Posts Tagged ‘light and shadow’



Transitions. In September, the meadow along the Sudbury River was green. Last week it was ice.

As kids, John and Suzanne used to skate on the meadow as soon as the river’s overflow ice was strong enough. Perhaps the wooden posts have something to do with a new generation planning to play there. Nowadays, John puts up a backyard rink in winter — just the thing for his family of skaters.

The next photo was taken by my sister in New York City. She says it’s unusual for Riverside Park to have icy puddles like that — one more example of the weather we’ve been experiencing in the Northeast. In my town, Thursday’s deluge came on top of melting snow and ice, and kept my husband bailing out the basement all day.

Next, you see our neighborhood before dawn and after dark, at sunrise and at sunset, in light and in shadow.

I had to include some lovely fungus, of course, and a message in stone that persons unknown left at a pocket park downtown.

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The first pictures feature berries, shadows, rain, and snow. I took them in Massachusetts.

The others are from Providence, which has long exuded an artistic vibe. I liked the sunrise on rooftops in one photo and a beautiful ornate building, sadly neglected. More-contemporary art pops up in unexpected places: the robot-like sculpture at a busy intersection and the robot in the ladies room at Small Point Café.
























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You have to have light to have shadows. You have to have shadows to see the possibilities of light.

I took one of these shadow photos in early morning and one in late afternoon. When I went for a walk around noon, I carried my camera in case there might be other shadows that interested me. In the end I concluded that shadows on houses interest me more than shadows on sidewalks. Something to do with knowing that lives are lived inside the houses?

Probably my favorite Dickens novel is Bleak House. I have read it several times. A recurring motif is light and shadow. I am reminded in particular of the young couple walking through light and shadow, shadow and light. They are to experience much that is good, much that is dark. Some people accuse Dickens of writing plots that are too convoluted and bizarre, but what could be more true to life than that?

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