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Posts Tagged ‘music’

Nina Simone

Posted in Uncategorized, tagged , , , , , , , , , on August 28, 2012| 7 Comments »

I was driving home from Rhode Island Sunday, when I paused the radio at WGBH. A terrific audio essay was on, hosted by Nina Simone’s daughter.

Nina Simone was among the most important voices of the sixties for me, right up there with MLK Jr., JFK, and Joan Baez. Her blend of jazz, blues, and folk was underpinned by powerful emotion. I think I had all her albums back then. A classically trained pianist, Simone had a distinctive voice that was full of caring and pain, even though her personality was often described as abrasive. (And as far as that goes, she had her reasons.)

The best thing about the WGBH broadcast was the selection of the songs. Brought back memories. I was also interested to learn about her connections to Langston Hughes, Odetta, and Lorraine Hansberry.

Hear some of her music at NPR.

Photograph of Nina Simone and her daughter, indiewire.com

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In Their 90s

Posted in Uncategorized, tagged , , , , , , , , , , , , on August 18, 2012| Leave a Comment »

A 91-year-old Hindu gentleman has joined the tai chi chuan class I take Saturday mornings. His wife brings him a little after we have started, and he walks slowly between the wall of mirrors and the line of practicing students to sit in a folding metal chair, where the teacher explains the upper-body part of the exercises so he can join in. Age has not kept him from that.

After today’s class, I was driving home and heard Susan Stamberg interview Marian McPartland, 94, here, on National Public Radio. A fantastic jazz pianist, McPartland recorded her last Marian McPartland’s Piano Jazz show only two years ago — after 33 years — but continues as artistic director. She is also the subject of a documentary called In Good Time that highlights the day in August 1958 when she was part of a famous photo of jazz greats in Harlem, below.

Speaking of nonagenarians, folksinger and activist Pete Seeger, 93, showed up on Colbert recently. At first I thought he was not answering a question and was wandering, but it soon became clear he was unfurling a story in his own way and that it would end precisely on point.

Seeger still splits logs to heat his house with wood. And his banjo playing hasn’t aged a bit.

Photograph: Art Kane/Art Kane Archives

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Another Music Outreach to Kids

Posted in Uncategorized, tagged , , , , , , , , , , , on August 8, 2012| Leave a Comment »

Here is another great music outreach to kids: the Philadelphia Youth Orchestra’s Tune up Philly initiative.

“The mission of Philadelphia Youth Orchestra’s Tune Up Philly program is to nurture urban children in challenging social and economic conditions by keeping them engaged in success through weekday out-of-school hours music instruction.  Through its Tune Up Philly program, Philadelphia Youth Orchestra organization believes that music education is a powerful vehicle for children to master skills that will enable them to acquire valuable tools for cooperative learning, teamwork, academic success and self-esteem.” More.

The Inquirer classical music critic Peter Dobrin wrote at Philly.com that an important goal of the initial program was to show the rest of the city what is possible.

“The brain-child of 24-year-old Curtis Institute of Music graduate Stanford Thompson … and adopted by the Philadelphia Youth Orchestra, Tune Up Philly started at St. Francis de Sales … with the aim of replicating itself at other sites …

“Modeled on the widely praised and emulated El Sistema program that has educated millions of children in Venezuela, Philadelphia’s upstart is already gathering considerable support. Since initial coverage in the Inquirer and subsequent media attention, the program has received donations of cellos, clarinets, double basses, flutes, saxophones, trumpets, trombones, violas, violins and other instruments, plus about $13,000 in cash and $10,000 in in-kind services.” More.

Photograph: First graders exploring xylophones in the 2012 summer program.

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The White Buffalo

Posted in Uncategorized, tagged , , , , , , , , , , , , on July 20, 2012| Leave a Comment »

Did anyone watch the television show Rin Tin Tin as a kid?

I thought of it today when I read this awesome AP story:

“The birth of a white bison, among the rarest of animals, is bringing Native Americans who consider it a sacred event to celebrate at one of the least likely of places, a farm in New England.

“Hundreds of people, including tribal elders from South Dakota, are expected to attend naming ceremonies later this month at the northwestern Connecticut farm of Peter Fay, a fourth-generation Goshen farmer.

“Native Americans in the area have come with gifts of tobacco and colored flags for Fay and the bull calf since it was born there a month ago, and Fay is planning to offer his hay field as a campsite for the expected crowds.

” ‘They say it’s going to bring good things to all people in the world. How can you beat that? That’s the way I look at it,’ Fay said.” More. (There’s a photo there, too.)

I knew I had to blog about it because I loved the Rin Tin Tin episode when young Rusty is in dire straights and is saved by the White Buffalo. I know the song from that episode by heart. It was one of my brother’s records when he was little, although I don’t think it made it into the website with his blues records.

“There’s an old Indian legend that I heard long ago.
“It’s about a special valley and the White Buffalo.

“The legend says you’ll find it if your heart is brave and true
“And you treat all men as brothers no matter what they do.

“I have searched for that valley since I started to grow.
“I won’t stop until I find it — and the White Buffalo.”

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Bluegrass in Afghanistan

Posted in Uncategorized, tagged , , , , , , , , , , on July 19, 2012| 3 Comments »

The bimonthly magazine called the Utne Reader likes to showcase alternative and contrarian views on the news. Here’s a sort of hands-across-the world story about taking bluegrass music to Afghanistan.

“My name is Peyton Tochterman. I’m a musician from the Blue Ridge Mountains of Virginia. I make my living writing, teaching and performing American Folk music—the music that tells stories in notes, chords and verse about who we are and what we Americans are all about. And I’m now in war-torn Afghanistan. …

“In little more than a week we have already met thousands of Afghans and found them to be kind, generous, hospitable, talented and honorable. They take great pride in their heritage and culture, but they also have a thirst for American Folk Music, for the stories we tell, our instruments and the way we play. The Afghan musicians with whom we played are some of the best in the world and were eager to share their masterful techniques and songs.

“Some might ask, ‘What difference can a folk singer from the Blue Ridge Mountains make in a tortured place like Afghanistan?’ It’s a valid question—partly answered by one of the State Department officers who said our visit did ‘more for diplomacy between Afghanistan and the United States than any diplomat had done, more then any road that was built, or any power plant that was constructed in the last year.’ ” Read more.

Photograph of Peyton Tochterman: The Utne Reader

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Mr. Beford’s Barn

Posted in Uncategorized, tagged , , , , , , , , , , , , , on July 9, 2012| 6 Comments »

I’ve been enjoying the album “On the Road from Appomattox,” the latest release of outstanding local bluegrass band Southern Rail.

I’ve also been asking myself what makes a song on the album, “Mr. Beford’s Barn,” so moving.

An old man comes to the narrator’s farm and says he wants to see the barn he helped his daddy build years ago. The barn is very solidly constructed, nearly 100 years old now, and the refrain says it will probably last another hundred years.

It makes a person think about how fine it is to make something that lasts hundreds of years. But the more I thought about it, the more I wondered if maybe the hundred-year-ness is not what’s moving.

The old man will not be there for hundreds of years and will not be enjoying the fact that the barn lasted so long. The reason he wants to see it is that he knows he helped make something that’s very fine. It’s the well-built-ness that is valuable. The hundreds of years are merely a feature of the value.

I think you will like the song. Although it is not on YouTube, the band lists its YouTube songs here, and you might want to listen to a few if you are thinking of buying Appomattox.

http://www.southernrail.com/

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Swedish Harp

Posted in Uncategorized, tagged , , , , , , , , on July 7, 2012| 2 Comments »

Asakiyume writes that an old friend visited her and brought along an unusual harp. Asakiyume explains that the nyckelharpa is “a Swedish musical instrument that’s both keyed and bowed.”

That sounds harder than walking and chewing gum. Even the hurdy-gurdy that I hear in the subway doesn’t look as hard as that sounds, and the hurdy-gurdy involves keying and cranking.

“It’s older than the violin,” Asakiyume says of the nyckelharpa, adding, “my friend tells me there are old tapestries and paintings showing the angels playing these nyckelharpa in heaven.”

(Readers of this blog will note that I can seldom resist tidbits about Sweden. Egypt is another favorite. Both for family reasons.)

Here is Asakiyume’s friend playing the nyckelharpa.

 

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Grand Opera in a Small Town

Posted in Uncategorized, tagged , , , , , , , , , , , , on June 10, 2012| Leave a Comment »

Saturday night we saw a splendid production of Puccini’s opera La Bohème at a $25-a-seat benefit for the Friends of the Performing Arts. Pretty amazing to have fully staged opera professionally sung with orchestra accompaniment someplace other than the big city.

Robin Farnsley, who sang the role of the Bohemian seamstress suffering from tuberculosis, was the heart and soul of the production. I blogged about her before, here. Not only was her singing exquisite, but her acting was unusually sensitive and subtle for opera.

But all the leads were great in this tale of poverty and the artistic spirit: Ray Bauwens as as Mimi’s love, Rodolfo; Tim Wilfong as a delightful Marcello; and Sarah Vincelett as the thoroughly convincing coquette, Musetta. Also worthy of mention were Michael Prichard, Thomas Dawkins, and Miles Rind.

I loved the naturalistic translation, shown in supertitles.

Alan Yost conducted, Kathy Lague was stage director, and Paula Eldridge was chorus master. As far as I know, everyone donated their time to support the performing arts in Concord.

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Tod Machover

Posted in Uncategorized, tagged , , , , , , , , , , , , , , , , , on June 9, 2012| Leave a Comment »

We are going to the opera tonight, and I’m remembering the last opera we saw, by MIT Media Lab innovator Tod Machover.

It was called Death and the Powers, and it was about a genius who wanted to live forever and figured out how to convert himself into a sort of computer after death. Given that it had lyrics by former poet laureate Robert Pinsky, I thought it would be great, but it was nowhere near as good as Machover’s Resurrection, a Tolstoy story adapted by MIT’s Laura Harrington. (The robots in Death and the Powers were cute anyway.)

Machover is a tremendously interesting and prolific musician. Here he talks about how music can bring back memories, not unlike Proust’s petit madeleine.

Below he explains how his “hyper instruments” have drawn people of all types, including the elementary school classes he visits, into the joy of music making.

 

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A Very Young Composer

Posted in Uncategorized, tagged , , , , , , , , , , on June 2, 2012| Leave a Comment »

Did you catch the story today about the young boy whose composition was performed by the New York Philharmonic?

At the National Public Radio site, Jeff Lunden writes: “What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it’s a dream come true, thanks to the orchestra’s Very Young Composers program.

“Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.”

Now every year, “72 lucky kids in six New York area schools participate in this free after-school program. …

” ‘The kids are not chosen for being musical geniuses,’ [the Philharmonic’s director of education, Theodore] Wiprud says. ‘The guidelines we give the schools, in trying to identify some fourth- and fifth-graders for the program, is that they be kids for whom this could make a difference. Whether or not they study an instrument is not necessarily a good predictor of whether they’re going to do something creative in music.’ …

” ‘Some of these kids have trouble locating middle C on a piano,’ Deak says. ‘Does that mean they can’t compose music of depth? No. What do they have to do? They have to hum it for us, sing, whistle, tap the rhythms — even if they can’t notate them — and we get their piece.’

“As [teaching artist and composer Daniel] Felsenfeld puts it, ‘The most important thing about this class is that you never, ever, ever write their music for them — not even a little.’ ”

I’m hearing a refrain from yesterday’s post: all children have music in them and you should just let it flower.

Read more and listen to the performance of young Milo Poniewozik’s composition at NPR.

Photograph of student Milo Poniewozik and the New York Philharmonic: Michael DiVito

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El Sistema

Posted in Uncategorized, tagged , , , , , , , , , , , on June 1, 2012| Leave a Comment »

I’ve been meaning to blog about the wildly successful music-education program out of Venezuela, El Sistema.

Here music critic Mark Swed follows the L.A. Philharmonic to Caracas and writes about El Sistema for the Los Angeles Times.

“Musically, Venezuela is like no other place on Earth. Along with baseball and beauty pageants, classical music is one of the country’s greatest passions.

“In the capital, Caracas, superstar Venezuelan conductor Gustavo Dudamel is mobbed wherever he goes. Classical music teeny-boppers run up to him for autographs when he walks off the podium at concerts. The state-run music education program, which is known as El Sistema and from which Dudamel emerged, is the most extensive, admired and increasingly imitated in the world. One of its nearly 300 music schools for children, or núcleos, is deep in the Venezuelan Amazon, reachable only by boat. …

“The basic tenet of José Antonio Abreu, the revered founder of El Sistema, is the universal aspect of music. He likes to say that music is a human right. That’s an effective, politically expedient slogan. But what he has demonstrated on a greater scale than ever before is that music is not so much a right as a given. El Sistema is not about talent, ingeniously effective system though it may be for discovering and fostering musical talent. The truly revolutionary aspect of El Sistema is its proof that everyone has a capacity for music.”

Read about how El Sistema has spread worldwide in the Los Angeles Times.

Children at La Rinconada in Caracas, Venezuela, Feb. 14, 2012. Gustavo Dudamel, right, among students at a showcase of El Sistema in Caracas, Venezuela, Feb. 15. Photograph: Mark Swed / Los Angeles Times

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Music and Empathy

Posted in Uncategorized, tagged , , , , , , , on May 26, 2012| Leave a Comment »

Tom Jacobs at Pacific Standard reports on new research into the benefits of music for children.

“Music education produces myriad benefits,” he writes, “strengthening kids’ abilities in reading, math, and verbal intelligence. New British research suggests it may also teach something less tangible, but arguably just as important: The ability to empathize.

“In a year-long program focused on group music-making, 8- to 11-year old children became markedly more compassionate, according to a just-published study from the University of Cambridge. The finding suggests kids who make music together aren’t just having fun: they’re absorbing a key component of emotional intelligence.”

The research team was led by Tal-Chen Rabinowitch of the university’s Centre for Music and Science. Read more.

Photograph: Pete Pahham/Shutterstock

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Hip-Hop with an Israel-Palestine Vibe

Posted in Uncategorized, tagged , , , , , , , , , , , , on May 3, 2012| 2 Comments »

A musician and his scholar wife have created an unusual show based on their visits to Israel and Palestine and on the music and sounds they absorbed there.

Joel Brown writes in the Boston Globe: “Performer Yuri Lane grew up the son of artists in San Francisco’s then-gritty Haight-Ashbury neighborhood, which he found to be good preparation for traveling the West Bank as a Jew.

“ ‘I learned a lot about tolerance, and seeing people for who they are, not judging them,’ he says. ‘Also, some street smarts.’

“Lane began visiting Israel and the West Bank in the late 1990s, following his girlfriend, now wife, Rachel Havrelock, a religion scholar who studied on both sides of the Green Line that marks Israel’s pre-1967 borders.”

Together they have created “From Tel Aviv to Ramallah: A Beatbox Journey,” which they call a “hip-hop travelogue.”

Lane tells the Globe his travels “just kind of opened me up, just being Jewish in Israel . . . and also traveling across the Green Line and seeing a lot of similarities between Tel Aviv and Ramallah. … The night life and the jazz cafes and places where people can smoke water pipes and hang out, listening to the sounds of music, from sped-up Bedouin music to hip-hop. I really just tried to be a sponge.” More from the Globe.

By the way, you can hear Yuri’s harmonica beatboxing on YouTube. (Had to look up beatboxing: “a form of vocal percussion primarily involving the art of producing drum beats, rhythm, and musical sounds using one’s mouth, lips, tongue, and voice.”)

Photograph: The Boston Globe

 

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Buffalo: The Opera

Posted in Uncategorized, tagged , , , , , , , , , , , , , , , on April 11, 2012| 5 Comments »

My husband went to college with Frank Popper, who went on to become a professor at Rutgers and Princeton. Along with his wife Deborah, also a professor, Popper has written extensively about the loss of population in the industrial Midwest and the idea of returning former urban areas to a “Buffalo Commons.”

That once seemed far out, but today he is popular with leaders of shrinking cities like Detroit that are open to any idea that might make cities livable again, including turning abandoned neighborhoods into parkland.

This week he sent a surprising e-mail. His research is in an opera being performed by a Milwaukee new-music ensemble called Present Music.

“The libretto.” writes Popper, “has big quotes from a 1999 academic-journal article Deborah and I wrote about the Buffalo Commons, and two of the actors  play us. Composer Kitzke, librettist Masterson, baritone Ollmann and the other performers are all excellent.”

From Present Music’s website: “Buffalo Nation (Bison bison), by Jerome Kitzke and Kathleen Masterson, [was] commissioned by the Map Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; Forest County Potawatomi Foundation, Suzanne and Richard Pieper Family Foundation and by other individual donors. This project is supported in part by an award from the National Endowment for the Arts.”

Jerome Kitzke and Kathleen Masterson

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Opera Extends Life in Mice

Posted in Uncategorized, tagged , , , , , , , , , , , , on March 28, 2012| 4 Comments »

Mice find Verdi and Mozart more healing than Enya. Tom Jacobs at Miller-McCune (now called Pacific Standard) explains.

“Writing in the Journal of Cardiothoracic Surgery,” he says, “a team of Japanese researchers led by Dr. Masanori Nimi describe an experiment in which a group of 8- to 12-week-old mice underwent heart transplants. The rodents were randomly assigned to one of five groups: those exposed to opera (a recording of Verdi’s La Traviata, conducted by Sir Georg Solti); instrumental music by Mozart; New Age music (The Best of Enya); no music; or ‘one of six different sound frequencies.’

“After one week, the mice whose personal soundtrack featured Enya, one of the sound frequencies, or no music at all ‘rejected their grafts acutely,’ the researchers report. …

“In contrast, those exposed to Verdi or Mozart ‘had significantly prolonged survival.’ …

“In explaining the results, the researchers point to the immune system. They report exposure to classical music generated regulatory cells, which suppress immune responses and are thus vital to preventing rejection of a transplanted organ. …

“In any event, this provides more evidence that classical music has a health-inducing impact on the body.” Read more.

Hmmm. You want to suppress your immune system when you have a transplant because you don’t want your body to reject an organ from a donor. But suppose you want a strong immune system for some other reason? Would classical music be bad for you (or a mouse) in that case? Hard to get my head around that one.

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