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Posts Tagged ‘gardner museum’

Photo: John and Suzanne’s Mom.
On April 28, the Isabella Stewart Gardner Museum’s courtyard was featuring cineraria and foxglove.

Last Friday, after a medical appointment, I thought I would treat myself to the Isabella Stewart Gardner again, a museum located in a wealthy woman’s former palace not far from the Museum of Fine Arts. The extraordinary collection has been mostly left the way Gardner displayed it, so there are no plaques. You need to rent the audio tour.

The Gardner may be best known outside New England for the brazen heist of valuable artworks in 1990. Empty places on the walls attest to the unresolved loss.

I usually love going there, but to my surprise, the magic really wasn’t happening for me Friday. That wasn’t just because I wanted to see the nasturtium display and they’d already changed it to foxglove and cineraria, or because the timed tickets had done nothing to control overcrowding, or because a guard told me I wasn’t allowed to carry my coat over my arm.

No, it was something along the lines of “what is one person doing with so much wealth?”

I have fallen into overthinking things: Was that piece of fruit picked for a living wage? Are the clothes I wear from factories with good ventilation and frequent bathroom breaks?

And if “philanthropists” give us access to their beautiful things after they die, wouldn’t they have been more truly philanthropic if they had spent some of that wealth trying to abolish poverty?

On Mastodon, I read about Paris Review contributor Katy Kelleher’s new book. Her publisher says she “explores our obsession with gorgeous things, unveiling the fraught histories of makeup, flowers, perfume, silk, and other beautiful objects. …

“Katy Kelleher,” Simon & Schuster continues, “has spent much of her life chasing beauty. As a child, she uprooted handfuls of purple, fragrant little flowers from the earth, plucked iridescent seashells from the beach, and dug for turquoise stones in her backyard. As a teenager she applied glittery shimmer to her eyelids after religiously dabbing on her signature scent of orange blossoms and jasmine.

“And as an adult, she coveted gleaming marble countertops and delicate porcelain to beautify her home. This obsession with beauty led her to become a home, garden, and design writer, where she studied how beautiful things are mined, grown, made, and enhanced. In researching these objects, Kelleher concluded that most of us are blind to the true cost of our desires. Because whenever you find something unbearably beautiful, look closer, and you’ll inevitably find a shadow of decay lurking underneath.

“In these dazzling and deeply researched essays, Katy Kelleher blends science, history, and memoir to uncover the dark underbellies of our favorite goods. She reveals the crushed beetle shells in our lipstick, the musk of rodents in our perfume, and the burnt cow bones baked into our dishware. She untangles the secret history of silk and muses on her problematic prom dress.

She tells the story of countless workers dying in their efforts to bring us shiny rocks from unsafe mines that shatter and wound the earth, all because a diamond company created a compelling ad.

“She examines the enduring appeal of the beautiful dead girl and the sad fate of the ugly mollusk. With prose as stunning as the objects she describes, Kelleher invites readers to examine their own relationships with the beautiful objects that adorn their body and grace their homes.

“[Kelleher] argues that while we have a moral imperative to understand our relationship to desire, we are not evil or weak for desiring beauty. The Ugly History of Beautiful Things opens our eyes to beauty that surrounds us, helps us understand how that beauty came to be, what price was paid and by whom, and how we can most ethically partake in the beauty of the world.”

I think I need to read the book and see if it will help me deal better with the rampant overconsumption and privilege I am finally noticing.

Art: Anders Zorn.
Gardner herself enjoying a high old time in Venice.

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In March 1990, thieves broke into Boston’s Isabella Stewart Gardner Museum and “cut Rembrandt’s ‘Christ in the Storm on the Sea of Galilee‘ and ‘A Lady and Gentleman in Black,’ ” among other works, from their frames.

A renewed flurry of interest in the 1990 art heist at the Isabella Stewart Gardner Museum occurred the week that my husband and I took Minnesota friends to see the collection.

It was the week that “Robert V. Gentile, a Connecticut mobster long suspected by federal authorities of having information about the whereabouts of $500 million worth of masterworks stolen from Boston’s Isabella Stewart Gardner Museum decades ago,” died. (See Boston Globe story.)

Visitors still flock to see the blank places where the missing pieces were once exhibited, and the museum staff is well primed on details. (Our friends asked one guard how long it took the thieves to get in and out with the goods. “Eighty-one minutes,” he answered promptly.)

So today I will share some pictures from our visit as well as a few other photos of the season.

Isabella Stewart Gardner, seen in the portrait below, was an unusual, wealthy woman who imported the courtyard and many other rooms and reconstructed them in the mansion that became a museum. She insisted in her will that nothing ever be changed after her death.

That posed a challenge for trustees. So in recent years, a separate building was constructed and connected to the mansion museum. In the new building, we saw the Titian exhibition, which features a series of paintings that Titian created between 1551 and 1562 for King Philip II of Spain. The most famous of the series is a painting Gardner actually owned.

The scenes of violence against women from Roman Mythology have forced curators to jump through a few hoops. Read about that here.

I have included a photo of the fireplace in the Dutch Room, the room from which most of the art works were stolen, and 15th century artist Paolo Uccello’s “A Young Lady of Fashion.”

The sculpture of ballet feet was outside the Mass College of Art, where we sat for a while to chat with our friends without masks that day.

Later, when I was back home, I shot the formal garden of a house in town, thinking how much it reminded me of the Gardner courtyard.

Also in town, there was a neighborly Porchfest once again, having been canceled last year because of Covid.

For the red flower picture, I very carefully tried to exclude all the clutter around it, but there is still an orange traffic hat peeking through in back. The next shot features a creative Toyota bumper.

Finally, a few photos from Rhode Island — a wall of giant stones and a Blackstone Park Eagle Scout project that created an activity space for children.

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Whenever the sun peaked out this spring, I tried to take a picture. Not that you can’t take photos without sun, but I’m obsessed with shadows. Blogger and photographer Milford Street had a good idea for taking advantage of all the rain. He chose this time to shoot some waterfalls. Check out this shot from Ashby, Mass. (Where is Ashby, Mass.? Will I ever learn all the names of towns in this state?)

Moving right along, I loved the way the writing on the glass door below repeated itself on the interior wall. The very high wall that comes next is in Boston at the Isabella Stewart Gardner Museum, a magical place that no wall, alas, could protect from human error and theft.

Sunshine also brings out the vintage cars. I couldn’t resist shooting this red one, even though I am not especially into cars.

The curiosity you see after the car is a piece of bark hanging off a tree that is on conservation land. I have been finding walks in the woods very calming lately, especially since my sister’s cancer returned. If I don’t find ways to calm down, things start breaking or spilling or overheating in my vicinity. Not on purpose. They just happen.

Next is a decorative gate standing all alone without a fence, like the random street lamp in the middle of a Narnia woods. You don’t know what its purpose is, but you’re kind of glad to see it.

The gate is followed by my neighbor’s weeping cherry, which by this date has lost its flowers. The beauty of a weeping cherry is so short-lived. The apple tree by the swamp seems to have planted itself. It beautifies an ordinarily messy area I often pass on my walk.

I will close here with photos from the amazing deCordova Museum in Lincoln, Mass.  The founder’s brick castle is quite dramatic in itself, as you can see, but the sculpture park is the museum’s crowning glory. Even when the indoor exhibits don’t speak to you, the outdoor ones will.

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Photos with meaning. Well, maybe not all these photos have meaning. Some exist for their own sakes.

The first, from my backyard, captures two things I love — fall colors and shadows. The second shows the Concord River flowing through Minuteman Park; the third, shadows on the monument at the North Bridge.

The restaurant with the kitchen facing the street is a delightful new entrant to the celebrated Providence restaurant scene. It’s on Westminster Street and is called Bao Bao.

The winged creature on a Boston building looks like a gryphon to me. Do correct me if I’m wrong. Next is a rhino outside the Museum of Fine Arts museum school. That’s followed by the amazing cloister of the Isabella Stewart Gardner Museum and an illuminated manuscript from a current exhibit in the new wing.

Finally, I couldn’t capture the whole Leonard Cohen lyric on the sidewalk in Wayland Square — would have had to stand in a busy street at rush hour. But it’s from his song “Anthem” —

“Ring the bells that still can ring / Forget your perfect offering / There is a crack in everything / That’s how the light gets in.”

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