Feeds:
Posts
Comments

Posts Tagged ‘editor’

A week ago two lovely owl poems on this blog generated praise and suggestions for the poet.

So when I saw this article about the sensitive role of a poetry editor, I thought you would be interested.

Sameer Rahim, assistant books editor of the Telegraph in the UK, begins his essay by saying that Dante acknowledged Virgil as his literary guide.

“Every poet needs a Virgil. Wordsworth had Coleridge; Tennyson had Arthur Hallam; and Edward Thomas had Robert Frost. However, the best-preserved example of one poet editing another is Ezra Pound’s work on TS Eliot’s ‘The Waste Land.’

“The poem’s manuscript, first published in 1971 and now available on a snazzy iPad app, shows Pound’s boldness. On the first page of the second part, ‘A Game of Chess,’ he wrote disapprovingly: ‘Too tum-pum at a stretch’; further down he complains a line is ‘too penty’ – too regular a pentameter. Eliot redrafted the lines until he got an ‘OK’ in the margin. Eliot acknowledged his friend’s role when he dedicated the 1925 edition to Pound, calling him Il miglior fabbro or ‘the better craftsman’ – a phrase from Dante. …

“One of Eliot’s successors … is Matthew Hollis, a poet-editor and biographer whose account of the literary friendship between Edward Thomas and Robert Frost, Now All Roads Lead to France, [just won the] Costa Prize.

“ ‘There is sometimes a feeling that to edit poetry you have to be a poet,’ he says, going on to cite Pound. ‘If you think you may have broken your leg, you don’t take a straw poll of your friends to find out, you visit a doctor for an expert opinion.’ ”

That expert is probably another poet, but not necessarily.

“Most important is that ‘an editor listens to an author tuning into their poems.’ ” Read more here.

I know Emerson isn’t one of the greats in the poet department, but he was the only one available on short notice.

Read Full Post »

I met my friend Mary Ann at the famous management journal where I met Asakiyume. Like Asakiyume, Mary Ann has too big a spirit for business management articles and has for the last 10 years been in a more artistic field. From soup to nuts, she edits craft books for Quarry — that is, she finds the authors and designs and edits the books all the way through page proofs. She has been instrumental in moving the field from how-to manuals for specific projects to a broader and more intriguing perspective. Her approach can be summarized as “here are some ideas about how to do a creative project; take the ball and run with it.”
        Mary Ann was in the area last week to check in at Quarry headquarters. We arranged to meet yesterday in a suitable venue — an independent book store, with a nice coffee bar and extras like muffins and Vietnamese salad rolls.
        It sure is fun to talk to artistic friends. Mary Ann gave me some great leads on websites that I have already shared with friends. Here is a fun one belonging to Massachusetts-based artist agent Lilla Rogers. Another one, Urban Sketchers, contains wonderful sketches from all over the world. (Perhaps you would like to add your own.)
        Mary Ann’s latest craft book is Playing with Books, by Jason Thompson, and it looks wonderful. Check out the book on Jason’s website, Rag and Bone.
        Mary Ann and I were happy to see that the book store we chose to meet in had some Quarry books. But later in the day I checked out a craft store in Concord (MA) and was disappointed that their books were mostly from another company.
        In spite of my disappointment about the books they carry, I love this craft store. It has a great new concept. You can work on crafts there and just dabble, just try things out, while having a nice sandwich or George Howells coffee. Because the idea is to try out the equipment and materials and find out if you want to go deeper after some dabbling, the store is called Dabblers.
        This blog is a project of birthstone jewelry company Luna & Stella. I will post comments of readers who contact me at suzannesmom@lunaandstella.com.

Read Full Post »

%d bloggers like this: