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Art: Susan Jaworski-Stranc
Neighbors

I’m on the email list of 13 Forest Gallery in Arlington, Mass. The first time I went there, the owner enlivened his art opening with guest opera singers.

This time, he had a printmaker demonstrate a type of linoleum printing that Picasso dubbed “suicide” printmaking. Others use the word “reduction” instead of “suicide.”

When I tell you how the work is done, you will understand why Picasso felt as he did.

Instead of carving, say, four different blocks for a four-color print, the artist uses only one block. A mistake at one stage can end the whole project.

Lowell resident Susan Jaworski-Stranc has been doing reduction linoleum printmaking for more than 30 years. As the website for 13 Forest explains, “with each layer, you carve more of the block away — so once a layer has been printed and you start carving for the next layer, there’s no going back.”

The artist herself says, “After each successive printing of a color, the surface of the block is reduced while at the same time the printing surface is built up with multi-layered colors. Born from one block of linoleum, my relief prints have the nuance and rich textural surfaces of an oil painting.

“Although Picasso coined this method of working a ‘suicide print,’ I rather think of this printmaking process as emulating the journey of life. While creating my prints, I am never able to re-visit past stages. I can only proceed forward with the acceptance of all good and not so good choices which were mediated and acted upon with the hope and joy of completion.”

On August 13, the gallery was packed as Jaworski-Stranc demonstrated. Many in the audience were experienced printmakers who asked intelligent questions that showed the rest of us what sorts of issues matter to artists.

One person asked if Jaworski-Stranc knew what the picture was supposed to look like in advance, and she explained that she started with a detailed drawing. Another artist wanted to know if the colors of Jaworski-Stranc’s very first reduction print (which she showed us) were what she anticipated.

The artist laughed, holding up that print. “Are you kidding? How would I ever think up a color like this!?”

Clearly, despite all the careful planning that goes into a print, Jaworski-Stranc relishes the beauty of randomness.

More here.

Art: Susan Jaworski-Stranc
Coastal Forces at Sunset

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Yesterday’s NY Times Dining section had a delightful story about all the food being delivered to Occupy Wall Street. Donations have come from far and wide, and people have self-organized to distribute it and do the washing up. The story is here.

“Requests for food go out on Twitter and various Web sites sympathetic to the protesters. And somehow, in spontaneous waves, day after day, the food pours in. …

“Platters and utensils are washed on site. The soapy runoff slides into a gray-water system that’s said to draw impurities out through a small network of mulch-like filters. …

“Members of the [food] crew sometimes fail to show up in the morning because they were arrested the night before. (Then again, as many a chef will tell you, that happens in a lot of restaurants.)” …

“Telly Liberatos, 29, the owner of Liberatos Pizza on Cedar Street in the Financial District, said he has received orders from places like Germany, France, England, Italy and Greece, as well as every region of the United States.

“ ‘It’s been nonstop,’ he said. ‘The phones don’t stop ringing. People from California order the most at one time.’ Someone from the West Coast had called in the biggest delivery: he wanted 50 pizzas dispatched to the park.”

You might enjoy knowing that Asakiyume’s blog offers music suggestions for the 99 percent. Check it out. (I borrowed the picture from downtownmonks.blogspot.com.)

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