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Posts Tagged ‘Jason Elliot’

Iranian Theatrical Production in a Taxi

Posted in Uncategorized, tagged , , , , , , , , , , , , , , , on January 1, 2014| Leave a Comment »

I started really paying attention to Iran (and to Twitter, tops for breaking news) on June 20, 2009, when the tragic, short-lived Green Revolution erupted, fueling unrealized hopes for a more democratic country.

Then I read Jason Elliot’s Mirrors of the Unseen (and blogged about it here) about his travels in Iran, and especially about the people he met and the architecture he admired. He came up with a theory about the architecture that related to the builders’ Islamic beliefs, a love of nature, and a concept of sacred proportions. (If you should see the Nova special on how Medieval architects used the Bible to decide on ideal Gothic cathedral measurements, you will get the idea.)

Elliot loved the people he met in Iran and bemoans the way the Western media depict them. In full agreement with Elliot is the British translator of ancient Persian poetry, Dick Davis, who was on PBS NewsHour last night.

But though the Iranian people may be like people anywhere, the government is not. Residents are frequently obliged to be cautious. Which is how theatrical productions in the privacy of a taxi have come about.

Haleh Anvari of the Guardian‘s Tehran Bureau has that story.

“Unpermitted Whispers is a 35-minute play that takes place in one of Tehran’s ‘Rahi’ taxis, which traverse the city along fixed, often straight-line, routes. Rahis pick up passengers at major intersections and drop them off anywhere along their set route, making for a convenient method of getting around town and one cheaper than the minicabs available in every neighbourhood of the capital.

“In contrast to the minicabs, which provide door-to-door service, the Rahi system affords passengers much more anonymity, allowing for candid and uninhibited conversation. Tehranis frequently share stories that they have overheard in these communal cabs; for many, they serve as an extension of the private sphere in which Iranians feel safe to talk about issues of the day.

“Unpermitted Whispers takes advantage of this unlikely superimposition of public and private to tell the story of three passengers, all women, who are picked up by a male driver at different points along his route. …

“The play’s first scene was performed entirely on the telephone, as we eavesdropped on a conversation of a kind with which many Iranian women are familiar: a young bride wants to go to the theatre with her university friends but needs an alibi as her traditional family and jealous husband will not approve.”

More here.

Update 2/5/14: Turns out NY City has a play in a cab. It’s called “Take Me Home” and is reviewed by Neil Genzlinger, here.

Photograph: Hanna Havarinasab
Unpermitted Whispers is a play by Azadeh Ganjeh performed in a taxi.

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Jason Elliot’s “Mirrors of the Unseen”

Posted in Uncategorized, tagged , , , , , , , , on October 9, 2011| Leave a Comment »

I finished Jason Elliot’s book about Iran, Mirrors of the Unseen. It was hard work but rewarding.

I bought the book because I really liked Elliot’s An Unexpected Light about the history, culture, and daily life of Afghanistan back when the mujahideen were still fighting the Soviets. (I’m reasonably sure that Tony Kushner’s prophetic play Homebody/Kabul was partially based on that book.)

Mirrors of the Unseen is a challenging read at times because it is very intellectual. It has lots of words and history and concepts that were new to me, but it also has wonderful stories about the ordinary people Elliot met. Even though he wrote it a few years before the the June 20, 2009, Green Revolution, you can get a sense of the attitudes of normal Iranians and what might have led to the unsuccessful revolt.

Elliot does not focus on politics, but rather on Persian art and architecture, which inspired him at a deep level.

I was reading a passage to my friend Claire on the train, and she said, “No wonder it has taken so long to read! It’s poetry!”

So for my last post on the book, I will give a few examples of Elliot’s style. He describes some English tourists as looking “very sad, and it seemed quite likely they had arrived in Iran by accident, like fish that are said to be swept up in hailstones and deposited hundreds of miles away.”

As he travels toward the southern part of Tehran toward the train station, “the surroundings grew steadily more decrepit, as if an old witch was being shed of her make-up.” And the train itself “had the air of a dragon straining at its leash.”

Here’s my favorite, from a discussion of whether the fascination that all religions seem to have with flame is passed from ancient cultures to modern or is something innate in humans: “Had the sanctity of flame erupted irresistibly into human consciousness as mysteriously as the hexagon into the intelligence of the bee?”

My other posts on the book are here, here, and here.

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No Place Is a Place Without a Poet

Posted in Uncategorized, tagged , , , , , , , , , , on September 28, 2011| 2 Comments »

Huck Gutman, the chief of staff for Vermont Senator Bernie Sanders, is a man who knows the value of putting your head into a poem once in a while and leaving the chaos behind. And according to the Boston Globe, an increasing number of people are signing up for his poetry listserv.

“The chief of staff for the Senate’s liberal firebrand has created an unlikely patch of common ground. That place lies in the power of the poetry that longtime University of Vermont professor Huck Gutman … distributes by e-mail to 1,700 readers who include all the Senate chiefs of staff, several White House staffers, university presidents, academics, journalists, and former students.” Read more.

Wallace Stegner has written, “No place is a place until it has a poet.” In fact, there are countries where poetry, ancient and modern, is core to national identity. Perhaps surprising to Americans, one such country is Iran.

I have blogged about Mirrors of the Unseen: Journeys in Iran before. It’s taking me a while to finish it because, for a travel book, it is seriously intellectual. (Here is a post in which author Jason Elliot describes the earliest known electric battery. And here is my post called “Horse Agrees Not To Be Extinct.”)

One of the most intriguing aspects of Elliot’s book is how many ordinary people he meets who have interests that would seem quite high brow to the average Westerner. Workmen who know all about ancient architecture. Postal employees who are still angry that the Greeks twisted the facts about Persia hundreds of years ago. And people who love poetry.

In one anecdote, Elliot makes a vague poetic reference to a seatmate on an airplane who encourages him to go on and read from the blind poet Rudaqi. “I read the first couplet in Persian,” writes Elliot, “but before I could reach the second [my seatmate] said, ‘No, no, it’s like this.’ ” He reads the rest with deep feeling, adding, “Poetry … makes us very emotional.”

Similarly, at a private home, Elliot watches a man rapt and gently swaying to a musical recitation of classical poetry. The man turns out to be the Foreign Minister.

And when Elliot goes to see the chief of immigration police in Isfahan on a routine matter, he interrupts him reading a poetry book and observes that “the final syllables as he stood up, with an unmistakably distant look on his face, were still fading visibly from his lips.”

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Battery Invented 1,000 Years Before Volta

Posted in Uncategorized, tagged , , , , , , , , on August 1, 2011| Leave a Comment »

A couple weeks ago, I wrote that I was reading Jason Elliot’s book on Iran. That was my post about the rediscovery of the “extinct” Caspian horse.

Elliot slams through millenia of history in that part of the world kind of like the comedy troupe that purports to perform “The Complete Works of Shakespeare” in 90 minutes. He is very good at it, I think. But maybe that’s because I know so little about the endlessly shifting borders of Central Asia and the Middle East.

Among other interesting tidbits in the book is this one on the Baghdad Battery. In Mirrors of the Unseen, Elliot writes that this ancient form of battery was “constructed of an earthenware shell containing an iron rod insulated by an asphalt plug from an outer copper sleeve. A modest electric current is produced when the housing is filled with an electrolytic solution such as lemon juice.”

Wikipedia has more. “The Baghdad Battery, sometimes referred to as the Parthian Battery, is the common name for a number of artifacts created in Mesopotamia, during the dynasties of Parthian or Sassanid period (the early centuries AD), and probably discovered in 1936 in the village of Khuyut Rabbou’a, near Baghdad, Iraq. These artifacts came to wider attention in 1938 when Wilhelm  König, the German director of the National Museum of Iraq, found the
objects in the museum’s collections. In 1940, König published a paper speculating that they may have been galvanic cells, perhaps used for electroplating gold and silver objects … This interpretation continues to be considered as at least a hypothetical possibility. If correct, the artifacts would predate Alessandro Volta’s 1800 invention of the electrochemical cell by more than a millennium.”

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Horse Agrees Not To Be Extinct

Posted in Uncategorized, tagged , , , , , , , , , , , on July 13, 2011| Leave a Comment »

I’ve been reading Jason Elliot’s book Mirrors of the Unseen, which is about time he spent in Iran (not long before the green revolution of June 20, 2009, was trampled).

He’s a lovely writer if a bit overwhelming with his ability to compress centuries of history. I liked his earlier book, too, on Afghanistan, An Unexpected Light.

In the car on Sunday I read aloud a section of Mirrors that describes Elliot’s extended stay with Louise Firouz, an American who married an Iranian in the 1960s and has lived in Iran ever since — despite stints in prison and twice having all her family’s property confiscated.

The part I read aloud was about how she had researched, rediscovered, and bred a small horse thought to be extinct, one that turned out to have an ancestor going farther back than the Arabian horse. It’s the little Caspian, which was finally found, in pitiful shape, near the Caspian Sea and in Turkmenistan.

Nowadays you can find lots of videos of these horses on YouTube. I thought I would include this video, which is from a Caspian stud farm in Sweden.

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