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Photo: Erika Page/Christian Science Monitor.
Amaia Salbide speaks with plant manager Ander Jausoro on the factory floor of an industrial plant belonging to Copreci, one of the Spanish companies sharing ownership with workers. “No one is rich. No one is poor.”

Giving workers a piece of the responsibility for a company’s success — and a piece of the profits — is not a new idea. But lately it’s been gaining traction in Spain.

Erika Page reports at the Christian Science Monitor, “At first glance, this could be any industrial factory. Workers wearing protective gloves assemble control panels and heating plates amid the relentless whirring of machinery. Giant yellow robot arms swing back and forth, lining trays with tiny metal parts.

“But there is a reason that each year thousands of visitors from every continent come to this mountainous Basque landscape to study factories like this one. This is the home of the Mondragon Corp., the world’s largest federation of worker-owned cooperatives. 

“Copreci, which makes parts for home appliances, is one of 81 Mondragon cooperatives, ranging from manufacturing to finance and retail. By the end of the day, this floor alone will churn out 30,000 gas valves, destined for stoves worldwide.

“Yet it is also churning out a radically different vision of capitalism. For young people especially, capitalism brings to mind wealth inequality, cost-of-living crises, and environmental collapse. …

“The Mondragon Corp. sees itself as a third way, not as an alternative to capitalism, but as an alternative way of doing capitalism – one that can build trust, not widen divisions.

“ ‘The purpose of what we’re doing here is not the machinery or the production process,’ says Amaia Salbide, president of Copreci, on a visit to the factory floor. ‘Those are tools to reach a higher goal of social transformation.’ …

“Mondragon’s nearly 70,000 members, ranging from floor workers to top executives, are co-owners of their businesses. They have voting power at general assemblies, where they weigh in on company strategy and policy. The income disparity between the highest- and lowest-paid employees in Mondragon’s cooperatives is capped at a ratio of 6-to-1, compared with a typical ratio of 344-to-1 in the United States. …

“As the saying around here goes, Mondragon does not create rich people, but rich societies. That means prioritizing quality of life for the employees who live and work in the towns dotting these forested hills rather than maximizing profit for investors.

“ ‘I think of it as a sort of attractive form of capitalism,’ says Nick Romeo, author of The Alternative: How To Build a Just Economy. ‘One that works more effectively for more people but retains some of the benefits of markets and efficiency and competition.’

“Hugo Montalvo knows he could make more money as a sales manager at a regular multinational company. But he wouldn’t trade his middle-class status or the small town where he is raising his two children. At the end of a day’s work, Mr. Montalvo often finds those on the assembly line picking up their children from the same schools as top managers and gathering at the same tables at local bars. The base pay for a Mondragon worker is on average 40% higher than Spain’s minimum wage.

“ ‘Here, no one is rich,’ says Mr. Montalvo, who works for Ecenarro, a Mondragon cooperative. … ‘But no one is poor either. We’re all in that middle range, earning decent salaries.’

“Solidarity permeates the business model. To become a member of a cooperative, a worker invests €17,000 ($18,400), normally bit by bit over time. As for company profit, 60% is reinvested in the business, 30% goes to employees as capital, and 10% is for the local community. At the end of each year, Mondragon reviews each cooperative’s earnings, and companies in better financial positions contribute to those that are struggling.

“ ‘Just as we’ve received in the past, now it’s our turn to give,’ says Mr. Montalvo.

“Back in 2013, he was working for Fagor Electrodoméstico, a Mondragon cooperative that at the time was Spain’s leading home appliance company. When the company went bankrupt in the aftermath of the financial crisis, his job and initial investment disappeared.

“Within two weeks, he was transferred to Ecenarro, and Mondragon covered his membership fee. Of the almost 2,000 people who lost their jobs at Fagor, 95% were relocated within the Mondragon network. During the pandemic, workers came to collective agreements to avoid job losses, including salary reductions. …

“ ‘The cooperative is a creator of wellness, so it has to exist for decades and decades,’ says Ander Etxeberria, who leads Mondragon’s cooperative outreach program.”

As with anything, there are challenges here, too. Get more details at the Monitor, here.

Photo: Tulsi Rauniyar.
Climate-ravaged monasteries in Lo Manthang, Tibet, have been meticulously restored by the local community with guidance from experts.

Tulsi Rauniyar wrote recently at the BBC about ordinary Tibetans learning to restore Tibetan monasteries, rescuing them from the consequences of climate change.

“Extreme weather is threatening these intricate 15th Century Tibetan monasteries,” Rauniyar reports, “but local people are rising to the challenge to preserve them.

“Tashi Kunga stands before the Kag Choede monastery, built into the Dhaulagiri mountain range on the Tibet-Nepal border. The monk’s carmine robes glint in the rain, as he recounts the ancient legend of Guru Rinpoche’s battle with a demon.

“The legend goes that centuries ago, a demon wreaked havoc on a monastery in Tibet. Guru Rinpoche chased it south to Upper Mustang in Nepal and defeated the demon following a ferocious battle, burying the demon’s remains across the mountain range. The people of Mustang hono The people of Mustang honoured the sacred grounds by building monasteries atop the demon’s body parts.

” ‘And right on the demon’s heart, the capital of Lo Manthang [was built] in 1380,’ says Kunga, pointing towards the narrow alleys, ancient monasteries, and flat roofs adorned with prayer flags of one of the last medieval walled cities in the world.

“For centuries, Lobas, the indigenous people residing here, have thrived in this remote region situated on top of the Tibetan Plateau. One thing that has remained constant is the monasteries, locally known as ‘Gonpas,’ the most treasured heritage of the region. But almost two decades ago, many of these monasteries, which date back to the 15th Century, started crumbling.

Experts sounded the alarm, attributing the collapse to the severe impacts of climate change. Data indicates a significant increase in the intensity of storms and rainfall across the region. Increased rainfall saturates the rammed-earth buildings, as moisture in the soil is drawn upward into the walls, leading to issues such as leaking roofs and rising damp.

” ‘For us, Buddhists, the paintings and the artifacts in the monasteries are embodiments of the gods themselves, and we can’t worship a half-damaged idol,’ says Kanga.

‘There was no one to repair it. Our heritage was slowly decaying away. We thought the deities were angry.’

“Buddhist monasteries have long been revered as the foundation of Tibetan culture, serving as a vital hub for the creation and safeguarding of both tangible artifacts and profound intellectual traditions. But as unprecedented weather patterns pose a threat to their cultural heritage, local community members have stepped up to restore them. Local people have gained diverse skills, from reinforcing walls to crafting metal statues and restoring paintings.

“Over the past 20 years, a team of local Lobas trained by Western art conservationists have replaced the old, leaky roofs of the temples with round timbers, river stones, and local clay for waterproofing, and have restored the wall paintings, statues, sculpted pillars and the ceiling decorations, giving these centuries-old monuments a new life.

“Luigi Fieni, the lead art conservator at Lo Manthang, has spearheaded the restoration project. Transforming a community of farmers into conservators has been challenging, he says. Most of the Lobas had never held a pen or a paint brush before, and undertook extensive training before they began restoring the 15th Century paintings.

” ‘But it all worked out,’ says Fieni. ‘Tourists visiting Mustang were keenly interested in religion. So we felt these sacred artifacts needed preservation not only for their historical significance but also for sustaining livelihoods here.’

“The team, initially made up of 10 members, has grown to 45 conservators, mostly women, although there was initial reluctance to accept any women in the group. According to local tradition, women are prohibited from touching sacred objects. However, women did eventually take part in the Lo Manthang restoration project.

” ‘It took years of discussion and negotiation with the local clergy and community, but we succeeded in including local women in the wall-painting conservation team,’ says Fieni. …

“Tashi Wangmo, 40, used to spend her time herding yak, collecting and selling herbs, and doing various odd jobs, but it never provided much income. When she received the opportunity to pursue new training and earn a daily wage in the restoration project, she jumped at it.

” ‘It enabled many of us [women] to break free from the limits of our homes, expand our skillsets, and find new opportunities,’ she says.”

More at the BBC, here. No paywall.

If you want to learn about Tibet through some wonderful fiction, check out the Tibet mysteries by Eliot Pattison, starting with The Skull Mantra.

Photo: New England Aquarium.
Endangered sperm whales — an adult and calf sighted in the Northeast Canyons and Seamounts Marine National Monument in October 2023.

This is the time of year that people like to go on whale watches. Responsible tour operators know that it’s vitally important not to stress out the whales. But what a thrill it is to see even one! And that can keep people engaged in their welfare.

Meanwhile, scientists are always trying to understand more about them. Consider the new research on sperm whales’ “phonetic alphabet.”

Will Dunham of Reuters wrote at US News and World Report, “The various species of whales inhabiting Earth’s oceans employ different types of vocalizations to communicate. Sperm whales, the largest of the toothed whales, communicate using bursts of clicking noises — called codas — sounding a bit like Morse code.

“A new analysis of years of vocalizations by sperm whales in the eastern Caribbean has found that their system of communication is more sophisticated than previously known, exhibiting a complex internal structure replete with a ‘phonetic alphabet.’ The researchers identified similarities to aspects of other animal communication systems — and even human language.

“Like all marine mammals, sperm whales are very social animals, with their calls an integral part of this. The new study has provided a fuller understanding of how these whales communicate.

” ‘The research shows that the expressivity of sperm whale calls is much larger than previously thought,’ said Pratyusha Sharma, a Massachusetts Institute of Technology doctoral student in robotics and machine learning and lead author of the study published [in May] in the journal Nature Communications.

” ‘We do not know yet what they are saying. We are studying the calls in their behavioral contexts next to understand what sperm whales might be communicating about,’ said Sharma.

“Sperm whales, which can reach about 60 feet (18 meters) long, have the largest brain of any animal. They are deep divers, feeding on giant squid and other prey.

“The researchers are part of the Project CETI (Cetacean Translation Initiative) Machine Learning Team. Using traditional statistical analysis and artificial intelligence, they examined calls made by about 60 whales recorded by the Dominica Sperm Whale Project, a research program that has assembled a large dataset on the species.

” ‘Why are they exchanging these codas? What information might they be sharing?’ asked study co-author Shane Gero, Project CETI’s lead biologist and Dominica Sperm Whale Project founder, also affiliated with Carleton University in Canada.

” ‘I think it’s likely that they use codas to coordinate as a family, organize babysitting, foraging and defense,’ Gero said.

” ‘All of these different codas that we see are actually built by combining a comparatively simple set of smaller pieces,’ said study co-author Jacob Andreas, an MIT computer science professor and Project CETI member. …

“For people, Sharma said, ‘There are two levels of combination.’ The lower level is sounds to words. The higher level is words to sentences.

“Sperm whales, Sharma said, also use a two-level combination of features to form codas, and codas are then sequenced together as the whales communicate. The lower level has similarities to letters in an alphabet, Sharma said. …

” ‘Human language is unique in many ways, yes,’ Gero said. ‘But I suspect we will find many patterns, structures and aspects thought to be unique to humans in other species, including whales, as science progresses — and perhaps also features and aspects of animal communications which humans do not possess.’

“If scientists can decipher the meaning of what the sperm whales are ‘saying,’ should people try to communicate with them?

” ‘I think there’s a lot more research that we have to do before we know whether it’s a good idea to try to communicate with them, or really even to have a sense of whether that will be possible,’ Andreas said.”

More at US News and World Report, here. See also the Smithsonian.

Photos from Spring

Photos: John and Suzanne’s Mom, except for one.

Midsommar arrived with a heat wave in these parts, and now it’s summer. I decided to round up some things that caught my eye in spring before I start shooting summer.

Above is a Minuteman Park garden at the Buttrick House, featuring iris and peonies.

Wild iris bloom near a New Shoreham pond, and a flowery display decorates Wayland Avenue in Providence.

Rhododendrons on my early morning walk. The North Bridge in Concord. A well-loved antique car.

A weasel on the terrace at my retirement community — lots of excitement.

Sandra M. Kelly shot the photo of the Painted Rock, artist unknown. The work shows the island’s North Light, presumably at sunset.

I liked the early shadows at a playhouse I saw on my walk.

The stone fence near the historic house Smilin’ Through has a sweet view of Fresh Pond.

I bought a wonderful carrot-ginger soup at the farmers market. And I talked to a woman who was selling bottle-cap art and making more as she waited for customers.

Giant sushi rolls. (Just kidding. It’s sod.)

Early morning shadows.

Photo: J Zapell/Wikimedia.
The world’s oldest organism, a grove of Populus tremuloides (Quaking Aspen) sharing one root system. From Fish Lake National Forest website.

Here’s something that’s a little hard to believe. Unless you live in Utah, I suppose. It’s a forest with one root system, so it’s technically one tree, and its “genetic integrity has been sustained over a long period time (between 9,000 and 12,000 years),” according to Wikipedia.

I first got interested thanks to Kayleen Devlin’s story “Can Trees Really Live Forever?” at BBC Earth, which focused on ancient gingko trees, mostly in China. But Pando in Utah is said to be the world’s largest tree. And it’s really old.

Wikipedia says, “Pando (Latin for ‘I spread’), the world’s largest tree, is a quaking aspen tree (Populus tremuloides) located in Sevier CountyUtah in the Fishlake National Forest. A male clonal organism, Pando has an estimated 47,000 stems (ramets) that appear as individual trees, but are connected by a root system that spans 106 acres.

“Pando is the largest tree by weight and landmass and, is the largest known aspen clone. Pando was identified as a single living organism because each of its stems possesses identical genetic markers. The massive interconnected root system coordinates energy production, defense and regeneration across its expanse. Pando spans 0.63 miles by 0.43 miles of the southwestern edge of the Fishlake Basin in the Fremont River Ranger District of the Fishlake National Forest and lies 0.43 miles to the west of Fish Lake, the largest natural mountain freshwater lake in Utah. Pando is located at an elevation of 2,700 m (8,900 ft) above sea level.

“Pando occupies approximately 106 acres (43 ha) and is estimated to weigh collectively 6,000 tonnes (6,000,000 kg), or 13.2 million pounds, making it the heaviest known organism. Systems of classification used to define large trees vary considerably, leading to some confusion about Pando’s status. In contrast to the General Sherman Tree, the largest single stem tree, Pando is often characterized as an ‘organism’ or ‘plant.’ Pando, however, is a tree and commonly known as the ‘Pando Tree.’

“Within the United States, the Official Register of Champion Trees defines the largest trees in a species specific way, in this case, Pando is the largest aspen tree (Populus tremuloides). In forestry, the largest trees are measured by the greatest volume of a single stem, regardless of species. While many emphasize that Pando is the largest clonal organism, other large trees, including Redwoods can also reproduce via cloning. This leaves Pando in a class of its own being the largest aspen tree, largest tree by weight and, the largest by land mass, combined.

More at Friends of Pando, here, BBC Earth, here, and Wikipedia, here.

Photo: Loren Biser/Unsplash.
Cassava’s humble appearance belies an impressive combination of productivity, toughness and diversity,” says the Washington Post. But it has to be detoxified.

As Planet Earth keeps adding more people, many of the crops to feed them are suffering from climate change. What is the answer? Are there foods that are both nourishing and relatively easy to produce?

Stephen Wooding, an assistant professor of anthropology and heritage studies at the University of California at Merced, writes at the Washington Post about a food that is both. It just has a little toxicity problem.

“The three staple crops dominating modern diets — corn, rice and wheat — are familiar to Americans. However, another top crop is something of a dark horse: cassava.

“While nearly unknown in temperate climates, cassava is a key source of nutrition in the Southern Hemisphere. It was domesticated 10,000 years ago, on the southern margin of the Amazon basin in Brazil, and spread from there throughout the region. … There’s just one problem, however: Cassava is also highly poisonous.

“So, how can cassava be toxic, yet still dominate diets in Amazonia? It’s all down to Indigenous ingenuity. For the past 10 years, my collaborator, César Rubén Peña, who is of Cucuna heritage and grew up on the rivers of Amazonia, and I have been studying cassava gardens on the Amazon River and its myriad tributaries in Peru. We have discovered scores of cassava varieties, growers using sophisticated breeding strategies to manage its toxicity and elaborate methods for processing its dangerous yet nutritious products. …

“A little more than 10,000 years ago, [hunter-gatherers] cleared the hurdle with one of the most transformative innovations in history: plant and animal domestication. … Today, almost every rural family across the Amazon has a garden. Visit any household and you will find cassava roasting on the fire, being toasted into a chewy flatbread called casabe, fermenting into the beer called masato, and steaming in soups and stews. Before adopting cassava in these roles, though, people had to figure out how to deal with its toxicity.

“One of cassava’s most important strengths, its pest resistance, is provided by a powerful defense system. The system relies on two chemicals produced by the plant, linamarin and linamarase. These defensive chemicals are found inside cells throughout the cassava plant’s leaves, stem and tubers, where they usually sit idle. However, when cassava’s cells are damaged, by chewing or crushing, for instance, the linamarin and linamarase react, releasing a burst of noxious chemicals.

“One of them [is] cyanide gas. The burst contains other nasty substances as well, including compounds called nitriles and cyanohydrins. Large doses of them are lethal, and chronic exposures permanently damage the nervous system. …

“Ancient Amazonians devised a complex, multistep process of detoxification that transforms cassava from inedible to delicious. It begins with grinding cassava’s starchy roots on shredding boards studded with fish teeth, chips of rock or, most often today, a rough sheet of tin. Shredding mimics the chewing of pests, causing the release of the root’s cyanide and cyanohydrins. …

“Next, the shredded cassava is placed in baskets where it is rinsed, squeezed by hand and drained repeatedly. The action of the water releases more cyanide, nitriles and cyanohydrins, and squeezing rinses them away. Finally, the resulting pulp can be dried — which detoxifies it even further — or cooked, which finishes the process using heat. …

“The Amazonians pushed their efforts even further, taming it into a true domesticated crop. In addition to inventing new methods for processing cassava, they began keeping track and selectively growing varieties with desirable characteristics, gradually producing a constellation of types used for different purposes.

“In our travels, we have found more than 70 distinct cassava varieties that are highly diverse, physically and nutritionally. They include types ranging in toxicity, some of which need laborious shredding and rinsing and others that can be cooked as is, though none can be eaten raw. …

“While cassava has been ensconced in South and Central America for millennia, its story is far from over. In the age of climate change and mounting efforts toward sustainability, cassava is emerging as a possible world crop.

“Its durability and resilience make it easy to grow in variable environments, even when soils are poor, and its natural pest resistance reduces the need to protect it with industrial pesticides. …

“While cassava isn’t a familiar name in the United States just yet, it’s well on its way. It has long flown under the radar in the form of tapioca, a cassava starch used in pudding and boba tea. It’s also hitting the shelves in the snack aisle in the form of cassava chips and the baking aisle in naturally gluten-free flour. Raw cassava is an emerging presence, too, showing up under the names ‘yuca’ and ‘manioc’ in stores catering to Latin American, African and Asian populations. Track some down and give it a try. Supermarket cassava is perfectly safe, and recipes abound.”

More at the Post, here.

Photo: Iain Brown.
Kilt maker Graeme Bone. A new organization seeks to protect crafts that have fewer and fewer makers.

I don’t think of neon as an ancient craft, but I’m learning that lack of demand for it is endangering its future. It’s right up there with bagpipes.

At the Guardian, Alice Fisher reported recently on efforts to protect and pass along the skills of makers as varied as those who craft neon, kilts, bagpipes, and cricket bats.

“Nick Malyon was seduced by neon lighting at the end of the 1980s while traveling in America,” she writes. …

“ ‘I was introduced to a sign painter and a neon signmaker, and it seemed like an alternative lifestyle to the one I’d left behind. On my return to the UK, I was probably attempting to carry on some American dream by training, but I loved the weird alchemy of illuminating a piece of bent glass tubing – the change from nothing to something.’

“Malyon’s art [was on display in May], during London Craft Week (LCW), at the Vintage Supermarket, a Soho pop-up shop by Merchant & Found that specializes in 20th-century and industrial furniture. His work will represent one of the many endangered crafts on show this year.

“ ‘Over the centuries, crafts have ebbed and flowed; some die out but others grow to replace them,’ says Daniel Carpenter, executive director of Heritage Crafts, the charity that produces the annual red list of endangered skills. ‘But what we’re seeing now is something different – it’s like an extinction-level event.’

“Heritage Crafts’ red list includes gloomy news for British culture. Cricket ball manufacture is extinct in the UK, while cricket bats are on the endangered list alongside kilt- and bagpipe-making. Construction of currach boats and the sporran are also on the critical list.

“Carpenter says that competition from low-wage economies overseas is a key factor. … He says the situation is worse in the UK than in other European countries, but Heritage Crafts has just established a worldwide organization to monitor the situation. ‘There’s less support for training, and government-funded apprenticeships are very hard to access in the UK. They’re not set up for our sector – which is ironic, as apprenticeships were developed by craft guilds in medieval times.’

“Scottish kiltmaker Graeme Bone’s work will appear at LCW’s Craftworks. He retrained with a program offered by the Prince’s Foundation. Previously he was a steelworker: ‘Surprisingly, there are many cross-transferable skills from construction to pattern making – it’s all grids and measurements.’ …

“Rush weaver Felicity Irons, who is also exhibiting at LCW, received a British Empire medal in 2017 for saving the UK’s rush-cutting industry. She was focused on making seating when her rush supplier, Tom Arnold, died. Arnold’s brother was in his 70s and didn’t want to take over the trade, though it had been in his family since the 1500s. He gave Irons a two-hour training session before she took over.

“ ‘But I still get asked if this is my hobby. Though it’s better than it was when I set up – customers would be really rude to me about the prices and I had to stop myself from justifying it. I think it’s staggering that those plants growing in the river are being sent all around the world – our exports are really strong.’

“In June 2024, the UK will ratify Unesco’s Convention for the Safeguarding of the Intangible Cultural Heritage, which means the government commits to protect local crafts, social practices, festive events and rituals. A public register opened in January 2024 for British people to nominate local traditions for our national list. ‘It’s a step forward,’ said Carpenter, ‘but it’s largely symbolic.’ …

“While grants are hard to come by, some awards offer money prizes as well as recognition. The latest winner of the Loewe Foundation Craft prize, an international award, [was] announced in the same week as LCW. [Andrés Anza won.] …

“Abraham Thomas, curator of modern architecture, design and decorative arts at the Metropolitan Museum of Art in New York is one of the Loewe Prize judges this year. He feels some crafts people are adapting to the modern world.

“He says: ‘It’s interesting to note that several artists on this year’s shortlist have subverted traditional techniques and incorporated unexpected, recycled or industrial materials. They appear where other materials might be expected – all with the purpose of challenging craft traditions, legacies and expectations.’”’

“Carpenter also thinks craft is an innate human trait, and the loss of these skills goes beyond being a problem for our manufacturing sector or a waste of talent. ‘We’ve evolved as human beings to be makers,’ he said. ‘So for us to be living 24/7 in the digital world isn’t natural.’ …

“Malyon, though, has resigned himself to the death of his craft in the UK. ‘Since the advent of LED in the 2000s, neon trade worldwide has crashed. Brexit caused a price rise in our materials, all imported from Europe. I’ve never earned much and I work very long hours, but I really enjoy what I do.

“ ‘I just wanted to make neon signs, commercially, for whatever weird reason, so I feel I’ve been lucky. But as far as the UK craft is concerned, I don’t think anyone can stop it from dying.’ ” More at the Guardian, here.

I’m glad to read that someone is still doing work with rushes. A couple of our rush-bottom dining chairs were starting to need attention. Fortunately, the new owners of our house were happy to take them on.

Photo: Murdo MacLeod/The Guardian.
Artist Hans K Clausen is on track to collect 1,984 copies of 1984 for an exhibition on Jura, the Scottish island where George Orwell wrote it. 

Is it 2024 right now or 1984? Remember when 1984 seemed a long time in the future? I do. Now it’s far behind. Meanwhile, the novel Nineteen Eighty-Four seems to many of us to have stopped being fiction.

The Guardian‘s Scotland editor Severin Carrell writes about a celebration of the novel and author George Orwell, an exhibit on the island where he wrote it.

“Copies of George Orwell’s dystopian masterpiece Nineteen Eighty-Four,” writes Carrell, “have been arriving at an artist’s studio in Edinburgh for months. Every shape and size, posted from Ukraine, Hong Kong, Peru, Germany, Cape Cod and Sarajevo.

“Some are in mint condition, others are dog-eared, tea-stained, heavily annotated or turned into graffitied art works. One is a water-stained first edition; one is a secret love letter from a married woman to her first love; another, a graphic novel version, came from Orwell’s son Richard Blair.

“Each has been donated to a unique installation in the community hall of Jura, the Hebridean island where Orwell, in dire poverty and desperately ill, wrote Nineteen Eighty-Four during the late 1940s, to mark its publication 75 years ago.

“Hans K Clausen, a sculptor based in Edinburgh, is collecting 1,984 copies of the book to exhibit on Jura for three days in [June]. It will be an interactive, ‘living’ sculpture where visitors are invited to open and read every volume.

“Many have arrived, often with overseas postmarks and customs stamps, addressed to ‘Winston Smith, care of Hans K Clausen.’ [Winston is the novel’s protagonist.]

“ ‘I don’t see my art project as political,’ Clausen said. ‘It has politics woven through it, but it also has a love story woven through it. … I’m interested in all the layers,’ he said. ‘Often people overlook the romance and the love, and this man trying to find his own humanity. It gets lost in the Big Brother-ness of it all.’ …

“One correspondent, a married woman who called herself Julia, after the hero Winston’s lover, sent in her personal copy as a memorial to her first love, a man also married to someone else, her Winston.

“Clausen said his installation, the Winston Smith Library of Victory and Truth, is designed to be ‘a monument [to] the defiance of the printed word.’ He is still taking donations. … In return, each donor receives an enamelled pin-badge as a gesture of thanks.

“Clausen wants visitors to appreciate the materiality of each volume: the Russian copy printed on coarse paper; the impeccably printed Japanese edition; the hand-cut Canadian volume on thick paper; the musty odor and yellowing edges of the oldest copies; the intense annotations and highlighting in others, and the inexpert repairs with sticky tape to the ones with battered spines. …

“Clausen has worked with secondary school pupils in Edinburgh, London and on Jura itself, with pupils who live there but go to school on neighboring Islay, who have customized copies using paint, scalpels and pens. A teacher and sculptor at Cape Cod community school in Massachusetts cut an intricate Big Brother artwork into his.

“The installation includes audiobooks on cassette and films on DVD. The audiobooks will be broadcast over two wide-mouthed loudspeakers reminiscent of the omnipresent speakers that indoctrinated the citizens of Airstrip One.

“Visitors to Jura will find a desk with a 1940s typewriter and a paperweight, in reference to the object Winston bought in the antique shop above which he and Julia conducted their illicit affair. The [shop] was a front for the thought police. …

“The project has the blessing of the Orwell Society, a group set up under Richard Blair’s patronage in 2011. … Quentin Kopp, the society’s chairman, whose father, George, was Orwell’s commander in the Spanish civil war, said they spent time talking to Clausen.

“ ‘We satisfied ourselves this was a very genuine initiative,’ Kopp said [adding] ‘This book has a clear modern resonance with many things that are going on. It’s staggering how prescient Orwell was.’ ”

More at the Guardian, here.

Photo: Caroline Gutman/Bloomberg.
A 20-swing structure for visitors of all ages at the Anna C. Verna playground in Philadelphia. 

In the Swedish retirement community where reader Stuga40 lives, there’s a playground for adults. Of course, the Swedes are always ahead of the rest of the world on quality-of-life things, but the idea of all-ages playgrounds is catching on in other countries, too.

Alexandra Lange reports at Bloomberg, “A swing can be the simplest thing: two chains attached to a board, a rope knotted through a disc, a chair suspended from above. Swings appear on ancient Greek vases as instruments of leisure, and in eighteenth century Thailand as vehicles for competition.

“That’s the thing about swings: They can be sociable, but they are also physical. This inviting duality has often been undermined by public safety standards, which discourage swings for more than one person and mandate that they be far apart. After a certain age, swinging solo loses its thrill.

“But at Anna C. Verna Playground at Philadelphia’s FDR Park, on the south side of the city, the largest swing set in North America was designed to test those limits. Not by creating unsafe play, but by transforming those standards into something challenging, unusual, beautiful and rewarding for swingers of all ages.

“The playground, which opened in October and was designed by WRT Design with Studio Ludo as play consultant, features two acres of nature-based play, including seven slides of increasing height and speed, two steel-and-rope ‘birdhouses’ ascended by climbing nets, three log climbers, and assorted shady picnic tables, rock circles and sit-able logs.

“The centerpiece, however, is the 120-by-100-foot elliptical ‘megaswing’ from which 20 different swings of five different types hang in invitation to all the users of the park — from homeschool moms to tailgating Eagles fans, teenagers on a half-day to grandparents with toddlers, all of whom can train, bus, cycle or drive to the park.

“ ‘We are social animals, and play fosters social relationships,’ says landscape architect Meghan Talarowski, executive director of Studio Ludo, who is also a certified playground safety inspector. …

“At a time when many cities and business owners seem to want nothing to do with teenagers, it is refreshing to see a brand new public space issue them an invitation — and to go there and see that happening. Toronto urbanist Gil Penelosa, founder of 8 80 Cities, has long argued that designing a city that works for eight-year-olds and 80-year olds is a city that works for everyone. …

“Talarowski [got] her shot at the Anna C. Verna Playground in Philly, where she nestled a smaller ellipse — still equivalent to the size of a baseball infield — into FDR Park’s existing lagoon, like the thrust stage in a Shakespearean theater.

“ ‘There was this natural curve in the lagoon, and we were trying to connect the play design to the site conditions, without taking down any trees,’ says Allison Schapker, chief operations and projects officer for the Fairmount Park Conservancy, which is working with Philadelphia Parks & Recreation on the multi-phase, climate-sensitive $250 million dollar FDR Park Plan. ‘This is the point, if you are swinging high, you get views back to center city Philadelphia, so we are connected with both nature and the city.’ …

“The Anna C. Verna Playground is phase one in the restoration of FDR Park; the master plan is also by WRT. As part of their commitment to keeping things natural, WRT specified very little paint and plastic: The slides and climbing structures are stainless steel and rope, much of the seating is rocks and logs, the swings themselves are black plastic, plus more metal and rope. The big swing and the playground’s other custom pieces were designed in collaboration with equipment manufacturer Berliner Seilfabrik. Underfoot, the springy safety surface is not the flip-flop colored rubber of most playgrounds, or high-maintenance and inaccessible woodchips, but a permeable and recyclable cork product that comes in a subtle, toasted brown. ‘We feel strongly playgrounds should be sophisticated,’ says Talarowski.

“Sophistication [signals] to users that this equipment isn’t just for kids. As part of their two-year community process, the conservancy ‘did engagement activities on site with kids and their families,’ says Schapker. ‘Overwhelmingly, across every age group, they said they wanted to swing.’ ”

More at Bloomberg, here. Long article. Great pictures. No firewall.

Photo: Mary Jo Hoffman.
Palourde clam shells from the Mediterranean Sea, part of Mary Jo Hoffman’s decades-long creative endeavor celebrating the beauty of the natural world.

I’m reading a lovely YA novel celebrating the wonder of the natural world (Gather), so my train of thought today fits right in with the topic of a recent New Scientist article. It’s about a woman with a huge collection of nature photos.

Gege Li writes, “Since 2012, Mary Jo Hoffman has taken one snap a day of the natural objects around her. She explains what lies behind two of them – and what the ‘art of noticing’ has brought to her life. …

“Since 2012, aeronautical engineer-turned-artist Mary Jo Hoffman has taken one photo a day of the natural objects around her. But what started out as a creative challenge to simply get better at art composition has now evolved into a ‘comprehensive way of being,’ she says.

“Twelve years and thousands of photos later, Hoffman still finds beauty in her surroundings, often no further away than her home in Saint Paul, Minnesota. Her book, Still: The art of noticing .. collects 275 photos from her project, two of which are shown [at New ScientistI].

“Pictured in the main image above, are an assortment of palourde clam shells from the Mediterranean Sea, the remnants of a spaghetti and clam dinner in southern France. Hoffman wanted to commemorate the varied coloration of each clam, and this aftermath proved too good an opportunity to pass up.

“[Another photo shows] a feather from a sandhill crane. Hoffman selected this downy number during the moulting season of a resident pair of cranes that have set up their summer nests next to her house.

“Hoffman’s background in aeronautics means her idea of beauty has always bent towards the mathematical – the intricacies of feathers, for example, seen with the naked eye or zoomed in to the finest details, illustrate ‘beauty at every level,’ she says.

“As for the project, ‘I truly feel I have stumbled onto an elegantly simple practice that lets me experience the sacred almost every day,’ she says.” More at New Scientist, here.

“The art of noticing” is also what you’re supposed to do in meditation and breathing exercises, am I right? That sort of thing really calms me down if I need calming down. Some instructors even enccourage noticing each of your five senses slwoly and thoughtfully because when you are just noticing your breath or your sense of smell, say, you don’t get overwhelmed by whirling thoughts.

By the way, blogger Rebecca Cuningham is another photographer who’s an artist at noticing. From Minnesota, too. Check her out.

Photo: Rainbow Skateland.
Roller skating — often in the street — has been part of African American culture for years.
Today it’s really an art form.

The world of roller skating is a world I know nothing about. The one time I tried it at a kid birthday party, I was mostly frozen. But wait till you hear about the expertise of today’s Black roller skating world!

James Thomas reports from Atlanta for the New York Times, “To parse the different regional roller skating styles in metro Atlanta rinks, watch the traffic patterns.

“Sparkles Family Fun Center in Smyrna, Ga. on a recent Thursday night offered a case study: Locals skating in the hometown style churned the floor’s edge, punctuating their synced steps with hand claps that rose from the shoulder. Skaters in the New York-New Jersey-style bobbed steadily and pivoted in tight circles at the center of the crowded rink. A critical mass of skaters doing Chicago’s brand of fluid, James Brown-inspired footwork, or JB skating, carved a jet stream between the crowds.

“It was the warm-up party for the Jivebiscuit Skate Family Reunion, one of the longest-running national gatherings of Black roller skaters. The 17-year-old event, held in February, is one of several annual parties that have made Atlanta a skating hub, bolstered by a steady, decades-long influx of Black residents from other cities.

“ ‘It’s definitely like the Great Migration meets the skate migration,’ said Reggie Brown, 40, a JB skater and music producer who grew up in Chicago. Though he now lives in New York, Brown visits Atlanta frequently to skate. …

“That commingling has Atlanta’s stalwart skaters concerned about keeping their distinctly energetic and percussive style alive. They say Atlanta’s newer skaters, who have wide access to regional variants, increasingly practice a hybridized type of skating that’s not rooted in any one tradition.

“ ‘If you don’t understand the foundation, you have the potential to lose it altogether,’ said Vaughn Newton, the skating choreographer for the 2006 coming-of-age movie ATL. Newton, 58, is a respected bridge between the city’s younger and older skaters. …

“On any given night in Atlanta — certainly on a destination party night — a D.J.’s song choices can activate or chill the various pockets of culture swirling the floor. So when D.J. Arson played ‘Presha‘ by 2 Chainz and Lil Wayne, a standout of the trap subgenre, on the second night of Jivebiscuit at Stone Mountain Skates in Stone Mountain, Ga., the Atlanta-style skaters took their cue.

“Paul Antonio Johnson led a procession along the perimeter, his high knees evoking a drum major in a marching band. He called out routines; the skaters behind him clapped and matched cross slides to the pounding beat. The maneuver is a foundational element of the Atlanta style, where a skater crosses feet laterally in sync with the music. Though known by different names across regions, Atlanta skaters in the 1970s first termed it the crisscross. Younger generations smoothed it out, lifting their skates for a cross-body step they called the cross slide.

“ ‘If you know what you’re looking for,’ says Newton, ‘you’ll see the crisscross. And that’s what everything is built on.’

“Arson stayed in trap mode for the next half-hour before shifting smoothly out of the simmering, drum-heavy hip-hop into mid-tempo R&B with muscular grooves and few lyrics. The Atlanta skaters slowed down and cycled off the floor while the JB skaters took over, swaying and lunging, arms high. They had buoyancy and finesse.

“Atlanta style embodies ‘a lot of energy, showmanship, ugly face. It’s real hype,’ said Kenneth Anderson, known as Kojak. He and his wife, Tijuana Anderson, or Lady Tee, 61, are pillars of the Atlanta skating community. ‘It’s like riding a motorcycle on 285 and just letting your hair down,’ Kojak, 62, said. ‘It’s a real aggressive style.’ …

“When Joi Loftin moved to the area from Detroit in 1988, synth-funk and early hip-hop were prevalent. In 1995 she and other transplanted Detroit skaters, who were used to up-tempo R&B, began to pool their money each week. ‘We would rent Golden Glide rink just so we could play the music that we wanted to skate to,’ she said. ‘That session is still going on to this day.’

“Loftin soon developed relationships with other rink owners, D.J.s and skaters. She and John Perkins, a transplant from New York, started Sk8-a-Thon in 1996, one of the first recurring national parties that showcased Black roller skating styles. Their first event drew 836 skaters from around the country to the Golden Glide in Decatur, six miles east of downtown Atlanta. Over the years it grew to accommodate thousands in multiple rinks over four days, making a Labor Day trip to Atlanta a Black roller skating ritual Loftin hopes will continue now that she’s held her last Sk8-a-Thon in 2023.

“ ‘It’s a beautiful thing,’ said Terron Frank, 34, who traveled from Portsmouth, Va. for Jivebiscuit. ‘You can pretty much see every style you’d want to see in Atlanta.'”

More at the Times, here. Great photos.

Photo: Kang-Chun Cheng.
A chimpanzee swimming near the Ngamba Island sanctuary in Uganda.

Exercise instructors like to tell you how everything in your body connects to everything else. For example, moving your eyes as if trying to look behind you can help your neck turn a little farther in a neck exercise.

Interconnectedness is also true of nature. Consider Uganda, where work is being done to simultaneously protect chimpanzees, tropical forests, small-farm agriculture, and families.

Kang-Chun Cheng writes at the Christian Science Monitor, “From the shade of a banana tree, Samuel Isingoma explains why he is sacrificing his precious jackfruit to chimpanzees.

“ ‘Since I support and give fruit to the chimps, they don’t disturb anything else,’ says Mr. Isingoma, who has planted 20 jackfruit trees on his 17-acre plot in the western Ugandan village of Kasongoire. The trees’ bounty is solely for the primates. …

“Uganda is East Africa’s largest sugar cane producer and has one of the fastest-growing populations on the continent. The need to make space for homes and farms is reducing the forest cover that helps sustain chimpanzees.

“James Byamukama, an executive director at the Jane Goodall Institute, says it’s critical to have discussions within communities rather than try to impose solutions. Community monitors from the institute’s Uganda chapter have recommended that farmers plant crops that aren’t so palatable to wildlife. So about eight years ago, Mr. Isingoma started planting coffee beans, leaving behind the maize he used to cultivate.

“Now he is taking the institute’s advice one step further by giving his fruit over to hungry chimps.

“As a result, Mr. Isingoma says, ‘I feel there isn’t much of a human-wildlife conflict.’ “

The nonprofit We Stand for Wildlife expands on the connections between farming and forests.

“When over 1000 Ugandan small holder farmers adopted WCS conservation farming practices they increased crop-based income 15 fold and halted clearing on 2700 hectares [6671.845 acres] of riverside forest.

“Following the end of the civil war in 1986 refugee families began to return to their lands in the Murchison-Semliki region of Uganda that contain the last remaining natural forest in the country outside of protected areas. These riverside forests form corridors connecting the national parks and are vital habitat for chimpanzees.

“To feed their growing families farmers began to clear the forest to plant crops. Traditional agricultural practices quickly exhaust the soil and farmers are forced to deforest new areas. Between 2006 and 2010 WCS sound science showed that farmers were clearing nearly 8,000 ha of forest each year. Unless this changed the forest and its resident chimpanzee would soon disappear.

“In an attempt to avert this deforestation trend WCS joined forces with the Jane Goodall Institute and the Chimpanzee Trust. Initially we hoped that we could help farmers to capture the value of their trees by selling their stored carbon in the voluntary REDD+ market place. But the high cost of certifying the carbon for sale and the low price of forest carbon made this idea untenable.

“At WCS we adapted our plans and began offering farmers training in zero tillage farming that conserves nutrients and soil moisture, which is critical as rains become less predictable with climate change.

Farmers who adopted the less capital intensive conservation farming methods saw their maize yields increase 2-fold and their net revenue by 15-fold.

“Today over 1000 farmers are using conservation farming technique that preserve soil fertility and crop productivity dramatically reducing the need to clear more forest. Analysis of forest cover change using the Global Forest Watch interactive mapper shows that deforestation has visibly declined in areas under conservation farming. In lila was forest before the start of the REDD+ project; in green the forest still today and although it is difficult to quantify a 1 to 1 cause and effect relationship it show that deforestation was a lot less where our Private Forest Owners/conservation farmers live.”

More at the Monitor, here, at WCS, and at the Jane Goodall Institute. No firewalls.

Photo: Whitney Eulich.
Fernando Matus Hernández ties a small bucket filled with heirloom corn kernels around his waist before planting them on his family’s farm in Oaxaca, Mexico.
Small farms like his are an endangered species.

Agricultural capitalism is making it hard for small farms to survive, but so are some environmental regulations, normally a public good. How can we protect both the environment and the small farms that feed us?

At the Christian Science Monitor, Erika Page, Whitney Eulich, and Srishti Jaswal have an in-depth report on the challenges facing farmers today.

“Julie De Smedt tries not to picture her future too often. When she does, she has trouble imagining herself anywhere but here, planted on this stretch of fertile land that runs from her childhood home to the River Scheldt.

“Her family’s cattle ranch is the last farm left on this sleepy Belgian country road. If she were a statistic, she would have left for the city. But at 21 years old, she’s made up her mind.

“ ‘I want to take over the farm,’ says Ms. De Smedt, who lives doors down from her grandparents and cousins on both sides. ‘I don’t want to be anywhere else.’

“But she knows how unlikely her dream is. Sometime soon, all her family farm’s land will be converted into a nature reserve. The European Union is pushing to restore ecosystems in the face of widespread environmental degradation, which contributes to climate change, so the state has expropriated their land.

“The family is not against green policies. ‘There has to be nature, and there have to be people who defend nature,’ says Wendy Vasseur, Ms. De Smedt’s mother, looking through the back door of a cow barn at the line of trees that marks the boundary of the future reserve. But nobody seems to care what will become of their family and the life they have built on this land, they say. …

“Small-farm owners around the globe, in fact, are feeling that same sense of helplessness. From Germany and Spain to India and Canada, farmers are rising up to protest not only burdensome new environmental regulations but also the impact of corporate mega-farms and cheap food imports, which have caused their costs to rise and their profits to fall dramatically. So, many around the world have driven their tractors into capital cities, sometimes spraying manure on city streets and sidewalks. They’ve blocked major freeways, set fires in urban metro stations, and demanded changes to policies that, to them, feel like death sentences. 

“ ‘What they want is a decent living,’ says Morgan Ody, general coordinator of La Via Campesina, an international small-farmers organization. ‘What they want is respect for their work.’

It would be a mistake, she says, to see the latest wave of protests as simply right-wing backlash against the green agenda.

“True, some farmers oppose green policies on political grounds, but many support them. As rural areas lose population, farmers on every continent say they are being sacrificed to meet the demands of a society that no longer values the people who feed it. …

“A cow and a pig were all Ms. De Smedt’s grandfather needed to open this farm in the 1950s. As agriculture intensified and industrialized, the farm, too, grew. Today, the wooden barns the family built itself hold 250 cattle, whose meat is sold mainly to French grocery chain Carrefour. 

“They fatten their cows on corn and beets they grow on the land destined for the nature reserve. And they will continue for as long as they can, Ms. Vasseur says. But it is a perpetual battle to keep the farm going, and Ms. Vasseur has to work a full-time job at a nearby factory to make ends meet.

“The price they can charge for their beef has not kept up with the rising costs of inputs such as fertilizer and pesticides needed to keep poisonous weeds at bay. Now, the family business has to deal with rules governing crop rotation and fallow land. …

“Their story has repeated itself around the world for decades, says Timothy Wise, a researcher and senior adviser at the Institute for Agriculture and Trade Policy, an international nonprofit that promotes sustainable food production. ‘Bigger farms get bigger, and smaller farms disappear. Rural communities just get hollowed out.’ 

“Between 2005 and 2020, the EU lost nearly 40% of its farms and over 5 million farmers, most of them smallholders. At the same time, the amount of land being farmed has stayed the same. …

“That isn’t how Lieven Nachtergale wants things to end. As coordinator of the Sigma Plan, the project responsible for Belgium’s new nature reserve, Mr. Nachtergale does not enjoy removing farmers from their land. He does, however, think it’s necessary: Natural habitats in the densely populated region of Flanders have been badly degraded, and floods pose a growing risk. In such cases, the needs of the land, if not the planet, must take precedence.

“But the real problem he sees is a model of intensified agriculture that has become so disconnected from the natural world. Fields treated with herbicides, pesticides, and heavy doses of fertilizer leave native species next to no room to thrive, he says. 

“The EU’s Nature Restoration Law requires countries to restore 30% of their natural ecosystems by 2030 and 90% by 2050. Mr. Nachtergale’s team is helping Flanders establish 36,000 hectares (almost 90,000 acres) of nature reserve, the equivalent of 5% of the land area being farmed.

“Over the years, he has grown increasingly interested in figuring out how nature and agriculture might better work together. He is working on a pilot project that would give farmers who want to produce in a ‘nature-inclusive’ way 2 hectares of land (5 acres) for every hectare of their own that they contribute. The goal is to restore ecosystems while keeping family farmers on the land. 

“ ‘We will need farmers in the future to do this kind of management,’ he says. But he recognizes the challenge of competing with bigger industrialized farms. ‘If we want to change the system and give the farmers a better future, I think we should pay more for what they are producing.’ “

More from farmers around the world at the Monitor, here. No paywall. Subscriptions welcome.

Photo: Jingnan Peng/Christian Science Monitor.
On a tour of Louisville’s Western Library, librarian Natalie Woods (right) shows a 1911 diploma of Louisville’s Central High School. Its former principal, Albert Meyzeek, helped create the oldest Black public library in the U.S. still independently run today.

It is often the case that people in a marginalized group excel in delivering badly needed services that others take for granted. Consider America’s oldest Black library and the man who started it.

Jingnan Peng writes at the Christian Science Monitor, “Thirty minutes into the library tour, Louisa Sarpee wants to work there. History is so close to her. One block away from her high school, the small library she had never set foot in laid the foundation of African American librarianship. What is more, the library was created by a former principal of her own school. Its archives even house a diploma of her school from the time the word ‘colored’ was still in the school’s name.

“ ‘Is there any way to volunteer at the library?’ the ninth grader asks Natalie Woods, the librarian giving the tour. …

“ ‘Say no more, girlfriend,’ Ms. Woods replies, beaming. ‘We’re gonna talk.’

“For Ms. Woods, the manager of Louisville’s Western Library, the gasps coming from the group of 18 students learning about its history is no surprise. She meets Louisvillians every day who know nothing about Western. The library under her care is the oldest public library in the United States independently run by and for African Americans. It was also the earliest training ground of Black librarians from around the South. It is a legacy that has changed Ms. Woods’ life, and preserving it has become her vocation. …

“The ‘Western Colored Branch’ of the Louisville Free Public Library system opened in 1905, in an era when Black communities across the South were building institutions in the wake of emancipation, says historian Tracy K’Meyer at the University of Louisville. …

“The segregated library was considered an experiment, says Ms. Woods. Its first manager, the Rev. Thomas Fountain Blue, had no formal schooling in library science – because there were no library schools open to Black people.  

“Blue not only ran a successful library … he also started the first training program for Black library workers. The course became the prototype for the first degree program in library science for African Americans, which opened in 1925 at Hampton Institute in Virginia. …

“Ms. Woods remembers Blue’s cursive handwriting. The first time she held his papers, they changed her life. She never learned about Western’s history when she grew up in Louisville. The child of a Black father and a white mother, she became a page at Louisville’s Shawnee Library. There, she would hear mentions of Western’s history.

“In 2008, while working as a library clerk and attending college at night, Ms. Woods lost the vision in her left eye due to complications from surgery. She couldn’t perceive distance properly and had to relearn basic activities, such as picking up a pencil, by repetition. It was a struggle to finish college, she says, and she gave up the idea of pursuing a master’s degree in library science.

“Then, one day, a supervisor brought Ms. Woods a folder of documents to transcribe. They were the papers of Thomas Fountain Blue. 

“On lined sheets, the cursive hand discussed circulation methods, library cards, and a library’s role in educating the public. 

“ ‘I knew of him, but I didn’t know how deep and intentional he was in everything he did,’ Ms. Woods says. ‘And it just gave me a new love and desire to go to library school.’ She obtained her library degree at Florida State University. She became Western’s manager on March 6, 2016: Blue’s 150th birthday.

“When Ms. Woods started at Western, she found that many people living near Western did not even know the library exists.

“The library’s archive, which includes Blue’s papers and a wealth of material on Black Louisville history, was disorganized. There was no indexing, and the room was not even locked down, Ms. Woods says.

“So she started giving tours of the library, which she still offers about once a week. In 2018, she obtained a $70,000 grant to index and digitize Western’s archive. 

“It is an important archive that sheds light on ‘how Black librarians, in real time, were trying to imagine what a library to serve a Black community should look like,’ says David Anderson, a professor of English at University of Louisville. …

“A child of formerly enslaved parents, Blue attended college and seminary in Virginia and ran a Louisville YMCA before starting at Western. He died in 1935, after being denied medical care for a treatable infection, says Annette Blue, his granddaughter. ‘He died from Jim Crow laws,’ she says in a Zoom interview from her home in California. …

“Ms. Woods says she does her work in honor of Blue and her parents. She tries to embody Blue’s commitment to ‘the betterment of his people.’ Her parents, who faced much opposition to their relationship as an interracial couple, taught her to ‘treat people the way you want to be treated.’ “

More at the Monitor, here. No firewall. Subscriptions are reasonable.

Photo: Anthony Mongiello via the Boston Globe.
Kojiro Umezaki plays the shakuhachi, a Japanese vertical bamboo flute.

In the same way different languages often express something about a culture that is not seen in other cultures, different musical instruments can do the same. A Japanese musical instrument called the shakuhachi is like that. And it can take hold of musical people in surprising ways.

A.Z. Madonna has the story at the Boston Globe. She writes, You have probably heard this sound before. This is the first thing that shakuhachi player Kojiro Umezaki tells people who aren’t familiar with his instrument.

“Maybe you’ve heard the vertical bamboo flute in movies when you see a scene of Japan, or you’ve heard one playing in the background at an Asian restaurant. Or you might have heard it in video games; if you’ve played ‘Ghost of Tsushima,’ the acclaimed action-adventure game from 2020, you didn’t just hear a shakuhachi, you heard Umezaki playing it.

“But there’s more to the instrument than its status as a symbol of Japanese music and Japan itself. …

“ ‘It is the sound of the earth,’ said shakuhachi player and maker Perry Yung in a phone interview. ‘The sound of the wind passing through a bamboo forest. It’s a sound that is constantly shifting tone colors, like light passing in the sky through clouds.’

“The shakuhachi was historically used as a solo instrument in Zen Buddhist meditation, specifically by wandering mendicant monks. It also sometimes appears in Japanese classical music, often with a koto (zither) and the three-stringed shamisen. Most modern shakuhachis have five tuning holes, with four in the front and one on the rear, and they’re tuned to the minor pentatonic scale. However, the player can partially cover holes and bend pitches to produce any pitch they want. …

“It somewhat resembles a recorder, but has no mouthpiece, so producing a sound is trickier. ‘You have to find the spot that sets up the vibration with your lips,’ said Umezaki … ‘My mother likes to tease me and say that when I first started playing it, it took me a year to make sound.’

“The child of a Japanese father and Danish mother, Umezaki grew up in Tokyo and attended an international high school. There his choir teacher was a student of famed shakuhachi player Goro Yamaguchi, and he suggested Umezaki try the instrument as well. …

‘As someone with a mixed Japanese background, you do start to wonder about the Japanese side of who you are,’ he said. For him, playing shakuhachi was ‘the simplest way to get in touch with something that is very much identified with Japanese culture.’

“The instrument found Yung in 1994, while he was acting in a play directed by Ellen Stewart at the New York experimental theater venue La MaMa. Shakuhachi player Yukio Tsuji was in the production’s band, playing the instrument in a ‘very experimental manner,’ he said. … ‘But at one point, the show was silent, and then there was the shakuhachi, and it changed my world.’ After the show, Yung rushed backstage to ask where he might get one. ‘[Tsuji] just looked at me wide-eyed, and said, “I see you’re bitten now.” ‘ …

“Yung took a DIY approach — he bought bamboo at a flower market, and copied flutes at Tsuji’s own workshop, he said. ‘I basically learned how to play and make at the same time.’

“Some time later, he studied in Japan with Kinya Sogawa, an established professional musician and craftsman. ‘He didn’t speak any English, and I didn’t speak any Japanese at the time,’ Yung said. ‘But in the traditional manner of study, you imitate the master and don’t ask questions.’ …

“Umezaki has played with Silkroad, the broad global music initiative founded by Yo-Yo Ma, for over 20 years. He considers what he’s learned there the closest thing he’s had to conservatory training. …

“Yung, whose workshop floats between New York and Rhode Island, has more recently started incorporating the instrument into activism, particularly at rallies against anti-Asian hate. ‘I start my talk with a shakuhachi offering, to others who have been affected by the violence that has been perpetrated upon the Asian-American community in recent years.’ “

More at the Globe, here.