Feeds:
Posts
Comments

Archive for the ‘Uncategorized’ Category

Joy and Silliness

Posted in Uncategorized, tagged , , , , on March 5, 2020| 5 Comments »

px7pz2qvff3jtvnpho3qfa

Image: GamesRadar
This video game for children is all about joy, love, peace … and being silly.

I know almost nothing about video games, other than that my grandchildren are fascinated by them. But a recent article in the Los Angeles Times opened my mind to how important they can be.

Todd Martens writes at the Los Angeles Times, ” ‘Meow!’

“Artist and unconventional game developer Keita Takahashi has just overheard a feline through the telephone line. He laughs and begins asking questions about said cat. It’s the moment Takahashi seems most comfortable and chatty during our long-distance interview, a detour from discussing his latest game, which is about explosions, golden poop and, ultimately, how to be better people.

“ ‘Wattam,’ the long-awaited work from the developer behind the endearing cult smash ‘Katamari Damacy,’ itself a jubilant celebration of fun and optimism, is also about seeking out the joy in the everyday, namely the objects that surround us and can sometimes be taken for granted. If it existed in the world of ‘Wattam,’ for example, a random cat’s meow would be cause for celebration, a reminder that beauty and joy is not only everywhere but too often fleeting.

“Yes, that’s heavy stuff for a game in which a walking and talking mouth might devour an anthropomorphic apple and then turn the latter into a human-like piece of feces that wants to spread love, but Takahashi’s metaphorical approach to game-making is one in which play is utilized as an expressionist tool. …

Objects are simply excuses to explore interactions, to show that a toilet, a telephone, an acorn, an octopus toy, an onion, a nose, a castle-sized cake and a bounty of other random things can and should live in harmony.

“ ‘Wattam,’ Takahashi says, was inspired by watching his two younger children play. He wanted to create something that presented a more hopeful view of the world.

“ ‘Kids are so great,’ the Japanese developer says. ‘They can enjoy everything, even small things. They can run around and be happy and then suddenly cry or get angry. But they can get that happy feeling back so quickly. That’s unbelievable. That’s like a different creature.’ …

“In ‘Wattam,’ as in ‘Katamari Damacy,’ there’s an underlying sense of rebuilding the world, of correcting a past generational mistake. … Objects are drawn in the bold, rounded colors of infant toys sprung to life; they slowly and awkwardly wobble, bumping into one another and even crawling and climbing all over one another.

“There are occasional missions — retrieve a receiver to stop a telephone set from crying, or create a body of water to prevent the season of summer from being sad — but mostly ‘Wattam’ is about wonder: What happens if I climb a tree? What happens if I explode? What happens if I get eaten? …

“When he lays it all out, it becomes clear why one of the core abilities of ‘Wattam’ is holding hands. Solutions in the game can come just from creating giant dance circles, of watching the hand of a flower touch that of a crown. But be careful of the latter: ‘[inventory] descriptions tell us that those who wear a crown — those who flaunt their power — are ‘susceptible to losing it.’

“Upon arriving in Vancouver and discovering its diversity, Takahashi marveled that the city functioned without everyone warring with one another.

“ ‘For me, it was very impressive,’ he says of the shift in cultural points of view. ‘There were so many different races of people in Vancouver. They speak different languages, like different Asian or European languages. They speak English. They work together. …

” ‘I just believe that while differences make so many problems, it’s differences that make our cultures more deep, more nice, and make our perspective more wide. I just wanted to make a video game about our differences, but a game that would get over our differences.’ …

“While Takahashi’s ultimate goal for ‘Wattam’ may be to strengthen communication between us, he’ll be content, no doubt, if the game’s audience simply finds a greater appreciation in all that surround us.

“ ‘When I find a very nice very small object — beautiful fruit at the grocery store, or nice plants in the flower shop — I’m just happy,’ he says. ‘I don’t need to go on vacation. … I’m happy to just be in a peaceful environment. I’m happy to walk around the city and take the bus.’ ”

More here.

Read Full Post »

Plant a Tree, Save the Planet

Posted in Uncategorized, tagged , , , , on March 4, 2020| 8 Comments »

5760

Photo: Murdo MacLeod/Guardian 
Helped by volunteers, Trees for Life planted nearly 2 million native trees on its Scottish projects.

Sometimes a tree has to be cut down because it’s rotting. But if it’s your tree, you can offset the loss for the planet by donating to an organization that plants lots of trees. Planting a lot of trees is important because it takes a long time before a bunch of little trees has the climate-saving benefits of one big tree.

I gave to the the Arbor Day Foundation last year after sadly saying good-bye to an old, old maple. Then the New York Times suggested Eden Reforestration Projects, which sounded excellent. The Times also provided names of organizations working on other climate-saving activities, including the Coalition for Rainforest Nations and a group providing fuel-efficient stoves in Kenya.

Patrick Barkham, reporting for the Guardian from Scotland, shows what can be done with a dedicated group of volunteers.

“The bracken-clad hills are marked ‘Dundreggan forest’ on the map but this Scottish glen is mostly stark Highland scenery: open, beautiful, and almost totally devoid of trees.

“On a steep-sided little gully, 40 years ago, a few baby silver birches escaped relentless browsing by red deer and grew tall. Now, the nearby path through the bracken is dusted with thousands of brown specks: birch seeds.

‘Each year, this “forest” produces trillions of birch seed,’ says Doug Gilbert, the operations manager for the charity Trees for Life at Dundreggan. ‘Until we reduce the deer pressure, not a single one has grown into a tree. Once we get the deer population right, this forest will absolutely take off. It’s starting to do that now.’

“The charity purchased the Dundreggan hunting estate 11 years ago. Slowly – ‘at tree speed,’ smiles Gilbert – it is rewilding 4,000 hectares (10,000 acres) of this degraded Highland landscape, restoring a diversity of native trees, scrub and associated life, from the dark bordered beauty moth to black grouse and, yes, red deer. …

“During the general election campaign, politicians desperately tried to outbid each other with tree-planting pledges. Who doesn’t love a tree? More trees can tackle the climate crisis – absorbing carbon dioxide – and the biodiversity crisis. But Trees for Life’s efforts reveal it is not quite so simple.

“Since Victorian times, when the sheep estates that followed the Highland clearances were replaced by more lucrative deer hunting estates, the landscape, and economic model, has been shaped by red deer. Around Dundreggan there are also non-native sika and roe deer. …

“The first step at Dundreggan has been to increase deer culling. Ecologists calculate that a red deer population of five per sq km in the wider landscape will allow natural regeneration; in many Highland regions it is 20. But culling deer is controversial because the value of stalking that estates base on deer numbers.

“Trees for Life has proceeded slowly with culling, seeking positive dialogue with neighbouring stalking estates. They’ve also tried non-lethal methods such as bagpipe-playing volunteers acting as nocturnal deer scarers. Trees and deer can coexist and Dundreggan’s deer population is now at a level where some young birches, pines, rowans and junipers will grow tall. …

“All the trees come from Scottish seeds – meaning they are suited to Highland climates and species, as well as being free of novel diseases. Half have been grown from seeds collected around Dundreggan. Its on-site nursery bristles with 94,000 saplings.

“Seed-collecting is not as simple as it sounds. Seed must come from a wide variety of individual trees to ensure genetic diversity. Cones from Scots pines have to be harvested before they drop to the ground, so specialist tree-climbers are employed. Trees for Life specialises in growing non-commercial high-mountain species such as woolly willow and dwarf birch. Surviving specimens are often only found on cliffs and crevices – with seeds or cuttings only retrievable by specialist climbers.

“Because of the deer grazing, every sapling is planted within a fenced enclosure (costing £10 [$12.79] per metre). Fencing is ‘a little bit of an admission of failure,’ says Gilbert. In the long term, when reducing deer numbers becomes less controversial, trees won’t need fences. Gilbert hopes the fences will last 30 years, when the well-established trees and scrub will survive browsing deer.” More.

(By the way, does anyone remember deer stalking in the children’s classic Wee Gillis?)

Read Full Post »

Putting Carbon Back in the Ground

Posted in Uncategorized, tagged , , , , on March 3, 2020| 5 Comments »

inspection

Photo: Gold Ridge Resource Conservation District
Some California dairy farmers, concerned about their farms’ effect on global warming, are working on long-term carbon sequestration.

My recent post “Farmers Turning Waste to Energy” described an effort to combine food waste with cow manure and convert methane gas to electricity. But as Earle noted in Comments, burning methane ultimately means more global warming. He recommended helping farmers put carbon back in the ground in ways that also improve the farm’s bottom line. It’s happening in California.

I went online and found this report at the Gold Ridge Resource Conservation District (RCD) website.

“As much as one-third of the surplus CO2 in the atmosphere driving climate change has resulted from land management practices on agricultural lands.

Carbon farming, an array of strategies designed to promote long-term carbon sequestration, holds the potential to significantly reduce atmospheric greenhouse gases by capturing carbon in the soil and plant material, while enhancing soil health and productivity.

“The RCD and its LandSmart partners are working to develop a carbon planning component to the comprehensive conservation plans developed through the LandSmart program, identifying practices that would … provide multiple benefits for climate change resiliency, by reducing atmospheric CO2 levels while improving soil health, water holding capacity, and crop and forage production. …

“Practices such as hedgerows and windbreaks [also] work to both sequester CO2 while enhancing on-farm wildlife and pollinator habitat. …

“With the use of a wide variety of beneficial practices, Sonoma County farmers have the ability to reach our County’s goal for greenhouse gas reductions. … In the words of our Executive Director, Brittany Jensen, carbon farming is a regional tactic to address a global problem.

“ ‘By helping farmers make carbon farming a part of their daily operations, we have the opportunity to work on a global problem – climate change – and make a local difference.’ …

“The Ocean Breeze Dairy has been operated by the producer Jarrid Bordessa, a fifth-generation dairy operator, since 2003. In those last 16 years, his business model has shifted to grass-fed, certified organic milk production, and he is the right place to do just that. The Valley Ford dairy covers 310 acres of coastal grassland and over 4,500 feet of perennial stream.

“In the 2018 annual newsletter, we shared an article about Ocean Breeze Dairy, their distributor, Organic Valley, the Carbon Cycle Institute and the RCD developed a Carbon Farm Plan for the property, identifying opportunities to increase carbon sequestration and reduce greenhouse gas emissions. In 2018, the RCD was successful in securing a California Department of Food and Agriculture (CDFA) Healthy Soils Program Demonstration Project to implement two of the practices identified in the plan and to engage with local farmers and ranchers through public workshops.

“The two practices being implemented are the application of compost and the restoration of riparian habitat along lower Ebabias Creek, the primary tributary of Americano Creek, whose watershed estuary, the Estero Americano, drains into Bodega Bay and the Gulf of the Farallones National Marine Sanctuary. Considered one of California’s most unique coastal wetland types, the Estero Americano contains a diverse assemblage of wetland communities and estuarine habitats.”

Read more here.

Read Full Post »

Cave Painting Older Than Lascaux

Posted in Uncategorized, tagged , , , , on March 2, 2020| 5 Comments »

d41586-019-03826-4_17495422

Photo: Ratno Sardi
Anncient cave art discovered in Indonesia depicts a type of buffalo called an anoa confronting small mythological human-animal figures.

Just when we thought humans had discovered all the nooks and crannies of our planet, someone finds cave paintings that are older than old.

Ewen Callaway writes at the journal Nature, “A cave-wall depiction of a pig and buffalo hunt is the world’s oldest recorded story, claim archaeologists who discovered the work on the Indonesian island Sulawesi. The scientists say the scene is more than 44,000 years old.

“The 4.5-metre-long panel features reddish-brown forms that seem to depict human-like figures hunting local animal species. Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks. The scientists working on the latest find say that the Indonesian art pre-dates these.

“ ‘I’ve never seen anything like this before. I mean, we’ve seen hundreds of rock art sites in this region, but we’ve never seen anything like a hunting scene,’ says Adam Brumm, an archaeologist at Griffith University in Brisbane, Australia, whose team describes the finding in Nature [last] December.

“Other researchers say the discovery is important because the animal paintings are also the oldest figurative artworks — those that clearly depict objects or figures in the natural world — on record. But some aren’t yet convinced by the claim the panel represents a single ‘scene’, or story. They suggest it might be a series of images painted over the course of perhaps thousands of years. …

“ ‘They’ve invented everything,’ Pablo Picasso is reported to have said after visiting the famed Lascaux Cave, in France’s Dordogne Valley. The site, discovered in 1940, includes hundreds of animal figures painted around 17,000 years ago. An image from the cave, and others from the same period, are widely considered to be the earliest known narrative artworks. …

“Brumm was sitting at his desk in Australia in December 2017, when an Indonesian colleague texted blurry pictures of the hunting scene, from a cave in southern Sulawesi called Leang Bulu’Sipong 4. ‘These images appeared on my iPhone. I think I said the characteristic Australian four-letter word out very loud,’ says Brumm.

A team member named Hamrullah, who is a Sulawesi-based archaeologist and caver, had found the paintings after shimmying up a fig tree to reach a narrow passage at the roof of another cave.

“The panel seems to depict wild pigs found on Sulawesi and a species of small-bodied buffalo, called an anoa. … The depiction of these animal–human figures, known in mythology as therianthropes, suggests that early humans in Sulawesi had the ability to conceive of things that do not exist in the natural world, say the researchers. …

“Archaeologist Bruno David, at Monash University in Melbourne, Australia, [says] it would be worth testing whether the pigments used to paint the animals and the therianthropes are the same.

“If the entire painting is more than 44,000 years old, it could mean that early humans have arrived in southeast Asia with the capacity for symbolic representation and storytelling, David says. Archaeologists have already found paint palettes and objects such as eggshells with abstract engravings made by early humans in southern Africa, he adds.” More here.

Photo: Sakurai Midori
A contemporary anoa in Indonesia’s Surabaya Zoo.
800px-anoa_bubalus_depressicornis_surabaya_zoo

Read Full Post »

Making Milk Safe to Drink

Posted in Uncategorized, tagged , , , , on March 1, 2020| 2 Comments »

5df013652500005461d2fc10

Photo: Don J. Usner for Searchlight New Mexico
Art Schaap had a successful dairy farm in Clovis, New Mexico. After he learned that “forever chemicals” from a military base were polluting his cows’ milk, everything changed.

Suzanne has a college friend who writes well-researched investigations into things that go wrong in our world and what people are doing to address them.

In this report at the Huffington Post, Sara Van Note writes about dangerous “forever chemicals” getting into our food supply.

“At Art Schaap’s dairy farm in Clovis, New Mexico, sprinklers draw from deep wells to water green fields of sorghum and corn. Near the milking barn Schaap built almost three decades ago, glossy black-and-white cows lap water from a pipe. Schaap used to ship thousands of gallons of milk each day to milk co-ops and cheese producers, who in turn sold to consumers across the country. But for the last year, he has poured all that milk down the drain.

“In September 2018, Schaap got an unexpected visit from an official with Cannon Air Force Base, which adjoins his Highland Dairy property. The official gave him a letter indicating that tests found his well water was contaminated with per- and polyfluoroalkyl substances (PFAS), a group of chemicals that have been linked to reproductive and developmental problems as well as cancer. The chemicals had migrated into Schaap’s groundwater from foams used in firefighting exercises on the military base.

“Schaap and his family, the letter said, should immediately stop drinking the water. Schaap, 54, is a third-generation dairy farmer [and] has been raising cows and crops here since 1992. Air Force officials told him they’d supply his family with bottled water. But he wondered about his cows.

‘Milk is 90% water,’ he thought. ‘It kind of hit me like a rock,’ he recalled in a recent interview, ‘that my cows are drinking this polluted water.’

“Testing by the New Mexico Department of Agriculture showed that his milk was contaminated at levels 70 times above a federal advisory health limit for PFAS. The compounds are often called ‘forever chemicals’ because they don’t break down and instead accumulate over time in the environment and the bodies of animals and humans.

“When Schaap found out his water was polluted, neither the state Agriculture Department nor the Food and Drug Administration had a protocol for testing milk for PFAS — they developed a test expressly for his milk.

When Schaap sent his first samples to the Agriculture Department for testing, he made the decision to dump his milk in order to avoid selling a potentially contaminated product.

” ‘Schaap has since laid off 35 employees, and his 4,000 cows — not to mention his family’s health and livelihood — are in limbo. …

“Some Clovis dairy farmers have installed filtration systems on their wells, at a cost of about $260,000 per system, with yearly maintenance costs around $50,000. The Schaaps have not — the price is simply too high for the level of contamination in multiple wells, with no guarantee of adequate purification.

“The farmers say the contamination is an ‘existential threat’ not only to their livelihoods but to the region’s economic future. …

“The nonprofit Environmental Working Group estimates it has affected over 1,300 locations in 49 states, based on an analysis of state and federal records. That includes more than 400 military sites that used firefighting foam with PFAS compounds, according to the Pentagon. …

“A highly publicized case of PFAS contamination from a DuPont factory in West Virginia became the basis for the new Hollywood film ‘Dark Waters’ starring Mark Ruffalo and Anne Hathaway. But Schaap’s case, which the small nonprofit news outlet Searchlight New Mexico highlighted earlier [in 2019], is only the second known example of dairy contamination. …

“Linda Birnbaum, recently retired as director of the National Institute of Environmental Health Sciences, said [she’d] like to see a larger array of foods surveyed from multiple communities across the country, and she noted that the tests measured just 16 PFAS compounds, leaving out the potential impact of thousands of more chemicals. …

“Given the uncertainty around federal PFAS limits for drinking water, several states are moving to create their own limits.”  More.

Happy to say my state is working on this issue. I hope yours is, too.

P.S. The above report was produced in collaboration with the Food & Environment Reporting Network, a nonprofit investigative news organization.

Read Full Post »

Pigeons Wearing Cowboy Hats

Posted in Uncategorized, tagged , , , , on February 29, 2020| 2 Comments »

731

Photo: Twitter/kassandraqueenn
Social media users have been reporting sightings of Las Vegas pigeons in hats since early December 2019.

The New Yorker magazine used to have a bottom-of-the-column feature called “There’ll always be an England,” which highlighted the quirkiness of that country. After you read the following story, you may want to recommend naming a feature “There’ll always be a Las Vegas.”

In December, the Guardian‘s Martin Belam reported on Las Vegas pigeons wearing hats.

“Two pigeons have been spotted in Las Vegas wearing tiny cowboy hats. While many have been amused by the sight of the birds, with social media users excitedly reporting sightings since a video was first posted to Facebook in early December, there are concerns for the welfare of the animals. …

“Mariah Hillman, who works with the local animal rescue charity Lofty Hopes, said the hats were glued on to the pigeons. ‘When we saw them today, you could see some loose feathers in the glue around the hat. It’s definitely a concern,’ she said. …

“Observers have named the two birds Cluck Norris and Coo-lamity Jane. Cluck Norris can be identified by the red hat he is wearing, as opposed to Coo-lamity Jane’s pink headgear. There are unconfirmed reports that a third pigeon has fallen victim to the trend and is sporting a brown hat. The Las Vegas Metropolitan police department told the New York Times it ‘does not appear to be a police matter at this time.’ …

“Hillman’s group has been attempting to capture the pigeons to remove the headgear, with little success so far. They said the birds had been difficult to trap as they were being fed repeatedly by people curious about their appearance, making luring them with food difficult.” More at the Guardian, here.

Meanwhile on Facebook, Lofty Hopes put up a message before Christmas to encourage animal lovers to make toys for their temporary residents: “Lofty Hopes is hosting a holiday get together to play Santa’s Helper and make toys for the many rescued pets who live here until they are adopted. Toys are an important part of their well-being and we want to provide new, enriching toys as gifts for the holidays.

“We will be purchasing all the toy parts such as bells, wood parts with holes pre-drilled, plastic chain pieces, etc. Come join us. This will be fun for all ages … We will be providing vegan hot chocolate.”

Want a follow-up? Check out the Las Vegas Review-Journal, where you will learn that Lofty Hopes, some volunteers, and a vet safely removed pigeon hats. Reporter Max Michor concludes with some tips: “Anyone who finds a sick or injured pigeon should first catch the bird to keep it from further harm, [Mariah Hillman, founder of the rescue group Lofty Hopes,] said. Humans can’t contract any diseases from touching a pigeon with their bare hands, she said, but a shirt or towel can be used to wrap and move the birds.

“Hillman said people should never try to force feed pigeons or drip water into their mouths, as they breathe through a hole under their tongue that can easily be blocked or filled with liquid.” Never say I don’t give you useful advice!

This is actually a Boston pigeon. We don’t do cowboy hats out East.

110714-a-pigeon-that-I-pass-alas

Read Full Post »

Playing Both the Bass & Basketball

Posted in Uncategorized, tagged , , , , on February 28, 2020| 9 Comments »

3894533f-02e4-45fb-98b4-9f06e777c4e7_360x203

Gavin Hardy is good at both the bass and basketball. For a bigger image, watch the video at WFMY.

Our niece teaches orchestra at a middle school in North Carolina. Teaching orchestra is a job she loves, and she has often said she thinks she was born to do it. Sometimes she gets notes from long ago students telling her things like, “I always looked forward to your class. It was the time I felt best in school.”

She encourages students of every ability, and when she sees exceptional talent, she likes to spread the word. Here’s a story about a young bass player.

Maddie Gardner at television station WFMY in Clemmons has the report.

“You might say basketball is like music. The ball hitting the court: resonance. A shoe squeaking against the hardwood: pitch. The perfect shot: crescendo. And then there’s the discipline.

” ‘I think both go hand in hand. You have to be very disciplined to be a musician – same thing with an athlete. You have to practice it. You have to do it when nobody is looking. You have to be able to work hard when nobody is watching you do it.’

“Coach Tommy Witt says 8th grader Gavin Hardy brings a certain harmony to the Clemmons Middle School gym.

” ‘I hope to play at a division one school. My dream is to play in the NBA, but I know it’s going to take a lot of hard work, but I’m willing to put in the work,’ Gavin said. …

” ‘Just keeping the tunnel vision, staying focused, you gotta block out all of the distractions that get in your mind, know what you want and attack it. Strive to be the best,’ he said. …

“For 10 years Gavin’s been on the court. … But playing the National Anthem on his bass was something he’d never done before.

” ‘It’s funny – we want to get people to play the national anthem and I went to [his orchestra teacher] Barbara and said, “Do you think he can play the national anthem in his uniform?” ‘ Witt said.

‘It was just a no brainier; he can do anything,’ Gavin’s orchestra teacher, Barbara Bell said. ‘Whatever he puts his mind to he can do.’ …

” ‘I’ve been listening to classical music ever since I was four. I just like the string family and I like the dark tone of the bass,’ Gavin said.

Gavin says he usually listens to string music to get pumped up for a game but before the team played Winston-Salem Prep he decided he’d be the string music before tip off. …

” ‘He’s always interested in more. He keeps working harder to get to the next level,’ [said Bell]. …

” ‘When your best player is also your hardest worker you have a chance to be really good and that’s what Gavin has done for us,’ [Coach] Witt said.” More here.

Barbara tells me that her student learned the National Anthem on the bass in two days and that the publicity brought him wider attention.

“The National Bass Society has contacted Gavin,” she said in a text. “They want him and they’re offering a playing opportunity. The assistant principal bassist from the Philadelphia Orchestra contacted him. He teaches at Juilliard and he is very interested in helping him. I am beyond excited for him. I was screaming and jumping up and down when he told me.

“The Philadelphia Orchestra bassist loved his playing and was especially excited about his work ethic and attitude. I told Gavin he had to give me tickets to wherever he lands.”

Gavin’s teacher with her twins. All three are string musicians.

032519-Bell-string-players

Read Full Post »

Oral Traditions Go Digital

Posted in Uncategorized, tagged , , , , on February 27, 2020| Leave a Comment »

5472

Photo: Daniel Boud
“It’s in our Indigenous DNA to use oral stories … to carry culture,” says Stephen Page of Bangarra, a dance company in Australia.

When the new has practically obliterated the old, it’s not a bad idea to co-opt the new and use it for your own purposes. That’s what some indigenous people in Australia are doing as they test the possibilities of virtual reality for passing along oral traditions.

As Clarissa Sebag-Montefiore writes at the Guardian, “When Brett Leavy recently showcased his digital renditions of pre-colonial landscapes in Australia, one Aboriginal man in the audience started to cry.

“ ‘I get tears [from the Indigenous audience] because they feel a sense of loss. … And then there’s also anger,’ he says. Leavy is a Kooma man and founder of Brisbane-based Virtual Songlines: a First Nations interactive design agency whose output ranges from video games to virtual reality.

‘I’m doing this in a fun way – it’s a bit gamefied – but the question I’m asking is: who are the sovereign custodians of the land?’

“For millennia, Indigenous Australian communities have been passing down histories, knowledge, language and customs, largely through oral storytelling. But in a world of digital addiction, where even the most remote parts of the country are being infiltrated by smartphones, telling stories via screens is the new necessary: a way to both preserve tradition and reach out to the young. …

“ ‘There is massive intellectual capital in our community. There is this whole untapped resource,’ Mikaela Jade, founder of the Indigenous augmented reality app Indigital Storytelling, said at a talk in Sydney in 2017. ‘Don’t wait for it to be built and then be given it to us.’

“Stephen Page, creative director of Indigenous dance company Bangarra, is taking this idea seriously. [To] celebrate its 30th anniversary, Bangarra [opened] a free immersive installation, Knowledge Ground: 30 Years of Sixty-Five Thousand [and launched] the company’s new digital archive site of the same name, which contains interviews, photographs, videos and essays about Bangarra’s productions and processes. …

“Of course simply putting content up online – or placing it on a screen in an art show – does not mean it will automatically make an impact, or find an audience.

“Torres Strait Islander filmmaker John Harvey, 44, sees this harsh truth every day at home on the Sunshine Coast with his two children, aged four and 13. Kids, he sighs, are brutally honest. If online content doesn’t ‘feel authentic to them in a way that they can relate to, they will stop straight away. It doesn’t matter if it’s been made by an Indigenous person or not – they will just stop.’

“Harvey is in the process of creating a work for the new permanent exhibition at ACMI [Austrailian Centre for the Moving Image], which opens in Melbourne in May 2020. Inspiration came from seeing the first-ever footage of Indigenous people in Australia: a four-and-a-half minute sequence shot by British zoologist AC Haddon during a Cambridge University expedition to the Torres Strait in 1898. Locals were portrayed as anthropological subjects.

“In his artwork, Harvey wants to counteract this by filming intimate moments at home. Rather than white rich outsiders holding the camera, he’s using his own phone to capture his own people as he sees them, from the inside. It is, as he says, about ‘democratisation of stories and storytelling.’ …

“Virtual reality was not an obvious tool to tell the story. But many of the senior women observed young people ‘increasingly engaging with screens and technology, and so wanted to capture their attention and interest,’ [Angela Lynch, manager of the Ngangkari program at NPY [Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara] Women’s Council] says. ‘They strongly believe that traditional culture and Anangu law holds the answers to the issues and problems of contemporary life in remote communities.’ ”

More here. PS. Please look at the wonderful photoat the NPY Women’s Council Page. It’s protected, and I can’t copy it for you. Made me smile.

Read Full Post »

Farmers Turning Waste to Energy

Posted in Uncategorized, tagged , , , , on February 26, 2020| 6 Comments »

img_2495_custom-67b416e668a5cfa1cb29c0344380143ce08b2baf-s600-c85

Photo: Allison Aubrey/NPR
In the digester on his farm, Peter Melnik combines food waste with manure from his cows. The mixture cooks at about 105 degrees Fahrenheit. As the methane is released, it rises to the top of a large red tank with a black bubble-shaped dome to create electricity.

People are complicated. Even companies are complicated. Just the other day, I noted that I avoid Whole Foods because there is already enough money going to Amazon owner Jeff Bezos. Today I give you a story about something Whole Foods is doing for the environment.

Alison Aubrey reported the story for the PBS NewsHour and National Public Radio (NPR).

“If you piled up all the food that’s not eaten over the course of a year in the U.S., it would be enough to fill a skyscraper in Chicago about 44 times, according to an estimate from the U.S. Department of Agriculture.

“And, when all this food rots in a landfill, it emits methane, a powerful greenhouse gas that contributes to climate change. In fact, a recent report from the United Nations from a panel of climate experts estimates that up to 10 percent of all human-made greenhouse gas emissions are linked to food waste.

So, here’s one solution to the problem: Dairy farmers in Massachusetts are using food waste to create electricity. They feed waste into anaerobic digesters, built and operated by Vanguard Renewables, which capture the methane emissions and make renewable energy.

“The process begins by gathering wasted food from around the state, including from many Whole Foods locations. We visited the chain’s store in Shrewsbury, Mass., which has installed a Grind2Energy system. It’s an industrial-strength grinder that gobbles up all the scraps of food the store can’t sell, explains Karen Franczyk, who is the sustainability program manager for Whole Foods’ North Atlantic region. …

“While Whole Foods donates a lot of surplus food to food banks, there’s a lot waste left over. Much of it is generated from prepping prepared foods. Just as when you cook in your own kitchen, there are lots of bits that remain, such as onion or carrot peel, rinds, stalks or meat scraps. The grinder turns all these bits into a slurry. …

“From here, the waste is loaded into a truck and sent to an anaerobic digester. ‘There’s no question it’s better than putting it in the trash,’ Franczyk says. She says the chain is committed to diverting as much waste as possible and aims for zero waste. …

“We visited Bar-Way Farm, Inc. in Deerfield, Mass. Owner Peter Melnik, a fourth-generation dairy farmer, showed us how his anaerobic digester, which is installed next to his dairy barn, works.

” ‘We presently take in about a 100 tons [of waste], which is about three tractor-trailer loads, every day,’ Melnik says. In addition to all the food waste from Whole Foods, he gets whey from a Cabot Creamery in the area, as well as waste from a local brewery and a juice plant.

“In the digester, he combines all of this waste with manure from his cows. The mixture cooks at about 105 degrees Fahrenheit. As the methane is released, it rises to the top of a large red tank with a black bubble-shaped dome.

” ‘We capture the gas in that bubble. Then we suck it into a big motor,’ Melnik explains. Unlike other engines that run on diesel or gasoline, this engine runs on methane. ‘This turns a big generator, which is creating one megawatt of electricity’ continuously. …

‘We only use about 10 percent of what we make, and the rest is fed onto the [electricity] grid,’ [enough] to power about 1,500 homes.

“He says times are tough for dairy farmers, so this gives him a new stream of revenue. … In addition, he’s able to use the liquids left over from the process as fertilizer on his fields.”

More here.

 

Read Full Post »

When Blake Reached the Masses

Posted in Uncategorized, tagged , , , , on February 25, 2020| 3 Comments »

1949

Photo: Ben Stansall/AFP via Getty Images
Tate Britain’s curator said the projection of William Blake’s Ancient of Days was in keeping with Blake’s ‘lifelong dream to be an artist with real public impact.’

As happens all too often, I miss the deadline for when you could go see something I’ve written about. If you were in London two months ago, I apologize. I would have loved to see this art myself, having long been a fan of William Blake.

Mark Brown, writing at the Guardian in November, explains what we all missed.

“William Blake always dreamed of making vast works for churches and palaces but to his bitter disappointment he never achieved it. More than two centuries after his death Tate has announced it is going some way to making up for that by projecting his final work on to the giant dome of St Paul’s Cathedral.

“For four evenings [in November], his illustration Ancient of Days will dramatically light up the skyline of London.

“Martin Myrone, the senior curator of pre-1800 art at Tate Britain, said Blake always had grand ambitions as an artist, proposing huge frescoes that were never realised. … ‘What he said he wanted to do was produce altarpieces and large-scale pictorial schemes in churches and palaces.’ …

“Blake is regarded as a visionary, radical artist who was ahead of his time and unappreciated for most of his life.

“ ‘He had a frustrating career and had moments when he was really down and depressed,’ said Myrone. ‘He felt alienated from the art establishment and he never really won the audience that he wished to have. He did see himself as an artist who should be read and seen by not just a few connoisseurs but by lots and lots of people.’

“The project, which marks his birthday, stems from Tate Britain’s current exhibition of Blake, the biggest for a generation. … The St Paul’s dome takes it to another level and is an appropriate venue because it is home to a memorial to Blake. His body was buried in an unmarked grave in Bunhill Fields burial ground near Old Street in London.” More at the Guardian.

A Wikipedia post says in part, “The Ancient of Days is a design by William Blake, originally published as the frontispiece to the 1794 work Europe a Prophecy. It draws its name from one of God’s titles in the Book of Daniel and shows Urizen [who in the mythology of William Blake is the embodiment of conventional reason and law] crouching in a circular design with a cloud-like background. His outstretched hand holds a compass over the darker void below. Related imagery appears in Blake’s Newton, completed the next year. As noted in Gilchrist’s Life of William Blake, the design of The Ancient of Days was ‘a singular favourite with Blake and as one it was always a happiness to him to copy.’ ”

Anyone else a Blake fan?

Read Full Post »

Nonprofit Cafe’s New Lease on Life

Posted in Uncategorized, tagged , , , , on February 24, 2020| 2 Comments »

haleyhouse_video_still_final

Photo: Bank of America
Nonprofit Haley House uses food and community ties to provide job training and to revitalize neighborhoods. When it was closed 11 months for reflection, it was sorely missed in Dudley Square, now Nubian Square.

There’s a nonprofit gathering place in Boston’s Roxbury section where food and mission come together. But when persistent financial losses seemed to threaten its future, fans far and wide worried.

In December, Kay Lazar reported at the Boston Globe, “The little bakery that could is making a comeback.

“When Haley House Bakery Cafe in Roxbury, a bustling eatery and beloved community gathering place, closed its doors in January [2019], its executive director vowed it wasn’t goodbye. It was a timeout to figure out how to make the grand social experiment in Dudley Square financially sustainable. Since its opening in 2005, it never broke even.

“Now the cafe, known for providing job training for former prisoners and hosting community discussions, poetry slams, live music, and community dinners, is planning to reopen in mid-December. It will feature a new menu with an international flair (and some reimagined old favorites). …

“Pivotal to its sustainability, says Bing Broderick, the cafe’s executive director, is its new open-book approach. The restaurant’s financial information is being shared with workers, everyone from the cashier to the dishwasher, and each is being trained to be an efficiency expert. They’ll learn how seemingly little things, such as food waste or showing up late for work, affect the entire operation. Employees will have a say in menu pricing and taste-testing new dishes.

‘It’s very empowering if everyone understands how they can help the success of the business and lead to a better organization overall,’ Broderick said. …

“All food assembly will be moved to the kitchen to free up more space for its legendary live performances, as well as for private events, such as wedding receptions and corporate meetings that Broderick hopes will help them bridge the financial gap. …

“The meals will be bowl-based, with customers choosing a base of grits, home fries, mixed salad greens, or rice, with a pick of protein options — including vegetarian offerings — and a sauce topping. The new recipes will reflect the culturally diverse Dudley Square [now Nubian Square] area, including the bakery’s workers, with African- and Caribbean-influenced sauces and spices. …

“The process of redesigning the menu has featured some fascinating in-house discussions among the bakery’s international staff, [new general manager Misha Thomas] said.

“ ‘It’s been cool to get their thoughts,’ she said. ‘Everyone has an idea of how spicy things are supposed to be.’ …

“One thing that will not be changing is Haley House’s social mission. Founded in 1966 as a provider of food and shelter for the homeless in the South End, Haley House, the bakery’s nonprofit parent company, uses food and community ties to provide job training and help revitalize neighborhoods. … The meal and training programs went on hiatus after the bakery closed last winter, but Broderick said they will be bringing them back.

“Also returning will be cultural events in the evening, from jazz and history to poetry and movies, all offering a beacon in a community that has weathered some tough times and frustrating one-step-forward-two-steps-back revitalization efforts.

“ ‘The arts and cultural programming at the cafe was very much its identity and community ownership, too,’ Broderick said.”

More here.

Read Full Post »

Tips for Cutting Back on Plastic

Posted in Uncategorized, tagged , , , , on February 23, 2020| 13 Comments »

storefront-west-concord

Photo: TripAdvisor
Debra’s Natural Gourmet helps customers cut back on plastic like liquid-soap bottles. They don’t have an answer yet to takeout containers, though.

Every day I’m trying to think of ways to cut back on plastic like the good people at Plastic Free Hackney in England. How am I doing so far? Not great. Plastic is so ubiquitous. But “one and two and 50 make a million,” and there is help from like-minded businesses.

I found a dish-soap concentrate that lets me reuse bottles (etee dish soap), and now a local organic store is letting folks reuse bottles from home over and over by filling up from the store’s large dispensers.

According to Emily Holden at the Guardian, we need to cut back because recycling of plastics is not really working. No one wants them. Holden offers tips on reducing our plastics dependency.

“As plastics corporations ramp up production,” she writes, “they are also promoting a failing recycling system.

Just 9% of plastics get recycled. Traditional plastics are made from extracted oil and gas, and they contribute to the rising temperatures behind the climate crisis.

“Environment experts are increasingly calling for a reduction in plastic use, as the waste accumulates in the oceans, poor countries and even human bodies. Plastics are also burned, as China – which once accepted the bulk of America’s waste – has begun to refuse it. And more than a million Americans lived next to polluting incinerators.

“Significant reductions will require systemic change, researchers say. But there are also some easy tips for individuals who want to cut back on plastics. (If this list is overwhelming and you’re not sure where to start, collect your plastic waste for a month and conduct an audit. Cut back on what you find the most of.)

“1. Carry a reusable bottle, fork/spoon and bag …

“2. Refuse the lid on your coffee cup. … (Some coffee shops will say they are required to give you a lid, citing possible liability for burns.)

“3. Choose products in glass or cans if they are an option. Recycle those materials. … Glass and aluminum cans are much more likely to be recycled. Glass is most efficient when reused (ie. with returnable milk bottles).

“4. When possible, eat in the restaurant instead of taking it to go. Unless you have a physical disability, let your server know in advance that you won’t need a straw.

“5. If you order takeout or delivery, tell the restaurant you don’t want plastic utensils or straws. …

“6. Opt for products with less packaging. Say no to bagged lemons, apples, onions and garlic, and tea that comes in plastic packets. Choose more fresh produce for snacks to avoid individual plastic wrappers.

“7. Shop from the bulk section and use your own containers. …

“8. Use bars of soap (also available for shampoo and shaving) instead of bottles. … For an extra environmental benefit, avoid palm oil.

“9. Use a razor that requires replacing only the individual blades. … You will save money over time. Note that TSA does not allow passengers to fly with individual blades.

“10. Use a bamboo toothbrush or one with a replaceable head.

“11. Buy concentrated cleaners that can be mixed with water in a reusable container. …

“12. Choose frozen, concentrated juice that comes in cardboard tubes instead of the plastic jugs. …

“13. Don’t buy bottled water. …

“14. Buy fewer clothes, or shop secondhand. Wash your clothes less so they last longer. Hang them to dry. …

“15. When shopping online, group as many items together as possible, so you can receive fewer plastic envelopes.”

More here.

022320-fill-your-own-soap-bottle

Read Full Post »

Origami and Engineers

Posted in Uncategorized, tagged , , , , on February 22, 2020| 5 Comments »

merlin_164618445_1535c5ad-0e5e-48e9-90f9-7020e6dbeefd-superjumbo

Photo: Ryan Jenq for the New York Times
Robby Kraft created two origami, left, “using his own custom code for developing new crease patterns.” He also folded “Hyperbolic Cube,” right, which was designed by Thomas Hull of Western New England University.

Origami is an ancient paper-folding technique that is turning out to have some very modern applications.

Kathleen Massara at the New York Times interviewed a few folks who know a lot about it.

” ‘I would say the biggest rule is no cutting,’ said Wendy Zeichner, the president and chief executive of OrigamiUSA. It’s ‘one piece of paper and no glue.’

“OrigamiUSA is a nonprofit organization dedicated to educating the public about the art form. The group traces its roots to the 1950s, when Lillian Oppenheimer, one of its eventual founders, began to communicate with paper folders around the world, including Akira Yoshizawa in Japan, who is often credited as the father of modern origami — they would send each other diagrams explaining how to fold different shapes from a single square sheet of paper. …

” ‘Origami is really almost as old as paper,’ Ms. Zeichner explained — it means ‘to fold paper’ in Japanese — and paper in sheet form is thought to have been invented in China around 105 A.D. To start making shapes like cranes and frogs, it boils down to two basic techniques: mountain folds and valley folds, which are different ways to make the edges meet. After that, you can get creative….

A few years ago, NASA engineers were able to create foldable telescopes and a flower-shaped shade to block out light from distant stars by using paper-folding techniques.

” ‘If you want to send something in a rocket, it has to be packed small,’ Ms. Zeichner said. ‘The same algorithms you would use in origami would be used in this.’ The same goes for folding an airbag into a car, or creating pop-up homeless shelters.

“Precision is key, whether someone is folding a humble crane or a complex modular structure with interlocking parts. So is enthusiasm. ‘The majority of people are either enthusiasts on the simple end or on the complex end,’ said Jason Ku, a lecturer at M.I.T. and a faculty adviser to the origami club there. …

“The goal is to arrive at the most efficient and elegant means of achieving a particular effect. ‘I want the result to be complex, but I want to simplify the process it takes to get there,’ Dr. Ku said. …

“As in math, it’s important to show your work. … ‘Showing your technique is one of the biggest aspects of origami,’ said Taro Yaguchi, the founder of Taro’s Origami Studio in Brooklyn.

“Before the 1950s, certain origami objects were more difficult to create, partly because diagrams weren’t standardized. Some guide books simply presented the results, without the necessary steps to get there. Yoshizawa, in Japan, and Samuel Randlett, in the United States, helped develop a set of international diagram conventions that is now referred to as the Yoshizawa-Randlett system.

“ ‘Before it got codified, it could be very confusing,’ said Jeannine Mosely, a software engineer in Cambridge, Mass. Ms. Mosely is known for large-scale projects such as an origami Menger sponge, a series of cubes adding up to a giant cube, made out of business cards. At the time, the fact that she didn’t use square paper caused ripples throughout the origami community. ‘There were people who didn’t want anything to do with my work because I started with rectangles,’ she said. …

“Diagrams and algorithms won’t be much help if you’re not using the right materials. ‘It’s a mistake a lot of beginner’s make: they go online and find the most beautiful kind of paper,’ said Jewel Kawataki, a New York-based jewelry maker who creates different designs with chiyogami, a sleek fabric-like paper. “You can see their frustration in YouTube tutorials. They’ve used the wrong paper.’ …

“Toshiko Kobayashi, an art therapist in Manhattan who grew up folding as a child in Tokyo after World War II, believes in the art’s ability to heal. ‘Just after the war, there was nothing. Paper was one of the readily available toys for me,’ she said. In New York, she has been busy introducing the art to different communities through the Origami Therapy Association in Manhattan, which she founded in 2002. …

“For many, the practice is embraced for its calming aspects. ‘It’s lessened my anxiety a lot,’ Ms. Kawataki said.

“Regardless of techniques, the community, whether in person or online, keeps people excited about the art form. ‘Origamists from around the world will meet and fold together,’ Ms. Mosely said. ‘They might not be able to talk to each other, but they can fold.’ ”

For some breathtaking photos, check out the New York Times article, here.  And be sure to watch the origami documentary Between the Folds by Vanessa Gould.

Read Full Post »

Magical Bookstore

Posted in Uncategorized, tagged , , , , on February 21, 2020| 5 Comments »

merlin_163865472_330a0776-0a88-4fa0-bbca-c08b12292a1c-jumbo

Photo: Bryan Anselm for the New York Times
Co-managers Maureen Disimile and John D. Ynsua at the employee-owned Montclair Book Center in New Jersey innovate to keep the magic going.

Who doesn’t find a bookstore magical — especially an independent bookstore? It takes a certain amount of flexibility and creativity to keep one going and not get plowed under by a certain online billionaire. If we all look for books first at our local indy, we can help keep the magic alive.

In New Jersey, Montclair Book Center has found that employee ownership, ability to improvise, and independent-minded customers are critical.

Dana Jennings writes at the New York Times, “Montclair Book Center is 35 years old, going on eternity. A ramshackle throwback to a funkier, more literary time, the store has shelves handmade from raw lumber. And its customers and clerks are often just as eccentric as the shelves.

“I’ve been shopping and snooping there since 1995 and still haven’t exhausted all of this biblioscape’s labyrinths and warrens — some of which, I suspect, lead to C.S. Lewis’s Narnia or Mervyn Peake’s Gormenghast. …

“I’ve stumbled across Italo Calvino limited editions, a hardcover of William Burroughs’s ‘Naked Lunch,’ and a stash of musty, black-and-white comics magazines from the 1960s and ’70s that included ‘Eerie, Creepy and Savage Tales.’ …

“The place is suffused with the sweet reek of ink, decaying pulp and vintage book dust — seductive scents that are like pheromones to book lovers.

“ ‘Unless you work at a bakery, you don’t get many customers talking about how good your store smells,’ said Pete Ryby, who has worked there since it opened in 1984 and is now the store’s primary owner. (Other employees own smaller stakes.)

“The pre-World War I building itself is so cockeyed that it looks set to pratfall down the street, as in some silent Buster Keaton two-reeler. … Still, the store is orderly if not antiseptic. Signs are hand-lettered; there are plenty of chairs for contemplation and ladders for climbing; and, whether by accident or puckish design, the crime section stops short at a fittingly dead end. …

“When I tell people about Montclair Book Center, I almost always mention Ynsua, a friendly 56-year-old filigreed with tattoos and earrings who started there in 1999 and who embodies its eclectic vibe. He owns five kilts and hundreds of vintage T-shirts — Count Chocula, the Emma Peel and John Steed ‘Avengers’ — and his passions as a bibliophile include comics, science fiction and pre-Renaissance European history. He’s also the store’s resident carpenter and a talented cartoonist who once studied at Joe Kubert’s cartooning school in Dover, N.J.

‘I’ve tried not to work for corporations,’ Ynsua said. ‘I like bosses who own their businesses. I like jobs where I can improvise.’

“There’s plenty of that at the Book Center. Indeed, improvisation has helped the store stay in business. Since it started selling used vinyl in 2014, for example, the records ‘have brought in a lot of new customers and increased foot traffic,’ said the co-owner Maureen Disimile, who manages the music side of the business. …

“A quick look at the records revealed a healthy infestation of Beatles; ‘Together,’ by Marvin Gaye and Mary Wells; the musical ‘Hair,’ in the ‘version originale française”’; and even the 1960s British blues rockers Blodwyn Pig. There was also a strong dose of 45s.

“Still, the store comes down to what employees call ‘book people.’ ‘I like being around literature, art and music, and the people who like that stuff,’ said Ynsua, who doesn’t own a computer or subscribe to cable TV. ‘My brain isn’t calcifying here.’

“Lucas McGuffie, a clerk since 2014, added:

‘The attraction is the books, and the book people. They aren’t stupid. They’re more open-minded. They’re smart enough to know that they don’t know all there is to know.’ “

More at the New York Times, here. By the way, if you love vintage vinyl records like the ones at the Montclair Book Center, check out a great R&B collection on my nephew’s site, here. For listening only.

Read Full Post »

Moscow’s Suburbs Produce Art

Posted in Uncategorized, tagged , , , , on February 20, 2020| 2 Comments »

2704a953a69d47e498ef6496f7fc748f

Photo: Taiwan News
There’s an edgy vibe among artists in and around Moscow. The Associated Press describes one painter:  “Hailing from southern Russia, self-taught painter Pasmur Rachuiko [right] offers an extreme outsider’s view of Moscow reality.”

Speaking of authoritarian governments that label art and architecture they don’t understand “degenerate,” we turn now to a free-spirited movement that is rising up in Moscow, mostly in the suburbs.

Kate de Pury of the Associated Press says that one self-taught artist’s “paintings sparked disapproval from Moscow’s culture department.” Sounds good to me.

“As sleet falls on a cold November day, communist-era apartment blocks dominating Moscow’s suburban skyline look bleak and forbidding,” writes de Pury. “But it’s precisely these sprawling city outskirts that are the focus of a major international art exhibition.

“ ‘Beyond the Center’ is staging art events across Moscow’s vast urban space [culminating] in March 2020. With the participation of the Museum of Vienna and the Austrian Cultural Forum, the exhibit uses contemporary art to explore the many hidden facets of life outside the Russian capital’s nucleus.

“Simon Mraz, Austria’s cultural attache to Russia and director of the Austrian Cultural Forum in Russia, says the ‘real’ Moscow, where most of the city’s 12.6 million people live, is outside the center.

“ ‘They all come to Moscow with some dreams, facing struggles, hoping for a better future. They won’t find it in Red Square and definitely not in the Kremlin,’ Mraz, curator of the exhibition, told The Associated Press. …

“Hailing from southern Russia, self-taught painter Pasmur Rachuiko offers an extreme outsider’s view of Moscow reality. Burka-clad figures, policemen and wolves pose in the suburbs, gangsters have angels’ wings and young women carrying AK-47 rifles stare out of his canvases. Rachuiko depicts himself as ‘everyman’ among this cast of new Russian archetypes. …

“The paintings sparked disapproval from Moscow’s culture department, but Rachuiko found support from the arts establishment, including theater director Kirill Serebrennikov, himself still under threat from the authorities after a long term of house arrest. …

“The urban renewal project aimed at impressing World Cup visitors to Moscow in 2018 didn’t reach Liublino, a working-class suburb. In this dilapidated industrial zone, the ‘Museum of Industrial Culture’ houses a private collection of discarded objects, amassed by former auto engineer Lev Zheleznyov. It’s a social history of more than 70 years of communism, told through ordinary things people recognize from a shared past.

“ ‘It’s a museum of memory. We are not so interested in how a lamp works, more that it was in someone’s home,’ Zheleznyov said. …

“In ‘Polly wants a cracker,’ Austrian artist Michele Pagel sees a darker side of Moscow – domestic abuse. Her visceral sculptures, on show in Mraz’s apartment, located opposite the Kremlin, seek to bring violence against women back from the peripheral vision of Russian society to its central focus.

“Attending the opening, lawyer Alyona Popova campaigns to reverse a 2017 law decriminalizing certain types of domestic abuse in Russia. According to the advocacy group ‘You Are Not Alone,’ an estimated 16 million Russian women suffer domestic violence each year.

“A residential complex called Novo-Molokovo, just outside Moscow and still under construction, houses the newest generation of Muscovites. A studio apartment here costs $95,500. Curator Elena Ishchenko set art installations inside [one].

“ ‘We got used to viewing the suburbs as strange, remote areas we don’t want to visit,’ she said. ‘But when you get out here, thanks to the artist, you see something you wouldn’t expect.’…

“[Sociologist Natalia Zubarevich] hopes a grassroots civil society will grow in Moscow’s residential districts, but it’s a social trend the Kremlin watches carefully and any political activism brings repression. ‘This city shows what Russia could be,’ she said. ‘It’s our hope of modernization.’ ”

More at AP via the Seattle Times, here.

Read Full Post »

« Newer Posts - Older Posts »