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Photo: Igor Kasyanyuk via WIFR.
Abigail Barlow and Emily Bear, co-creators of a Tiktok musical based on the television show Bridgerton.

Are you on TikTok? I haven’t gone deep there, but I’ve gotten a kick out of the few things I’ve seen, mostly clips recommended by some other website. Today I want to highlight something fun: a musical created just for this kooky platform.

At the Conversation, Sarah Bay-Cheng, Dean of the School of Arts at Canada’s York University, asks, “Is musical theatre an event, a sound — or something else?

“The 2022 Grammy Award for best musical theatre album went to a show that originated as a TikTok smash hitThe Unofficial Bridgerton Musical by duo Abigail Barlow and Emily Bear.

Bear, a 20-year old pianist, composer and former child prodigy produced the album. She and Barlow both composed music and wrote lyrics. Barlow, a singer who previously established herself with a massive TikTok fan base, sings almost all the parts of all the songs.

“What does all this mean for the future of musical theatre?

Inspired by hit Netflix series Bridgertonproduced by Shonda Rhimes, Bridgerton: The Unofficial Musical won the Grammy over productions created by established figures such as composer and producer Andrew Lloyd Webber. ….

“Musical theatre albums typically circulate as the official cast recordings of staged musical theatre performances including full orchestrations. In this case, Barlow and Bear began their collaboration over Zoom [during Covid] and together performed all of the roles.

“Their collaboration didn’t end there. Over the course of creating The Unofficial Bridgerton Musical, Barlow and Bear played to other fans of the show via TikTok: They rehearsed their songs, interacted with fellow performers and contributed to the thriving creative fan culture for which the video platform has become known. …

The Unofficial Bridgerton Musical was not the first musical adaptation to emerge on TikTok. In 2020, during pandemic shutdowns, an online fan base of the Disney film Ratatouille began creating, sharing and developing Ratatouille tribute songs — like an ode to Remy the rat by one user given a (digital) orchestral treatment by another user — until this swelled into a Ratatouille musical TikTok community.

“Eventually, leaders of the theatre and digital media production company Fake FriendsMichael Breslin and Patrick Foley, adapted the collective project for an online performance. …

“With Disney’s permissionRatatouille the TikTok Musical streamed for two performances in January 2021, raising over US$2 million for the Actors Fund. …

“Although the [Bridgerton] win was historic, musical theatre has always circulated through networks of media, popular culture and fandom.

“Long before social media allowed users to create and share music online, audiences performed songs from theatrical productions at home. … For example, as musical theatre scholar Stacy Wolf points out, the Rodgers and Hammerstein song ‘I’m Gonna Wash That Man Right Out of My Hair’ was used for a hair product commercial.

“If musical theatre of the past was an event, today it is more akin to a community. … The musical Hamilton amplified access to tickets and online media buzz by creating a hashtag contest, #Ham4Ham. Fans using the hashtag had the chance to win front-row seats.

“But today but just getting a seat is not enough. New audiences want to be part of the process, and scholars are paying attention.

“Throughout the creation of Unofficial Bridgerton, locked-down Broadway performers joined in the collective development. They shared ideas and performed songs with Barlow and Bear.

“In an interview with NPR, Barlow noted that theatre is a gate-kept art form and at $200 a ticket not many people can go. In comparison, online adaptations create more access and more interest. …

“I first heard about Barlow and Bear’s album from a former student of mine who works in the writers’ room for Bridgerton. It’s not a coincidence that Rhimes’s show was source material to inspire new musical theatre creation.

“Rhimes’s television projects consistently challenge dominant cultural narratives, ensuring that what people see on the screen reflects the realities of contemporary life. … She calls it ‘making TV look like the world looks.’ In response to her work, creative fan cultures emerge with media platforms facilitating dynamic, diverse and ongoing collaborations.

“This attention to the diversity of representation and Grammy recognition for new modes of production are changing musical theatre for the better. Rather than a singular location or sound, theatre of all kinds today is a dynamic experience created across multiple networks, communities and identities. We should recognize and celebrate these talents.”

More at the Conversation, here.

Photo: federico-giampieri-R0lftflMYPw-unsplash.
Generations share the love of fishing.

Today’s story is about a guy who provides outings to fatherless children — on Father’s Day and year-round.

Cathy Free wrote about him at the Washington Post.

“It was hard not to notice the 8-year-old boy across the street who stormed in and out of his own house. The boy, a neighbor of William Dunn in Lakeland, Fla., did it often enough that Dunn wanted to see if he could help.

“ ‘I wondered what was going on in his life, so one day, I decided to ask him,’ said Dunn, 57. ‘He told me that he didn’t have a father, and I realized there might be something I could do for him.’

“Dunn had grown up fishing with his dad and had helped him for a time with his lobster business in the Florida Keys.

‘Fishing always brought me peace and it taught me how to be patient,’ he said. ‘When you’re on the water, you can forget about your problems and just appreciate the moment.’

“Dunn, who has three children of his own, approached the boy’s mother and asked for permission to take him fishing.

“One Saturday afternoon on the water soon led to another, and pretty soon he was teaching the boys’ friends and other kids in the neighborhood how to rig a line, hold a fishing pole and reel in a big catch. That was 15 years ago.

“Since then, he’s taken groups of kids out almost every weekend to fish. Most of them didn’t have father figures in their lives, and had never fished before.

“Some of them were foster kids who had shuffled for years from one home to the next, he said. ‘They’d been through a lot and they’d seen a lot, and their lives were difficult,’ Dunn said. ‘But when they were fishing, all of that faded away.’ …

“In the beginning, Dunn spent a good chunk of his paycheck from his job selling tires to help fund the weekend fishing expeditions on charter boats, he said. Then in 2018, he started the nonprofit Take a Kid Fishing Inc. in Lakeland, a city with dozens of lakes located between Tampa and Orlando.

“In the past 3½ years, he and a small group of volunteers have introduced more than 2,500 kids — most without fathers around — to the experience of spending peaceful time on the water, and the exhilaration of nabbing a fish. …

“ ‘I’m the youngest of six and I always had a great relationship with my dad,’ he said. … ‘He told me that fishing isn’t about what you catch — it’s about the memories you make.’ …

“Through public and private donations to his nonprofit, he said he’s able to go deep-sea fishing with up to 20 kids at a time, or take smaller groups on Saturday lake outings on a charter boat.

“ ‘We only keep the fish we need and toss the rest back,’ he said. ‘And at the end of the day, I’ll help to fry up the catch and feed the kids fish tacos for dinner.’ …

“Terra Pryor of Lakeland, Fla., said all three of her children have struggled emotionally since their dad, Richard Pryor, died in a car accident in January 2020. ‘I was especially worried about my son, Jayden, who was 10 then,’ said Pryor, 32. ‘He was really close to his dad and felt he needed to take over the man of the house role immediately … I was wondering what to do to help him, and then I learned about Take a Kid Fishing.’

“Jayden, now 12, has become a devoted fisherman thanks to regular outings with Dunn, he said.

“ ‘Will has helped me to grow by taking me fishing,’ he said, noting that he once caught a shark that Dunn helped him to cut loose.

“ ‘I hope he knows I mean it when I say, “Thank you,” ‘ Jayden said.”

More at the Post, here.

Eyebrows in Art

Photo: via Wikimedia Commons and Hyperallergic.
Unknown artist, “Mummy portrait of a young woman named Eirene from Egypt” (c. 1st century BCE), encaustic on wood panel.

Isabella Segalovich at Hyperallergic recently had a lot of fun surveying women’s eyebrows in art.

“Being a public persona on the internet means that my face is looked at almost constantly by strangers,” she writes, “leading to uninvited comments about one feature in particular: my eyebrows. On TikTok, the more viral my video, the more ‘feedback’ my bushier-than-average, Ashkenazic brows receive. Reactions range from applause to truly unhinged amounts of anger and disgust. 

“I started wondering: Have people always been this weird about eyebrows? … Let’s take a quick tour of how [eyebrow] ideals have shown up in art across civilizations throughout history: from bushy, to bold, to completely bare. 

“Ancient Egypt: No matter the gender, many people in Ancient Egypt took special care to bolden their eyebrows with kohl or mesdemet. Like other Northern African and Asian cultures, the face was understood to be sacred, and thus, it required protection: kohl and mesdemet both served to guard against infections around the eyes. Kohl is used by many to this day around the eyes, both for adornment and for spiritual protection or devotion. This preference for strong eyebrows combined with traditions of carved reliefs resulted in highly defined, expressive arches in many Ancient Egyptian portraits. [Check Hyperallergic to see that the] wooden Inner Coffin of the Singer for Amun-Re is a beautiful expression of this high-contrast aesthetic. …

“Nigeria: From 1500 BCE to about 500 CE, a culture in Nok, Nigeria left behind now-famous terracotta sculptures with particularly detailed faces. Researchers Peter Breunig and James Ameje observed Nigerian craftsman Audu Washi, who showed them how to make these terracotta features using traditional methods.

A sharpened, sanded-down piece of wood is gently pushed into the clay to create fine details including the very distinct, graphic [Nok] eyebrows.

“The arched outlines of the eyebrows in these sculptures are similar across the portraits, but subtle tweaks in their shape and the space between them conjure vastly different personalities.

“Ancient Greece and Rome: While it’s hard to imagine with today’s inaccurate images of pristine white sculptures, many women in Ancient Greece and Rome were also unibrow fans! In some settings, a hairy unibrow was not just considered beautiful, but viewed as a sign of wisdom. Victoria Sherrow’s Encyclopedia of Hair recounts how Ancient Greek women used powdered antimony (also known as kohl) or even patches made of goat hair glued onto the forehead to achieve this look. A fresco of Terentius Neo and his (unfortunately anonymous) wife was a unique find in Pompeii because they are displayed as having equal status. Many may have been envious of her pair of prominent eyebrows — or really, just the one. …

“China: Women of the Tang Dynasty in China (618–907 CE) painted their eyebrows in dozens of different fashions, long, short, thick, thin, and wavy, depending on what was in style that year. Well-off women would use qingdai, a blue-ish pigment made from indigo. The woman in the portrait [here] has her face painted with additional decoration on her forehead — huadianor plum makeup. In 5000 Years of Chinese Costume, Xun Zhou writes that women would even decorate between their brows with luminous materials like ‘specks of gold, silver, and emerald feather.’ 

“Europe: Women in late medieval art display a very distinct hairstyle; that is, no hair at all! John Block Friedman writes that ‘misogynistic scientific writing had made female body hair a psychic and physical danger to men.’ So when it came to eyebrows, some women would pluck them until they were almost nonexistent. This plucking extended to thinning out hairlines to reveal large, bald foreheads. Petrus Christus’s 1449 painting ‘A Goldsmith in His Shop’ shows a wealthy woman bedecked in sumptuous fabric. She may have even used harsh chemicals to help rid herself of unsightly hairs. …

“Japan: Eyebrow fashion had an especially unique moment in the Heian period of Japan (794–1185 CE) where, in a manner similar to Chinese trends, both men and women would pluck out their eyebrow hairs completely, drawing new ones an inch above the natural browline. One of these styles was known as hikimayu (引眉) in which both thumbs were dipped in black makeup pigment and then used to create mirroring prints far up on the forehead. This print actually comes from many centuries later in 1876, and is a part of Toyohara Kunichika’s dazzling print series titled Thirty-six Good and Evil Beauties, which are portraits of ‘good and evil’ women throughout Japanese history. …

“Iran: At the beginning of the Qajar dynasty in Persia (1785–1925), male and female ideals of beauty grew closer and closer together, and so did the eyebrows! [Scholar] Afsaneh Najmabadi has shown that women would darken their eyebrows and even decorate their upper lips with mascara to show a faint mustache. Men often took on stereotypically feminine features, sometimes appearing beardless with slim waists in paintings.”

For fabulous pictures from those locales/eras and others, click at Hyperallergic, here. There is even a lovely eyebrow photo of a robot called Kismet. No firewall at Hyperallergic; donations encouraged. PS. Check out the author’s eyebrows here.

Photo: Tohumtoprak.
Working with his team and villagers, retired forest chief Hikmet Kaya has helped create a forest on once-barren land in Turkey.

Around the world, people have learned that planting trees can help us fight back against global warming. But it’s not as easy as sticking them in the ground. You have to ensure they live. And thrive.

Jessica Stewart reports on one initiative at My Modern Met, “Hikmet Kaya has proved that good intentions and hard work can yield big rewards. The retired Turkish forest management chief has posed proudly in front of the barren land that he and his team have transformed into a lush forest.

“He began his career in the town of Sinop in 1978 and while he retired 19 years later, his legacy has continued to grow — literally.

“Working together with his team and villagers, he brought in and planted 30 million saplings over the course of his tenure. Long after his retirement, these trees have continued to grow; and today, this barren stepped land has undergone an incredible transformation. … Needless to say, he admits he’s very happy with the results.

“It’s a wonderful example to set for the rest of the country. According to Global Forest Watch, Turkey has seen a 5.4% decrease in tree cover since 2000. … Combatting deforestation often comes down to governmental policy changes, which makes it important for individuals to know who they are voting for and to make sure their environmental concerns are heard. Still, that hasn’t stopped people from taking matters into their own hands and taking action.”

More at My Modern Met, here (where you’ll also find links to tree-planting stories from the Philippines, Pakistan, and Ethiopia).

There’s a tree maven in India who worked without help. You may have read about him. I’ll share Andrei Tapalaga‘s History of Yesterday story in case you missed the news.

“When talking about saving the environment, most people come with the comment of ‘how much difference will I make?’ … In this article, I want to present a man who has defied any kind of odds and showed the world that if you set your mind to something it will become possible.

“Jadav ‘Molai’ Payeng spent 40 years of his life planting trees, gaining the nickname of ‘Forest Man’ in India for transforming a [barren island] into a forest. [At this point] Payeng had covered 1,400 acres with trees. There is no exact number of trees as he never kept track, but we are looking at around 1.5 million trees planted in 40 years.

“Payeng was born in 1963 near the small rural town of Jorhat, India. From a young age, he saw a small island near the coast of the Brahmaputra River suffering from erosion. In many of his interviews taken by the media in India, he described that he had spent some of his [childhood] playing in that forest and it was heartbreaking seeing its vegetation slowly die.

“That is why in 1979, when Payeng was 16 years of age, he decided to plant at least one tree a day for as long as he lives, calling it giving back to Mother Nature. … The start to this incredible journey was difficult, not only [considering] the road ahead, but it was simply difficult to find tree seeds to plant. His vision was not to plant only one type of tree, but many different types. …

“As the years went by, the problem of finding seeds was solved as the trees he had planted years ago started to give seeds. With more seeds, he was able to plant even more trees every day. The island is surrounded by a flowing river, so the water supply was never a problem. …

“There are many people out there just like Payneg who have dedicated most of their life toward an honorable cause but rarely get noticed. The media in India actually discovered Payeng by mistake when in 2008, a herd of over 100 wild elephants strayed into the forest he had created.

“Payeng notified the forest department about the elephants and they thought he was crazy at first as there was no forest on the island. Upon the forest department’s inspection of the island, the community around Jorhat told them about Payeng’s efforts, at which point the media from India bombarded Payeng. [He] was also made an official forester for the forest he had created on Majuli island.

“In 2012 Payeng was interviewed by the Times, where he confessed that he had always asked for help but no one wanted to assist him. … Now the island is greener than ever whilst being inhabited by all sorts of wildlife from rabbits to tigers and even rhinos. The plantation of trees had slowed down as Payeng is becoming old and tired. However, he is trying to make his children continue what he had started.”

For more on Payeng’s initiative, click at History of Yesterday, here.

Photo: Guy Peterson.
A circus troupe offers hope to Senegal’s street children.

Poor children in Senegal often have a heartbreaking life, but one who rose above years of deprivation figured out a way to help others by sharing something that helped him. Today I’m drawing from three sources about what that was.

The BBC writes, “Every year, thousands of young Senegalese children are sent to the cities to study the Quran, only to find themselves forced into begging for money and food on the streets.”

DW.com reports about help coming from a man who was once one of their number. “In Senegal, circus skills were not really seen as a ‘proper’ or ‘respectable’ job. But that didn’t stop a former street beggar from founding Senegal’s first circus company in 2010. Today, Sencirk teaches circus acts to underprivileged kids. [The kids have even] represented Senegal with their juggling and acrobatic skills on the acclaimed TV show Africa’s Got Talent.”

Guy Peterson expands on the initiative at the Christian Science Monitor. “Under the shade of a dusty canvas tent in the sweltering heat, five men rehearse for a circus tour of France the following week.

“They make up Senegal’s only circus troupe, and each of them took long roads to get here, overcoming difficult childhoods, facing rejection by their families after they escaped abusive religious schools, and living on the street. …

“According to human rights groups, the talibés, as the boys are known, are vulnerable to exploitation and abuse from teachers. Talibés are forced to beg for money each day, and if their quota is not filled, they can be beaten and starved.

“Senegal has seen increasing youth unemployment, which leads many young adults to consider emigration if they can’t find opportunities at home. Sencirk helps them see those opportunities. 

“Modou Touré escaped [and] after taking up circus training in Europe, he returned to Dakar and founded Sencirk in 2006, providing free training to teens who escaped from their schools. The program allows them to work through traumatic experiences and to see paths toward a better future, whether that means working in the circus or reintegrating into society.

“An older performer and teacher at Sencirk, Sammi, explains, ‘We can teach them how to work together, how to grow, to believe in themselves.’ ”

According to the BBC, Sencirk’s founder “trained in Sweden for three months and toured with professional circus troupes around the world, before setting up the Sencirk tent in Dakar.

” ‘Circus is my therapy,’ says Mr Touré, now 31.

“The practice also assists him control his emotions and has the capacity to help others like him, he says.

” ‘It gives them confidence and helps them battle their demons.’ “

One 14-year-old trainee told the BBC, that “he loves everything about the circus: ‘It helps me learn and it makes me aware.’ …

“He hopes to join Sencirk as a full-time performer one day.

“Mr Touré’s troupe conducts regular free workshops at rescue homes for street children and women’s shelters to provide entertainment and identify talent.

” ‘It shows them they can go from the streets to making a living in the circus,’ Mr Touré says.

“Out of both necessity and the desire to preserve what they call the ‘Africanness’ of their shows, Sencirk uses locally found materials to make its equipment, such as trapezes, safety mats and juggling balls.

“Sencirk’s unique approach to circus is to share personal stories that other West Africans can relate to.

“One performance portrays the draws and dangers of clandestine migration to Europe. Another shares the experience of living as a talibé runaway.

“It’s a community built on resilience – a group of people working through shared trauma who are strengthened by their ability to overcome it together.”

More at the Monitor, here.

Map: Jacob Turcotte/Christian Science Monitor.
Efforts are afoot in Florida to save the the biodiversity of the Everglades by saving the water.

Last Thanksgiving, when John and family went to Florida, they sent great videos of a ride on one of those Everglades airboats that seem to float above the surface and allow visitors to get up close and personal with Everglades wildlife.

I had read, though, that the Everglades region was in trouble from overdevelopment and water pollution. Today’s article shows people are making a strong effort to protect it.

Richard Mertens has the story at the Christian Science Monitor, “Eight hundred feet up, the helicopter banks hard to the left. The horizon disappears. Mark Cook, an avian biologist, peers out his side window at a small irregular patch of water below. It’s hardly distinguishable from innumerable other patches that lie in every direction, dark and shining amid a ragged expanse of brown marsh grass and green tree islands.

“There’s one small difference: This patch is flecked with tiny specks of white, scattered like scraps of paper around a puddle.

“ ‘This year is pretty quiet,’ Dr. Cook has been saying. ‘It’s not very good for wading birds.’

“Now he looks more closely. The specks resolve into a variety of different birds, not all of them white: great egrets, snowy egrets, wood storks, white ibises, and pale pink roseate spoonbills, all standing in and around the shallow water. …

“For the birds of the Everglades, it’s not really been good for almost a century. First came the plume hunters of the 1800s and early 1900s, who shot birds by the thousands so that their feathers could adorn women’s hats in New York and London. Then came the speculators, developers, and visionaries who did more lasting damage, draining the marshes, logging the cypress swamps, digging canals, and building levees. They turned the Everglades into fields and housing tracts until half of it was gone. What’s more, says Paul Gray, a biologist with Audubon Florida, ‘The half of what’s there is all screwed up.’ 

“Today the state of Florida, the federal government, and many private organizations and individuals are working to bring the Everglades back -– at least the half that’s still left. Everglades restoration became national policy in 2000 when Congress adopted the $7.8 billion Comprehensive Everglades Restoration Plan.

“Since then, lawsuits, political fighting, and dwindled funding have at times slowed progress. But in recent years restoration efforts have gained momentum. Some projects have been completed, and new ones are underway. …

“ ‘The Everglades ball is rolling,’ says Peter Frederick, a retired wildlife ecologist at the University of Florida and an expert on Everglades restoration. 

“But will it work? Everglades restoration is a long-term undertaking. It’s expected to cost $23.2 billion and take until 2050 to finish. People often say it’s the largest ecological restoration project ever. ‘A lot could stop it,’ says Dr. Frederick. …

The Everglades system is unique in the world, an inextricable mix of water and vegetation resting on a shallow bed of porous limestone.

“More than just Everglades National Park, the Everglades once encompassed the whole southern third of the Florida Peninsula. … In those days, water that fell during Florida’s summer rains drained slowly south into Lake Okeechobee, a huge basin that in many places is hardly deeper than a suburban swimming pool. When the water was high, it lapped over the southern rim and flowed a hundred miles south in a broad sheet, through swamps and saw-grass marshes, wet prairies and sloughs, before finally discharging through mangrove swamps and coastal islands into the Gulf of Mexico. It was a rich and biologically diverse ecosystem governed by water. And the land was very flat. …

“Today those Everglades are mostly gone. They’re no longer a single vast interconnected system of flowing water but a collection of divided and diminished parts – large shallow basins separated by levees and tied together by gates and canals, with some devoted to holding water, some to cleaning it, and others to conserving wildlife.

“Lake Okeechobee is diked and polluted, and the swamps and saw-grass marshes that once received its overflowing waters are a checkerboard of sugar cane fields. The flow of water from north to south is much reduced, where it survives at all. For all its natural abundance, the Everglades today is an artificial landscape, a creature of engineering as much as topography and nature. 

“The main challenge of restoration is hydrological. It’s to re-create the old pre-drainage conditions by delivering more clean water to the Everglades. It’s to bring back the old cycle of rising water in summer followed by a long drying out through the winter. It’s to restore, at least in part, the slow flow south.

“The easiest way to accomplish this would be simply to pull the plug: tear down the dikes and levees, fill the canals, and send the engineers home. But restoration is also political, and it has always involved more than the Everglades. Its aim is also to provide clean water to coastal cities and estuaries and protect them from flooding. It’s to preserve and irrigate an agricultural district the size of Rhode Island that sits in the middle. …

“ ‘They all say the best engineer is no engineer at all,’ says Dr. Frederick. ‘Let nature do the work. The problem is that we now want to do more things with that water than we used to.’

“Dr. Cook enjoys a stork’s-eye view of the Everglades. His weekly flights take him over both the good and the bad, the degraded and the only partly degraded. [Some] areas are thick with cattails, a sign of nutrient pollution. Passing over one of these, Dr. Cook says, ‘We can’t get it back to what it once was, for maybe 100 to 200 years. But we can improve it for wildlife.’ …

“Sometimes there are surprises. In 2017, Hurricane Irma inundated the Everglades. The next spring, birds nested in numbers no one living had ever seen. To biologists, it seemed a vision of the old Everglades – and of what might still be.

“ ‘As an ecologist, you think, you get the water right and maybe they’ll come back,’ Dr. Cook says.”

Lots more on what’s being done at the Monitor, here. No firewall.

Disappearing Arts

Photo: Ronan O’Connell.
Once reserved only for Thailand‘s elite, authentic benjarong porcelain takes highly skilled artisans days to create.

The other day, Princeton University reported that “a tortoise from a Galápagos species long believed extinct has been found alive and now confirmed to be … the first of her species identified in more than a century.” Wow. Good thing there are people working all the time to identify and save species.

Efforts to save dying arts are also important. Here is one practiced in a village in Thailand.

Writing last November at National Geographic, Ronan O’Connell reported, “Few tourists to Bangkok know that the glimmer of the iconic Wat Arun temple is thanks to the same magnificent Thai porcelain that decorates five-star hotel lobbies or serves as dinnerware in high-end Bangkok restaurants.

“Hand painted with intricate Buddhist motifs, benjarong porcelain once was reserved only for Thailand’s elite. In the 18th and 19th centuries, Thai royalty ate from delicate benjarong dishes and plates, wealthy women stored jewelry in benjarong boxes, and Bangkok’s palaces displayed tall benjarong vases.

“In the early 1900s, mosaics made of benjarong shards began embellishing many of the city’s most important Buddhist temples. … But it soon fell out of favor, and porcelain production eventually ceased.

“It would now exist only as an antiquity if not for a village that, in the 1980s, saw an opportunity to revive the art form. Located about 19 miles west of Bangkok, Don Kai Dee has grown to become what Atthasit Sukkham, assistant curator of the Southeast Asian Ceramics Museum at Bangkok University, describes as the sole source of authentic benjarong. …

“As of November 1, vaccinated travelers can visit Thailand quarantine-free, where they can buy benjarong from the artists at Don Kai Dee, learn the history of Thai ceramics at Bangkok’s Southeast Asian Ceramics Museum (reopening in December), and admire the exquisite benjarong decorations in the Thai capital’s Grand Palace. …

“It took the 1982 closure of a ceramics factory near Bangkok to resuscitate this royal craft. Urai Tangaeum was one of dozens of Thai artists made redundant when that workplace closed in Samut Sakhon province, where Don Kai Dee is also located. …

“Instead of wallowing in her misfortune, Tangaeum recounts, she decided to take a risk. After studying benjarong designs, she began painting them on plain ceramics sourced from factories. When it became apparent Thai buyers appreciated this forgotten product, she bought her own kiln. Slowly, Tangaeum created a start-to-finish benjarong studio at Don Kai Dee. Nearly 40 years later, this has become a co-operative where dozens of potters share skills and knowledge.

“During tours of Don Kai Dee led by senior workers, tourists to the village learn that each benjarong item is crafted using a nine-step process involving up to four different artists. It begins with soils from three Thai provinces. When mixed together they provide the perfect blend of plasticity, heat absorption, and white-color finish.

“After being shaped on a pottery wheel, the benjarong item is set in an electric kiln for 10 hours at 1472°F (800°C). Once it cools, the item is coated with a glaze and baked for another 10 hours at an even higher temperature, until it gleams.

“The next step is benjarong’s trademark. Artists paint designs with liquid gold, which costs $5,000 per liter, according to Tangaeum’s daughter, Nippawan. This gilding is executed only by veteran workers, who have 20-plus years’ experience in a profession which some artists can continue well into their 60s.

“Finally, another worker traces around the golden lines with colored paints, then a supervisor inspects the piece. The process finishes with another blast in the oven. It takes three to four days to produce a benjarong cup, dish, or plate, which go for at least $30 each. That time frame extends to two weeks for the largest vases, which can be up to six feet tall and cost as much as $10,000. …

“While shops across Thailand sell mass-produced, cheaper versions of benjarong, Don Kai Dee is the only source of authentic, traditional benjarong, according to ceramics expert Sukkham. At Don Kai Dee, tourists can purchase ready-made items and have them personalized on site, or order custom artworks to be shipped to their homes.

“The village does not have a website, with most of its sales done in person at the village, or via art dealers who facilitate purchases for rich clients, Pongmatha says. Some of these buyers pay up to $30,000 for particularly intricate, gold-laden dining sets.

“The expense of benjarong reflects the painstaking intricacy of its crafting. It requires poise and persistence to scrawl precise benjarong designs for hour after hour. It is those attributes, above all, that decide whether a benjarong student can become a master.

“ ‘We have many young people who come to the village to learn benjarong, but most don’t last,’ [villager Prapasri Pongmatha] says. ‘They have enough skill, but not the patience. Making benjarong can make you crazy if you aren’t patient. But if you are patient enough, it is very soothing, nearly like meditating.’

“The humble incomes earned by Benjarong artists also deter young Thai people from learning this craft, according to her daughter, Supawan Pongmatha. The 39-year-old says she loves making these ceramics. But she does so only in her spare time, having decided to instead become an art teacher, a more stable job with a higher salary.

“ ‘Young people want to make money, to feel they have a safe job with a good future,’ Supawan says. ‘Being a benjarong artist is not as reliable.’

“Without a robust new generation of craftspeople making benjarong, its future is uncertain, the villagers agree. Forty years ago, benjarong was a relic. Having slowly roused this art form out of hibernation, the artists of Don Kai Dee are now fiercely trying to keep it awake.”

More at National Geographic, here. Wonderful pictures. (Four free articles per month.)

Want to watch a short video about another endangered craft? Learn about making toe shoes in the UK, here.

Wandering Near Home

Looking for turtles.

I do my wandering in a small circumference, but I’m always finding something new. Today’s photos are from favorite haunts in Massachusetts and Rhode Island.

As a kid, I spent a lot of time exploring the woods. Now the granddaughter above and her friend enjoy doing the same thing. They particularly like tromping through the less traveled paths — a great opportunity to practice poison ivy identification.

The next photo shows another Providence pond beloved of turtles. My granddaughter worries about them when they lay eggs on the small beach where people walk.

The next scene was taken from the North Bridge in Concord. The little boathouse belongs to the Old Manse. A fisherman is having a relaxing day on the river near there.

Lots of lupines in a yard devoted to native plants. Iris in my yard. Clematis on a phone pole.

Do you have a guess how far below the Clayhead Trail the beach in the next photo is? This is a true optical illusion as the distance is scores of feet down. Would love it if someone from New Shoreham could tell me just how many. 100?

The next shot is of our town in Massachusetts. The play Our Town was actually performed outdoors in the street here, directed my my friend Dorothy Schecter years ago.

A creative resident hangs a lantern with poetry free for the taking.

I hope you’ll get a kick out of the bumper sticker. Unfortunately, no one was singing when I walked past. Next is a photo of a local second hand shop, followed by one of the cute veggie tables at the new health-food store.

The quilted warning about eating the fish you catch was in Pawtucket at an Art League of Rhode Island show called “Under the Surface.” The Make Way for Ducklings wallpaper covered the windows of a Boston shop that was being renovated.

Photo: Dean Paton.
At Sam Wasser’s University of Washington office, maps show where ivory poaching occurs and where the contraband is exported. Dr. Wasser’s DNA work revealed that most ivory comes from east and west-central Africa.

It’s sad to read that gangs with powerful tentacles in every country are deeply embedded in the trafficking of endangered species. But on the other side, you know, environmental warriors have superpowers of their own, powers that go beyond righteous indignation.

Dean Paton writes at the Christian Science Monitor, “When Sam Wasser was a young biologist studying baboons in Tanzania, he never imagined he would one day lead an international force cracking down on the smuggling of illegal goods, from elephant ivory to pangolins and timber.

“Yet fighting transnational criminal organizations, or TCOs in law enforcement parlance, is exactly what he’s doing today, all because of his passion for animals.

“And because he discovered how to extract DNA from elephant poop.

“Today, Dr. Wasser is a professor at the University of Washington in Seattle. But in 1989 he was observing environmental stresses on baboons when Tanzania launched … a ‘brutal crackdown’ on elephant poaching rings. Tanzania battles a reputation for being among a handful of worst offenders in Asia and Africa that fuel the illegal ivory trade.   

“[The crackdown] had unexpected consequences. ‘All of a sudden our baboons started to be killed by leopards at an incredibly high rate,’ Dr. Wasser says. … The team realized the leopards had mostly ignored the local baboon fare while feasting on the remains of elephants left by poachers, who took only the tusks.  

“The decline in elephant carrion and subsequent decimation of the baboon troops ‘made me realize how significant poaching really was on all levels,’ he says, ‘and on all the other species that were similarly affected by the ecological cascade of events.’

“A self-described ‘animal nerd,’ Dr. Wasser points out that elephants are ‘some of the smartest animals around,’ he says. ‘They can recognize themselves in a mirror. You can put a spot on their forehead, and they’ll look in a mirror and they’ll wipe it off. That’s a high cognitive ability.’ But ‘we lost over 100,000 elephants from 2007 to 2015. There are currently an estimated 415,000 elephants remaining in Africa.’

“Dr. Wasser explains that poachers often go back and kill members of the same elephant families – so frequently that he believes it creates a form of elephant PTSD.

“Elephants also exhibit a strong interest in their dead. ‘They’ll go and they’ll just explore the carcasses of elephants. … It’s just too hard to watch, and the fact that we’re developing ways to potentially stop it – it keeps me going.’

“For the baboon studies, Dr. Wasser used hormones from animal dung to help understand their reproductive successes or failures. That work led Dr. Wasser to think, ‘You know, I could apply these tools to elephants. … You could then go and collect dung samples from elephants across the continent, genotype all the samples, and essentially create a DNA map,’ he explains. ‘And we could then get the DNA from the ivory to match to the map.’ …

“By 1997 Dr. Wasser had cracked the code and published one of the first papers on extracting DNA from elephant feces, and ‘right around the same time we were moving forward to see if we could develop methods to get DNA out of ivory.’

“Dr. Wasser’s team got its first break in 2005: Bill Clark, chair of Interpol’s Wildlife Crime Working Group, asked for help analyzing a shipment of ivory intercepted three years earlier in Singapore. It had been the largest seizure of ivory to date, about 6 tons, which included 40,000 carved hankos – also called chops – small pieces of ivory used throughout Asia to ink one’s name or seal on correspondence. Each would fetch about $200 retail, making the hankos alone worth $8 million.

“Until Dr. Wasser and his colleagues employed their emerging science to analyze that seizure, the biologist says ‘everyone’ believed these tusks were coming from all across Africa. But, using their dung-to-DNA analyses, ‘that’s not what we found.’

“Dr. Wasser’s game-changing work helped law enforcement realize the ivory was coming from a small number of specific areas in east and west-central Africa – yet was being shipped out of ports on either side of the continent. …

” ‘People don’t understand the intricate structure in wildlife crime,’ explains Rod Khattabi, a former homeland security agent who now runs the Justice Initiative for the Grace Farms Foundation, which partners with Dr. Wasser to train law enforcement agencies in Africa. … Wildlife criminals operate like independent cells, which makes arresting disparate elements of the syndicate tougher.

“ ‘That’s why Sam is so critical – because he can connect the dots,’ Mr. Khattabi says. ‘He’ll tell me, “Rod, this stuff is coming from Rwanda” even if it shipped out of Togo. He can almost pinpoint where the elephant got killed.’ …

“Dr. Wasser’s sleuthing has expanded beyond elephants. ‘The work that we were doing with the illegal ivory trade – we realized it was relevant to all of these other species that are all coming out of Africa,’ he says. ‘Same problem: transnational criminals shipping it on containers – and us needing to really get the transnational criminals.’

“In 2021, with funding from the Washington State Legislature, Dr. Wasser and his colleagues formed the Center for Environmental Forensic Science. ‘There were also other tools that other scientists were using that could complement what we’re doing,’ he says. ‘Now we’ve got over 40 scientists from the University of Washington alone that are part of our center’ using an array of synergistic methods including isotopes, chemistry, and handheld DNA detectors to fight a spectrum of crimes.”

More at the Monitor, here. No firewall.

Photo: David L. Ryan/Boston Globe.
First-graders line up for lunch at McAuliffe Elementary School in Lowell.

The city of Lowell, Massachusetts, has been a “gateway city” at least since the Industrial Revolution. Located on two rivers that powered the early textile factories, it has attracted waves of immigrant workers looking for a foothold, or gateway, to America. Today its many nationalities continue to generate a multicultural energy.

Peggy Hernandez writes at the Boston Globe, “One day last fall, Umalkheeyr Cabdi Mahamed, 17, rose at 3 a.m. to make breakfast for her US history seminar at Lowell High School. The junior wanted to share canjeero iyo suugo, a spiced chicken stew with sweet thin pancakes, her mother’s favorite dish and a reminder of the home she left behind in Somaliland.

“Umalkheeyr was cooking out of more than goodwill; her dish was being sampled for this year’s edition of Tasting History, the seminar’s cookbook. She and her classmates — English learners and almost all immigrants — ultimately contributed 59 family recipes and stories about their journeys to the cookbook.

“Now in its fourth year, the Tasting History project has accomplished more than envisioned. In December, the 2020-2021 edition earned a Founders Award from The Readable Feast, an annual New England culinary book festival. That win led to a trial collaboration between the students and Lowell Public Schools Food and Nutrition Services.

Once a month, one recipe has been served as a lunchtime entree option to a student body of 14,387. The students are now teaching the adults.

” ‘I want people to know our culture because we have a lot of cultural diversity here in the United States. If you share your food, your culture, your experience, you’ll introduce them to your country,’ says senior Samantha Segura Marroquin of Guatemala, 19, who last year submitted a Christmas tamale recipe. …

“The trial [has] been a success, and the collaboration will continue in the fall. Some dishes were so popular Michael Emmons, the food service’s executive chef, hopes to include them into a regular lunch rotation. Dishes like lok lak, a glossy peppered beef served with salad from Cambodia, and feijoada, an inky black bean and pork stew served with white rice from Brazil.

“Lowell Public Schools is an ideal setting for this partnership. The student body is diverse: Hispanic (37.7 percent), Asian (27.5 percent), White (22.9 percent), Black (7.7 percent) and multi-race (4.1 percent). At least 50 languages are spoken in the high school. The four cookbooks reflect that range: 42 countries and one autonomous region are represented.

“The cookbooks are the brainchild of Jessica Lander, 34, a creative English Language history and civics teacher. … Lander arrived at Lowell High School in 2015 and, two years later, came up with the cookbook project while leading her ‘U.S. History 2 Seminar.’ The course covers the 1870s to the present, encompassing an era when 20 million immigrants arrived in the United States.

“While teaching immigration history, Lander recognized her students are, themselves, experts on being immigrants. She developed the cookbook as a means ‘to honor their stories and show their stories are valuable, just as important’ as those in US history books. ‘I wanted to use food as a story of migration,’ she says.

“Sometimes students have had to call relatives in their native countries for help with recipes. They learn to explain cooking techniques as well as ingredients others might find unfamiliar. Family tales introduce each dish. Edits go 15-20 rounds. Dishes are prepared at home and shared with the class. …

“When Alysia Spooner-Gomez, the district’s food service director, learned about the win last winter, she urged Emmons to tap into the cookbook because, she says, ‘it would be a waste to do nothing.’

“Emmons, known as ‘Chef Mike’ to students and faculty, joined the district last fall after a stint as a sous chef for Google in California. He was eager to pay homage to the students’ recipes. ‘We wanted to be culturally responsive and take a step into another world,’ he says.

“Once a recipe is selected, Emmons adapts it for scale and financial practicality. Then he takes it to Lander’s class for taste tests. The students are quick to tell Emmons if his early versions fail their expectations. ‘Letting the kids have a voice in the meal is the most rewarding part of this project,’ he says

“Spooner-Gomez prepares in-house marketing with fliers about the student and their dish then shares background on the meals with faculty. Lunch, like breakfast, is free of charge in Lowell’s public schools through a federal program for low-income districts.

“Lander’s students are awed by the results. ‘I’m so excited that a lot of people like it,’ says junior Nempisey Pout, 18, who submitted a lok lak recipe. ‘The important thing is that I share my culture and Khmer food with students from other countries.’

More at the Globe, here.

A Traveling Cinema

Photo: Kerry Jones.
Artist Kerry Jones turned her old trailer into one of the smallest cinemas in the UK.

Today we have another idea on taking what you have and turning it into something that can delight others.

“Until fairly recently,” writes the BBC, “Kerry Jones’s caravan lay rotting and forgotten about in her garden in Galashiels in the Scottish Borders — a home for discarded bric-a-brac.

“But during the Covid-19 lockdown, the artist and filmmaker saw new potential in the 1980s Swift Pirouette, and resolved to turn it into a tiny, traveling cinema. With a maximum of eight seats, it could be one of the smallest cinemas in the UK.

” ‘It isn’t the first cinema caravan to exist,’ said Kerry. ‘There was one over in Dumfries and Galloway that a friend of mine made at the beginning of the 2000s, that was really inspiring. I’m really interested in projects that involve people out in your community.’ …

“Over the pandemic, Kerry secured a bursary [grant] from the Alchemy Film and Arts charity based in nearby Hawick as part of a local arts program running between July 2021 and December 2023. She used it to renovate the caravan inside and out, swapping the retro mint paneling for a bright red that could be seen for miles. … Inside, she plans to install between six and eight seats, again in a plush, cinematic red fabric.

“Speaking to Mornings with Stephen Jardine, she said: ‘[I’ve] had it for 12 years — it’s been out and about, it’s been used for people to stay, it’s been a spare room. But over the last few years, but it’s just been one of those spaces that you put things in and forget about.’

“Kerry’s caravan cinema project — named Moving Images — [made] its debut at Hawick’s Alchemy Film Festival on 28 April, screening nine short films all made by people in the south of Scotland.

“It comes at a time when Scotland has lost one of its smallest cinemas — the Schoolhouse Cinema in Shetland. This 20-seat cinema, run by local magician Chris Harris, was put up for auction in 2020 after he decided to leave the islands.

“Around the same time another tiny theater opened in the Highland village of Cromarty — a 35-seat facility that took two years to come to fruition.

“Kerry aims to cater for an even more intimate experience, and will be using a small portable projector to save on power without sacrificing picture quality.

“The caravan itself is solar powered, but Kerry said she will borrow a high-quality battery as back-up until she can crowdfund her own.

“Any spare cash will then be put towards taking the caravan on the road — possibly for a tour of free screenings and running filmmaking workshops at local primary schools.

“Kerry added: ‘It’s going to be really adaptable. Selkirk’s market square have said they’d be quite interested in having the caravan there. I’d love to take it out to some of the more rural areas like Duns and Gordon.

” ‘We’re also going to work with a group called Connecting Threads and they’re doing lots of projects along the Tweed [river] — I’d love to see it there, that would be quite magical.’ “

There’s more to read at the artist’s website. “As part of The Teviot, the Flag and the Rich, Rich Soil, our programme exploring the pasts, presents and futures of Hawick and the Scottish Borders and investigating the town and wider region’s cultural identities in relation to land, water, industry, territory, place and environment, Alchemy is offering a number of bursaries to Borders-based artists. These bursaries will support a range of community-oriented projects between July 2021 and December 2023.”

More at the BBC, here, and Jones’s website, Alchemy Film and Arts, here.

Photo: Anthony Souffle/Star Tribune.
Linda Taylor talks with a friend as he ferried her paintings to an art show in April. Taylor has lived her Powderhorn Park home for about 20 years and was nearly forced out when her landlord decided to sell.

Here’s a story of people coming together to help a neighbor who was about to be evicted. It’s not necessarily about a greedy landlord. It’s more about systems that make it almost impossible for a person without money to get ahead. And about the power of community.

“Linda Taylor,” writes Sydney Page at the Washington Post, “was given two months’ notice from her landlord to vacate the Minneapolis house she has proudly called home for nearly two decades.

‘It felt like the world had been pulled from under me,’ said Taylor, 70. ‘My house means everything to me.’

“She initially owned the house, but she sold it when she fell prey to a real estate deal she didn’t understand, she said, and has rented the home for about 15 years.

“Earlier this year, Taylor received an unexpected notice from her landlord to leave her white stucco home in the Powderhorn Park neighborhood, just a few miles south of downtown, by April 1. Her landlord wanted to sell the house and was asking for $299,000 — a sum Taylor could not afford. …

“She worked at a local nonprofit organization for nearly three years before she was laid off during the coronavirus pandemic.

“She lost her paycheck but continued paying rent — about $1,400 a month — using her savings, money from family and government subsidies including RentHelpMN, a program started during the pandemic to aid Minnesotans at risk of losing housing.

“[Taylor’s landlord] said he would evict her if she didn’t buy the home or leave. …

“ ‘I’m going to do something about it,’ Taylor remembered telling herself. ‘This is my house.’

“She decided to share her struggle with Andrew Fahlstrom, 41, who lives across the street and works professionally as a housing rights organizer. Since he moved to the neighborhood six years ago with his partner, he and Taylor have built a strong rapport. …

“ ‘So many people are losing housing right now,’ he said. ‘If we actually believe housing is a right, then we need to act like it, because the next stop is homelessness.’

“As word of the grass-roots campaign to save Taylor’s home spread around the block, neighbors were eager to help.

“ ‘People listened to what Miss Linda was saying and wanted to do something,’ Fahlstrom said. ‘It was just such a clear and compelling story that everyone rallied for her.’

“According to Taylor, she originally bought the house in 2004, but she started falling behind on payments and felt she was tricked into signing the house back over to the previous owner, who allowed her to stay on as a renter. In 2006, after her landlord was caught in a mortgage fraud scheme — which affected more than 45 homes, including hers — [her new landlord] purchased the house.

“He raised her rent twice during the pandemic, Taylor said, and let repairs and maintenance issues linger. Several times over the years, Taylor — who has five children, nine grandchildren and three great-grandchildren — went to social services and applied for programs and grants geared toward renters who want to buy their homes.

“ ‘Every time I tried to buy it, I ran into a ton of different walls,’ Taylor said, adding that although she knew ‘my children would always support me,’ they were not in a position to offer significant financial help.

“Her neighbors empathized with her predicament.

“ ‘This is a person who has been paying for housing for 18 years. Her rent has gone to pay the property taxes, other people’s mortgages, the insurance, and supposedly repairs, too,’ Fahlstrom said. ‘There needs to be more systemic intervention so that people can stay in their homes.’

“The Powderhorn Park community decided it would not allow their neighbor to be displaced. The group was well equipped to mobilize on Taylor’s behalf.

“ ‘We have an active local neighborhood group because we’re within two blocks of George Floyd Square,’ Fahlstrom said, adding that the 2020 protests over Floyd’s murder by a police officer brought the community closer. …

“Organizers sent a letter to the landlord, urging him to wait on eviction and start negotiations with Taylor so she could buy the house. It was signed by about 400 neighbors and hand-delivered to [him] in February.

“The plea worked. … He lowered the sale price to $250,000 — still out of reach for his tenant.

“ ‘Then it became a fundraising effort instead of an eviction defense effort,’ Fahlstrom said.

“Neighbor Julia Eagles was at the forefront of the initiative.

“ ‘I don’t want anyone getting displaced or priced out of the community,’ Eagles said. ‘We all believed collectively that we were going to do what it takes to keep Miss Linda here. So many people know and love this woman.’ …

“In just four months, the people of Powderhorn Park raised $275,000 for Taylor — enough to buy her home and cover repairs. Any additional funds will go toward utility payments.

“Taylor said she is stunned by the support. …

“She is determined to pay the kindness forward.

“ ‘I’m here to help the next person and the next person and the next person,’ she said.”

More about the effects of community organizing at the Post, here. You can also read about this at the Minneapolis Star Tribune, where there’s no firewall.

Photo: Anne Rayner.
Athena watches over a production of ‘Semele’ at the Parthenon in Nashville, a city better known for Country & Western than Early Music.

Well, this is fun. Just goes to show that blanket assumptions about places (about groups of people, too) tare always wrong.

John Pitcher writes at Early Music America, about a recent Vanderbilt Opera Theatre production of George Frideric Handel’s 1744 opera-oratorio hybrid Semele.

“The production, featuring a small student string ensemble and singers expertly coached in Baroque performance practice, ran two consecutive nights inside Nashville’s Parthenon. ….

“Vanderbilt’s historical performance (HP) program is just one part of an early-music scene that’s been ebbing, flowing, and growing in Nashville for nearly 20 years. The city is home to two HP ensembles, Music City Baroque and Early Music City. Each can boast of distinguished pedigrees. There are also a couple of churches, St. George’s Episcopal and First Lutheran, that serve as regular venues for early-music performances, along with an assortment of choral groups that routinely perform Renaissance and Baroque music.

“Nashville’s period-instrument musicians can play Bach’s B-minor Mass with the best of them. But these musicians are influenced just as much by their close association with Music City as they are by their familiarity with valveless horns and viola da gambas. Nashville has a music infrastructure that is second to none, with over 180 recording studios, 130 music publishers, 100 live music clubs, and 80 record labels. …

“It’s not uncommon for Nashville classical musicians to perform Mahler with the Nashville Symphony, record a pop song with Miley Cyrus, premiere a 21st-century piece with one of Nashville’s several contemporary-music ensembles, and give a period-instrument performance of a Bach Brandenburg Concerto — all in a few weeks.

“Chris Stenstrom, a long-time cellist with the Nashville Symphony who also performs regularly with Nashville’s contemporary group Alias Chamber Ensemble as well as Music City Baroque, is typical of this kind of musician. Indeed, he keeps a spare cello in his closet, strung with sheep gut and tuned to A415. ‘I like to have one instrument that’s settled in and ready to play Baroque music,’ Stenstrom says.

“The versatility of Nashville’s historically informed musicians has made them flexible, even delightfully heretical, in their approach to performing early music. … Many of Nashville’s historically informed players are open to performances using modern instruments, and most are utterly expansive in their definitions of what constitutes early music.

“Although Bach, Handel, and Telemann are often performed, one also encounters programs devoted to Baroque women composers, along with music from Nashville’s early history, which includes Negro spirituals, hymns, and fiddle music. ‘Nashville musicians have never felt the need to be completely orthodox in their approach to early music,’ says Jessica Dunnavant, a long-time flutist with Music City Baroque who teaches modern and Baroque flute at both Vanderbilt and Lipscomb universities. ‘Rhinestone and twang are welcome at our concerts.’ …

“Things didn’t get started until 2003, when George Riordan, an oboist and scholar steeped in Baroque performance practice, left his post as an assistant dean at Florida State University College of Music to become director of the School of Music at Middle Tennessee State University.

“That summer, Riordan’s wife, Karen Clarke, a noted period violinist who had performed with the Atlanta Baroque Orchestra and Smithsonian Chamber Orchestra, among others, noticed an item in an Early Music America newsletter that caught her eye. Murray Forbes Somerville just announced he was leaving his position as Harvard University’s University Organist and Choirmaster to take up a post in, of all places, Nashville. …

“Nashville’s classical-music scene was, at that moment, on the cusp of its golden age. Kenneth Schermerhorn, then music director of the Nashville Symphony Orchestra, had already established a partnership with Naxos Records to record for its American Classics series. This arrangement would soon turn the Nashville Symphony into a Grammy Award juggernaut. Martha Ingram, a Nashville billionaire benefactor, was meanwhile dispensing funds to her favorite performing-arts groups with unprecedented largesse. This culminated with the 2006 opening of the Schermerhorn Symphony Center, modeled after Vienna’s Musikverein.

“The city, moreover, had plenty of choristers who knew their way around Handel’s Messiah, and a growing number of classical musicians who had at least some training in historically informed performance. This was fertile ground for the right maestro to plow.

“Not long after Somerville moved to Nashville, Riordan connected with a phone call. ‘I invited Murray out to MTSU for an early music jam session,’ Riordan recalls. ‘We played that first session, and Murray declared that we needed to put on a show.’ “

Be sure to read the part about finding similarities with Appalachian musical traditions at Early Music America, here. No firewall.

Photo: Melanie Stetson Freeman/Christian Science Monitor.
“Great Pyrenees dogs watch over Navajo-Churro sheep … outside Toadlena, New Mexico. … The sheep flourish in the harsh environment,” according to the Monitor.

I like that the Christian Science Monitor has so many stories about the Navajo Nation and other indigenous peoples. Although I’m not a Christian Scientist, I’ve always been impressed by the objective reporting at the Monitor and its steady coverage of underreported topics.

Reporter Henry Gass wrote recently from New Mexico about the resurgence of sheep farming on Navajo land.

“Irene Bennalley steps out into the fierce afternoon sunlight wearing jeans and a maroon sweater, her long gray hair knotted in a braid. Brandishing a long white stick as her crook, she picks her way across her parched desert farm toward the sheep pen. Answering their bleats with firm instructions in Navajo, she shepherds them out onto the dry, dusty range.

“She doesn’t know exactly how many Navajo-Churro sheep she has, but she ballparks it at around 100 head.

It’s bad luck to keep exact counts of your livestock, her father taught her. Don’t boast about your animals, he would say, or they’ll start dropping.

“Out here, ranchers like Ms. Bennalley can’t afford to lose animals. The winters are cold and hard, and the summers are hot and relentless. Water is scarce and feed is expensive. It’s the main reason she has come to love the breed, known colloquially as churros, that she’d grown up only hearing about in stories.

“The Navajo, who refer to themselves as Diné, have long been a pastoral society. Sheep are prominent in their creation myths, and after Spanish colonists first brought the churro sheep to the Southwest, the hardy, adaptable breed became, over centuries, the heart of a self-sufficient economy and vibrant Diné culture.

“But the days of sheep camps and flocks roaming the arid plains and valleys here are long gone. On two separate occasions the churro came close to full extermination. From over 1 million head at one time, by 1977 there were fewer than 500 left in the world.

“Efforts have been gaining momentum in recent years to rebuild the breed and return flocks to the Navajo Nation. Decades of painstaking, sometimes dangerous, work by a handful of committed ranchers and animal scientists have helped restore the population to over 8,000. 

“Now, people on the Navajo Nation are working to bring flocks back to the reservation, to try and fill the economic and cultural void left by their near extinction. 

“ ‘We’re back in a place of reevaluating how we live,’ says Alta Piechowski, whose family has been involved in restoring the Navajo-Churro for decades.

“ ‘When you’re walking the land [with the sheep], there’s a different kind of healing,’ she adds. ‘It heals your heart, and when it heals your heart you’re going to want other people’s hearts to be healed too.’ …

“An ‘unimproved’ breed – meaning one that hasn’t been selectively bred for market – churros are long and lean. … They are resistant to most diseases, and have adapted over the centuries to thrive in the dry, low-forage climate of the Southwest.

“For the Navajo people, the churro were something of a panacea. They provided a healthy and sustainable source of food and income; their many-colored fleece are ideal for weaving iconic Navajo blankets. And culturally, sheep have always been prominent in Navajo spiritual traditions. One of the six sacred mountains that bound the Navajo Nation, Dibé Nitsaa, translates to Big Sheep Mountain.

“But for the best part of a century, Navajo-Churro have been hard to find on the reservation. 

“The official term used by the U.S. government in the 1930s was ‘livestock reduction.’ The Midwest was in the grips of the Dust Bowl, and the Bureau of Indian Affairs, led by commissioner John Collier, concluded that too many livestock were causing land to erode and deteriorate.

“The policy resulted in the slaughter of hundreds of thousands of churros, often on the reservation, and sometimes on the properties of their owners. And it came after the Navajo people had spent over 70 years steadily rebuilding their churro herds. …

“Nearly a century since the stock reduction, the collective memory is still raw. Ms. Bennalley speaks mournfully of what she calls ‘the John Collier days.’ For a long time no one spoke of it at all.

” ‘Some people never really got out of losing their sheep that way,’ says Ms. Bennalley. ‘My family, my dad, nobody really talked about it, because it wasn’t something to be proud of.’ …

“ ‘That connection to the sheep is the connection to the land, which is the connection to the culture, which is the connection to the spirituality of the Diné people,’ says Dr. Piechowski, a career psychologist for reservation schools.

“ ‘If you exterminate the sheep, you’re pretty much eliminating [those] connections,’ she adds. …

“The churro never disappeared from the reservation, but the few that remained stayed hidden in some of the reservation’s most remote corners – so remote that the man who first led efforts to bring the churro from the brink of extinction almost died trying.”

Read more about that at the Monitor, here. Lovely photos. No firewall.

Floating Saunas

Photo: Kevin Scott/Dezeen.
The designers of this sauna aimed to build a structure that engaged the local waterways and encouraged people to use them throughout the year, says Dezeen.

When Erik saw my post about a birdhouse championship, he told me one picture reminded him of floating saunas in Sweden. I had to look that up. I found out that saunas on the water are both like and unlike ice-fishing huts. You definitely have to dress differently.

Jenna McKnight at Dezeen writes about the sauna in the above photo: “Visitors can take a plunge into a cold lake after warming up in this floating wooden sauna by Seattle firm goCstudio – the latest example of the trend for buoyant architecture (+ slideshow).

“The structure is intended to be used all year round on Seattle’s lakes and can accommodate up to six people. It is called WA Sauna. … It follows the growing trend among architects to explore the possibilities afforded by building on water rather than land.

” ‘Following in the Scandinavian tradition of saunas as a place for gathering, WA Sauna provides a place for Seattle’s community to share a unique experience on the water,” said goCstudio, a firm founded in 2012 by Jon Gentry and Aimée O’Carroll. …

“Inspired by the concepts of fire, water and community, the designers aimed to build a structure that engaged the local waterways and encouraged people to use them throughout the year. The $25,000 (£17,000) project was funded through community donations and a Kickstarter campaign hosted in the fall of 2014.

“The deck consists of a pre-manufactured aluminum frame and marine-grade plywood with a clear varnish. Boats and kayaks can be tied up to the deck. The floating structure is powered by a 36-volt electric trolling motor. More than two dozen 208-litre plastic drums keep the vessel afloat. …

“Spruce was used to clad the interior and to form the benches. A wood-burning stove heats the space. Users can easily exit the vessel via a door or side hatch and dive into the cool water. …

“The structure was built by studio employees and skilled volunteers. It was erected within a warehouse owned by the local brewery, Hilliard’s, which allowed the team to use the space for free.

“One of the greatest challenges was getting the structure to the lakefront for the first time. … ‘Towed on six steel casters with a 1980 Volkswagen Vanagon, we slowly crept along at dawn making the eight-block trip to the boat ramp in just under three hours.’ …

“Rising sea levels and a shortage of development sites are leading to a surge of interest in floating buildings, with proposals ranging from mass housing on London’s canals to entire amphibious cities in China.

“Other examples that, like WA Sauna, are targeted at communities include a buoyant Nigerian school and a travelling London cinema.”

You can read about another nice sauna at designboom, a site that doesn’t seem to believe in capital letters: ” ‘löyly’ is a prefab floating sauna made of swiss douglas fir. gently swaying in the middle of lake geneva, ‘löyly’ is a floating prefab sauna designed by trolle rudebeck haar – a graduate from the lausanne university of art and design. haar completed this project after spending a year in finland, where he found a true appreciation for the sauna concept and translated it into ‘löyly’ – his final year project. 

“haar designed the structure as a 24 sq. ft floating sauna made of locally sourced swiss douglas fir – a lightweight yet durable material that he salvaged from a sawmill nearby. the entire structure was then coated with teak oil to create a more resistant shell all while preserving the fir’s natural look and feel.

“the interior of the floating sauna oozes with tones of intimacy and comfort. using sliding doors that echo japanese shoji screens, visitors are met with a small wooden burning stove from morzhand. … the choice of stove was made based on practicality: ‘I chose it because it’s compact, transportable, lightweight, and easy to heat up’,  comments haar. 

“haar also had to consider balance and weight while designing the sauna. ‘I was calculating the mass of every unit,’ he explains. the presence/absence of people aboard the floating structure, as well as the placement of the barrels underneath it were all carefully studied to create a safe and enjoyable experience. 

“in just six hours, the floating sauna was built – but haar made it easy to disassemble and scale for different uses.” 

You might also want to click at the Gessato website to see a sauna created by an Italian design team.

Beautifully integrated into its natural surroundings and context, this floating sauna conceptually links Sweden, Italy, and Japan.

“The structure stands on a floating platform, connecting the lake to the land and providing a relaxing space for the guests staying in the clients’ small bed and breakfast. … Self-built by the studio, the project pays homage to nature and sustainability, with impact on the birch forest minimized by moving the sauna on the surface of the water. …

“A glazed wall provides stunning views over the lake, helping guests relax completely and contemplate the beauty of nature. This floating sauna project was presented during the Superdesign Show 2017, held at Superstudio Più via Tortona 27, Milano in April 2017.”

More at Gessato, here, at Designboom, here, and at Dezeen, here. Lots of super pictures.