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John (founder of www.mistersmartyplants.com) is a member of Arlington Tree Committee. He figured out a way to use Google Maps to identify heritage trees in town and got a sign made to encourage residents to adopt a thirsty tree.

Now that so many urban and suburban areas have taken down their trees to make construction projects easier, people are realizing what they’re missing.

Many have noted that trees play a role in residents’ mental and physical health.

University of Washington research social scientist Kathy Wolf has studied the health aspects and also has economic arguments. She has shown that an “urban canopy”  makes local shopping more agreeable for customers and lends vitality to downtown business districts. Read what she has learned, here.

Chris Mooney at the Washington Post notes other research. “In a new paper published Thursday, a team of researchers present a compelling case for why urban neighborhoods filled with trees are better for your physical health. The research appeared in the open access journal Scientific Reports.

“The large study builds on a body of prior research showing the cognitive and psychological benefits of nature scenery — but also goes farther in actually beginning to quantify just how much an addition of trees in a neighborhood enhances health outcomes. The researchers, led by psychologist Omid Kardan of the University of Chicago, were able to do so because they were working with a vast dataset of public, urban trees kept by the city of Toronto — some 530,000 of them, categorized by species, location, and tree diameter — supplemented by satellite measurements of non-public green space (for instance, trees in a person’s back yard). …

“Controlling for income, age and education, we found a significant independent effect of trees on the street on health,” said Marc Berman, a co-author of the study and also a psychologist at the University of Chicago. “It seemed like the effect was strongest for the public [trees]. Not to say the other trees don’t have an impact, but we found stronger effects for the trees on the street.”

Thank you to my high school classmate, Susie from Cleveland, for putting the Washington Post article on Facebook.

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Photo: Laurence King Publishing
Adult coloring book ‘Secret Garden.’

Since March, I’ve been collecting articles on coloring books for grownups.

One article, by Alexandra Alter at the NY Times, was about Johanna Basford, a Scottish illustrator, who sold more than 1.4 million copies of her coloring book for grown-ups, “Secret Garden.”

Alter reported, “Ms. Basford and her publisher were surprised to learn that there was a robust — and lucrative — market for coloring books aimed at grown-ups. When they first tested the waters with ‘Secret Garden’ a year ago, they released a cautiously optimistic first printing of 16,000 books.

“’I thought my mom was going to have to buy a lot of copies,’ Ms. Basford said. …

“Surging demand caught Ms. Basford and her publisher off guard. Fan mail poured in from busy professionals and parents who confided to Ms. Basford that they found coloring in her books relaxing. More accolades flowed on social media, as people posted images from their coloring books.

“Hard-core fans often buy several copies of her books at a time, to experiment with different color combinations. Others have turned it into a social activity. Rebekah Jean Duthie, who lives in Queensland, Australia, and works for the Australian Red Cross, says she regularly gathers with friends for ‘coloring circles’ at cafes and in one another’s homes.” More at the Times.

My friend Mary Ann’s company, Rockport Books, offers a series called Just Add Color. Botanicals has 30 original designs from artist and illustrator Lisa Congdon. The series also includes Geometric Patterns, Folk Art, and Mid-Century Modern Animals, among others.

Finally, here’s Dugan Arnett at the Boston Globe addressing “the recent explosion — and it really is an explosion — in popularity of coloring books for adults? ‘I did not see this coming,’ said [Barnes & Noble’s Tracy] Moniak.

“In a sudden, unexpected, and generally curious development, grown-up versions of the doodle-books used by countless kindergartners have not only become a thing — but the thing, as far as millions of rapt Americans are concerned.

“At the moment, five of the top 30 titles on Amazon’s best-seller list are coloring books aimed at adults. Barnes & Noble currently carries well over 100 different adult coloring book titles, many of which feature much more intricate and detailed designs than children’s versions. And as the trend seeps into the mainstream, publishers and booksellers have been left scrambling to keep the most popular titles on store shelves.

“Marketed as a kind of personal therapy session — a simple and solitary alternative to the digital world in which we live — the books seem to have tapped into a deep desire to unwind, unplug, and fend off the stresses of daily life.” More.

Anyone want to have a coloring-book party?

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In the early 1990s, I was a stringer for Harte-Hanks newspapers and was sent to interview a young romance novelist who was living in a small house on the water in Cochituate.

Suzanne Brockmann cheerfully explained about how success in romance writing requires following a formula — what the hero’s character should be, what the heroine should look like, by what page the first love scene should occur. She showed me the manual. It didn’t bother her at all that the books were meant to be read and thrown away.

As someone with occasional literary aspirations on the order of Dickens or Tom Stoppard, I was appalled. Goes to show that snootiness is ignorance.

I kept an eye out for the books. First I spotted Brockmann romances at magazine kiosks. Then I started seeing Brockmann mysteries on racks in every supermarket. Today I read that she is producing a movie — her second. Good girl!

Although the paint-by-numbers approach isn’t for everyone, I’m sure much of her success reflects the aspects of herself that she put into the writing, and in a way I admire her practicality. From a distance, she seems to have made a pretty fun career for herself.

Today’s Boston Globe talks about her latest project, an indie movie called Russian Doll.

“This is the second indie film for best-selling romance author Brockmann, who splits her time between Framingham and Sarasota, Fla. A few years ago, Brockmann, her husband, writer Ed Gaffney, and their son, Jason Gaffney, decided to make the romantic comedy The Perfect Wedding. Brockmann said it became important to her storytelling family to make a movie with gay characters who weren’t struggling to come out of the closet. Jason specifically wanted to see more characters like himself. …

“The family’s new project — a crime story thought up by Ed Gaffney — is about a detective who tries to solve a case while mourning the death of her wife. The starring role went to Brockmann’s daughter, Melanie Brockmann Gaffney, who has an acting background (she once appeared in an educational film series with Sudbury-raised Captain America star Chris Evans).” More at the Globe, here.

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Melita posted this link on Facebook. She was so excited about the idea of a graffiti class for older folks that she contacted the organization to see if they were planning anything for Boston. I told her I would join her if they held a class. But, alas, Boston is not on their calendar. We have to get the experience vicariously from AxaNews.net.

The Axa article is a series of photos with captions like this: “Women spray their designs on a wall during a graffiti class offered by … LATA 65 [an] initiative for the elderly in the area of urban art. Since it began in 2012, they have introduced the world of graffiti to over 100 senior citizens, giving workshops in different neighborhoods of Lisbon.”

Dovas adds more at Bored Panda, “Graffiti and street art have both often served to deepen the rift of misunderstanding between young and old, but there’s one art organization in Lisbon, Portugal that’s working to change that. LATA 65 works to destroy age stereotypes and turn senior citizens into street artists by providing them with spray paint cans, masks and gloves and finding them free spots in the city to tag up and paint!

“It all begins with workshops, where the students learn about the history of street art and get to create their own stencils. They then find run-down parts of the city to jazz up with colorful tags and stencil art.

“According to the organization’s Facebook, their goal is to connect older and younger generations through art, to help the elderly engage in new forms of contemporary art and, most importantly, to let them have fun.”

This is a whole different level from the knitting groups Di organized with old folks and young girls at church back in the day. Suzanne and Joanna were regulars when they were about 7.

See the seniors’ graffiti artwork here.

Photo: Rafael Marchante/Reuters
Women spray their designs on a wall during a graffiti class offered by the LATA 65 organization in Lisbon, Portugal, May 14, 2015.

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I liked the Crabby Lager poster outside the Barking Crab today. The popular restaurant is as rough-hewn as ever, but its Seaport neighborhood has gone upscale. The Barking Crab now shares a spanking new sidewalk with a boutique hotel called the Envoy. (The lettering for the hotel’s name is too esoteric for words. Took me 10 minutes to figure it out.)

In other photos, I couldn’t resist beautiful weeds in grungy corners. I don’t know the name of the purple bells, but the other flower is bindweed. Or maybe Morning Glory.

The old warehouse (I can’t resist old warehouses) is in Fort Point, a part of South Boston that the artist in the last photo is painting from the other side of the channel.

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The pages, Schrope reports, “seemed oddly familiar. … Dr. Kessel realized that just three weeks earlier, in a library at Harvard University, he had seen a single orphaned page that was too similar to these pages to be coincidence.

“The manuscript he held contained a hidden translation of an ancient, influential medical text by Galen of Pergamon, a Greco-Roman physician and philosopher who died in 200 A.D. It was missing pages and Dr. Kessel was suddenly convinced one of them was in Boston.

“Dr. Kessel’s realization in February 2013 marked the beginning of a global hunt for the other lost leaves, a search that culminated in May with the digitization of the final rediscovered page in Paris. …

“In 2009, the Galen Palimpsest was lent to the Walters Art Museum for spectral imaging of its leaves by an independent group of specialists, which would reveal the erased Galen undertext. …

“The resulting images went online under a ‘creative commons’ license, meaning that anyone can use the material free for any noncommercial purpose. Once the images were online, William Noel, who was the curator of manuscripts and rare books at the museum, began organizing members of the tiny community of scholars who study Syriac scientific texts to study the new material.

“One of them was Dr. Kessel … By analyzing the page size, handwriting and other features, as well as the visible text, Dr. Kessel was able to determine that the Harvard leaf did indeed fill one of the gaps in the Galen Palimpsest. But six more were apparently missing. Dr. Kessel set out to find them.

“He began with a list of 10 libraries known to have ancient Syriac material, combing through online catalogs when available to look for clues such as the right dimensions or vague references to undertext. Sometimes, he traveled to the libraries himself. …

“It was not long before Dr. Kessel had good news. He found one missing page in a catalog from the Sacred and Imperial Monastery of the God-Trodden Mount of Sinai. It is known more commonly as St. Catherine’s in the Sinai Desert in Egypt, which has the world’s oldest continuously operating library.

“Another leaf turned up at the National Library of France in Paris. And at the Vatican’s vast library in Rome, he was able to identify the other three missing leaves, bringing the total to six.”

Read more here about the hunt, and learn what scholars hope to glean from the restored text.

Photo: Anonymous owner of the manuscript

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The little state with the big heart. Showing an intriguing old house in Providence, and island scenes in early morning and late afternoon.

This is the peaceful side of things, contrasting with the stories we just heard from an exhausted policeman we know who spent the last five days trying to control unruly 4th of July crowds, working from 5 a.m. to 11 p.m. “And we have only two cells to put them in,” he said in exasperation.

So hard to understand why, with all this beauty around them, people would do so much damage to themselves.

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Kate Colby (for whose offer of a room to Suzanne and Erik when they were house hunting there can never be enough gratitude) is a poet.

She came to the rescue when Suzanne was starting Luna & Stella and was having trouble finding a writer to capture the more ethereal qualities of the birthstones.

“What you need,” I said, “is a poet.”

“I know a poet!” she cried. She remembered Kate used to write copy for a catalog.

Beyond such marketing endeavors, Kate publishes poetry, choreographs offbeat theater, and co-leads art/poetry walks. An example of the latter will occur soon.

As Eryn Carlson writes at the Boston Globe, Kate is collaborating with artist Todd Shalom to offer “Duly Noted,” a participatory walk incorporating techniques from poetry, sound, and performance, at deCordova Sculpture Park and Museum in Lincoln, Massachusetts, July 18, at 2 p.m. and 5 p.m.

Carlson comments, “Shalom and Colby know that the very nature of tours makes it easy to overlook the ways in which artworks and their settings inform one another. … The pair created the collaborative walk ‘Duly Noted,’ a poetic exchange between participants and the Lincoln museum’s site and surroundings.

“ ‘Reading the art is apt because it’s so framed by woods and walls and water, and all this history,’ said Colby, who grew up in Wayland and lives in Providence. …

“ ‘It’s all about reframing the site,’ said Shalom, a Brooklyn, N.Y.-based artist who founded Elastic City.”

At a performance in May, “participants evolved from visitors to artists and performers. Individuals gave one-word soliloquies atop a stump, announcing their visual discoveries, and, guided by a partner, wandered the grounds with eyes closed to pay special attention to the surrounding cacophony. …

“Shalom and Colby, who met while working on their master’s degrees in fine arts at California College of the Arts, planned ‘Duly Noted’ meticulously over the course of a year, visiting the deCordova several times to perfect the route, pacing, and segues. But a degree of uncertainty and room for spontaneity remained.”

This could be a fun activity on July 18 if you live in the area. The grounds of the museum offer breathtaking views and sculptures everywhere you turn. Add to that a participatory happening like this, and you have the ingredients for a memorable day.

Read more here.

Photo: Barry Chin/Globe staff
Visitors at the deCordova Sculpture Park and Museum on a participatory walk titled “Duly Noted.’’

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David Wilkes has a great story at the Daily Mail about a self-contained garden that hasn’t had to be watered in decades.

“To look at this flourishing mass of plant life you’d think David Latimer was a green-fingered genius. Truth be told, however, his bottle garden – now almost in its 53rd year – hasn’t taken up much of his time. …

“For the last 40 years it has been completely sealed from the outside world. But the indoor variety of spiderworts (or Tradescantia, to give the plant species its scientific Latin name) within has thrived, filling its globular bottle home with healthy foliage.

“Yesterday Mr Latimer, 80, said: ‘It’s 6ft from a window so gets a bit of sunlight. It grows towards the light so it gets turned round every so often so it grows evenly. Otherwise, it’s the definition of low-maintenance. I’ve never pruned it, it just seems to have grown to the limits of the bottle.’

“The bottle garden has created its own miniature ecosystem. Despite being cut off from the outside world, because it is still absorbing light it can photosynthesise.”

More here.

Photo: BNPS.CO.UK
Still going strong: Pensioner David Latimer from Cranleigh, Surrey, with his bottle garden that was first planted 53 years ago and has not been watered since 1972 — yet continues to thrive in its sealed environment.

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The New York Times had a story not long ago about friendships between young people and old people in Cleveland. How does it happen? They live in the same retirement home.

John Hanc describes a home’s musical evening: “Janet Hall grimaces as she hits an off note on her violin, one of the few heard here at Judson Manor’s Friday afternoon recital, held in the chandeliered ballroom settings of the first-floor lounge of this residence for older people.

“As an audience of 56 mostly older adults watches expectantly, Ms. Hall, 78, quickly recovers from the miscue. She slides her bow across the strings of her violin, drawing out the sweet and sonorous notes of a Gabriel Fauré suite.

“Looking on and smiling is her accompanist on piano, Daniel Parvin, a 25-year-old doctoral candidate student at the Cleveland Institute of Music.

“Over a half-century apart in age, Ms. Hall and Mr. Parvin share some things in common besides this duet. A home, for one: Both are residents at Judson Manor, formerly a luxury hotel, built in 1923, in Cleveland’s University Circle section. A love of music, for another …

“Here at Judson, young and old play nicely together, part of an intergenerational program that has led to harmonious relationships beyond the concerts. … The artist-in-residence program provides furnished one-bedroom apartments to three graduate students from the Cleveland Institute of Music at no charge, for the duration of their studies. In exchange, the students perform regular concerts at Judson Manor. …

“The students were required to submit a résumé and an essay. ‘Basically, “Why I wouldn’t mind living in a senior residence,” ‘ says [Richard K.] Gardner, a committee member.  …

“Experts say there is much to be learned from an intergenerational living program based around the arts like the Judson program. ‘We’ve heard people talking about doing something like this, but I’ve never seen it at this level, sustained and consistent,’ says Gay Hanna, executive director for the National Center for Creative Aging in Washington, a nonprofit organization designed to promote creative arts programs for older adults. ‘It’s a bellwether for the future.’ ”

More here.

Photo: Michael F. McElroy for The New York Times  
Tiffany Tieu, a violinist and student at the Cleveland Institute, talks with Peggy Kennell. “When I tell people I’m living in a retirement home, they think I’m joking,” Ms. Tieu says.

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I was charmed by Sy Montgomery’s recent article in the Boston Globe on the intelligence of octopi (she says “octopuses”).

The author of The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, Montgomery describes getting to know a clever and apparently affectionate octopus called Octavia.

“Everyone wanted to pet Octavia,” she writes. “And no wonder. She was beautiful, graceful, and affectionate. The fact that she was boneless, slimy, and living in painfully cold, 47-degree water deterred none of us.

“What thrilled us — me, New England Aquarium volunteer Wilson Menashi, and four visitors from the environmental radio show Living on Earth was the surprising fact that Octavia, who clearly wanted to be petted, was a giant Pacific octopus.

“When her keeper, Bill Murphy, opened the top of her exhibit, Octavia recognized Menashi and me immediately; we’d been working with her for several weeks. Turning red with excitement, she flowed over toward us from the far side of her tank. When we put our hands in the water, her arms rose to meet ours, embracing us with dozens of her strong, sensitive, white suckers. Occasionally Wilson handed her a fish from the plastic bucket perched on the edge of her tank. …

“Then, as Menashi reached for another capelin to feed her, we realized the bucket of fish was gone. While no fewer than six people were watching, and three of us had our arms in her tank, Octavia had stolen the bucket right out from under us.

“ ‘Octopuses are phenomenally smart,’ Menashi says. And he should know: He has worked with them for 20 years, and is expert in keeping these intelligent invertebrates occupied. Otherwise, they become bored. Aquariums design elaborate escape-proof lids for their octopus tanks, and still they are often thwarted. Octopuses not infrequently slip out of their exhibits and turn up in other tanks to eat the inhabitants.

“Many aquariums give their octopuses Legos to dismantle, jars with lids to unscrew, and Mr. Potato Head to play with. Menashi, a retired inventor, designed a series of nesting Plexiglas cubes, each with a different lock, which Boston’s octopuses quickly learned to open to get at a tasty crab inside. And just this spring, New Zealand Sea Life aquarists teamed up with Sony engineers to teach a female octopus named Rambo to press the red shutter button on a waterproof camera to take photos of visitors, which the aquarium sells for $2 each to benefit its conservation programs. Rambo learned in three attempts.”

What a different perspective on the scary beast in the film 20,000 Leagues Under the Sea, which I saw as a child.

I’d love to copy the whole intriguing article, but I’m afraid that would not be “fair use.” So read it all here.

Photo: Tia Strombeck
Sy Montgomery pets Octavia, an octopus at the New England Aquarium in Boston.

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Three cheers for quirky causes that, at a minimum, don’t do any harm and, at best, make a contribution to the world.

Simon Romero recently covered one such cause in the New York Times: “Shigeru Nakayama, the guardian of this ghost city in the Amazon rain forest, gazes at the Rio Negro, a vast blackwater tributary. From some angles, it looks less like a river than a sea, spurring him to remember Japan.

“ ‘Fukuoka got kind of cold during winter,’ said Mr. Nakayama, 66, who left the island of Kyushu in southern Japan with his parents and three brothers in the mid-1960s for a new life in Brazil. ‘We were farming people, trying to get ahead. Japan was reduced to ashes after the war. Life was still tough.’

“ ‘But Brazil was the land of our dreams,’ said Mr. Nakayama, squinting under the punishing midday sun as he leaned his wiry frame against one of the crumbling stone buildings of Airão Velho — a town so overgrown and forlorn it is now held in a labyrinthine embrace of tree roots and vines.”

He has made it his life’s work to “to care for the abandoned outpost. …

“ ‘I’m glad there’s someone taking care of Airão Velho,’ said Victor Leonardi, a historian of Amazonia at the University of Brasília who explored the ruins here in the 1990s. “It smelled of jaguar urine back then, but it was obviously a place of riches at one point, where people dined on porcelain from England and consumed Cognac from France.’ …

“ ‘Japan has turned into a new kind of prosperous country, and I guess that’s good for the people there,’ Mr. Nakayama said. ‘But that kind of life was never in the cards for me.’

“Mr. Nakayama acknowledged that shielding Airão Velho from the encroachment of the jungle was an uphill struggle. A glance around suggests that the strangler figs have the scales tipped in their favor. Amid the ruins, wasps hover; fire ants march; cicadas sing. …

“Nakayama feels the need to clean the graveyard, hacking away at the growth that threatens to devour the site once and for all. ‘For centuries, people lived and died in Airão Velho,’ he said. ‘They were the true pioneers, and I have to honor their memory by preserving this place. It is a matter of respect.’ ”

More here.

Photo: Mauricio Lima for The New York Times
Shigeru Nakayama has made it his life’s work to care for an abandoned outpost in the Amazon jungle.

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Early this month, my colleague Bo went to Tennessee with friends to see synchronous fireflies.

The one week of firefly watching is a real happening. Bo told me that, to get tickets, he went online twice at exactly 10 a.m. The first time he missed out. They go fast. He said that these special fireflies (which start flashing together and stop together) were long known in Southeast Asia but thought to exist nowhere in North America.

The way he heard it, one day a woman from Tennessee was chatting with a firefly expert somewhere in the South and happened to mention the behavior of some fireflies she loved to watch back home. And that was the first time the word got out to the scientific community that synchronous fireflies existed in North America. Now it’s practically Disney World out there — controlled, but crowded.

The Great Smoky Mountains National Park website posted this before the great annual event: “The firefly shuttle operating dates for 2015 will be June 2-9. Advance reservations of parking passes have sold out, however an additional 85 passes will be available for each day of the event. These 85 passes will go on sale online at 10:00 a.m. the day before the event and will be available until 3:30 p.m. on the day of the event or until the passes are all reserved. Passes can be purchased at www.recreation.gov or by calling (877) 444-6777.

“During the program operating dates, a parking pass is required for evening access to the Sugarlands parking lot and the firefly shuttle to the Elkmont viewing area. There is a limit of one parking pass per household per season. …

“Synchronous fireflies (Photinus carolinus) are one of at least 19 species of fireflies that live in Great Smoky Mountains National Park. They are the only species in America whose individuals can synchronize their flashing light patterns.

“Fireflies (also called lightning bugs) are beetles. They take from one to two years to mature from larvae, but will live as adults for only about 21 days. …

“Their light patterns are part of their mating display. Each species of firefly has a characteristic flash pattern that helps its male and female individuals recognize each other. … Peak flashing for synchronous fireflies in the park is normally within a two-week period in late May to mid-June.”

More at the great Smoky Mountains National Park.

Personally, I’d be happy to see any kind of firefly at all. There used to be so many. They were like fairies. I’ve read that lawn chemicals are responsible for their decline. The video below covers both the science and the happening. See the fireflies flash.

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I was in Chinatown today at lunch and was charmed by several paper-and-steel sheep on the Greenway’s  Red  Gate. The Greenway website says, “Korean born, New York based artist Kyu Seok Oh has created Wandering Sheep at the Red Gate in Chinatown Park (corner of Essex St and Surface Road) This is the first of a series of exhibits based on the Chinese Zodiak calendar.” We are currently in the Year of the Ram (or the Goat, or the Sheep; I’m told the Chinese language doesn’t distinguish). I’m posting two pictures.

Also today, I have photos of a sunny treetop, another tree gripping the bank of the Assabet River, early morning light on a Fort Point warehouse, nasturtiums in sunshine, and the new look of the pizza place. John contributed the aspirational kite.

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I learned from an article in the NY Times last month that Thomas Edison’s first voice recordings were for talking dolls. And until recently, no contemporary person dared listen to them.

Ron Cowen writes, “Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

“The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. …

“Sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

“Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

“The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.”

Read more here.

Artifacts: Collection of Robin and Joan Rolfs
A government laboratory found a way to listen to recordings on fragile wax cylinders inside dolls made by Thomas Edison in 1890. 

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