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Photo: Ronan O’Connell.
Once reserved only for Thailand‘s elite, authentic benjarong porcelain takes highly skilled artisans days to create.

The other day, Princeton University reported that “a tortoise from a Galápagos species long believed extinct has been found alive and now confirmed to be … the first of her species identified in more than a century.” Wow. Good thing there are people working all the time to identify and save species.

Efforts to save dying arts are also important. Here is one practiced in a village in Thailand.

Writing last November at National Geographic, Ronan O’Connell reported, “Few tourists to Bangkok know that the glimmer of the iconic Wat Arun temple is thanks to the same magnificent Thai porcelain that decorates five-star hotel lobbies or serves as dinnerware in high-end Bangkok restaurants.

“Hand painted with intricate Buddhist motifs, benjarong porcelain once was reserved only for Thailand’s elite. In the 18th and 19th centuries, Thai royalty ate from delicate benjarong dishes and plates, wealthy women stored jewelry in benjarong boxes, and Bangkok’s palaces displayed tall benjarong vases.

“In the early 1900s, mosaics made of benjarong shards began embellishing many of the city’s most important Buddhist temples. … But it soon fell out of favor, and porcelain production eventually ceased.

“It would now exist only as an antiquity if not for a village that, in the 1980s, saw an opportunity to revive the art form. Located about 19 miles west of Bangkok, Don Kai Dee has grown to become what Atthasit Sukkham, assistant curator of the Southeast Asian Ceramics Museum at Bangkok University, describes as the sole source of authentic benjarong. …

“As of November 1, vaccinated travelers can visit Thailand quarantine-free, where they can buy benjarong from the artists at Don Kai Dee, learn the history of Thai ceramics at Bangkok’s Southeast Asian Ceramics Museum (reopening in December), and admire the exquisite benjarong decorations in the Thai capital’s Grand Palace. …

“It took the 1982 closure of a ceramics factory near Bangkok to resuscitate this royal craft. Urai Tangaeum was one of dozens of Thai artists made redundant when that workplace closed in Samut Sakhon province, where Don Kai Dee is also located. …

“Instead of wallowing in her misfortune, Tangaeum recounts, she decided to take a risk. After studying benjarong designs, she began painting them on plain ceramics sourced from factories. When it became apparent Thai buyers appreciated this forgotten product, she bought her own kiln. Slowly, Tangaeum created a start-to-finish benjarong studio at Don Kai Dee. Nearly 40 years later, this has become a co-operative where dozens of potters share skills and knowledge.

“During tours of Don Kai Dee led by senior workers, tourists to the village learn that each benjarong item is crafted using a nine-step process involving up to four different artists. It begins with soils from three Thai provinces. When mixed together they provide the perfect blend of plasticity, heat absorption, and white-color finish.

“After being shaped on a pottery wheel, the benjarong item is set in an electric kiln for 10 hours at 1472°F (800°C). Once it cools, the item is coated with a glaze and baked for another 10 hours at an even higher temperature, until it gleams.

“The next step is benjarong’s trademark. Artists paint designs with liquid gold, which costs $5,000 per liter, according to Tangaeum’s daughter, Nippawan. This gilding is executed only by veteran workers, who have 20-plus years’ experience in a profession which some artists can continue well into their 60s.

“Finally, another worker traces around the golden lines with colored paints, then a supervisor inspects the piece. The process finishes with another blast in the oven. It takes three to four days to produce a benjarong cup, dish, or plate, which go for at least $30 each. That time frame extends to two weeks for the largest vases, which can be up to six feet tall and cost as much as $10,000. …

“While shops across Thailand sell mass-produced, cheaper versions of benjarong, Don Kai Dee is the only source of authentic, traditional benjarong, according to ceramics expert Sukkham. At Don Kai Dee, tourists can purchase ready-made items and have them personalized on site, or order custom artworks to be shipped to their homes.

“The village does not have a website, with most of its sales done in person at the village, or via art dealers who facilitate purchases for rich clients, Pongmatha says. Some of these buyers pay up to $30,000 for particularly intricate, gold-laden dining sets.

“The expense of benjarong reflects the painstaking intricacy of its crafting. It requires poise and persistence to scrawl precise benjarong designs for hour after hour. It is those attributes, above all, that decide whether a benjarong student can become a master.

“ ‘We have many young people who come to the village to learn benjarong, but most don’t last,’ [villager Prapasri Pongmatha] says. ‘They have enough skill, but not the patience. Making benjarong can make you crazy if you aren’t patient. But if you are patient enough, it is very soothing, nearly like meditating.’

“The humble incomes earned by Benjarong artists also deter young Thai people from learning this craft, according to her daughter, Supawan Pongmatha. The 39-year-old says she loves making these ceramics. But she does so only in her spare time, having decided to instead become an art teacher, a more stable job with a higher salary.

“ ‘Young people want to make money, to feel they have a safe job with a good future,’ Supawan says. ‘Being a benjarong artist is not as reliable.’

“Without a robust new generation of craftspeople making benjarong, its future is uncertain, the villagers agree. Forty years ago, benjarong was a relic. Having slowly roused this art form out of hibernation, the artists of Don Kai Dee are now fiercely trying to keep it awake.”

More at National Geographic, here. Wonderful pictures. (Four free articles per month.)

Want to watch a short video about another endangered craft? Learn about making toe shoes in the UK, here.

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Even though we’re buying smaller and smaller Christmas trees each year and you’d think I wouldn’t be able to cram on decades’ worth of ornaments, I hate to leave anything out.

There’s a cross-stitched ornament that John made from a kit when he was four. Numerous decorations were created by my husband’s Aunt Mae, who had an active life past age 100 and made knitted, crocheted, and sequined ornaments that she kept secret as she worked on them during the year.

There are many items made in the Crafts for Christmas workshops at church, which encourages children to make, rather than buy, presents to give. Most were the work of John and Suzanne in the 1980s. Others were made by their own children in pre-Covid church workshops. The wide range of workshop items include everything from Christmas doorknob covers to reindeer ornaments constructed of clothespins.

I love looking at the tiny crocheted figures from China that I found in a shop at Niagara on the Lake when Suzanne was two. They remind me of our time at the Shaw Festival in Canada. My husband and I traded off babysitting so he could see a play and I could laugh myself silly at a performance by the concert comedienne Anna Russell.

I also have an origami star in shiny green paper from someone in an Esperanto group that used to meet monthly at my house.

A little baseball ornament and a tiny box of fishing tackle remind me of early interests of John, who now coaches baseball and teaches kids in the family to fish.

Really far back in time, I acquired a small Christmas stocking for one of my dolls — that goes on the tree, too.

There’s a horse-saddle ornament, a memento from a vacation that the Clymers took out West. And I still hang up a large glass ball from the Lillian Vernon surprise box. I painted “1980” on it back then.

I also hang up quotations looped with a green ribbon, an idea my husband got on a business trip to Singapore, where they hang sayings outdoors.

The clunky red-paint-and-sparkles thing you see below is something I made from an egg carton years ago. Recently married, I thought it would be fun to take Crafts for Christmas at the local adult ed after work while my husband took a different class. Can’t imagine how I stayed awake in those days!

Please be sure to notice that hanging near a bear ornament is something white that has the same shape. That is what my husband made for a three-year-old John, who asked him to make another bear. Though not usually into crafts, the guy did his best, and I like seeing his white cardboard bear every year.

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Photo: UNHCR/Benjamin Loyseau
Ablaye Mar, an embroiderer from Sénégal, collaborates with Sabatina Leccia, a French artist and fashion designer, as part of a refugee program in France called La Fabrique Nomade. 

One of the hardest necessities facing migrants is leaving behind careers that took years to develop. That’s why a program started in France is so inspiring. La Fabrique Nomade gives one group of refugees — artisans — a chance to make a living from what they know best.

Kamilia Lahrichi and Bela Szandelszky write about the initiative for the UN Refugee Agency, UNHCR.

“Many hands are at work in Yasir Elamine’s pottery workshop in Paris. They cut, pound, squeeze, stencil and shape. Yasir, a potter from Sudan, and his French students swap ideas and aesthetics. As a refugee, he thought his life as an artist was over. The work of La Fabrique Nomade, a UNHCR-supported NGO, helped change his mind.

“La Fabrique Nomade encourages artisans among refugee and immigrant communities to retain and pass on their traditional crafts, from weaving and embroidery to pottery and woodworking.

“The group promotes their work and showcases it at design fairs. It supports the artists themselves, helping them to make connections in the art and design scene in France. It helps equip them with basic job-seeking skills such as building a portfolio and CV.

“The founder of La Fabrique Nomade, Inès Mesmar, says the goal is not just to enable refugees to use their talents but also to share valuable skills with the local community. For refugees, she says, it is about changing attitudes, ‘to allow them to transmit their knowledge, rather than being people who just receive help and assistance.’ ”

The UNHCR story is here. Check out DW for more detail, here.

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I’ve followed countertenor Terry Barber’s Artists for a Cause for several years. He lines up musicians who, like him, believe in the importance of sometimes donating their talents to a worthy cause. I heard him perform in Rhode Island (check this 2011 post).

Lately, I stared wondering whether other sorts of artists and craftsmen were doing this sort of thing. So I Googled “crafts for a cause” and discovered that someone had used those very words to name a website:

“In 1975, Hetty Friedman first traveled to the Highlands of Guatemala to learn back strap weaving from a Mayan weaver. After that time, Guatemala entered a period of intense political unrest. Thirty two years later, Hetty was able to return. In partnership with Asociación Maya de Desarrollo, a Fair Trade Weaver’s Coop, she is designing unique woven products, training weavers and leading tours. Together they produce a line of hand dyed, hand woven items that are being marketed in the USA.”

Regarding her tours: “Adventurous travelers are provided with a unique exploration of the Guatemala Highland pueblos, Antigua, a Unesco World Heritage City, and visits to various artists and fair trade jewelry and weaving co-ops. Join Hetty on an intimate tour of Guatemala’s fabulous cultural heritage. Lots of guacamole gets eaten.

“Small group travel for women. Meet Mayan artisans, visit Antigua, a Unesco Heritage site, and travel on Lake Atitlan. Great food, wonderful hotels and good company.

“Call 617-512-5344 or email hetty.friedman@gmail.com for details. Contact us to get put on the list for 2018 travel.”

From the nonprofit that Hetty is supporting, “The objective of Asociación Maya de Desarrollo is not to just provide an income for families in post-conflict communities. Asociación Maya also aims to provide an opportunity for women harmed by the war to become leaders in the cooperative, their homes, their communities, and of the Mayan tradition.”

I am filled with admiration.

More at Hetty Friedman Designs, here.

Photo: Hetty Friedman Designs
Weaver Hetty Friedman says, “It all started at age 13 when I took a weaving class at summer camp. It was like a miracle to me.”

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The original idea when the grandchildren visited my workplace was to walk to the new Boston Public Market, but it was too far and there were so many other interesting things along the way.

We will go as a family another day, but I thought I would zip over there Thursday and take some pictures. I arrived at 8 a.m. The market is open Wednesdays to Sundays, 8 to 8, and since the activity wasn’t in full swing, it was a good time to look around.

The Boston Public Market is not as big, as noisy, or as messy as the famed Reading Terminal Market in Philadelphia (and there are no Amish), but it shows real promise. Although the market was fairly quiet at 8 a.m., there was already a line at MotherJuice and George Howell’s Coffee — people getting revved up for work at Government Center and environs. At a farmstand, I bought two small squashes. Fifty cents.

The Vietnamese restaurant Bon Me had a counter, and I saw local honey, fruits, vegetables, artisan cheese, and crafts. The crafts gave me pause as the market is supposed to be mainly an outlet for regional farmers, and much as I love crafts, I have seen them overwhelm another farmers market. As long as there is a good balance, it will be fine.

Note the vegetable soft toys in the children’s play area.

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Jeremiah Gallardo, a Colorado native, clicked on yesterday’s post, and I thought I’d have a look at his blog, too.

I don’t know much about Colorado. The closest I got to knowing anything at all was having a college roommate from Boulder.

Jeremiah has a nice entry today about a German Christmas market, the Denver Christkindle Market, which he took photos of. He says it runs until December 25.

“The vendors are in little wooden houses,” he writes, “that were built days before the market event.

“My first stop at the market was the hand-blown glass vendor.  I watched him make a glass icicle decoration in a few minutes, right before my eyes. I bought a green glass pickle decoration.

“Why on earth did I buy a green glass pickle? Because it’s linked to a German tradition where you hide a pickle deep inside the tree and the first child to find it gets to open an extra gift.”

You know, if I had a glass pickle, I might just try it myself.

More about the German market’s crafts and food at Jeremiah’s blog, WhiteLiger.net. You will like his pictures. And his enthusiasm.

Photo:

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The Blackstone Parks Conservancy sent out this invitation, and we went.

“We invite you to attend the family event: Build your own Fairy House! This event was originally part of the summer series of family programs given by the Blackstone Parks Conservancy. Due to its rousing success, we are offering it again as part of Playful Providence, a citywide event organized by the Partnership for Providence Parks and the Providence Parks Department. Join us at the Field on River Road, across from the Narragansett Boat Club.”

Cardboard forms that you could fold into houses were on hand. On top you could apply a layer of something like sand-colored Play-Doh, with actual sand in it. Next you could choose from a gorgeous array of seedpods, acorns, leaves, twigs, and other fruits of nature — and stick them into the “mortar” — the way a fairy would like them — before the clay dried.

Our middle grandchild was a little young for it, but he liked running around in the park and watching the rowing lessons on the Seekonk nearby.

I would like to try fairy houses again someday soon. Just collecting the pieces of nature to be used would be fun for a child.

Read about the conservancy and future events here.

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Today’s mild weather reminds me that May Day and Mother’s Day aren’t far off. Mother’s Day is a highlight of the year at Luna & Stella, Suzanne’s lovely birthstone jewelry company, for which Suzanne’s Mom blogs.

I hope you know about May Day, too. I’d like to see it revived, the ancient custom of leaving flowers at people’s doors in honor of spring. (I don’t begrudge the workers of the world their version of May Day, but they shouldn’t hog the whole thing.)

Why don’t Girl Scout troops do May Day? Why don’t florists? It mystifies me.

I still remember a May basket I made as a kid from a punch-out book. I thought it was a thing of beauty and kept asking my mother to get me another book like that. But they stopped making them.

Now I work from scratch if I have time. Last year I blogged about one kind of a homemade basket, here.

It’s always a surprise to see what flowers are available on May 1 any given year. Since these are in my yard now, I suspect there will be different ones by  May.

small rhodadendron

blue scylla

andromeda

forsythia

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Although I’m very lucky to live in a walkable community near public transportation, if everything is closed, there’s not much point going out. At least not until the sidewalk plow guy has been around once. (He really doesn’t like people in the way when he is working.)

Might as well make Valentines. This one is a work in progress.

Making Valentines

The ones in the picture below were created by Grandson the First last week as he awaited the arrival of a new sister.

In the picture after that, a Valentine Suzanne made a couple years ago is on the left, and one I made last year is on the right.

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Valentines of the Past

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The hobby shop Dabblers has a lot going on all the time — many kinds of craft classes, birthday parties, a mini restaurant with great coffee, and now something that sounds like a throwback to an earlier age. It’s an etiquette workshop for children ages 8 to 11!

I’m very curious to know how many kids (or their parents) sign up. The workshop in March is to be led by “a noted Etiquette Expert in the Boston area and will cover: introductions, dining skills, how to be a considerate friend, family member and classmate.”

(How does one get to be a noted Etiquette Expert, capitalized?)

I remember when John, and later Suzanne, went to ballroom class in middle school. The kids learned some etiquette there, but I don’t know how many details stuck. I listened in and learned you are supposed to say, “Mrs. Streitweiser, may I present Dr. Turnipseed?” but I have never been good at practicing it. I did think such classes were extinct. Good luck, Dabblers!

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I’ve been attending the annual Scandinavian Fair ever since Erik came into our lives. Although he has yet to be in town when it has taken place, it’s OK. He may not feel a need to be more Scandinavian than he already is.

The Scandinavian Fair is a real happening — “sui generis to a fault,” as the humorist S.J. Perelman might have said. Definitely the place to go if you have inadvertently run out of glögg.

Update 11/13/14: This year’s fair is Saturday, November 15, at Concord Carlisle High School, Walden Street, Concord, MA, starting at 10 a.m.

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I always like visiting the arts and crafts events on the lawn of the historical society.

Sometimes I come home and tackle my own crafts. The collage cards are generally for birthdays, anniversaries, and sympathy. If I remember, I make Xerox copies for future occasions. I’d be happy to post some readers’ photos of their art or their crafts. E-mail me your photos at suzannesmom@lunaandstella.com.

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I met my friend Mary Ann at the famous management journal where I met Asakiyume. Like Asakiyume, Mary Ann has too big a spirit for business management articles and has for the last 10 years been in a more artistic field. From soup to nuts, she edits craft books for Quarry — that is, she finds the authors and designs and edits the books all the way through page proofs. She has been instrumental in moving the field from how-to manuals for specific projects to a broader and more intriguing perspective. Her approach can be summarized as “here are some ideas about how to do a creative project; take the ball and run with it.”
        Mary Ann was in the area last week to check in at Quarry headquarters. We arranged to meet yesterday in a suitable venue — an independent book store, with a nice coffee bar and extras like muffins and Vietnamese salad rolls.
        It sure is fun to talk to artistic friends. Mary Ann gave me some great leads on websites that I have already shared with friends. Here is a fun one belonging to Massachusetts-based artist agent Lilla Rogers. Another one, Urban Sketchers, contains wonderful sketches from all over the world. (Perhaps you would like to add your own.)
        Mary Ann’s latest craft book is Playing with Books, by Jason Thompson, and it looks wonderful. Check out the book on Jason’s website, Rag and Bone.
        Mary Ann and I were happy to see that the book store we chose to meet in had some Quarry books. But later in the day I checked out a craft store in Concord (MA) and was disappointed that their books were mostly from another company.
        In spite of my disappointment about the books they carry, I love this craft store. It has a great new concept. You can work on crafts there and just dabble, just try things out, while having a nice sandwich or George Howells coffee. Because the idea is to try out the equipment and materials and find out if you want to go deeper after some dabbling, the store is called Dabblers.
        This blog is a project of birthstone jewelry company Luna & Stella. I will post comments of readers who contact me at suzannesmom@lunaandstella.com.

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