wisconsin not only circles on the ground and teaches them to follow,’ [Greg Smith of the U.S. Geological Survey] says, ‘but it also ultimately lifts up into the air’ and accompanies the whooping cranes on their great migration, which lasts between 50 and 100 days.”

More.

Photo: Joe Duff/Operation Migration USA Inc.
This young whooping crane is on its first fall migration, guided by an Operation Migration ultralight aircraft. Each whooper in this population wears an identification band, and many carry tracking devices that record their movements in detail.

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At Smithsonian magazine, Tom Downey explains why urban planners could learn a thing or two from a Hindu religious festival that occurs every 12 years.

“I arrived by taxi at the Kumbh [in India] at sunset, expecting throngs of cars, cows and human beings blocking all access points. Instead I glided comfortably into my camp, which sat on a hilltop. I looked out over the fleeting city before me: makeshift shelters constructed on the floodplain of a river that was sure to overflow again in a few months. …

“I’d come to witness the spectacle for myself, but also to meet a group of Harvard researchers from the university’s Graduate School of Design. Led by Rahul Mehrotra, an architect from Mumbai before he went stateside to teach, they would closely analyze this unparalleled feat of spontaneous urban organization.

“ ‘We call this a pop-up megacity,’ said Mehrotra, a bearded 54-year-old. ‘It’s a real city, but it’s built in just a few weeks to instantly accommodate tens of millions of residents and visitors. It’s fascinating in its own right, of course. But our main interest is in what can we learn from this city that we can then apply to designing and building all kinds of other pop-up megacities like it. Can what we see here teach us something that will help the next time the world has to build refugee camps or emergency settlements?’ …

“The Kumbh Mela works in a way that most other Indian cities do not in part because everyone is on their best behavior: Civil servants know that their careers will be defined by these few weeks in the national spotlight; members of the public arrive with a sense of purpose and community.” More here.

I think it goes to show that when large numbers of people are basically on the same page about the importance of something, miracles happen. Loaves and fishes get shared. People pick up their litter. Everyone feels they’ve been part of something big.

Photo: Alfred Yaghobzadeh
Cooks at the Hindu festival worked to feed millions.

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Dear Followers!

Suzanne’s Mom apologizes for sending you ghost photographs with no text or context. I have never owned a smartphone before, and it may take me a couple more tries before I nail the WordPress app. I hope you don’t get fed up.

I have a natural history post today, courtesy of John and a site called Unbelievable-Facts.com.

Apoorv Nagpal posts this: “Cherrapunji, a town in North-East India, which is known to be the second wettest place on earth, is also known for its living bridges. Here the bridges aren’t built but grown. The living bridges are made from the roots of Ficus elastica tree whose secondary roots grow above the ground surface.

“Long ago, War-Khasis, a tribe of Meghalaya, used this tree to cross rivers. Using the same technique, villagers of Cherrapunji grow their own bridges whenever required. The villagers have created a root-guiding system that forces the tender roots of the rubber tree to grow straight. Such roots make a strong, living bridge in about 10-15 years.

“Unlike the conventional man-made bridges which grow weak over time, these living bridges gain strength over time. Some of these bridges are more than five hundred (500) years old and can support 50 people at a time. A unique bridge called Umshiang Double-Decker Root Bridge is believed to be only one of its kinds in the whole world. It is actually a combination of two bridges, one stacked on top of the other.” More here.

I love that there are people with enough patience to wait 10-15 years for their bridge — and that they are rewarded with a bridge that grows stronger over time. Sounds like a fairy tale.

Photo: TravelTheUnknown. Check it out here.

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The Blackstone Parks Conservancy sent out this invitation, and we went.

“We invite you to attend the family event: Build your own Fairy House! This event was originally part of the summer series of family programs given by the Blackstone Parks Conservancy. Due to its rousing success, we are offering it again as part of Playful Providence, a citywide event organized by the Partnership for Providence Parks and the Providence Parks Department. Join us at the Field on River Road, across from the Narragansett Boat Club.”

Cardboard forms that you could fold into houses were on hand. On top you could apply a layer of something like sand-colored Play-Doh, with actual sand in it. Next you could choose from a gorgeous array of seedpods, acorns, leaves, twigs, and other fruits of nature — and stick them into the “mortar” — the way a fairy would like them — before the clay dried.

Our middle grandchild was a little young for it, but he liked running around in the park and watching the rowing lessons on the Seekonk nearby.

I would like to try fairy houses again someday soon. Just collecting the pieces of nature to be used would be fun for a child.

Read about the conservancy and future events here.

blackstone-valley-fun

to-make-fairy-castles

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The Street Pianos are in Boston and getting some enthusiastic use. Today was a lovely day to be outside, and I saw several people of varying skill levels playing the two pianos in Dewey Square.

Occupy Boston’s time in the square having failed to do anything to change the tragedy of homelessness, a loose-knit fraternity were hanging out, listening to the music or taking a turn. A group of us from work went over to hear an economist/musician play duets with strangers and then start taking requests.

Since the pianos are supposed to stay outdoors in Boston until October 14 — sunshine, rain, or snow — several colleagues were wondering about how the Celebrity Series folks, who are sponsoring them, intend to keep the pianos safe. We concluded that the huge pieces of plastic nearby were placed there in the faith that public-spirited passerby would do the right thing in case of a cloudburst.

It was a beautiful day for a work break singing Gospel, rock, “Climb Every Mountain, and “Old MacDonald Had a Farm” (for a toddler in a stroller whose mom stopped to watch).

092613-girl-plays-street-piano

Economist-plays-street-piano

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Remember the new Dewey Square mural I blogged about recently, here?

The Boston Globe has a brief update for you, but their picture is blocked by a cherry picker. As soon as the Greenway moved the heavy equipment, I shot my own picture.

Be watching for more on Dewey Square. I have blogged about the two months that Occupy Boston camped there. I have blogged about the Greenway’s teaching garden alongside the Big Dig exit and about the farmers market that sets up Tuesdays and Thursdays. Soon I will show pictures of the pianos that arrived today — with people playing them, I hope.

Dewey-Square-mural-Sept-2013

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Matadero was an old abandoned slaughterhouse in Madrid. Lately it has been “evolving into a cultural laboratory, where a new arts financing strategy is being tested.” So says Doreen Carvajal in the NY Times.

“Companies and institutions are providing financial support to supplement dwindling government arts subsidies, but with a twist: they don’t just send checks, they move in.

“Within the walled 59,000-square-foot center, there are public theaters and exhibition spaces that last year drew more than 500,000 visitors for music and art events and avant-garde plays. But five new residents are private institutions, including a designers’ association, a publishing house’s foundation and offices of Red Bull, the Austrian energy drink maker.

“They are in the compound rent-free for now, but have invested millions in the remodeling of pavilions there, as well as in programming, from art exhibitions to music festivals.

“These new partnerships are forged, out of necessity, here in Spain, where government support for culture has plunged by almost 50 percent over the last four years, a result of a lingering economic crisis that hit late in 2008.”

Some observers worry about the downsides of corporations having a big influence on what art gets shown, but haven’t the arts always had to have some help from patrons or companies?

Probably it pays just to be wary, to recognize when there is undue influence, and to push back. Certainly smaller, more experimental projects are unlikely to find a home under a Red Bull banner.

Read more at the Times, here.

Photo: Carlos Luján for The International Herald Tribune
Inside Matadero Madrid: A closer look at the arts complex.

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Luke Jerram’s street-piano movement is coming to Boston. We blogged previously about the artist here (his solar chandelier installation) and here (the street piano concept).

The pianos will be scattered all around Boston, and everyone is encouraged to play. The Boston website says, “Touring internationally since 2008, Play Me, I’m Yours is an arts project by artist Luke Jerram.  When the project goes live in Boston on September 27, over 1,000 street pianos will have been installed in 37 cities across the globe, bearing the simple invitation to Play Me, I’m Yours! The project has already reached more than four million people worldwide.

“As a thank you to millions of loyal patrons and to celebrate its 75th anniversary season, Celebrity Series of Boston is presenting Play Me, I’m Yours ‘the Street Pianos Boston Festival’ from September 27 – October 14, 2013.”

More here. The website also provides details of where all the pianos will be found starting Friday.

YouTube video: Dani Rosenoer of Three Days Grace punching on a street piano @ Cleveland.

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I remember my mother’s story about driving home to Boston with a friend and trying to cross the Connecticut River on September 21, 1938. I wish I remembered the details: where they were coming from, who was driving, whether they got across or the bridge was closed, where they spent the night.

But I will never forget the awe with which people of a previous generation spoke about the Hurricane of ’38, its unexpectedness, its devastation — and little Edrie Dodge crawling on hands and knee across her yard as the winds destroyed the farming and fishing industries of her island.

That hurricane has always held a kind of fascination for me. I was riveted reading A Wind to Shake the World, an excellent book describing places I knew and emphasizing that lack of good communication in 1938. While people in Long Island were fighting the storm, people in Rhode Island had no idea they were next.

Nevertheless, good things came of tragedy, lessons were learned. Forecasting and communication improved exponentially.

The Globe had a retrospective on the 75th anniversary.

Jeremy C. Fox wrote, “On that September afternoon 75 years ago today, the Great New England Hurricane of 1938 tore into New York’s Long Island and then Milford, Conn., and raged through Massachusetts and Vermont, leaving a path of flooded towns, flattened homes, and fires caused by downed power lines. …

“Coming before televisions, computers, or weather satellites, the storm’s speed and fury took both meteorologists and residents by surprise, according to forecasters.

“Meteorology professor Lourdes B. Avilés said the storm remains “the one to which all other New England hurricanes are sooner or later compared.”

More here.

Photo: The Boston Globe
”This enormous tree in our backyard came completely uprooted and came crashing down,” said Irene Goodwin Kane, who was 14 when the storm hit. “That was when I realized that this was really bad.”

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Photo: Tracy Lee’s Signature Apple Nut Cake

The other day I realized that since I have no plans to go apple picking this year, I better come up with a substitute apple activity to fill that seasonal need. Tracy Lee Karner had a yummy-looking apple cake recipe at her WordPress blog, here. I made up my mind to try baking it.

With the understanding that I, too, require only ingredients and utensils I happen to have handy, I baked it in an 8-inch-square glass pan instead of Tracy Lee’s 10-inch round — for 43 minutes instead of 40. I can’t be sure it was as yummy as Tracy Lee’s because I haven’t tried it in the 10-inch round, but it was pretty darn yummy.

P.S. You may have received random photos from me with no text. This will pass. I’m getting used to the Lumia 1020 phone Suzanne gave me for uploading pictures directly from the camera to the blog, which as you know, is part of Suzanne’s birthstone jewelry company, Luna & Stella. Sometimes I hit the wrong button.

tracy-lee-karner-apple-cake

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About a week ago, I noticed that a homeowner in town had placed sweet little pumpkins on her fence posts, about 20 pumpkins in all.

Something must have gone wrong soon after, because today her pumpkins all have anti-theft messages on them. Cute, if somewhat contrary to the original festive spirit.

The first one below says, “No — stop! Think of the Guilt! What would your grandmother think?”

The second one says. “Help me! Lost pumpkin. Please return to Sudbury Road.”

Will the messages shame the target audience?

It reminds me of volunteering in seventh grade to paint approved pictures on shop windows at Halloween. The idea was to co-opt the kids who soaped windows on Mischief Night. Alas, I don’t think any of them volunteered to do the approved paintings.

what-would-Grandma-say

return-stolen-pumpkin

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Candy creates interactive street art. Her “Before I Die” wall garnered a lot of attention — and contributors. Folks wanted more.

So she decided to create a website explaining in detail how others could replicate the wall.

Here she tells how it all started: “It’s easy to get caught up in the day-to-day and forget what really matters to you. After I lost someone I loved very much, I thought about death a lot. This helped clarify my life, the people I want to be with, and the things I want to do, but I struggled to maintain perspective. I wondered if other people felt the same way. So with help from old and new friends, I painted the side of an abandoned house in my neighborhood in New Orleans with chalkboard paint and stenciled it with a grid of the sentence “Before I die I want to _______.” Anyone walking by could pick up a piece of chalk, reflect on their lives, and share their personal aspirations in public space.

“It was an experiment and I didn’t know what to expect. By the next day, the wall was bursting with handwritten responses and it kept growing: Before I die I want to… sing for millions, hold her one more time, eat a salad with an alien, see my daughter graduate, abandon all insecurities, plant a tree, straddle the International Date Line, be completely myself…  People’s responses made me laugh out loud and they made me tear up. They consoled me during my toughest times. I understood my neighbors in new and enlightening ways.”

Candy’s how-to page reads, in part, “Once you’ve created a wall, you can share your wall here by creating a mini-site! A mini-site is a page where you can post photos and responses and document the story of your wall. It’s super easy to use, absolutely free, and no technical skills are required. Visit the Budapest mini-site to see an example.”

Everything you need if you’re going to create a “Before I Die” wall is here.

Photo: Before I Die

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This is special.

Joe Berkowitz justifiably sprinkles explanation points at his FastCoCreate report on footage shot by an eagle.

“Eagles are praised for their eyes,” he writes. “Now you can basically see through them.

“It’s a moment of extreme cognitive dissonance when the most patriotic thing you have ever seen in your American life is actually super-French.

“A video featuring GoPro footage shot by an eagle (!!!) soared to the top of Reddit’s video page recently, delighting all who laid eyes upon it. Before anyone watching has the opportunity to shed a tear for the purple mountain’s majesty, etc., though, a caption on the video mentions that this was shot in the Chamonix valley of France’s Mer de Glace.”

To see the beautiful video, go to FastCoCreate, here.

Photo: titaniumdoughnut at Reddit
Eagle in flight, unknowingly taking video.

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You may recall a past post about the Greenway mural by Os Gemeos, Brazilian twins who had a show at the Institute of Contemporary Art and painted street art around Boston when they were here. I posted pictures of their work-in-progress for the Greenway, here.

Geoff Hargadon photographed the finished work for the Boston Globe, below.

That giant mural is gone now, and Matthew Ritchie is working on the next one. I took a picture of it today and plan to take more for the blog as Ritchie wraps up.

Geoff Edgers at the Globe gives some background on this new piece. “The Institute of Contemporary Art has commissioned British-born Matthew Ritchie, known for using scientific principles to inspire his work, to take over the enormous outdoor canvas.

“Ritchie’s 5,000-square-foot seascape will be installed the week of Sept. 16 and remain up for as long as 18 months.

“The collaboration … is part of a residency for Ritchie that will include a multimedia performance with members of the rock bands The Breeders and The National, concerts at the museum and elsewhere, and a video project to be produced with the ICA’s teen program. But the biggest splash for the public will come on the exterior of the Big Dig ventilation building in Dewey Square.”

Read more at the Globe, here, and at the Greenway site, here.

Photo: Suzanne’s Mom

Matthew-Ritchie-Greenway-art

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In Sweden, mangata is the word for the roadlike reflection the moon casts on the water. In Finland there’s a word for the distance reindeer can travel comfortably before taking a break: poronkusema. A terrific German word that people familiar with Concord, Massachusetts, will appreciate is Waldeinsamkeit. What do you think it means? Yep. “A feeling of solitude, being alone in the woods and a connectedness to nature.”

National Public Radio staff say:  “Just as good writing demands brevity, so, too, does spoken language. Sentences and phrases get whittled down over time. One result: single words that are packed with meaning, words that are so succinct and detailed in what they connote in one language that they may have no corresponding word in another language.

“Such words aroused the curiosity of the folks at a website called Maptia, which aims to encourage people to tell stories about places.

” ‘We wanted to know how they used their language to tell their stories,’ Maptia co-founder and CEO Dorothy Sanders tells All Things Considered host Robert Siegel.

“So they asked people across the globe to give them examples of words that didn’t translate easily to English.”

I loved this report. You will, too.  Read more at NPR, here.

Art: National Public Radio, “All Things Considered”

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