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Photo: John Greim/LightRocket via Getty Images
The world’s largest container-shipping company, Maersk, has promised to make its operations zero carbon by 2050. Doing so will require using new fuels, such as hydrogen.

Would you pay more for goods delivered on ships that don’t use fossil fuels? Many people can’t afford to pay more, so sometimes the idea of cutting our dependency on oil and coal seems impossible. Fortunately — because they don’t know what’s impossible — young people are leading the charge.

But even corporations are starting to think it would be to their advantage to go carbon free. Maersk, the world’s largest container-shipping company, based in Denmark, is one such corporation. And there are others.

As Rebecca Hersher reported at National Public Radio (NPR), “The global shipping industry is enormous — thousands of ships carry billions of dollars of goods each year across nearly every ocean on the planet.

“Those ships run mostly on a particularly dirty type of fuel known as heavy fuel oil, or bunker fuel. It’s thick and sooty, and when it burns, it emits sulfur and particulate matter that can cause respiratory illness. It also emits greenhouse gases, including carbon dioxide and methane, which trap heat in the atmosphere and cause global warming.

” ‘If shipping was a country, it would be the sixth-largest polluter in the world,’ says Nerijus Poskus of the shipping technology company Flexport. ‘About 3% of global emissions are released by ocean freight shipping.’

“The industry is growing so steadily, he says, that it’s projected to produce more than 15% of global greenhouse gas emissions by midcentury if ships continue to burn the same fuel, which is a real possibility considering that most cargo ships are designed to last at least 30 years.

“Yet there are signs that the status quo is changing and that a new fuel could make cargo ships among the cleanest transportation methods on Earth. …

“The international body that helps create global shipping regulations has clamped down on emissions of some air-polluting substances when ships are in or near ports. The new regulations, which started going into effect in 2012 and which decrease limits dramatically in January 2020, require ships to significantly cut the amount of sulfur pollution they emit when they’re near land. For the U.S., the regulations apply anywhere within 200 miles of its coastline. …

“Additional increasingly stringent emissions standards are planned for the next two decades. The largest container-shipping company in the world, Maersk, announced in 2018 that it intends to make its operations carbon free by 2050, though it’s still unclear how the company would achieve that goal.

“What is clear is that success will require new ships, new engines and — above all else — a new fuel. … Research at the U.S. Energy Department’s Sandia National Laboratories suggests that of [liquefied natural gas and hydrogen], hydrogen is the most promising.

“Using hydrogen to generate electricity is very clean. Hydrogen fuel cells combine hydrogen with oxygen and create electricity and water. The electricity can be used to turn a propeller, for example. The exhaust from fuel cells is moist air — with no greenhouse gases. …

“Leonard Klebanoff, a researcher at Sandia … and his then-research partner, Joe Pratt, started systematically analyzing whether current ships could be retrofitted to run using hydrogen fuel cells instead of fossil fuels.

“Pratt says the project started when a San Francisco Bay ferry operator asked the Energy Department whether it was possible to switch his fleet over to hydrogen power. … The answer, they found, was yes.

“The main issue was about size. For each unit of energy, liquid hydrogen is about four times larger by volume than conventional diesel … but ‘the efficiency of a fuel cell is about twice as much as a diesel engine,’ Klebanoff says. …

“When they analyzed the entire system, Klebanoff and Pratt found that it would be possible to retrofit most types of existing vessels to run on hydrogen and even easier to construct a new ship powered by fuel cells.”

Read more at NPR, here.

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I wanted to share recent photos from New York and Massachusetts. I’m always on the lookout for scenes that are either quirky or beautiful. In New York, though, my usual delight in the city was overshadowed by my sister’s difficult fight with glioblastoma, and I took only two shots of Central Park. Fortunately, Paul’s garden in Massachusetts provided a bit of Central-Park wonder close to home.

The handsome pig in Boston’s Greenway was sculpted by Elliott Kayser. The gentleman from the movie Titanic is made of wax. Do you know him? Had me fooled for a minute there.

The giant mural of swallows is the latest for Dewey Square. Artist Stefan “Super A” Thelen calls it “Resonance.”

At Three Stones Gallery, I shot the beautiful tree for my quilting friends. The artist is Merill Comeau. The soapstone sculpture next to it is by Elisa Adams.

Next you have two of my obligatory shadow pics, plus a message from a rock. Those are followed by four shots of Paul’s amazing home garden and grounds. (His day job is as landscaper of Boston’s most beautifully landscaped building.)

The bunch of ripe grapes peeps out from the display recognizing Ephraim Bull, originator of the Concord Grape.

You may recognize the location of my two early morning photos: the North Bridge at Minuteman National Park.

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I went to the climate strike in Boston, and there sure were a lot of people there. Vox said there were over 2,500 events scheduled in over 163 countries on all seven continents. Millions of people. I even saw a photo on Twitter of the little group of strikers in Antarctica!

I took the train into town, along with a lot of high school students who had received school permission to participate. People under 20 from the region organized the whole thing. Pretty impressive.

Participating organizations were more numerous than I could count. I was glad to see, in addition to the group Massachusetts Climate Strike, the Sunrise Movement, 350, and Zero Hour. I had heard a great talk by two college-age leaders of Zero Hour the Sunday before.

Some fringe organizations that demonstrated at the Boston rally were less uplifting to my way of thinking, but that’s what’s meant by Freedom of Assembly in the Constitution. Democracy can only benefit from freedom of speech and assembly.

David L. Ryan of the Boston Globe got a more panoramic view of the immense crowd than I was able to capture. See it here.

I have to say, the young people’s anxiety about their futures was palpable and made me want to do more to help.

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Photo: Capable (Community Aging in Place — Advancing Better Living for Elders)
The Community Aging in Place — Advancing Better Living for Elders program sends a nurse, an occupational therapist, and a handyman to modify and improve the home environment of low-income seniors.

Many people I know are thinking about downsizing or signing up for an assisted-living arrangement that could be tapped when needed. It’s tricky though. Most places require a checkup to show you’re healthy when you arrive, but you may not want to use the service until you are routinely forgetting to turn off the oven or until the local building inspector is demanding expensive repairs on your property.

That is why so many new models are emerging.

Amanda Abrams writes at Shelterforce, “Three years ago, Lisa was in trouble. The Minneapolis homeowner had fallen victim to several recent misfortunes, including a divorce and diagnosis of a chronic illness. But it was the attention of a particularly punitive city housing inspections department that almost did her in. …

“Lisa was required to paint the trim around her own house, add handrails to the front steps, and fix the roof. Later, the city also pointed out that two elm trees in her yard were diseased and had to be cut down. The fines she was assessed had a steep interest rate and the total grew rapidly; within a few years, she owed $24,000; plus, she needed another $4,000 to cut down the elm trees.

“Lisa, then 65, didn’t have that kind of money, so the amount was added to her property taxes, putting her ownership of the house at risk. The home, a two-story duplex in an ethnically diverse North Side neighborhood, was paid off, but Lisa was unable to refinance it or otherwise raise the funds. …

“Lisa’s story sounds dramatic, but it’s not a particularly unusual one for low- and moderate-income seniors around the country. According to experts, the United States is about to face a giant wave of aging baby boomers who are hoping to remain in their houses as they age, but who are often one outstanding tax bill, major repair, or medical crisis away from losing their homes altogether.

“The statistics are daunting. According to LeadingAge, a national association of not-for-profit aging services organizations, in a little over 10 years, one in five Americans will be older than 65, and over half of them will need some sort of paid long-term care services. The organization recently released the results of a poll showing that at least 60 percent of seniors hope to remain at home as they age, even if they have a physical disability.

“But elderly Americans tend to have low incomes, as their life spans outstrip their savings. Roughly 20 million senior households pay over 30 percent of their incomes for housing, according to the AARP Foundation; almost 10 million pay over 50 percent. …

“ ‘For younger baby boomers, their economic situation is much worse than the older ones — they got hit in ’08 [by the financial crisis] and were unable to recover. There’s a growing number of baby boomers retiring with mortgages, so they don’t own their houses outright,’ says Robyn Stone, co-director of the LeadingAge LTSS Center @ UMass Boston. …

“Dan Soliman, director of housing impact at the AARP Foundation, agrees with Stone that a crisis is looming, but he’s more optimistic about the options for addressing it. ‘It’s a really, really big math problem.’ …

“There are definitely innovative programs out there, Soliman says. One is the Community Aging in Place — Advancing Better Living for Elders (CAPABLE) initiative run by the Johns Hopkins School of Nursing. The program sends a nurse, an occupational therapist, and a handyman to modify and improve the home environment of low-income seniors who want to age in place. Initially piloted in Baltimore, it’s a modest program that can have a real impact — and save money for Medicare and Medicaid.

“ ‘They get that if we’re able to keep an older adult in their home rather than a facility, there’s significant savings,’ says Soliman. The program is now being expanded to several states.

“AARP Foundation itself has developed a new program called Property Tax-Aide to help older homeowners gain better access to property tax refund and credit programs; currently only about 8 percent of low-income seniors benefit from these initiatives. …

“And many cities have programs that help elderly residents retrofit their houses to make them more user-friendly. Washington, D.C., for example, offers grants of up to $10,000 to low- and moderate-income homeowners and renters for home modifications that reduce the risk of falls and improve mobility.

“But those programs don’t get at some of the bigger issues, like out-of-control tax bills that can eventually lead to foreclosure, major repairs costing tens of thousands of dollars, or medical crisis that interrupt mortgage or tax payments.

“There is a small program currently being implemented in Minneapolis that addresses just about all of the key problems, and then some. It funds housing retrofits and pays off outstanding bills so that seniors can age in place, and could cover some services as well. And it keeps the homes affordable to low- and moderate-income buyers in perpetuity, so that when seniors no longer live there, the houses don’t fall into the hands of investors or negligent landlords.

“The program, called Project Sustained Legacy, was created by Minneapolis’ City of Lakes Community Land Trust. It takes advantage of the land trust model — but tweaks it slightly. Rather than buying the land underneath a house in order to lower the initial purchase price for a new buyer — the traditional CLT approach — the organization takes over the deed to the land belonging to an existing homeowner. In return, City of Lakes addresses outstanding tax liens, mortgage payments, and deferred maintenance.”

There are, of course, challenges to implementing a program like this. You can read about that and about what parts of the country are tackling a land-trust model here.

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Photo: twitter.com
Much to her surprise, Finnish soprano Karita Mattila found a community on Twitter that helped her regain confidence after a painful divorce.

You may say that on Twitter we each live in a bubble of like-minded people and that no good can come of that. But sometimes like-minded people can support someone who is down and out. Consider the case of Finnish soprano Karita Mattila, who was suffering doubts after a painful divorce.

Joshua Barone writes at the New York Times, “At 58, [Karita] Mattila, who is currently onstage here at [France’s] Aix Festival in Weill and Brecht’s ‘Rise and Fall of the City of Mahagonny,’ is having something of a late-career renaissance: a newly expanding repertoire and newfound celebrity on Twitter, where she is beloved by some of opera’s most ardent fans.

“And she loves them right back. …

“On Twitter — where few opera stars, when they’re present at all, are active beyond blandly promoting their performances — she posts, often with an abundance of emoji, about everything. She reacts to the news, never shying from being political; she participates in polls; she shares her thoughts (and horror stories) about restaurants in Aix-en-Provence. …

” ‘I’ve decided to be me. … I used to be so overprotective of myself,’ she said. ‘It’s time to start having faith. … Twitter was — maybe it’s dramatic — it was my lifesaver,’ she said. ‘It really became my rescuer.’

“Before the divorce from Tapio Kuneinen, who was also her manager, Ms. Mattila wasn’t present on social media. … A girlfriend warned her, she recalled: ‘There will be people who hate you. And if there aren’t, it means you don’t have enough followers yet.’

“But Ms. Mattila gave it a try. And as followers came, she began to interact with them, more and more — engaging with fans and music scholars from around the world who also repost many of her tweets.

“ ‘I “met” so many of these people, and I cried so much because it moved me, how they analyzed music and what I was doing. Of course I have that music-training background, but it had been so long since I have had conversations about music, what I do for a living,’ she said, waving her arms for emphasis.

“When she was in New York this spring for a production of Poulenc’s ‘Dialogues des Carmélites’ at the Metropolitan Opera, Ms. Mattila began to meet some of her Twitter followers in person and was, she said, ‘totally in awe.’ …

“Twitter has also redefined Ms. Mattila’s relationship with music. As a busy international artist, she had long thought she didn’t have the time to listen recreationally. But now, she said: ‘There are these guys that send me what they are listening to. It’s re-established my appreciation toward my own field.’ …

“Throughout her career, Ms. Mattila has been famous for her dramatic prowess and visceral physicality, ingrained, she said, since her education at the Sibelius Academy in Finland. But Esa-Pekka Salonen, her fellow student at the academy and the conductor of the Aix ‘Mahagonny,’ described her theatricality as more extraordinary than schooling alone could produce.

“ ‘She is totally committed to the material, whatever it is,’ he said. ‘Things can be raw, they can be intense, they can be funny. But she’s always in it, totally.’ …

“During rehearsals, Mr. Salonen said, she had a talent for energizing the musicians, which then showed once the audience was added to the mix. She even appeared in good spirits on the night of the dress rehearsal, as she posted selfies on Twitter.”

More here.

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Photo: DS Shin
The Chicago bookstore called Semicolon is also an art gallery and community space.

The future of independent bookstores will probably be determined by owners who combine selling books with other services — coffee bars, author events, children’s story hours, community meetings, or art galleries. In Chicago, Semicolon is one example of how to do it.

Taylor Moore writes at Chicago magazine, “At Semicolon, creatives of all stripes can find common ground. Located near the Grand Blue Line stop in West Town, the city’s newest bookstore is also a community space and gallery for Chicago’s street art scene.

“But Semicolon is notable for more than just its unique concept. When it officially opened on Tuesday at 515 North Halsted Street with a party and mural unveiling, it became one of just a handful of woman-owned bookstores in Chicago and its only bookstore owned by a black woman.

“An author and editor with a PhD in literary theory, proprietor DL Mullen first explored the world of art curation through her writing business, which landed her gigs penning exhibition copy for museums like LACMA.

“ ‘Explaining art is really [key] to how people understand it and connect to it,’ she says. ‘It became important to me to bridge art and words.’ …

” ‘[Semicolon] represents the point in a sentence where it could stop, but the author decides to proceed,’ Mullen explains.

“As a curator, Mullen brings an aesthetic sensibility to the bookstore’s interior. Semicolon is filled with lots of small personal touches, from author quotes on the walls to colorful furniture bought and carried from the Salvation Army two blocks away.

“But what might be most visually striking about the space is the art itself, like the mural which dominates the shop’s north wall. Street artist Ahmad Lee painted it in one 11-hour stretch, vividly depicting two of Mullen’s favorite artists: Frida Kahlo and Jean-Michel Basquiat. …

“Mullen plans on featuring different Chicago street artists monthly, in addition to hosting author and artist talks every few weeks.

“As for the books, they’re unconventionally arranged on floor-to-ceiling shelves with their covers facing out, not unlike a gallery. Keeping with Semicolon’s curatorial spirit, Mullen hand-picked all 400 titles, grouping them by association rather than genre. In her ‘Books That Make You Think’ category, for example, you can pick up Erik Larson’s Dead Wake, Stephen King’s 11/22/63, a collection of James Baldwin essays, and biographies of Henri Matisse and Georges Seurat.

“Mullen also wanted the store to be an asset to aspiring and self-published authors. For those looking to print manuscripts on the fly, Semicolon houses an Espresso Book Machine, a printer that can print up to 450 pages in minutes.

“Throughout Semicolon’s creation, Mullen has never lost sight of the fact that the store is currently the city’s sole black woman–owned bookstore.

“ ‘It means everything to me. To be able to create something that I love, as a black woman, that other black women and people can love just as much is a huge deal,’ she says. ‘You don’t get into bookselling looking for money; it’s really hard to build up your career to actually open a bookstore. I feel grateful that I’ve been able to do that.’ ” More here.

Still more at “Because of Them We Can,” here, Melville House, here, Chicago Review of Books, here, and the Literary Hub, here.

Photo: The North Star
DL Mullen is the founder of the combined bookstore, art gallery, and community space in Chicago’s West Town.

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Photo: Los Angeles Coliseum
Until a teenager decided to solve the mystery, the story of the coliseum mural was lost in the mists of time.

I’m pretty sure young people are going to save the planet, and after hearing speakers from one youth organization yesterday, This Is Zero Hour, I know I need to follow where they lead. Never underestimate the power of a teen who gets motivated to solve a problem.

On a lesser scale than saving the planet — but illustrating the point nevertheless — a Los Angeles teenage sleuth managed to solve the mystery of a beautiful, neglected mural and ended up providing critical information to the restoration team. Colleen Shalby has the story at the Los Angles Times.

“For decades, the curving mural depicting a golden sun has greeted visitors to the Los Angeles Memorial Coliseum. Faded by the elements, its once-vibrant blue lost some luster over the years. The gold-leaf paint had chipped away. Still, the image drew eyes upward.

“No one seemed to know who had painted the scene adorning the Coliseum’s main archway — or when. Guides referred to it as a ‘mystery mural,’ the story of its origins as shrouded by time as the artwork itself.

“But after taking a tour of the historic stadium a few years ago, one local teenager became engrossed with its history.

“Dean Gordon estimates he’s been to the Coliseum more than 100 times. But before that day, he’d never given much thought to the mural high above the peristyle entrance. Two golden Olympic torches flanking a flaming sun, its center a depiction of the planet Earth and the 12 signs of the Zodiac. Solving its mystery soon became his mission.

“Two summers ago, at age 17, Gordon began his quest — poring through library books and searching archives, hoping to find a clue that would lead him to the artist.

“ ‘I basically contacted every single person who might have an idea,’ he said, ‘every archivist, historian or professor who might have some connection to the mural,’ rumored to have been painted before the Coliseum hosted the 1932 Olympics.

“After a series of dead ends, Gordon found a clue in the form of a Los Angeles Central Library notecard that read ‘H. Rosien Coliseum.’ Further online digging produced nothing — until he came across a single tweet: ‘Please don’t touch the mural inside the arch that my FIL Heinz Rosien painted prior to the Olympics!!’

“The plea, posted in 2016, was from Mary Lou Rosien in response to the Coliseum’s announcement that parts of the stadium were being overhauled. The mural would be part of renovations, which eventually totaled $315 million, by USC. The university operates and manages the Coliseum. …

“Rosien’s husband, Igor, [and] his father, Heinz Rosien, had worked on the mural together. The Los Angeles Coliseum Commission tasked the elder Rosien with the job in 1969, in hopes of helping the city win a bid for the 1976 Olympics. …

“The archway of the Coliseum proved to be a precarious canvas. The underside of the curved portico stood more than 70 feet off the ground. To reach it, father and son scaled scaffolding without the aid of safety belts, which now are commonplace. They painted upside down. …

“The origins of the mural were all but lost — until Gordon started his detective work. The teen tracked Rosien shortly after spotting his wife’s tweet, shocked to learn that someone directly connected with the artwork was still alive.

‘The entire time I was trying to figure out who painted it, I thought it was from 1932,’ said Gordon, now 19 and a student at Amherst College in Massachusetts. ‘All my research was in that time period.’ …

“The end of Gordon’s search two years ago led to a series of hours-long discussions about the mural — and the start of a friendship between the younger Rosien and the student detective.

“ ‘Thankfully, Dean didn’t take “mystery mural” as an answer,’ Igor Rosien said. …

“Before the mural’s restoration got underway, Gordon and Rosien met outside the Coliseum. There, the artist presented the young detective with one of his dad’s paintings.”

More.

 

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Photo: Peter Yeung
One African country has made impressive strides in reducing the child mortality rate.

Sometimes it’s the poorest countries in the world that lead the way in solving a problem. Recently I learned that Rwanda, for example, is on track to be the first country to wipe out cervical cancer, thanks to its massive roll-out of HPV vaccine.

And as Peter Yeung reports at National Public Radio (NPR), Mali has drastically cut child mortality rates.

“Imagine a world in which pregnant women and little kids get regular home visits from a health worker — and free health care,” Yeung writes. “That’s the ground-breaking approach that’s being adopted in one of the world’s poorest countries: the West African nation of Mali.

“And it’s already underway in a pilot program. Nana Kadidia Diawara is one of many community health workers who do daily rounds through the sprawling, dusty streets of Yirimadio, a neighborhood on the outskirts of the capital city of Bamako. …

” ‘I know everyone in my area, and it’s a system that works very well,’ she says, while measuring the skinny arm of a child to check for signs of malnutrition. The child lives in a one-story concrete compound that is home to ten families.

“A nurse who’s joined the country’s cadre of community health workers, Diawara visits each of the homes in her designated area, which contains roughly 1,000 people, at least twice a month. She diagnoses, treats and refers patients. It’s part of a free door-to-door health-care plan that began in Yirimadio in 2008 as a trial by the government.

“When data from a seven-year trial was compiled by a team including researchers from the University of California, they found that child mortality for kids under age 5 in Yirimadio dropped by an astounding 95%, according to findings published last year in BMJ Global Health. …

“Now the program will be extended to the entire country. This spring, President Ibrahim Boubacar Keïta announced a target date of 2022 for nationwide coverage — at a cost of $120 million. This localized, free health care for pregnant women and children under age 5 could help the West African nation meet the U.N. Millennium Development Goals. A key factor will be the provision of community health care workers who’ll be trained to do the door-to-door work. …

“Astan Koné, a 28-year-old mother of two in Yirimadio, [offers praise]. During Mali’s hot season last year – which regularly exceeds 100 degrees Fahrenheit – one pregnant relative was diagnosed with stomach ulcers.

” ‘It makes me very happy that the government will do that for the rest of the country,’ says Koné. ..

“[Currently] Mali’s planned reforms rely on external funding, secured with help from the Clinton Health Access Initiative, to supplement government spending. But there is no guarantee this supplemental funding will last in future decades, and Mali will need to find a long-term solution that may involve restructuring its budget. …

“The key to long-term success, according to [Robert Yates, an advocate for universal health care coverage at the U.K.-based think tank Chatham House,] will be political support – which Mali already has – and a long-term funding plan. ‘Clearly countries need more public finances to do it,’ he says. ‘But it’s perfectly feasible – by allocating a greater proportion of the budget to the health sector.’

“The cost of the Mali’s reforms, averaging $8 per person a year, could reasonably be covered by what the region’s governments are already spending on healthcare, Yates believes. …

“Community health workers — who in Mali are trained for at least a year and are able to carry out basic medical procedures — are so important.

” ‘The leading causes of maternal, newborn and child death are curable,’ says Dr. Ari Johnson, a medical doctor and co-founder of Muso. The nongovernmental organization, which aims to end preventable deaths, has supported the trials in Yirimadio with staffing and training. ‘Diseases like malaria and newborn sepsis can kill within hours. … But in status quo health-care systems, poor patients face many barriers that delay their access to care: fees they can’t afford to pay, distance they cannot travel to the nearest provider.’

“Back in Yirimadio, one 6-month-old girl in a white dress calmly awaits treatment on her father’s lap under the shade of a mango tree. ‘She is suffering,’ says Naba Fané of his daughter, who has pain when urinating. Community health worker Diawara writes the family a referral to the local health clinic in a matter of minutes.”

More at NPR, here.

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Photo: The Independent
Holland is welcoming bees to bus-stop roofs with plants that also clean dust from the air.

Here is a cool idea for nourishing our valuable pollinators — as long as you’re not allergic to bee stings.

Sophie Hirsh at Green Matters has the story. “Waiting for the bus is typically pretty uneventful — unless you live in one Dutch city. Utrecht, a city in Holland, the Netherlands, recently gave makeovers to 316 bus stops, outfitting them with ‘green roofs,’ The Independent reports. The roofs are covered with sedum flowers and other plants, which act as an oasis for bees. …

“As explained by BrightVibes, the plants will also help absorb rainwater, capture dust or pollutants from the air, and regulate temperatures. …

“In addition to the green roofs, the bus stops also feature bamboo benches and LED lights, which are much more efficient than fluorescent and incandescent lights. And to keep the maintenance of the green bus stops as eco-friendly as possible, Utrecht’s municipal employees who service the bus stops travel from station to station using electric vehicles.

“If Utrecht citizens find themselves inspired when waiting for their daily bus ride, the city is encouraging residents to install green roofs on their houses. In fact, Utrecht residents can actually apply for a subsidy to cover the costs of planting greenery on their roofs, according to BrightVibes. …

“According to the USDA, bee pollination assists in producing one out of every three bites of food we take in the U.S. Many foods we regularly enjoy would not be possible without bees. According to the NRDC, 42 percent of U.S. bee colonies collapsed in 2015, putting our nation’s food supply in jeopardy.

“But over the past few years, there have been a few other local projects to protect bees around the world. For example, in 2010, a German couple began installing bee hives on buildings around Berlin, with the goal of helping bees, as well as creating awareness for the importance of protecting pollinator insects. …

“If you have a garden at your home, there are plenty of ways to use your outdoor space to help bees and other pollinators. For example, you can plant flowers that will attract bees, such as alyssum, echinacea, geranium, and clover, preferably in bright colors like blue, purple, and yellow, according to Gardeners Supply Company. You can also stop weeding your garden and mowing your lawn. As explained by the New York Bee Sanctuary, dandelions and other weeds are great food sources for bees.”

More here.

Photo: GreenMatters.com
Pollinator gardens on bus-stop roofs offer numerous environmental benefits.

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Goats to the Rescue

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Photo: Phil Klein
Goat farmer Bob Blanchard tends to his flock above Diablo Canyon nuclear power plant in Avila Beach, California.

Can you take another story about goats as lawnmowers? (Click for an example.) Today’s update shows how goats are not only a good way to cut your grass but are an important wildfire-fighting tool.

Susie Cagle writes at the Guardian, “As the western US braces for another wildfire season, following its most devastating on record, public officials and private landowners are turning to an unlikely, rustic tool to manage increasingly incendiary lands. Goats.

“They’re currently munching away at summer-dried, fire-ready grasses in Oregon, Washington, Colorado, Idaho, Montana, Utah, Nevada and across California. In some places that outlaw livestock within city limits, officials have even changed local ordinances. …

“In California, where wildfires have long been a threat, goats have worked for decades to protect coastal communities from creeping conflagrations. But worsening, deadly fire seasons across western US have inspired more communities to try managing their lands not with machines and chemicals, but with hungry animals.

“More extreme, climate-changed weather cycles could make fuel management a more important part of wildfire mitigation, as more intense rainy seasons lead to huge spring sprouts in grasslands, that are in turn dried out in the hotter, drier summer sun. …

“ ‘There’s a lot more awareness just because of the horrific fires we’ve had lately,’ said [Mike] Canaday, who runs a company called Living Systems Land Management. ‘If people want goats, the sooner they can get on somebody’s waiting list, the better.’

“He believes goats are a superior form of fuel management, more sustainable and less risky than herbicides or fuel-powered mowers. ‘And they’re a lot more fun to watch than people with weed eaters.’

“Grazing goats are far from the newest wildfire prevention tool, but they have a comparably tiny footprint. They’re efficient, clean eaters, nibbling away at weeds and grasses and leaving far less damage than an herbicide. They’re nimble climbers, able to scamper up steep flammable hillsides and into narrow canyons that humans would struggle to reach. They’re impervious to poison oak, and they don’t disrupt natural ecosystems or scare away indigenous animals. Where conspicuously carved fire breaks on verdant hillsides might upset homeowners, goats are welcome seasonal cuteness.

“In its 2019 wildfire safety report, released in July, [Laguna Beach] officials estimated a human crew costs roughly $28,000 to clear an acre, while a goat crew costs an average of $500. …

“The west cannot survive on goats alone, in part because of the limited labor pool, and in part because fuel management isn’t enough to abate wildfire impacts. Goats are effective, but they can’t do anything about flammable wood shingle roofs or cedar siding on ageing buildings that are not subject to new fire safety codes.

“ ‘We have a lot of tools in the toolbox,’ said [fire marshall Jim] Brown. And when it comes to clearing the fuel that could send flames rushing toward those old, flammable homes, ‘the goats are just the best tool we have in the toolbox to do that – there’s just nothing better.’ ”

More here.

Speaking of goats, I happened to run into one today at the library. The young lady with the leash told me that the goat’s name is Hermione.

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Photo: Associated Press
If it’s a heavy metal knitting competition, it has to be Finland. Finland has the world’s most unusual contests.

I love stories about the unique contests the Finns come up with. Remember cellphone tossing, swamp soccer, and wife throwing? So glad the Huffington Post shared this July report from the Associated Press.

“Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.

“With stage names such as Woolfumes, Bunny Bandit and 9″ Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible. …

“The competition took place in a packed square in the small town of Joensuu close to the Russian border. An eclectic group of around 200 people watched the performances, from families with young children and elderly to the less conspicuous heavy metal fans donning leather-jackets and swirling their long hair to the fast-paced rhythm of the music.

“A niche musical genre in many countries, heavy metal is more mainstream in Finland, with several bands household names frequently played on the radio. Its popularity grew further in 2006 when the Finnish band Lordi won the Eurovision Song Contest dressed as monsters. …

” ‘In Finland it’s very dark in the wintertime, so maybe it’s in our roots. We’re a bit melancholic, like the rhythm,’ said Mark Pyykkonen, one of three people judging the competition. …

“Said Mari Karjalainen, one of the founders of the event, ‘[Winter] really gives us lots of time to plan for our short summers and come up with silly ideas.’

“Thursday’s competition saw participants from nine countries, including the United States, Japan, and Russia, put on inspired performances full of theatrics, passion and drama and the jury struggled to agree upon a winner.

“Finally, it was a Japanese performance by the five-person Giga Body Metal team that clinched the title with a show featuring crazy sumo wrestlers and a man dressed in a traditional Japanese kimono.

“ ‘It’s a great release,’ said Elise Schut, a 35-year-old nurse from Michigan who performed with her 71-year-old mother and 64-year-old family friend, Beth Everson, who added that ‘knitting is such a meditative activity but now it’s energetic and heart pumping.’ ”

More.

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As you know from your earliest history classes, the first immigrants arrived in Virginia in 1607.

For good or evil, depending on how much you identify with an indigenous heritage, immigrants have made America what it is today. The migration started as early as 1607 in Virginia.

That’s what came to mind when I read this news story about the contribution of immigrants to the economy of present-day Virginia.

Katie O’Connor writes at the Virginia Mercury, “A new report from the Commonwealth Institute for Fiscal Analysis says immigrants are key contributors to the state’s overall economy, despite challenges that include health insurance access, discrimination, language barriers, ‘brain waste’ and housing costs. …

“As many parts of Virginia struggle to find enough workers, many immigrants are ‘relatively young, well educated, fluent in English and more likely to participate in the workforce.’

“The one million immigrants in Virginia make up 12.5 percent of the state population. … And while immigration from Mexico tends to dominate the national debate, Virginia’s immigrant population comes from a wide variety of countries.

“ ‘Mexican immigrants make up just 5% of all immigrants in Virginia, fourth after people born in El Salvador (11%), India (9%), and Korea (6%),’ the report says. ‘Looking at continent of birth, rather than country of birth, there is a similar diversity. Forty-three percent of Virginia’s immigrant population was born in Asia, the largest group from any continent.’ Most of them are also between the prime working ages of 25 and 54. …

“ ‘Immigrants participate in Virginia’s workforce at a much higher rate than U.S.-born residents — 72 percent compared to 65 percent — and at a rate six percentage points higher than the national participation for foreign-born residents.’

“But the report also points to public policies that would help address the challenges immigrants face. More than one in three noncitizen residents lack access to health insurance in Virginia, ‘even worse than in the country as a whole,’ the report states. …

“Immigrants face all the challenges that come with lack of health insurance, like large medical bills and a lack of preventative care. Virginia is also one of only six states to require legal, noncitizens to work for at least 10 years before they qualify for Medicaid.

“Housing and poverty remain problems for the state’s immigrants, as does what’s called ‘brain waste’: when people aren’t working jobs that match their educational attainment.

“ ‘In Virginia, 21 percent of college-educated immigrants 25 and older are working in low-skill jobs or are unemployed. This is well above the average for U.S.-born Virginians,’ the report states. ‘Lawmakers, employers, and workforce development officials all have a role to play in reducing this needless inefficiency and maximizing opportunity for the state.’ ” More.

When a much-needed resource is right under our noses, it’s penny wise and pound foolish not to help it flourish.

Hat tip: Economic Policy Institute on twitter.

P.S. I can’t resist adding this poem by Emily Dickinson from today’s Boston Globe:
“These Strangers, in a foreign World,
“Protection asked of me—
“Befriend them, lest Yourself in Heaven
“Be found a Refugee—”

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Photo: Ensemble Español Spanish Dance Theater
Ensemble Español Spanish Dance Theater, based in Chicago, is among a growing number of American flamenco companies.

I had no idea that there is a vibrant branch of flamenco dance culture evolving right here in the United States, but a recent article in Dance Magazine set me straight. Alice Blumenfeld begins by noting a Dance Magazine interview with Cuban Flamenco star Irene Rodriguez.

The interview, she says, ‘mentions only a few of the many flamenco companies in the U.S. and claims a lack of innovation in American flamenco. [It] brings to the forefront a deeper problem surrounding flamenco in the United States.

“Why are so many flamenco dance companies and dancers in the U.S. — especially those pushing the form forward — overlooked and undervalued? Why do we constantly have to defend our work?

“When I toured the U.S. with Flamenco Vivo, my first two tours I wore the iconic red bata de cola. I’d run onstage and hit a pose in the middle of the first piece — and almost without fail, the audience would cheer. I’d hold my pose, chest and chin lifted, castanets drawn and ready. But in my head, I was thinking: Why are they clapping? I’ve done nothing worthy of applause — entering the stage and making a pose is not such a special feat. Presumably, it was the appearance of the red dress and the dramatic change in lighting.

“Why is the audience trained to clap at that moment? I could start with Franco, who used the image of the flamenco dancer to attract tourists to Spain. The woman in the red dress is even an emoji. …

“Pursuing flamenco outside the norms is not so easy. … Sometimes, flamenco is sidelined because it isn’t fully understood. (One MFA program called and asked me why I wanted an MFA, since I was a flamenco dancer. Only upon including in my answer that I also study contemporary dance and had a foundation in ballet did it seem to make sense to them.)

“I am ever-grateful to my experiences dancing with several of companies Rodriguez admires … But only as I started to branch out did I realize there are many people breaking boundaries in flamenco in the U.S. in incredible ways that could only be possible in the melting pot that is America. … Many cities in the U.S. champion vibrant flamenco scenes with outstanding dancers and musicians, and some, like Pittsburgh and Austin, have burgeoning scenes. Building a flamenco community takes decades of tireless work, and many of us creating today are standing on the shoulders of often unrecognized artists.

“As foreigners, we have to prove five times over we know the rules before we can break them. … I want aspiring flamenco dancers to know it’s okay to not wear a red dress and polka dots, to branch out, and to explore one’s own style, story and self through flamenco. And I want audiences to know flamenco is more than passionate and fiery footwork. …

“I want people to understand there is an ever-expanding horizon in flamenco, that flamenco has a specific (and fascinating!) political and cultural history. … Flamenco can be for anyone willing to put in the time to study it — the technique, structures, history, music — and then deepen that knowledge with their own interpretation.”

More here.

Photo: Angelica Escoto/ Flamenco Vivo Carlota Santana
Alice Blumenfeld performing with Flamenco Vivo.

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Greece Enigmatic Islet

Photo: Greek Culture Ministry via AP
A newly discovered stone staircase is seen in the lower terraces of Dhaskalio islet off Keros island in the Aegean Sea, Greece.

I’m a sucker for any story with revelations about Ancient Greece. But the first article I read on excavations on Keros island made wild claims about how they showed the origins of Greek culture and the reasons the ancients thought their gods lived on mountain tops. Worse, in illustrating the story, the newspaper chose a photo of a burial mask that has been around forever. I had a replica of that very mask as a kid, when there was speculation it was Agamemnon’s.

So I looked for a more more factual article.

The Athens-Macedonian News Agency reports at the National Herald, “An extensive and extremely interesting series of exhibitions has been organised on the Cyclades islands this year by the Cyclades Ephorate of Antiquities. …

“Among these are the exhibitions ‘From the world of Homer. Tinos and the Cyclades in the Mycenaean era’ that runs between July 13 and October 14, which is being held in cooperation with the Piraeus Group Cultural Foundation (PIOP) at the its Museum of Marble Craft in the village of Pyrgos, Tinos. A second exhibition [is] to be inaugurated on July 14 at Archaeological Collection of Koufonisia and will run until September 30, 2019.

“ ‘Both exhibitions are extremely important,’ said Dimitris Athanasoulis, Director of the Cyclades Ephorate of Antiquities, to the Athens-Macedonian News Agency (ANA). ‘On the occasion of the founding of the tomb of Agia Thekla in Tinos, we have a first exhibition for an unknown period of the Cyclades, the Mycenaean period, presenting great and unknown material.’ …

“Four-year excavations and research on the extraordinary architectural findings of Kavos on the island of Keros in the Cycladic Islands group confirmed the existence in Early Cycladic times of a complex, stratified and technically expert society.

“[The research programme under Cambridge University] has ‘revealed impressive architectural remains of a significant Early Cycladic settlement,’ the ministry said.
Under the project, excavations took place on the small islet of Daskalio, originally connected to the nearby site of Kavos on Keros through a narrow strip of land. … The remains of the culture at the time include ‘impressive staircases, drainage pipes and stone buildings that reveal an advanced urban architecture without precedence for the specific period. …

” ‘The complicated, interlinked and multi-level architecture shows the existence of a well-organised and well-built settlement on a steep promontory,’ it added. …

“According to co-excavator professor Colin Renfrew, Daskalio shows that the building techniques that were applied, the existence of huge entrance gates, stone ladders and the drainage pipes throughout the island show that there must have been a specialist architect and a central administration to carry out the building programme. He said the complexity of the construction is only comparable to Knossos on Crete for the same early period, he said. …

“Co-director of the site Michael Boyd added that a unique feature of the site includes the fact that metallurgy played a significant role throughout the life of the settlement. Its extent and scale proves a constant replenishing of raw materials from western Cyclades and Attica, and a social structure that trained and passed skills on to newer generations.”

More here.

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Image: South Africa’s Got Talent
What are the chances for a taxi driver with a great voice to move from entertaining his passengers to the opera stage?

I wonder if someone with a tremendous talent who delights himself and a small circle of others with his singing necessarily wants an international audience. That is the question that came to my mind as I read about the fun that a taxi driver in South Africa is having as he sings for passengers.

Stephen Moss writes at the Guardian, “Are opera singers born or made? Are there wonderful natural operatic voices out there waiting to get a break on Britain’s Got Talent? Or maybe on South Africa’s Got Talent, because the reason to pose the question comes courtesy of an opera-loving South African Uber driver called Menzi Mngoma, whose impromptu performances in the front of his cab in Durban have caused a frisson of excitement among those who want to believe that great voices and instant opera stars are all around us.

“Mngoma is a self-taught tenor who likes to belt out arias for his passengers. One of his customers, Kim Davey, liked his singing so much that she posted a video on Facebook. That, in turn, attracted media attention and the 27-year-old Mngoma’s career was launched. He is said to be auditioning for Cape Town Opera. A stadium tour will no doubt follow.

“It generally pays to be suspicious of such stories. The media want to believe in fairytales because they make good copy. Being an opera singer is about more than giving a passable two-minute rendition of ‘La donna è mobile.’ It is singing and acting a role over three or more hours in an opera house twice a week; having the vocal technique to sustain a 20- or even 30-year career; performing a wide range of parts in up to five languages. It is bloody difficult.

“That said, Mngoma does have the spark of something. I played the clip to the Guardian’s opera critic Tim Ashley, and while Ashley said there was barely enough to make a judgment, he thought Mngoma ‘sang “La donna è mobile” perfectly decently and with no strain at the top [of the voice].’ Ashley says that being self-taught is ‘unusual but not completely unheard of.’ …

” ‘You have to be born with talent – that can’t be taught – but teaching will hone that talent,’ says Martha Hartman, the manager of the vocal studies department at the Guildhall School of Music and Drama. She says that singers do not have to start studying in their teens: the Guildhall has several students in their late 20s, including one who used to be a builder. But she emphasises that natural talent is not enough. …

“If Mngoma wants to be a professional opera singer, the hard work starts now. ‘If you find a singing teacher and if you hone your skills and if you have some classes in stagecraft and movement and drama and all these things that go into being a singer,’ says Hartman, ‘then you might have some roads open to you. But most opera houses and orchestras will demand knowledge of repertoire, and that’s a very big piece of the puzzle: knowing how to learn music and learn a role.’ ”

More at the Guardian, here.

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