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Photo: Emerald Necklace Conservancy
Starting August 11, five “fog sculptures” by artist Fujiko Nakaya will grace the string of Boston parks known as the Emerald Necklace until the end of October. Nakaya uses a system of pumps, pressurized hoses, and ultrafine nozzles to create her sculptures.

You can make art from almost anything, but you need an artist’s imagination to see the possibilities. I notice that in my grandchildren, who take on creative projects that seem impossible to dull adults — like making a necklace with a heavy rock and some paper. In this story, artist Fujika Nakaya saw the possibilities of fog.

As Graham Ambrose reports at the Boston Globe, “The Emerald Necklace, Boston’s 7-mile pendant of parks built in the 19th century, will soon have a new adornment: a string of artworks made from water vapor.

“This summer, artist Fujiko Nakaya will debut ‘fog sculptures’ at five sites along the Necklace. The immersive sculptures — wafting clouds of machine-made mist — will be viewable from dawn to dusk between Aug. 11 and Oct. 31. …

“Mayor Marty Walsh of Boston hailed the project, calling the Emerald Necklace ‘a crown jewel in the City of Boston’ in a statement to the Globe. ‘Similar to the intent of the Emerald Necklace, art has a connecting power, bringing together people from all different backgrounds and all different places.’ …

“Nakaya, born in Japan in 1933, calls fog ‘the most generous of mediums.’ Since 1969 she has built more than 80 fog sculptures across four continents, transforming open spaces into dreamlike landscapes with custom-designed installations. …

Fog is living and dying. It condenses and evaporates simultaneously, with dynamism and vulnerability. It is a positive and negative,” Nakaya told the Globe. …

“To create her sculptures, which emit fog in controlled intervals, Nakaya uses a patented system of pumps, pressurized hoses, and ultrafine nozzles. Computer software receives weather data and alters fog flow to suit wind speeds, dew point, temperature, and humidity.”

Read about the dramatic origins of the sponsoring conservancy at the Boston Globe, here. The Emerald Necklace was the work of landscape visionary Frederick Law Olmsted, who also created designs for New York’s Central Park, the 1893 Chicago World’s Fair, and more.

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Photo: Kurdistan 24
There are many strays in the Kurdistan Region, with few resources available for animal care and protection. In a refugee camp, a young man whose veterinary education was cut off by war does what he can with what he’s got.

Although it’s true that some refugees are crushed by loss and dislocation, others face up cheerfully to the way things are. A story from Kurdistan24, a television station, provides a moving example.

With contributions from Chiman Adil, Nadia Riva reports from Erbil, “A young Syrian Kurdish refugee has been appealing for other animal-lovers to help in bettering the fate of stray animals in the Kurdistan Region while running a veterinary clinic in a camp.

“Ayaz, a Syrian Kurd living in the Kawergosk camp near the Kurdistan Region’s capital of Erbil, fled the civil war which has been plaguing his country for nearly eight years.

“Before popular Syrian protests erupted across Damascus and other cities, Ayaz was a fourth-year student at the Faculty of Veterinary Medicine. The conflict, however, prevented him from completing his studies, with universities closing down and violence spreading. …

“Ayaz sought refuge in the Kurdistan Region, as hundreds of thousands of other Syrian Kurds have done, but did not let his situation affect his care of animals. … He has called for the promotion of animal rights at the camp, hoping to raise awareness and change the culture among the newer generation toward animals. … Ayaz has rescued cats, birds, turtles, and rabbits, which he keeps in his shelter at the Kawergosk camp.”

On twitter, Glenn Greenwald has been trying to raise money for this cash-strapped operation. You may remember that I wrote about Greenwald’s own animal-welfare efforts last month in a post describing how he hires homeless people to care for stray dogs.

More here.

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Photo: Celeste Sloman for The New York Times
Camryn Cowan and Jordan Millar, 11-year-old students in the Philharmonic’s Very Young Composers (VYC) program, received a burst of media attention after being featured along with their compositions in the New York Philharmonic Concerts in the Parks.

The young composers in this story got a boost for their musical talent thanks to a New York Philharmonic program. Just imagine what could be accomplished with similar programs in all areas of the arts — playwriting, painting, poetry, sculpture, etc.! Giving kids an opportunity to blossom benefits us all.

Joshua Barone described the experience of two gifted girls in a New York Times article: “It was the kind of debut most musicians only dream of: a world-class orchestra, tens of thousands of listeners.

“At its outdoor parks concerts [in June], the New York Philharmonic performed works by two 11-year-old girls, Camryn Cowan and Jordan Millar — newcomers to the world of composing. They won over the crowds, who gave standing ovations. Anthony Tommasini of The New York Times gave them an effusive review. …

“Where does a composer go from here? Ms. Cowan and Ms. Millar — two students from Brooklyn who are part of the Philharmonic’s Very Young Composers initiative — followed up on their victorious tour of New York City by, well, returning to class. …

“Both girls … were confident in explaining their works, originally written for a Harlem Renaissance-theme program earlier this year. Ms. Cowan, who was 10 at the time, said that her ‘Harlem Shake’ was an exercise in layering, but with saxophone improvisations that nodded to the neighborhood’s past.

“Ms. Millar’s ‘Boogie Down Uptown’ conjures stepping out of the subway onto the streets of Harlem for the first time, with musical textures inspired by the shadowy movement of Aaron Douglas paintings. (For all this seriousness, they are still children: Ms. Millar said her fascination with Douglas’s art comes from her favorite Disney movie, ‘The Princess and the Frog,’ which borrows its aesthetic from his paintings.) …

“Jon Deak — a composer, the Philharmonic’s longtime associate principal bassist, and the founder of its Very Young Composers initiative — said that … all children are creative. ‘People ask whether I’ve found the next little Mozart, and I say yes, I’ve found dozens of them,’ he said. ‘They’re all over the place. We just need to listen to them.’

“Participants in the program come from about 15 partner schools in New York. … Eventually, they graduate to writing complex scores that they workshop with one another and try out at Young People’s Concerts.

“In the process, Mr. Deak said, the students have to become leaders: ‘Look at a 10-year-old who comes up to a bassoonist’s kneecaps and says “That’s too fast” or “There’s something wrong with that note.” They have to defend their pieces, and boy, do they … do it.’ ”

More at the New York Times, here.

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Photo: Cornell Lab of Ornithology
Increasing numbers of young people, like boys in Cornell’s BirdSleuth K-12 program, are into birding — developing their observational skills and their inherent love of nature.

One of the most hopeful things around is to see kids get interested in birds, learning to identify them and to spot unusual ones. This summer I’ve been getting a kick out of grandchildren who aim to test my ability (limited) to recognize bird calls. We have a book with buttons that you press for different calls. They press, I identify. I’m getting better.

Penelope Green reported recently at the New York Times about young urban adults who assisted with an international bird count in May.

“On Global Big Day last month, birders around the world counted all the species they could spot in 24 hours. It was a super-birding event in the bonanza that is spring migration — which runs from late April to early June, but peaks for songbirds in May — when millions of birds make their way from parts south to breed in the Northern latitudes.

“In Prospect Park, members of the Feminist Bird Club did their bit for this enormous citizen-scientist data collection effort. Led by Molly Adams, its founder, the group clocked over 80 species in under 10 hours, including one black-billed cuckoo and a cerulean warbler. These were good ‘gets’: The cerulean warbler is at risk of extinction — like so many birds, a casualty of habitat loss — so noting its whereabouts is particularly important for conservation efforts. The cuckoo is not a rare bird, it’s just hard to see and not many of them stop in New York City during their migration; that made its sighting a bit of thrill, Ms. Adams said. …

“Younger urban birders — yubbies? — like those led by Ms. Adams are the new faces in the birding world. They use social media to track their ornithological marks, with digital assists from apps like Ibird or Merlin and websites like ebird — the data collection site run by the Cornell Lab of Ornithology — which have replaced old-fashioned Sibley guides to aid in identification (though Sibley has an app, too). They are drawn in by the visual seductions of Instagram, as well as a desire for community inflected by environmentalism.  …

“Pete Lengyel, a co-founder of the Kings County Brewers Collective, a craft beer brewery and tap room in Bushwick, was hooked by [the movie} ‘Birders’ when he saw it a few years ago. Its filmmaker, Jeffrey Kimball, an urban birding convert, captured four seasons of Central Park’s birding community in an engaging portrait of its singular characters. … Mr. Lengyel, 44, sent the film to all his friends, and convened his own birding group, the Beerders, which includes two brewers, a baker, a butcher and a fashion designer — a nice cross-section of Brooklyn professions. …

“[Meanwhile, Chelsea Lawrence, a software tester for a television company] might spend half of a Saturday in Prospect Park, but if she spots a warbler at lunchtime in the planter in front of her midtown office, ‘that’s birding, too,’ she said. ‘I’m really into citizen science and data collection. It can be as competitive as you want it to be. It’s also really meditative. You have to be very present to be a good birder.’ ”

More at the New York Times, here.

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Photo: Smithsonian
A surfeit of carbon in the oceans is destroying coral reefs, home to a wide variety of marine life. But a few reefs may offer lessons for survival.

Earlier this month, I posted about an improbably successful coral reef in the busy harbor of Cartagena in South America. Scientists were thinking that if they could figure out why the reef was doing well despite inimical conditions, they might be able to save other reefs.

Now comes a story about scientists finding hopeful reefs in the Pacific Ocean and elsewhere.

Josh Gabbatiss reports at the UK’s Independent, “Sections of coral in the Pacific and the Caribbean are fighting back against the global threats that have decimated reefs worldwide. While the discovery does not allow any room for complacency in the fight to save the world’s reefs from extinction, scientists are tentatively optimistic about what they can learn from these pockets of resistance.

“Climate change, hurricanes and human activities such as intensive fishing have destroyed vast swathes of the planet’s reefs, but in a new study scientists found this destruction was not uniform. …

” ‘There are a number of reasons why one coral reef might survive while its neighbour dies,’ said Dr James Guest, a coral reef researcher at Newcastle University who led the study. ‘It could be that the location is simply better for survival – deeper water that is outside the storm tracks, for example.’

“Coral reefs might also possess certain biological characteristics that make them able to resist damage, or characteristics of their environment may allow them to rebuild themselves effectively following damage. …

“These findings were laid out in a study published in the Journal of Applied Ecology that explored dozens of these cases from tropical regions around the world. …

“The study’s lead author, Professor Peter Edmunds from California State University, Northridge, [says], ‘There are kernels of hope in places where corals are doing better, or where they are doing less badly than elsewhere and these places provide us with a focus of attention that might be used to enhance coral conservation efforts.’ …

“Scientists have voiced the need for ‘radical interventions’ such as genetic modification of corals.”

OK, I’ll let you read the rest at the Independent while I ponder the metaphors here.

Since my sister’s surgery and her diagnosis of a serious kind of cancer, I feel like I’m living in metaphor, by which I mean a couple things. For example, I can’t read about certain reefs that heal themselves because they have unique characteristics (or about scientists racing the clock to figure out how to replicate that) without thinking about how every cancer and every patient’s response to cancer is different and how researchers and physicians are trying to understand all the ways that plays out (sometimes using genetics, like the coral researchers). I also mean that literary metaphor, especially poetry, is among the few things that can help me get my head around what is going on. When you can’t understand, metaphor can be calming and provide a sense that eventually there might be answers.

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Thinking of a line from Edna St. Vincent Millay: “O world, I cannot hold thee close enough!”

We’ve had some beautiful days lately, some wild, stormy ones, and some that were so hot and humid, I just sat around like a bump on a log. In fact, I was so hot I was ready to post one of the March snowstorm photos to cool us all off, but I’d promised Deb to pick a day in August.

I took most of the pictures myself, but I’m going to start off with two that Suzanne took in Bohuslän on Sweden’s west coast. The place looks to me like the skin of the earth, like the hide of an elephant. Note the children climbing in the giant hole left by a rock in the last Ice Age.

The bunny photo was taken in Massachusetts. He’s pretending that he doesn’t see me. Simple Pleasures is a charming little shop in Providence.

Next are three photos from the farmers market. This market has a couple wonderful farmstands and a lot of stands selling crafts or baked goods. The little boy was watching two folk musicians who perform using a washtub. They come every summer and play for tips. The boy looked to me like he wanted to be invited to join in.

The other photos are from morning walks and include lotus buds and wildflowers like Bouncing Bet and Ragged Sailor.

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Photo: Des Moines Register
Michael Zahs, a retired history teacher, saved rare films that date to 1895 and became the subject of the 2017 documentary “Saving Brinton.” 

Did you ever read Hitty, Her First Hundred Years as a child? It’s about a doll who, through various adventures, ends up in the hands of a series of families in the course of a century. It suggests that old treasures bring joy again and again in new circumstances.

It would be lovely to find some rare, lost thing and give it new life. I know that readers like KerryCan and Deb do that all the time. In fact, Deb recently blogged about rescuing smelly old fabrics from oblivion to make a quilt. She likes to think about the former life of each piece as she works.

Suzanne, meanwhile, has been having enormous fun finding and cleaning up vintage lockets, offering resizing and placement of the customer’s family photos to give the lockets meaning for another generation.

Here’s a story about finding old silent film footage in an Iowa barn by Pamela Hutchinson at the Guardian. “Michael Zahs thinks of himself as a saver. ‘I like to save things,’ he says, ‘especially if it looks like they’re too far gone.’ This retired history teacher from Iowa, now in his 70s, has amassed quite a collection over the years: stray animals, farm implements, even a church steeple. …

“Nothing he has saved, however, has been quite as remarkable as the Brinton Collection – a mammoth set of films, lantern slides, posters and projection equipment from the first years of cinema, and even earlier. There are two exciting things about these artifacts. One is that during the more than three decades after Zahs took delivery of the collection and stored it on his property, he has been showing its treasures to local people and keeping the tradition of the travelling showman alive. The second is the discovery that the collection contains very rare material – films by the French cinema pioneer, George Méliès [remember the 2011 movie about his work, Hugo?] that were once thought to be lost.

“Saving Brinton, an absorbing new documentary by Andrew Sherburne and Tommy Haines, tells the story of Zahs and the collection he saved. Between 1895 and 1909,one Frank Brinton crossed the Midwest with his wife Indiana and his travelling show, welcoming locals for a ticket price of just a few cents.

“At first he showed magic lantern slides, some of which ‘dissolved’ between two static images to create an illusion of movement. When moving pictures arrived, Brinton jumped aboard, ordering many films from distributors in France, one of the most prolific and creative producers in the early period. …

“Brinton’s programme included trick films such as those by Méliès, which used in-camera special effects to create fantastical spectacles, and many hand-coloured movies where the dye is applied directly to each frame. Projected in the dark, these vivid, bizarre images have lost none of their original impact.

“Everything the Brintons used was passed down through the family until 1981, when it arrived at Zahs’ front door. He packed all the ephemera away into what he calls his ‘Brinton room,’ while the films themselves were sent to the Library of Congress, which duplicated about two-thirds of them, quickly and simply, and sent the 16mm copies back to Zahs. The remaining third they apparently sent back to Zahs through the US mail, in a box labelled ‘explosive.’ Those original nitrate films, which are highly flammable, were stored alongside the 16mm films in a shed. It’s amazing that they survived.

“The 16mm copies were safe to project, and so Zahs did. He started the Brinton film festival in Ainsworth, Iowa (population: about 600), where he would show the slides and the films to audiences that might never otherwise have dreamed of watching a silent film projection.

“It is typical of Zahs’ commitment to not just preserving but sharing history, says Sherburne. ‘That’s how he engages people, by giving them the genuine article, putting it in their hands, or putting it in front of their eyes. It’s his way of transporting them to a different time.’ ”

Read more at the Guardian, here. And do tell me a vintage story of your own.

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Photo: Breeder gallery
The Breeder gallery in Athens has helped bring international attention to contemporary Greek artists. With all sorts of people thinking more creatively in the economic crisis, Greece is showing signs of revitalization.

My high school classmate Pat posted lovely vacation pictures this spring that reminded me of a long-ago tour of the wonders of ancient Greek art. Those wonders are still there to enjoy, and now, it seems, contemporary artists are adding a modern vibe that is bringing energy back to a country that was recently in danger of collapse.

Charly Wilder reports at the New York Times, “There are places we live and places we visit, and then there are the other places. Places we return to, where we put down roots, but not strong enough roots to hold us — places that change us, that we haunt and are haunted by. Nowhere embodies this for me more than Athens, a city I’ve watched shift and evolve, endure crisis and chaos and economic collapse, and yet emerge from the wreckage as one of the continent’s most vibrant and significant cultural capitals, more popular than ever as a tourist destination….

“Neighborhoods that were rundown and neglected have become seed beds for the arts, like Metaxougio, which not long ago was best known for its junk stores and Asian groceries, but now hosts the thriving multispace Bios and one of the city’s most important contemporary galleries, The Breeder, which has helped bring international attention to Greek talent like the painter Sofia Stevi and Stelios Faitakis, a street artist whose murals evoke Albrecht Dürer and Diego Rivera. …

” ‘It’s been interesting and hellish,’ said Theodosis Michos. … Back in 2006, he was a staff writer for Esquire Greece, but like almost all the Greeks I know, the crisis left Theodosis out of work. …

“‘We all got fired or we quit because we weren’t getting paid,’ he said. And yet in 2013, arguably the lowest point of the crisis, Theodosis was part of a collective that launched Popaganda, an online magazine that covers culture and city life through an Athenian lens. ‘The first thing we did to resist the crisis psychologically was to tell ourselves again and again: O.K., we are artists, we are writers, this is the best time for us, because when artists have nothing, they can do anything,’ he said, adding that this isn’t actually true. ‘We told ourselves this so many times, that we started to believe it.’ …

” ‘It’s like the whole world is coming on vacation to Greece [now],” said Fotis Vallatos, the travel editor of Blue Magazine, the in-flight publication of Greece’s largest airline, Aegean Airlines. …

“As tourism has increased, Aegean Airlines expanded from 18 mostly Greek destinations in 2001 to 145 all over the world today. Fotis is now often on the road, exploring those destinations and the many inventive restaurants and visitor attractions that have emerged in Greece since the crisis, from a wave of young chefs using Nordic, French and East Asian cooking techniques on local ingredients, to a multitude of ‘second-act producers,’ people left unemployed or underemployed who returned to the villages where they grew up and began to sell homemade, organic, artisanal Greek products — to phenomenal results.

“ ‘I think everybody became more creative after the crisis, more cooperative,’ he said.”

Read more about this renaissance at the New York Times, here.

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Photo: Craig Schwartz
Tom Hanks as Falstaff in the recent Shakespeare Center of Los Angeles production of Henry IV — the actor’s “Los Angeles stage debut.” Hanks went off the script when a medical emergency in the audience interrupted the show.

One always wonders if an actor known for subtlety in close-ups can make the shift to the grand gesture on the big stage. It’s such a different kind of acting, and I have sometimes been disappointed (e.g. the otherwise brilliant Liv Ullmann, the amazing-on-screen Sally Hawkins). But Tom Hanks, apparently, rose to the occasion in his recent performance as Falstaff at the Shakespeare Center of Los Angeles presentation of Henry IV. He channeled Falstaff so well, in fact, he was able to ad-lib in an emergency.

As Tara Bitran  reported at Variety in June, “A few scenes into Wednesday night’s performance of Shakespeare’s ‘Henry IV’ Tom Hanks had to go off script. …

“ ‘An audience member became dehydrated and had to be taken out,’ Heath Harper, Hanks’ theatrical dialect coach, told Variety. …

“One of the crew members with medical training assisted the audience member until they regained consciousness and the paramedics arrived. The medics performed tests on the guest in the crossover under the seats. Because this is the actor crossover as well, the show could not restart.

“ ‘I’ve never seen anything like it,’ Harper said. “It credits the work we’ve done and Tom’s commitment to the character that he was able to just jump on the stage and improv as Falstaff like that. The audience absolutely ate it up.’ …

“Hanks addressed the ‘scurvy rogues who stood up from their seats’ to leave during the 20 minute pause, describing their departures as an ‘insult to all actors and to Shakespeare himself.’

“The video also shows Hanks-as-Falstaff warn: ‘Get back here or find this sword and many a dagger placed neatly in the tires of your carriage’ to laughs from the still-seated audience members.

“Hanks then returned back to center stage, inviting audience members to ‘come sit here, and I shall give thee a haircut,’ he offered. …

“Once Hanks and the production team received word that the audience member had recovered, ‘the show went on and the crowd was completely behind us to the end, giving us standing ovations all around,’ Harper said. … ‘All in all, I think it was a fantastic true-to-Shakespearean moment in LA,’ Harper said. ‘The crowd definitely got their money’s worth.’ ”

I love seeing this kind of thing happen. In fact, I still remembering seeing René Auberjonois do something similar in Alice in Wonderland when he wasn’t more than 14, presaging the brilliant career he would later have. And there’s a funny scene in Thorton Wilder’s The Skin of Our Teeth, in which the actors are supposed to pretend that someone backstage got sick and that they are all discussing it chaotically downstage. I loved the line of the actor at the Antrim Players in Suffern: “It must have been the chocolate matzohs.”

Theater can be such a good training for life: Something always goes wrong.

More at Variety, here.

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Photo: Chip Thomas, MD, Indian Health Services
“My interest in documentary photography has helped sensitize me to the living conditions and quality of life of my patient population. … To the extent that they’re comfortable with me taking photos, I use these visits as an opportunity to document their lives.” More at the artist-physician’s website, here.

You probably wouldn’t want your doctor to care more about her artwork than helping patients, but a well-rounded physician is likely to bring more depth to medicine.

Jennifer Sokolowsky writes at the Seattle Times that art is becoming part of doctors’ education at Virginia Mason Medical Center in the state of Washington. The idea is to help physicians build both their observational skills and their empathy.

“One afternoon [in June],”  Sokolowsky reports, “a group of Virginia Mason doctors huddled, discussing a man who seemed to be in pain. Instead of being in a hospital, however, the doctors were at Seattle Art Museum, peering closely at the 1930s painting ‘Morning’ by Pacific Northwest artist Morris Graves.

“The painting, showing a man lying uncomfortably on a wood floor, portrayed pain in a way that was familiar to the group. …

“ ‘I thought, “Wow, this is a man I’ve seen before in our emergency room, suffering and sick,” ‘ said Dr. Laura Saganic, a Virginia Mason resident physician.

“The discussion prompted another in the group to observe that when they see their patients, they often don’t think about the patient’s circumstances before coming to the hospital. ‘Were they lying on a hardwood floor, were they in a tent?’ Saganic said.

“Building such observational skills and empathy — so critical to the physician’s art — is one of the goals of a relatively new program that exposes doctors at Virginia Mason Medical Center to arts education at Seattle Art Museum (SAM). …

“This kind of training helps address the fact that modern medical education often focuses much more on the factual side of healing, rather than balancing that knowledge with the kind of intuition and empathy the best medical practitioners can bring. …

“One artwork on the itinerary was ‘William Forbes M.D. (Professor Forbes, the Anatomist),’ a 1905 painting by Thomas Eakins. … The discussion ranged from how an understanding of human anatomy is important to both art and medicine, to the evolution of patients’ rights. …

“After last year’s pilot program, [rheumatologist Amish Dave, who spearheads the program] said, ‘We got a lot of feedback and learned that the residents wanted to spend more time thinking about emotions.”

Wow, that statement stands out to me. It gives me hope for the world to be reminded how common it is nowadays to acknowledge the importance of emotions. That is one of the “little” things we overlook amid the barrage of headlines tending to show humanity sliding backwards. More at the Seattle Times, here.

Do tell me your stories of medical providers’ outside interests, artistic or otherwise.

Photo: Chip Thomas, MD
Navajo women with a newborn goat.

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Photo: YouTube/Field of Vision
Karollyne, who works at the dog-rescue nonprofit founded by Glenn Greenwald and David Miranda in Brazil, is shown with one of the homeless dogs she cares for in an abandoned building.

Nothing humanizes homeless people more for us than seeing them interact with a pet. The panhandler who used to set up a blanket with his dog near Providence’s Kennedy Plaza always seemed cheerful whether he got money or not, and many passersby stopped to pat the dog and exchange a few friendly words. I haven’t seem him lately and can’t help wondering if his dog helped him to get it together and move off the street.

Consider a couple articles I’ve been reading on homelessness and the power of a pet. In the first article, reporter Candace Pires gathered the stories of four homeless people for the Guardian.

Heather, 22, told Pires, “Before we found Poppy, I didn’t feel like I had anything to wake up for. I was going through a rough time in my life and didn’t care about myself. I’d been homeless since my parents told me to leave our family house in June 2016 and was so miserable in my situation. Everywhere I go people shun me and tell me to leave.

“Then, last March, I was walking around downtown Seattle with my boyfriend when we saw a group of guys with two dogs. They were yelling at one of them and she was shivering and obviously scared. I went into a store and when I came out my boyfriend had the dog. I was confused. He said to me: ‘I made a life choice without you; we’re keeping the dog.’ He’d paid the guys $5 for her. …

“We moved from sleeping in a doorway to a tent. I stopped stealing food from stores when we were desperate; I didn’t want to go to jail for something dumb and risk losing her. I’ve applied for food stamps and now have a case manager helping me get on a housing list and get Poppy registered as a service animal so that we’re protected from being split up. …

“She wakes up so excited every morning and gets so happy about the littlest thing, like rolling around in the grass or even just the weather being nice. Seeing her like that reminds me to stay happy for simple things too. In my mind she’s a little angel that saved me as much as I saved her.”

Pires wrote up three more stories by homeless pet owners in America here.

Meanwhile, the journalist Glenn Greenwald has written at the Dodo about the dog-rescue nonprofit he and David Miranda founded in Brazil, where homeless people who love dogs are hired as caregivers.

“In the last two years,” Greenwald reported, “our work with animals has taken on a new focus: working with homeless people who live on the streets with their pets. At first glance, this situation can seem grim and depressing: Many assume that animals who live on the street with homeless companions are mistreated or deprived.

“But, far more often, the truth is the opposite: The bond that forms between homeless people and their homeless pets is often [more] strong, deep and more profound than many can imagine. The mutual need, and resulting intense devotion, that homeless people and their animals develop for one another is inspiring and can be unlike what one might find in any other context.

“Leslie Irvine, a sociology professor at the University of Colorado, has devoted much of her academic career to studying this unique relationship, and even named her book on the topic, ‘My Dog Always Eats First.’ ”

Greenwald wrote more here.

Did you ever see a person you thought you couldn’t relate to until you saw the person’s relationship with a pet? I’d love to hear stories.

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Photo: Social Candy
Milwaukee Ballet dancer and teacher, Janel Meindersee, tries out a wheelchair herself as she teaches her students. Parents watch with pride.

Heartbreaking as it is to see anyone make fun of a person with a disability, which does happen in these harsh times, it’s important to remember the advice that the mother of Mister Rogers gave him long ago: “Look for the helpers. There are always helpers.”

In Milwaukee, some unusual helpers are found in a dance company.

Amy Schwabe writes at Milwaukee’s Journal Sentinel, “Nine-year-old Namine Eiche may be in a wheelchair, but that doesn’t stop her from being a ballet dancer. That’s thanks to Tour de Force, a partnership between Milwaukee Ballet and Children’s Hospital of Wisconsin that’s been providing ballet classes to children with disabilities since 2014.

“Just last year, the opportunity was opened up to children in wheelchairs through the ‘Glissade’ class, very appropriately named since ‘glissade’ is the French word for ‘glide.’

“Janel Meindersee, a Milwaukee Ballet dancer who teaches Glissade, explained how the children are able to dance.

” ‘We teach a lot of the same things as a normal ballet class — how to spot your head when you move, the quality of arm movements, how to count music and how to stay in line when dancing together,’ Meindersee said. …

“Meindersee said that seeing kids in wheelchairs in other Tour de Force classes was the impetus for Glissade.

” ‘There was a girl in a wheelchair coming to one of our other Tour de Force classes,’ Meindersee said. ‘She was able to get out of her wheelchair sometimes, but she was most comfortable in her chair. We thought there had to be other kids who can’t even get out of their chairs at all. …

“After having taught two sessions of Glissade, Meindersee is ‘blown away’ by the skill, talent and strength of her students — especially when she gets in a wheelchair herself to try out the dance moves. She laughs with her students, pointing out that she’s not as skilled in wheelchair maneuvers as her students are.”

More at the Journal Sentinel, here. Just imagine the joy and self-confidence of these young dancers take home with them after a class. Perhaps some will join one of the professional wheelchair ballets someday. Or start their own company.

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janae

Photo: Poetry Out Loud
Janae Claxton of South Carolina is the 2018 Poetry Out Loud National Champion. A new survey suggests interest in poetry is growing in the United States.

I’ve been thinking about poetry lately. The team of family and friends keeping my sister company before her surgery was made up of people who enjoy poetry — reading, listening, memorizing, or reciting poetry. My sister herself knows a lot of poems by heart, and we all had fun quoting what we knew and looking up favorites on the web. Some of the poems were so moving, we had to stop and recover ourselves.

Poetry is the right thing in difficult times. And it seems my sister’s hospital team is not alone in feeling a need for it. A new survey shows that poetry reading is up nationwide.

Sunil Iyengar, National Endowment for the Arts director of research and analysis, writes at the NEA Art Works Blog, “Poetry reading in the United States has increased since five years previously. Nearly 12 percent (11.7 percent) of adults read poetry in the last year, according to new data from the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). That’s 28 million adults. As a share of the total U.S. adult population, this poetry readership is the highest on record over a 15-year period of conducting the SPPA, a research partnership with the U.S. Census Bureau. …

“Growth in poetry reading is seen across most demographic sub-groups (e.g., gender, age, race/ethnicity, and education level), but here are highlights:

• Young adults have increased their lead, among all age groups, as poetry readers. Among 18-24-year-olds, the poetry-reading rate more than doubled, to 17.5 percent in 2017, up from 8.2 percent in 2012. Among all age groups, 25-34-year-olds had the next highest rate of poetry-reading: 12.3 percent, up from 6.7 percent in 2012.

• Women also showed notable gains (14.5 percent in 2017, up from 8.0 percent in 2012). As in prior years, women accounted for more than 60 percent of all poetry-readers. Men’s poetry-reading rate grew from 5.2 percent in 2012 to 8.7 percent in 2017.

• Among racial/ethnic subgroups, African Americans (15.3 percent in 2017 up from 6.9 percent in 2012), Asian Americans (12.6 percent, up from 4.8 percent), and other non-white, non-Hispanic groups (13.5 percent, up from 4.7 percent) now read poetry at the highest rates. Furthermore, poetry-reading increased among Hispanics (9.7 percent, up from 4.9 percent) and non-Hispanic whites (11.4 percent, up from 7.2 percent).

• Adults with only some college education showed sharp increases in their poetry-reading rates.  Of those who attended but did not graduate from college, 13.0 percent read poetry in 2017, up from 6.6 percent in 2012. College graduates (15.2 percent, up from 8.7 percent) and adults with graduate or professional degrees (19.7 percent, up from 12.5 percent) also saw sizeable increases.

• Urban and rural residents read poetry at a comparable rate (11.8 percent of urban/metro and 11.2 percent of rural/non-metro residents). …

“More than 300,000 students from more than 2,300 high schools around the country participate in [the Poetry Out Loud] recitation competition. Last April, champions from 53 states and territories competed in the National Finals here in D.C. This year’s winner was high school senior Janae Claxton from the First Baptist School of Charleston, South Carolina. …

“Each year, the NEA Big Read supports community reading programs in approximately 75 communities nationwide, and includes poetry books such as [Muscogee (Creek) member] Joy Harjo’s How We Became Human and Adrian Matejka’s The Big Smoke in the available titles.”

Iyengar speculates that use of social media to promote poetry may explain part of the expanded interest. As for me, I think the obliqueness and beauty of good poetry help people to get their heads around big, impossible things.

More.

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orchestra-main

Photo: Ge Wang
The Stanford Laptop Orchestra rehearsing for its tenth anniversary concert last month.

Not sure I would enjoy the sound of an all-electronic orchestra even though I did think MIT professor Tod Machover’s partly electronic opera Resurrection was lovely. What I do like about the Stanford Laptop Orchestra is the idea that the most important requirement for taking the course is curiosity. I’m all for curiosity.

Arielle Pardes Gear writes at Wired magazine, “Ten days before the big concert, the members of the Stanford Laptop Orchestra are performing technology triage. Rehearsal has only just started, but already, things seemed to be falling apart. First there was trouble with the network that connects the laptops to one another. Then one of the laptops crashed. …

“The orchestra members have gathered at Stanford’s Center for Computer Research in Music and Acoustics to rehearse a new kind of musical composition. Together, sitting on meditation pillows in front of MacBooks, they create songs that stretch the definition of music. The orchestra plays laptops like accordions, turns video games into musical scores, and harnesses face-tracking software to turn webcams into instruments. …

“Fixing a broken network isn’t as simple as a replacing a snapped string on a violin. But in a laptop orchestra, the potential for disaster is part of the delight. Since it was founded in 2008, the SLOrk has been making music that surprises audiences while it subverts the concept of orchestral performance. The compositions, part-machine and part-human, don’t always go according to plan. Technical difficulties are all but guaranteed.  …

” ‘Nothing’s better at being a cello than a cello,’ says [Ge Wang, the SLOrk’s founder and director]. ‘So we’re not trying to make a cello. We’re trying to make something you don’t have a name for yet.’ …

“[The Stanford Laptop Orchestra is] a for-credit course at Stanford — Music 128, cross-listed in the computer science department as CS 170 — but getting in isn’t easy. The group of 15 students includes those with computer science credentials, and those with more traditional music backgrounds, but neither is enough to become a great laptop orchestra player. The most important thing is curiosity. ‘We’re unified by this interest to make music together with computers,’ says Wang, ‘and to figure out what that means.’ ”

More here.

 

 

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new20reef201

Photo: Valeria Pizarro
The Varadero reef has survived in Colombia’s Cartagena Bay despite toxicity from heavy shipping. The corals grow twice as fast as similar corals elsewhere, but their skeletons are less dense, which may have something to do with their success.

The news about coral reefs has not been good for a long time. Rising temperatures and too much carbon dioxide have been killing off these delicate creatures worldwide, with dire consequences for the marine life that depends on their intricate communities.

But what is going on in Cartagena Bay? Elizabeth Svoboda has a fascinating story at the Christian Science Monitor.

“For the coastal communities that have harvested its bounty for centuries, and for the scientists who officially discovered it five years ago, there is no reef like Varadero. Locals call it ‘the improbable reef,’ and for good reason: It has persevered in the midst of intensive coastal development, streams of toxic runoff from the nearby Canal del Dique (Dike Canal), and waters so warm they’d turn many reefs into lifeless skeletons.

“Scientists like Lizcano-Sandoval and Pennsylvania State University’s Mónica Medina are working to uncover the secrets of Varadero’s striking resilience – secrets they can use to help other threatened reefs around the world.

“But just as Varadero begins to yield its tantalizing scientific bounty, it’s looking as if the reef may be damaged or even destroyed. A group of government officials, port authorities, and businesspeople is planning to dredge a channel so Cartagena’s harbor can accommodate more container ships – a move they say will boost the nation’s economy. However, the researchers who study Varadero, along with local environmental activists, are hoping to stall the dredging project so the reef’s storied legacy can continue – and perhaps contribute to the rescue of other endangered underwater Edens. …

” ‘Corals in Varadero have a very distinct growth pattern,’ says biologist Roberto Iglesias-Prieto, Dr. Medina’s colleague at Pennsylvania State University. Specifically, the corals grow about twice as fast as similar corals elsewhere, but their skeletons are less dense; it’s possible that these traits give them an advantage over their slower-growing coral counterparts.

“Medina thinks certain elements in runoff from the Canal del Dique may be benefiting the corals in surprising ways. ‘Part of the day, [the corals] get these nutrient-rich waters where they’re eating and photosynthesizing,’ Medina says. She notes that fairly recent changes in coral growth coincide with a period when more sediment was being dumped into the bay. …

“Varadero’s corals might also benefit from their location right at the mouth of Cartagena Bay. “They have constant communication with the sea,” [Dr. Valeria Pizarro, who discovered the reef,] says. The fresh inflow of ocean water might lessen the impact of toxic mercury, cadmium, and copper that runs off into the bay from nearby industrial facilities.

“Medina and her colleagues are trying to figure out if other aspects of the reef’s biology contribute to its success – aspects that could ultimately be replicated in reefs elsewhere. … Samples of microbes from Varadero’s corals – the onboard collection of bacteria, viruses, and algae that perform critical metabolic tasks – have revealed that they are totally distinct from those found on other reefs, Medina says. Her lab is conducting a detailed analysis to find out whether the microbes might be performing important functions, such as fighting disease, that help the corals to survive even in less-than-ideal conditions.

“In the future, if conservationists can transport Varadero’s hardy corals to other endangered reefs around the world, or even seed threatened reefs with whatever microbial cocktail helps Varadero’s corals thrive, those reefs might have a better chance of surviving despite ocean warming and pollution. Many of the world’s reefs now hang in a liminal zone between death and survival. By putting Varadero corals’ survival tactics to work on other threatened reefs, scientists like Medina, Lizcano-Sandoval, and Pizarro hope to tilt those reefs a little bit closer to the side of life.”

More at the Christian Science Monitor, here.

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