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Photo: Mike Wilkinson.
Russ Miller on a cleanup mission of Kentucky’s Red River in 2023. He received the nickname ‘River Cowboy’ after leading efforts to haul tires out of local waterways. 

Another story of one person making a difference. And for me, it’s always beneficial to have my preconceptions about different parts of America challenged.

Jessica Baltzersen writes at the Guardian, “I n the 1980s, Russ Miller and his wife moved to a far edge of eastern Kentucky’s Red River Gorge, where they built a homestead on a ridge hugged by three sides of the river. It’s the kind of place you can only get to with a hand-drawn map. A place so remote that the farther and farther you drive to get to it, the more unsure you are that you are in the right place.

“They would spend leisurely afternoons drifting the river in inner tubes, until they started noticing what floated alongside them: heaps of discarded junk.

“ ‘Back then, the river was embarrassing. It was a conveyor belt of trash,’ said Miller as he handed me a photograph showing a tributary choked with broken appliances, tires, plastic kiddie pools and even a rusted blue car. Chief among the junk: tires. …

“When Miller paddled past a tree where a tire had speared itself ‘like an olive on a toothpick,’ he realized that tire would be there forever, unless someone did something. So, he did. That fall, Miller gathered hundreds of tires then recruited friends to corral them downstream. Lacking boats, he devised a way to fill old tires with empty milk jugs to make them buoyant.

“ ‘That’s how he got the “River Cowboy” name,’ said Laura Gregory, watershed program director at Kentucky Waterways Alliance (KWA) and a friend of Miller’s who produced a documentary about his work. ‘He was the guy herding tires down the river.’ …

“Miller … has spent decades pulling a total estimated 3,000 to 4,000 tires from Kentucky’s waterways. He’s also one of the founding members of Friends of Red River (FORR), a grassroots cleanup group formed in 1996.

“Dumping waste tires outside a permitted disposal facility is illegal in Kentucky. Yet tires continue to pile up. Some are dumped out of convenience, others as part of calculated schemes.

“T ‘here are people who are basically professional dumpers,’ said Gregory. ‘They’ll cover their license plates and wear hoods.’ …

“Miller is soft-spoken but is someone whose words you hang on to. In a weathered manila folder bloated with clippings and op-eds he has penned over the last 25 years, his words are fervent.

“ ‘Already the roadsides that people worked so hard to clean up have sprouted a new crop of trash,’ he wrote in a local newspaper. ‘I’m not sure whether I’m more angry with the litterers or the legislators.’

“On a May night, 11 muddied volunteers gather for a tire cleanup early the next morning on the upper section of the Red River, the only river in Kentucky federally designated as ‘wild and scenic.’ Their grueling paddle will take 13 hours, including a quarter-mile portage. …

“Unlike other cleanups, this one isn’t open to the public, and I’m not invited. The challenge of the Red River’s narrow, technical turns is left to those skilled and familiar enough with the potential class three rapids, which can flip a boat without warning.

“Later in June, on the second FORR cleanup this season, we launch early to tackle a four-mile route through some of the gorge’s most scenic stretches. At first, there are few tires in sight, just a rippling channel beneath understories of rhododendron and oak trees.

“But before long, someone spots a tire along the embankment. Then another. Then another.

“Residents simply lack access to legal disposal, especially in rural areas, where hauling them to a certified site costs time and money. Waste tire collection events offer Kentuckians a free way to dispose of old tires, but they only rotate among the state’s 120 counties once every three years.

“There’s also an old embedded mindset of viewing rivers as ‘out-of-sight, out-of-mind’ dumping grounds.

“ ‘You have to understand the culture of this area back in the early days,’ said John Burchett, board member of Friends of the Tug Fork River (FOTTFR), a group that removes tires on the Kentucky–West Virginia border. ‘Garbage service was sparse in regulation. You took your trash out the backdoor and threw it over the creek bank. … Now we’re dealing with the sins of our forefathers.’ …

“Once, KWA board member Travis Murphy counted 400 tires during a single paddle near Floyds Fork. Between Jackson and Beattyville, Miller counted 2,630 tires in 20 miles (32km). Earlier this year, in the most paddled stretch of Daniel Boone national forest, a team pulled 54 tires in three miles. Along the Tug Fork, 16,183 tires have been removed in only six years by FOTTFR.

“However, states are starting to take action. Connecticut passed the EPR law requiring tire manufacturers to take responsibility for their products post-consumer. Florida is removing millions of tires dumped into the ocean as part of the Osborne Reef Waste Tire Removal Project. And the Kentucky legislature recently adopted senate resolution 238, a bipartisan resolution acknowledging the scale of the tire pollution – thanks in large part to advocacy by KWA and its partners.

“ ‘We will be working during the next few months with local stakeholders as well as the division of water’s river basin coordinators to gather input for our report,’ said Robin Hartman, executive director of communications at the Kentucky energy and environment cabinet, in an email. ‘Once complete, the report will include findings, recommended strategies and any legislative recommendations.’ …

“ ‘While I sometimes feel helpless, I am also hopeful it will change,’ said Miller. ‘Once the awareness is there, the journey has begun.’ ”

I’d say that’s true of many things.

More at the Guardian, here. No paywall. Donations needed.

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Photo: Alamy.
Sir Edward Elgar recording acoustically – via horn – in 1914.

The first recording device that I came in contact with was my father’s wire recorder, a machine that seemed pretty magical to me. To make his recordings more accessible and “permanent,” he would take special ones to a place in New York City to have them made into records. That’s how I eventually ended up with “The Birth of Willie,” which in turn I had made into a cassette tape. And now of course, no one uses cassette tapes. That’s the trouble with new technologies. You put heart and soul into an artifact and then it goes obsolete.

In today’s article from Gramophone, Bob Cowan gets a bit into the weeds with the attributes and strengths of various early recordings.

“Back in the May edition of my Replay column, under the heading ‘Electric centenary’, I offered an enthusiastic welcome to Pristine Audio’s release ‘1925: Landmarks from the Dawn of Electrical Recording’. On this set, producer and audio restoration engineer Mark Obert-Thorn has programmed two CDs’ worth of recordings, principally from that epoch-making year when for the most part a microphone took over from purely mechanical recording, in other words from a pre-electric recording horn (where the sound is transmitted on to the master grooves with no electronics involved). The ascent from one method to the other was more significant even than the later leaps from wax cylinder to flat disc, shellac to vinyl, mono to stereo, analogue to digital or CD to streaming.

“The electrical breakthrough (from acoustic, horn-recorded sound) had one thing in common with the advent of stereo: it necessitated, for the full effect of the newer system to register, the acquisition of fully up-to-date reproducing equipment. You can’t play a stereo LP with a mono-only tone arm; likewise, reproducing electrically recorded 78s on even the most sophisticated of horn gramophones keeps the dynamic ‘realism’ of an electrical recording at bay, although the human voice or even the most distinctive solo (stringed) instrument can, at best, remain more or less intact.

Arthur Rubinstein, who never left us any horn gramophone recordings, always maintained that the mechanical horn recording system made the piano sound like a banjo. …

“Eliminating resonances from the horn and producing clearer sound with a wider frequency range via the electrical system works especially well with a piano, while it goes without saying that orchestral music benefits enormously after the cavernous horn’s obvious limitations.

“There are, however, a few notable exceptions, principally Sergey Rachmaninov playing his own Prelude in C sharp minor, also known as ‘The Bells of Moscow’, which calls on the composer’s firm, commanding touch (especially strong at the bass end of the keyboard) and suspenseful sense of timing. He recorded it three times, twice acoustically (April 1919 and October 1921) and once electrically (April 1928), and all three versions are included in RCA’s 10-disc set ‘Sergei Rachmaninoff: The Complete Recordings’. Pianists such as Alfred Cortot (with his bel canto top line) and Benno Moiseiwitsch (whose style incorporates the projection of countless simultaneous subsidiary voices) managed to circumvent the horn recording system in ways that other pianists, even the best of them, rarely could; however, Rachmaninov playing Rachmaninov is special: it has listeners poised at a crossroads between passion and foreboding, whether he was recording acoustically or electrically. …

“The great British-born American conductor Leopold Stokowski, who knew Rachmaninov well and recorded with him both acoustically and electrically, made his first discs with the Philadelphia Orchestra in 1917 – though, as the Stokowski guru Edward Johnson has noted, ‘Between 1917 and 1924, they made an estimated 450 acoustic recordings, but the old method of playing into a large horn gave a very poor representation of orchestral sound, and of all their acoustic discs, only 60 or so were actually issued.’

“Listening to Stokowski’s acoustic recordings of music from Rimsky-Korsakov’s Sheherazade, specifically ‘The Young Prince and Young Princess’ (recorded 1921), is instructive. The acoustic version (now on Pristine Audio, alongside another excerpt recorded in 1919) sounds as if it’s being played by a chamber ensemble with bongos, whereas by the time the complete work was recorded in 1927, captured on wax, Stokowski’s characteristic Philadelphian opulence could be reproduced with impressive realism. …

“Sir Edward Elgar’s acoustic recordings of his own music enshrine riveting performances that often generate newsreel-style excitement (even though Fritz Kreisler said, on at least one occasion, that Elgar was a ‘lousy conductor’), but the horn loses the subtler aspects of the composer’s orchestration. …

“Among the most notable ‘Elgar conducts Elgar’ comparisons concerns the Violin Concerto, recorded acoustically in 1916 with the Edwardian virtuoso Marie Hall as soloist, then, most famously, electrically in 1932 with the teenage Yehudi Menuhin. The earlier version crams about a third of the concerto onto four 78rpm sides, making a significant alteration to the scoring by adding a harp to the strummed cadenza, which doesn’t exactly bolster the music’s shimmering sense of mystery (Elgar apparently rewrote his cadenza so that the recording horn could pick it up). Hall, a good, lusty player who was historically significant, can’t match the burning infatuation with the music that Menuhin conveys, seemingly with total ease. …

“Over the years, much confusion has accumulated about the identity of the first Beethoven Fifth Symphony on disc, which was long thought to be a highly individual reading by the Berlin Philharmonic under Arthur Nikisch, recorded in Berlin on November 10, 1913. Then informed pundits revealed that it was preceded in 1910 by a recording featuring a ‘string orchestra’ (a mysterious and inaccurate attribution) allegedly under one Friedrich Kark (1869-1939), who was conductor of the Hamburg Opera House from 1906 to 1918 and also set down the first Pastoral Symphony with the same orchestra during the same year. …

“A rather blurrily recorded Furtwängler Fifth with the Berlin Philharmonic was set down in October (16th and 30th) 1926 and January 1927. You can catch it on YouTube transferred from an ultra-rare set of 78rpm discs issued in the US on the Brunswick label. Although, in terms of its date, it falls securely within the remit of electrical sound, it comes across like a boxy-sounding acoustic production. I can’t say for sure which side of the divide this 1926-27 recording falls. The same conductor’s Berlin Fifth from 1937 (Warner) is superior in all respects. …

“In December 1920, Arturo Toscanini brought the La Scala Orchestra to the US on a concert tour and it was then that he made his first recordings for Victor. This impressive showing of material has been released as Volume 71 of RCA’s ‘Arturo Toscanini Collection’ and proves beyond reasonable doubt that with this orchestra in Camden, New Jersey, Toscanini upped the standard of orchestral playing on disc a good few notches higher than had been achieved elsewhere. The finale of Beethoven’s Fifth (1920) displays an orchestra at the top of its game.”

Loys more at Gramophone, here. No paywall.

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Photo: Alessandra Benini.
The ruins of Aenaria were buried in the sea for nearly 2,000 years, preserved underneath volcanic sediments.

Today’s story is about finding Aenaria, a Roman port that disappeared under the sea after a volcano erupted. Eva Sandoval at the BBC begins by describing a tour you can take there if you are interested in archaeology.

“As our tour sets sail, the vast Bay of Cartaromana opens up before us. Jagged cliffs shoot up from the waves; sunbathers sprawl on the inlet bridge leading to the 2,500-year-old Aragonese Castle. … After just 10 minutes at sea, we reach a network of buoys marking the ruins below. I press my hands against the vessel’s transparent bottom. Through the turquoise-blue water, between waving fields of seagrass and small striped fish, I glimpse a pile of rocks. Then the seagrass parts and I see that the rocks are arranged into a long rectangular form, its sides encased in wooden planks. This is an ancient city’s quay; buried in the cool dark for centuries and perfectly preserved. …

“I am on the Italian island of Ischia, where sometime around AD180, the Cretaio volcano erupted, and the ensuing shockwaves sank the Roman port city of Aenaria beneath the sea.

“At least, that’s what archaeologists think happened. … There are no records of the explosion, and very little written about the settlement itself. For nearly 2,000 years, there was no physical trace of it either. …

“The first hints of its existence were in 1972, when two scuba divers found Roman-era pottery shards and two lead ingots off Ischia’s eastern shore. The find intrigued archaeologists, but the ensuing investigation, helmed by local priest Don Pietro Monti and archaeologist Giorgio Buchner, yielded nothing. … The case went cold for nearly 40 years.

“Then, in 2011, passionate local sailors reopened the excavation, this time digging into the sea floor. Soon, they were able to confirm that 2meters beneath the bay’s volcanic seabed lay the ruins of a massive Roman-era quay. …

“As far as anyone had ever known, Ischia’s DNA was Greek. The island was renowned as the site of the first Greek colony in the Italian peninsula, established around 750BC in the north of the island. …

“When the Romans seized Pithecusae sometime around 322BC, they renamed the island Aenaria – a name that appears in ancient texts from Pliny the Elder to Strabo, often in relation to military events. But unlike the Greeks, who left behind a necropolis, kilns and troves of pottery, the Romans left only a few modest tombs, engravings and scattered opus reticulatum. …

” ‘The name was documented,’ echoes local resident Giulio Lauro. ‘But no one could find the place.’ Archaeologists had been looking for Roman Ischia on dry land, but it was buried below the sea.

“Lauro is the founder of the Marina di Sant’Anna; the cultural branch of the Ischia Barche sea-tourism cooperative. Along with various affiliated cultural groups – comprised of Ischian seafarers, history enthusiasts and archaeologists – they have self-funded the excavations for the past 15 years.

“Lauro is quick to tell me that he’s no scientist. ‘But I love the sea,’ he said. ‘In 2010, I got the idea to look again.’ …

“There were challenges, recalls Lauro: ‘Getting authorizations, training people, sourcing funds. We started from zero. We were lucky to believe in it. And then to actually find it.’ …

” ‘It was believed that the Romans never built a city on Ischia,’ says [Dr Alessandra Benini, the project’s lead archaeologist]. ‘It was the opposite.’ …

“Each summer, Benini and her team excavate the sea floor. Progress is painstaking due to a perennial shortage of funds. … During the site’s active months, curious visitors can take glass-bottomed boat tours, as well as snorkelling and scuba excursions to get even closer to the ruins. ‘You can see the underwater archaeologists at work, the equipment they use and everything involved,’ says Benini. …

“I ask Benini what she hopes to find this summer.

” ‘My dream is to find the foundations of the residential city,’ she says. ‘If we’ve found the port, then we know there was a city.’  

“The team hopes to introduce Lidar, Georadar and sub-bottom profiler instruments into the digs, but Benini points out, ‘That’s expensive. We need more investors.’ “

Lots more at the BBC, here. No paywall.

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Photo: Hannah Hoggatt/Midcoast Villager.
The Villager Cafe in Camden, Maine, serves as a newsstand and events space for the Midcoast Villager. It allows locals to mingle comfortably with reporters — and maybe share news.

Blogger Laurie Graves in Maine had a fantasy podcast at one point that involved a café/sandwich shop run by elves. I couldn’t help thinking about it as I read today’s story.

Mackenzie Farkus, a staff writer at the Christian Science Monitor, reports, “Inside the Villager Cafe, the scent of freshly brewed coffee lingers, and chatter is sporadically interrupted by chirps from a cafégoer’s walkie-talkie. Three women settle into a window-side table. They’ve known each other since high school, and they regularly meet to discuss politics.

“It’s an apt place to do so. Print copies of the Midcoast Villager — an online daily and weekly print newspaper covering midcoast Maine — are displayed near the cash register. … Just upstairs, a small, bustling newsroom is rushing to meet the weekly print deadline.

“The Villager Cafe, which opened in April, isn’t just a café. It’s a newsstand and events space for the Midcoast Villager. The newspaper wants the café to be a ‘third space for community engagement,’ in the words of deputy editor Alex Seitz-Wald. …

“Last year, 130 newspapers shut down at a rate of almost 2 1/2 per week, according to a report from Northwestern University’s Local News Initiative. As of last October, 206 counties across the U.S. don’t have a local news outlet at all. … The loss of local newspapers is ‘really damaging to civic life and civil discourse, and the ability of average people to be informed about their community,’ says Meg Heckman, an associate professor of journalism at Northeastern University in Boston.

“ ‘It’s a lot harder to know what’s going on in town hall, [or] what changes to federal environmental policy might mean to rural farmers or fisheries or tourism,’ she adds.

“Reade Brower has long been regarded as Maine’s ‘media mogul.’ In 2019, he owned six of Maine’s seven daily newspapers, more than 20 weekly publications, and three printing presses. In 2023, he sold the vast majority to the National Trust for Local News, a nonprofit. Four of the papers he held onto … became the Midcoast Villager. It published its first issue in late 2024. …

“U.S. newspapers earned $49 billion in advertising revenue in 2006; that number dropped to less than $10 billion in 2022.

“Around 85% of U.S. adults believe that local news outlets ‘are at least somewhat important to the well-being of their local community,’ according to a 2024 Pew Research Center survey. But only 15% say they’ve paid or given money to any local news source in the past year, which has largely remained unchanged since 2018.

“People have been curious to check out the café, says Aaron Britt, publisher … says Mr. Britt. ‘And I’ve just heard like nothing but great things. People like the food, people run into everybody that they know. … Community members can feel like, “Oh, this is my spot.” ‘ …

“ ‘I think a lot of where we are today is due to the perception that there are editors and writers away in this tower who are covering issues, but they’re not fully connected with readers,’ [Kathleen Fleury Capetta, co-founder of the Midcoast Villager] says. ‘We’re trying to shift that perspective.’ …

” ‘The café’s goal at the very start has been, “How do we connect our community and create a respectful place of dialogue?” ‘ says Mr. Brower. ‘We believe we’re achieving that.’ …

“Staffers at the Midcoast Villager have already fielded calls from other media organizations interested in the approach.

“ ‘Anybody is welcome to call us up and steal our idea if they like it,’ Mr. Brower says.”  More at the Monitor, here.

In my town, we have a community paper, too. It’s doing very well thanks to donations and ads. As delightful as the Villager Cafe sounds, I hope our paper will stick to what it knows best and not try to get into the food business. The rents alone would guarantee failure here.

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Photo: Neil Reid at the New Zealand Herald.
Former All Blacks coach Mike Cron integrated techniques from ballet and sumo wrestling into the team’s workouts.

Today, I share an article from New Zealand about using creative techniques in rugby training. Since I personally don’t know the first thing about rugby, please correct me if I use the terminology incorrectly.

Neil Reid has the story at the New Zeland Herald.

“Mike Cron has looked far and wide to make his [rugby] forward packs better – including adopting techniques from slender, tights-wearing ballet dancers and borderline-obese sumo wrestlers. Regarded by many as the rugby world’s leading scrum and forwards coach, the former police detective has never been afraid to look in less traditional places to get the best out of his players – and himself.

“In his upcoming autobiography – Coach – Lessons from an All Blacks Legend – the 70-year-old opens up on his 210-test tenure with the All Blacks, including Rugby World Cup triumphs in 2011 and 2015 – and his current role with the Wallabies.

“He writes about the All Blacks pack benefiting from techniques he observed in dancers at the Royal New Zealand Ballet and at a sumo wrestling gym in Japan.

“Cron spent time with both during a period when a variety of All Blacks – most notably front rowers – were battling a condition dubbed ‘turf toe’ involving pain at the base of the big toe when bent. Jumping, landing or pushing off when running could all exacerbate the sometimes career-ending ligament injury.

“In an interview with the Herald … Cron said his first travels in search of ways to prevent turf toe saw him visit NFL franchise the New York Giants. NFL athletes are susceptible to the condition from hard artificial turf surfaces.

“He was then allowed access to the Royal New Zealand Ballet as it prepared for a performance of The Mikado; including a meeting with the group’s Italian artistic director and talking to the dancers.

“ ‘At the end of training, we were invited up on stage,’ Cron told the Herald. ‘And I had two questions, one was about turf toe.’

“Cron was told ballet dancers were able to limit the risk of turf toe because of their landings. They had ways of landing that put less impact on the big toe. It was something Cron passed on to the All Blacks medical team and their lineout jumpers.

“Cron’s other question was to the Kiwi male lead of The Mikado production after he had watched him … lifting above the head’ of his dance partner.

Cron likened it to the process of forwards lifting a teammate in the air to snare an opposition kickoff. …

“ ‘He tells me about how you lock out and how you breathe, how you fill your belly up with the air and push your guts out and down, and I go … “same as powerlifters.” ‘ …

“Another nugget of knowledge was learned from spending time observing a sumo wrestling school in Japan. Cron spent several days there before returning to his base in Canterbury still contemplating what he’d seen, and wondering whether any of the lessons could be applied to rugby.

“Three months later, he reviewed video footage, and it clicked. ‘The last thing they do before they explode, these big guys, is with their toes . . . they hold the ground to get power and then release the power through into [their] opponent,’ Cron said.

‘I came back and started teaching that. With the sprigs in our boots, we push into the ground and hold the ground like a parrot in a bird cage.

“ ‘You get far more grip, far more purchase because power comes from the ground through your feet and through your body,’ …

“Cron said while top rugby players, ballet dancers and sumo wrestlers excel in very different arenas, they’re all still athletes who had insights others could learn from.

“ ‘If you go and see Cirque Soleil train, you will pick something up.’ ”

More at the New Zealand Herald, here.

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Photo: Frances Perkins Center.
Frances Perkins, President Franklin D Roosevelt’s Secretary of Labor, had more to do with shaping the New Deal than most Americans realize.

A few years ago, someone recommended a book to me, a biography of President Franklin D Roosevelt’s Secretary of Labor. I had heard of Frances Perkins, but until I read that book (see GoodReads, here), I really had no idea what an extraordinary woman she was — and how influential.

For Labor Day this year, I thought I would share what the AFL-CIO has to say about her, while also encouraging you to get a biography out of your library.

“Frances Perkins was secretary of labor for the 12 years of Franklin D. Roosevelt’s presidency and the first woman to hold a Cabinet post. She brought to her office a deep commitment to improving the lives of workers and creating a legitimate role for labor unions in American society, succeeding admirably on both counts. …

“Born in Boston in 1880, Perkins grew up in a comfortable middle-class Republican family descended from a long line of Maine farmers and craftsmen. When Perkins was two, the family moved to Worcester, Mass., where her father opened a profitable stationery business. Her parents were devoted Congregationalists and instilled in Perkins an earnest desire to ‘live for God and do something.’ At Mount Holyoke College … Perkins majored in the natural sciences, but she studied economic history, read How the Other Half Lives, Jacob Riis’s exposé of the New York slums, and attended lectures by labor and social reformers such as Florence Kelley, general secretary of the National Consumers League.

“After graduation from Mount Holyoke in 1902, Perkins accepted a series of teaching positions and volunteered her time at settlement houses, where she learned firsthand the dangerous conditions of factory work and the desperation of workers unable to collect their promised wages or secure medical care for workplace injuries. By 1909, she had given up teaching science and moved to New York to study at Columbia University, where she earned a master’s degree in economics and sociology in 1910. For the next two years, she served as secretary of the New York Consumers League; working closely with Florence Kelley, she successfully lobbied the state legislature for a bill limiting the workweek for women and children to 54 hours. …

“One of the pivotal experiences of her political life occurred in 1911, when she watched helplessly as 146 workers, most of them young women, died in the Triangle Shirtwaist fire.

Many, she remembered, clasped their hands in prayer before leaping to their deaths from the upper-floor windows of a tenement building that lacked fire escapes.

“It was, as Perkins later explained, ‘seared on my mind as well as my heart — a never-to-be-forgotten reminder of why I had to spend my life fighting conditions that could permit such a tragedy.’

“During these years, Perkins also witnessed the widespread labor upheavals among garment and other New York City workers and learned from friends such as labor leader Rose Schneiderman the one-word solution to poverty: organize. …

“In 1918, Perkins accepted Gov. Al Smith’s invitation to join the New York State Industrial Commission, becoming the first female member of the commission. In 1926, she became chairwoman of the commission, and then, in 1929, the new governor, Franklin D. Roosevelt, appointed Perkins industrial commissioner of the state of New York, the chief post in the state labor department. Having earned the cooperation and respect of a wide range of political factions, Perkins, ever the master deal-maker, helped put New York in the forefront of progressive reform. She expanded factory investigations, reduced the workweek for women to 48 hours and championed minimum wage and unemployment insurance laws.

“When Roosevelt tapped her as labor secretary in 1933, Perkins drew on the New York State experience as the model for new federal programs. She put every ounce of her formidable energy into weaving a safety net for a Depression-scarred society, securing a remarkable array of benefits for American workers. … Her vision found concrete expression in such landmark reforms as the Wagner Act, which gave workers the right to organize unions and bargain collectively, and the Fair Labor Standards Act, which established for the first time a minimum wage and a maximum workweek for men and women. Perkins also chaired the Committee on Economic Security, which developed and drafted the legislation that became the Social Security Act in 1935.

“As secretary of labor during the 1930s and early 1940s, Perkins played a crucial role in the outcome of the dramatic labor uprisings that marked the era. She consistently supported the rights of workers to organize unions of their own choosing and to pressure employers through economic action. In one famous incident captured in a widely circulated newspaper photo, an indomitable Perkins strides toward the U.S. post office in Homestead with thousands of steelworkers trailing behind her. Denied a meeting hall by the mayor and steel executives, Perkins found an alternative site where she could inform the workers directly of their collective bargaining rights. It was also the unflappable Perkins who advised President Roosevelt to ignore the pleadings of state and local officials for federal troops to quell the 1934 San Francisco General Strike. The successful resolution of that strike as well as countless others during her tenure as labor secretary laid the foundation for the rebirth of American labor. …

“In 1945, Perkins resigned from her position as labor secretary to head the U.S. delegation to the International Labor Organization conference in Paris. President Truman subsequently appointed her to the Civil Service Commission, a job she held through 1953. In the last years of her life, Perkins assumed a professorship at Cornell University’s School of Industrial and Labor Relations. She died in New York at the age of 85 and was buried in her family’s plot in New Castle, Maine.”

More at the AFL-CIO, here.

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Photo: Edward Burtynsky.
“Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin Province” (2005) is one of Burtynsky‘s best-known large-scale photos of China’s industrialization of just about everything.

The International Center of Photography in New York City recently hung an exhibit of Edward Burtynsky, a photographer I’ve admired since I first encountered his massive works in the early 2000s.

Louis Bury at Hyperallergic calls the show “A God’s-Eye-View of Earth’s Destruction.,” which doesn’t sound like fun but is sure to be interesting.

Edward Burtynsky: The Great Acceleration,” writes Bury, “at the International Center of Photography contains the artist’s largest ever print, which is saying something. Across a celebrated 40-plus-year career, Burtynsky has been renowned for his work’s ambition and scalar play. His fantastic images, often taken from aerial vantages, depict landscapes modified by human industry, from a stepped mine resembling an amphitheater … to a salt pan whose multicolored pond rows evoke a painter’s palette. …

“The large formats and supra-human perspectives render the Earth alien, potentially confronting the viewer not only with our species’ collateral ecological harms but also our estrangement from them. 

“Even by that standard, the exhibition’s 28-by-28-foot mural Pivot Irrigation #8, High Plains, Texas Panhandle, USA (2012) stands out. The distant overhead view and subdued color palette transform farmland into an almost abstract composition, in which the pictorial space is divided into textured, geometric browns on one side and alternating vertical stripes of washed out blues and grays on the other. A teensy farmstead occupies the bottom left corner and the roads running parallel to the edges of the picture plane serve as a clever framing device.

“But the two-story-tall print’s physical size produces its most dramatic effects. It dominates the central gallery, dwarfing visitors in a manner akin to the quarry cliffs that sometimes loom over the ant-like human figures in Burtynsky’s other landscapes, such as the miners digging for cobalt, for a couple dollars a day, in ‘Dry Tailings #1, Kolwezi, Democratic Republic of Congo’ (2024).

“Curator David Campany’s approach encapsulates the ‘bigger is better’ ethos. … The scope of the artist’s environmentalist muckraking matches the scope of the iniquities it portrays; for decades, Burtynsky has pursued research leads around the globe to capture yet more examples of civilization’s terraforming. Early in his career, before the term ‘Anthropocene’ became common in academic and artistic circles, such images offered a prescient vision of large-scale anthropogenic changes that were typically out of sight and out of mind.

“But as others have caught up to and even surpassed that vision … its style has remained mostly the same, god’s-eye-view consciousness raising feels more and more like a pretext for aesthetic dazzle.

“Burtynsky’s dazzle serves a psychological rather than a moral function. It can provoke in viewers the uncomfortable recognition that harmful ecological realities nonetheless appear beguiling. But it can also occlude the human-scaled implications of those realities. On the central gallery’s terrace level, Campany has helpfully included examples of Burtynsky’s lesser known work: early 1980s portraits of food plant laborers; studies of marshlands taken during the COVID-19 lockdown. While these series lack the wow factor of the artist’s panoramic work, they evidence his eye for formal patterns and keen details. …

“[The show] continues at the International Center of Photography (84 Ludlow Street, Lower East Side, Manhattan) through September 28.”

Fantastic photos at Hyperallergic, here. No firewall. See also Photographic Journal, here, and the artist’s site, here.

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Photo: Danielle Khan Da Silva.
Divers risk their lives to protect whales from “ghost nets”
abandoned by fishermen.

Today’s article presents one of those impossible challenges pitting the environment against the need to make a living. In this case, it involves the ocean, specifically marine animals.

Danielle Khan da Silva has the story at the Guardian.

“After a day of scuba diving, Luis Antonio ‘Toño’ Lloreda was exhausted. Then a friend brought urgent news. ‘Toño, man, there’s a whale caught in a net out there.’ Lloreda, 43, had freed other, smaller wildlife from fishing nets but this would be his first marine animal of such size.

“The four- to five-meters-long juvenile humpback, accompanied by its mother, had a net studded with hooks wrapped around its fin and mouth. One wrong move could have been fatal for Lloreda or the whale.

‘To connect with the whale, I used what we call intuitive interspecies communication,’ says Lloreda, explaining that this involves non-verbal, energetic communication.

“ ‘I asked the mother for permission – energetically,’ he says. ‘At first, she didn’t want our help. But when I showed her we meant no harm, she let us in.

“ ‘She positioned herself below us. Then I asked the calf. When the calf became very still, I reached into her mouth and removed the net.’ The mother and calf swam for 50 meters before pausing to rest.

“Lloreda is one of nine Guardianes del Mar (Guardians of the Sea), a grassroots African-Colombian collective from six coastal communities around Colombia’s Gulf of Tribugá, a biodiversity hotspot on the Pacific coast that spans 600,000 hectares of ocean, forest and mangroves. The region, where dense Chocó rainforest meets the ocean, is a Unesco biosphere reserve and is designated a ‘hope spot‘ by the nonprofit organization Mission Blue for its ecological significance.

“Scuba diving is crucial for identifying and removing ghost fishing gear – lost or abandoned commercial nets made mostly of near-indestructible plastics – but it is prohibitively expensive. With sponsorship from Ecomares and Conservation International, Lloreda and his colleagues have trained not only in diving, but in removing fishing gear from coral with quick, precise and safe techniques.

“Many guardians double as coral gardeners and reef surveyors, collecting data for both their communities and scientific partners. Three, including Lloreda, are trained to free marine animals.

“According to WWF, 50,000 tons of fishing gear are lost or abandoned in the oceans globally each year. These ‘ghost nets’ drift across borders, ensnaring coral, turtles, sharks – and whales. In the Gulf of Tribugá alone, Guardianes del Mar estimates that 3-4 humpback whales become entangled each year. …

Guardianes del Mar is working to certify more local divers so they can have a greater impact. But it faces mounting logistical and financial hurdles.

” ‘We used to send the nets to Buenaventura for recycling, but fuel costs are too high,’ says Benjamin Gonzales, 53, one of the senior guardians. There are no roads – the communities are connected mainly by boat – so any rubbish or recycling must be transported out by boat or plane.

“Today, the nets are repurposed into bracelets and sold in Germany and locally in Nuquí, the main coastal municipality. Lead weights are melted down into new dive weights for the local shop, run by Guardianes del Mar advocate Liliana Arango.

“The spirit of mutual care between people and nature runs deep in Tribugá, where the population numbers about 7,000. African-Colombian communities here are descended from formerly enslaved people who escaped Spanish rule and crossed the jungle to reach the coast. They were welcomed by the Indigenous Emberá, and today co-govern the region through a state-recognized model of local autonomy. …

“Says Camilo Morante, 25, the youngest guardian and the group’s legal representative … ‘Everyone in this community fishes, so we can’t tell anyone to stop using nets. … The most important thing is that we raise consciousness locally so that we understand the consequences of our actions.’ “

More at the Guardian, here.

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Photo: Jim Stephenson.
The yard of a cottage in Comrie, Scotland. More and more architects are designing for people with dementia — and their families.

People who want to stay in their homes to the end are braver than I am, and they are in the majority. I think the most impressive are those who are determined to care for a disabled loved one until they can’t manage anymore. I have known a few caregivers adapting to life with a dementia victim.

To help them do that, some architects are designing “dementia-friendly” houses. Charlotte Luxford writes at the Guardian about a home like that near Glasgow.

“Glaswegian retirees Jim McConnachie and Frances McChlery had always dreamed of building their own home with a waterside view, and had even toyed with buying a plot on Scotland’s west coast. However, when McChlery’s sister was diagnosed with young-onset dementia, they had to rethink their plans.

“ ‘The prospect and implications of supporting my sister-in-law became a key consideration,’ says McConnachie, ‘and we decided to build a home closer to the facilities of the city so she could live with us and be closer to extended family.’

“McConnachie embarked on a tour of Scotland’s lochs, but after making a pitstop at Comrie in Perthshire on a sunny day he passed a ‘for sale’ sign on the way out of the village that piqued his interest.

“ ‘Looking at the cottage from the street it was tiny and worn, but to the rear was a lovely south-facing garden that backs on to the River Earn,’ says McConnachie. Excited, he brought McChlery and her sister for a viewing. They both saw potential in the property and were charmed by the bustling village with its valley views and thriving community.

“Last used as a dental surgery, the 18th-century cottage didn’t have any insulation and suffered from water damage and structural decay. McConnachie, who trained as an architect, embraced the challenge of transforming it into a warm and adaptable home that could also accommodate extended family. ‘We wanted the house to remain flexible and welcoming as a family hub, while also ensuring Frances’s sister felt safe, independent and engaged,’ he says.

“McConnachie sought guidance from architecture firm Loader Monteith on maximizing the layout, navigating conservation area restrictions and incorporating dementia-friendly design principles. For example, accessible kitchen shelving to allow her sister to navigate the space with some independence and open views through living spaces, so she feels connected but not surveilled.

“[Director] Matt Loader … wanted to respect the ‘honesty’ of the original cottage, so the front two rooms were maintained as cosy living spaces, each with its own fireplace and lime-plastered walls.

“The kitchen is at the heart of the home, with a small courtyard … providing a sheltered spot for morning coffee. ‘The relationship between Frances and her sister is rooted in cooking, baking and gardening, so the kitchen and its connection to the outside spaces was key,’ adds Loader.

“A defining feature is the marble-topped island, crafted from a piece of stone passed down through the family. As both sisters are short, ‘the island was set low to allow Frances’s sister to help with baking and food preparation, which is an important occupational therapy,’ says McConnachie. …

“Seating [nooks] are a recurring theme; upstairs is a thoughtfully positioned window seat surrounded by shelves displaying ‘memory anchors’ Loader says: ‘Housing artefacts that hold historical significance can help those with Alzheimer’s recognize that this is their home, and it’s important to retain that sense of familiarity.’

“McChlrey’s sister’s living quarters have been sensitively designed to cater for her needs without making it feel at odds with the rest of the house. The upstairs landing also includes a small servery, complete with sink and washing machine, that is designed to facilitate social interaction while also aiding practical care. …

“On the ground floor, the front of the cottage is currently a home office on one side and a sitting room on the other, each with full-width sliding doors and sofa beds so they can be transformed into sleeping spaces when family visit or permanently if need be later.

“One of the biggest benefits of the layout, McChlery has discovered, is its ‘intervisibility,’ allowing her to keep an eye on her sister without making her feel she is under supervision.

” ‘The deterioration of people with Alzheimer’s isn’t predictable,’ says McConnachie. ‘The best-laid plans to leave clear space and simple-to-use facilities to allow for independence can be quickly taken over by the continuing onset of the condition, so it’s worth allowing space for supervised sharing tasks.’

“McConnachie ensured they left room for the introduction of fittings such as stair lifts and bathroom aids, as well as planning a simple and level route through the house – you can get from the front door to the garden without a step [up or down].

“ ‘Caring for another adult with dementia is very difficult emotionally and physically – the grief and injustice are always in the back of your mind,’ adds McChlery. ‘Everything about this house helps – it provides a beautiful and safe space that enables us all to be at home for as long as possible.’ “

More at the Guardian, here.

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Photo: Nancy’s nephew Andrew.
Beautiful poison.
The moon is clothed in smoke from a distant wildfire.

Here are recent photos in no particular order. They cover Massachusetts, Rhode Island, and Pennsylvania, where we attended my brother-in-law’s funeral.

I start off below with an ambitious dog on the rail trail. His owner told me firmly, “He’s not taking that one home.” Then I have a photo of the nearby mural depicting our town in the 19th century.

A couple of painted rock offerings come next. (Someone is a fan of the New York City mayoral candidate who won his primary.)

Staghorn sumac, thistle shadows, a blooming August yard, swamp rose mallow, New Shoreham’s Old Harbor, the Assabet River, a swallowtail butterfly holding still for photographer Sandra M Kelly, Casey Farm, Morning glories or bindweed (not sure which), the shop where I got my 100-year-old quilt repaired, the 30th Street Amtrak station in Philadelphia, and gulls on a fishing vessel in Galilee.

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Photo: Arthur Brand.
A box given to art sleuth Arthur Brand contained records from the Dutch East India Company. They had been stolen a decade ago from the Hague in the Netherlands.

Everyone likes a mystery, especially one that gets solved in a satisfactory way. Of course, “satisfactory” is in the eye of the beholder. I myself like to have the perp brought to justice. Other people prefer something brutally realistic.

France 24 reported recently on a mystery solved by Arthur Brand, the “Indiana Jones of the Art World.” In this case, the perp is long gone.

“A Dutch art sleuth has recovered a priceless trove of stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world’s first multinational corporation. Arthur Brand [ said] the latest discovery was among his most significant.

” ‘In my career, I have been able to return fantastic stolen art, from Picassos to a Van Gogh … yet this find is one of the highlights of my career,’ Brand told AFP.

“Many of the documents recount the early days of the Dutch East India Company (VOC), whose globetrotting trading and military operations contributed to the Dutch ‘Golden Age,’ when the Netherlands was a global superpower.

“VOC merchants criss-crossed the globe, catapulting the Netherlands to a world trading power but also exploiting and oppressing the colonies it conquered. The company was key to the slave trade during that period, with generations of enslaved people forced to work on Dutch plantations. …

“The company was also a leading diplomatic power and one document relates a visit in 1700 by top VOC officials to the court of the Mughal emperor in India.

” ‘Since the Netherlands was one of the most powerful players in the world at that time in terms of military, trade, shipping, and colonies, these documents are part of world history,’ said Brand.

UNESCO agrees, designating the VOC archives as part of its ‘Memory of the World’ documentary heritage collection.

” ‘The VOC archives make up the most complete and extensive source on early modern world history anywhere,’ says UNESCO on its website.

“The trove also featured early ships logs from one of the world’s most famous admirals, Michiel de Ruyter, whose exploits are studied in naval academies even today. …

“No less enthralling is the ‘who-dunnit’ of how Brand came by the documents.

“Brand received an email from someone who had stumbled across a box of seemingly ancient manuscripts while clearing out the attic of an incapacitated family member.

“This family member occasionally lent money to a friend, who would leave something as collateral – in this case the box of documents. …

“Brand investigated with Dutch police and concluded the documents had been stolen in 2015 from the vast National Archives in The Hague. The main suspect – an employee at the archives who had indeed left the box as collateral but never picked it up – has since died. …

“The art detective said he spent many an evening sifting through the documents, transported back in time.

” ‘Wars at sea, negotiations at imperial courts, distant journeys to barely explored regions, and knights,’ he told AFP.

” ‘I felt like I had stepped into Robert Louis Stevenson’s Treasure Island.’ ” More at France 24, here.

Don’t you love that UNESCO has a category of valuables called “Memory of the World”? Wow, what else belongs to the Memory of the World, and is it being protected for the very reason that we don’t remember it? Is Robert Louis Stevenson in Memory of the World?

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Photo: Brittany Schappach/Maine Forest Service.
The dreaded jumping worm.

“Jumping worms” sounds like a circus act, but they are unwelcome garden visitors that have become a menace for parts of the Northeast. I’d be interested to know if you have them where you live and what you can add to today’s report.

Catherine Schneider writes at Providence Eye, “Earthworms are generally seen as improving the structure and fertility of garden soil as they tunnel through the soil, consuming organic matter and leaving behind castings (worm manure) that are rich in nutrients, humus, and microorganisms. 

“Unfortunately, there is a not-so-new worm in town that provides none of these benefits and can actually do great damage to soil structure and fertility:  the so-called Jumping Worm. These worms devour the top layer of soil, leaving behind crumbly soil that dries out quickly, is prone to erosion, and makes poor habitat for many plants and soil dwelling organisms — including bacteria, fungi, and other invertebrates.

“The name jumping worms refers to several similar-looking species of invasives (Amynthas spp.) that originated in East Asia. … They have been in the US since the late 1800s, but pretty much remained underground until recently when their numbers and range have increased dramatically. The reasons for the recent rapid spread are not completely understood, although it may be due to climate change, as well as human activities which unwittingly spread the worms (e.g., gardening, landscaping, fishing, hiking).  They are now found in more than half of US states, including many areas in Providence and Rhode Island.

“Unlike other earthworms that burrow deep into the soil, jumping worms tend to live in the top three to four inches of soil and in leaf litter and mulch. They are voracious eaters and can quickly deplete nutrients found in soil and organic matter. While other earthworms distribute their high nutrient-value castings throughout the soil, jumping worms excrete their castings on the soil surface, where the nutrients are unavailable to plants. The castings are fairly hard, and they frequently erode away in the rain.

“The combination of hard castings and aggressive churning of the soil results in a dry, crumbly soil structure, with large air pockets, which can impact the ability of plants to produce and anchor roots, absorb water, and extract nutrients

“Once jumping worms come to inhabit a garden, they rapidly increase in numbers, no mating required, as they reproduce asexually.  Adult worms can have many offspring, and while the adults will die off after the first few hard frosts, the tiny egg cocoons they leave behind (which are virtually impossible to see with the naked eye) will survive the winter, emerging in the spring to start the destructive cycle again.

“Jumping worms can have a profoundly negative effect on forests and woodlands, as well as gardens and crop lands. A thick layer of leaf litter and organic matter (sometimes called the ‘duff’ layer) is essential to healthy forest soil.  Native forest plants and trees have evolved to rely on this duff layer for the successful germination and growth of their seeds. After jumping worms have altered forest soil, native species may start to diminish while invasives move in and outcompete native species. This alteration of the forest floor and decline in forest health also harms wildlife that depend on native plants and trees, like ground nesting birds, amphibians and invertebrates.

“Jumping worms are most easily identified by their behavior.  They move across soil or pavement in a snake-like fashion and when you touch them or pick them up, these worms will thrash around wildly. This behavior has given rise to the names jumping worms, crazy worms and snake worms.

“Adult jumping worms can also be distinguished from other earth worms in Rhode Island by a milky white or pinkish band, called a clitellum, that fully encircles one end of their body (see photo above). … Jumping worms in Rhode Island do not attain adulthood until sometime in July or August. Before then, juvenile jumping worms, which lack the white clitellum, are difficult to identify. Young jumping worms can best be identified by their thrashing behavior when they are touched or handled. …

“If you suspect that you may have jumping worms, you can try this test:  Mix 1/3 cup of dry mustard in a gallon of water and slowly pour this over your soil (it will not harm your plants).  The mustard solution should drive any worms to the surface, where you can inspect and remove them if they appear to be jumping worms. …

“The main step in prevention is to take care with the plants, soil, compost and mulch that you bring on to your property. Purchase soil, compost and mulch from reputable dealers. If you are buying bulk compost or mulch, ask the dealer if the product has been heated to 131 degrees F for at least 15 days, which is the industry standard for killing weed seeds and pathogens and will certainly kill jumping worm cocoons which do not survive temperatures above 104°F.  

“Cocoons can also be present in bagged soil, compost and mulch.  To play it safe with bagged products, you may want to solarize them by placing the bags in the hot sun for three (3) days, with a piece of cardboard or other insulating material underneath them to prevent cooling from the ground below them. If you want to be extra careful, you can use a soil thermometer to ensure that the product has reached a temperature of 104 degrees F.

“When purchasing plants or accepting plants from friends, check for any signs of jumping worms.  Starting from seed or buying bare root plants is safest.  Alternatively, you can carefully wash off all of the soil around any new plants before planting in your garden.”

More advice at Providence Eye, here. No firewall.

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Photo: Mark Stockwell/Boston Globe.
Mohammed Hannan of Hannan Healthy Foods farm in Lincoln, Massachusetts, holds garlic, one of many organic greens grown on his farm.

After the US takes a step forward, it always seems to take two steps back. In today’s story, We learn about federal funds that have been supporting sustainable agriculture. Until now.

Jocelyn Ruggiero reports for the Boston Globe, “It’s dreary, gray, and unseasonably chilly on the first day of Community Supported Agriculture pickups at the Hannan Healthy Foods farm. As CSA members trickle in to collect their bags of produce, they chat with Mohammed Hannan and passersby who’ve stopped to buy green garlic, beets, collards, and various herbs and greens at the farm stand. Hannan’s 11-year-old daughter, Afsheen, sits bundled up at the checkout table, reading a book alongside volunteer and longtime CSA member Tricia Moore. Aside from the weather, the scene looks similar to opening day last summer. But circumstances are vastly different from what they were 12 months ago.

“One person is notably absent. Hannan’s wife, Kaniz Fouzia, died of pancreatic cancer in March. And even as the family grieves, Hannan confronts the practical challenges of running the farm without his primary support.

“He also faces another crisis. Last year, as with every year since it launched, the farm’s biggest buyer was the New Entry Sustainable Farming Project’s Food Hub, which purchased $7,000 in produce, primarily funded by two federal grants: the Local Food Purchase Assistance and Local Food for Schools Cooperative Agreement programs.

“Since 2021, the Food Hub has bought more than $32,000 of produce from Hannan, supported by these food grants, both part of the 2021 American Rescue Plan. These initiatives enable local schools, food banks, and senior centers to purchase produce from the Hub and, by extension, local farmers and producers. They’ve brought close to $20 million to the Massachusetts economy. Both the LFPA and LFS were originally scheduled to run through December 2025, [but the federal] administration abruptly and prematurely terminated funding for both programs. …

“Established in 2005, the Food Hub aggregates and distributes vegetables grown by more than 35 beginning, immigrant, and refugee farmers in the Boston region. It is an initiative of the Friedman School of Nutrition Science and Policy at Tufts University, which was founded in 1998 to integrate recent immigrants and refugees with farming backgrounds into Massachusetts agriculture. …

“[The] sudden termination of multiple streams of support disrupted many long-planned efforts and, in some cases, left farmers holding the bill for purchases they had already made based on awards that were withdrawn.

“It’s no coincidence that Hannan is the steward of a successful farm. He’s always had close ties to agriculture. He grew up on his family’s organic farm in Bangladesh, which was both a source of food and income. Hannan went on to earn a master’s degree in wildlife biology, studying the country’s ecologically critical coastal areas. In 2014, he gave up an opportunity to accept a Duke fellowship when his wife received a US Diversity Visa; the family left Bangladesh to settle in Cambridge.

“He eked out a living at multiple minimum-wage jobs — Walgreens, Indian restaurants, and MIT facilities — before landing work in biotech, then as a lab manager at MIT. During the lean years, he yearned for the affordable organic food that was so accessible in Bangladesh. He wondered, ‘How can I change my situation? How can I grow food here?’ …

“Unsure about whether working a full-time job while running a farm would be feasible, Hannan spent the summer of 2017 volunteering mornings, nights, and weekends at White Rabbit Farm in Dracut. … He began the New Entry Sustainable Farming Project farmer training program that winter, leasing a small piece of land through New Entry and growing produce to feed his family. By 2019, he had launched his first 30-member CSA and was selling to the Food Hub. In 2020, he graduated and set his sights on a plot in Lincoln.

“The weeds were chest-high on the 2.5-acre barren plot, and there was no potable water for washing produce. … ‘I came up with a plan: I’ll grow veggies that do not need washing: bottle and bitter gourds, tomatoes, eggplants, peppers.’ As he expanded, Hannan connected with the Lincoln community through an online forum. There, he met Tom Flint, an 11th-generation Lincoln farmer. Flint introduced him to Lincoln Land Conservation Trust trustee Jim Henderson, who let Hannan use his backyard sink and cure garlic in his barn. These were the first of many new friends who welcomed him to Lincoln. …

“During COVID, unsolicited, strangers started contacting Hannan: ‘I had accountants, engineers, doctors. They were helping on the weekends. … We were laughing, harvesting … and eating from the farm. It was really good.’ Town residents later responded to his query on the town’s forum and helped Hannan build a deer fence when he couldn’t afford a contractor. His robust volunteer network has strengthened and extended beyond Lincoln, and today includes such groups as the Boston-based climate justice nonprofit Mothers Out Front. …

“[Today] Hannan’s MIT job subsidizes his farm, and his volunteer community provides supplemental support. However, for many other small farmers affected by funding cuts, the consequences will be existential. As Hannan puts it: ‘Small farmers like me … will definitely choose other options.’ ”

More at the Globe, here.

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Photo: Jeff McIntosh/Associated Press.
Emma Eastwood stretched before competing in women’s ranch bronc during rodeo action in Alberta.

I’ve mentioned before how interesting it was to me that my husband’s director of manufacturing at the Maple Grove company was a bull rider on the side. We told Craig we’d love to see a Minnesota rodeo, and he sent us off to nearby Buffalo, where we had a wonderful time.

In today’s story, we learn about the rising numbers of women getting a kick out of riding bucking broncos.

The Associated Press (AP) reports, “Sophia Bunney launched the first time she tried ranch bronc riding, landing ‘quite a ways away from the horse.’

“ ‘I’m very stubborn, and I don’t like being defeated,’ said the 18-year-old from Cessford, Alberta.

“In other words, the teenager was hooked on a sport that pits women against bucking horses for eight seconds.

“ ‘I always kind of wanted to hop on a bronc,’ Bunney told the Canadian Press. ‘In Grade 3 … I said I wanted to be a female bronc rider.’

“Unlike saddle bronco riding, a rodeo mainstay, ranch bronc uses a regular western saddle — not a specialized one — and riders hang on with two hands instead of one. A hand is on a rein and the other on a strap wrapped around the saddle horn.

“Pearl Kersey, who won the Canadian women’s ranch bronc title [recently] in Ponoka, Alberta, is president of Women’s Ranch Bronc Canada and teaches it at clinics.

“ ‘I’ve got teenagers, 20-year-olds, 30-year-olds, and this year a woman in her 50s. I was like, “You sure?” ‘ Kersey said. ‘She doesn’t want to compete. She wants to try it before she gets too old. We have bucking machines. She doesn’t necessarily need to get on a horse’. They can go through all the drills and the bucking machine, and if they’re comfortable enough, they can get on a horse.’ …

“It took a while for 19-year-old Blayne Bedard, who grew up cow riding in the Canadian Girls Rodeo Association, to master keeping her feet forward toward the horse’s shoulders.

“ ‘If they come back, I’m like a pendulum and I just go head over teakettle,’ Bedard said. … She’s improved to the point where Bedard has competed in the last two Canadian championships.

“ ‘I like the look of it, too,’ Bedard said. ‘You get cool pictures.’

“One of the lessons Bedard picked up at a Kersey clinic had nothing to do with riding form — and everything to do with what goes inside a boot.

“ ‘I put baby powder in my boots every time before I ride, and I wear my mom’s boots that are a size too big for me, because if you get your foot stuck in a stirrup — which I’ve had a few times — you need your boot to be able to come off so you’re not being dragged by the horse,’ she said. …

“Kersey, 36, has qualified for the world finals July 19-20 in Cheyenne, Wyoming, where she won in 2019 and has twice finished second. Kersey intends to retire from competition after this year, but continue teaching.

“One of her students, Calgary’s Emma Eastwood, picked it up quickly thanks to years of riding horses and a stint as an amateur jockey. She attended Kersey’s clinics last fall and this spring, and won an event in just her third time competing.

“ ‘It is difficult to try and think through your ride and hang on through all that adrenaline,’ said the 27-year-old massage therapist. ‘Things kind of get a little blurry, and it’s hard to process everything going on so quickly.’ …

“Kersey said … ‘Women have come up to me and said, “Thank you for doing what you’re doing.” They might not go into ranch broncs, but it just gave them the power in themselves to go pursue something that they wanted that they didn’t think they could because they were women,’ Kersey said. ‘Other girls tell me, ‘” saw you ride at Ponoka,” and they’re like, “I want to try it.” Sometimes it’s a confidence-booster thing. Sometimes they want to see if they’ll like it and some are like, “Yeah, I’m doing this.” ‘

More at the Associated Press via the Boston Globe, here.

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Photo: Steve Johnson.
Real books start with a human, a human with feelings.

Blogger Asakiyume is an activist against AI. And no wonder. She’s an author, and an especially creative one. Believe me, what her brain comes up with, no one else’s brain ever could! AI, however, just copies what has come before.

So right now, as other published authors are uniting against AI robot writers, she’s in good company.

Chloe Veltman reports at National Public Radio, “A group of more than 70 authors including Dennis Lehane, Gregory Maguire and Lauren Groff released an open letter on Friday about the use of AI on the literary website Lit Hub. It asked publishing houses to promise ‘they will never release books that were created by machines.’

“Addressed to the ‘big five’ U.S. publishers — Penguin, Random House, HarperCollins, Simon & Schuster, Hachette Book Group, and Macmillan — as well as ‘other publishers of America,’ the letter elicited more than 1,100 signatures on its accompanying petition in less than 24 hours. Among the well-known signatories after the letter’s release are Jodi Picoult, Olivie Blake and Paul Tremblay.

“The letter contains a list of direct requests to publishers concerning a wide array of ways in which AI may already — or could soon be — used in publishing. It asks them to refrain from publishing books written using AI tools built on copyrighted content without authors’ consent or compensation, to refrain from replacing publishing house employees wholly or partially with AI tools, and to only hire human audiobook narrators — among other requests. …

“The letter states, ‘AI is an enormously powerful tool, here to stay, with the capacity for real societal benefits — but the replacement of art and artists isn’t one of them.’

“Until now, authors have mostly expressed their displeasure with AI’s negative impacts on their work by launching lawsuits against AI companies rather than addressing publishing houses directly. Ta-Nehisi Coates, Michael Chabon, Junot Díaz and the comedian Sarah Silverman are among the biggest names involved in ongoing copyright infringement cases against AI players.

“Some of these cases are already starting to render rulings: Earlier this week, federal judges presiding over two such cases ruled in favor of defendants Anthropic AI and Meta, potentially giving AI companies the legal right under the fair use doctrine to train their large language models on copyrighted works — as long as they obtain copies of those works legally.

“Young adult fiction author Rioghnach Robinson, who goes by the pen name Riley Redgate … said, ‘Without publishers pledging not to generate internally competitive titles, nothing’s stopping publishing houses from AI-generating their authors out of existence. We’re hopeful that publishers will act to protect authors and industry workers from, specifically, the competitive and labor-related threats of AI.’

“The authors said the ‘existential threat’ of AI isn’t just about copyright infringement. Copycat books that appear to have been written by AI and are attached to real authors who didn’t write them have proliferated on Amazon and other platforms in recent years.

“The rise of AI audio production within publishing is another big threat addressed in the letter. Many authors make extra money narrating their own books. And the rise of machine narration and translation is an even greater concern for human voice actors and translators. For example, major audio books publisher Audible recently announced a partnership with publishers to expand AI narration and translation offerings. …

“Audible CEO Bob Carrigan said as part of the announcement, ‘We’ll be able to bring more stories to life — helping creators reach new audiences while ensuring listeners worldwide can access extraordinary books that might otherwise never reach their ears.’

“Robinson acknowledged the steps publishers have taken to help protect writers.

” ‘Many individual contracts now have AI opt-out clauses in an attempt to keep books out of AI training datasets, which is great,’ Robinson noted. But she said publishers should be doing much more to defend their writers against the onslaught of AI.”

More at NPR, here.

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