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Tooth-in-Eye Surgery

Photo: Phil Chapman.
Dr. Greg Moloney, left, and Brent Chapman talk before the second stage of Chapman’s tooth-in-eye surgery.

Today’s story is about a fascinating kind of surgery for a very specific kind of eye problem. It came about because surgeons needed a hard material that patients’ immune systems wouldn’t reject. Surprisingly, it’s been used since the 1960s.

A. Pawlowski reports the story at Today.

“Brent Chapman can see again,” she writes, “after doctors pulled out one of his teeth, flattened it, drilled a hole in it, placed a lens inside and implanted the tooth in one of his eyes. It seems bizarre, but the complex operation — informally known as tooth-in-eye surgery — can help restore vision in patients with the most severe forms of corneal blindness.

” ‘It kind of sounded a little science fictiony. I was like, “Who thought of this?” Like this is so crazy,’ Chapman, 34, who lives in North Vancouver, British Columbia, tells TODAY.com about his first impression of the concept.

“ ‘Usually, the reaction is shock and surprise and frank disbelief that it even exists,’ says Dr. Greg Moloney, his eye surgeon and an ophthalmologist at Providence Health Care’s Mount Saint Joseph Hospital in Vancouver. The technique was developed in the 1960s, and Moloney estimates several hundred people around the world have undergone the procedure.

“It’s for patients who have a healthy back of the eye, but have suffered severe damage to the front of the eye — the cornea — from a chemical burn, a fire or explosion, or an autoimmune reaction where the immune system attacks the eye.

“In those cases, doctors need a way to restore a clear window to the back of the eye — like changing a severely damaged windshield in a car, Moloney says.

“It turns out a tooth with a lens implanted in the eye is the solution.

“Chapman was 13 years old when he lost his vision. He was playing in a high school basketball tournament, felt a little ill and took a couple of ibuprofen pain relievers. Healthy until then, Chapman had a life-threatening skin reaction to the medication known as Stevens-Johnson syndrome.

“In a coma for 27 days, Chapman recovered, but his eyes were forever impacted. His left eye is irreversibly blind, while his right eye suffered severe damage to the cornea. He spent the next 20 years traveling the world trying different procedures to preserve any vision he had left, including 10 cornea transplants. But they worked only for a short period of time. …

“Humans have been trying for hundreds of years to figure out how to put an artificial cornea on the front of an eyeball — the biggest issue is getting it to stay in place so that the body doesn’t reject it, Moloney notes. A patient’s own tooth solves that problem.

It’s a hard structure that can survive in this harsh environment, and the body understands it as part of itself, allowing it to grow into place, the doctor explains. …

“The ideal candidate for tooth-in-eye surgery — officially known as osteo-odonto-keratoprosthesis — is blind in both eyes from a disease that has affected the surface of the eye, but still has a healthy optic nerve and retina.

“The first stage of the two-step operation took place in February when Chapman had one of his teeth pulled. It had to be a healthy tooth that’s ‘bigger and then quite robust in order to hold the lens,’ Dr. Ben Kang, his oral surgeon, tells TODAY.com.

“He extracted one of Chapman’s upper canine teeth, then shaped and flattened it down with a drill so that it became rectangular. A hole drilled in the middle of the structure allowed the lens to be installed inside. …

“The tooth was then put back into Chapman’s cheek and implanted in a fat pocket underneath his eye for three months so that the body could grow tissue around it. Moloney would use it to stitch and anchor the structure to the front of his patient’s right eye.

“That second stage of the surgery took place in June. After waking up, Chapman could see hand motions right away, but it took a couple of months for his eye to heal after the surgery and for his vision to sharpen.

“ ‘We tried some glasses and I had this moment where I was like, wow, OK, I’m really seeing well now,’ Chapman recalls. ‘Dr. Maloney and I made eye contact, and it was quite emotional. I hadn’t really made eye contact in 20 years.’ “

Read more at Today, here, and still more at Wikipedia, here.

Photo:  Shereefdeen Ahmad.
“Today you do not play as rivals, but as brothers,” a match organizer tells the men from Nigeria and Benin.

One of the worst things about colonialism is the way it arbitrarily separates ethnic groups and plunks families down in different countries. Today we see how a sport is bringing relatives back together.

Shereefdeen Ahmad writes for the Christian Science Monitor, “It’s game day at the village soccer field, and spectators bunch along the sidelines with banners and drums to support their teams.

“They watch as the captains of the two squads walk to the center of the field for a coin flip to determine who kicks off first. …

“This match is part of a festival celebrating the culture of the Borgu, an ethnic group that straddles the border between Benin and its eastern neighbor, Nigeria. The teams and fans gathered here today have come from both countries, part of an effort to use soccer to bridge the divide imposed by colonial powers more than a century ago.

“ ‘I believe that football can reconnect us beyond those lines,’ says organizer Adam Kabirou, who regularly hosts cross-border matches.

“Mr. Kabirou grew up hearing stories about the Borgu kingdom, a civilization tracing its roots to the late 15th century. He also learned how colonial powers carved up his people’s lands in the late 19th century, splitting the Borgu between present-day Benin and Nigeria.

“Today, the majority of Borgu, approximately 1.4 million, reside in Benin, with a smaller population in Nigeria.

“As a child, Mr. Kabirou saw firsthand how that border created a rift between his community and the Borgu people living just 15 miles away on the other side. For one thing, the two groups often literally didn’t have the words to speak to one another.

Borgu in Nigeria learned English, the colonial language there, while Borgu in Benin spoke French, the language of their former rulers.

“These languages mingled with Batonu, the Borgu language, changing the way it was spoken on each side of the border.

“Meanwhile, Western-style schooling in both countries had pushed the Borgu people away from their shared customs and traditions, says Lafia Hussaini, a Borgu ethnographer and adjunct lecturer at the Centre for Cultural Studies and Creative Arts at the University of Ilorin in Nigeria. [Simultaneously] the border created an administrative division that made close ties practically difficult. …

“Sometimes the division even cut through a single community. For instance, half of the village of Chikanda sits in Benin, the other half in Nigeria. The difference is most clear at night. Electric lights illuminate the houses on the Beninese side of the border, while the Nigerian side, which doesn’t have an electricity connection, is dark.

“Over the years, Mr. Kabirou, a farmer, occasionally attended cross-border soccer matches, and saw how the game shrank the distances between the two communities. So in 2022, he decided to organize a tournament.

“In its most recent edition, in 2024, the Tournoi Brassage Culturel – the Cultural Blend Tournament – drew five teams from Nigeria and 15 from Benin. Mr. Kabirou estimates that more than 4,000 fans attended the final match between Gwanara, Nigeria, and Tchatchou, Benin.

“For the players who participate in these matches, the importance stretches beyond soccer.

“Bashiru Adamu, a Nigerian player, says he barely knew his paternal family in Benin before crossing the border to play a match here in 2023. Now, whenever he comes to play a game, he pays them a visit as well. …

“Today, there are three separate tournaments bringing together Borgu teams from Nigeria and Benin. … They have been important not only for the players, but for spectators as well.

“Watching these matches ‘has really brought us together,’ says Souaibou Seko, a resident of Nikki, Benin. In addition to the soccer itself, he says, he appreciates the cultural performances from Borgu artists that often take place before matches or at halftime.

“These performances ‘stress our newfound cultural unity,’ says Sanni Sika Gounoun, chairman of the organizing committee for the Solidarity Tournament. ‘This camaraderie is growing organically.’ “

This article is published in collaboration with Egab,” which focuses on stories from lesser known areas.

More at the Monitor, here.

Photo: Kaitlyn Dolan/The Washington Post.
An autograph book so huge it takes two people to carry was assembled by Joseph Mikulec of Oroslavje, Croatia. It was a hit in the US a century ago, then forgotten.

Today’s story is about how one man turned his wanderlust into a pilgrimage that captured the imagination of so many people that his travels paid for themselves. A century later, the autographs documenting those travels are feeding the dreams of his tiny Croatian village.

Petula Dvorak reports the story for the Washington Post.

“Viktor Šimunić snap-snapped the metal latches on the security case shut to keep the precious book safe. … About a foot thick, the book is leather-bound and worn. The pages crackle, and it looks like a magical book of spells from a fairy tale. It weighs about 60 pounds and cost the small town that purchased it nearly a quarter-million dollars.

“ ‘It is history of that time,’ said Šimunić, the mayor of the Croatian town that bought the book. ‘And it is about a dream.’

“It is the autograph book of Joseph Mikulec, a humble farmer who set off from the Croatian town of Oroslavje to see the world in 1901. He became a global sensation, followed by news reporters, featured in newsreels and welcomed by dignitaries. He visited at least 33 countries, traveling more than 200,000 miles — all on foot, with the book in tow: in a bag, on his shoulder, and eventually in its own custom-made stroller. …

“Mikulec died in 1933, his story and his book largely forgotten over the past 100 years, until two things happened:

“Šimunić, the 34-year-old mayor of Oroslavje who traveled the world before returning to his hometown, heard about Mikulec from a local teacher two years ago. He was riveted by the story, the élan and hubris of someone from his sleepy, 14th-century village.

“Unbeknownst to Šimunić, across the Atlantic, a rare-manuscript dealer named Nathan Raab was puzzling over the remarkable leather book held together with a thick leather horse strap, which a man had lugged into his Philadelphia office in 2021.

“The man was a descendant of the ACME grocery magnate who bought it from Mikulec in 1925. Raab was unsure what exactly it was, but guessed it had a tremendous backstory.

“Cracking open the well-worn spine revealed a time capsule.

“ ‘I take pleasure in giving this letter to Joseph F. Mikulec as evidence he called at the White House on this day,’ says the Feb. 1, 1915, entry by President Woodrow Wilson, one of six U.S. presidents who signed Mikulec’s book.

“Mussolini, Ford, Tesla, Edison, King Edward VIII and British Prime Minister David Lloyd George were among 60,000 others who stopped whatever important business they were doing to sign the autograph book.

“It became Mikulec’s life mission. As he became increasingly famous, world leaders, artists and luminaries from Egypt to New Zealand were thrilled to sign what was becoming a global ‘Who’s Who.’ Some wrote full letters and included stamps, seals and photos.

“It was a time when [usually] all it took was Mikulec’s charisma to get past one grumpy guard.

“ ‘I walked up to 10 Downing Street, London, the other day,’ Mikulec told the Evening Star in December 1919. He wanted to see Prime Minister David Lloyd George, but he was out and Mikulec left his book for him to sign.

“ ‘When I came back the autographs of most of the cabinet were in my book, and there were two photographers waiting to snap me on the way out,’ he said.

“Mikulec gave lectures, bringing the world to the people who shared his wanderlust. He funded his adventures by charging admission to some of his story hours and selling postcards of himself to his legions of fans. …

“ ‘I would say he was like an archetype of today’s influencer or travel blogger,’ said Roberto Kuleš, president of Oroslavje’s city council and a member of the five-man delegation that traveled to the East Coast last week to buy the book from Raab as part of a grand plan. …

“Mikulec was born in 1878 to a poor farmer who lived near Oroslavje, a small town on the outskirts of Zagreb. He was expected to work in the fields. But he declared his wanderlust in his youth. …

“The townsfolk told the dreamer: ‘“’You must get married. You must have children. You must stay home. You must work and be ordinary,’ Šimunić said.

“Mikulec managed to leave his family farm in 1901 to work in Italy and Malta. When his father died in 1905, the 27-year-old hopped on a steamboat to South Africa to begin a trip that would last nearly three decades. From there, he went to South America, where he camped in rainforests and survived on wild fruit, roots and nuts. …

“His lectures included ‘the tale of the snake that stabbed him near Matildas, of the Indian woman who pummeled him in Argentine, of Roosevelt and Wilson as they talked to him, of the bones of the whale on the Brazilian coast so enormous he could barely lift one rib, of Moros whose chests were so roughened by climbing shaggy trees that they looked like crocodiles, the Detroit Free Press wrote in June 1919. …

“There were actually three books in total — the other two much smaller. One that had been with Mikulec’s distant family is on display in the Croatian History Museum in Zagreb, which acquired it in 2023. Croatian historians had been buzzing at the news that the biggest book, the one presumed gone, surfaced in Philadelphia.

“As Šimunić learned more about Mikulec’s story, he was inspired by the global impact a farmer from a small village had made. He commissioned a statue of Mikulec with the book on his shoulder. And he longed to buy the biggest book, the famous one in Philadelphia.

“He called Raab and asked for a digital copy of the pages.

“ ‘I told him, you don’t know me, I’m a little mayor from a little city,’ he said. ‘But we have good intentions.’ …

“It was electrifying to finally see the book last week in Philadelphia, Šimunić said. Raab said he, too, was moved by the moment. ‘It’s touching for us to know that it’s going back home,’ he said in his company’s podcast episode about the book. ‘Where it belongs.’ “

More at the Post, here.

Photos: Ivan Vdovin/Alamy; Lyn Alweis/The Denver Post, via Getty Images.
With no known contemporaneous sketches or paintings of Sacagawea, artists have largely invented her look, even as historians have invented her story by relying on Lewis and Clark’s misunderstandings.

In a long article at the New York Times Magazine, Christopher Cox writes about researchers trying to piece together the real story of Sacagawea. Will these more-accurate accounts stick? As I learned when reading Josephine Tey’s mystery The Daughter of Time, truth may be “the daughter of time,” but popular legends are often too stubborn to die.

Cox writes, “In a conference room in the middle of the Great Plains, 50 people gathered to correct what they saw as a grave error in the historical record. It was July 16, 2015, on the Fort Berthold Indian Reservation in North Dakota, not too far upstream from the camp on the Missouri River where Meriwether Lewis and William Clark first met Sacagawea, the teenage girl who would accompany them to the Pacific Ocean and back.

“The story of that journey has been told many times: in the journals that Lewis and Clark kept; in more than a century of academic histories; and in countless more fanciful works that have turned the expedition, and Sacagawea’s supposed role as guide to the Americans, into one of the country’s foundational myths. The people in the conference room, members of three closely related tribes, the Mandans, the Hidatsas and the Arikaras, thought basically all of it was nonsense.

“Jerome Dancing Bull, a Hidatsa elder, took the microphone first. … ‘They got it all wrong!’ he told the people in the room, referring to the bare-bones, truncated life sketched out for Sacagawea by Lewis and Clark and the historians who followed them. In that telling, Sacagawea was born a member of the Shoshone tribe in present-day Idaho, was kidnapped by the Hidatsa as a child, spent most of 1805 and 1806 with the expedition and died in 1812, while she was still in her 20s. The Hidatsas insist that she was a member of their tribe all along and died more than 50 years later, in 1869. And not of old age, either: She was shot to death.

“History has always been a process; it has also long attracted partisans who insist that its judgments should be frozen in time. … Sacagawea long ago left the realm of the apolitical dead. Over the years, she has been pressed into service as an avatar of patient humility or assertive feminism, of American expansionism or Indigenous rights, of Jeffersonian derring-do or native wisdom. …

“The Hidatsas’ portrait of Sacagawea is both richer and more ambiguous than the one found in standard histories. By adding decades to her life, they have changed its meaning: The journey to the Pacific, rather than the whole of her existence, becomes a two-year blip in a story that stretches across the 19th century, from the opening of the Western frontier to the Civil War and beyond. Almost all those years were spent back where Lewis and Clark found her, among the Hidatsa.

“The meeting at Fort Berthold was organized by Dennis and Sandra Fox, married scholars who worked for the education division at the Bureau of Indian Affairs. Dennis is a direct descendant of Cedar Woman, whom the Hidatsas believed was Sacagawea’s daughter, born some 30 years after the Lewis and Clark expedition ended. He has heard about his famous ancestor since he was a boy, an oral tradition that included direct observations of her life long after her supposed death. That memory of her, he knew, was at risk of being lost. …

“The Foxes invited tribal historians and Hidatsa elders, many of whom believed themselves to be Sacagawea’s descendants, to speak. Everyone who participated got a Pendleton blanket. ‘It was a long day because we let everybody tell their stories,’ Sandra said. The discussion repeatedly veered away from the historical accounts of Sacagawea herself to more personal stories of what followed, in particular how the tribe’s memories of her had been suppressed in government and public schools. There she was called Sacajawea, with a J, and she was a Shoshone. …

“Some of those present wanted to make a film putting forward their version of Sacagawea’s life. But Gerard Baker, a former superintendent of the National Park Service’s Lewis and Clark trail, suggested that a book might be a better approach. ‘The first thing we learned in academia,’ he said, ‘is if we see something written, we believe it.’

“It was an early hint of a theme that would come to define the work that followed: the long-running historical debate over the relative value of oral and documentary evidence. In the moment, though, no one doubted Baker’s judgment. The tribal government agreed to fund research toward a book, with Dennis and Sandra Fox managing the project. The initial grant was for $30,000.

“Before the meeting ended, the Foxes chose five Hidatsa elders to serve as an advisory board: Baker, Calvin Grinnell, Bernie Fox, Wanda Sheppard and Carol Newman. Though the book would be credited to them, as the Sacagawea Project Board of the Mandan, Hidatsa and Arikara Nation, it was Dennis and Sandra who would do most of the writing. …

The board members themselves were important sources. Newman, one of the last surviving native speakers of Hidatsa, had polio as a child, which meant she spent an unusual amount of time among elder caregivers. From them she learned not only about Sacagawea’s life but also about the whole deep history of the Hidatsas, a tribe of farmers and buffalo hunters that, together with the Mandans and Arikaras, dominated trade on the Great Plains before the arrival of the Europeans. In passing along these oral histories, Newman was careful to cite her sources, most notably Philip Snow, her grandfather. ‘He’d describe it in our language,’ she said, ‘and I could see it.’

“Ultimately, the process of researching, writing and publishing the book stretched over six years and would cost some $250,000. ‘There were many nights when we thought, What have we done?’ Sandra said. ‘This story is just too complicated for anybody to understand.’ By 2020, though, they had a manuscript ready.

“The Foxes sent the book to a few independent and university presses but were dispirited by the responses. Even in written form, no one seemed to take their testimonies seriously. They felt themselves at a dead end and worried that the book might never reach the public. To the project board, it was a familiar result. … ‘the century-long efforts of the Hidatsa to overcome the power of the Lewis and Clark journals.’

“Academic historians have come a long way since, as E.H. Carr put it, they treated the past like a collection of facts ‘available to the historian in documents, inscriptions and so on, like fish on the fishmonger’s slab.’ For Lewis and Clark scholars, though, the journals have an irresistible pull that no oral history can match: an illustrated, contemporaneous, day-by-day account of the journey. ‘It’s something you can put your hand on,’ said Gary Moulton, the editor of the definitive version of the journals. ‘You can trace its lineage.’ …

“After a year of trying, in 2021, the Sacagawea Project Board found a small press in California, the Paragon Agency, that agreed to publish the book, with a long title drawn from Dancing Bull’s speech at Fort Berthold: ‘Our Story of Eagle Woman: Sacagawea: They Got It Wrong.’ In one of the few reviews the book received, Thomas Powers, the author of a well-regarded book about Crazy Horse, wrote, ‘One way or another, every future history’ of Sacagawea ‘will have to take it into account.’ ”

Lots more at the Times Magazine, here.

Photo:The Metropolitan Museum of Art.
Google’s Aeneas AI program proposes words to fill the gaps in worn and damaged artifacts. 

Whenever I start to worry that Google has too much power, it does something useful. Today’s story is about its artificial intelligence program Aeneas, which can make a guess about half-obliterated letters in ancient inscriptions.

Ian Sample, science editor at the Guardian, writes, “In addition to sanitation, medicine, education, wine, public order, irrigation, roads, a freshwater system and public health, the Romans also produced a lot of inscriptions.

“Making sense of the ancient texts can be a slog for scholars, but a new artificial intelligence tool from Google DeepMind aims to ease the process. Named Aeneas after the mythical Trojan hero, the program predicts where and when inscriptions were made and makes suggestions where words are missing.

“Historians who put the program through its paces said it transformed their work by helping them identify similar inscriptions to those they were studying, a crucial step for setting the texts in context, and proposing words to fill the inevitable gaps in worn and damaged artifacts.

” ‘Aeneas helps historians interpret, attribute and restore fragmentary Latin texts,’ said Dr Thea Sommerschield, a historian at the University of Nottingham who developed Aeneas with the tech firm. …

“Inscriptions are among the most important records of life in the ancient world. The most elaborate can cover monument walls, but many more take the form of decrees from emperors, political graffiti, love poems, business records, epitaphs on tombs and writings on everyday life. Scholars estimate that about 1,500 new inscriptions are found every year. …

“But there is a problem. The texts are often broken into pieces or so ravaged by time that parts are illegible. And many inscribed objects have been scattered over the years, making their origins uncertain.

“The Google team led by Yannis Assael worked with historians to create an AI tool that would aid the research process. The program is trained on an enormous database of nearly 200,000 known inscriptions, amounting to 16m characters.

“Aeneas takes text, and in some cases images, from the inscription being studied and draws on its training to build a list of related inscriptions from 7th century BC to 8th century AD. Rather than merely searching for similar words, the AI identifies and links inscriptions through deeper historical connections. …

“The AI can assign study texts to one of 62 Roman provinces and estimate when it was written to within 13 years. It also provides potential words to fill in any gaps, though this has only been tested on known inscriptions where text is blocked out.

“In a test … Aeneas analyzed inscriptions on a votive altar from Mogontiacum, now Mainz in Germany, and revealed through subtle linguistic similarities how it had been influenced by an older votive altar in the region. ‘Those were jaw-dropping moments for us,’ said Sommerschield. Details are published in Nature. …

“In a collaboration, 23 historians used Aeneas to analyze Latin inscriptions. The context provided by the tool was helpful in 90% of cases. “’t promises to be transformative,’ said Mary Beard, a professor of classics at the University of Cambridge.

“Jonathan Prag, a co-author and professor of ancient history at the University of Oxford, said Aeneas could be run on the existing corpus of inscriptions to see if the interpretations could be improved. He added that Aeneas would enable a wider range of people to work on the texts.

“ ‘The only way you can do it without a tool like this is by building up an enormous personal knowledge or having access to an enormous library,’ he said. ‘But you do need to be able to use it critically.’ “

More at the Guardian, here. Please remember that this free news outlet needs donations.

Photo: Elisabeth von Boch/Stanford.
The MingKwai typewriter, crucial to the development of modern Chinese computing, has resurfaced. Its keys enable the typist to find and retrieve Chinese characters.

I love stories about finding long-lost treasures. The story of this old typewriter, the only one of its kind ever made, fits that category.

Emily Feng writes at National Public Radio (NPR), “Scholars in the U.S., Taiwan and China are buzzing about the discovery of an old typewriter, because the long-lost machine is part of the origin story of modern Chinese computing — and central to ongoing questions about the politics of language.

“China’s entry into modern computing was critical in allowing the country to become the technological powerhouse it is today. But before this, some of the brightest Chinese minds of the 20th century had to figure out a way to harness the complex pictographs that make up written Chinese into a typewriter, and later, a computer.

“One man succeeded more than any other before him. His name was Lin Yutang, a noted linguist and writer from southern China. He made just one prototype of his Chinese typewriter, which he dubbed the MingKwai. …

“Detailed U.S. patent records and diagrams of the typewriter from the 1940s are public, but the physical prototype went missing. Scholars assumed it was lost to history.

” ‘I had really, truly thought it was gone,’ says Thomas Mullaney, a history professor at Stanford University who has studied Chinese computing for two decades and is the author of The Chinese Typewriter.

Mullaney was at a conference last year when he got a message that someone in upstate New York had found a strange machine in their basement and posted a picture of it on Facebook.

” ‘It was a sleepless night.’ …

“Eventually, the owner reached out to him. They had acquired the typewriter from a relative who had worked at Mergenthaler Linotype, once of the most prominent U.S. makers of typesetting machines. The company helped craft the only known prototype of the MingKwai typewriter. …

” ‘It’s like a family member showing up at your doorstep and you had just assumed you would never see them,’ Mullaney says.

“The story of why such a typewriter even exists runs parallel to the political upheaval and conflict over Chinese identity and politics in the 20th century.

“Lin, its inventor, was born in 1895 in southern China during the tail end of a failing Qing dynasty. Student activists and radical thinkers were desperate to reform and strengthen China. Some proposed dismantling traditional Chinese culture in favor of Western science and technology, even eliminating Chinese characters altogether in favor of a Roman alphabet.

” ‘Lin Yutang charted a path right down the middle,’ says Chia-Fang Tsai, the director of the Lin Yutang House, a foundation set up in Taiwan to commemorate the linguist’s work. …

“Typing Chinese was a monumental challenge. Chinese has no alphabet. Instead, it uses tens of thousands of pictographs. When Lin started his work in the early 20th century, there was no standardized version of Mandarin Chinese. Instead, people spoke hundreds of dialects and languages, meaning there was no singular phonetic spelling of the sound of each word.

“Lin had financial backing from the American writer Pearl S. Buck to create the typewriter, but he also sunk much of his own savings into the project as costs ballooned.

” ‘He’d spent a lot of money. A lot,’ says Jill Lai Miller, Lin’s granddaughter. …

“The typewriter’s ingenuity comes from the way Lin decided to break down Chinese pictographs: by their shapes, not sounds. The typist can search for certain combinations of shapes by pressing down on the ergonomic keyboard. Then, a small screen above the keyboard (Lin called it his ‘magic eye’) offers the typist up to eight possible characters that might match. In this way, the typewriter boasts the ability to retrieve up to 90,000 characters. …

“Encoded in the machine’s engineering was an ambitious globalism. Lin’s way of breaking down languages by the shape of their words rather than their sounds or alphabets meant his machine theoretically can type English, Russian and Japanese as well, according to the typewriter’s manual.

” ‘One thing that was very interesting … in Li Yutang’s thinking about Chinese-ness and Chinese culture is that it must not be insular. It must have this porous border, it must be capacious and be able to communicate and talk with other cultures,’ says Yangyang Cheng, who first wrote about the typewriter’s discovery. …

“Mullaney is now researching the typewriter full-time, trying to understand how its mechanical innards work, with the far-off dream of one day replicating it. He recently found the typewriter’s ink spool was still fully intact inside.

” ‘You would need the sort of technology that they used on, like, discoveries of the Dead Sea Scroll and stuff like that, but you’ll notice that the ink spool is still there,’ he points out, using a dental mirror to peer inside the machine.

“The ink spool could contain traces of the last words Lin or his daughter typed on the machine — meaning perhaps the inventor’s own words are in his magical machine too.”

More at NPR, here. The New York Times also has a story on the typewriter. Read it here.

Photo: The Optimist Daily.
Website the Optimist Daily says, “Mushroom caskets offer an earth-friendly goodbye in North America’s first burial of its kind.”

Blogger Will McMillan at A Musical Life on Planet Earth gave me the lead for today’s story. And because my husband and I just recently entertained two mushroom enthusiasts from a recent conference, I decided today was a good day to tell you how some folks take their love of mushrooms to the end — and beyond.

“Traditional burials,” writes the Optimist Daily, “though deeply meaningful, often come at a steep environmental cost. The chemicals, hardwood, and land use involved can have long-term ecological impacts. But a quiet revolution in burial traditions is beginning to bloom and its roots are made of mushrooms.

“In a first for North America, a burial using a fully biodegradable mushroom casket took place on a serene hillside in rural Maine. The Loop Living Cocoon, developed by Dutch company Loop Biotech, is made entirely from mycelium, the intricate root system of fungi. The casket is grown in just one week, naturally breaks down within 45 days, and enriches the soil it returns to.

“ ‘My father always told me that he wanted to be buried in the woods on the property that he loved so much,’ said Marsya Ancker, whose father Mark C. Ancker was laid to rest in the pioneering casket. ‘He wanted his final resting place to nourish the land and plants he cherished.’ …

“Though this was a first for North America, Loop Biotech has already facilitated more than 2,500 burials across Europe using mushroom caskets. Green burials are an alternative that avoids embalming fluids, hardwood caskets, and steel-reinforced concrete vaults, and they’ve been steadily growing in popularity since the 1990s.

“ ‘Since 2005, the Green Burial Council has certified over 250 providers and recorded 400+ green cemeteries across the U.S. and Canada: a clear sign of growing demand for environmentally conscious end-of-life choices,’ said Sam Perry, president of the Green Burial Council.

“The statistics are striking. According to the Council, conventional U.S. burials consume roughly 20 million board feet of wood, 4.3 million gallons of embalming fluid, and 1.6 million tons of concrete each year.

“Bob Hendrikx, founder of Loop Biotech, believes funerals can be more than a final goodbye. ‘We created the Loop Living Cocoon to offer a way for humans to enrich nature after death. It’s about leaving the world better than we found it.’

The Global Green Burial Alliance, founded in 2022, is helping reshape global perspectives on death. Entirely volunteer-run, the organization connects families with green providers and empowers people to reclaim their voice in end-of-life decisions. …

“Ed Bixby, founder of the Global Green Burial Alliance, believes these choices create a legacy of compassion. … ‘To embrace the living with our death becomes the final act of kindness we can bestow upon our planet.’

“With innovations like the mushroom casket and a groundswell of interest in sustainable options, a cultural shift appears to be underway. It asks that we reimagine death not as an ending, but as a way to nourish new life.”

So there’s that.

Sometime I’ll tell you about our mycologist visitors. Theirs is a whole different world. And when you live in a retirement community and are in danger of too much sameness, “different” is especially welcome.

Consider for example, how we learned from these guys that truffles are actually all over the world but buried very deep. And how they might even have been the “manna” in the desert described in the Bible. They do grow in desert places like Saudi Arabia.

So says the CEO of MycoSymbiotics, William Padilla-Brown, who, we learned, was a speaker at the conference. His bio describes him as a “Multidisciplinary Citizen Scientist practicing social science, mycology, phycology, molecular biology, and additive manufacturing. William founded MycoSymbiotics in 2015, and has since developed it into the innovative practical applied biological science business it is today. William holds permaculture design certificates acquired through Susquehanna Permaculture and NGOZI, and a certificate from the Bigelow Laboratory for Ocean Sciences in algal culturing techniques. He has published the first English-language books on cultivating the cordyceps mushroom and regularly leads courses on their cultivation. William’s research has been sponsored by several organizations and his work has been featured in multiple publications, including Fantastic Fungi and VICE. He also founded and manages MycoFest, an annual mushroom and arts festival, now on its eleventh year.”

So many unusual pursuits in this world! I am not knowledgeable enough to recommend the ideas of any mycologists or herbalists, nor am I planning a mushroom burial, but I sure am a sucker for anything interesting.

Doesn’t curiosity keep us all going?

More at the Optimist, here.

Photo: Tracy Nguyen for NPR.
In general, Hollywood cares little for the “circular economy,” but this helicopter at Beachwood Services, originally used in 
Black Hawk Down, has been repurposed in Terminator 4Suicide Squad and The A Team, among other movies and TV shows.

As I was working on a post in which actor Benedict Cumberbatch bemoaned the wastefulness of Hollywood, I ran across a contrary example. Apparently, some folks in that world care about the environment or maybe just see a buck to be made by repurposing sets.

A big part of Hollywood’s problem relates to being in a hurry and taking the easy way out.

First Cumberbatch at the Guardian.

Catherine Shoard writes, “Benedict Cumberbatch has called the Hollywood film industry ‘grossly wasteful,’ taking particular issue with its squandering of resources in the aid of set building, lighting – and bulking up physiques for blockbusters.

“ ‘It’s horrific eating beyond your appetite,’ Cumberbatch told Ruth Rogers on her food-focused podcast, Ruthie’s Table 4, adding that when he was shooting Marvel’s Doctor Strange, he would eat five meals a day. In addition, he would snack on boiled eggs, almonds and cheese, in order to try to ingest enough protein to transform his body.

“ ‘Going back to responsibility and resourcefulness and sustainability, it’s just like, “What am I doing? I could feed a family with the amount I’m eating,” ‘ Cumberbatch said.

“ ‘It’s a grossly wasteful industry,’ he continued. ‘Think about set builds that aren’t recycled, think about transport, think about food, think about housing, but also light and energy. The amount of wattage you need to create daylight and consistent light in a studio environment. It’s a lot of energy.’ “

So there’s that.

On the other hand, according to National Public Radio, “Beachwood Services, owned by Sony Pictures Entertainment, rents out sets and props for reuse that were originally built for its own productions.”

That spark of hope was reported by Chloe Veltman.

“For decades,” she says, “it was standard practice in Hollywood for art departments to build sets for movies and TV shows from scratch, and then break them down at the end of production and haul the pieces off to the landfill.

” ‘The dumpsters just line up at the end of the show,’ said veteran Hollywood art director Karen Steward of many productions she worked on, from the 1988 high school comedy Johnny Be Good, to the 2013 political action thriller Olympus Has Fallen. ‘And there’s no talking about it, because it’s time to get off the soundstage.’

“Steward is part of a group of like-minded Art Directors Guild members who have been pushing for more sustainable practices for years, along with other allies. At first, she said, it was hard at first to get much traction. ‘We’re all about not wasting time, and hurry up, and get it done, and time is money.’

“But Steward said things are becoming easier, as the industry is gradually coming to grips with its impact on human caused climate change. …

” ‘To find a true circular solution, a true zero waste idea, is what we’re working toward,’ she said.

“According to Earth Angel, an agency that helps productions in the U.S. and around the globe reduce their carbon footprints, the average TV show or movie in 2022 created about 240 tons of waste, with an estimated half of that amount coming from the disposal of props and sets.

” ‘There are definitely more innovative, efficient ways of working,’ said Earth Angel founder and CEO Emellie O’Brien. ‘

‘We often just don’t give people the space and the breathing room to uncover those solutions.’

“One such solution is to reuse old sets rather than always building new ones. Beachwood Services, owned by Sony Pictures Entertainment, rents out sets and props for reuse that were originally built for its own productions. Located in Santa Clarita, north of Los Angeles, its warehouses are packed with scenic gems. …

“Art directors sometimes resist the idea of reusing old sets, because they want to realize their own creative vision. But Sondra Garcia, Beachwood’s director of scenic operations, said the service allows them to alter what they rent to suit their needs.

” We tell people, “You’re going to put your own spin on it. You’re going to paint it. You’re going to reconfigure it. And then it is your design,” ‘ said Garcia. ‘The most important thing to remember is to recycle stuff because it’s less wasteful, and producers like it because it saves money.’

“And when those sets get too old to rent out to big-budget productions, they often wind up at places like EcoSet. Productions pay for the Los Angeles-based company to haul away their unwanted sets, props and construction materials. Instead of going to landfills, those treasures are then donated to whoever wants them. …

“But these solutions to Hollywood’s chronic waste problem only go so far.

“Ecoset’s owners don’t know what happens to all of the free stuff the business gives out — whether it’s recycled again or thrown away. Also, many warehouses around the region that used to keep old sets and props in circulation have downsized — Sony’s Beachwood Services formerly had five warehouses and now there are two — or have shuttered in the past couple of years, owing to rising real estate costs. …

” ‘I don’t think anyone in our industry would shy away from really hard challenges or else we wouldn’t be in our industry,’ said Everything Everywhere All at Once producer and sustainability champion Jonathan Wang. ‘But I do think it’s tricky.’

“Wang said despite people’s best intentions, a lot of materials still get thrown out in the rush to meet hectic production deadlines — including on his own sets.

” ‘I think it’s important to just acknowledge that we’re all figuring it out,’ Wang said. ‘We’re trying to do it better.’ “

More at NPR, here, and at the Guardian, here. No firewalls, but both those outlets need our support.

Baseball for the Blind

Photo: John Lykowski.
Alex Gamino of the Chicago Comets takes a turn at bat at the 2024 Beep Baseball World Series in St. Charles, Missouri.

In an unusual story at the Christian Science Monitor, Jay Copp reports that “baseball for the blind” doesn’t mean listening to games on the radio but actually playing baseball in spite of a disability. The sport is called Beep Baseball. It has a ball that beeps, perhaps reminding Harry Potter fans of those airborne snitches with a mind of their own.

“Clad in a stylish red uniform with blue trim, Rich Schultz fiercely swings at the pitch and dashes toward the base. Mr. Schultz, a teacher, is one of more than 100 weekend warriors playing baseball on a recent Saturday morning at a sprawling park in a Chicago suburb. Eight teams from six states competed in the two-day tournament, in its 24th year.

“The Chicago Comets, Mr. Schultz’s team, won two and lost two. The camaraderie was more important than winning. ‘There’s a real sense of community – not only the guys on your team but the other teams,’ says Mr. Schultz. …

“The players are blind. The teams belong to the nationwide 24-team National Beep Baseball Association (NBBA), formed in 1976.

“Beep baseball is a modified version of the national pastime. The 16-inch ball has a noisemaker that beeps. A teammate, a sighted volunteer, serves as the pitcher. There are just two bases, 4-foot-tall padded cylinders. One of them will buzz when the batter strikes the ball. The batter is out if a fielder cleanly grabs the ball before the batter touches the base. Otherwise, a run is tallied.

“The games have the same varied pace of traditional baseball: stretches of inactivity, such as foul balls and swinging strikes, followed by frenetic action, with fielders scrambling and batters sprinting toward the bag. Most of the players grew up as avid baseball fans or played other sports as youths.

“ ‘He’s very competitive,’ says Christina Smerz of Mr. Schultz, her husband, who wrestled in high school, despite his lifelong blindness. ‘He gets a real sense of freedom playing sports.’ …

“Beep baseball has been on a steady upswing, according to Stephen Guerra, NBBA secretary. … The NBBA has 500 members, split about equally between players and volunteers. That’s double the number from two decades ago, according to Mr. Guerra, who is a player for the Minnesota Millers.

“Bob Costas, the Emmy-winning sports broadcaster, has promoted the World Series on both a baseball podcast and a video made for MindsEye, a nonprofit sponsoring the tournament. 

“Beep baseball dates from 1964 when Charles Fairbanks, an engineer at a telephone company, designed the first practical beeping baseball. Mirroring the general societal attitude toward those with disabilities, the sport evolved from a genteel, slow-moving one, in which players were basically coddled, into a highly competitive activity. Fielders dive after balls, and batters fling themselves into the padded bases. …

“Comet Dustin Youngren remembers his debut several years ago with vivid clarity. … ‘I was so nervous. But I hit it, got to the base, and scored a run – in my first at bat,’ says Mr. Youngren. … Beep baseball is a central part of his life. ‘I love my team. I get a lot of support,’ he says. ‘I want to play forever.’ …

“Begun in 1995, the Comets practice every Saturday during the season and play a 20-game schedule. The 12-member roster has fluctuated, but it often has included players as young as teenagers and women as well. Many on the team are either in school or gainfully employed. The current roster includes a rehabilitation therapist and an IT support system engineer.

“On hand at the recent Saturday game is David Smolka, a 60-something former league MVP. Cooper, his Labrador leader dog, lies at his feet. ‘I was pretty good,’ he says with a chuckle. ‘I’d get upset with myself if I didn’t do well. I learned to talk to myself and realize it’s OK to have a bad day, just like you might have a bad day at work.’

“Mr. Smolka coached the Comets when he retired from playing. His players learned much more than how to hit or field. ‘Some had to learn how to get to practice. They had to learn bus routes, how to get equipment,’ he says. ‘My mom never pampered me. I didn’t pamper them.’ …

“Beep players understand, all too well, that off the diamond it’s not an even playing field. ‘People look down on you. They think you should be flipping burgers,’ says Mr. Youngren. ‘I want to break that line of thinking, to show people what I can do.’

“Mr. Schultz teaches young people who are blind as part of his job as a special education teacher. He uses beep baseball to illustrate the possibilities for them. Often it’s their parents who need to be reached. ‘They can have such negative expectations,’ he says.”

At the Monitor, here, you can get more details, including how the play-by-play is narrated by someone who can’t see what’s happening.

Photo: Shimabuku.
Unlike animals that spend their days eating, sleeping or mating, octopuses “have time to wander — time for hobbies,” says Shimabuku, who makes art for sea creatures to enjoy. 

There’s an artist in Japan who makes art for marine animals just to see how they react. The responses of octopuses seem to be the most gratifying to him. The whole time I was reading this story, I was wondering why I had never heard the naturalist Sy Montgomery, author of The Soul of an Octopus, talk about this on Boston Public Radio in one of her her weekly visits. I must have missed that day.

“When the Japanese artist Shimabuku was 31 years old,” writes Francesca Perry at CNN, “he took an octopus on a tour of Tokyo. After catching it from the sea with the help of a local fisherman in Akashi, a coastal city over 3 hours away from the Japanese capital by train, he transported the live creature in a temperature-controlled tank of seawater to show it the sights of Tokyo before returning it safely to its home the same day.

“ ‘I thought it would be nice,’ the artist, now 56, said about the experience, over a video call from his home in Naha, Japan. …

‘I wanted to take an octopus on a trip, but not to be eaten.’

“Documenting it on video, Shimabuku took the octopus to see the Tokyo Tower, before visiting the Tsukiji fish market, where the animal ‘reacted very strongly’ to seeing other octopuses on sale, the artist said. …

“The interspecies day trip, resulting in the 2000 video work ‘Then, I Decided to Give a Tour of Tokyo to the Octopus from Akashi,’ kickstarted a series of projects Shimabuku has undertaken over the decades that engage with octopuses in playful, inquisitive ways. A portion of this work is currently on show in the UK, in two exhibitions that explore humanity’s relationship with nature and animal life: ‘More than Human‘ at the Design Museum in London (through October 5) and ‘Sea Inside‘ at the Sainsbury Centre in Norwich (through October 26).

“Fascinated by what the sea creatures might think, feel, or like, Shimabuku has documented their reactions to various experiences, from the city tour of Tokyo to being given specially crafted artworks. ‘They have a curiosity,’ he said. …

“When he lived in the Japanese city of Kobe, Shimabuku would go on fishing trips with local fisherman, taking the opportunity to learn about octopuses. ‘Traditionally we catch octopuses in empty ceramic pots — that’s my hometown custom,’ he said. Fishermen would throw hundreds of pots into the sea, wait two days, then retrieve them — finding octopuses inside. ‘Octopuses like narrow spaces so they just come into it,’ explained Shimabuku.

“When he saw the animals within the pots, he discovered they were ‘carrying things’: shells, stones, even bits of broken beer bottles. He began to save the small objects the octopuses had gathered. …

“Shimabuku started to think, ‘maybe I can make sculptures for them.’ … In his 2010 work ‘Sculpture for Octopuses: Exploring for Their Favorite Colors,’ Shimabuku crafted a selection of small glass balls and vessels, in various colors. At first, he went out in a fishing boat and threw the sculptures in the sea, ‘like a present to the octopuses.’ But then he wanted to see how the animals were reacting to the objects.

“Collaborating with the now-closed Suma Aqualife Park in Kobe, he repeated the effort in a large water tank, where he could film the reaction of octopuses.

“ ‘They played with them, and sometimes they carried them,’ said Shimabuku. … ‘They keep touching, touching.’ The resulting film, and photographs, show the octopuses wrapping their tentacles around some of the glass objects, grabbing and rolling them across the sand, and even holding them in their suckers as they move across the side of the tank.

“In 2024, Shimabuku had a landmark solo show at Centro Botín in Santander, Spain. Specially for the exhibition, he collected an assortment of glass and ceramic pots to offer to local octopuses. Some of the vessels were made by the artist and others were from ‘second-hand shops and eBay.’ …

“Although octopuses are colorblind, Shimabuku wanted to see through these projects whether they were attracted to objects of certain colors. ‘What I heard from fishermen is that octopuses like red,’ he said. ‘Long ago in Kobe, I found an octopus in a red pot, so I believe they like red.’ Perhaps more so than the hue, Shimabuku is convinced that octopuses are drawn to very ‘smooth, shiny’ glass objects. He doesn’t have evidence to back this up, [he’s just] a man entranced by eight-legged mollusks is dedicating his time to engaging with them through art.”

More at CNN, here.

Illustration: Wingårdhs.
Tomelilla, a town in southeast Sweden, is focused on sustainability and has plans to build a school with reused materials.

With half of my family in Sweden for the fall semester, I am interested in Swedish stories. Here is one about residents in the Skåne district determined to live sustainably.

Abigail Sykes reports at the Guardian, “In a small town in Sweden, the local authority is carrying out an unusual experiment.

“In 2021 one of the team had been reading an article about the concept of doughnut economics – a circular way of thinking about the way we use resources – and he brought it up. ‘I just mentioned it casually at a meeting, as a tool to evaluate our new quality of life program, and it grew from there,’ says Stefan Persson, Tomelilla’s organizational development manager.

“The concept, developed by British economist Kate Raworth is fairly straightforward. The outer ring or ecological ceiling of the doughnut consists of the nine ‘planetary’ boundaries. These are the environmental limits that humans are at risk of passing – we’ve already crossed the safety thresholds on climate change, ocean acidification and biogeochemical flows, for example, but remain within safe limits on our atmospheric aerosol loading. The inner ring forms a social foundation of life’s essentials, and the ‘dough’ in between corresponds to a safe and just space for humanity, which meets the needs of people and planet. …

“ ‘Doughnut economics is like running a farm. Using an excess of resources, like nutrients, on your crops is a mistake. Not using enough is a mistake too,’ says Persson’s colleague Per-Martin Svensson, who is a farmer when he is not doing council work. …

“Doughnut economics is being used in Tomelilla, in Sweden’s southern Skåne region, in several ways. It has been integrated into financial planning and decision support, so that rather than building a new ice rink, the plan is now to revamp an existing building.

“The local government produces an annual portrait of how well it is doing at meeting doughnut economics targets. The best results in the latest diagram were on air quality, housing and social equality. Air quality in the area was good to begin with, but in order to keep improving it, young people at lower and upper secondary school have been given a free travel card for public transport. It is hoped the measure will also improve social equality in terms of access to education and health. Overcrowding and income disparities have both decreased, but it’s hard to link that directly to any of the council’s work.

“Education is a priority, but targets such as carbon emissions, biodiversity and health are more difficult to meet. Emissions have not been decreasing, but in 2023 the town council adopted a climate program to achieve net zero by 2045. …

“Tomelilla’s flagship doughnut economics project, though, is planning a new school. The council hasn’t built a school – or any other big development – since the 1990s. The project is still at an early stage so no decisions have been made about the final construction.

“Last year, a consultant report made recommendations for the project. These included using existing and carbon-neutral materials as far as possible, growing hemp as a building material on the current site; building the school around a greenhouse for growing vegetables as well as for educational and social activities; and making the school an off-grid energy producer using solar power and batteries. …

“This vision has carried over into the council’s procurement requirements, although budget constraints and other considerations have meant it is still unclear whether all of these ideas will come to fruition. …

“It has certainly been demanding. Is it even possible to use the resources needed for a large construction project and stay within the doughnut? Persson thinks it may not be possible but he is focusing on the bigger picture, with a more holistic view of social change. ‘In individual projects, there are always trade-offs. But we’re also looking at how the local community as a whole can move towards the doughnut model. I think that if we’re going to build anything, it should be democratic meeting places and schools.’ …

“Tomelilla is the first local government to attempt to deliver infrastructure and education using doughnut economics. … With a population of about 7,000, it is certainly one of the smallest towns in the international network of the Doughnut Economics Action Lab, dwarfed by Barcelona, Glasgow and Mexico City, which are all putting Raworth’s theories into practice in local governments. …

“The people of Tomelilla welcome the challenge and are extremely proud of the way their town is forging a path. As Jonna Olsson, one of the staff at the council says: ‘Doughnut economics is a really interesting way to work with sustainability. It feels cool to be a cog in international change.’ ”

More at the Guardian, here. No firewall.

Photo: Mike Wilkinson.
Russ Miller on a cleanup mission of Kentucky’s Red River in 2023. He received the nickname ‘River Cowboy’ after leading efforts to haul tires out of local waterways. 

Another story of one person making a difference. And for me, it’s always beneficial to have my preconceptions about different parts of America challenged.

Jessica Baltzersen writes at the Guardian, “I n the 1980s, Russ Miller and his wife moved to a far edge of eastern Kentucky’s Red River Gorge, where they built a homestead on a ridge hugged by three sides of the river. It’s the kind of place you can only get to with a hand-drawn map. A place so remote that the farther and farther you drive to get to it, the more unsure you are that you are in the right place.

“They would spend leisurely afternoons drifting the river in inner tubes, until they started noticing what floated alongside them: heaps of discarded junk.

“ ‘Back then, the river was embarrassing. It was a conveyor belt of trash,’ said Miller as he handed me a photograph showing a tributary choked with broken appliances, tires, plastic kiddie pools and even a rusted blue car. Chief among the junk: tires. …

“When Miller paddled past a tree where a tire had speared itself ‘like an olive on a toothpick,’ he realized that tire would be there forever, unless someone did something. So, he did. That fall, Miller gathered hundreds of tires then recruited friends to corral them downstream. Lacking boats, he devised a way to fill old tires with empty milk jugs to make them buoyant.

“ ‘That’s how he got the “River Cowboy” name,’ said Laura Gregory, watershed program director at Kentucky Waterways Alliance (KWA) and a friend of Miller’s who produced a documentary about his work. ‘He was the guy herding tires down the river.’ …

“Miller … has spent decades pulling a total estimated 3,000 to 4,000 tires from Kentucky’s waterways. He’s also one of the founding members of Friends of Red River (FORR), a grassroots cleanup group formed in 1996.

“Dumping waste tires outside a permitted disposal facility is illegal in Kentucky. Yet tires continue to pile up. Some are dumped out of convenience, others as part of calculated schemes.

“T ‘here are people who are basically professional dumpers,’ said Gregory. ‘They’ll cover their license plates and wear hoods.’ …

“Miller is soft-spoken but is someone whose words you hang on to. In a weathered manila folder bloated with clippings and op-eds he has penned over the last 25 years, his words are fervent.

“ ‘Already the roadsides that people worked so hard to clean up have sprouted a new crop of trash,’ he wrote in a local newspaper. ‘I’m not sure whether I’m more angry with the litterers or the legislators.’

“On a May night, 11 muddied volunteers gather for a tire cleanup early the next morning on the upper section of the Red River, the only river in Kentucky federally designated as ‘wild and scenic.’ Their grueling paddle will take 13 hours, including a quarter-mile portage. …

“Unlike other cleanups, this one isn’t open to the public, and I’m not invited. The challenge of the Red River’s narrow, technical turns is left to those skilled and familiar enough with the potential class three rapids, which can flip a boat without warning.

“Later in June, on the second FORR cleanup this season, we launch early to tackle a four-mile route through some of the gorge’s most scenic stretches. At first, there are few tires in sight, just a rippling channel beneath understories of rhododendron and oak trees.

“But before long, someone spots a tire along the embankment. Then another. Then another.

“Residents simply lack access to legal disposal, especially in rural areas, where hauling them to a certified site costs time and money. Waste tire collection events offer Kentuckians a free way to dispose of old tires, but they only rotate among the state’s 120 counties once every three years.

“There’s also an old embedded mindset of viewing rivers as ‘out-of-sight, out-of-mind’ dumping grounds.

“ ‘You have to understand the culture of this area back in the early days,’ said John Burchett, board member of Friends of the Tug Fork River (FOTTFR), a group that removes tires on the Kentucky–West Virginia border. ‘Garbage service was sparse in regulation. You took your trash out the backdoor and threw it over the creek bank. … Now we’re dealing with the sins of our forefathers.’ …

“Once, KWA board member Travis Murphy counted 400 tires during a single paddle near Floyds Fork. Between Jackson and Beattyville, Miller counted 2,630 tires in 20 miles (32km). Earlier this year, in the most paddled stretch of Daniel Boone national forest, a team pulled 54 tires in three miles. Along the Tug Fork, 16,183 tires have been removed in only six years by FOTTFR.

“However, states are starting to take action. Connecticut passed the EPR law requiring tire manufacturers to take responsibility for their products post-consumer. Florida is removing millions of tires dumped into the ocean as part of the Osborne Reef Waste Tire Removal Project. And the Kentucky legislature recently adopted senate resolution 238, a bipartisan resolution acknowledging the scale of the tire pollution – thanks in large part to advocacy by KWA and its partners.

“ ‘We will be working during the next few months with local stakeholders as well as the division of water’s river basin coordinators to gather input for our report,’ said Robin Hartman, executive director of communications at the Kentucky energy and environment cabinet, in an email. ‘Once complete, the report will include findings, recommended strategies and any legislative recommendations.’ …

“ ‘While I sometimes feel helpless, I am also hopeful it will change,’ said Miller. ‘Once the awareness is there, the journey has begun.’ ”

I’d say that’s true of many things.

More at the Guardian, here. No paywall. Donations needed.

Photo: Alamy.
Sir Edward Elgar recording acoustically – via horn – in 1914.

The first recording device that I came in contact with was my father’s wire recorder, a machine that seemed pretty magical to me. To make his recordings more accessible and “permanent,” he would take special ones to a place in New York City to have them made into records. That’s how I eventually ended up with “The Birth of Willie,” which in turn I had made into a cassette tape. And now of course, no one uses cassette tapes. That’s the trouble with new technologies. You put heart and soul into an artifact and then it goes obsolete.

In today’s article from Gramophone, Bob Cowan gets a bit into the weeds with the attributes and strengths of various early recordings.

“Back in the May edition of my Replay column, under the heading ‘Electric centenary’, I offered an enthusiastic welcome to Pristine Audio’s release ‘1925: Landmarks from the Dawn of Electrical Recording’. On this set, producer and audio restoration engineer Mark Obert-Thorn has programmed two CDs’ worth of recordings, principally from that epoch-making year when for the most part a microphone took over from purely mechanical recording, in other words from a pre-electric recording horn (where the sound is transmitted on to the master grooves with no electronics involved). The ascent from one method to the other was more significant even than the later leaps from wax cylinder to flat disc, shellac to vinyl, mono to stereo, analogue to digital or CD to streaming.

“The electrical breakthrough (from acoustic, horn-recorded sound) had one thing in common with the advent of stereo: it necessitated, for the full effect of the newer system to register, the acquisition of fully up-to-date reproducing equipment. You can’t play a stereo LP with a mono-only tone arm; likewise, reproducing electrically recorded 78s on even the most sophisticated of horn gramophones keeps the dynamic ‘realism’ of an electrical recording at bay, although the human voice or even the most distinctive solo (stringed) instrument can, at best, remain more or less intact.

Arthur Rubinstein, who never left us any horn gramophone recordings, always maintained that the mechanical horn recording system made the piano sound like a banjo. …

“Eliminating resonances from the horn and producing clearer sound with a wider frequency range via the electrical system works especially well with a piano, while it goes without saying that orchestral music benefits enormously after the cavernous horn’s obvious limitations.

“There are, however, a few notable exceptions, principally Sergey Rachmaninov playing his own Prelude in C sharp minor, also known as ‘The Bells of Moscow’, which calls on the composer’s firm, commanding touch (especially strong at the bass end of the keyboard) and suspenseful sense of timing. He recorded it three times, twice acoustically (April 1919 and October 1921) and once electrically (April 1928), and all three versions are included in RCA’s 10-disc set ‘Sergei Rachmaninoff: The Complete Recordings’. Pianists such as Alfred Cortot (with his bel canto top line) and Benno Moiseiwitsch (whose style incorporates the projection of countless simultaneous subsidiary voices) managed to circumvent the horn recording system in ways that other pianists, even the best of them, rarely could; however, Rachmaninov playing Rachmaninov is special: it has listeners poised at a crossroads between passion and foreboding, whether he was recording acoustically or electrically. …

“The great British-born American conductor Leopold Stokowski, who knew Rachmaninov well and recorded with him both acoustically and electrically, made his first discs with the Philadelphia Orchestra in 1917 – though, as the Stokowski guru Edward Johnson has noted, ‘Between 1917 and 1924, they made an estimated 450 acoustic recordings, but the old method of playing into a large horn gave a very poor representation of orchestral sound, and of all their acoustic discs, only 60 or so were actually issued.’

“Listening to Stokowski’s acoustic recordings of music from Rimsky-Korsakov’s Sheherazade, specifically ‘The Young Prince and Young Princess’ (recorded 1921), is instructive. The acoustic version (now on Pristine Audio, alongside another excerpt recorded in 1919) sounds as if it’s being played by a chamber ensemble with bongos, whereas by the time the complete work was recorded in 1927, captured on wax, Stokowski’s characteristic Philadelphian opulence could be reproduced with impressive realism. …

“Sir Edward Elgar’s acoustic recordings of his own music enshrine riveting performances that often generate newsreel-style excitement (even though Fritz Kreisler said, on at least one occasion, that Elgar was a ‘lousy conductor’), but the horn loses the subtler aspects of the composer’s orchestration. …

“Among the most notable ‘Elgar conducts Elgar’ comparisons concerns the Violin Concerto, recorded acoustically in 1916 with the Edwardian virtuoso Marie Hall as soloist, then, most famously, electrically in 1932 with the teenage Yehudi Menuhin. The earlier version crams about a third of the concerto onto four 78rpm sides, making a significant alteration to the scoring by adding a harp to the strummed cadenza, which doesn’t exactly bolster the music’s shimmering sense of mystery (Elgar apparently rewrote his cadenza so that the recording horn could pick it up). Hall, a good, lusty player who was historically significant, can’t match the burning infatuation with the music that Menuhin conveys, seemingly with total ease. …

“Over the years, much confusion has accumulated about the identity of the first Beethoven Fifth Symphony on disc, which was long thought to be a highly individual reading by the Berlin Philharmonic under Arthur Nikisch, recorded in Berlin on November 10, 1913. Then informed pundits revealed that it was preceded in 1910 by a recording featuring a ‘string orchestra’ (a mysterious and inaccurate attribution) allegedly under one Friedrich Kark (1869-1939), who was conductor of the Hamburg Opera House from 1906 to 1918 and also set down the first Pastoral Symphony with the same orchestra during the same year. …

“A rather blurrily recorded Furtwängler Fifth with the Berlin Philharmonic was set down in October (16th and 30th) 1926 and January 1927. You can catch it on YouTube transferred from an ultra-rare set of 78rpm discs issued in the US on the Brunswick label. Although, in terms of its date, it falls securely within the remit of electrical sound, it comes across like a boxy-sounding acoustic production. I can’t say for sure which side of the divide this 1926-27 recording falls. The same conductor’s Berlin Fifth from 1937 (Warner) is superior in all respects. …

“In December 1920, Arturo Toscanini brought the La Scala Orchestra to the US on a concert tour and it was then that he made his first recordings for Victor. This impressive showing of material has been released as Volume 71 of RCA’s ‘Arturo Toscanini Collection’ and proves beyond reasonable doubt that with this orchestra in Camden, New Jersey, Toscanini upped the standard of orchestral playing on disc a good few notches higher than had been achieved elsewhere. The finale of Beethoven’s Fifth (1920) displays an orchestra at the top of its game.”

Loys more at Gramophone, here. No paywall.

The City in the Sea

Photo: Alessandra Benini.
The ruins of Aenaria were buried in the sea for nearly 2,000 years, preserved underneath volcanic sediments.

Today’s story is about finding Aenaria, a Roman port that disappeared under the sea after a volcano erupted. Eva Sandoval at the BBC begins by describing a tour you can take there if you are interested in archaeology.

“As our tour sets sail, the vast Bay of Cartaromana opens up before us. Jagged cliffs shoot up from the waves; sunbathers sprawl on the inlet bridge leading to the 2,500-year-old Aragonese Castle. … After just 10 minutes at sea, we reach a network of buoys marking the ruins below. I press my hands against the vessel’s transparent bottom. Through the turquoise-blue water, between waving fields of seagrass and small striped fish, I glimpse a pile of rocks. Then the seagrass parts and I see that the rocks are arranged into a long rectangular form, its sides encased in wooden planks. This is an ancient city’s quay; buried in the cool dark for centuries and perfectly preserved. …

“I am on the Italian island of Ischia, where sometime around AD180, the Cretaio volcano erupted, and the ensuing shockwaves sank the Roman port city of Aenaria beneath the sea.

“At least, that’s what archaeologists think happened. … There are no records of the explosion, and very little written about the settlement itself. For nearly 2,000 years, there was no physical trace of it either. …

“The first hints of its existence were in 1972, when two scuba divers found Roman-era pottery shards and two lead ingots off Ischia’s eastern shore. The find intrigued archaeologists, but the ensuing investigation, helmed by local priest Don Pietro Monti and archaeologist Giorgio Buchner, yielded nothing. … The case went cold for nearly 40 years.

“Then, in 2011, passionate local sailors reopened the excavation, this time digging into the sea floor. Soon, they were able to confirm that 2meters beneath the bay’s volcanic seabed lay the ruins of a massive Roman-era quay. …

“As far as anyone had ever known, Ischia’s DNA was Greek. The island was renowned as the site of the first Greek colony in the Italian peninsula, established around 750BC in the north of the island. …

“When the Romans seized Pithecusae sometime around 322BC, they renamed the island Aenaria – a name that appears in ancient texts from Pliny the Elder to Strabo, often in relation to military events. But unlike the Greeks, who left behind a necropolis, kilns and troves of pottery, the Romans left only a few modest tombs, engravings and scattered opus reticulatum. …

” ‘The name was documented,’ echoes local resident Giulio Lauro. ‘But no one could find the place.’ Archaeologists had been looking for Roman Ischia on dry land, but it was buried below the sea.

“Lauro is the founder of the Marina di Sant’Anna; the cultural branch of the Ischia Barche sea-tourism cooperative. Along with various affiliated cultural groups – comprised of Ischian seafarers, history enthusiasts and archaeologists – they have self-funded the excavations for the past 15 years.

“Lauro is quick to tell me that he’s no scientist. ‘But I love the sea,’ he said. ‘In 2010, I got the idea to look again.’ …

“There were challenges, recalls Lauro: ‘Getting authorizations, training people, sourcing funds. We started from zero. We were lucky to believe in it. And then to actually find it.’ …

” ‘It was believed that the Romans never built a city on Ischia,’ says [Dr Alessandra Benini, the project’s lead archaeologist]. ‘It was the opposite.’ …

“Each summer, Benini and her team excavate the sea floor. Progress is painstaking due to a perennial shortage of funds. … During the site’s active months, curious visitors can take glass-bottomed boat tours, as well as snorkelling and scuba excursions to get even closer to the ruins. ‘You can see the underwater archaeologists at work, the equipment they use and everything involved,’ says Benini. …

“I ask Benini what she hopes to find this summer.

” ‘My dream is to find the foundations of the residential city,’ she says. ‘If we’ve found the port, then we know there was a city.’  

“The team hopes to introduce Lidar, Georadar and sub-bottom profiler instruments into the digs, but Benini points out, ‘That’s expensive. We need more investors.’ “

Lots more at the BBC, here. No paywall.

Photo: Hannah Hoggatt/Midcoast Villager.
The Villager Cafe in Camden, Maine, serves as a newsstand and events space for the Midcoast Villager. It allows locals to mingle comfortably with reporters — and maybe share news.

Blogger Laurie Graves in Maine had a fantasy podcast at one point that involved a café/sandwich shop run by elves. I couldn’t help thinking about it as I read today’s story.

Mackenzie Farkus, a staff writer at the Christian Science Monitor, reports, “Inside the Villager Cafe, the scent of freshly brewed coffee lingers, and chatter is sporadically interrupted by chirps from a cafégoer’s walkie-talkie. Three women settle into a window-side table. They’ve known each other since high school, and they regularly meet to discuss politics.

“It’s an apt place to do so. Print copies of the Midcoast Villager — an online daily and weekly print newspaper covering midcoast Maine — are displayed near the cash register. … Just upstairs, a small, bustling newsroom is rushing to meet the weekly print deadline.

“The Villager Cafe, which opened in April, isn’t just a café. It’s a newsstand and events space for the Midcoast Villager. The newspaper wants the café to be a ‘third space for community engagement,’ in the words of deputy editor Alex Seitz-Wald. …

“Last year, 130 newspapers shut down at a rate of almost 2 1/2 per week, according to a report from Northwestern University’s Local News Initiative. As of last October, 206 counties across the U.S. don’t have a local news outlet at all. … The loss of local newspapers is ‘really damaging to civic life and civil discourse, and the ability of average people to be informed about their community,’ says Meg Heckman, an associate professor of journalism at Northeastern University in Boston.

“ ‘It’s a lot harder to know what’s going on in town hall, [or] what changes to federal environmental policy might mean to rural farmers or fisheries or tourism,’ she adds.

“Reade Brower has long been regarded as Maine’s ‘media mogul.’ In 2019, he owned six of Maine’s seven daily newspapers, more than 20 weekly publications, and three printing presses. In 2023, he sold the vast majority to the National Trust for Local News, a nonprofit. Four of the papers he held onto … became the Midcoast Villager. It published its first issue in late 2024. …

“U.S. newspapers earned $49 billion in advertising revenue in 2006; that number dropped to less than $10 billion in 2022.

“Around 85% of U.S. adults believe that local news outlets ‘are at least somewhat important to the well-being of their local community,’ according to a 2024 Pew Research Center survey. But only 15% say they’ve paid or given money to any local news source in the past year, which has largely remained unchanged since 2018.

“People have been curious to check out the café, says Aaron Britt, publisher … says Mr. Britt. ‘And I’ve just heard like nothing but great things. People like the food, people run into everybody that they know. … Community members can feel like, “Oh, this is my spot.” ‘ …

“ ‘I think a lot of where we are today is due to the perception that there are editors and writers away in this tower who are covering issues, but they’re not fully connected with readers,’ [Kathleen Fleury Capetta, co-founder of the Midcoast Villager] says. ‘We’re trying to shift that perspective.’ …

” ‘The café’s goal at the very start has been, “How do we connect our community and create a respectful place of dialogue?” ‘ says Mr. Brower. ‘We believe we’re achieving that.’ …

“Staffers at the Midcoast Villager have already fielded calls from other media organizations interested in the approach.

“ ‘Anybody is welcome to call us up and steal our idea if they like it,’ Mr. Brower says.”  More at the Monitor, here.

In my town, we have a community paper, too. It’s doing very well thanks to donations and ads. As delightful as the Villager Cafe sounds, I hope our paper will stick to what it knows best and not try to get into the food business. The rents alone would guarantee failure here.