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Photo: Roberto Nutlouis.
Danielle Kaye builds a berm spillway on the farm of Roberto Nutlouis. The berm holds back water, flooding the cornfield behind it. Navajos are using ancient ways to restore parched earth.

In their eagerness to invent, humans seem to be programmed to forget why ancient ways worked. Then they have to reinvent the wheel. Fortunately, indigenous people often are repositories of that wisdom and can produce it as needed.

Lela Nari writes at YaleEnvironment360, “Here in Burnt Corn Valley, smack in the middle of the Navajo reservation’s vast Black Mesa region, the hilly land both craves water and is brutalized by it. The sandy Arizona soil cracks under a punishing August sun as red-striped blister beetles search for moisture across its baked surface. Cottonwood trees and sagebrush rise from deep gullies carved by floodwaters that, during the intensifying summer monsoon, sluice off surrounding mesas and wash away fragile topsoil — reminders that with climate change, even quenching rains harbor powers of destruction.

“This portrait of climatic havoc belies a softer reality, though. Farming once thrived in this parched region and could once again — if the right practices are adopted. Exhibit A: The crops on Roberto Nutlouis’s 12-acre Sliding Rock Farm, in his reservation hometown of Piñon, a five-hour drive north of Phoenix.

“ ‘The corn is actually pretty big and thriving,’ Nutlouis says. He believes — and both Western science and the lived experience of his Native elders affirm — that the traditional rock and stick structures he’s built on his property, which help store water and prevent erosion, have a lot to do with it.

“These structures, similar to those used by Native peoples long before Europeans arrived on the continent, are not only delivering water to crops. … They are also restoring Nutlouis’s watershed and those of his neighbors, helping to sequester carbon, and reviving this high-desert ecosystem. It’s all part of a bigger effort among a range of local and regional grassroots organizations to build back the reservation’s fragile, depleted ecosystems and bring greater sovereignty over food, water, and health to its communities.

“Diné (the Navajo name for themselves) are well aware that climate change is making the weather on their semi-arid plateau weirder, wilder, and more destructive. … The ecological health of the reservation has also been weakened by deforestation from timbering operations and from overgrazing over the years.

“Still, this season, Nutlouis, 44, has been able to skip his usual two-hour roundtrip drive to a reliable well to haul water home for his corn. His crop is healthy and hydrated because his land still holds last winter’s snowmelt. Clearly, his heavy labor over the past 20 years — during which he has built woven brush dams, gabions (wirework cages filled with rocks), earthen berms, concrete spillways and trenches, limestone aprons and walls, and stone-lined ‘Zuni bowls,’ which stabilize eroding streambeds — is paying off.

“Diné and others living in arid zones around the world have long used structures made of naturally occurring materials to capture and control water to grow crops and to mitigate the devastation of floods in ephemeral stream systems. …

“Time and again over the last 15 years, Laura Norman, a research scientist with the U.S. Geological Survey, has seen evidence that when these structures — which Norman calls Natural Infrastructure in Dryland Streams, or NIDS — are placed in gullies, they slow water to mitigate erosion, collect nutrient-rich sediment and plant debris that nourish both crops and wild plants, help store carbon, improve groundwater recharge, and increase downstream water availability by as much as 28 percent. ‘It’s a snowball effect that counters degradation, and you get all of these ecosystem services,’ she says.

“The structures on Nutlouis’s farm are integral cogs in a larger system. … Nutlouis’s property lies in an alluvial fan, where mineral-rich sediments and plant waste atop mesas and other uplands wash down onto flatter ground with rainwater, snowmelt, and spring water. Across the valley, similar farms rely on this kind of system, many of which feature stone and stick constructions that Nutlouis helped build. The organic materials trapped behind the structures, says Jonathan Sandor, an emeritus agronomy professor at Iowa State University, ‘are a major input into keeping the fertility of the soils up.’ …

“Whether rock walls or ramps, hand-dug depressions in the soil, earthen walls, or branches plaited into dams, NIDS splash water over a wider area and slow its flow so it can better soak into the soil. Many trap sediments behind them, fertilizing whatever grows nearby. The stone structures create a hyperlocal cooling effect, especially when they’re combined with shade-making vegetation.

“Here, too, smallness is a boon. ‘Even tiny little one-rock dams can make big changes on the landscape,’ Norman says. …

“Lately, climate change has thrown extra challenges at the reservation. … But the ecosystem services provided by Nutlouis’s structures on his farm and elsewhere do seem to be meeting those climatic challenges. He’s noticed small juniper trees popping up on hillsides around his property despite the dryness; A cottonwood tree towering over one cornfield is also lush and full. ‘The idea that Earth will restore itself with natural seed dispersal’ after NIDS begin to do their job ‘has been my observation,’ says Norman.

“Or as Nutlouis puts it, ‘We’re allowing nature to do its own thing and restore itself.’ ”

More at Yale e360, here. Fascinating pictures. No firewall.

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Photo: AP/Amr Nabil.
Sudanese Camirata troupe founder Dafallah el-Hag at the Russian cultural center in Cairo, Egypt, this past September.

There is too much war going on.

I struggle to think what alternative Ukraine had after an invasion, but I wish there had been some less lethal way to kick the invader out. In the Middle East, the fighting has gone on beyond anything the world at large can condone. And there are endless ethnic wars in places like Myanmar and Sudan that pain me to think about.

Today’s little story about cheering up Sudanese refugees through art will seem like a feeble attempt to find something positive, but to those who have been touched by the music of kindness, even a tearful, grateful moment can be valuable.

Fatma Khaled wrote recently for the Associated Press (AP), “As the performers took the stage and the traditional drum beat gained momentum, Sudanese refugees sitting in the audience were moved to tears. Hadia Moussa said the melody reminded her of the country’s Nuba Mountains, her family’s ancestral home.

“ ‘Performances like this help people mentally affected by the war. It reminds us of the Sudanese folklore and our culture,’ she said.

Sudan has been engulfed by violence since April 2023, when war between the Sudanese military and the paramilitary Rapid Support Forces broke out across the country. The conflict has turned the capital, Khartoum, into an urban battlefield and displaced 4.6 million people, according to the U.N. migration agency, including more than 419,000 people who fled to Egypt.”

[Think about that, a flight to Egypt.]

“A band with 12 Sudanese members now lives with thousands of refugees in Egypt. The troupe, called ‘Camirata,’ includes researchers, singers and poets who are determined to preserve the knowledge of traditional Sudanese folk music and dance to keep it from being lost in the ruinous war.

“Founded in 1997, the band rose to popularity in Khartoum before it began traveling to different states, enlisting diverse musicians, dancers and styles. They sing in 25 different Sudanese languages. Founder Dafallah el-Hag said the band’s members started relocating to Egypt … as Sudan struggled through a difficult economic and political transition after a 2019 popular uprising unseated longtime ruler Omar al-Bashir. …

“The band uses a variety of local musical instruments on stage. El-Hag says audiences are often surprised to see instruments such as the tanbour, a stringed instrument, being played with the nuggara drums, combined with tunes of the banimbo, a wooden xylophone. …

“Kawthar Osman, a native of Madani city who has been singing with the band since 1997, feels nostalgic when she sings about the Nile River, which forms in Sudan from two upper branches, the Blue and White Nile.

“ ‘It reminds me of what makes Sudan the way it is,’ she said, adding that the war only ‘pushed the band to sing more for peace.’

“Over 2 million Sudanese fled the country, mostly to neighboring Egypt and Chad, where the Global Hunger Index has reported a ‘serious’ level of hunger. …

“Living conditions for those who stayed in Sudan have worsened as the war spread beyond Khartoum. Many made hard decisions early in the war either to flee across frontlines or risk being caught in the middle of fighting. In Darfur, the war turned particularly brutal and created famine conditions. …

“Armed robberies, lootings and the seizure of homes for bases were some of the challenges faced by Sudanese who stayed in the country’s urban areas. Others struggled to secure food and water, find sources for electricity and obtain medical treatment since hospitals have been raided by fighters or hit by airstrikes. Communications networks are often barely functional.

“The performers say they struggle to speak with family and friends still in the country, much less think about returning. ‘We don’t know if we’ll return to Sudan again or will see Sudan again or walk in the same streets,’ Farid said.” More at AP, here.

During this tragic war, very little aid has gotten through, although nonprofits like Alight, one of my favorites, are always poised to help. Rachel Savage at the Guardian wrote that on Christmas, the first successful shipment since the war started a year and a half ago finally got through.

She wrote, “An aid convoy has reached a besieged area of Khartoum for the first time since Sudan’s civil war broke out in April 2023, bringing food and medicines in a country where half of the people are at risk of starvation.

“The 28 trucks arrived in southern Khartoum on 25 December, according to the World Food Program (WFP), which provided 22 trucks loaded with 750 tons of food.

“Unicef sent five trucks with medicines and malnutrition kits for children, while Médecins Sans Frontières (MSF) [Doctors Without Borders] contributed one truck of medical supplies, according to the Khartoum State Emergency Response Room (ERR), a grassroots aid group that is helping to coordinate the distribution.

“Sheldon Yett, Unicef’s Sudan representative, said: ‘Access to the area has been essentially cut off due the conflict dynamics. It took three months of often daily negotiations with government authorities at all levels and with other parties who controlled the access.’ ” More at the Guardian, here.

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Photo: Alyssa Schukar/for NPR.
Chelsea Andrews (white hat), president and executive director of Montgomery County’s Housing Opportunities Commission (HOC), at groundbreaking for the Hillandale Gateway housing development in Maryland. The HOC owns 9,400+ home rental properties and provides subsidized housing for 9,300+ households.

Here’s how communities can build enough housing for residents: Don’t wait for the the feds.

Jennifer Ludden writes at National Public Radio, “A few miles outside Washington, D.C., a large dirt and gravel lot dotted with construction equipment was the site of a recent celebration. … It marked the kickoff for construction of Hillandale Gateway: 463 new mixed-income apartments that will be majority owned by Maryland’s Montgomery County.

“It’s public housing. Although this is a far different model than traditional, federally funded housing for only the very poor. …

“Montgomery County is a wealthy community, and it’s long focused on housing for lower-earning families. Still, it hasn’t built nearly enough to keep up with demand, and the gap is growing. So a few years ago, it took an unusual step: It created a $100 million revolving fund to dramatically ramp up construction.

“That means it can develop and finance its own projects ‘instead of waiting for Congress to give us a whole bunch more money,’ says Zachary Marks, the senior vice president for real estate with the county’s Housing Opportunities Commission. The public agency owns the controlling stake in these apartments.

“Congress has moved away from funding public housing for decades. And while there are federal incentives to help the private market build lower-cost apartments, ‘we’re using them all up every year and it’s not enough,’ Marks says.

“Now, by financing its own construction, the county doesn’t have to rely on private investors, either. Marks and others say that’s a major advantage in a boom-and-bust industry where volatility can stall financing for new projects. With the new housing production fund, he says, the amount of local money needed for a project is pretty small. And the county offers cheaper financing with a lower rate of return than private investors would demand.

“But the mixed-income model is what makes this all work in the long run. The market rate rents ‘come to us instead of flowing out to the private sector,’ says Marks, allowing other tenants to pay less. …

” ‘The people who will be living here are my seniors, my kids, my middle-aged adults, the workforce,’ says Chelsea Andrews, HOC’s president and executive director. ‘This is a community that will be inclusive on all economic levels but also in terms of our diverse communities.’ …

“Hillandale is the second project financed by the county’s fund. The first apartments, The Laureate, opened last year about a half hour’s drive away. …

“The building looks nothing like the image of U.S. public housing, most of which is generations old and severely underfunded. Among other amenities, there’s a full gym with yoga studio, a pet washing room and a courtyard pool.

“[Christina] Cooley says she immediately noticed the pool has a lift at one corner, to lower people with a disability safely into the water. … She says she has a traumatic brain injury and one side of her body is partially paralyzed.

” ‘Living here has changed my life,’ she says.

“Cooley is 43 and works part time as a teacher’s aide, but her main income is from disability. …

“Rents at The Laureate range from about $1,335 for a smaller one-bedroom — far below the county median — to $3,885 for a larger two-bedroom.

“A quarter of the units are for people making up to 50% of the area median income. In Montgomery County, that’s $77,350 for a family of four. An additional 5% of the units are called ‘workforce’ housing, for those who make up to 120% of area median income.

Importantly, says Marks at the housing commission, these apartments will be affordable permanently.

“By contrast, federal tax credits expire and lower-rent housing built with them can revert to market rate after 15 or 30 years.

” ‘There’s been a lot of uptake and interest for this model from jurisdictions of all shapes and sizes around the country,’ says Paul Williams, who heads the Center for Public Enterprise. He founded the group to push for more public development generally, including mixed-income housing financed at the local level. These projects are profitable, he says, and don’t use up other, scarce federal funding. …

“Other places that have considered or taken up the idea — sometimes called social housing, as it’s referred to in Europe — include New York and Massachusetts, as well as Chicago and Chattanooga, Tenn.”

More at NPR, here.

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Photo: Peter Ryan.
Surveys before 2019 found that the number of breeding pairs of Wilkins’ bunting was 120 and going down. Then a wasp got involved.

Before I get into today’s story about efforts to save the habitat of a rare bird, I want to explain where this is happening. Nightingale Island is in the South Atlantic, a bit closer to Cape Town, South Africa, in the east than to Buenos Aires, Argentina, in the west.

Wikipedia says, “Nightingale Island is an active volcanic island in the South Atlantic Ocean, 3 square kilometres (1.2 sq mi) in area, part of the Tristan da Cunha group of islands. They are administered by the United Kingdom as part of the overseas territory of Saint Helena, Ascension and Tristan da Cunha.

“Nightingale Island is [uninhabited but] regularly visited for scientific purposes and research. It is one of the only stops for birds in the Atlantic and sees millions of them visit it annually.” More.

I read the following report on saving the island’s threatened Wilikins’ bunting and couldn’t help wondering how we balance two goods: the need to save species and the need to prevent introduced species (in this case a wasp) from creating unanticipated future havoc.

Helena Horton wrote at the Guardian, “A tiny parasitic wasp has given a lifeline to one of the world’s rarest bird species by killing off an invasive insect that was threatening its survival.

“The Wilkins’ bunting lives on Nightingale Island, part of the Tristan da Cunha \ group; the world’s most remote inhabited archipelago. It eats the fruit of the Phylica arborea, the island’s only native tree.

“But around 2011, scientists began to notice signs of an unwelcome visitor. An invasive, sap-sucking scale insect had been, it seems, accidentally introduced on to the island by humans. These insects secrete honeydew, which encourages the growth of a sooty mould that weakens and eventually kills Phylica arborea. Their arrival threatened to destroy the forest, and the tiny bird population among with it.

“This news was devastating to the scientists who study and protect the little yellow bird, as its numbers had been suffering. Huge storms in 2019 destroyed much of the forest, and surveys before the storm found there were only about 120 breeding pairs of the bird remaining.

“The RSPB, Centre for Agriculture and Bioscience International, Food and Environment Research Agency and Tristan da Cunha Government hatched an unorthodox plan to save the buntings, releasing a small parasitoid wasp called Microterys nietneri, which prevents the scale insects from breeding. They would also set up a tree nursery to boost the number of trees and improve the biosecurity on the island to stop invasive species coming in future.

“But first, the wasps had to survive the trip from London – almost a month by land, sea and air. Dr Norbert Maczey, an entomologist at CABI, said: ‘The wasps faced an epic journey. Firstly, a flight from London to Cape Town, in a cool bag, followed by an enforced stay in a hotel room as part of a staff member’s Covid quarantine. Next came a week-long boat journey to Tristan with temperatures sometimes dropping below zero. Finally, there was a further boat trip to Nightingale Island. It seemed like luck and time was against us but some of the wasps made it.’

“Fewer than 10% of the wasps survived the trip, but in April 2021 the first release took place, and there were more over the next two years. Slowly a population of wasps has started to establish itself. …

“Surveys in February this year showed that despite losing approximately 80% of the forest, there are still an estimated 60-90 pairs of Wilkins’ bunting on Nightingale. Although the population has reduced, the forest has recovered in the short period since the wasps were released, and the scientists think numbers of buntings should stabilize and will have a chance to recover over the next few years.

“David Kinchin-Smith, the RSPB’s UK overseas territories project manager, said: … ‘Hopefully we, and the wasps, have given the buntings a much-needed lifeline.’ ” More at the Guardian, here.

Do you have an opinion on this approach?

And from Wikipedia, something curious about the remote islands: “Edgar Allan Poe‘s The Narrative of Arthur Gordon Pym of Nantucket alluded to Nightingale Island, Inaccessible Island, and Tristan da Cunha.”

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Photo: Joanna Hawkins/BBC.
Artist David Taylor spotted this early 20th Century by Canadian impressionist Helen McNicoll at a UK auction house. It is valued at 150 times what it cost.

Let’s start 2025 with another fun story of a rediscovered treasure. The person who found it wasn’t just some guy. He was an artist who knew quality when he saw it and was willing to pay a large amount for it — just not as large an amount as it turned out to be worth.

David McKenna writes at the BBC, “A painting bought for just over £2,000 [~$2500] has been authenticated as a long-lost masterpiece worth £300,000 [~$374,000].

“The buyer, [Lincolnshire] artist David Taylor, said he had been ‘bowled over’ by the artwork while browsing a sale at a regional auction house.

“Experts on the BBC’s Fake of Fortune? were able to prove the painting, known as ‘The Bean Harvest’ and depicting a scene of women in a field, was a piece from the early 20th Century by Canadian impressionist Helen McNicoll. …

“McNicoll is one of Canada’s most celebrated female artists, achieving considerable international success during her career.

“Deaf from the age of two, McNicoll was known for her impressionist representations of rural landscapes.

“In 1915, her career was cut short when she developed complications from diabetes and died at the age of 35.

“It was revealed [in an October 2024] episode of Fake or Fortune? that the artwork had been exhibited in Canada five times between 1912 and 1913, but its whereabouts had since been unknown.

“During the episode, the show’s team — including presenters Fiona Bruce and Philip Mould — helped Mr Taylor to prove its authenticity.

” ‘I’d not heard of Helen McNicoll before we started investigating this painting,’ Bruce said. ‘But what a pioneer she was — a woman at that time, the early 20th Century, traveling abroad with her easel while profoundly deaf. I’m so glad we’ve been able to bring her name to wider attention.’ …

“Co-host Mould described the find as a ‘once-in-a-lifetime discovery,’ adding there was a massive desire on both sides of the Atlantic for the work of high-quality women artists.

“Canadian philanthropist Pierre Lassonde, a major collector of McNicoll’s work, flew over to London to see the painting in person. During the show, he said: ‘For a painting that has been missing for 110 years, I think it’s fantastic… I wouldn’t mind adding one more piece to my collection.’

“Mr Taylor described the experience as ‘an absolute adventure.’ “

More at the BBC, here. Find out more about the artist at Sotheby’s, where her painting was offered for sale in November.

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Diagram: Q Cheng/Nexus.
How a building’s zigzag wall could emit and reflect heat. IR refers to infrared energy.  

In the department of “good ideas for a new year,” we learn about zigzag walls and how they might cool buildings without fossil fuels or even electricity. It’s kind of the opposite of “passive solar heat,” which you’ve heard of. This approach involves passive cooling.

Isabelle Rodney reports at the Guardian, “Incorporating zigzag patterns into building walls could help cool overheated buildings, research has found.

“Buildings are now responsible for approximately 40% of global energy consumption, contributing more than a third of global carbon dioxide emissions. A significant fraction of this energy comes from air conditioning usage. Scientists expect this figure to double by 2050 if left unchecked.

“As the planet continues to warm, the demand for cooling in buildings continues to rise. In response to this growing challenge, scientists have been exploring passive cooling solutions that do not rely on energy consumption.

“A research team led by Qilong Cheng at Columbia University in New York has developed a promising solution that could help reduce energy use, by redirecting the sun’s energy away from buildings.

“Cheng’s team has proposed a structural wall design featuring a zigzag pattern that can reduce a building’s surface temperature by up to 3C [37.4 degrees] compared with flat walls, without consuming any energy. …

“The design consists of walls with a series of protrusions that create a zigzag shape when viewed from the side. This configuration takes advantage of radiative cooling – a passive cooling strategy that reflects sunlight and emits long-wave infrared radiation through the Earth’s atmosphere into outer space. …

“Common strategies, such as painting rooftops white to reflect sunlight, have been effective for horizontal surfaces but are less ideal for vertical walls, which also absorb heat from the ground. The zigzag wall design addresses these challenges by creating surfaces that emit heat in the atmospheric transparency window and reflect infrared heat, rather than absorbing it.

“While this innovative cooling method shows promise for hotter climates, it could increase heating demands in colder regions during winter. To address this, Cheng and his colleagues have proposed an adaptive design featuring hinged ‘fins’ that can be raised in winter to increase heat absorption and lowered in summer to reduce it. More at the Guardian, here.

At LinkedIn, Cheng describes himself thus: “My overarching research goal is to contribute to the development of energy-efficient systems and high-performance devices, fostering a more environmentally sustainable and efficient society.

“At Columbia University, I developed thermal radiation regulated walls to reduce energy consumption in buildings. At UC Berkeley, I studied heat transfer in data storage devices and addressed related mechanics and tribology issues [tribology is the study of friction, lubrication, and wear in systems where surfaces are in relative motion]. I am currently continuing my academic journey at Purdue University.”

A chemistry PhD once told me emphatically that scientists did their most important work when they were young. Here’s hoping that this young researcher never loses his creativity.

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Photo: Annick Sjobakken/New York Times.
Farmers are restoring the prairie with government help. The aim is to reduce nutrient runoff from cropland, and help birds and bees.

Sometimes we have to go back to the old ways to fix the mistakes of the new ways.

For example, our country’s beloved “bread basket” has used for generations agricultural techniques that have depleted the soil. Maybe we can learn something from the time of Little House on the Prairie.

Cara Buckley reports at the New York Times, “The little tracts of wilderness grow on Maple Edge Farm in southwest Iowa, where the Bakehouse family cultivates 700 acres of corn, soybeans and alfalfa. Set against uniform rows of cropland, the scraps of land look like tiny Edens, colorful and frowzy. Purple bergamot and yellow coneflowers sway alongside big bluestem and other grasses, alive with birdsong and bees.

“The Bakehouses planted the strips of wild land after floodwaters reduced many fields to moonscapes three years ago, prompting the family to embark on a once-unthinkable path.

“They took nearly 11 acres of their fields out of crop production, fragments of farmland that ran alongside fields and in gullies. Instead of crops, they sowed native flowering plants and grasses, all species that once filled the prairie.

“The restored swaths of land are called prairie strips, and they are part of a growing movement to reduce the environmental harms of farming and help draw down greenhouse gas emissions, while giving fauna a much-needed boost and helping to restore the land.

“As the little wildernesses grew, more and more meadowlarks, dickcissels, pheasants and quail showed up, along with beneficial insects. Underground, root networks formed to quietly perform heroic feats, filtering dangerous nutrient runoff from crops, keeping soil in place and bringing new health to the land.

“ ‘We’re thinking about our farm as a small piece of the overall good puzzle,’ said Jon Bakehouse, on a visit to the family’s fields one sunny morning earlier this summer. ‘On a larger scale, we’re all in this together.’

“The fertile soils of America’s vast prairies made the heartland ideal for growing crops. But today in Iowa, less than 0.1 percent of original prairie remains, scattered in fragments around the state.

“Prairie strips are helping to reverse that loss, and are being adopted at an increasing clip. Researchers counted 586 acres of prairie strips on farmland across seven states in 2019. As of last year, they had spread to 14 states, filling 22,972 acres.

“While the acreage accounts for a tiny fraction of the Midwest’s farm fields — Iowa alone has roughly 30 million acres of cropland — researchers said the strips had disproportionately positive impacts.

“ ‘There are a whole suite of dramatic environmental benefits that come with this small intervention,’ said Lisa Schulte Moore, a professor of natural resource ecology and management at Iowa State University, and a founder of its prairie strips project. ‘If you put a bit of prairie back, it makes a big difference.’

“To  be classified as a prairie strip, restored land must adjoin active cropland, reach a width of at least 30 feet and be sown with dozens of native plant species.

“Researchers at Iowa State found that when prairie strips were planted in and around soy and corn fields, they acted as both ‘speed bumps and diapers,’ Professor Schulte Moore said.

“Soil erosion and surface runoff plummeted, as the prairie plants held soil in place and transpired water. Levels of nitrogen and phosphorus carried in surface runoff from adjacent cropland decreased by as much as 70 percent, absorbed instead by the prairie strips, resulting in less water contamination. The prairie strips created better conditions for helpful bacteria, resulting in dramatically lower levels of nitrous oxide, a powerful greenhouse gas generated by chemical fertilizer, compared to cropland without prairie strips. The strips also drew twice as many native grassland birds and three times as many beneficial insects, compared to fields that had not been rewilded.

“While the research did not show that prairie strips affected yields in adjacent cropland, tests found that the strips boosted the health and fertility of the soil where they were sown. …

“Iowa has the most industrialized livestock farms in the country, and tens of millions of pounds of untreated manure that they produce end up fertilizing crops, along with synthetic fertilizer made from fossil fuels. The nitrogen-heavy runoff from agricultural fields threatens drinking water, and is a leading cause of an oxygen-starved dead zone in the Gulf of Mexico that kills marine plant and animal life.

“In 2007, Professor Schulte Moore was part of a team at Iowa State University that began researching the ways in which restoring parts of the prairie could enrich soil, help insects and wildlife, and stanch emissions and fertilizer runoff. They went on to plant prairie strips on commercial farms and at some of the university’s test sites, and found that benefits were consistently achieved when 10 percent of a farm’s cropland is converted into prairie strips, with lower amounts still providing some boons.

“The findings might have sat on a shelf, Professor Schulte Moore said, were it not for her department chair, who rewrote the professor’s job description so she could promote the idea to farmers.

“In late 2018, the prairie strips initiative got perhaps its biggest boost when it was included in the federal Conservation Reserve Program. That meant that farmland owners who converted some of their acreage to prairie strips could collect money from the federal government. According to the Agriculture Department, the average payout for prairie strips is $209 per acre each year.

“ ‘That was monumental,’ Professor Schulte Moore said. ‘It helped align hearts, heads and pocketbooks.’ ” More at the Times, here.

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Photo: Michael Fox/The World.
Rita Álvarez has been selling handicrafts and homemade jewelry on the streets of Asunción, Paraguay, for more than 40 years. She said that most of her customers in the city speak a combination of Guaraní with Spanish.

Most of our stories on indigenous languages are about struggles in the face of looming extinction.

It’s different for an indigenous language called Guaraní in Paraguay. Michael Fox reports on the phenomenon at Public Radio International’s The World.

Tomas Zayas, who lives in the Paraguayan countryside, spoke only the Indigenous Guaraní language until he was 22 years old. 

“Later, he started to speak Spanish to be better prepared as a community leader. But Guaraní has remained his main language.

“ ‘For me, Guaraní is identity,’ said Zayas, a longtime campesino leader with the Alto Parana Small Farmers Association. ‘It’s happiness. It’s beauty. Because a joke in Spanish isn’t funny at all.’ 

“The Guaraní language, along with its many dialects, comes from the Indigenous Guaraní people who have lived in this region since long before the Spanish conquest. 

“Today, nearly 300,000 Indigenous Guaraní still live in Paraguay, Brazil, Bolivia and Argentina. In some of these countries, their language has influenced Portuguese and Spanish. 

“But in Paraguay, Guaraní is spoken as an official language alongside Spanish. Most Paraguayans speak Guaraní or a mixture of Spanish and Guaraní as their first language, whether they are of Indigenous descent or not. 

“Although there are several theories about how Paraguayans have been able to preserve their Indigenous language, one that stands out focuses on the Triple Alliance War of the 1860s.

“Most of Paraguay’s male population was killed after Brazil, Argentina and Uruguay invaded the country. ‘As a question of survival, the women who were left would only speak Guaraní,’ Zayas said. ‘They passed it on to their children.’ …

“Under the dictatorship of Alfredo Stroessner, which lasted from the 1950s until the late 1980s, Guaraní was banned in Paraguay. It has also been stigmatized as a language of the poor.

“But many Paraguayans say that Guaraní is a language of metaphor and beauty.

“Rita Álvarez has been selling handicrafts and homemade jewelry on the streets of Asunción, Paraguay’s capital, for more than 40 years. ‘For me, it’s the sweetest language,’ she said. ‘Because you can say with one word in Guaraní what you would need 10 to say in Spanish.’

“She said that most of her customers in the city speak a combination of Guaraní with Spanish, or jopara, which means ‘mixture’ in Guaraní. …

“Blanca Estela González is a retired elementary schoolteacher who now teaches Guaraní at IDIPAR Language School in Asunción.

“Gonzalez said that foreigners often pick up Guaraní rather quickly, because, unlike Spanish, there are only three types of verb conjugations: past, present and future. And Gonzalez said the language has received a boost in recent decades.

“ ‘Now, it’s an official language,’ she said. ‘And half of the lessons at the public schools are taught in Guaraní.’ ” More at The World, here.

Happy New Year to all blog friends, whatever language you speak. Any plans for celebrating?

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Photo: Patrick Zachmann/Magnum Photos.
The real miracle: Reconstructing the intricate wood frame of Notre Dame’s roof.

When the unthinkable happens to a beloved cultural icon, what’s next? In the days and weeks after the great fire of Notre Dame Cathedral broke hearts around the world, plans began to take shape.

Joshua Hammer writes at GQ, “Some time after six in the evening on April 15, 2019, Rémi Fromont was sitting at the Brasserie Saint-Malo, a lively café in Montparnasse, Paris, when his phone rang.

“ ‘Notre-Dame is on fire,’ ” said a friend on the other end of the line. … Fromont leapt out of his chair, got on his bike, and pedaled north toward the cathedral. …

“About an hour after his arrival, Fromont, with thousands of Parisians at the scene and millions watching around the world, looked on as the 750-ton spire, made of 1,230 oak beams, blazed, teetered, snapped like a matchstick, and crashed through the roof. Spectators broke into tears of disbelief and horror. …

“The day after the fire, French president Emmanuel Macron made a promise: Notre-Dame would rise again in the next five years.  …

“None of the many priceless paintings, sculptures, and windows that filled the church’s interior — though they were stained by smoke and singed by fire — had been wrecked beyond repair. …

“The roof frame was a different story. Known in French as the charpente, it was an ingenious assemblage of triangular-shaped trusses, each one consisting of horizontal and vertical beams and diagonal rafters designed to support the heavy roof cover and distribute the weight over the walls beneath it. Built from thousands of pieces of wood and assembled without nails, it was a singular achievement, one of the oldest surviving all-wood structures in the world. …

“During World War I, German artillery shells had reduced the cathedral in Reims, another Gothic masterpiece, to charred wood and rubble. In 1919, the architect Henri Deneux launched the restoration, reconstructing the church’s roof with reinforced concrete, a decision that was controversial at the time.

“Fromont had not warmed to Deneux’s approach. He believed that the roof’s charpente could be rebuilt exactly as the medieval carpenters had done it. The approach was not without risks — Fromont had told me, ‘Wood burns. I’m not going to say the opposite’ — but certain measures could be put into place to mitigate its vulnerability.  …

“The roof’s charpente was perhaps [Notre Dame’s medieval woodworkers’] greatest creation. Yet Fromont told me that, until recently, it had never been the subject of serious scholarly study. …

“In 2012, Fromont, then a 35-year-old scholar at Paris’s École de Chaillot, decided to address that absence. For his advanced degree, Fromont proposed spending a year surveying every inch of the charpente. When they were at last granted permission, he and his partner on the project, Cédric Trentesaux, entered the cathedral’s south transept and climbed a winding staircase into the triangular south gable. There they squeezed through an aperture and entered a medieval realm barely visited in over 800 years. …

“The two men emerged from the project with the most extensive blueprint of the 800-year-old structure that had ever been created. ‘It wasn’t a lot, but it was enough,’ Fromont said. …

“There was some skepticism that the charpente could be re-created in its original glory, but Fromont found an ally in François Calame, France’s leading apostle of traditional carpentry. In the early 1990s, as a young carpenter, Calame had visited Maramures‚ a remote region in western Romania. Isolated from a fast-changing world during Nicolae Ceausescu’s 24-year dictatorship, artisans there had kept the old ways of carpentry alive.

“Like in Romania, traditional French axmen used hand tools: the hache de grossière, a long-handled, narrow-bladed axe used to remove large amounts of wood, and the doloire, a broad-bladed, short-handled axe designed for precision chipping following the grain of the wood. It’s slow and physical work: Squaring lumber by hand can take much more time than doing it with buzz saws. For that reason, by the 20th century, axes had all but disappeared as a construction tool. Yet their proponents extol the end result: more pliable, stronger beams, and imperfections that reflect the extensive labor and love of craft. ‘This is a kind of magical work because you feel the material,’ Fromont told me. ‘You smell it and touch it.’ ”

Read what happened next in Paris. The long and fascinating article is at GQ, here. No firewall.

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Photo: Lenora Chu.
Ewa Łętowska, the elder stateswoman who helped build the legal framework of democratic Poland after communism, sits in her Warsaw flat last February.

Never underestimate the power of a woman. It may be under the radar, but woe to those who think they can always manipulate the quiet ones.

Lenora Chu of the Christian Science Monitor recalls, “It was late fall of 1987 in Poland, and the economic and social forces here were fueling tremors that would eventually fell communism across the Soviet bloc.

“Among a group of influential men – law professors – at a dinner party one evening was a Communist Party member brainstorming how to throw a bone to pro-democracy activists. The group was tasked with floating a name for a human rights ombudsman; that of legal scholar Ewa Łętowska kept surfacing. A devoted academic who had pumped out two decades of legal research on topics as benign as consumer protections and contract law, she was a respectable but safe choice.

“ ‘They said, “We want a woman, because women might be easier to manipulate,” ‘ Ms. Łętowska says in an interview in her Warsaw flat, lined floor to ceiling with books and opera records. She laughs at this memory that she possesses only because her lawyer husband was among the men feasting on schnitzel at that monthly table for regulars.

“If it was a wallflower they wanted, it turned out to be a miscalculation of historic proportion: They launched a stateswoman.

“Her trajectory as Poland’s top human rights thinker, she says, started ‘loudly, and with a bang’ when she was named the country’s human rights ombudsman soon after the dinner party, pioneering the balance between the state and the individual in the waning days of communism.

“She was an accidental influencer who, four decades later, now in her 80s, is a sought-after talking head, issuing viral social media posts about democracy. And when voters sent their right-wing government packing last October, a coalition of progressives turned to the wisdom and experience of Ms. Łętowska and her contemporaries.

“They’re looking for help to fix Poland’s institutions after the populists turned the country away from the European Union, rolled back civil rights such as abortion, took over the media and judiciary, and questioned the country’s humanitarian aid duties.

” ‘Ms. Łętowska’s value to Polish society cannot be overstated, says Helena Chmielewska-Szlajfer, a sociologist and assistant professor at Koźmiński University. ‘She’s a living legend, and she has the authority of this wise, powerful woman who set the institutions right in the beginning. She worked on this at a time it was the hardest – the intermediary stage between communism and democracy. And she still has much to say.’

“In 1980, the world saw burly Solidarity unionist Lech Wałęsa leading a revolt against communist authorities for worker rights – and eventually winning a Nobel Prize for it. But it was the progressive technocrats quietly blooming in that politically fertile time who did the less spectacular but essential work of building a democratic legal framework.

“Until then, Ms. Łętowska had forged her career as an impartial civil law professor, neither courting the communist regime nor joining the opposition. [She] now confidently says she … ‘was a state official to society, who brought more dialogue, more transparency. At the same time, I didn’t want a political future.’

“In an era when one didn’t easily trust one’s neighbor, there was little subversive in her ‘good girl’ youth to suggest she would emerge a strong voice for human rights and democracy. … On rare study trips abroad — few Polish scholars were trusted to leave the country — she might use German colleagues’ photocopiers to reproduce expensive legal tomes, like handbooks and casebooks on human rights law. …

“After law school in the 1960s, she published articles about civic law issues, rising through the ranks as a professor at the Polish Academy of Sciences’ Institute of Law Studies.

“A trip to the West – Hamburg, Germany – in the early 1980s was a turning point. She happened upon a demonstration by feminists. … From the other side of the street, she could see citizens hurling insults at the women.

“ ‘And in between you could see a line of police, with stone faces making sure no one gets hurt, being completely indifferent, and providing this space for demonstrating,’ says Ms. Łętowska. ‘It was the first time in my life I saw police not beating demonstrators – but rather protecting them. This is how I finally understood how things should be.’

‘The people of Hamburg would never know how much credit they should take, quite by accident, in my education,’ she says.

“Half a decade after that trip, she was named Poland’s first human rights official, judging the conduct of the state toward its citizens. … Should political parties have to register with the state? No, she famously wrote in 1988, when Poland was still under communist rule: ‘The constitution stated clearly: if parties want to form, let them form. Registration is required only for associations.’ …

“After the communist regime fell in 1989, she found herself among the legal scholars helping to modernize the Polish Constitution.”

More at the Monitor, here. Piotr Żakowiecki contributed to this report.

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Photo: Creatives Rebuild New York.
Painter Athesia Benjamin created a self-portrait while participating in the guaranteed income program.

From time to time this blog has checked in on experiments in basic income taking place around the world. If you use search terms like “basic income” or “guaranteed income” in my search box, you will find many related articles, including ones on helping Kenyan villagers, keeping New Orleans teens in school, slashing homelessness in Finland, and supporting artists in Ireland.

New York has also piloted a basic income for artists.

Maya Pontone writes at Hyperallergic, “Early findings from a guaranteed income program for artists across New York State reveal that such initiatives can provide crucial support for artists’ financial stability, professional advancement, and individual well-being. 

“While more comprehensive results are slated to be released at the end of the year, preliminary outcomes show that when artists receive guaranteed income, they generally concentrate on addressing outstanding debt, bills, and increasing their personal savings. They also have more freedom to work on their practice and more time for caregiving responsibilities.

“The report was compiled by Creatives Rebuild New York (CRNY), a $125 million guaranteed income and work opportunity initiative that began in 2021 and is chiefly funded by the Andrew W. Mellon Foundation, the Stavros Niarchos Foundation, and the Ford Foundation. Under the program, CRNY provided 2,400 artists across New York no-strings-attached monthly payments of $1,000 for 18 consecutive months, prioritizing individuals who are acutely impacted by institutional barriers to financial security based on their race, physical ability, sexual orientation, citizenship status, and caregiving tasks.

“On average, the survey found that 17% of the guaranteed monthly payments were used to pay off debt, principally outstanding credit card balances and loans and mortgages. Furthermore, artists saved approximately $150 more each month and put nearly $140 of the payments toward expenses like rent and utilities. The initiative also showed that participants generally reported feeling improved mental and emotional health in comparison to those who did not receive guaranteed monthly payments. …

“ ‘Going through a breast cancer diagnosis during a pandemic was the most difficult experience of my life,’ shared one anonymous participant quoted in the report. …

‘Guaranteed Income gave me the support I needed to slowly build my life back, become strong and healthy again, and has truly led me back to this industry feeling safe, valued and supported,’ the participant wrote.

“In an interview with Hyperallergic, Maura Cuffie-Peterson, CRNY’s director of strategic initiatives, explained that critics of guaranteed income programs generally ‘claim that they disincentivize work. … Our report shows that not only are artists working with a guaranteed income, but they’re really shaping work that is meaningful to them and in their community life.’

“The report’s findings add to survey results released by CRNY this summer that showed a majority of NY artists are in precarious financial positions, currently earning significantly below living wage standards.

“ ‘When done ethically and in collaboration of those who are directly impacted, research can lead us to better designed programs and even policy solutions,’ Cuffie-Peterson said, adding that guaranteed income programs could be more beneficial if they ran for longer periods of time.

“As an example, she cited Minnesota arts organization Springboard for the Arts’s recent announcement that it is extending its guaranteed income pilot for artists to five years and offering additional financial counseling services.

“ ‘It’s less what should be researched next, but more how these things that are all being researched are building up into something bigger, more impactful, and more meaningful to more people,’ Cuffie-Peterson said.”

More at Hyperallergic, here.

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Photo: Ilan Godfrey.
Vusi Mdoyi, center, rehearsing this month with the Step Afrika! dance group at the Soweto Theater in Soweto Township in Johannesburg.

And speaking of other cultures, today’s story is from South Africa. It reminds me of how much I loved Miriam Makeba albums in the ’60s. And in the ’80s, a Xhosa-Zulu couple we knew (the husband was attending grad school at Harvard). I also remember young John (age 12 or so) auditioning for a kid show on Boston television with his pitch about ending apartheid. The American Black host doubted kids would be interested. Then there was the tour-de-force play Syringa Tree, Pamela Gien’s heartbreaking one-woman show about South Africa. It’s all coming back to me.

Now John Eligon reports at the New York Times on an intriguing dance story from South Africa.

He begins, “The young boy couldn’t resist the dance moves he saw being performed around him: the rapid foot taps, the ligament-spraining knee twists, the torso shimmies, all coming together in what some might describe as a sort of urban tap dance.

“Growing up in an impoverished Black township near Johannesburg in the 1980s, the boy, Vusi Mdoyi, loved watching his father dance with friends, in a style known as pantsula, in the dirt yards of their staid four-room bungalows. It was a sprinkle of joy in the dark days of apartheid.

“At about 7 years old, Mr. Mdoyi began mimicking the dance form. By 10, he was dancing in school festivals. By 14, he had created his own dance crew with neighborhood friends.

“Now 44, Mr. Mdoyi is a celebrated dancer and choreographer who has helped to achieve what felt unimaginable during apartheid: turning the street art of pantsula into a high art that attracts global praise, and audiences. …

“In 1998, while still a teenager, Mr. Mdoyi took part in workshops and shows put on by a dance company, Step Afrika!, which was co-founded in South Africa by C. Brian Williams, a Howard University graduate who had worked in the region. The company fused African American step dancing with traditional African dance.

“The interest that the American dancers showed in pantsula and other African dances helped to inject a sense of pride that their dances were meaningful, Mr. Mdoyi said. Under the white-led apartheid government, which had lost power only four years earlier, Africans were often made to feel ashamed of their own culture, he said. …

“In part with connections made through Step Afrika!, Mr. Mdoyi made his first overseas trip, to teach a pantsula workshop in Britain in 2001. The next year, he toured internationally with Via Katlehong, a pantsula dance company named after his native township. …

“Mr. Mdoyi’s latest work is in some ways a full circle moment to what originally vaulted his career from South African festivals to stages across the world: He choreographed and danced in a piece performed in Soweto this month, during the 30th anniversary celebration of Step Afrika!

“His new piece, titled, ‘The Tattered Soul of a Worker,’ tells the story of South African migrant workers who were forced to travel from their homes to find jobs, and it offers a critique of a capitalist system that has left the working class struggling.

“The dancers, clad in midcentury formal suits, dance at times with beer crates — it’s common in South Africa to see young people dancing pantsula with beer crates at traffic lights, seeking tips. …

“Black South Africans began to take up tap dancing in the 1960s after seeing it in American films, [Gregory Maqoma, an acclaimed South African dancer and choreographer who has mentored Mr. Mdoyi] said. That eventually evolved into pantsula, which started in townships where Black South Africans were forced to live.

“The apartheid regime largely restricted Black South Africans from freely traveling into cities. That left them with virtually no access to the theaters and studios where dance thrived as an art form. So for many Black South Africans, there was little expectation that dance could be anything more than a social activity. …

“As apartheid restrictions began to loosen in the late 1980s and early 1990s, opportunities increased for Black South Africans to access formal dance training and turn their talents into art.

“For Mr. Mdoyi, his focus on dancing as he grew up kept him away from the violence that consumed many Black communities while the government tried to maintain its fragile grip on power in the dying days of apartheid. Mr. Mdoyi said he connected with a popular street entertainer who danced pantsula and introduced him to the dance scene in nightclubs around Johannesburg. …

“The nightclubs were something of a dance academy for Mr. Mdoyi. He met street dancers from many different neighborhoods, each bringing their own styles, techniques and approaches. …

“Mr. Mdoyi’s dance productions can come across as stage plays, with elaborate costuming, soundtracks and even dialogues that tell a story beyond the dance moves themselves. He plays with genres and moods.

“In a performance called ‘Footnotes,’ Mr. Mdoyi and other dancers lay a soundtrack with typewriters, typing eviction notices. The piece grows angry and frantic as disgusted shouts from tenants boom over loudspeakers. …

“In 1998, Mr. Mdoyi won an award at a national dance festival for the first time, and the festival director connected him with Jackie Semela, who had established the Soweto Dance Theater, a company based in the nation’s largest township. Mr. Semela helped to start Step Afrika!, which in 1994 held its first festival, in Soweto, only months after South Africans elected Nelson Mandela president in the country’s first democratic election.

“Under Mr. Semela’s tutelage, Mr. Mdoyi not only honed his craft as a dancer and found a springboard to perform and choreograph pieces internationally, but he also learned the business side of the profession. He now has two companies dedicated to creating pantsula shows and teaching the dance.”

Read more and see cool videos of the dances at the Times, here.

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Photo: Visit Dalarna.
One of the languages spoken in Älvdalen, Sweden, has the charmingly elvish-sounding name of Elfdalian. Älvdalen is part of Dalarna, the area best known for colorful wooden horses.

I’m always interested in learning about endangered languages, and the radio show The World introduced me to one tucked away in the Swedish town Älvdalen.

Älvdalen appears to be a part of Sweden that, for context, is closer to that Norwegian Olympic site Lillehammer than to better known Swedish towns.

Bianca Hillier reported at The World that “an organization called Ulum Dalska, based in a small Swedish town called Älvdalen, is on a mission.  For decades, members have been working hard to help save a language called Elfdalian, a remnant of Old Norse.

“ ‘We had our first meeting on the 1st of June in 1984,’ said press secretary Björn Rehnström. ‘And the biggest hall in Älvdalen was filled with people.’

“Elfdalian sounds nothing like the country’s national language, Swedish, which Rehnström said destabilized the language about 100 years ago. At that point, Elfdalian became stigmatized.

“Ulla Schütt, also a Ulum Dalska member, saw the impact firsthand while growing up in Älvdalen.

“ ‘My parents spoke Elfdalian with each other, and with my grandma and my aunts and uncles and everyone around,’ Schütt said. ‘But when they turned to me, they spoke Swedish.’

“Schütt said her parents spoke Swedish with her because that’s what was spoken in schools. Students were even discouraged to speak Elfdalian in the classroom. Now, there’s only about 2,500 speakers left. But people are getting creative in the fight to change that trend.

“The language is getting a boost on Minecraft. Musicians are releasing new songs with Elfdalian lyrics. Several children’s books were also translated into Elfdalian, including Le Petit Prince, by Antoine de Saint-Exupéry.

“Additionally, Rehnström helps run a popular Facebook group that offers courses in the Elfdalian language, where he posts lessons to the group’s 1,800 global members.

“ ‘[People are from] America, Australia, South America, Indonesia, Haiti, Cape Verde,’ he said. …

“The local government supports the teaching and preservation of Elfdalian. … The language is also recognized on an international level. In 2016, it was assigned an ISO language code, which helps the internet distinguish one language from another.

“But the national government of Sweden is a different story. They currently consider Elfdalian a dialect of Swedish, not its own language.

“Speaking in Elfdalian, Swedish MP Peter Helander recently asked Parliament why that’s the case. But before Culture Minister Amanda Lind could answer the question, the parliamentary speaker interrupted them both to say that only Swedish may be spoken in the chamber. Helander said the ‘only Swedish’ remark proves his point, that Elfdalian should be considered its own language. …

“Schütt said every time a language dies — which some research suggests is as often as once every two weeks — it is a sad moment. To her, losing Elfdalian would be an especially tragic loss. …

“Getting Elfdalian recognized as a language by the Swedish government, she added, is key to making sure that death doesn’t come.”

Read more about Elfdalian at The World, here, and at the blog Transly, here.

Dala horses come from the region where Elfdalian is one of the languages spoken.

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For our family, this day is partly about opening gifts and eating. If the roads don’t ice up for our get togethers, it just feels happy and sleepy and good.

Sending greetings to all who celebrate Christmas, to all who are celebrating the beginning of Chanukah tonight, and to all who celebrate other traditions.

In fact, I’d love to hear of any childhood memory you may have of a tradition in your family. Not necessarily for this time of year. Families sometimes develop traditions that no one else shares. I’m thinking of little things like singing a certain song every year when you catch the first glimpse of your favorite beach. Or special gestures after two people say the same thing simultaneously.

I’d also be interested in cultural traditions from a place you spent time as a child.

Thank you for your presence on WordPress. It’s fun to have friends in other places.

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Photo: Suzanne and John’s Mom.

This is my favorite version of the Christmas story. There may be more-accurate translations of the original, but none that sounds as lovely to me or has as many associations with my younger years, when we memorized Bible verses in school.

“And it came to pass in those days, that there went out a decree from Caesar Augustus that all the world should be taxed.

“(And this taxing was first made when Cyrenius was governor of Syria.)

“And all went to be taxed, every one into his own city.

“And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David, which is called Bethlehem; (because he was of the house and lineage of David:)

“To be taxed with Mary his espoused wife, being great with child.

“And so it was, that, while they were there, the days were accomplished that she should be delivered.

“And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn.”

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