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Photo: Lesley Black.
Theater company A Play, A Pie and a Pint produces up to 40 plays a year as well as two pantomimes in the Oran Mor venue in Glasgow, Scotland. Actor Elaine C Smith is pictured above.

I’m in the middle of reading a novel by one of my favorite mystery writers, Ian Rankin, who writes about Scotland. Besides his plots and characters, I love the Scottish slang. Sometimes I even have to look up expressions or words — Teuchter, Slainte, Howff. And it’s not just Gaelic words that are fun, but the Scottish way of putting English words together. For example, “getting mortal” means getting extremely drunk, smashed.

The murder mystery takes place during the offbeat theater festival known as the Fringe, which is why a recent BBC article about a Scottish theater group caught my eye.

Pauline McLean writes, “Established in 2004, A Play, A Pie and a Pint produces up to 40 plays a year as well as two pantomimes in the Oran Mor venue in Glasgow. It has given a platform to established names [and] has also helped new writers get a foothold in the industry, like Liam Moffat, whose play Jack opens the new season. …

“For Juliet Cadzow it is a bitter sweet moment. Her husband David MacLennan was the theatre director who came up with the idea. He died in 2014 after being diagnosed with motor neurone disease. …

“This is what he wrote at the time: ‘The actor Ralph Richardson once described acting as the art of keeping the audience from coughing. And Alfred Hitchcock said the length of a film should be directly related to the endurance of the human bladder. That’s why Colin Beattie and I started “A Play, A Pie, and a Pint.” ‘

“The first show was a play called Hieroglyphics, by Anne Donovan, author of Buddha Da. It was her first stage play. …

“Lunchtime theatre was already popular across Europe but the Scottish offer of a pie made it different, and brought its own challenges.

” ‘It was waiter service when it first started and everyone came and sat at long trestle tables and they were served their pie and It took time when it was busy,’ [actor Linda Duncan McLaughlin] says. ‘They wouldn’t have stopped serving before the play went up. So the waiters were trying to be quiet and and the audience were trying to be quiet but they were still eating.’

“But the concept quickly took off. ‘I think the fact that it was weekly helped,’ says Juliet. ‘If you didn’t like the play that was on that week, there would be a new one next week. And the audience were quite vociferous.

‘They would say to David “I didn’t like that one,” but they’d still come back the next week.’

“Those involved in the shows also liked the challenge of creating a 50-minute show with limited resources and rehearsals. Linda Duncan McLaughlin has written plays, as well as performing in them.

“She says: ‘You’ve got to get what basically is a full play into a fifty minute timeframe. You only have three actors, so if you wanted to write six parts, you’re going to have to be really good at writing doubling up parts and you have to make sure the actors can cope with that. It is limited but it’s a great discipline for a writer. And it really focuses your mind.’

“For some performers, it’s a chance to return to their roots, although Robbie Coltrane admitted his week long run in Peter MacDougall’s play My Father’s Old Suit in 2005 was a daunting one.

” ‘The idea of 500 Glaswegians drinking and having their dinner?’ he recalled in a 2010 documentary. ‘It’s like one of those Frank Sinatra concerts where all you can hear is the knives and forks clattering.’

“[Icelandic] writer Jon Atli Jonassan found the 2009 run of his play The Deep helped him into filmmaking. … ‘No one wanted to make it, but after the production here, we got interest from filmmakers. It was the most expensive film ever made in Iceland and was shortlisted for Best Foreign Film at the Oscars.’ …

” ‘If you’d asked us that first week, I’m not sure we would have been confident that we’d still be going twenty years hence,’ says Linda, who is co-chair of the Scottish Society of Playwrights. ‘It does offer an opportunity for new work to be on every week of the year for forty eight weeks of the year, which no other organization can offer. So it really does have a strong, vital part to play in Scottish theatre culture and long may it continue.’ “

More at the BBC, here.

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Photo: S.C. Mero.
Ladybugs nestle into the intersection of 9th, Main, and Spring Streets in Los Angeles, spring 2023. LA’s Fashion District commissioned S.C. Mero to create a series of installations to decorate the median, which had fallen into disrepair.

Art can lift up a community. It can be an outlet for feelings of all kinds. Whether it’s the art of graffiti (see Manny’s documentary Stations of the Elevated), the art of whimsy, or any other kind.

In today’s post, Ali Martin interviews a whimsical street artist, S.C. Mero, for the MonitorDaily.

“In downtown Los Angeles, absurdity interrupts urban blight: A fire hydrant sprouts stockinged legs; a winged telephone leaps from a phone booth; a mailbox towers, inaccessible, over passersby. 

“The city’s historic business district and surrounding neighborhoods are the backdrop for contemporary street artist S.C. Mero, who sees opportunity in a landscape dogged by disappointment and deferred dreams.

“The Minnesota native embraced the area, known as DTLA, after graduating from the University of Southern California (USC) a decade ago. Today, her rogue installations are part of downtown’s creative fabric – and local authorities are in on it. She’s been honored by the city for her contributions to the Skid Row neighborhood and commissioned by the nearby Fashion District to decorate a median at an intersection.

“Transformation governs her art. Ms. Mero’s first pieces were mosaics made of pennies which she altered with heat, dye, and tools. Other projects reshape abandoned spaces into commentaries on politics and humanity. 

“Her work insists on hope, which she describes as rebellious. ‘To put something like cute little turtles on a median with downtown the way it is, it’s resisting something, right? It’s resisting the default, which is to be negative,’ says Ms. Mero.

“The Monitor spoke with Ms. Mero at Something Poetic, her venue for performance art. The space, offered to her during the pandemic by the Historic Core Business Improvement District, has become a hub for local artists. The conversation has been edited for clarity and length. 

Monitor: Why downtown? You joined an artist collective on Skid Row after graduating from USC. I’m guessing there were other options. 
“S.C. Mero: I think my mom asked me the same question all the time. I just feel like it’s a good fit for what I’m doing. It’s really a creative vortex. … You have the Arts District, the Flower District, the Fashion District, Little Tokyo, you have the Industrial District, the Financial District. And maybe that’s typical of most cities, but I feel like there’s a lot happening here and it’s good for cultivating ideas.  I’ve just felt like I want to see it through, too. Look at these [historic, vacant] buildings. I think this could come back to life and they’re not there yet. So I want to be part of that transition. …

You look at a pothole, you look at something breaking down around you, and you see whimsy and light. How does that happen? 
“Because nobody cares about it anymore. It’s free game, right? Nobody’s going to stop you from really, truly doing anything on a pay phone right now, or a newspaper stand, or – in certain areas – a pothole. … To do anything to it, people are like, ‘Oh, you know, it’s better than what was there.’ 

What do you want people to take away from your art? 
“I feel like wanting people to take away something is in a way thinking that I want something from them. … I’m thankful that they are even allowing me to do it. So the fact that their reaction is positive, I’m just even more grateful for that – it makes it a little easier to be able to keep doing it. So I don’t know if I want a certain reaction from people. I just hope that they can find something that they do that they love as much as what I’m doing. 

Is there a theme or an idea that pulses through your work?
“Yes. At first I didn’t really see it. … The age-old idea of spiritual growth and transformation. And I think that that’s evident in a lot of my work – the whole idea that something can lose its identity or lose its value, but then come back even stronger. 

“A lot of my work is critical of our government, but I still maintain hope that there is a better way. It speaks to the truth because it’s not really about a payphone or a penny. We’re no different than that, right? Something is that way, but it can be better. What does it take for that to happen? It takes a belief, for one. It’s not going to get better by not thinking or imagining or seeing it that way. 

What is the relationship between your work and the downtown community?
“They’re as much of a part of [the art] as I am. It’s that we’re-in-this-together kind of vibe. Whether they like the piece or not, they get it because they’ve seen that pothole. They’ve seen a payphone like that. … It has that sense of camaraderie, I think.”

More at the Monitor, here. Note the funny mailbox, among other things.

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Photo: Lily St Angelo/Burlington Free Press.
Pallet shelters opened in Burlington, Vermont, in November 2022.

Is this unfancy housing a good idea? It’s a reprieve from sleeping rough. It’s off the bare ground, it provides a roof and some heating and cooling, but … but …

In January, Wheeler Cowperthwaite wrote about “pallet shelters” (above picture) for the Providence Journal.

“Since the onset of the COVID-19 pandemic, when the limitations of congregate homeless shelters became clear as the world shut down against a new disease, House of Hope Executive Director Laura Jaworski has been thinking about pallet shelters.

“Three years later, as Burlington, Vermont and Boston have set up their own pallet shelters, Providence could be next in line with a plan for 45 individual tiny shelter buildings, 70 square feet, with screened windows, fire extinguishers, smoke and carbon-dioxide detectors, electrical outlets and their own heating and cooling systems.

“State officials are ‘pursuing’ a plan to open a 45-unit pallet-shelter village on state land off Victor Street in Providence, state Department of Housing spokeswoman Emily Marshall wrote in a news release.

“An additional four ‘office units’ are in the plan, as the site would be staffed at all times, as well as a ‘free-standing community room’ and a combination shower/bathroom and a laundry room. The shower and bathroom would be Americans with Disabilities Act compliant. …

“The proposed site is on 1 acre of a 4-acre half-moon-shaped lot on Victor Street that is bounded by the on-ramp for Route 146 from Douglas Avenue, as well as by Route 146. One street over, on Chalkstone Avenue, is the Foxy Lady strip club.

“It is unclear how long people will stay, but it’s meant to help them stabilize and move into permanent housing. … Rhode Island Homeless Advocacy Project Director Eric Hirsch said the pallet shelters are very needed and will make a difference to the state’s estimated population of 300 people sleeping outdoors.

” ‘These are a particularly good option, and I like the way they’ve set it up, with one person in each unit, so you don’t have to worry about roommate conflict,’ Hirsch said.

“The pallet shelters will take referrals from the state’s Coordinated Entry System, including those who have been chronically homeless.

“The pallet-shelter initiative is largely a result of outreach workers listening to people struggling with homelessness, and the reasons they would rather live outside than go to congregate shelters, where their lives and behavior are largely controlled by the operators, Jaworski said. …

“In congregate shelters, there is no privacy, people are often kicked out early in the morning and not allowed to come back until late in the afternoon and do not allow people to decompress and begin shifting from survival mode to secure residency. …

“Among the ways the pallet shelter would meet people where they are is allowing pets, including having a dog run, and allowing couples. … Pet ownership being banned and couples being separated were two of the major things that providers found were preventing people from taking offered shelter options, she said.

“Each shelter would also have electric service, which is especially important for people who need medication to be refrigerated, including anyone who needs insulin. …

“The city Board of Contract and Supply has scheduled a Jan. 16 hearing on a proposed $475,763 contract with House of Hope, paid for with American Rescue Plan Act funds, as well as a $475,394 outlay for Amos House to extend its program, or add shelter beds, at the Charlesgate shelter program. … In an email, Providence spokesman Josh Estrella wrote that, because the proposed shelter community would be built on state-owned ‘public right-of-way land,’ it is exempt from city zoning regulations.”

My only question is: Since temporary fixes so often become permanent, who is in charge of seeing this solution is truly transitional?

More at Projo, here. A February update from Sarah Doiron and Kayla Fish at WPRI notes that the shelters will open in early spring. See WPRI here.

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Photo: Adeline Heymann/One Ocean Expeditions.
Candice Pedersen, a guide for One Ocean Expeditions in the Arctic, tells passengers that Inuit women feel empowered reclaiming traditional tattoos for themselves.

I love the radio show called The World because of the international focus. It always has a deeper take on mainstream media stories, and you can hear music you’re unlikely to be exposed to anywhere else. Recently, Joshua Coelda, Sejersdal Dreiager, and Shirsha Chakraborty reported about a tradition that is coming back from the brink: Inuit tattoo art.

“Najannguac Dalgård Christensen, 35, pulled back her sleeve on one forearm to reveal a pair of tattoos shaped like train tracks across her wrists. …

“These are traditional Inuit tattoo patterns that speak to her Indigenous Inuit heritage. The markings, she said, represent Sila, a word that carries many meanings, including ‘breath,’ ‘sky,’ ‘spirit’ and ‘universe.’

“To Christensen, who got the tattoo several years ago, it also means ‘the Greenlandic belief that we should be aware of who we are and what we can be, and that is attached to each other.’

“In precolonial times, Inuit women of Greenland, and across much of the Arctic, would have tattoos on both their bodies and faces, holding important pre-Christian spiritual meaning. Today, some Greenlandic Inuit like Christensen are reclaiming their identity through this long-lost art. 

“She said that she didn’t always embrace her Greenlander identity — because it is often associated with negative stereotypes about the Inuit diaspora living in Denmark, who colonized the North American island three centuries ago.  

“ ‘I felt empowered by getting the tattoos because it was like there was some kind of relief that I didn’t have to be embarrassed about being a Greenlander anymore,’ Christensen said. …

“The custom itself is far from new, but tattoos were some of the first traditions to be discouraged when Danish-Norwegian missionaries started colonizing the island at the beginning of the 18th century. The missionaries found tattooing incompatible with Christian faith, [Randi Sørensen Johansen, intangible cultural heritage curator at the Greenland National Museum and Archives] said. …

“As the custom disappeared, so did much of the knowledge about the tattoos’ meaning. ‘We didn’t have that tradition of writing down,’ Johansen said — Inuit passed knowledge through oral storytelling. …

“Inuit would use amulets to protect them from ‘unwelcome spirits,’ but also to help certain attributes or ensure a successful childbirth, among other things. It is likely, Johansen said, that Inuit tattoos were seen as a kind of amulet, giving strength, help or protection to the women or — in rarer cases — men who had gotten them.

“The tattoos were most often made as linear patterns across the brow and vertical lines on the chin made by using both a puncture or dot technique and a sewing technique. The latter technique consisted of pulling sinew dipped in soot under the skin with a needle made of animal bone, curator Johansen said.

“Maya Sialuk Jacobsen is one of about a dozen Inuit tattoo artists across the globe reviving this traditional art. … It was she who created Christensen’s tattoos. For over six years, she’s been helping Inuit like Christensen who live in Denmark connect with their culture through ink. Like Christensen, she is of both Danish and Greenlandic Inuit descent — a group she describes as an emerging ‘third culture’ in the Scandinavian country.

“The community is fairly small in Denmark and not well-defined demographically. According to StatBank Greenland, there are a little under 17,000 people born in Greenland currently living in Denmark. But community leaders, including from the Greenlandic House of Aalborg, aren’t even sure about the exact number of Inuit in Denmark. The number of self-identifying Inuit could be even higher, due to the presence of third-culture community members, who are partially Inuit. …

“Sialuk Jacobsen said, ‘It’s basically identity work all the time.’  Many come to her with a feeling of sadness, in search of a sense of belonging, she said. ‘They need to talk about these things, and to learn about the culture, they just want to learn.’ …

“While Sialuk Jacobsen said she uses inks and needles approved for tattooing on clients in Denmark, her research into the traditional techniques has included experimental tattooing on herself, and using her own right leg as her test area to reconstruct authentic methods of inking up.

“But in Denmark, finger, hand and face tattoos are prohibited (though it’s not illegal in Greenland). So, Sialuk Jacobsen is limited to tattooing the rest of the body. …

“The legacies of colonialism hang heavy over the community living in Denmark. Greenlanders are overrepresented among Denmark’s homeless population — accounting for 7% of people experiencing homelessness, according to VIVE.

“In recent years, Denmark’s colonial past came under public scrutiny.  For her master’s degree, Christensen looked into a form of ‘modern boarding schools.’ She found that Inuit children in Denmark are more likely than Danish children to be taken away from their families and placed in foster homes, which are almost always Danish families. 

“ ‘They learn to speak Danish, and there isn’t any focus on the Greenlandic language, so they lose their Greenlandic language. And when the parents only speak Greenlandic, they can’t talk to each other without an interpreter.’

“Christensen, who has become an activist through her research, believes the government should make it at least mandatory for Inuit children living in foster care to have lessons on Greenlandic.”

More at PRI’s The World, here, and CNN, here.

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Photo: Brian Otieno/The Guardian.
Thanks to a roadside health service in Africa, Alphonse Wambua learned he had hypertension and also how to treat it. 

Every country has different ways of handling the challenges of providing health services to its people. We can learn from each other. In the US, the Covid pandemic showed us we had cut back too much on public health programs. Many people who needed help were not being reached, which caused the disease to spread more than it should have.

Today’s story suggests that you reach the hard-to-reach by meeting them wherever they are.

Caroline Kimeu writes for the Guardian from Kenya, “A life on the road had caught up with Alphonce Wambua. Twenty-five years of transporting cargo between the Kenyan capital, Nairobi, and the coastal city of Mombasa, nine hours’ drive away, had resulted in long days, a poor diet and an irregular sleep routine for the trucker. Still, it came as a shock when doctors told him he had hypertension a few years ago.

“ ‘I wasn’t expecting it – I thought I just had serious fatigue,’ says Wambua, who has stopped by the clinic where he was diagnosed to pick up his monthly prescription. ‘This job is high pressure. There’s not much rest.’ …

“The health facility, based in Mlolongo, on the busy Nairobi-Mombasa highway, attracts a steady flow of patients. As well as workers and residents from the area, it also treats drivers from the truckers’ rest stop across the road, as one of 19 roadside health facilities run by the nonprofit North Star Alliance, offering priority healthcare to mobile populations.

“The organization, which constructs clinics out of shipping containers, has set up facilities along major transport routes, transit towns, and border crossings across east and southern Africa to increase mobile workers’ access to medical services.

” ‘When governments do their health planning, they usually plan for communities, but no one plans for mobile workers,’ says Jacob Okoth, a [program] manager at North Star Alliance. ‘Their operating hours are different, so you can’t reach them with the traditional 8am-5pm healthcare service delivery model, and many can only afford to queue for short wait times.’

“North Star was founded in 2006 to tackle HIV and STD cases in the transport sector during the height of the Aids epidemic, when some transport companies were losing more than 50% of their drivers to the disease. It extended its services to cover broader health issues after identifying other recurring health concerns among mobile workers, including non-communicable diseases.

“NCDs such as hypertension and diabetes are responsible for more than half of hospital admissions and deaths in Kenya. Health practitioners warn that the growing burden demands new approaches for prevention, diagnosis and treatment. …

“Many of the NGO’s health centres are along the northern corridor, one of east Africa’s busiest transport routes, which connects several countries in the region. Truck drivers who transport cargo along the corridor can travel for 12-hour stretches with short breaks in between, sometimes for weeks or months at a time. In some areas, the distances between hospitals are long; drivers often delay seeking care due to time pressures or irregular work cycles. …

“Regular health checkups are essential for truckers. … Many rely on high-carbohydrate meals to keep them full on long drives, and they struggle to maintain a balanced diet due to time and cost pressures, says Wambua, whose go-to meal is the Kenyan staple ugali (boiled maize meal). …

“ ‘You’re not focused on eating healthy food – you eat what you find and continue with the journey,’ he says, while a clinician takes his blood pressure and writes him a new prescription. …

“Each health center tailors its opening hours to the needs of mobile workers in the area. Some, like the Mlolongo health center, have regular 9am-6pm opening hours, but run outreach programs in which clinicians and trained volunteers offer free health screenings to target groups, such as truckers, sex workers and informal traders.”

More at the Guardian, here.

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Photo: NYPD Dance Team via WYRK.
People of good will may disagree on whether recreation for stressed police officers is money well spent.

Controversy over the New York Police Department has broken out. But it’s not about the usual law enforcement complaints (that they’re not hard enough on crime; that they’re too hard). It’s about the dance team.

Maria Cramer has background at the New York Times, “Officer Lauren Pagán looked at the line of dancers in the overheated cafeteria at a Queens high school on a recent Monday night and frowned. They were gyrating through moves choreographed to ‘Mamacita,’ a pulsating, Reggaeton-inflected song by the Black Eyed Peas and Ozuna. …

“The seven-officer team has mastered hip-hop and salsa and is playing around with bachata and bhangra, the fast-paced, energetic movements drawn from the traditional folk dance of India’s Punjab region. The group is figuring out how to fold in step and pom, where dancers wave pompons while synchronizing their moves.

“But what they really need is recruits to fill out a robust, diverse roster of at least two dozen dancers who can travel and compete against other groups, ideally other officers (although they would be happy to dance off against paramedics and firefighters).

“The dance team, which was formed in 2022, is among about four dozen competitive groups within the department that include traditionally macho squads like N.Y.P.D. Paint Ball, the N.Y.P.D. Rugby Football Club and the N.Y.P.D. Pistol Team.

“Department employees have been branching out. There is a chess club, yoga is popular and there is interest in starting a reading group and even a knitting circle, said Inspector Mark Wachter, a commanding officer with the department’s health and wellness unit, which approves applications. Dance team members hope that more of their brothers in blue will find the rhythm within. …

“In September, on the department’s Fraternal Day, when all of the clubs sought recruits at the Police Academy, 33 people signed up to try out for the dance team, said [Officer Autumn-Raine Martinez, who works in crime analysis at the 108th Precinct and is the team’s president]. Three were men trying to sign up their daughters. …

“She suspects that men fear being mocked. The group’s original emblem — a teal silhouette of a lithe dancer mid-leap — did not help.

“ ‘They’re like fifth-graders,’ Officer Pagán said. ‘They saw a ballerina and they went, “Ew.” ‘ The team redesigned its emblem. …

“The groups’s schedule is intense, a tough sell for police officers who work long hours. The dancers rehearse twice a week for two hours. … They perform at parades, schools, neighborhood fairs and at halftime during games of other Police Department sports teams. The expectation is that members will make it to rehearsals and shows, Officer Pagán, 39, said. …

“Detective Jessica Gutierrez came to the practice at the school cafeteria while nursing a case of conjunctivitis. … Officer Martinez arrived after working 12 hours starting at 5 a.m. Sgt. Benely Santos was scheduled to work an overnight shift at the 111th Precinct after practice. …

“The women range in age — from 26 to 42 — and experience. Sergeant Santos was a novice when she joined. Officer Martinez, on the other hand, has been dancing since she was 4, but has been bedeviled by her height. As a girl, she tried out for the role of Nala in the Broadway cast of The Lion King, but was too tall to make the cut. Later, when she considered auditioning for the Rockettes as a teenager, she was unable to: At 5-foot-5, she was an inch shy of the minimum height requirement at the time.

“Officer Alyssa Blenk, 32, who danced competitively in high school and college, joined the team when she saw pictures of it on Instagram. Her desire to be part of a squad was especially strong following the stress she was feeling as a result of the pandemic and the protests that erupted in New York in 2020 after the police killing of George Floyd in Minneapolis.

“ ‘I need to do this,’ she thought when she saw the Instagram posts.”

More at the Times, here. People of good will may disagree on whether recreation for stressed police forces is money well spent. What do you think? All I can say is I’d rather not have tense, strung-out officers answering a call.

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Photo: John and Suzanne’s Mom.
The ice breaks up.

When I was paying for my groceries on Tuesday, the teenage bagger commented on what a beautiful day it was, and I said, “Yes, I can’t wait to get home and take my walk.” He replied, “Where do you walk?”

At the moment of telling him my usual route, I knew I couldn’t possibly follow routine on that unusually warm, sunny, and springlike day in February.

So after I got all the perishables into my fridge, I walked in the opposite direction from the routine and ended up on a conservation trail in the woods.

There was something about this that was a throwback to childhood, when I walked with a friend in the woods or with my cousin Patsy or, most often, alone. I used to feel spring coming. The woods held magic. There was a stream with a brownish rock in the middle that I liked to inaugurate in spring by stepping on it, but sometimes I would slip into the icy water and walk home wearing mittens on my feet.

It used to feel great to have an adventure alone, maybe a little bit risky. Like the time I wandered from the woods to look for the place where one could sometimes see a horse behind a stockade fence. On the way there, I would go through a marsh, stepping slowly from wobbly tuft to wobbly tuft. Until one day, I saw an unknown man standing not far off and I hightailed it out of there.

Exploring on Tuesday also felt a bit risky, even with a smart phone. How many bars do I need if I fall and want to summon help? What about the icy, sloshy places? I’m a bit old for walking home with mittens on my feet and drenched shoes hung over my shoulder, the laces tied together.

I also needed to pay attention to where I was in relation to the road. I was kind of lost, although the trail markers were reassuring.

Eventually, I came out onto a big field where a woman was walking her dog, and I had a pretty good idea where the road lay in relation to that field.

I went home and took a nap.

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Photo: Sophie Neiman.
Patients relax while waiting for checkups at Dr. Gladys Atto’s eye clinic, Oct. 27, 2023, in a remote part of northeastern Uganda.

Service to others can make a certain kind of person very happy.

Consider eye doctor Gladys Atto and the free eye care she provides in rural Uganda.

Sophie Neiman has her story at the Monitor Daily: “Gladys Atto settles into a chair in her sparsely furnished office and rests her feet for a moment. It is only a few hours past midday; she is tired, but there is little time to relax. Already today, the young ophthalmologist has removed cataracts from five patients’ eyes so they can see again.  Another six surgeries are scheduled before evening. 

“Dr. Atto is the first and only ophthalmologist in Karamoja, a remote region the size of Belgium in the northeastern corner of Uganda. For the nearly 1.2 million people who live here, life is ruled by extremes. The climate is harsh; the sun hot. Rain rarely falls, making it hard to grow enough crops. 

“During the long dry periods, nomadic Karamojong pastoralists migrate over the scorched earth with their cows, searching for grass and water. In 2019, the region was hit hard by a surge of cattle rustling. Armed raiders roamed among thorny livestock pens and stole animals from their neighbors, hoping thefts would bring in the money they needed to survive. 

“In these rugged areas, access to Western-style health care is rare. The hospital where Dr. Atto works is one of just five in the extensive region, and the only one capable of providing specialized services. Travel is difficult, but especially so for those who are unwell: Long distances are traveled on foot along rough dirt roads, or in crowded public cars. 

“The care Dr. Atto provides is free of charge, but the cost of transport is out of reach for many in Karamoja, which is Uganda’s poorest region. 

“ ‘They are resilient,’ Dr. Atto says of the community she serves. ‘That is all I can say.’ 

“Dr. Atto learned her own tenacity at a young age, growing up during the government’s conflict with the Lord’s Resistance Army in northern Uganda. Over the course of some three decades, Joseph Kony recruited thousands of child soldiers to serve in his fearsome guerrilla group. 

“ ‘That time was a scary moment, but I believe that it built me up,’ she recalls. …

“As a child, Dr. Atto knew that she wanted to be a doctor. She loved science, and hoped to do some good in the world.  Interning as a doctor in her home city of Gulu, she saw how few eye specialists there were in Uganda. Without a permanent ophthalmologist in the public hospital, patients seeking care were sent away until a specialist from Kampala, the country’s capital, could visit and offer eye care. …

“A telephone conversation during her studies with the director of a hospital in Karamoja revealed that there had never been an eye doctor permanently posted there.  She offered her services full time. The director accepted. …

“Dr. Atto loaded everything she owned into a truck and made the 12-hour journey to her new posting. …

“When she arrived five years ago, the eye care unit was just two rooms. There was nowhere for patients to recover, so they often took to sleeping in the grassy courtyard. Specialty equipment was gathering dust; staff had not yet been trained on how to use it. 

“An international nongovernmental organization, Sight Savers, stepped in to sponsor Dr. Atto’s work in Karamoja. It also helped in the construction of a new eye clinic … and trained half a dozen staff members. …

“Ensuring these patients can see again is [nurse] Susan Niyigena’s favorite part of her job. ‘The eyes are the window to the beautiful things which are in the world. The environment, the people.’ …

“Sight is vital to the livelihoods of farmers and pastoralists in Karamoja, so Dr. Atto and her team run mobile eye clinics, traveling to rural villages. Hot wind whirls red dust into the air as they meet patients who cannot make it to the hospital in Moroto. …

“Whenever she can on these trips, Dr. Atto focuses on women, who bear the brunt of feeding and caring for their families. ‘If you want an improvement in any area of life, economically, socially, everything, a woman needs to be able to see,’ Dr. Atto says.”

More at the Monitor, here. No paywall.

(I’m not sure, but I’m guessing that if you live or travel in a part of the world the mainstream media doesn’t cover and you like to write, the Monitor might accept an article from you. Ask them.)

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Photo: Sunday Alamba/AP.
Nigerian women find it hard to secure the bank loans needed to start a business, but social media platforms are providing alternative credit lines.

Do you know about lending circles? I learned about them when I worked at the Fed. Immigrants in the US sometimes use them to save money, waiting for their turn to get the whole pot. The circles can be risky, but they are needed.

Ogar Monday wrote for the Christian Science Monitor about a What’sApp lending circle in Africa.

“When Pricilla Yaor found a dream job that meant moving to the Nigerian capital, Abuja, there was just one hitch: There was no way she could afford rent in the country’s most expensive city. For the supermarket cashier, it was a struggle to raise the 300,000 naira ($390) she needed for a single-room flat on the outskirts of the city. Like most renters, she was expected to pay her entire annual rent in one lump sum – a typical practice among Nigerian landlords.

“Still, armed with a new job, Ms. Yaor thought she could get a loan from the bank. ‘I was given plenty of forms to fill, asked to bring two sureties, and I was asked if I had any property that I could use as collateral,’ she recalls. 

“None of this was surprising. In Nigeria, 98% of women have no access to formal credit, limiting their ability to run businesses, pay for studies, or buy a home. Ms. Yaor never returned to the bank. Even if she had met its criteria, she could not afford the 18.75% interest on a bank loan, a typical charge.

“Instead, her saving grace – and a lifeline for a growing number of women in Africa’s most populous nation – came in the form of a women-only WhatsApp group that she was invited to by a cousin. Members of the group each pool in an equal sum every month and rotate who receives the payout. …

“There were no processing charges, and a trusted member of the group was appointed as an admin. A month after joining, Ms. Yaor received 400,000 naira ($506).Soon, she joined another group to raise funds for her younger brother’s school fees. The groups also helped her buy a fridge for her apartment and later a generator to keep the lights on during daily blackouts.

Rotating saving programs, as they’re officially called, provide a safety net across much of Africa. … The use of these programs has skyrocketed in Nigeria recently – aided by technology such as WhatsApp and boosted by inflation that has soared to its highest level in two decades. 

“In the past year, some 4 million Nigerians have been pushed into poverty by inflation that has caused eye-watering price rises for everything from food staples to transport. Women have borne the brunt of the country’s debt crisis. …

“Opportunities for women lag in many fields ranging from education to income; on average, their wages are 22% lower than those of men. Meanwhile, culture and tradition have subjected women to the role of caregiver at home, for which they are not paid. What’s more, women face historical biases embedded in the formal banking system, says Okpetoritse Akperi, a financial expert with a multinational company based in Nigeria.

“As in many other developing countries, Nigerian women struggle to get loans because “creditworthiness is typically judged by the ability to repay. … Even when banking services are available, they are not accessible to half of the women who run businesses, who have to rely on cash for all transactions. 

“But that is slowly changing. Mobile credit companies such as Branch and FairMoney, boasting a combined 20 million downloads on the Google Play Store, are gaining popularity due to their lenient lending regulations.

“ ‘Technology now allows alternative credit assessments, helping women to access financial services without traditional barriers,’ says Iyonuluwa Pikuda, a financial analyst with Lagos-based Money Africa. Using WhatsApp lending groups, though, allows users to bypass any kind of formal structure altogether. …

“While the program has few overall downsides, the risks that do exist are not negligible. ‘We have had cause to report the admin of a group to the police because she refused to release the funds after everyone had sent in theirs,’ Ms. Yaor says of one such experience. But because everyone in the group is known to at least one other person, such matters are usually quickly resolved. … Members are united by their shared interest in helping each other raise funds, she points out. And the alternative is the banking sector’s bureaucracy and high interest rates.”

More at the Monitor, here.

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Another Photo Roundup

Photo: Suzanne and John’s Mom.
Paper maché llama by my younger granddaughter.

We’ve had so many gray days this winter, I assigned myself the job of taking a photo whenever the sun is out creating shadows. I don’t always manage it, but at least I make a point of noticing and thinking about something that would have made a good photo: the shadow of the wilted flowers I was carrying to the compost bin (I couldn’t shoot it one-handed), the shadow of pine branches on an old shed (the modern combination lock would have spoiled the shot).

Today, I’m starting with the early morning shadow of an artistic grandchild’s llama. (Or did she say it was an alpaca?)

Here are the flowers before they went to the compost bin. Then the garden plots near the bin, waiting under blue sky and a blanket of snow for spring and new uses for compost. Blue sky with pine cones. Blue sky in the creek. Blue sky in the rail trail mural.

Next we have blue juniper berries and the wasp nest’s fate after the big wind.

Moving indoors to the local library, I noted the old-time typewriter that kids are invited to play around with.

Also indoors are two works newly exhibited in my retirement community: Bayda Asbridge‘s take on San Diego and her delightful “Our Village.”

Finally, I was planning to shoot only Suzanne’s light fixture and the shadows, but then the clock spoke to me.

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Photo: Clatskanie Library District via Oregon ArtsWatch.
The Clatskanie Library hosted a Halloween puzzle race last fall. “We want to be the community hub,” says library director Maryanne Hirning. “I want everyone to find something at the library.”

It would be hard to overstate the value of a library to a community, a refuge in so many ways. Remember the safe haven in Ferguson, Missouri, during the riots that erupted after the police killing of black teen Michael Brown? I have been following that library on Twitter since 2014 and am impressed with their services in calmer times, too.

At Oregon ArtsWatch, Amanda Waldroupe writes that libraries are often the heart and soul of rural communities.

“During the celebration of [the town of] Maupin’s centennial anniversary last year, its public library – the Southern Wasco County Library – printed a second edition of Chaff in the Wind: Gleanings of the Maupin Community.

Chaff in the Wind is a history of Maupin and Wasco County that the library’s Friends’ group originally published in 1986. The library commissioned new chapters covering Maupin’s history since then.

“Another era also needed to be added: There was nothing about the region’s history before white people settled there, even though Native Americans had lived in the region for hundreds of years. So, Valerie Stephenson, the library’s director, reached out to the Confederated Tribes of Warm Springs.

“Delson Suppah, the Warm Springs’ cultural program coordinator, agreed to contribute – but not through writing a book chapter. Like many Indigenous cultures, the Warm Springs tribe conveys its history through oral storytelling. In two events, Suppah gave an oral history of the Warm Springs tribe’s history and presence in the area.

“Grant funding – in this case, $4,000 from Oregon Humanities – paid for the events and republishing the book. Without the grant, Stephenson said, none of it would have happened. …

“Oregon’s public libraries are well loved and well used, with one of the highest per capita circulation rates in the country. Public libraries are among the last institutions that are free and open to the general public, making them a natural gathering space for adults and children. …

“Libraries have always played a critical role in early literacy: teaching kids how to read, hosting summer reading programs, and reading and story time events for different age groups. Libraries were also early adopters in providing free access to computers and fast, broadband internet.

“Even before the COVID-19 pandemic prompted libraries to begin offering virtual and online services, libraries’ services were expanding to take on roles that blend information literacy, social, and community services. Library staff are increasingly being trained in basic mental health crisis response and how to administer Narcan or naloxone to people experiencing an opiate overdose. To serve growing numbers of immigrant communities, libraries are acquiring books in languages other than English, bilingual books, and hiring staff who speak languages in addition to English, especially Spanish.

“In many communities, libraries are a place where people experiencing homelessness can spend the day, where senior citizens find social interaction, and where kids can go after school.

“ ‘Libraries are places where people from all different backgrounds can interact,’ Buzzy Nielsen, a program manager for the State Library of Oregon, said. …

“That is especially the case in rural Oregon, where libraries are often the only places that host arts and cultural events.

“[Southern Wasco County Library] has a conference room large enough to host governmental, board, and other community meetings. The library hosts social workers from the Wasco County Health Department, who come to meet with residents and process applications for the Oregon Health Plan, SNAP benefits, disability, and other services. …

“Clatskanie’s library has started a young adult book club and hosted classes on flower arranging and cookie decorating, both taught by local business owners. …

“Libraries have also created Libraries of Things, where patrons can check out items ranging from e-readers with pre-downloaded e-books; ukuleles and other musical instruments; pots, pans, and other cooking equipment; fishing poles; and for kids, telescopes and science kits. …

“Libraries of Things reflect their community. Harney County’s library checks out canners, dehydrators, and other items necessary to preserve food.

“Wi-Fi hotspots are another common offering. Stephenson, Hancock, and others said the availability of fast, broadband internet in rural Oregon can be nonexistent. …

“Hancock said, ‘We have a lot of spots that aren’t served by internet companies.’ The library’s ten Wi-Fi hotspots are always checked out with holds placed on them. ‘They are hugely popular, she said. …

“With the expansion of library services, circulation has dramatically increased for a library’s most fundamental offering – books. [Maryanne Hirning, director of the Clatskanie Library District] said book circulation has increased by 400 percent. Other librarians say that once someone attends an event at a library, they are more likely to consider other services the library offers, become a member, and check out books.”

Lots more at Oregon ArtsWatch, here.

Blogger Laurie Graves has long understood that librarians are superheroes. And through her Great Library fantasy series, she shows that threats to libraries can be a matter of life and death.

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Photo: Getty Images.
This is a poster for a little known Gilbert and Sullivan musical called Utopia Limited, 1894.

Recently a long-lost George Gershwin musical came to light. Because my friend Lynn, a retired cabaret artist and songwriter, was a Gershwin fan from an early age and a friend of George’s brother Ira in later years, I sent her the link to the story. She was thrilled.

Finding new work by a hero would thrill anyone. That’s why the Englishman in today’s article is going all out to find a missing Gilbert and Sullivan, even making his email public.

David Sillito writes at the BBC, “A call has gone out for people to check shelves and lofts for a missing opera. The original score of Gilbert and Sullivan’s Utopia Limited was sold in 1915, but its whereabouts are unknown. …

“Musical researcher Colin Jagger has been tracking down [Gilbert and Sullivan’s] original scores, saying current copies often have mistakes and omissions.

” ‘The [current] score [of Utopia Limited] is completely unreliable. The only way [to be sure] is to go to Sullivan’s autograph manuscript,’ he said.

“When the operas were first created, copyright law, as understood today, barely existed, and so the company that performed the works, D’Oyly Carte, kept tight control of the scores and any copies. The versions used today often reflect how D’Oyly Carte performed the works, rather than Gilbert and Sullivan’s original intentions. …

“The objective now is to return to the originals, and create complete and corrected scores. But the project cannot be finished until the lost opera is found.

” ‘All of these manuscripts … you can access mostly in the UK or one or two in the US. So I can go into the British Library and I can look at The Grand Duke in Sullivan’s own hand, and I can take photographs of it. I can study it away from the library as well. And I can go (online) to the Morgan Library in New York … and I can see a beautifully done copy of the manuscript of Trial by Jury. They’re all there except for one.’

Utopia Limited is one of Gilbert and Sullivan’s less successful works. It’s a story based around the problems and consequences of the introduction of limited liability laws in the 19th Century. Essentially, it’s a satire about business people leaving their creditors in the lurch.

“The score was sold at auction in 1915 for 50 guineas to Sir Robert Hudson of Hill Hall in Essex. Sir Robert died in 1927 and Hill Hall went on to house prisoners-of-war, and later became a women’s prison. Where the score for Utopia Limited went is a mystery.

“Colin Jagger is convinced it has survived and is sitting on a shelf somewhere. … ‘It would be awful to think it had been thrown away. … Somebody maybe doesn’t know they’ve got it or they might not know who Gilbert and Sullivan are.’ “

More at the BBC, here.

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Photo: NOAA [National Oceanic and Atmospheric Administration].
The return of seagrass in Florida is a hopeful sign for the embattled manatee.

One doesn’t normally think of Florida politicians as being big environmentalists, but whatever their motivations for supporting cleaner water, one has to cheer them for putting some funding behind it. Florida treasures like the manatee need the help.

Richard Luscombe reports for the Guardian, “A picturesque expanse of water along Florida’s space coast is offering a modicum of hope for the state’s embattled manatees as wildlife officials review whether to restore the beloved sea cows to the endangered species list.

“The recovery of seagrass, the manatees’ favorite food, in Mosquito Lagoon means that an emergency hand-feeding program that has kept many of the starving aquatic animals alive over the last two winters can be discontinued, at least temporarily.

“While scientists say this might be only a small step in the wider fight to rescue a species that has seen a record die-off in recent years from water pollution and habitat loss, what’s happened at Mosquito Lagoon offers signposts to how the manatees’ battle for survival might ultimately be won.

“ ‘At least in a portion of the lagoon, we are seeing a rather rapid resurgence of the Halodule variety of seagrass that, even if we don’t know exactly how it happened, does tell us that it’s much more resilient than we might have been thinking,’ said Dennis Hanisak, a professor of marine botany at Florida Atlantic University’s Harbor Branch Oceanographic Institute, and director of its seagrass nursery. …

“Hanisak and his team, in partnership with the Florida fish and wildlife commission (FWC), have focused their restoration efforts on the lagoon in northern Brevard county, one of the most popular feeding grounds for manatees during the colder winter months.

“That’s where the majority of manatee deaths, an unprecedented 1,100 in Florida in 2021, 10% of the population, and another 800 in 2022, occurred. They were part of what federal and state authorities classify as an ongoing unusual mortality event (UME) with the majority of fatalities through malnutrition and starvation, a reflection of the loss of about 90% of the lagoon’s seagrass to algae blooms and pollutants.

“It’s too early to say exactly what role the seagrass nursery project has had there; Hanisak says it has ramped up in size and resources in recent years as wildlife agencies respond to the disaster with improved funding.

“It’s one of several projects underway in Florida [and] a prominent component of a catalog of FWC manatee habitat restoration schemes, themed mostly around improvements in water quality and aquatic vegetation, that experts believe has potential to turn years of declining numbers into a robust recovery. …

“[In January], Florida’s governor Ron DeSantis announced a $100m award of state funds for water-quality improvements in the Indian River Lagoon, one of North America’s most biologically diverse waterways. The cleaner the water, the better the seagrass. …

“Hanisak and his students have steadily been building the capacity of the seagrass nursery at multiple locations. That seagrass will ultimately be transplanted into the Indian River Lagoon and elsewhere. …

“It remains to be seen if this year’s drop in manatee deaths in Florida is a one-off, or represents the start of a recovery. But more abundant seagrass in Mosquito Lagoon, which led to the welcome suspension of the experimental lettuce-feeding project, bodes well.

“Lawmakers also appear to be at least partly on board. Thompson said the Florida legislature provided an additional $20m in fiscal year 2022-23 to the FWC to enhance captive manatee support facilities and manatee habitat enhancement to supplement the previous year’s $8m. …

Patrick Rose, a veteran aquatic biologist and executive director of the Save the Manatee Club [said] the extra funding, which his group lobbied for, is welcome [but] ‘a drop in the bucket literally to what needs to be done.’ Ultimately, Rose said, manatees need clear, clean water to survive. Without it, seagrass will not flourish. …

“ ‘Nutrients are the direct cause of harmful algal blooms which have been so intense that they literally cut the light off to the seagrasses, and the seagrasses die,’ he said.”

More at the Guardian, here.

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Photo: Melanie Stetson Freeman/CSM staff.
In his Maine shop, master printmaker David Wolfe uses machines from bygone eras to create.

Don’t you love the look of old-time lead type printing? I once ordered sweet business cards from a New Shoreham letterpress, no longer operating, and Suzanne has often used Jacque’s Offset in Providence. Today’s story is about a letterpress in Maine that got some attention in the movies.

Jennifer Wolcott reports at the Christian Science Monitor, “Visitors to David Wolfe’s printing shop in Portland, Maine, can’t miss the statuesque Civil War-era Tufts hand-press machine that stands tall near the front door. It exited that same door several years ago, headed for a movie set. 

“For its cameo in the 2019 film, his ‘Little Women machine,’ as he calls it, was hauled down to Massachusetts. Mr. Wolfe accompanied it, dressed in 1860s costume for his role as the printer of Jo March’s book. Yet as he recalls, laughing, ‘Only my hands made the cut.’ 

“Wolfe Editions is a place buzzing with activity. The master printmaker and fine artist treasures his many letterpress machines not only for their place in history, but also for their ability to help him craft exquisitely beautiful books, prints, posters, and more. They are essential tools for daily production, ones that stand out in an ever more high-tech world.

“Rather than using bits and bytes, Mr. Wolfe prints just as Johannes Gutenberg did when he developed the process of letterpress printing in the 15th century to make his famous Bible: Letters are cast in lead, then locked together, inked, and pressed into paper. 

“ ‘The computer didn’t kill my business. It made it stronger,’ he says, noting that he’s also benefited from recent interest in the lost art of letterpress printing. ‘The product I make is high end, and computers took over all the other stuff.’ …

“On a recent afternoon, he has just paused production of an edition of John Steinbeck’s Of Mice and Men while waiting for a shipment of handmade paper. He’s using the time instead to create designs for one son’s new canned cocktails company (his other son is a printer). He’s also teaming up with artist and friend Charlie Hewitt to design a poster commemorating the anniversary of Muhammad Ali’s fight in Lewiston, Maine.

“Mr. Hewitt has known Mr. Wolfe for 20 years, has collaborated with him on multiple projects, and happens to have a studio right next door. He says it’s important to the printmaker to pass down the old techniques to a new generation. ‘He is always training and teaching others. He is incredibly generous, remarkably skilled, and brings so much to every medium,’ Mr. Hewitt adds. …

“Mr. Wolfe’s letterpress and hot-metal casting machines, about 10 in all, fill his spacious shop – a former bakery. Despite their age and frequent use, the devices appear impeccably cared for. …

“Not only is he passionate about his work, but it suits him. ‘Letterpress printing couldn’t be more tedious,’ he says. ‘But I like tedium.’ … Lately he’s been mentoring an apprentice, a student from nearby Maine College of Art & Design, who shares his taste in music and also for tedium. ‘I’ll ask Claire to put away the type,’ he says, ‘and she’ll respond, “Oh, I love putting away type!” ‘ …

“Mr. Wolfe has taught at schools in Maine including Bowdoin College, Haystack Mountain School of Crafts, and Gould Academy. He’s also shared his expertise further afield, at Dartmouth College in New Hampshire and Penland School of Craft in North Carolina.

“He most enjoys the workshop format, for its small size and short duration. ‘It’s more intense when you have to cover a lot in a short amount of time, and students in workshops are typically motivated and excited about learning.’ …

“Mr. Hewitt recalls a project he and Mr. Wolfe worked on together: the illuminated neon ‘Hopeful’ sign mounted in 2019 on the roof of Speedwell Projects, a nonprofit gallery in Portland. ‘I wanted to use the word “Hopeful,” and I scribbled it on paper for David,’ he explains. ‘I needed a master printer to facilitate the process and create the font.’ 

“Mr. Hewitt says he was elated with the design – inspired by the building’s history as an auto dealership, typeface from the badge of a 1940s Packard, and his own love for 1960s counterculture. …

“For his part, Mr. Wolfe relishes collaborations like that one: the process of give and take, the creative energy, the mutual admiration. Or as he puts it, ‘I enjoy helping people realize their ideas. It broadens my scope, and artists are pushing the mediums beyond what they were using before.’ “

More at the Monitor, here. No paywall.

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Photo: matusgajdos17/500px.
Australian researchers say concrete could be 30 percent stronger with charred coffee grounds.

Longtime coffee drinkers know that coffee is good for all sorts of things besides waking you up. Coffee grounds are great in compost, for example, and provide useful nutrients for your garden — nitrogen, potassium, and phosphorous.

But coffee grounds for construction projects? At ScienceAlert, Tessa Koumoundouros describes new research showing the possibilities.

“We could be producing concrete that’s 30 percent stronger by processing and adding charred coffee grounds to the mix, researchers in Australia discovered. Their clever recipe could solve multiple problems at the same time.

“Every year the world produces a staggering 10 billion kilograms (22 billion pounds) of coffee waste globally. Most ends up in landfills. ‘The disposal of organic waste poses an environmental challenge as it emits large amounts of greenhouse gases including methane and carbon dioxide, which contribute to climate change,’ explained RMIT University engineer Rajeev Roychand.

“With a booming construction market globally, there’s also an ever increasing demand for resource intensive concrete causing another set of environmental challenges too.

” ‘The ongoing extraction of natural sand around the world – typically taken from river beds and banks – to meet the rapidly growing demands of the construction industry has a big impact on the environment,’ said RMIT engineer Jie Li. … ‘With a circular-economy approach, we could keep organic waste out of landfill and also better preserve our natural resources like sand.’

“Organic products like coffee grounds can’t be added directly to concrete because they leak chemicals that weaken the building material’s strength. So using low energy levels, the team heated coffee waste to over 350 °C (around 660 °F) while depriving it of oxygen.

“This process is called pyrolyzing. It breaks down the organic molecules, resulting in a porous, carbon-rich charcoal called biochar, that can form bonds with and thereby incorporate itself into the cement matrix. …

“The researchers [are now] testing how the hybrid coffee-cement performs under freeze/thaw cycles, water absorption, abrasions and many more stressors. The team is also working on creating biochars from other organic waste sources, including wood, food waste and agricultural waste. …

“Said RMIT engineer Shannon Kilmartin-Lynch, ‘Inspiration for my research, from an Indigenous perspective, involves Caring for Country, ensuring there’s a sustainable life cycle for all materials.’ “

The research was published in the Journal of Cleaner Production.

More at Science Alert, here.

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