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Posts Tagged ‘providence’

Lisa W. Foderaro writes in today‘s NY Times (here) about several elaborate carved-pumpkin events in and around New York City. Her article caught my eye because yesterday Suzanne and Erik took their baby dragon and Erik’s mother, sister, niece, nephews (in costume), yours truly and my husband to something pretty dramatic along those lines. In Providence.

As I was reading Foderaro and feeling competitive with New York, this bit in the story jumped out:

“Two carvers, Ray Villafane and Andy Bergholtz, who developed a national following on the Food Network’s ‘Halloween Wars’ show, were at the [New York Botanical] Garden in mid-October, using six-inch rinds of Atlantic Giant pumpkins to sculpture the zombie, whose organs and intestines poke through his cracked ribs. Their assistants were busy harvesting chunks of pumpkin with handsaws and, for the zombie’s jeans, steaming pumpkin rinds.

“Mr. Villafane, a commercial sculptor who has made a year-round business out of carving pumpkins, said … his one disappointment this year was that the official ‘all-time biggest pumpkin,’ the first to weigh more than a ton, did not make it to the Bronx, as was planned. The 2,009-pound specimen, grown by Ron Wallace in Coventry, R.I., ran into trouble.

“ ‘It sprang a leak and rotted on the way,’ Mr. Villafane said. ‘We wanted to carve the world-record holder, so that was sad.’ ”

Well, excu-use me! A Rhode Island monster pumpkin should have gone to the Roger Williams Zoo’s Spectacular, which was way better than anything the Times described. I’m afraid that Mr. Villafone tempted fate. Clearly a curse struck that giant pumpkin when it crossed the border.

The Roger Williams Zoo Spectacular lasts the whole month of October, involves 25 carvers carving 25,000 pumpkins (replaced as they decay), and many fun themes (with piped-in music). We wandered from “Star Wars” to Beatles to “Gone with the Wind” to “The Wizard of Oz” and on and on. I was as amazed as the relatives visiting  from Sweden.

The idea of 25 people carving pumpkins for a month is in itself amazing to ponder. How much do pumpkin carvers get paid? What work do they have during the other 11 months? Are any from Rhode Island School of Design?

The Spectacular would have been a bit scary for the youngest among us, I think, but he was jet-lagged and zonked out in the stroller. A buffet before the walk around the lake was super and got us in early, in front of incredibly long lines. Read more about it all here.

Photograph by Suzanne, Luna & Stella

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At first, Suzanne and Erik thought the chair backs attached to tree stumps on Blackstone Boulevard must have been the work of a conservancy-type organization. The boulevard’s broad, shaded medial strip for walkers, runners, and baby carriages is always well maintained and welcoming.

But it turns out that a “guerrilla good deed campaign” is behind the tree-stump art. Erin Swanson, of Providence’s East Side Monthly, tracked down a vigilante known as Johnny Chair Seed.

“Last summer,” Swanson writes, “a few friends were having themselves a little stroll down Power Street when they stumbled upon a broken chair, discarded on the sidewalk. A few footsteps further, they happened upon a tree stump. ‘It started as just a random idea. We figured someone got drunk and broke the chair,’ says the anonymous mastermind behind the array of stump chairs now scattered throughout the East Side. ‘I hear people have started calling me Johnny Chair Seed,’ he says with a devilish smile. ‘I kind of like it.’

“With the help of two friends (two of the ‘select few’ who know his true identity), Johnny has constructed a total of ten stump chairs including those on Hope, Rochambeau, Blackstone, Elmgrove and Larch, among others.” The full article is here.

Makes me want to do a stealth project again. It’s been too long. I have something in mind involving poetry. Stay tuned.

Photograph: East Side Monthly

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We took a walk and canvassed places where the new baby will play. It will be a while before that, of course. In the meantime, his cousin may be willing to test out the equipment. My husband, who knows this from experience, thinks our two-year-old grandson will be especially keen to try chin-ups on the dangling wheels.

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Flowering

Today in Providence: spring, new growth. A nap with the scent of lilacs through the window is in order for us all.

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Nancy L. urged me to take a look at the work of Providence-based artist Anne Spalter. I found fascinating, kaleidoscopic videos and stills at various online locations.

From her artist statement: “Anne Morgan Spalter creates art works that explore her concept of the ‘modern landscape.’ The works depict modern landscape elements or ways of viewing our surroundings and use traditional materials as well as digital imaging, printing, and video.

“Spalter takes hundreds of digital photos and videos each year, often from the windows of moving cars and planes, that capture both technologically advanced ways of moving through the landscape and the modern structures that are in it …”

She is the author of The Computer in the Visual Arts, which former RI School of Design president Roger Mandle described as, “a seductively articulate and illuminating introduction to the rapidly expanding world of the computer and art, design, and animation.”

She and her husband are collectors of early computer art. “In early 2011, the DeCordova Museum in Lincoln, MA,  exhibited works curated from the collection,” notes Spalter’s c.v. MoMA has shown pieces from the collection, too.

This video, called I95, will amaze anyone who has driven that daunting thoroughfare.

Find some stills from videos by Anne Spalter here.

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Brunch in Providence’s former jewelry district (now called the Knowledge District) can feature some intriguing overheard conversations among Brown University students. Wish I had caught the rest of this one: “Well, but if there were an alien invasion …”

Today was lovely for sitting outside with two of our favorite Rhode Islanders. Do note the chain-and-charms motherhood present (I don’t call it a “push” present) modeled by the mother-to-be. Sorry I didn’t get a close-up. Better pictures at Luna & Stella.

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I went to the concert of an oboe-playing friend Sunday. The 3 p.m. event coincided with the anniversary of the earthquake and tsunami that took place a year ago in Japan. My friend, of Japanese heritage, was moved by the music he was playing, and so was I. The modern pieces really sounded like an earthquake to me. I had visions of Poseidon, the Bull from the Sea, rising up in anger against humankind, and later of hope dawning.

The Charles River Wind Ensemble, where my friend plays, has a new conductor. I liked Matthew Marsit’s energetic style and his explanations of the pieces. Marsit, a clarinetist himself, is also a conductor at Dartmouth College, where he practices his belief in music outreach to lower-income communities.

“An advocate for the use of music as a vehicle for service, Matthew has led ensembles on service missions in Costa Rica and Philadelphia, Pennsylvania, collecting instruments for donation to schools, performing charity benefit concerts and offering workshops to benefit arts programs in struggling schools.  His current work at Dartmouth allows for outreach projects in the rural schools of New Hampshire and Vermont, working to stimulate interest in school performing arts programs.” Read more.

I think musicians can be very giving people. Indian Hill Music in Littleton, Massachusetts, offers scholarships and more. Someone I know on the board tells me that Indian Hill has “a program to bring music instruction to schools in the region that have cut out music due to budgetary constraints. They also offer free concerts, a Threshold choir (music for dying patients), and a number of other outreach efforts.”

In Providence, Rhode Island, Community MusicWorks demonstrates how music builds community and teaches social responsibility. You can read about this and other innovations in Rhode Island’s creative economy here.

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