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Posts Tagged ‘minneapolis’

Canada Geese and Tall Grasses

Posted in Uncategorized, tagged , , , , , , , , , , , , on August 14, 2014| Leave a Comment »

When I lived in Minneapolis (1997-2000), I liked to walk in Loring Park. It was a lovely oasis located right downtown. The only problem was you really had to watch your step. Canada Geese frequented its pond and besmirched the grass and sidewalks.

Then one year, the city had an idea. It planted tall grasses around the perimeter of the pond. Before you knew it, no more geese! At the time, I was told that geese didn’t like the way the grasses feel on their feet when they come out of the water. But an article yesterday about the use of tall grasses at an Ohio airport said birds like geese fear long grasses because they could be hiding predators.

Whatever works.

Scott Mayerowitz reported the story for the Associated Press. “One Ohio airport is now experimenting with a new, gentler way to avoid bird strikes: planting tall prairie grass. …

“Says Terrence G. Slaybaugh, director of Dayton’s airport. ‘If we are going to protect the long term use of airports in an increasingly populated area, we need to be less intrusive and find ways to contribute in a positive way to our surroundings.’

“The thick grass has other benefits: preventing water runoff, taking carbon dioxide out of the air and requiring only one mowing every three years. Bird lovers are also excited about the use of non-lethal methods to keep birds away from the airport. The airport’s neighbor, the Aullwood Audubon Center and Farm, has been working closely with aviation officials on the tall grass project.

” ‘It’s a watershed moment. Our airport is embracing it,’ says Charity Krueger, executive director of the center.’ ” More here.

Photo: Chris Gregorson 
Loring Park, Minneapolis. Note the tall grasses around the pond.

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Cat Video Maven Now Curator for Visitors

Posted in Uncategorized, tagged , , , , , , , , , , , , , , , on March 1, 2014| Leave a Comment »

Whatever works.

Curator Scott Stulen pays attention to what attracts people. At the avant garde Walker Museum in Minneapolis, he actually tapped the popularity of cat videos — and created a mini sensation.

Now at the Indianapolis Museum of Art, Stulen is curator of the visitor experience.

Writes David Lindquist at the Indy Star, “Newly hired as the first-ever curator of audience experiences and performance at the Indianapolis Museum of Art, Stulen’s assignment is to attract people to the museum’s galleries as well as 100 Acres art and nature park, Tobias Theater, outdoor amphitheater and Lilly House and gardens.

“He comes from the Walker Art Center in Minneapolis, where his track record includes the surprise success of the Internet Cat Video Festival, which brought 10,000 people together in a field in 2012 and then 11,000 paying customers at the 2013 Minnesota State Fair. …

“The cat video festival debuted at Open Field, a space adjacent to the Walker where Stulen co-developed projects with the museum, independent artists and the public.

“ ‘We had the ability to do more experimental programs that didn’t make as much sense inside the museum, and had a lot more creative freedom,’ he said.” More here.

2013 Internet Cat Video Festival at the Minnesota State Fair.

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Bikes Truly Above It All

Posted in Uncategorized, tagged , , , , , , , , , , , , , , on November 1, 2013| 8 Comments »

Could this be real? It’s a bike path above the traffic.

Well, why not? If Minneapolis can build a complex system of second-floor skyways that allowed me to walk to work without a coat in deep winter 1997, why not?

Ben Schiller at FastCoExist explains.

“In most cities, cycling infrastructure isn’t much more than a few dotted lines on the road. But that’s not how it is in the Netherlands, one of the world’s most cycle-friendly nations. Dutch cities have dedicated lanes that separate cars and bikes, making cycling an activity for young and old, female and male–not just the adventurous few.

“A good example is [an] elegant circular bridge in Eindhoven, in southern Holland. Called the Hovenring, it lets cyclists completely avoid other road users and cross the busy A2 highway with minimal fuss. It also makes for better road flow, according to Gerhard Nijenhuis, an employee at IPV Delft, the firm that designed it.” Read more.

Photo: FastCoExist
In the Netherlands, bikers ride on top of this rotary.

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More on Community-Supported Art

Posted in Uncategorized, tagged , , , , , , , , , , , on August 26, 2013| Leave a Comment »

And speaking of payment systems, community-supported agriculture has been around for years and, more recently, community-supported art. I blogged about the approach here in 2011, when the Cambridge Center for the Arts embraced the concept.

The NY Times has written about it, too. Randy Kennedy lays out the principles: “For years, Barbara Johnstone, a professor of linguistics at Carnegie Mellon University [in Pittsburgh], bought shares in a C.S.A. — a community-supported agriculture program — and picked up her occasional bags of tubers or tomatoes or whatever the member farms were harvesting.

“Her farm shares eventually lapsed. (‘Too much kale,’ she said.) But on a recent summer evening, she showed up at a C.S.A. pickup location downtown and walked out carrying a brown paper bag filled with a completely different kind of produce. …

“ ‘It’s kind of like Christmas in the middle of July,’ said Ms. Johnstone, who had just gone through her bag to see what her $350 share had bought. The answer was a Surrealistic aluminum sculpture (of a pig’s jawbone, by William Kofmehl III), a print (a deadpan image appropriated from a lawn-care book, by Kim Beck) and a ceramic piece (partly about slavery, by Alexi Morrissey).

“Without even having to change the abbreviation, the C.S.A. idea has fully made the leap from agriculture to art. After the first program started four years ago in Minnesota … community-supported art programs are popping up all over the country …

“The art programs are designed to be self-supporting: Money from shares is used to pay the artists, who are usually chosen by a jury, to produce a small work in an edition of 50 or however many shares have been sold.”

Read all about it, here. Could be risky if you really don’t want a sculpture of a pig’s jawbone. But if you look at it as supporting the arts, you are likely to be satisfied with that side of things — and there’s always a chance you will love what you get or find its value increase.

Photo: Zoe Prinds-Flash
Drew Peterson’s prints and Liz Miller’s collages were among the art for members of this C.S.A., community-supported art, in Minnesota.

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Refugee Gardens and Wooden Nickels

Posted in Uncategorized, tagged , , , , , , , , , , , , , on March 19, 2013| 2 Comments »

Once upon a time, mine workers were paid in paper chits that could be redeemed at the company store. (Remember the song “Sixteen Tons,” by Tennessee Ernie Ford and “I owe my soul to the company sto’ “?)

A while back I saw a story in the NY Times about refugee gardens, and there was a picture of someone using wooden coins to buy produce. It turned out that people were not being paid in wooden coins as miners were paid in paper. Instead, the City of San Diego was encouraging poor residents to pursue good nutrition by giving them wooden coins for shopping at farmers markets.

The coins were really just a footnote to Patricia Leigh Brown’s story, which focuses on a national movement to help immigrant farmers get back into the occupation they know best.

“Among the regular customers at [San Diego’s] New Roots farm stand are Congolese women in flowing dresses, Somali Muslims in headscarves, Latino men wearing broad-brimmed hats and Burundian mothers in brightly patterned textiles who walk home balancing boxes of produce on their heads.

“New Roots, with 85 growers from 12 countries, is one of more than 50 community farms dedicated to refugee agriculture, an entrepreneurial movement spreading across the country. American agriculture has historically been forged by newcomers, like the Scandinavians who helped settle the Great Plains; today’s growers are more likely to be rural subsistence farmers from Africa and Asia, resettled in and around cities from New York, Burlington, Vt., and Lowell, Mass., to Minneapolis, Phoenix and San Diego.”

Read how it works. (And click on the slide show to see the wooden coins. My eyes were drawn to them because my father’s favorite “good-bye” line to toddlers always was, “Don’t take any wooden nickels”!)

Photo: Sandy Huffaker for The New York Times
Khadija Musame, right, with a customer from Somalia at the New Roots Farm stand in San Diego.

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When Artists Control the Building: A Minneapolis Story

Posted in Uncategorized, tagged , , , , , , on August 11, 2012| Leave a Comment »

We lived in Minneapolis in the late 1990s and thought the theater scene there was super — many small, under-the-radar groups taking on adventurous work.

We also enjoyed going to music and art events, especially open houses in the former Warehouse District, where some of the Twin Cities’ best restaurants had sprung up.

So we weren’t surprised to learn that a national effort to tackle rundown areas in a way that benefits both local economies and artists emanates from Minneapolis.

Emily Badger writes about Artspace in Fast Company.

“The city of Minneapolis’ arts commission founded Artspace in 1979 to help connect local artists to affordable space in the city’s warehouse district. But the same artists kept coming back, priced out of their homes and studios, in need of yet another space. When [Kelley] Lindquist took over a decade later, the local arts community began to focus instead on the only permanent solution: They needed to control the buildings. Since then, Artspace has completed 30 live/work developments in 21 U.S. cities, with two more opening this fall, two more under construction, and another dozen in the pipeline.

“Lindquist recalls that in the ’80s, four other organizations — in Seattle, San Francisco, Washington and New York — were toying with a concept similar to Artspace’s (at the time, the five had been given a grant by the Apple Foundation to network with each other). Artspace is the only one of those original five that has survived to this day.

“ ‘I do honestly think that there is a prairie spirit here,’ Lindquist says, laughing. He sometimes thinks about why this idea got off the ground in Minnesota when it didn’t elsewhere. ‘Living in Minnesota is pretty rough,’ he says. ‘There can be easily six months of the year that would seem pretty hard to live in and intolerable to a lot of people. But I think it forced those of us here to try harder, and to be a little more experimental, a little more risk-taking on how do we keep our culture vibrant?’ ” Read more.

By the way, this lead came from ArtsJournal.com, a reliable source of bloggy inspiration.

Photograph: Warehouse Entertainment District

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The Mysterious Tea Cups of Anne Kraus

Posted in Uncategorized, tagged , , , , , , , , , , , , , on June 28, 2011| 13 Comments »

My last job in Minneapolis was located not far from the wonderful Northern Clay Center on Franklin Avenue. I liked to go over at lunch, and when the late Anne Kraus was showing her ceramics, I must have visited five times just to look at her domestic but fanciful pieces and read their cryptic messages. Kraus decorated exotic tea cups. teapots, tiles, and more with intricate, mysterious scenes, and on them she wrote puzzling remarks. You would think about them long after leaving.

This one, “I Can’t Sleep Tile 1998” has this written near the top: “I ask this intruder if he can be quiet because I want to sleep so that I can dream. But he tells me that we are right now asleep and deep into a dream.” (The photo in the Garth Clark Gallery survey book was taken by Noel Allum.) You can see more of Kraus’s work online. Here, for example.

By the way, Warren MacKenzie, a giant among potters, was one of the original founders of the Northern Clay Center in 1990. He gets around, and I have observed that he has an exhibit at the Lacoste Gallery in Concord (MA) almost every year. He is showing there now.

On October 28, 2011, the NY Times noted a sale of some Anne Kraus ceramics, which brought numerous people who were searching on her name to my post.

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Paul Nagel, cont’d

Posted in Uncategorized, tagged , , , , , , , , , , , , , on June 15, 2011|

I blogged in May about the late Paul Nagel, the great biographer of the John Adams family and a friend from the years my husband and I spent in Minneapolis.

Today his son sent a lovely memorial piece by Paul’s longtime buddy Norbert Hirschhorn. Bert’s article appeared in the St. Paul Pioneer Press. Read it here. Bert is a physician who has written investigative medical articles on the real illnesses that likely killed historic figures. He is also  a poet. His website and photo are here. He divides his time between London and Beirut, where his wife is a professor at the American University. The following poem, written about a period he spent in Finland, might be an elegy for Paul.

Finnish Autumn

by Norbert Hirschhorn

Leaves flee their trees. Gold coins strewn across
woodland paths turn black, rain-smashed to dross.

Silver birches’ ciliate tips outside my window
incised against the sky like intaglio.

Bohemian waxwings rise in flocks, take flight –
maple leaves mottled by black-spotted blight.

Bone-white horizon, a full setting moon;
bone-white the sun rising into the brume.

I am worried, curious: the coming chill –
mythic, drear – augury of a world… gone still.

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