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Archive for November, 2020

In the pandemic, many people spending extra time at home are sorting through “stuff,” and my husband is no exception. The other day, he brought out a program from a play he saw in Minneapolis in the 1990s: Forgiving Typhoid Mary.

The contemporary relevance of Typhoid Mary was not lost on me. Mary Mallon (1869 – 1938), by all accounts a good cook, was placed in a number of homes by employment agencies, and had no clue why people where she worked kept getting typhoid.

Wikipedia describes her as “an Irish-born cook believed to have infected 53 people with typhoid fever, three of whom died, and the first person in the United States identified as an asymptomatic carrier of the disease. Because she persisted in working as a cook, by which she exposed others to the disease, she was twice forcibly quarantined by authorities, and died after a total of nearly three decades in isolation. … Presumably, she was born with typhoid because her mother was infected during pregnancy.”

Wikipedia explains that she worked for several affluent families where typhoid appeared mysteriously, including “a position in Oyster Bay on Long Island with the family of a wealthy New York banker, Charles Henry Warren.” Shortly after that assignment, “in late 1906, Mallon was hired by Walter Bowen, whose family lived on Park Avenue. Their maid got sick on January 23, 1907, and soon Charles Warren’s only daughter got typhoid and died. This case helped to identify Mallon as the source of the infections.

George Soper, an investigator hired by Warren after the outbreak in Oyster Bay, had been trying to determine the cause of typhoid outbreaks in well-to-do families, when it was known that the disease typically struck in unsanitary environments.

“He discovered that a female Irish cook, who fitted the physical description he had been given, was involved in all of the outbreaks. He was unable to locate her because she generally left after an outbreak began, without giving a forwarding address. Soper then learned of an active outbreak in a penthouse on Park Avenue and discovered Mallon was the cook. Two of the household’s servants were hospitalized, and the daughter of the family died of typhoid.

Soper first met Mallon in the kitchen of the Bowens and accused her of spreading the disease. Though Soper himself recollected his behavior as ‘as diplomatic as possible,’ he infuriated Mallon and she threatened him with a carving fork.

“When Mallon refused to give samples, Soper decided to compile a five-year history of her employment. He found that of the eight families that had hired Mallon as a cook, members of seven claimed to have contracted typhoid fever. Then Soper found out where Mallon’s boyfriend lived and arranged a new meeting there. He took Dr. Raymond Hoobler in an attempt to convince Mary to give them samples of urine and stool for analysis. Mallon again refused to cooperate, believing that typhoid was everywhere and that the outbreaks had happened because of contaminated food and water. At that time, the concept of healthy carriers was unknown even to healthcare workers.”

Hmmm. If a cook who emigrated from Ireland at 15, presumably without much education, failed to understand something that no one at the time knew about, I guess a case could be made for “forgiving” her. Not sure the same can be said for the super-spreaders of Covid-19. When I think of health-care workers exposing themselves every day and “seeing the regret” in the eyes of dying patients, it really makes my blood boil.

By the way, the relevance of Typhoid Mary was not lost on a theater in the Berkshires either. Alas, I did my online search too late and missed out on the Barrington Stage Company reading of Forgiving Typhoid Mary by a few days. If you’re as curious as I was about the “forgiving” aspect of the title, you can read the 1991 New York Times review, here, which provides a hint.

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This morning’s Google video about the famous Osage ballerina Maria Tallchief got me thinking about Native American women in the arts and how difficult their path to fulfillment often is. Consider the writer Marcie Rendon, whose reputation got a big boost when she received a McKnight Foundation award in August.

Mary Ann Grossmann reported the story for the Pioneer Press. “Marcie Rendon, award-winning poet, playwright, author of children’s books, short stories and the popular Cash Blackbear mystery series, is the winner of the $50,000 McKnight Foundation 2020 Distinguished Artist Award.

“An enrolled member of the White Earth Nation [Ojibwe], Rendon is the first Native American woman to receive this prestigious award, which honors artists who stay in Minnesota and make the state more culturally rich. …

“ ‘I’m kind of in shock and overwhelmed,’ Rendon said last week in a phone interview from her home near Lake Hiawatha in Minneapolis, where she lives with two granddaughters and a great-granddaughter. She has three daughters and 12 grandchildren.

“The Artist Award is always a surprise to the winner. The McKnight folks lured Rendon onto Zoom in August by telling her they wanted to talk about her work. But when she dialed in she found herself facing a roomful of people who told her she was the awardee.

‘I started crying. It just seemed unreal,’ she recalled. ‘Then somebody said, “Tell her how much the check is,” and I cried even more. I could give you a hundred names of people who deserve it. It never occurred to me I was in that category.’ …

“Rendon is pleased that her award turns the spotlight on Native artists.

“ ‘I grew up in northern Minnesota and never lived in the city. I didn’t even know book awards were a thing until one of my books was nominated. I don’t have an MFA. I’m writing because I love to create and because I love my community,’ she said. ‘Jim (Denomie) and myself getting this award says that Native artists are doing not just what is important for us as Native people, but important to the entire landscape of artists and people in Minnesota. It says we exist and have a significant impact on the arts. We are resilient and thriving. It says to non-Native people, “We are here, we never left.” ‘

“Among Rendon’s previous awards [is] the Loft’s 2017 Spoken Word Immersion Fellowship with Diego Vazquez. … Vazquez, a poet, novelist and editor, has known Rendon for years. ‘I am so excited for Marcie I almost cried when I heard about her award,’ he said. ‘I admire her for everything she does, in her writing and her life, where she is the central focus for her family. She gives her heart to everything.’ …

“Rendon is especially proud of partnering with Vazquez in the eight-year-old women’s writing project, in which they teach women incarcerated in jails in Ramsey, Sherburne and Washington counties. They have reached some 300 women and published 40 anthologies of their writing. …

“Rendon, born in the Red River Valley of northern Minnesota in 1952, was a voracious reader, creative writer and poet early in life. She was with her family, poor but happy, until she was in first grade and put into the foster care system. It was a bad experience, but she survived.

“While studying at Moorhead State College in the early 1970s, Rendon was part of a group of Native student activists who successfully demanded the launch of the university’s first American Indian studies department. She graduated with degrees in criminal justice and American Indian Studies and earned a master’s in human development from St. Mary’s University.

“Rendon moved to Minneapolis in 1978, because ‘this is where my people are, the birthplace of AIM (American Indian Movement),’ and worked as a counselor and therapist while raising her daughters.

“A 1991 performance by Canadian Cree-Saulteaux artist Margo Kane inspired Rendon to share her poetry and writing with a wider audience at venues such as Patrick’s Cabaret in Minneapolis. …

“ ‘I am super-excited for Marcie,’ said [writing buddy Carolyn] Holbrook. … ‘She’s multi-talented and sticks with it, all the while raising a family and putting up with the trauma of having been a foster kid. Her crime fiction knocks me out. Others write (mysteries) about Native Americans but she’s doing it from an authentic place.’ “

Read more at the Pioneer Press, here.

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I’ve been learning recently, both from my daughter-in-law and online, that parents frustrated with the imperfections of pandemic school are complaining about the problems to teachers even though it’s mostly not something teachers can control.

Meanwhile, teachers adapt. They’ve been going beyond the extra mile to make everything work. An ESL teacher I work with often spends long, unpaid hours solving technical problems, and my husband’s orchestra-teacher niece in North Carolina rarely finishes her day before 10:30 pm.

Max Tapogna writes at Oregon Artswatch about what arts teachers in his state are doing with limited resources for remote instruction.

“One by one, students pop into the classroom, each in a respective Zoom window. Trisha Todd, a drama teacher at Portland’s Grant High School, waits a few minutes until everyone in her Beginning Theatre class has arrived. Todd is teaching from her office at Grant, which is full of theater tchotchkes: a turquoise folding screen, a poster for Sarah Ruhl’s play Orlando, and what looks like poor Yorick’s skull. Todd’s students, however, are scattered around the city. …

“Class begins, inconspicuously, with a warmup. First some stretching. Then Todd asks the students to go around and share the musical artists they’ve been listening to recently. More than one student mentions Billie Eilish; another says he’s been blasting a lot of classic rock.

“ ‘I’m doing whatever I can to keep them engaged,’ Todd says. ‘We’re just hoping to keep them with us until they get back.’ …

“When classrooms were shuttered due to the coronavirus. Arts educators, especially those with subjects in the performing arts, were forced to grapple with ways to reach students from a distance.

“ ‘It was really hard,’ says Lisa Adams, a music teacher at Duniway Elementary School. … ‘Participation was not required. There wasn’t a unified way that every school was handling it.’

“ ‘Spring was very doomy gloomy,’ says Laura Arthur, a music teacher on special assignment for the district. ‘I feel like the fall is the second, third stage of grief. We’ve reached acceptance and solutions.’ …

“Mary Renaur, a visual arts teacher at Mt. Tabor Middle School … created online tutorials on how to make art supplies at home, like glue and paint, from materials that could be found in a kitchen or recycling bin. …

“Similarly, Adams has taught her students at Duniway to craft their own instruments from household objects, like a ‘guitar’ made from a berry container and rubber bands. One student, Adams says, filled a paper towel tube with beans and fixed tape to the edges. …

“Of course, the technology comes with its complications. On the day I spoke with Renaur, she described how a student’s Chromebook unexpectedly had stopped working.

When she learned the computer wasn’t working, Renaur hopped in her car and drove to school, picked up a new computer, dropped it off at the student’s home, and drove back to her house in time for her next class.

“ ‘Between classes, I had forty-five minutes,’ Renaur says. …

“Other adjustments have been less stressful. Chris Meade, who teaches drama and music at Lent K-8, says, ‘I did a whole assignment on taking silly selfies just to get students used to using a camera.’

“At the beginning of the school year, Meade surveyed his students to get a sense of their preferences for learning music virtually. ‘The majority of my kids were really uncomfortable singing by themselves into a computer,’ Meade says. …

“Instead, Meade shifted his focus to emphasizing music appreciation and literacy. This fall, for example, students are learning about the various musics of Latin America. District-wide, arts classes are now structured around themes like emotional resilience and racial equity. That change, Meade says, has been welcome.

“He says, ‘It’s nice to [explore] all these other aspects of music that kind of get glossed over during the regular school year.’

“For theater, Todd says her goal is less forcing her old curriculum into a new format than tailoring her subject to online learning. ‘We can look at history, we can look at Shakespeare, we can look at the Greeks,’ Todd says. ‘We could just read plays for a semester.’

“Instead of directing a fall play, Todd is organizing a 24-hour devised theater piece. The festival will showcase a play written, directed, and acted entirely by students. ‘It’s supposed to happen really quickly,’ says Todd. ‘You go with your instinct. You don’t have set limitations. You create them.’ ”

Read at Oregon Artswatch, here, how the typical isolation of arts teachers has been altered by pandemic isolation, which in at least one district has led to a collaborative way of working that will likely outlast lockdowns.

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Once again radio’s Living on Earth, has a holistic take on current events affecting the environment. Host Steve Curwood and environmentalists elsewhere have noted the fire-control success of indigenous people and long-ago subsistence farmers — fighting fire with fire.

In today’s story we learn how good fire management, though made more difficult by increased development, can benefit both humans and wildlife.

“The record-setting wildfires in the Western U.S. this year have had devastating consequences for the people who have lost their homes and businesses. But as Aaron Scott of Oregon Public Broadcasting [OPB] reports, many species of plants and animals depend on forest fires to create and maintain the habitat they need.

“AARON SCOTT: Ecologist Paul Hesburgh and Bill Gaines are taking us on a tour through a section of the Washington Cascades that was burned by the Tripod Fire in 2006.

“BILL GAINES: Paul, I’m not seeing a lot of woodpecker cavity activity. …

“SCOTT: The reason we’re looking for woodpeckers is that they are a poster animal for how scientists like Gaines and Hesburgh are reimagining fire. Instead of seeing fire as a negative thing that needs to be suppressed, they are finding it is essential to the well-being of many plants and animals. For example, burned forests may look barren to us. But for wood-eating insects and their predators, they are a feast waiting to happen. Gaines marvels at how woodpeckers just seem to flock in. …

“And they are far from alone. From aspen to morels, from blackberries to bees. There’s an incredible range of plants and animals that thrive in areas touched by fire. One of the best-known examples is the lodgepole pine, which grows what’s called serotinous cones.

“PAUL HESBURGH: And so every cone scale is held together by a drop of resin, and it takes the heat of a fire to melt that resin and cause those cone scales to open up.

“SCOTT: The cones shed seeds that quickly grow into dense stands of young trees. And these stands are one of the only hunting grounds for one of the country’s most adorable and threatened predators. The Canada lynx. …

“GAINES: We’re going to pretend we’re a Canada lynx. And what we want to find is our prize food, you know, a snowshoe hare.

“SCOTT: Gaines crouches down in stalks his way through the thick branches.

“GAINES: You can see here a scat from a snowshoe hare, so we know they’ve been here. Tells us this is good habitat for snowshoe hare and good habitat for lynx.

“SCOTT: That’s because these young pines are like a goldilocks zone. They’re just right, big enough to provide shelter for the bunnies with branches low enough for them to hide under. But as the pines grow taller and their branches no longer touch the ground, the bunnies and the lynx that hunt them have to go in search of new stands. …

Few northwest animals have evolved to live in thick, unchanging forests. Instead, most need an evolving clumpy mosaic of landscapes to meet all their needs. And the main driver behind that constant process of change and renewal is fire.

“HESBURGH: If you were to roll the film back a hundred, hundred and fifty years in history and take a look at a big landscape panorama, what you would see is places that were burned yesterday, places that were burned five years ago, ten years ago, that create this variety of habitats. …

“Where the forest is all grown up and blended. There are some critters still making a living in that landscape, but it has nowhere near the variety of the former landscape before it was homogenized.

“SCOTT: Today’s thick forests combined with a warming climate also set the stage for megafires. The result is two starkly contrasting landscapes and a dynamic far different from the one native animals evolved with. …

“GAINES: Lynx recovery is either made or are not here in this part of Washington. This is the largest population in the lower 48 states.

“SCOTT: And it doesn’t stop there. Fire has a crazy interaction with water by helping to thin out dense spreading forests, it actually leads to more water flowing into wetlands and streams. That encourages rich cool dining rooms for everything from bear to fish. No one is advocating that we let all fires burn freely, especially the human-caused ones. But a consensus is emerging that as crazy as it sounds, we need to restore regular fire to the land to help our fellow plants and animals survive.”

More at Living on Earth, here. Check out the original, too, at OPB in Portland, Oregon.

National Geographic, meanwhile, explains how “controlled” or “prescribed” burns can protect nature: “Controlled burns have become more important as fire suppression efforts have grown over the last century. Historically, smaller fires occurred in forests at regular intervals. When these fires are suppressed, flammable materials accumulate, insect infestations increase, forests become more crowded with trees and underbrush, and invasive plant species move in.

“Controlled burns seek to accomplish the benefits that regular fires historically provided to an environment while also preventing the fires from burning out of control and threatening life and property.”

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Photo: TracyRittmueller.com

Poet Tracy Rittmueller is a friend I connected with through blogging. We almost met in person when she was living in Rhode Island, but she moved home to Minnesota after her husband developed a mild cognitive impairment that is associated with non-Alzheimer dementia.

I’m telling you that so you will understand the origins of her resonant poem about a broken cup. It seems to start with her husband’s impairment and spread outward into other lives and ways of understanding. Here it is in part.

What Is There About Us Always
by Tracy Rittmueller

“You gave me a teacup, terra-cotta inside, outside
sun-washed like some villas in Italy.
“It pleased me, as it pleases me when
every morning you wake early
“to prepare my tea, even now when you cannot remember
the day, washing dishes I knocked my teacup
“against the faucet. My teacup. I gathered
ochre shards, trashed them on the day’s spent tea
“leaves, said nothing. Finding those fragments
you spoke one word. Oh. Rinsed them,
“dried them, glued them together. …

“Sometimes I worry your tenuous
“memory will fracture our companionship.
But I know who you are, always the one
“who salvaged those wrecked remnants—
my heart—to restore that broken vessel—me.”

Read the whole poem here.

About her life these days, Tracy writes, “I am greatly supported by a monastery of Benedictine women, who have basically adopted us. They have over 200 Sisters, whose average age is 83. They have so much experience with this, and model for me how to care for [him] with compassion and respect, while making sure I’m not sacrificing my health or my life to do it. Plus, they all understand what’s happening with him, and very skillfully befriend him so that I’m not his sole sense of safety and love in this world. We’re content and live together with a great amount of love and serenity, and I’m very, very grateful. …

“I’m clearing every unnecessary thing out of my life, a process that I’m still going through, moving toward an ever more simple and quiet life, because that’s what suits my personality, temperament, and my physical/mental/spiritual health needs. I suppose from the outside it might look like I’ve gone hermit, but I am richly supported by the Sisters and associates circling around the monastery, where I find more intelligent, kind, wise, eccentric-interesting, and helpful people than I can keep up with, and by my community of weirdly wonderful poet-friends. And, as this pandemic is teaching us, there are myriad ways to connect without leaving one’s house.”

Read one of Tracy’s recent articles on poetry. You might also like to check out a blog post she wrote at GoodReads.

Photo: Spinningpots.com

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Wednesday is Veterans Day, and I thought I would share something I just learned about how some veterans have continued in public service after being discharged from the military.

Last week, veterans volunteered at the polls because coronavirus concerns were keeping elderly poll workers and others at risk at home.

As Sarah Sicard wrote at Military Times, “Veterans often look for opportunities to continue to serve even after retiring or moving on from the military. In 2020, a number of veterans have taken to volunteering to work the polls at their local election sites.”

Sicard cites Maggie Seymour, who served in the Marine Corps from 2008 to 2017. Seymour wrote on Twitter that she was expecting a baby and “serving as an election judge here in Beaufort. Exposing little fetus to the sounds of democracy!”

Sicard continues, “Veterans across the country have volunteered on Nov. 3 to serve in various capacities, many through the organization Veterans for American Ideals [VIFI]. …

“ ‘We’re trying to get vets engaged as poll workers to assist in pulling off a free and fair election, protect the elderly — who constitute the majority of poll workers — during COVID, and get a new generation involved in their communities,’ said Christopher Purdy, program manager of Veterans for American Ideals, according to Reuters.” More at Military Times, here.

I decided to take a look at the VIFI website, where I found this mission statement. “Veterans for American Ideals is a nonpartisan group of veterans who share the belief that America is strongest when its policies and actions match its ideals.

“We dedicated our lives to our country as citizen-soldiers, and we believe that honor, courage, commitment, duty, and country are not just words, but values worth defending. After taking off the uniform, we seek to continue serving our country by advocating for policies that are consistent with the ideals that motivated us to serve in the first place.

“Our current campaigns are focused on saving the Special Immigrant Visa program for interpreters and translators who served with the U.S. military, protecting refugees, and countering Islamophobia.”

Now, I call that living your values.

Read more at Vets For American Ideals, here — and have a happy, thoughtful Veterans Day.

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Do you listen to the radio show Living on Earth? This environmental news program is nationally syndicated and has a free newsletter you can sign up for here. I have learned so much from it over the years.

Today I’m writing about a story that caught my attention because I have a grandson, 10, and a granddaughter, 7, who are forces to be reckoned with in the sport of ice hockey. And one of them had a quarantine episode after a teammate test positive for coronavirus. I would not want to see these two lose their favorite sport for a year when so many other things have been lost, but I guess I want to know how infection is being carried in ice hockey and what can be done.

Living on Earth reports that “outbreaks have occurred in connection with recreational and youth hockey, and researchers are rushing to pin down the role of air temperature and humidity in creating optimal conditions for contagion. For some advice about getting through winter safely, host Steve Curwood caught up with pediatrician Aaron Bernstein, the interim director of Harvard’s Center for Climate, Health and the Global Environment. …

“CURWOOD: There is much that science still has to learn about Covid-19, such as why indoor recreational ice hockey has been associated with outbreaks in several states, not just in the north but also in Florida, where about a dozen people got Covid 19 after a game at a hockey rink in Tampa Bay. … Welcome back to Living on Earth, Ari! …

“Walk us through in basic terms, what about the virus might make it more dangerous for these cold weather sports? …

“BERNSTEIN: The best clues we have right now is that transmission may not be happening as much on the ice, but may be happening off the ice in locker rooms or on the bench when people may take off protective gear or sit too close with each other. We don’t really know. … But we mostly see in in other indoor settings transmission happening when you’ve got people sticking around each other for long periods of time. …

“We do know a couple of things. I mean, what’s clear is that sunlight is really good at inactivating the virus. So, you know, ice skating rinks are not in a lot of sunlight. … Here in the Northern Hemisphere, there’s a lot less ultraviolet radiation hitting us from the sun.

“CURWOOD: So as we move into winter, of course, historically, the influenza virus seems to do much better in the winter. …

“BERNSTEIN: I do think we need to pay close attention to places where we’re asking people to congregate, and being careful about the appropriate precautions. … We’re breaking records in transmission as we speak and there’s a great risk that this virus can spread through the winter. The idea has been floated that herd immunity will protect [us] is reckless and dangerous. …

“[Safety is] the same dull stuff that folks have been talking about for a long time. It’s wearing a mask, it’s washing your hands, it’s keeping physical distance. And those measures can have a dramatic effect upon the spread of disease. … A lot of people, including folks like Tony Fauci and other public health leaders have strongly advised people to not gather in person, because the risks are growing so great, because the reality is that we have more cases today in the country than almost any other time. …

“Part of our action here is not just for ourselves, it’s for the people who live in [our] communities. [For the regular flu, ] there’s a vaccine. … If you take the current coronavirus season, and you add to it even a mild flu season, there are no hospital beds for people to go into. … There are a lot of people who don’t want to get vaccinated for the flu because they think it’s not that bad, or they think the flu vaccine doesn’t work. And neither of those things are true. …

“I should be getting vaccinated against the flu to protect people who are older than me, my family members who may have cancer. … Think about it. If you have a family member who’s pregnant, they often need to go to a hospital. Do you really want them to go to a hospital in which the hospital is overwhelmed with preventable influenza infections? [These] things tie together pretty quickly.”

I have to thank this show for delivering my sermon to readers. Get your shot for the seasonal flu! More at Living on Earth, here.

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There’s a television show in the UK that has become such a part of American culture that Saturday Night Live regularly spoofs it. In fact it’s from SLN that I even know about the show. Today’s article helps me understand why people love it so.

Eliot A. Cohen writes at the Atlantic, “For my physical health, there is a rowing machine, but for my peace of mind, I have learned this past year, nothing beats old episodes of The Great British Baking Show, which one can binge-watch to satiety on Netflix.

“This trick of seeking temporary refuge from the realities of a grim world by indulging in fantasies of the simple pleasures situated in some lovely part of rural England is nothing new. During the Blitz, Londoners rediscovered the joys of the 19th-century novelist Anthony Trollope. …

“Trollope is still very much worth the reading. But in our fraught times—so much easier, to be sure, than the dark days of 1940—many people like me have sought refuge in a different idyllic England of our dreams. Hence the entirely deserved popularity of The Great British Baking Show — devotees were ecstatic when, the coronavirus notwithstanding, a new season began a few weeks ago.

“Every summer for the past decade, a dozen amateur bakers have trooped into a cheerful, white party tent supplied with counters, ovens, refrigerators, and all the basic paraphernalia they need. Each week is themed — breads, pastry, biscuits. …

“The setting is the lawn of a magnificent bucolic estate in Somerset or Berkshire. Most often the sun shines, but when it does not, we know somehow that the rain is more a gentle and fructifying moisture than a miserable downpour.

“The contestants are supervised by Paul Hollywood, an experienced baker (and race-car driver), and, in later seasons, Prue Leith, the chancellor of Queen Margaret University in Edinburgh and a restaurateur, an author, and a journalist. … They have two sidekicks, in the current version of the show: Matt Lucas, an actor and a comedian, and Noel Fielding, a comic who is weird but amiable, if you like Goth.

“A decent-tasting cake is not enough. … Prue is intimidating enough in her Professor McGonagall way: ‘This is rather a mess, isn’t it?’ and ‘Hmmm. Claggy. What a pity.’ But the hard man of the show is Paul Hollywood. …

“In the days of the empire, he would have been a regimental sergeant major, looking an unhappy private in the eye three inches from his face, pointing at a fleck of lint on an otherwise impeccable uniform, and saying, ‘Your uniform is filthy, you horrible little man.’ … He is one heck of a baker.

“In The Great British Baking Show, there are standards. If it looks a mess, the judges will say so, and the bakers swallow hard and acknowledge their failures. … The vaguely obscene puns — which never seem to grow tired — about flabby buns and the dreaded ‘soggy bottom’ allow no sympathy for the vagaries of fate. Results, not good intentions or effort, are what matter.

“And yet, the show is animated by the warmth of humanity. … There are college students and grandmothers; carpenters and lawyers; soldiers, sailors, and personal trainers; immigrants (or their descendants) of varying hue from Hong Kong and Jamaica and Mumbai. They are remarkably nice to one another.

“When one of the bakers is having a crisis — a cake separating in the middle, a collapsing gluten-enhanced edifice, cracked biscuits — the others rush to help out. … They even hold hands, some of them, in that agonizing wait as the sidekicks menacingly intone, ‘The bakers now await the judgment of Prue and Paul.’ In the face of a really serious meltdown, even Hollywood can be heard to murmur, ‘It’s just a bake, mate.’

“To watch The Great British Baking Show is to believe that the average guy and gal can do remarkable things, that good nature is compatible with excellence, that high achievement will be recognized, that honest feedback can lead to improvement, that there are things to life beyond work. …

“To watch it is to know that, Brexit or no Brexit, and despite royal scandals, political cock-ups, and the occasional omnishambles, there will always be an England. And that is a comforting if possibly delusional thought.

“In short, as the Brits would say, The Great British Baking Show is brilliant, thoroughly joined up, and fit for purpose. To watch it is to feel refreshed, inspired, and confident, ready to return to work with a strong heart and a clean conscience, knowing that somewhere in rural Wiltshire or Somerset, Noel and Matt will say every week in voices of varying and unmodulated creepiness, ‘Bakers! On your marks, get set, bake!’ ”

More at the Atlantic, here.

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Last month, I pondered the challenges presented over time by public art in the form of statues of historical figures. In the past, art that could last through the ages — Michelangelo’s “David,” for example, and the stone lions on the Greek island of Delos — was highly valued. Even painted frescoes were made to last, with pigments worked into plaster.

Nowadays, murals on buildings are proliferating, and I’m thinking that transitory art like that is a good idea. It’s OK for them to be painted over, worn out, or recreated with a new vision.

Today’s story is about a group of artists in Colorado doing just that.

Shanna Lewis reports for KRCC, “Bright colors have blossomed once again on the concrete face of Pueblo’s Arkansas River levee. Paintings are going up in an effort to reclaim a lost public art space and the title of the world’s largest outdoor mural.

“Muralist Valrie Eisemann of LaVeta is among the first of four artists to work on the new levee wall. Using paint donated by a local recycling company, as well as some that she bought herself, she’s creating a colorful mandala. …

“Muralists have to rope up for safety to work on the steeply sloped concrete. But that isn’t slowing any of them down.

“Each artist will bring their own unique vision and ideas to the project. Celeste Velazquez of Pueblo said her imagery is of a native woman that references the Azteca community, as well as Toltec and Olmec cultures.

“ ‘She’s going to have like four arms, almost like a shaman and there’s going to be the spirit Quetzalcoatl in the back of her in her native tent,’ Velazquez said.

“Puebloan Thomas Garbiso’s piece is a mountain view along I-70. … Aurora artist Kalyn Connolly’s design is of a deer with Colorado flora and fauna on its antlers, including columbines, crows and white butterflies.

“All the artists are excited to be among the first brush paint on the levee since construction to repair it started six years ago. … According to [artist and levee mural coordinator Cynthia Ramu], since the 1970s, hundreds of people helped create the murals that once lined the levee.

“ ‘Eventually, it became like a storybook for a lot of people,’ Ramu said. … Some of [the story] is literally underfoot because the concrete with the old murals was torn off during the repair project and then ground up and used to create a walking trail for the top of the levee. …

“She said, ‘I feel so excited at the possibility. It’s kind of like moving forward. It’s just endless possibility.’

Pueblo Arts Alliance director Karen Fogelsong agreed. … ‘One of my favorite things is to see beautiful art go on yucky cement,’ Fogelsong said. ‘So let’s put beauty on top of it. On viaducts on levees, on the sides of buildings, wherever we can make it beautiful.’

“Fogelsong thinks if Pueblo can regain the world record, it’ll draw tourists to the area to see it. The current record is held by a mural in South Korea that’s more than 254,000 square feet — so a lot of art is needed again to beat that.

“It could happen though. More applications for new murals are rolling in and creative energy is flowing along this part of the Arkansas River.”

More here.

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Although many food shops have struggled in the pandemic or even had to close, Howdy Homemade, an ice cream parlor in Dallas, is doing just fine. That’s because all sorts of people who believe in its mission stepped up to support a GoFundMe.

Jake Lourim writes at the Washingoton Post, “Tom Landis was 46 when he gave all he had to open a business he felt called to run. On Dec. 26, 2015, the ice cream store Howdy Homemade opened in Dallas, employing mostly people with special needs, from servers to cashiers to managers. ‘Howdy,’ as Landis calls it, thrived as locals praised the store’s mission and liked the ice cream, too.

“And then the consequences of the novel coronavirus pandemic almost wiped out Landis’s creation.

“The store began operating at a loss in March, when stay-at-home orders decimated sales, and it continued that way through the hot summer. By September, Howdy faced the possibility of closure, so Landis closed the original location and moved to a nearby, cheaper spot.

“On Sept. 1, a supporter named Jaxie Alt set up a GoFundMe page to save the shop. Within six weeks, the page raised $100,000 and kept Howdy in business. As a bonus, Landis acquired a truck so that Howdy could serve ice cream more safely.

“The store is now open again and appears poised to become a national operation. Potential franchisers have popped up in Asheville, N.C., El Paso and Las Cruces, N.M. Landis and his vice president, Coleman Jones, who has Down syndrome, took a road trip last week for meetings in San Antonio about putting Howdy ice cream in the massive H-E-B grocery chain and in Austin about opening a Howdy store on campus at the University of Texas, Landis’s alma mater.

“Landis grew up in Bethesda, Md., with a mother who battled polio. … He said he felt moved to serve the special-needs community in part because of his ailing mother, in part because of inspiration from a former football coach and in part because of a calling from God.

“Landis spoke [admiringly] about the work of former Alabama coach Gene Stallings, who had a son with Down syndrome and became a vocal advocate for those with special needs.

“Landis’s store became one of Texas’s top employers of special-needs workers, and his hope was that Howdy’s success would change the way companies thought about hiring people with special needs. But when the pandemic sparked an unemployment crisis, Landis saw his cause pushed to the back of the line. …

“[He] was undeterred. He remains proud of five years in business with zero employee turnover and knows his employees with Down syndrome and autism have a place in the economy, in any industry. …

“ ‘[Most people] don’t want to do the same thing over and over and over and over again. And then God designs people with special needs, and they actually thrive on it,’ [he says].

In 2015, … Landis told Jones about possible hiring opportunities, and the next day Jones called Landis to follow up. Jones, now 24, started as a bus boy at one of Landis’s Texadelphia restaurants and said he ‘started at the bottom and worked up to the top’ — he’s now the vice president of Howdy Homemade.”

More at the Washington Post, here.

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Like many of you, I avoid using Amazon as much as possible because it is just too big, puts too many others out of business, and mistreats employees.

It wasn’t always like that. I was a customer who thought Amazon was wonderful, was impressed that I could find anything there, loved getting purchases delivered fast. Now I try to find alternatives.

I was happy to read about a new site for independent bookstores because I had found that ordering from my favorite local shop took forever in the pandemic’s early days. This might be more efficient.

Alison Flood writes at the Guardian, “It is being described as a ‘revolutionary moment in the history of bookselling’: a socially conscious alternative to Amazon that allows readers to buy books online while supporting their local independent bookseller. And after a hugely successful launch in the US, it is open in the UK from today.

Bookshop was dreamed up by the writer and co-founder of Literary Hub, Andy Hunter. It allows independent bookshops to create their own virtual shopfront on the site, with the stores receiving the full profit margin – 30% of the cover price – from each sale. All customer service and shipping are handled by Bookshop and its distributor partners, with titles offered at a small discount and delivered within two to three days.

“ ‘It’s been a wild ride,’ said Hunter, who launched the site in the US in January. ‘Five weeks into what we thought was going to be a six-month period of refining and improving and making small changes, Covid-19 hit and then suddenly we were doing massive business.’

“Initially starting with 250 bookshops, more than 900 stores have now signed up in the US. … By June, Bookshop sold $1m worth of books in a day. The platform has now raised more than [$7.5m] for independent bookshops across the US.

“ ‘We were four employees plus me, working at home, getting up as early as we could and going to bed as late as we could, trying to make it all work. It was a real white-knuckle ride,’ said Hunter. ‘But it was extremely gratifying because the whole time we were getting messages from stores saying, “Thank God you came along, you’ve paid our rent, you’ve paid our health insurance this year.” ‘ …

“Bookshop is a B Corporation, created with the mission ‘to benefit the public good by contributing to the welfare of the independent literary community.’ Rules state that it can never be sold to a major US retailer, including Amazon.

“Hunter believes the reason for Bookshop’s quick success is readers’ fondness for their local booksellers. ‘Bookstores have been in trouble for a while because of Amazon’s growth, but this pandemic has really accelerated it. Amazon has gotten much more powerful, while there are 100-year-old stores that are hanging on for survival,’ he said. …

“Hunter had been planning to launch Bookshop in the UK in 2021 or 2022. But after seeing the success of the platform in the US, shops, publishers and authors in the UK asked him to step up the timeline. … The UK arm of the company will be run by managing director Nicole Vanderbilt, the former international vice-president of Etsy. …

“Bookshops make no financial investment, with all customer service and shipping handled by Bookshop, and, in the UK, by distributor Gardners. … Each independent that joins has its own ‘storefront’ page, where customers can browse virtual tables of recommended books.

“For example, a user can see what the owner of The Shetland Times Bookshop (‘Britain’s most northerly general bookshop, situated over 60 degrees north and closer to Norway than to London’) personally recommends, in lists such as ‘wonderfully funny picture books I’ve read to the bookshop staff,’ and ‘books to help you take life in your stride.’ …

“ ‘It’s hard for us to compete with someone that’s got its own warehouse and sells books sometimes at a loss, or at very small profit margins. We just can’t do that. So it’s nice that Bookshop.org is going to rival Amazon in a way we couldn’t on our own or even collectively,’ said Georgia Eckert, of Imagined Things bookshop in Harrogate. ‘You’ve got to have the reach, a site that’s big enough, run by a proper team of people dedicated to it. We’re all running our own businesses and haven’t got time to be doing that.’ ”

More at the Guardian, here.

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Buccleuch, Buccleuch. It has a familiar ring to it. Didn’t we stay at the Buccleuch Arms on our honeymoon trip through Scotland? I think so, but it’s been 50 years, so …

I do clearly remember the beautiful rolling hills of the Scottish Lowlands and the black-faced sheep wandering over the roads like they owned them, which of course, they did. So whether or not I was ever in the Buccleuch environs, I love today’s story about a Scottish village’s determination to preserve 8 square miles of beauty.

Severin Carrell writes at the Guardian, “A village in southern Scotland has succeeded in buying a large part of Langholm Moor, a famous grouse moor held for centuries by the dukes of Buccleuch, among the UK’s most powerful hereditary peers.

“Buccleuch Estates said on Monday it would be selling just over 2,000 hectares (about 5,000 acres) of Langholm Moor [to] the local community, which plans to create a leading new nature reserve and community regeneration project.

“The deal, the largest ever community buyout in the south of Scotland, follows months of fundraising by the Langholm Initiative, which only succeeded with hours to spare before the deadline of 31 October.

“Kevin Cumming, the initiative’s project leader, said he was thrilled with the deal. ‘Community ownership can be a catalyst for regeneration, which we want to show can be done with the environment at its heart,’ he said. …

“Buccleuch Estates told the campaigners it would continue talking about the possibility of buying the remaining 2,100 hectares that covers much of the former grouse moor, which would involve the Langholm Initiative raising [almost $3 million more]. …

“The Langholm buyout is one of three community land sales involving Buccleuch in south-west Scotland, all part-funded with taxpayers’ money.

“Earlier this year, Buccleuch Estates sold 300 hectares of land around the village of Newcastleton and has offered to sell 1,560 hectares of moorland, pasture and brownfield land to a community trust at Wanlockhead in the Leadhills for nearly [$2 million].

The Langholm Initiative hopes the moorland regeneration, ecotourism and rural industries it plans to fund will bring enough money to plough back into community regeneration and bring in new residents.

“The scheme will focus on creating a new nature reserve called Tarras Valley, including restoring Langholm’s ancient peatlands and protecting the area’s threatened populations of hen harrier. The initiative hopes its reforestation and peatland restoration projects will attract subsidies from programmes funding measures to combat global heating.”

People who inherit vast lands they cannot afford to keep up either have to sell them or get creative. They can end up being owned by the land — a status I do not envy. I’m thinking of people I knew who inherited Rokeby on the Hudson River and rented it out for weddings and such, including the shooting of a pretty wild art film. I’m glad the Buccleuch Estates are trying to help others preserve what is sold off.

More at the Guardian, here.

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Today’s challenge features my favorite lines from “America the Beautiful,” the 1895 poem by Katharine Lee Bates, with music by Samuel A. Ward. The challenge is to sing it along with me — outloud — without choking up.

“O beautiful for spacious skies,
“For amber waves of grain,
“For purple mountain majesties
“Above the fruited plain! …

“America! America!
“God mend thine ev’ry flaw,
“Confirm thy soul in self-control,
“Thy liberty in law.”

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Got to reblog this post so you can see some of the funny answers I have had over two years. Today I heard from Jessica, who actually has a YouTube channel showing foxes stealing things: https://www.youtube.com/channel/UC6cpOtpwo4XYb4Mc2auvf6A

Suzanne's Mom's Blog

mammals-3218028_1280Why do foxes steal so many shoes?

A recent article by Daniel Hurst, reporting from Tokyo for the Guardian, prompted a web search but no definitive answers. Apparently foxes steal shoes. OK, but why and why so many?

“It began at midnight,” Hurst wrote. “A six-hour police stakeout to catch the shoe-loving thieves who had pilfered 40 pairs of sandals from a neighbourhood in Japan. Finally, the officers found the main suspects: a pair of sly foxes.

“ ‘I can’t believe that foxes stole my sandals,’ a resident, 36, told the Mainichi newspaper. …

“Five police officers were involved in the stakeout in the early hours of 20 May. This culminated in the discovery of two foxes in the garden of an empty house, with 40 pairs of shoes scattered around a burrow, the Mainichi reported.

“Kyoto city zoo’s chief, Naoki Yamashita, speculated that the foxes ‘could have been…

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When pandemic restrictions caused the cancellation of African musicians’ concerts, many took the coronavirus battle into their own hands, without having to be asked by any government to create a public service announcement.

Public Radio International’s The World reports on the wave of Covid-19 songs giving Africans reliable information and warning against fake health news on social media.

“When graduate student Dipo Oyeleye heard the song ‘We Go Win (Corona)‘ by Cobhams Asuquo, a Nigerian singer-songwriter,” the radio show reported in September, “he knew what his next research project would be: a study of the myriad coronavirus songs that flourished in Africa at the pandemic’s onset on the continent. …

” ‘I love artists using the moment to create music that actually helps to disseminate the right information to the general public,’ Oyeleye told The World.

“Originally from Nigeria himself, Oyeleye studies at the University of Wisconsin, Madison, where he is now researching COVID-19 songs from Nigeria to Uganda, Democratic Republic of Congo to Ghana, among many other places across the continent. Oyelele has been able to compile and track the impact of at least 50 songs from various African artists.

“Unlike the US, where very few artists have taken on COVID-19 as a subject in songs, African musicians quickly turned to their songwriting as a form of communication and to disseminate crucial public health information: social distancing, washing hands and staying home during lockdowns. 

” ‘This is a major [pandemic that] directly affects everybody, including the musicians. Some of them had to cancel their shows. I think the personal became political,’ Oyeleye explained. 

“Having battled epidemics such as the Ebola virus, most Africans are used to governments that call on musicians to produce ‘edutainment,’ or songs with a message to sensitize the public. 

“But Oleyele says that what makes the coronavirus songs different is that it was not ‘necessarily initiated by the governments. It’s just, you know, individuals lending their voices to help prevent the spread of the virus.’ 

“Some artists took a direct public health approach, while others used humor or religion to ease fears and connect with various communities. And some songs were specifically meant for people who could only communicate in local languages. There’s really something for everyone. …  

” ‘Wash your hands / love each other / we go win o,’ [Asuquo] croons at the piano.

“In [a] reggae-inspired song, Bobi Wine opens with the bad news that ‘everyone is a potential victim’ of the virus, but also a potential solution … and calls it ‘patriotic’ to social distance and isolate if sick with possible virus symptoms.” More at PRI’s The World, here. Extra details at the Washington Post, here.

I’m impressed with these musicians. Will we get songs to slow the spread here, too?

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