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I know it’s possible to take good pictures on cloudy days, but for me, the play of sunlight and shadow is irresistible. And this time of year, Midsommar in Swedish, has so much sunshine.

Today’s photos feature my usual Massachusetts and Rhode Island haunts. A couple pictures may be slow to load as I am learning to use an iPhone and the size I chose is too big for a blog. I’ll get better at this.

The Mountain Laurel above is from one of my favorite walks — through Sleepy Hollow Cemetery into wooded conservation land. The sunflowers by my fence were a gift from one of the ESL teachers I assist in Providence.

I got a big kick out of the deciduous holly tapping on the window. It was overcome with curiosity about what I was reading so intently at the kitchen table. (Answer: War and Peace.)

The next photo shows a child’s playhouse in Concord. I have never seen any child there and can only imagine how I would have felt to have such a place to play in as a kid. I would have thought I was in heaven.

Next comes an actual home in New Shoreham, one that is not much bigger than the playhouse. Decades before anyone spoke of “tiny houses,” a member of a church I was attending lived in this very small house year-round. It was known as the Doll House, although today the damaged sign says only, “Doll.”

Next to Doll, is a tiny restaurant called the Three Sisters with outdoor seating only and antiques on the fence. (Order sandwich combinations with names like Hippie Sister, Sailor Sister, and Twisted Sister.) There is also a small junk yard (antique yard?) that is fun to investigate while you wait for your food.

In the first sky photo, I was trying to capture the lower clouds, which looked like sheep, but I don’t think they are that noticeable given the whole view.

Finally, a Rhode Island sunset. Ahhhh.

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Photo: Rosa Furneaux
Haroon Ebrat reaches for his notepad, where he has written down audience requests. The entrepreneurial immigrant runs Afghan Theatre TV, a Farsi-language variety show, out of his garage in suburban California.

I’m impressed how this immigrant from Afghanistan took it on himself to keep his culture alive by broadcasting a variety show from his garage. Many viewers have responded with gratitude.

Jeremy Lybarger writes at Pacific Standard, “Afghan Theatre TV operates out of a soundproof garage 40 miles east of San Francisco. … It’s an unexpected setting for a studio whose Farsi-language variety shows stream online 24 hours a day to more than a million viewers a month, according to the station. But much about Afghan Theatre TV is unexpected, starting with its credo that politics and show business don’t mix. …

” ‘We entertain,’ says Haroon Ebrat, the network’s 66-year-old founding impresario and star. On most afternoons for the last six years, he’s shuffled out to his garage in house slippers to host the live call-in shows that have made him famous, or at least recognizable to the Muslims who mob him, groupie-like, in restaurants, supermarkets, and parking lots across the Bay Area. The calls — 500 an hour, Ebrat says — come from all over: Canada, Germany, Russia, Australia, and many of the dozens of other countries that make up the Afghan diaspora. …

“Afghanistan has been in a quasi-permanent state of war for over three decades, historically exporting more refugees per year than any nation besides Syria. Most Afghans decamp to neighboring Iran or Pakistan, but approximately 124,000 live in America. …

” ‘He has preserved the culture of Afghanistan,’ says Ebrat’s 36-year-old daughter Shabnam, who hosts a call-in show of her own, often accompanied by a local psychic who counsels callers about work and love. Such preservation has come at a cost, both literal and cultural.

“Afghan Theatre TV is a family business, as are many of the more than 3,000 ethnic media outlets. … In between these segments of original programming, the station airs Afghan music videos and concert footage, and on some nights local musicians perform traditional songs like a live house band (hence the soundproofing). Ebrat, a prolific filmmaker, also screens the movies he’s made, which are ultra-low-budget mash-ups of comedy, action, and music starring him and his family.

“The station boasts a handful of Bay Area advertisers — kebab shops, halal supermarkets, Muslim-owned tax services — but Ebrat relies on his children to keep the lights on. (Shabnam is a real estate agent; [older brother] Burhan works with cars.) …

“Ethnic media, produced by and for immigrants, faces unique challenges. The relatively small niche audiences, for example, can discourage advertisers. … Even large outlets struggle to survive. Channel 18, a multilingual network that broadcast out of Los Angeles for more than 40 years, filed for bankruptcy in 2012 before finally shuttering its international format in 2017. …

“Part [the] experience includes reckoning with cultural disagreements within the same family. Shabnam Ebrat has become a target for older or more traditional Muslims who see her appearance — dyed-blond hair and make-up — as an affront to God. She doesn’t wear a hijab either. On Instagram, where her selfies reach about 23,000 followers, commenters debate whether or not she’s going to hell for posing in miniskirts and bikinis. …

“There’s the added stigma of being outspoken in a society that, to many Western onlookers, muzzles women. In Afghanistan, some women have no public identity of their own. They’re referred to simply as the wife of, daughter of, or sister of. …

“Overall, though, politics are absent from Afghan Theatre TV, where the maxim is that entertainment brings people together and politics drive a wedge. Haroon is more interested in the zombie horror movie he has in production than he is in discussing the White House. His only stated political aspiration, however vague, is to restore peace in Afghanistan.” More.

Seems like a good idea to stick to entertainment. One thing I’ve noticed while working with Afghan refugees, whether their first language is Farsi or Dari, is that individuals are, well, individualistic. Like groups everywhere, Afghans may have attitudes that diverge a good bit.

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Photo: WideOpenPets.com
The University of Maine used baby goats to calm student stress during finals. Valley Edge Farm, which specializes in Nigerian Dairy Goats, provided the rambunctious kids.

This is exactly the sort of offbeat story I love. (Feel free to send me other kooky stories.)

Emily Burnham writes at Bangor Daily News, “For the past few years, the University of Maine has brought in therapy dogs — mostly cuddly golden retrievers and adorable Pomeranians — to soothe the frazzled nerves of students during finals week.

“This spring, however, it decided to try something a little different: baby goats.

“Brittany Smith, a staffer with UMaine’s campus activities board, got the idea when a co-worker mentioned that her sister, Abby Skolfield, owned and operated a goat farm, Valley’s Edge Farm, in the western Maine town of Strong. …

“A few quick phone calls later, a truckload of baby goats was on its way to UMaine, bound for an afternoon visit with students — most of whom had no idea they were going to hang out with month-old Nigerian Dwarf goats. Once word got out, a line stretched all across the mall, full of students waiting for their chance to pet a goat.

“ ‘I thought maybe 30, 40 people would show up, but this is ridiculous,’ said Smith. …

“Skolfield’s goats are old hands at dealing with crowds. Her goats are mostly for show, and they visit daycares and walk in parades regularly.

“ ‘I get hit up for goat yoga more times than I can count,’ said Skolfield. ‘I don’t see how that’s relaxing, but hey, whatever works.’ …

” ‘They come when called. Their little tails wag,’ she said. ‘They are the most dog-like of all livestock.’ ” More here.

I had actually heard of goat yoga! The goats stand on yoga students’ backs.

Video: CBS News

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Photo: Arts Professional
Theatergoers can buy tickets at a Heron Foods store’s pop-up box office in the United Kingdom.

There’s a UK publication in which people who are in the arts write articles on initiatives their organizations have tested in case other groups want to try something new. This one is from a theater troupe in Hull. (Prolific arts and culture blogger Amelia in Hull is sure to know all about it.)

Magda Moses writes at Arts Professional, “Hull Truck Theatre’s pop-up box offices are part of our community engagement project called Community Dialogues. The project works to develop deeper relationships with people from areas of low arts engagement and high deprivation in Hull, encouraging them to come to the theatre, often for the first time.

“My job is to get out into the local community to build relationships between community organisations and the theatre, and to better understand the barriers that might stop people attending the arts. …

“As our community relationships developed, we recognised that barriers to engagement with the arts include time, cost, lack of awareness of what’s on, childcare and a sense of it being ‘not for me’. We realised that we could work with retail chain Heron Foods, which has busy stores in the areas in which we work, to learn more, build personal relationships and start to address some of those barriers. Heron Foods is already our main auditorium sponsor and offered us space to trial our visits. …

“I asked shoppers to share their past, present and future experiences of theatre, linking that with A Christmas Carol, our Christmas production. People’s experiences were extremely varied – some attended often, while others were unsure of why the theatre might be relevant to them.

“Members of our box office team then joined us, enabling customers to buy tickets from an iPad. We now run these pop-up box office and community engagement sessions in four Heron Foods stores once a month, and having other staff in attendance has helped the project become more embedded across the theatre. …

“We continue to ask people why they don’t visit the theatre. Some have told us they feel intimidated by the building, let alone by walking up to the box office to buy a ticket. Some are worried they don’t know the conventions of what to wear or how to behave. …

“One of the biggest barriers is ticket price. Why should they spend £15 to see something they don’t know if they’ll enjoy? We sought to address this barrier last November through the marketing campaign for our production of ‘The Last Testament of Lillian Bilocca’ about the women of Hull who campaigned for fishing industry reform in the 1960s.

“We held back 100 pay-what-you-can tickets to the production, which were only made available to the targeted communities via the pop-up box offices. These tickets were popular and we received positive feedback that people were thrilled to be able to afford to see a play that was directly relevant to their community.”

Read how Hll Truck Theatre’s community-engagement efforts have worked, here.

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Photo: Brain Pickings
Kelli Anderson works on paper flowers for an animation illustrating Jane Hirshfield’s poem “Optimism.”

If you haven’t discovered Maria Popova’s blog Brain Pickings yet, I hope that you will. Not only do I got the very best ideas there for books to buy the grandchildren, I learn more than I can say about literature and science — and the intersection of the two.

In one recent post, Popova talks about asking a cut-paper artist to create a short animation to illustrate a Jane Hirshfield poem. I loved reading about the thought process behind this project.

“One spring morning in 2017, walking along a San Francisco sidewalk,” writes Popova, “I was arrested by the sight of a tiny weed poking through the crevice between a concrete wall and a chain link fence, boldly blooming in its yellow gramophone blossoms. I stood there marveling at its persistence, remembering Gwendolyn Brooks’s beautiful lines: ‘Wherever life can grow, it will. / It will sprout out, / and do the best it can.’

“Poetry was on my mind that day — I was in the final stages of composing the inaugural Universe in Verseand was on my way to meet the poet and ordained Buddhist Jane Hirshfield, whose work I had cherished for years and who had kindly contributed to the program her mighty protest poem about the silencing of science and nature.

“A year passed. When I invited Jane to participate in the second annual Universe in Verse, we chose her spare and lovely poem ‘Optimism’ for the show. … It instantly reminded me of the irrepressible yellow blossoms I had seen the day Jane and I first met. I had a sudden vision of bringing the poem to life in an animated stop-motion short film. …

“I enlisted the imaginative help of artist, designer, papercraft engineer, and my longtime collaborator Kelli Anderson — a wrester of wonder from ordinary objects and creator of the wondrous This Book Is a Planetarium. …

OPTIMISM
by Jane Hirshfield
[from Each Happiness Ringed by Lions]

More and more I have come to admire resilience.
Not the simple resistance of a pillow, whose foam
returns over and over to the same shape, but the sinuous
tenacity of a tree: finding the light newly blocked on one side,
it turns in another. A blind intelligence, true.
But out of such persistence arose turtles, rivers,
mitochondria, figs — all this resinous, unretractable earth. …

“Find more highlights from The Universe in Versehere.”

Read the rest of Popova’s post at Brain Pickings, here, where you can also enjoy the delightful animation made from cut paper. (I’m thinking 18th C botanical paper artist Mary Delany would have loved the ability to create an animation.)

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Everything happens in June — suddenly urgent yardwork, weddings, anniversaries, graduations, Father’s Day, piano recitals, festivals, youth baseball. Sometimes there are two things you want to attend in two different states happening at the same time. That’s June for you. We could use a little of that weekend excitement in other months. (Blogger New England Nomad said almost the same thing. See the comments in his post.)

Above, my oldest grandson performs “Blue Interlude” and “Love Me Tender” for a piano recital in a setting with a delightful Old World feel.

Next are three photos from the annual Middlesex Jazz Festival in Concord. I especially liked watching the intrepid couple that got up to swing dance.

On the same Saturday as the piano recital and the jazz festival, I drove south to Providence for the hugely popular PVD Fest that Suzanne had been telling me about the last couple years: streets given over to pedestrians, performers of all kinds, costumes, food, fun activities for kids. I saw a lot of people wearing flower garlands in their hair and several in Native American dress.

It was a busy day. I slept well that night.

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Photo: Kensy Cooperrider
A man in the village of Gua, Papua New Guinea, points while describing a representation of Yupno history. Recent research confirms the long-held hunch that every culture uses hands in communicating.

Esperanto was meant to be a bridge between native languages, and I still believe in its potential. But three cheers for languages that don’t need bridges at all.

Blogger KerryCan mentioned one universal yesterday: music. Today’s post is about the nearly universal language of gestures — “nearly” because some gestures have wildly different meanings depending upon the culture.

Kensy Cooperrider writes at Aeon, “In the spring of 1528, the Spanish explorer Álvar Núñez Cabeza de Vaca made landfall on what is now the gulf coast of Florida. Over the next eight years, as he and a small party traversed thousands of miles, they found themselves in a new-world Babel, moving from ‘one strange tongue to another’. In their many encounters with native peoples, their own tongue, Spanish, proved of little use. But their hands served them well. ‘You would have thought, from the questions and answers in signs,’ de Vaca later recounted, ‘that they spoke our language and we theirs.’

“De Vaca is not the first or last explorer to claim successful communication with indigenous peoples through gesture. Similar reports abound. … Sometimes, the messages conveyed were surprisingly sophisticated. If you stay until morning, we will feed you. In that direction, there are goats and pigs of all sizes. The people in that direction eat human flesh. 

“The parties in these exchanges could not have known it at the time, but they were following the advice of Joseph Marie Degérando, a French philosopher with an anthropological bent. In 1800, he wrote a treatise offering practical advice for would-be explorers and ‘philosophical travellers’. …

“Degérando’s proposals swam with the tide of much of Western thinking. The notion that gesture is a natural mode of expression – one that transcends the contrivances of culture – is a very old one. In 95 CE, the Roman rhetorician Quintilian wrote that ‘though the peoples and nations of the earth speak a multitude of tongues, they share in common the universal language of the hands’. …

“[When] Europeans were impressed by the universality of gesture, they were mostly impressed by the strength of their own intuitions. They had not actually been to ‘all regions of the habitable world’. They had no photographs, videos or other visual documents to consult. …

“In the past 50 years, however, much has changed. Technical limitations have evaporated. Video-recording technologies are now cheap, portable and easy to use; video files can be readily stored, swapped and posted online in massive databases. …

“In every group yet studied, the hands at least occasionally stir and take flight as people talk. We are certainly capable of communicating without these aerialist accompaniments, but our hands tend toward motion.

“A second preliminary point is that evidently not all gestures are universal. Most, perhaps all, human communities harbour a storehouse of hand gestures with fixed meanings, which are often called ‘emblems’. Examples of emblems in the English-speaking world include the shhh gesture (an index finger held vertical across the mouth), the peace sign (an outward-facing V made with the index and middle fingers), and the thumbs up. Notoriously, such gestures can lead to confusion or worse. Another emblem, the okay gesture, made by forming a ring with the thumb and index finger, is perfectly benign in the US but a provocation elsewhere.

“Emblems might be what many think of when they first think of gestures, but in the United States and perhaps most other places they are only rarely put to use. (Try to recall the last time you shhh-ed someone, or gave a thumbs up.) What people produce much more often are gestures for ‘yes’ and ‘no’; points to people, places and things; gestures that sketch objects, actions and represent abstract ideas through visual metaphors. These are the real workhorses of gestural expression. And, as it turns out, a case can be made that these workhorses are broadly similar the world over.”

More here. It’s a thoughtful article, and I will only add that if you help immigrants learn English, as I do, the shhh gesture and the thumbs up appear frequently. In fact, teachers and students pantomime pretty much anything that is not easily accessible using Google Translate.

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Photo: Mary Carole McCauley, The Baltimore Sun
Tuba player Dan Trahey has helped make OrchKids a national model for lifting up kids. “We’re all interconnected,” he says. “We’re bad at this in America, where we’re all bred to be soloists. We create our own little worlds, and that’s really dangerous.”

When I was in second grade, my mother convinced the school principal to show a movie for children that I think came from the United Nations. It involved hand puppets who were enemies. And what I remember most was that in the end, each puppet felt its way up the arm of the puppeteer and discovered that they were connected.

That message, the message about human interconnectedness, is always having to be retaught, but people who understand it often get involved in initiatives that help disadvantaged children. Consider this story.

Michael Cooper writes at the New York Times, “From the outside, Lockerman-Bundy Elementary School looks forbidding, a tan monolith built in the 1970s. Some of the rowhouses across the street are boarded up — reminders of the cycles of poverty and abandonment this city has struggled with for years.

“Inside on an afternoon [in April], though, it was a different story. Music echoed through brightly colored halls lined with murals. Classes were over, but school was not out: Young string players rehearsed Beethoven in one classroom, while flutists practiced in another and brass players worked on fanfares in a third. Also on offer were homework tutors, an after-school snack and dinner. …

“It was just another afternoon at OrchKids, the free after-school program that the Baltimore Symphony Orchestra and its music director, Marin Alsop, started a decade ago with just 30 children in a single school. The program now reaches 1,300 students in six schools; its participants have gone on to win scholarships to prestigious summer music programs; play with famous musicians, including the cellist Yo-Yo Ma and the trumpeter Wynton Marsalis; perform at halftime at a Baltimore Ravens game; and win accolades at the White House.

“The program was the idea of Ms. Alsop, who began thinking about how to forge closer ties to the city soon after she became Baltimore’s music director — and the first woman to lead a major American symphony orchestra — in 2007. …

“The first student to enroll in the program was Keith Fleming, then a first grader. ‘At first I didn’t really like music,’ he recalled recently. ‘I just thought, I’m going to do this because I didn’t really have something else to do. The first day came, and I started to learn music — and I started to like it.’

“He is 15 now, and his tuba skills have taken him to Austria and London and helped him win an audition to the Baltimore School of the Arts, where he is a sophomore. …

“From the very beginning,” [Nick Skinner, the OrchKids director of operations], said, ‘it was very important that we were immersed in the school, and in the community.’ ”

More at the New York Times, here. And there’s a nice article at the Baltimore Sun about tuba player and OrchKids volunteer Dan Trahey, here.

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Photo: Josh Reynolds for The Boston Globe
Volunteers try to find housing and employment opportunities for asylum seekers in Arlington, Cambridge, and Somerville, Mass. Refugees have government-approved supports. Asylum seekers have nothing.

In the last couple years, since I’ve been volunteering in ESL classes, I have learned there is a differences between refugees, who arrive in this country fully vetted and eligible for official support, and asylum seekers.

Asylum seekers are generally fleeing persecution and danger. One woman I heard about knew that the government in her country intended to arrest her after disappearing her husband for his vocal opposition. When she arrived here, she had nothing.

Numerous groups of US citizens are now organizing to help such people.

Zipporah Osei reports at the Boston Globe, “With more attention than ever on the crisis and issues of immigration, Fowkes knew what he needed to do was to effect direct change. …

“Said Fowkes, “I wanted to do more than just mail a check to an organization. I wanted to have a hand in changing someone’s life.’

“Fowkes and his wife joined ArCS Cluster, a group of volunteers helping refugees and asylum seekers in Arlington, Cambridge, and Somerville. The group started in the spring of 2016 as an arm of the Malden-based nonprofit Refugee Immigration Ministry, with a mission of helping through person-to-person connection

“Asylum seekers come to the United States to escape issues such as war, persecution, or domestic violence. Once here, they must apply for asylum and then wait at least five months to apply for a work permit.

“While they wait to be approved, individuals can lack access to medical care and face housing insecurity and social barriers that make the process even more difficult. The group attempts to make the transition as smooth as possible. …

“The cluster, which has over 250 members with roughly 50 active volunteers, provides services to asylum seekers from countries including Saudi Arabia, Libya, Liberia, and Rwanda. It is the first explicitly LGBT-friendly cluster in the Refugee Immigration Ministry. Although the cluster was formed out of First Parish Unitarian Universalist of Arlington, all volunteers are welcome whether or not they are affiliated with any religious organization. …

“For many of the volunteers, the connections made with asylum seekers are long-lasting.

“ ‘I have so enjoyed forming relationships with these people. We develop friendships together,’ said [Sarah Trilling, co-coordinator]. …

“The cluster helps the asylum seekers in seemingly small ways as well. After finding out that one of their guests was uncomfortable taking the bus late at night, volunteers took turns driving her home from appointments.

“ ‘They support me morally and financially. This is a blessed group,’ she said of the coordinating team. ‘I love them for all they do.’

“Fowkes and his wife, who live in Medford, have been members of First Parish for more than 20 years. He recently retired and felt he had more time to invest in charity work. The experience of housing an asylum seeker has also had a positive impact on him.

“ ‘This kind of work suits me,’ said Fowkes. ‘You can do a small thing for a great many people or you can do a huge thing for one person, and I just know I’m making a tremendous impact on someone’s life.’

“The couple took in an asylum seeker who had been living on the street. The guest has been living with the pair for more than a year now. The three have dinner together every night, and the couple has introduced him to his family and friends. Fowkes said they have formed a deep connection.

“ ‘He introduces me to people as his American dad,’ said Fowkes.”

More.

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Photo: Toast Ale 
Toast Ale brews its commercial ales with surplus bread at a brewery in Yorkshire. It also pairs up local breweries and bakeries to help them tackle food waste in their own communities.

I have never been a beer drinker, but I have to give a thumbs-up to Toast Ale in the UK because it’s trying to reduce food waste through an unusual brewing process.

Carolyn Beeler of PRI’s The World has the story. “It’s a Wednesday night in central London and the trendy Temple Brew House pub is packed with people out for after-work beers and burgers. A crowd in one corner is sipping intently from half-pint tasting glasses, savoring a beer they helped brew about a month earlier using an unusual ingredient: leftover bread. …

“The beer was brewed at the pub’s tiny in-house brewery in collaboration with Toast Ale, a British craft beer company that uses waste bread to make beer on a commercial scale.

“ ‘In the UK, 44 percent of all bread is wasted,’ says Toast Ale’s chief brand and finance officer Louisa Ziane. ‘So we take surplus bread from bakeries and sandwich makers, and we replace a third of the barley that would otherwise have been used to brew, upcycling bread that would have otherwise been wasted.’ …

“Once the company starts turning a profit, it plans to donate those profits to Feedback, a charity that fights against food waste and shares a founder, Tristram Stuart, with the beer brand. (The company says it’s been able to make donations to Feedback already through its local collaborations.) …

“Around the world, about one-third of the food that’s produced ends up going to waste. That’s a big problem for the world’s hungry, but it’s also a big contributor to climate change: Producing that food emits as much greenhouse gases as many individual countries. …

“ ‘There are bakeries up and down the country who are left with surplus bread at the end of the day, and there are also over 2,000 breweries in the UK,’ Ziane says, so Toast is playing matchmaker with these local bakeries and breweries. …

Toast says it works with bakeries to make sure they’ve exhausted the options to get bread to people who would eat it before agreeing to turn it into beer. …

“Michael Mulcahy, who helped stir up that mash with a red plastic shovel, says, ‘It takes it away from being a hippie environmentalist thing,’ Mulcahy says. ‘It’s the pub. It’s the guys at the bar drinking beer, it’s football and baseball.’

“Toast’s beer recipe is online for home-brewers to try, and the company has franchised or licensed its brand in South Africa, Brazil and Iceland. Last year they expanded to the New York City area.” More here.

My husband once tried home brewing, but it was a lot of work, and the beer that resulted didn’t taste as good as the beers he could buy. Still, if someone is into home brewing, the Toast recipe could be fun to try.

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This is not a fox. Or as René Magritte might say, “Ceci n’est pas un renard.”

I crept up on it slowly, slowly near the North Bridge, wondering why it stayed so still. Didn’t it see me?

So much for my eyesight: It was a statue. But I did see a real fox crossing a road Friday. (I knew it must be a fox because it trotted like a cartoon fox and had a long, bushy tail.) I have also seen a fawn with its mother and a little weasel recently.

Alas, I wasn’t fast enough with the camera for any of those. I can give you mental pictures only — the deer ambling in a leisurely way, the fox trotting, and the weasel a high-speed blur.

My other photos are mostly accounts of spring in New England, although I couldn’t resist shooting the funny bar inside an actual bank vault. It was located in a Harvard Square restaurant called the Hourly Oyster.

Next you have a view of the Buttrick House garden in Minuteman National Park, an evening shot of our dogwood, a morning shot of a neighbor’s lupines (they do remind me of visiting Sweden’s west coast last year), roses, clematis, honeysuckle, and topiary.

The last two photos are from Rhode Island — early morning at an old house and yellow iris near where Suzanne’s family lives.

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Photo: Stephen Bay  
Bioluminescent waves crashing against rocks at Torrey Pines State Beach in San Diego, Calif., last month.

How I loved the glowing waves we sometimes saw at night in late summer on Fire Island! The microscopic marine organisms that light up when disturbed apparently visit California earlier in the year.

Vanessa Romo writes at National Public Radio, “It took four attempts for Stephen Bay to see the neon blue waves crashing against the rocks at Torrey Pines State Beach in Calif., but when he did, just one thought went through his mind: ‘Holy cow, the waves are glowing!’ …

“A red tide off the San Diego coast is behind the brilliant display of bioluminescence that is lighting up the water and drawing huge crowds to marvel at the rare phenomenon.

“According to Scripps Institution of Oceanography at the University of California San Diego, the red tide is due to a cluster of dinoflagellates — microscopic organisms — that live in phytoplankton and light up when there is movement or are disrupted. …

“Bioluminescence expert Michael Latz said that local red tides like the one visible this week from Encinitas to La Jolla — about a 20 mile stretch — ‘have been known since the early 1900s due to observations by Scripps scientists.’ …

“It’s not clear how long the current red tide will last; in some instances they’ve lasted from a week to a month or more. The last red tide in San Diego took place in September 2013 and lasted a full week. A similar event in October 2011 lasted a month. More here.

Swimming in a warm, glowing ocean at night — heavenly. Some red tides are harmful, but NOAA says, “Most blooms, in fact, are beneficial because the tiny plants are food for animals in the ocean. In fact, they are the major source of energy that fuels the ocean food web.”

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Photo: Bloom Family
Thrifty Sylvia Bloom, seen here with her husband, was a secretary for the same law firm for 67 years. She left $6.24 million to Henry Street Settlement’s Expanded Horizons College Success Program, which helps disadvantaged students prepare for and complete college.

This inspiring story doesn’t need any comment from me, but I’d love to know what you think about it.

Corey Kilgannon writes at the New York Times, “Even by the dizzying standards of New York City philanthropy, a recent $6.24 million donation to the Henry Street Settlement on the Lower East Side was a whopper — the largest single gift from an individual to the social service group in its 125-year history.

“It was not donated by some billionaire benefactor, but by a frugal legal secretary from Brooklyn who toiled for the same law firm for 67 years until she retired at age 96 and died not long afterward in 2016.

“Her name was Sylvia Bloom and even her closest friends and relatives had no idea she had amassed a fortune over the decades. She did this by shrewdly observing the investments made by the lawyers she served.

“ ‘She was a secretary in an era when they ran their boss’s lives, including their personal investments,’ recalled her niece Jane Lockshin. ‘So when the boss would buy a stock, she would make the purchase for him, and then buy the same stock for herself, but in a smaller amount because she was on a secretary’s salary.’

“Since Ms. Bloom never talked about this, even to those closest to her, the fact that she had carefully cultivated more than $9 million among three brokerage houses and 11 banks, emerged only at the end of her life — ‘an oh my God moment,’ said Ms. Lockshin, the executor of Ms. Bloom’s estate. …

“Ms. Bloom’s will allowed for some money to be left to relatives and friends, but directed that the bulk of the fortune go toward scholarships of Ms. Lockshin’s choice for needy students.

“Ms. Lockshin, the longstanding treasurer of the settlement’s board, called the group’s executive director, David Garza, and asked him if he was sitting down.

“ ‘We were all agape, just blown away,’ recalled Mr. Garza. …

“Ms. Bloom, who never had children of her own, was born to eastern European immigrants and grew up in Brooklyn during the Great Depression. She attended public schools, including Hunter College, where she completed her degree at night while working days to make ends meet. …

“Ms. Bloom’s husband, Raymond Margolies, who died in 2002, was a city firefighter who retired and became a city schoolteacher with a pharmacist career on the side, relatives said. …

“Nearly all the money was in Ms. Bloom’s name alone, Ms. Lockshin said, adding that it was ‘very possible’ that even Mr. Margolies did not know the size of his wife’s fortune. …

“Ms. Bloom was known for always taking the subway to work, even on the morning of the Sept. 11, 2001, terror attacks on the World Trade Center, not far from the firm’s offices.

“That day, Ms. Bloom, at 84, fled north and took refuge in a building before walking over the Brooklyn Bridge and taking a city bus — not a cab — home. …

” ‘She never talked money and she didn’t live the high life,’ [Cleary Gottlieb Steen & Hamilton human resources executive  Paul Hyams] said. ‘She wasn’t showy and didn’t want to call attention to herself. … She was a child of the Depression and she knew what it was like not to have money. She had great empathy for other people who were needy and wanted everybody to have a fair shake.’ ”

More at the New York Times, here.

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Photo: Melanie Stetson Freeman/Christian Science Monitor
People come with plastic bottles and jugs to collect free water in Cape Town, South Africa, where a dire shortage spurred residents to cut water usage in half.

You may have read about the dire water scarcity in Cape Town, South Africa, a situation resulting from lack of public funds to do the work that would have protected the supply.

But this story shows how much people can accomplish when faced with a life or death challenge.

Ryan Lenora Brown reports at the Christian Science Monitor, “A year ago, [Musa] Baba and [Helen] Moffett had almost nothing in common, and in many ways, they still live in two different universes. Moffett lives in a manicured gated community flanked by mountains. Baba’s house is two tin rooms she built herself that grip the side of a hill cluttered with other small shacks.

“But these days, the two women, along with millions of others here, share a common preoccupation: how to save water. For Baba and many others, that’s been a lifelong project of necessity. But for another population of Cape Town residents, including Moffett, it’s part of a massive lifestyle pivot that has helped bring the city on the southwestern tip of South Africa back from the brink of the unthinkable.

“As recently as March, Cape Town’s government was instructing residents to prepare for an imminent ‘Day Zero,’ when taps across most of the city would be shut off indefinitely. …

“Newspaper headlines across the world blared [Cape Town] was about to become the first developed city in the world to completely run out of water.

“But behind the scenes, a tectonic shift was under way. As the city bartered for water with local farmers and hustled to build desalination plants, its residents simply started using less water. A lot less.

“And it has worked – at least for now. … Using a combination of sticks and carrots to coax residents on board, the city has cut its water use by half. Its biggest customers now use 80 percent less. Today, every Capetonian is allowed just 13 gallons of municipal water per day – a little less than the amount it takes to flush a toilet four times. Use more, and the city reduces your pressure to a trickle, and your water bill can turn into a mortgage payment. …

“Here in Cape Town, suburban residents have become connoisseurs of taking 90-second showers and then flushing their toilets with the water they collected while doing it.

“On popular water-saving Facebook groups, city residents debate the best way to wash their dog ‘off the grid’ (bottled water, one woman suggests. Scrub him down with used bath water, offers another.) They swap the names of local companies that will sink a personal well in your backyard. Local police, meanwhile, receive a steady stream of tips from concerned residents who’ve seen their neighbors committing the ultimate middle-class drought crime: watering their lawns. …

“Says Kirsty Carden, an engineer at the University of Cape Town’s Urban Water Management Research Unit, ‘Yes, it’s been a crisis, but it’s also good to learn these lessons now. Cape Town isn’t the only city in the world that’s going to need them for the future.’ …

“Water restrictions have had another, less obvious effect: They have given the rich a small but rare experience of how the poor have always gotten by.

“ ‘It’s humbling, learning to think about water the way most South Africans have been doing for a long time,’ Moffett says, arranging two gallon jugs of water from another local spring in the trunk of her car. ‘Every household chore takes three times as much thought, and three times as long.’ …

” ‘We have always lived like this – nothing has changed because of the drought,’ says Baba, sloshing a T-shirt in a sudsy bucket outside her house. ‘If now rich people can understand better what that’s like, I think that’s a good thing.’ ”

More at the Christian Science Monitor, here.

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060217-petroglyphs-by-Stuga40-Sweden

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Photos: Suzanne’s Mom
My husband and I visited one of Sweden’s World Heritage Sites this time last year — the Bronze Age petroglyphs in Tanum. They aren’t included in the CyArk/Google digitized sites but may be someday.

I remember when Google’s motto was Don’t Be Evil, and even now, when the company is far less high-minded, it does sometimes engage in activities that could benefit humanity, including a new preservation collaboration.

Claire Voon writes at Hyperallergic, “Over the last seven years, Google’s Arts & Culture platform has offered web users a growing library of digitized artworks. [It] has now begun a more ambitious project, collaborating with digital archaeologists to spotlight heritage sites threatened by natural disasters, war, tourism, or urbanization.

“Its latest online collection, ‘Open Heritage,’ features digitized, 3D models of over 25 locations from around the world, from the ancient Mayan metropolis of Chichen Itza in Mexico to the protected Watangi Treaty Grounds in New Zealand. Each was created by CyArk, a nonprofit that has been engineering incredibly detailed 3D versions of heritage sites since 2003 with the intention of archiving and freely sharing the results with the public.

“While CyArk’s own website presents many of these models, it does not have the resources to publish all of its data, although people could request files through somewhat troublesome processes. It has also held the copyright for its digital models until now; on Google Art & Culture, they are available under a CC license. …

“Google’s involvement thrusts these files into a global spotlight, inviting anyone with internet access to examine the painted fauna on cave ceilings in Somaliland, or even virtually enter the Ananda Ok Kyaung temple in Bagan, Myanmar. Placed beside the museum collections on Arts & Culture, Open Heritage also argues that these sites, like priceless and carefully guarded paintings and sculptures, deserve the world’s attention.

“Making available these technically astounding models to raise awareness of at-risk sites is a noble idea, but some scholars are hesitant to praise this mission. …

“For art crime specialist Erin Thompson, Open Heritage raises the question of what these digital models leave out. From an architectural perspective, they are packed with an impressive amount of information. A temple in Bagan, for instance, is reconstructed as it appears before and after a 2016 earthquake damaged the 13th-century structure. A detailed, 3D point cloud scan of El Castillo at Chichen Itza illustrates the millimeter precision of the laser technology (LiDAR) CyArk used to scan the site. Yet, the structures leave out the people who once passed through them, and this absence, for Thompson, erases histories vital to our understanding of these sites.

“There’s no hint of human presence — no reminder that people live near them, care about them, and have different interpretations of them than American viewers might,” Thompson told Hyperallergic.

“CyArk wants people to learn about sites they may not know much about, but it also uses the data it captures to support on-site conservation efforts. …

“After the earthquake shook Myanmar in 2016, its team visited Bagan at the request of UNESCO and the Myanmar Department of Archaeology to document the damage. This information was then used to assist stabilization and restoration efforts.

“CyArk’s spokesperson also clarified that Google did not pay CyArk to provide the data sets on Open Heritage, although Google provided financial support as part of the team’s relief effort at Bagan. In addition, the company supported hosting costs ‘associated with making our datasets downloadable through the platform we created,’ the spokesperson said.

“In its current form, Open Heritage only presents a fraction of the models CyArk has created. (While Google claims the group represents the largest 3D collection of heritage data, Sketchfab actually has a far greater gathering of similar models.) The nonprofit is planning to add more sites overtime, with a goal to publish nine more in a second stage.”

The complete Hyperallergic story is here. And to learn about the ancient rock carvings in Sweden, check this Wikipedia page.

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