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Photo: Asortymenta Kimnata.
People are working ’round the clock to save Ukraine’s museum collections.

Everyone is doing their part. You have probably read about groups working to transfer zoo animals from Ukraine to a safer country. In today’s story, we learn what Ukraine’s museum workers are doing.

Lisa Korneichuk at Hyperallergic interviews the founders of Museum Crisis Center on their work to safeguard museum staff and save Ukraine’s cultural heritage.

“Many art and cultural monuments in Ukraine fall victim to Russia’s full-scale invasion along with civilians. [Russian] troops have damaged libraries, churches, and a mosque, and shelled local historical museums in Chernihiv, Okhtyrka, Ivankiv, an art museum, architectural monuments in Kharkiv, and many more. As of this writing, they dropped a 500-kilo bomb on the Donetsk Regional Drama Theatre in Mariupol, where over a thousand people were hiding from the shelling. 

While the Ukrainian governmental institutions are focused on saving the national art collections, local heritage and contemporary art remain vulnerable to the war threat.

“Moreover, museum teams in the region often risk their lives staying in the war zones to guard exhibits. To save overlooked Ukrainian heritage from vanishing, local citizens, cultural workers, and NGOs organize independent initiatives and evacuate art that has fewer chances to survive the war. 

“On March 3, Olha Honchar, director of Lviv museum ‘The Territory of Terror‘ asked on Facebook if there were any funds supporting Ukrainian artists and museums in wartime. She later updated her post: ‘Meanwhile, we start making such a fund ourselves.’ In partnership with the team of the NGO Insha Osvita, Olha launched Museum Crisis Center, a grassroots initiative aimed at helping museum workers in the emergency regions and evacuating artworks. …

“The main task of the center was the rapid financial and organizational support of museum workers, many of whom found themselves face to face with the war and without a means to support themselves. The center has to look for ways to get around long bureaucratic processes to aid those who need it immediately.

Hyperallergic spoke to the Museum Crisis Center co-founders Olha Honchar and Alyona Karavai over Zoom about the balance between legal requirements and efficiency in times of war and their critical stances on international humanitarian institutions. This interview has been edited for length and clarity.

Hyperallergic: Tell us exactly what your organization is doing?

Olha Honchar: We have offices in Ivano-Frankivsk and Lviv [cities in the west of Ukraine]. We joined our efforts and found more people to launch the Museum Crisis Center, or the Museum Emergency. I coordinate quick support for museum workers in war-torn areas that are under attack. We provide donations for basic things, like food, water, medicine. Many museum workers haven’t received salaries, their expenses increased. Our goal is to ensure that these people can survive the war. …

“We are developing an efficient algorithm for our work because within the bureaucratic Ukrainian system, it’s quite difficult to respond to people’s needs quickly. Everything is designed for a long bureaucracy. But in many regions we are working with there are no accountants, the treasury is bombed, or the culture department is not operating. Therefore, the only way to help is to send money directly on a personal card. Our task is to make it transparent and convince donors that help is received by those who need it.

“The next step will be the reconstruction of museums and infrastructure, but these are large-scale things. At the moment it is crucial to support teams and people so that there is someone to do the reconstruction later.

H: You are also involved in the evacuation of works, focusing on grassroots initiatives and art projects that will be the last to come to the attention of government agencies for cultural heritage.

Alyona Karavai: Or won’t come at all. The other day we met with the Minister of Culture and they said that they were focused on objects that are defined as being ‘of cultural value’ under Ukrainian law, i.e. objects that are 50 years old and older. Their primary mission is to save large national collections. Thus, they are unable to help even the small state museums which they have under their control. Grassroots initiatives and contemporary art are generally beyond their sphere of influence. We [NGO ‘Insha Osvita’] evacuate works from artists’ studios, private collections, and art centers. 

H: How often are you asked for help and do you carry out any selection of works?

AK: There is no selection. We help everyone we can. We’ve received 17 requests for assistance, so far we’ve fulfilled six. One request was from Mariupol, but it was clear that we could no longer help there. There are areas where we are powerless. …

OH: We help museums that we have personal contacts with. Our monitoring team includes museum workers [and] directors of centers, who call each other and gather information about needs. It is very important for us to do this through proven contacts because now there are many suspicious situations, fake news.

“People are afraid to say what they have in museum collections because it is unclear for what purpose this information can be gathered. That’s why we rely on the trusted network and work through the close contacts I have made during my career, including as the director of the ‘Territory of Terror.’ …

H: How do you evacuate artworks?

AK: We have a few volunteers on the ground. There are some people in Kyiv, in Odessa who help to evacuate artworks by buses. We’ve been looking for trucks. It takes a while to find any, we are not a transport company, we have never done that before. There were moments when we found a car and then it dropped [out] at the last minute. The situation on the roads is changing fast. So if we were able to use a route yesterday, it does not mean that we can go there tomorrow.”

More at Hyperallergic, here. No firewall.

Photo: Hyperallergic.
The print of Montaukett Indian Stephen Taukus (Talkhouse) is by Shinnecock artist Norman Smith. Seen here at Hildreth’s Whole Home Goods store on Main Street in Southampton, Long Island, New York.

Ever since indigenous tribes experienced First Contact with Europeans, the newcomers’ culture has run roughshod over the folks who had thousands of years of history here. The only positive thing about the way things are in the present time is that we are hearing more about it. You have to bring wrongs to light before you can start doing something better.

From Long Island, New York, Shinnecock tribal member Jeremy Dennis writes at Hyperallergic that his tribe’s “continued presence as a sovereign nation has been slowly rendered invisible by neighbors in the Hamptons.”

Wouldn’t I love to see “land recognition” statements before every Long Island party! And I know some who might be up for it.

Dennis writes, “The people of the Shinnecock Indian Nation of Eastern Long Island in New York State can trace their presence on their land back more than ten thousand years. Shinnecock’s claim is evident through Clovis Projectile Points from the Paleo-Indian Period (15,000–3,500 BCE).

“By 1000 BCE, Shinnecock people and other local tribal communities expressed themselves through clay pottery designs, wood sculptures, and wampum shell/bone beadwork. With the arrival of Europeans, Indigenous artisans incorporated richly colored cloth, glass beads, and blankets into their crafts and regalia. In the early 20th century, Shinnecock artisans loaded their wagons with baskets, caned chairs, beaded moccasins, embroidered table linens, eel traps, corn and herb mortars, duck decoys, wooden spoons, and scrub brushes, and sold them in nearby white communities.

“For thousands of years, and hundreds of years after first contact, Shinnecock artisans and other local tribal communities were best known for their wampum manufacturing and jewelry making. Wampum is manufactured by harvesting and shaping clamshells found only along saltwater sources from New Jersey to the Canadian coastline. …

“After 30 years of contact with European colonists, the demand for wampum waned, and the colonists came to value only Indigenous land and labor. By the 20th century, the historic trove of countless wampum beads, made individually by hand, were discarded — mistaken as gaudy jewelry, as Chief Harry Wallace of Unkechaug in modern-day Mastic Beach described during a public presentation at Guild Hall in 2021. …

“Walking through the East End [of the Hamptons], residents and tourists can find the only acknowledgment of Shinnecock people on Southampton’s Village Seal, which depicts a sole Indian and a mass of Europeans arriving on their boats.

“Following the first moment of contact in 1640, in which Shinnecock’s Sachem Nowedonah and other advisors greeted the English, Shinnecock people were understood as friendly neighbors and vital to European colonists’ early survival and industry. Building trust and friendship with the English quickly turned into the English swindling land from Shinnecock and other Indigenous communities on Long Island. Through deceit, insurmountable debt, threats of violence, and Shinnecock signature forgeries, the Shinnecock Nation alone illegally lost more than four thousand acres of its homeland. With the loss of land came the loss of natural resources, places to live, and means of survival. …

“Since the early 1700s, colonists recognized the real estate potential of this idyllic landscape. … This is why the arts are vital to our survival. We are defiant by sustaining our traditional storytelling, dance, beadwork, and wampum manufacturing, along with newer art forms, such as digital photography, videography, and painting, among many other mediums.

“Despite constant hardships, Shinnecock people have prioritized cultural expression through the generations. Artists such as Charles Bunn, Wickham Hunter, Norman Smith, Edward Terry, Dennis King, and Chuck Herman Quinn have found employment and opportunities as they’ve carried on carving and beadwork traditions, and their artworks and names will live on forever in those objects. Later generations of Shinnecock artists, including Denise Silva-Dennis, David Bunn Martine, and Herbert Randall, have explored self-representation in the arts as a means to challenge the stereotypes and caricatures of Shinnecock people from pre-contact times to the present.

“In recent years, Shinnecock artists have received support and recognition through programs such as the Gather series at Guild Hall and artwork acquisitions. The Parrish Art Museum, for example, now has two photos by artist and photographer Herbert Randall, though they were acquired decades after their original creation.

“For many years, Shinnecock art and cultural objects could be viewed at the Shinnecock Cultural Center & Museum, opened in 2001, on the reservation in Southampton — but the museum has been closed since 2017. … The lack of spaces showcasing Shinnecock art represents a need for new Indigenous-led art spaces and transformation in museum structures and collections to truly represent the East End community.”

More at Hyperallergic, here. No firewall.

Photo: Dudesleeper/Wikimedia.
“Herbie,” a notable American Elm in Yarmouth, Maine. America lost nearly all its graceful elms after the arrival of Dutch elm disease.

My father used to talk about the beautiful elms near his childhood home in Syracuse, New York, before the advent of Dutch elm disease. The trees’ graceful vase shape provided lots of shade on hot days.

Elizabeth Evitts Dickinson at the Washington Post has found a few surviving elms in Maine, where people take good care of their trees.

“It’s a sunny September day in Castine, Maine, and I’m standing in a stranger’s yard debating how best to hug a tree. Not just any tree, but an American elm, a fully mature Ulmus americana.

“I want to hug this elm for practical reasons. At least that’s my justification. I remember hearing somewhere that your arm span roughly equals your height — 5-foot-7 in my case — and I wonder if I can better decipher the size of this elm by encircling it. I’m sure my hands won’t come close to touching. The trunk is massive, channeled by thick gray ridges of bark and reaching high overhead to an elegant vase-shaped canopy. The light has changed under its shade; the sun filtered through so many leaves creates a chlorophyll coolness.

“This tree, which is tall enough that a schooner coming into Castine Harbor could navigate by it on a clear day, has been here awhile. I know from the literature on the Castine elms that many were planted in the 1850s. … This elm, with its view of the water, has seen villagers ship off for a Civil War, a First World War, and then a second one. It has survived its own pandemic, Dutch elm disease, which leveled the elms of Europe before hitting America in the 1930s and felling over 70 million of its species. So, truth be told, I wouldn’t mind hugging this particular tree just for the hell of it. This tree is a miracle. …

“Castine is one of the few places in America where you can still see hundreds of mature Ulmus americana. Roughly 300 survive in the historic village and surrounding area by a recent inventory, which is an exceptional number. Exploring Castine is a trip back in time to a landscape no longer visible anywhere else. A town shaded by mature elms, some nearing two centuries old. The town motto: Under the Elms and By the Sea. …

“Castine is one of North America’s oldest settlements. In the 1600s, Europeans coveted the land for its auspicious trade location on the Eastern Seaboard and its deep-water harbor, never mind that the Abenaki, Penobscot and Mi’kmaq tribes already lived here. Castine, bounded by Penobscot Bay and the Bagaduce River, has the feel of an island, but it’s really a peninsula that’s shaped like an ax head lying on its side. …

“Around the same time that New Yorkers were waking up to discover these elms [in the 1930s], an arborist in Ohio discovered Dutch elm disease in a tree there. The elm bark beetle had arrived from the sea, carried in the hull of a ship. Elm wood burls bound for the ports of America and meant to be used as veneer in decorative furniture carried the castaway, Scolytus multistriatus. The tiny beetle likes to feed on the sapwood of the elm, and it carries on its body a fungus, the spores of which infect a healthy elm by needling their way into the tree’s vascular system. Soon the tree is no longer able to carry nutrients or water to its outer branches. The elm is effectively strangled. …

“By the 1960s, the blight had spread across the country. ‘People speak of worrying about the trees,’ the novelist Elizabeth Hardwick wrote from her home in Castine in 1971. … ‘The great old elms, with their terminal woe, are dying grandly,’ she wrote.

“Most of America’s elms were dead by the 1980s. ‘It was an ecological calamity that changed the face of the American nation,’ … [Thomas J. Campanella, author of a cultural history of the tree, Republic of Shade: New England and the American Elm] wrote. But not in Castine.

“ ‘There was action taken back in the late ’60s and early ’70s by several townspeople to save the trees,’ Don Tenney tells me.

“Tenney holds what is quite possibly the greatest public office ever invented, that of the Castine tree warden. It’s Tenney’s job, along with the elected Tree Committee, to care for the town elms, about 75 of which are actively being treated to stave off Dutch elm disease.

“Back in the 1970s, no real treatment existed. Richard Campana of the University of Maine was one of the early researchers to try to create a serum to inoculate against the disease. Castine’s elms were injected with his experimental fungicide; Tenney, who is 75, remembers those early interventions: ‘One summer there were these orange tanks strapped to the trees all over town, and they were pressurized to deliver the fungicide. It was a total experiment.’

“Some believe it was this treatment that helped save many of the elms. Others [posit] that it is Castine’s unique topography, on a wind-swept peninsula, that made it hard for the beetles to take purchase here. Still, the disease found its way to Maine and on neck to Castine, and now, arborists fear, it’s on the rise.”

More at the Post, here, where you can read about the tree’s chances in the future. P.S. Maine also has a miracle chestnut tree, here.

Photo: David Levene/The Guardian.
Francis Kéré, outside his Serpentine pavilion in London, is the most recent recipient of the prestigious Pritzker Prize for architecture.

There’s a 7-year-old girl in my family who has been designing buildings this week, complete with elevators, staircases, rooftop playgrounds, and two kinds of dining rooms. With flowers. I can’t help wondering if this is the kind of childhood interest that leads to a career like the one in today’s story.

Oliver Wainwright reports at the Guardian, “Few architects have experienced such a meteoric rise, against such odds, as Francis Kéré. Born in a remote village in Burkina Faso without running water or electricity, he began his career by building a mud-brick school for his community, before being selected to design the country’s national parliament less than 15 years later. Now he continues his unparalleled trajectory, named as the winner of the 2022 Pritzker prize, architecture’s highest international accolade.

“ ‘It is unbelievable,” said Kéré, speaking from his office in Berlin. “I don’t know how this all happened. First of all I am happy and overwhelmed, but the prize also brings a great sense of responsibility. My life is not going to be easier.’

“He is the first black architect to be recognized in the [award’s] 43-year history, reflecting the profession’s overwhelmingly white, male, middle-class bias. …

“ ‘I don’t want to talk about racism directly,’ he said, ‘but this is a field where you need a lot of resources. You really need to be strong and be lucky, as competitions are not always so open. I hope that young people in Africa will see me and know that this is a possible path for them too.’

“Kéré has made a name for himself with a series of schools and medical facilities in Africa that appear grown out of their context, built by local communities with the bare minimum of resources. Often featuring walls of clay-earth bricks, shaded by large, overhanging corrugated metal roofs, his buildings are elegantly tuned to their arid climate – whether in Mali, Togo, Kenya, Mozambique or Sudan – using natural cooling to avoid the need for air conditioning.

” ‘Francis Kéré’s entire body of work shows us the power of materiality rooted in place,’ said the Pritzker jury, chaired this year by Chilean activist-architect Alejandro Aravena. ‘His buildings, for and with communities, are directly of those communities – in their making, their materials, their programmes and their unique characters. They have presence without pretence and an impact shaped by grace.’

“Born in Gando in 1965, Kéré was … the first in his community to attend school, sent away at the age of seven, after which he won a scholarship to study woodwork in Germany. He saw slim prospects for a career in carpentry in a country that had little wood, so he switched to study architecture at the Technical University of Berlin. For his final project he designed a primary school for his home village – and set about fundraising and mobilising friends and family to see it built. It was realized in 2001, for about [$26,000]. …

“Kéré’s Gando primary school set out the basic principles that would go on to define his work, using earth bricks made on site, topped with a perforated ceiling crowned by a thin ‘flying roof.’ …

“Kéré suspended his metal canopy above the classrooms to encourage stack ventilation, drawing cool air in through the building’s side windows and releasing hot air through the holes in the ceiling. The whole village was involved in construction: children gathered stones for the foundations while women brought water for the brick production, beginning a collaborative model of practice that he has continued ever since. The school won an Aga Khan award in 2004, catapulting Kéré to international fame and prompting him to found his practice in Berlin the following year. …

“International commissions including the Serpentine pavilion in 2017, and an installation for the Coachella music festival in 2019, have continued to help him raise funds and awareness of his work in Africa. …

“His biggest project so far, for the national assembly of Benin, is currently under construction, rising out of the ground in the capital, Porto-Novo, in the form of a majestic palaver tree. ‘The site is next to a botanic garden,’ he said, ‘so we proposed to extend the garden and place the biggest tree in the centre, with a debate hall beneath the figurative tree canopy – reflecting how democracy has always been conducted in west Africa.’

“His equivalent project back home, for the national assembly of Burkina Faso in Ouagadougou, is now hanging in the balance, after the president was removed by a military coup in January. Kéré was commissioned in 2015, following a national uprising when the parliament was torched and the then-president hounded out of the country. …

“ ‘I want the people to take ownership over the parliament building,’ he said, ‘so that, one day, when the next revolution comes, they will protect it as their own.’ ”

More at the Guardian, here.

Photo: Dougie Barnett/NatureScot.
Flanders Moss in Scotland has seen the return of key bog plants such as sphagnum (peat moss) and cottongrass — so important now that we know bogs can store the carbon we don’t want in the atmosphere.

My father-in-law sold peat moss, among other agricultural products, for his entire career. He usually got the peat from Canada, although other people source it from places like Germany and Ireland. In Moat, Ireland, our friend James Hackett relied on peat for warming the house. (Burning it was not the best thing for his health.)

Today’s story is about Scotland’s heightened focus on protecting peat bogs so they can store carbon and fight global warming.

Phoebe Weston reports at the Guardian, “Flanders Moss bog is slumped on the flat, farmed landscape of the Carse of Stirling in Scotland like a jelly fungi. It wobbles when you walk on it, and a metal pole goes down eight metres before reaching hard ground. This lowland-raised bog is a dome of peat fed mainly by rainfall and it acts like a single organism – the whole thing has to be looked after for any part to be in really good shape. If it is drained in one area it will affect the water level across the entire bog.

“For much of human history peat bogs have been thought of as wastelands. This 860-hectare [~2,200 acres] site has been hacked away and drained since the early 1800s to make space for fertile farmland below. …

“It is now recognized that peat bogs are among the greatest stores of carbon and, after decades of restoration, the holes in the peat at Flanders Moss have been patched up. Areas that used to be purple with heather are turning green as key bog plants such as sphagnum (peat moss) and cottongrass come back. The bog rises out of the land like a sponge and ‘breathes’ as changes in the weather and water level cause it to swell and contract.

“Researchers in Scotland are tracking ‘bog breathing’ using the latest satellite technology that can detect just a few millimetres of change. … Thanks to the restoration work, the water table has risen [and] is now at the surface. As the bog draws in water from the surrounding land, it helps manage flood risk. Flanders Moss bog has removed [about 2,200 acres] from the Forth catchment, reducing flooding downstream. …

“The Scottish government-funded Peatland Action project, which started in 2012, is helping revive 25,000 hectares [~61,776 acres] of degraded peatland. In 2020, the Scottish government committed [about $300 million] over 10 years to bog restoration in a bid to lock carbon in the land. …

“It takes about a month to process the satellite data for a third of Scotland, which is available through the Copernicus Open Access Hub. The technology is still in development but is likely to be cheaper than ground-based mapping. …

“Despite these restoration efforts, Flanders Moss is still a net emitter of carbon. … Stopping these emissions and preventing further degradation are the primary objectives of the restoration project.

“Bogs work on a different timeframe than humans. They form slowly … taking up to 1,000 years to grow one metre. But [David Pickett, who manages the site with his National Nature Reserve] team has jump-started recovery. ‘We’ve done most of the big work here,’ he says. ‘Now, it’s a question of waiting. The process of fixing this site will last 100 years, and the benefits of work being done now will only be seen by the next generation.’

“It’s easy to see why bogs weren’t popular. They are stores of partly decayed organic matter, which are too acidic and devoid of nutrients to support healthy trees. But this bog is colorful and has a fresh, earthy smell. As well as being a fantastic store of carbon, this ancient, watery land – healthy peat is about 90% water – is also rich in wildlife, including rare lizards, dragonflies and even snakes.

“ ‘There isn’t headline sexy stuff like puffins and seals but you go around the boardwalk and it’s a fantastic place,’ says Pickett. ‘I always used to think bogs must have been named on a Friday after a really bad week. We’re trying to change the perception of bogs but it’s a hard sell.’ ”

More at the Guardian, here.

Photo: Melanie Stetson Freeman/CSM.
Meidan “Abby” Lin poses in her apartment in Boston’s Chinatown. She and her husband bought the unit with help from the Chinatown Community Land Trust, which aims to stabilize the community through affordable housing, ownership of land, control of public lands like parks, and the preservation of cultural and historical sites.

One of the biggest challenges for America in these times is housing. Housing can help people with addictions get clean. It can reduce the need for long, polluting commutes to jobs in expensive urban areas, it can give people breathing space to pursue their interests and make better lives for their children.

One of the current experiments in providing housing that people can afford involves community land trusts.

Jocelyn Yang and Alexander Thompson write at the Christian Science Monitor, ‘In March 2016, [Meidan ‘Abby’] Lin; her husband, Yin Zheng; their young son, Yuchen; and Mr. Zheng’s mother left Fuzhou, Chin, … for another port half a world away on the Charles River in Boston.

“They shared their first apartment in Boston’s Chinatown with another family. During nights in that cramped space, Ms. Lin started dreaming of a place she could call her own. But Boston’s soaring real estate prices seemed to put that dream out of reach. Mr. Zheng works at a restaurant. Ms. Lin works at home.

“Then a friend told Ms. Lin about the Chinatown Community Land Trust. … The group was selling apartments at discount prices, and Ms. Lin jumped on the waitlist. But there was only one apartment big enough for her family. ‘I didn’t think we were able to get it,’ she says. All she could do was hope.

“Community land trusts [are] buying their own properties to preserve them as affordable housing in perpetuity and give residents more say over what happens in quickly changing neighborhoods. 

“That mission has gained new urgency over the past year as homeowners reap the rewards of a red-hot real estate market while renters are hit with steep rent hikes, deepening the divide between the housing haves and have-nots. …

“ ‘As neighborhoods change and gentrify really fast, the idea of having community control and having more say about how neighborhoods are changing and who’s going to be able to live in the neighborhood over time, from an affordability perspective, I think becomes really important,’ says Beth Sorce, who works with community land trusts nationwide at the Grounded Solutions Network, an affordable housing advocacy group. …

“Land trusts raise money from donations, grants, and government funds to buy property. Then they lease the house or apartment to a buyer well below market value, but the trust retains ownership of the land.

“This way, occupants typically get an ownership stake in their homes. They build equity over time, but at a rate that is often capped at 1% or 2% a year. The trust, which is governed democratically by residents and neighbors, can decide to whom the dwelling can be sold and at what price, usually through a covenant in the lease. This ensures the property remains affordable.

“The land trust idea was imported to the United States by civil rights activist Charles Sherrod in the early 1970s from the kibbutzim of Israel. Mr. Sherrod saw land trusts as a way for Black Americans to buy agricultural land in the South. …

“Andre Perry, a housing policy expert at the Brookings Institution [has shown] that an ‘intrinsic value of whiteness’ persists at almost every step of home buying from the appraisal to the sale. Minorities, but especially Black people, must pay more and get less. 

“By taking property out of the traditional market, land trusts reduce the discrimination baked into that system and empower communities to actively fight it, Dr. Perry says. …

“In California, justice is what drives Jacqueline Rivera and her fellow housing activists in San Jose. In the heart of Silicon Valley, where even high-paid tech employees struggle to find housing, development was pushing out vibrant Black, Hispanic, and immigrant neighborhoods.

“In community conversations Ms. Rivera and her colleagues held around the city in 2018, land trusts kept coming up. Ms. Rivera grabbed hold of the idea, and by 2020 she was heading up the South Bay Community Land Trust.

“Success has not come easily, though.  By definition, land trusts do not make profits, and fundraising is the biggest challenge they face. To buy their first property, a fourplex in downtown San Jose, they need to fundraise at least $1 million, on top of the half million dollars they need to pay professional staff and make the organization run. Speed is a problem, too. Developers snap up properties with cash in a matter of days, while the land trust moves ‘at the pace of community,’ Ms. Rivera says. 

“Yet, in order to disrupt traditional real estate, land trusts ‘still have to play in the real estate game,’ she adds.

“Advocates stress that land trusts are just one tool in a broader approach to the affordability crisis, but it could be a more effective one with government help. Ms. Sorce, of Grounded Solutions, says state and local governments should invest money in land trusts and change appraisal policies so land trust properties aren’t paying taxes based on their speculative value. With or without such help, land trusts must innovate to succeed.

“ ‘When we think about community land trusts, so many times we think about just the homeownership level,’ says Sheldon Clark, who recently served as president of the board of the Douglass Community Land Trust in Washington, D.C. ‘And that really just doesn’t cover the housing needs that we have.’

“Douglass has units it’s maintaining as permanently affordable rentals and other properties set up as cooperatives. They’ve also helped tenants take advantage of a District of Columbia law that entitles them to buy their unit if their landlord plans to sell.

“Really, land trust leaders say, homeownership is just one aspect of their focus on what Mr. Clark calls the ‘big C’ in community land trusts: the community.

“Douglass organized food drives during the pandemic and helps connect residents to credit unions, as many are unbanked. In Boston’s Chinatown, the land trust helped save a local park.”

Find other examples of how land trusts strengthen communities at the Monitor, here. No firewall; nice photos.

Photo: Kathryn Palmer/The Hechinger Report
Fifth graders were asked to envision the future. “Everyone will have a new house to live in. It won’t matter how much money you have,” said Falhat Hassan, a student at John B. Wright Elementary School in Tucson, Arizona
.

I loved working with fifth graders back when I was a teacher. They are funny, aware of the world, but not yet as rebellious as they are likely to be in a few years.

In a report at the Christian Science Monitor, fifth graders were asked to describe what they expected the world to be like in the future. If you ever get discouraged, hang out with some ten-year-olds.

“One student envisions a watch that tells you when you’re polluting – a sort of eco-nanny on your wrist. Another suggests that teachers might show up in classrooms, not in person, but as holograms. There’s talk of colonies on Mars, and people commuting in flying cars. 

“These are among the ideas to emerge from the fertile imaginations of fifth graders across the country thinking about what the world will – or should – look like in 20 years. As the calendar flips to a new year, the Monitor, in collaboration with the Hechinger Report – a nonprofit education news site – had reporters sit down with students in four cities to give us their predictions of and aspirations for the future. …

“What we found is that they harbor plenty of concerns about tomorrow, sure, but they also exude an innate optimism, a sense of delight and possibility. Their visions represent a journey into cybersecurity and space travel, racism and robots.”

Contributor Lillian Mongeau, of the Hechinger Report, wrote about Hillsboro, Oregon. “One idea, for when we colonize Mars, is that all of humanity could spend a few years on the Red Planet to let Earth ‘rest.’

“ ‘And then when we come back, we’ll try better to not pollute as much,’ says Chandler Stark, a fifth grader at Paul L. Patterson Elementary School in Hillsboro, Oregon.

“Chandler estimates it will take two to five years for Earth to recover from what we’ve done to it, at which point we can all return. The idea was met with nods by three of Chandler’s classmates as they sat discussing the future. … Since Mars is not yet ready for human habitation, these kids agreed that cleaning up our current planet was a top concern.

“ ‘The time to fix it is now,’ says Caden Sorensen. ‘It’s not going to fix itself. And if we do end up colonizing Mars, don’t ruin Mars, too.’

“But while the technology necessary to move to Mars seems likely to be a net positive, these children aren’t interested in every new advancement.

“Technology ‘can bring really amazing good things, but those things could bring some other bad things,’ Caden says, noting that he would warn his future children about the downsides.

“Noelani Velasco Polley agrees. She hopes to one day own an iPhone 21, ‘with 21 cameras on it,’ but for now she’s OK not having a phone at all. …

“ ‘I’m really concerned that there’s going to be more electronics … that people can hack, so more identity theft,’ says Fatima Abdi, who prefers to be called Fati. She also worries about artificial intelligence. … Fati worries racism will get worse, and thinks steps should be taken, short of going to Mars, to save the environment. …

“Chandler hopes to one day compose music for TV shows and video games. Fati plans to be a business owner – she already has an Instagram shop where she sells jewelry. Caden is currently aiming to be a lawyer, but figures he’ll probably change his mind. And Noelani wants to be a scientist or an engineer.

“ ‘I think there won’t be that many jobs in fast-food places’ in the future, she says. ‘I think they’re going to be like, bigger jobs, and people are going to want to be in jobs where they can get more money, because in the future everything is going to be more expensive.’ …

“They say the power to create the future rests in human hands. ‘I think there can be more equality in the world if we just work hard for it,’ Fati says.”

Christina A. Samuels interviewed fifth graders in Woodbridge, Virginia, and saw some of the same concerns.

“In 25 years, schools could be multiple stories, connected by elevators and moving walkways. Scientists will have made greater strides in exploring the uncharted ocean depths and the edges of the galaxy. Humans may even have settlements on other planets. … 

“Belmont’s math and science focus fosters the students’ interest in the environment, as does their location: Less than 2 miles away is Occoquan Bay National Wildlife Refuge, a habitat for migrating birds and butterflies. At Belmont, fourth and fifth graders get extra lessons in STEM subjects, such as robotics and hands-on science experiments.

“The coronavirus has affected the lives of these children since third grade – Prince William just returned to full-time, in-person learning this school year – but the fifth graders don’t like to imagine the pandemic in their future. 

“ ‘Let’s hope the pandemic is over,’ says Jason Rivera. Other viruses may appear, ‘but maybe not very big.’

“Or maybe there will be more warning, Jashua [Alvarado] says. ‘Scientists would be able to tell if a pandemic is going to come to the world like two years before, or one year, or – I don’t know – months,’ she says. …

“The six students … take each question seriously and answer thoughtfully. That’s perhaps not surprising from a group of students who see themselves playing ambitious roles in building a new world in the future – as engineers, doctors, and scientists. …

“ ‘I’m kind of a science nerd and my mom tells me if I want to be a scientist, I have to be working hard for it,’ says Jashua.

“Yanet Hundessa and Anjelica [Jabbie] will be helping other people. ‘I really want to be a doctor because I want to help the elderly,’ Yanet says. 

“ ‘I also wanted to be an engineer or a doctor because I love helping people, and I love building things,’ says Anjelica.

“They also plan to take on problems that grown-ups are now leaving behind. ‘Why don’t we focus on other people that live in different places?’ says Ethan [Ong]. ‘There’s people that are poor that don’t have lots of resources and that don’t have food.’ …

“ ‘People could donate to countries that have poor resources,’ says Sam Aphayvong. ‘If the people didn’t get the resources they need, they could become jealous and start wars.’ …

“ ‘I think people should be kind to each other,’ Yanet says. ‘No racism, and they should help out poor people and everybody will be equal.’ ”

More at the Monitor, here. No firewall.

Workers as Owners

Photo: Kim Hairston/ The Baltimore Sun.
From left, Lynnette Dodson, co-owner of Cuples Tea House, talks with Nicole Foster, co-owner of Cajou Creamery, inside the creamery. “They are among five Black-owned businesses in the 400 block of N. Howard St. that will help to revitalize this long neglected area,” says the Baltimore Sun.

Yesterday I wrote about people pulling together to help Ukraine. There is strength in numbers, as Pete Seeger said in the line that I often quote: “One and two and 50 make a million.”

Another aspect of pulling together is seen in the “solidarity” movement described by Lisa Elaine Held at the Washington Post.

“On a [2021] fall morning, despite the chill in the air, workers at Taharka Brothers Ice Cream were packing a freezer truck and a van with pints of honey graham, peanut butter cup and pistachio. In the office, business metrics on retail performance, catering and home delivery moved across a screen on the wall. ‘It’s a really busy day,’ said Detric McCoy. ‘Even right now, I don’t think I could run it by myself.’

“He doesn’t have to. In December 2020, Taharka officially became a worker-owned cooperative, and McCoy shares responsibilities that would typically fall on one person’s shoulders. …

“In November 2020, popular pizzeria Joe Squared reopened after a covid-19 hiatus with 13 new worker-owners. This fall, the plant-based dessert shop Cajou Creamery also became a cooperative. And in early December, Union Craft Brewing announced it had added six longtime employees as owners and in the future would offer ownership to all employees after five years with the company. …

“Historically, restaurants have been places where power imbalances — between the front and back of the house, star chefs and kitchen staff, servers and customers — were tolerated. The industry also disproportionately depends on the labor of people from marginalized groups — including people of color and undocumented immigrants. …

“ ‘Co-ops have always emerged and scaled during crises,’ said Tori Kuper, the operations coordinator at the New Economy Coalition who is also on the board of the U.S. Federation of Worker Cooperatives. After the 2008 recession, Kuper said, the number of coops in the U.S. skyrocketed, and the spirit of mutual aid that arises during an economic downturn can also lead to interest in what the coalition calls ‘the solidarity economy.’ …

“Baltimore has been tending the fire of its solidarity economy for years, and many look to it as a model, Kuper said. …

Much of the story can be traced back to 2004 and Red Emma’s, a vegan cafe and bookstore that grew out of an anarchist bookstore called Black Planet Books.

“The seven founders set out to create a space for the city’s radical left and thought adding food and coffee to the bookstore would bring in more people, said Kate Khatib, who was one of those originals and is still a worker-owner.

“Worker cooperatives operate in many different ways, and Red Emma’s structure is entirely non-hierarchical. Everyone who is hired starts at the same hourly wage regardless of experience or background and is put on a track to ownership. If all goes well and they pass certain benchmarks over a set period of time, they join a team of worker-owners who share equal decision-making power and profits. Wages increase with time worked, but the highest-paid worker can never make more than twice the lowest. … She said, ‘We really started drilling down into: What does it mean for a business in this sector to be sustainable? And … how do we create jobs that are sustainable?’

“One answer was that they needed capital to buy a space, but traditional banks weren’t set up to lend to a group, and choosing the person with the best credit to take on the loan went against their operating values, since it strengthened the economic power of the most well-resourced owner over others. Red Emma’s began working with other cooperative organizations to fix that issue, which led to a nationwide cooperative lending network and then a local outfit that could provide both funding and technical assistance to worker coops. Today, that organization, the Baltimore Roundtable for Economic Democracy (BRED), connects the city’s growing patchwork of cooperatives.

“Emily Lerman, a project officer at BRED, is also one of the founders of Mera Kitchen Collective, which began as a group of friends hosting pop-up dinners and grew into a catering business that showcases the dishes of chefs from around the world. …

“But even with Lerman’s technical expertise, Mera has struggled to structure its business as a true cooperative. Immigration and visa issues have gotten in the way, as they do for many co-ops, so Lerman and her co-founders have focused on ensuring collective decision-making and on using the expansion to eventually put everyone on the team on salary and start profit-sharing. …

“Nicole Foster and Dwight Campbell of Cajou Creamery started selling ice cream, made from scratch with cashews instead of cows’ milk in such flavors as horchata, baklava and Mexican cacao, out of a new storefront on Howard Street in August. As they got up and running and planned further expansions, they worked with BRED to finalize a cooperative structure with an even more targeted goal: to create opportunity for formerly incarcerated people returning home. …

“Campbell said, ‘We want to give people a chance to show that they are much more than just somebody who served time. We want to give people the ability to dream about a future, to have ownership instead of thinking “I am just a drone. I’m here to work for a paycheck.” ‘ “

More on that at the Post, here.

Photo: DeansBeans.
Dean Cycon of Dean’s Beans and his wife decided to go to Poland to help World Central Kitchen feed the influx of Ukrainian refugees. They both have forebears that were chased out of Europe by Russia.

Do you know the legend of the Jongleur de Notre Dame?

My francophone blogger friends should correct me if I get this wrong, but the way I remember it is that a man wanted to present a gift at the statue of the Virgin Mary but was desperately poor. He had a different kind of gift, though — a talent for juggling. The story goes that he juggled with all his heart and soul in front of the sculpture, and it gently bowed its head to him.

That’s the kind of miracle that feels real.

Today people are donating money and whatever talents they have in order to help Ukrainians invaded by Russia. First off, John, my son, who continues to employ optical engineers in Ukraine for remote work.

Another Massachusetts resident, Dean Cycon of Dean’s Beans Organic Coffee, is going with his wife, Annette, to Poland to work with World Central Kitchen, which is feeding thousands of Ukrainian refugees. Dean and Annette both have forebears they say were chased out of Europe by Russia. Their story is detailed at the Greenfield Recorder, here.

Boston doctors, interviewed here, made YouTube videos to teach ordinary Ukrainians how to treat war wounds. According to the Washington Post, The video is less than 40 seconds long — but its creators say it could help save lives in Ukraine.

‘The data we know from the battlefield is that a significant amount of deaths are preventable with taking these steps,’ Eric Goralnick, an emergency medicine physician at Brigham and Women’s Hospital in Boston. …

“Goralnick is the doctor shown acting out the tutorial in the short video, which provides a list of actionable steps written in Ukrainian. Another video, about 4½ minutes long, features a more detailed, step-by-step narration in Ukrainian by Nelya Melnitchouk, a Ukrainian-born oncology surgeon at Brigham and Women’s Hospital.” More.

The nonprofit group End Hunger New England is pivoting from mostly local needs to help Ukrainians, too, but according to the Christian Science Monitor, the group was stumped about how to deliver the meals so far away. Then a Boston-based shipping company, BOC International, stepped up. “It’s handling all the logistics,” the Monitor reports, No charge.”

Along with Asakiyume, I myself have joined a crowd of editor-types to help media people in Kyiv clean up translations of events so the Ukrainians can share the latest on Anglophone social media.

I am so grateful for this opportunity, which Asakiyume, a friend I met 25 years ago when we were both copyediting at a management magazine, offered me.

How it works: bilingual Ukrainians translate local news into English the best they can, then send it to colleagues to check as well as to “proofreaders,” mostly American. As proofreaders, we try to make the English sound more natural.

The organization we are helping works 24 hours a day. I know I’m getting more out of it than I am giving. Talk about real! If I want to sacrifice, I ought to sign up for the sparse 2 a.m. shift.

Signs of the Times

My first photo today is from Pawtucket, Rhode Island, where a homeowner is expressing the solidarity that most of us feel for Ukrainians defending their homeland against a crazed invader.

Some other recent photos also make me think about solidarity — and how good things can happen when folks band together. Remember the WPA? Many of its works are still in use. New Congressional allocations will be doing some of the same kinds of infrastructure projects, thank goodness.

I loved the sign on the bank of the Seekonk River showing the power of “unionized” little fish in a dangerous world.

The photo of the pollinator sign highlights the banding together of neighborhoods in Massachusetts and elsewhere to protect honey bees and other pollinators, guardians of a healthy environment.

Looks like Providence’s official guardian on the river may actually be needed more on the road.

Meanwhile, encouraging signs of spring give us hope that winter won’t keep returning after random warm days. Still, winter can have attractions. Note the bluebirds that have been regular visitors to our feeder.

Photo: American Alliance of Museums.
A young visitor is captivated by Dakota, Natural History Museum of Los Angeles County’s full-suit Triceratops puppet.

When Suzanne was a few months old, John was learning about dinosaurs, and we got into a kind of chanting routine reeling off all the fancy names we knew. Baby Suzanne seemed to think they were hilarious. If she was fussy, dinosaur names would distract her and make her laugh.

Dinosaurs and their names have always enchanted small children. To up the enchantment, a museum in Los Angeles has begun experimenting with bringing dinosaurs to life. Sort of.

Ilana Gustafson writes at the American Alliance of Museums blog, “The anticipation of an imminent transformative journey is palpable in the diorama hall at the Natural History Museum of Los Angeles County (NHMLAC), where a Dinosaur Encounter is about to begin.

“During the show, the audience cheers as a young guest, decked out in a bedazzled dinosaur shirt, is called onstage to feed the juvenile Triceratops known as Dakota. … The audience falls into a quiet anticipation as Dakota’s feet shuffle impatiently, her beak opening and closing, indicating that she’s hungry. The child onstage gets closer to the dinosaur, leaf in hand, and reaches their arm out nervously toward her beak. Slowly Dakota approaches. …

“Dakota opens her mouth and suddenly clamps it closed with the leaf in its clutches and excitedly wiggles her tail. The audience cheers as the child onstage, grinning from ear to ear, watches a dinosaur playfully eat a leaf right at their feet. The host of the show thanks the young visitor. …

“The full-suit Triceratops puppet, created by the fabulous puppeteers at Erth, is made of aluminum and plastic boning, foam, and lycra painted with acrylic, and contains an internal speaker and other mechanisms. Inside is a puppeteer … holding the sixty-five pounds of the weight of the puppet on their back, using largely their shoulders and core strength to maneuver it. Many technical elements need to come together to bring the dinosaur to life, but when they all unify in a performance, the audience forgets to focus on the mechanisms at work. …

“This act of relating to the characters on stage is another thing that make theater so powerful. In a study published in the Journal of Experimental Social Psychology, researchers discovered that watching theater can lead to increased empathy, the ability to understand the feelings of others. … I would make the argument that this empathy toward the dinosaur increases intellectual curiosity about these creatures, paleontology, and other related studies. …

“The father of a dedicated fan shared with us in an email the love his son had developed for our puppet, and in turn for the Natural History Museum.

‘Lev didn’t just watch T-Rex and Triceratops. Lev became T-Rex and Triceratops. After each show, Lev would show us his improvisational reproduction of the show we had just watched. He insisted upon silence while he delivered his performance, mirroring and perfectly mimicking the T-Rex right down to lifting his legs, bending over with retracted arms, and delivering his ferocious ‘roar’ while bobbing his head back and forth seeking his prey.’ …

“The designs of the full-suit Triceratops and T. rex puppets were informed by the museum’s paleontologists, including Dr. Luis Chiappe, Senior VP of Research and Collections, who advised the fabricators on how best to merge entertainment with science. The physical characteristics of our juvenile Triceratops and T. rex puppets were based on our paleontological collections and research. The museum’s scientists were keen to have some of the current research on dinosaurs reflected in these creatures. After a performance with our T. rex puppet, known as Hunter, we often get the question from a visitor (young and adult alike), ‘What’s that fluffy stuff all over his body?’ This opens up a conversation about proto-feathers, and how scientists have been able to make the connection between theropod dinosaurs and modern-day birds. …

“The experts at NHMLAC see the value these puppets have in garnering interest and support for their research. Dr. Nathan Smith, Curator at NHMLAC’s Dinosaur Institute, says … ‘The puppets are a truly unique way where we can envision these species as living animals, but also allow visitors to interact with them.’ “

More at the American Alliance of Museums blog, here. If you missed the giant puppet at the San Diego Zoo, you can read about it here. And here‘s a post from last fall on the one that strode across Europe.

Photo: Chris Granger/The Times-Picayune/The New Orleans Advocate/AP
“Roofing contractors install a temporary roof on a home in New Orleans East, Sept. 8, 2021. FEMA and the U.S. Army Corps of Engineers are overseeing this Blue Roof program to help homeowners recover from the damage cause by Hurricane Ida,” the
Monitor reports.

Can humanity learn from history? Sometimes, yes. According to this September 2021 story, people are learning from climate disasters. Even I, as a child on Fire Island, learned that people who build houses on sand dunes ask for heartbreak. Collectively, the towns on the island learned the same thing.

Marshall Ingwerson wrote this report on collective learning at the Christian Science Monitor.

“In the weeks since Hurricane Ida landed at New Orleans, it has illustrated two very different stories. One is the rising violence of the changing climate. The other, which is only now fully emerging, is the human resilience that has already made the world far safer. …

“The aftermath of Hurricane Ida is now entering what we might call the resilience zone. It can be the most testing, and telling, phase.

“As part of the Monitor’s Finding Resilience project, here is a tale of two cities: The New Orleans hit by Hurricane Katrina 16 years ago and the New Orleans hit by Hurricane Ida late last [August]. 

“They were not identical storms. Ida struck with less sweeping girth than Katrina but more sheer force. They weren’t all that different, either.

“But they hit a different New Orleans. Katrina killed more than 1,800 people. The breaching of the levees put 80% of the city underwater. The blow was nearly existential to New Orleans as we knew it. Three in 10 residents vacated, many permanently. 

“After Ida struck last month, the now-fortified levees held against the surge. The toll in fatalities in Louisiana is at 28. A similar number died in New Jersey as Ida-driven rain flooded the Northeast. The scale of damage and heartbreak is so vastly different that clearly Louisiana is more robust and storm-hardy than in 2005. The population had even grown back in New Orleans, recently surpassing its pre-Katrina numbers.

“Ida has been covered as an example and a warning of the rising violence of climate change, making hurricanes stronger, floods higher, and fires bigger and more frequent in the dry West. And that’s an important context. 

“But here’s another: Even as climate events become more dangerously frequent and potent, humanity has actually become safer – dramatically safer.

“The economist Bjorn Lomborg finds that the number of people killed worldwide by climate-related events in the 1920s, a century ago, was 27 times higher than the number killed over the decade ending 2019.

Corrected for the far higher global population today, the death rate a century ago was more than 130 times what it is today.

“Dr. Lomborg’s point is that when we assess the costs, the dangers, and the difficulties that climate change implies, human resilience and ingenuity is a nontrivial factor. So far, in fact, it has been an overwhelming factor.

“A term like resilience can risk sounding a little minimizing and reductive – just a personal character trait. It is much more than that.

“Those who have been through a hurricane strike report that it is after the winds have gone quiet, the ground dried, and the sun shining in steamy afternoons, only then have they arrived at the hard part – the exhausting building back, the forging ahead, the relaunch into forward motion. …

“Many of the efforts to resuscitate post-Katrina New Orleans were deeply personal, with families making remarkable sacrifices to rebuild the economy and education, much less the roads, bridges, and buildings of the city itself.

“So resilience is a matter of spirit, of finding the heart to come back. But its structure, the ladder resilience climbs, is learning. We pick ourselves up, we learn what we need to learn, and we get to work.

And it’s not just person-by-person resilience that drives the kind of change we have seen. It’s collective.

“Only big, complex teams can achieve what New Orleans accomplished in the past 16 years. The scale of the investment, the engineering, the overlapping interests, the cross-cutting visions and values – only politics can put all that together and sort all that out. …

“Yet humankind has made the world, per Mr. Lomborg’s numbers, more than 99% safer against natural disasters in the last century by scaling resilience. And we do that through the institutions we use to work together. 

“The only way we can learn and then act on as massive a scale as demanded of New Orleans is through the institutions we’ve developed over centuries – whether it’s a city council, a police department, a university, an engineering association, a religious denomination, a news organization, a Supreme Court, or an updated building code.

“It’s the lack of robust institutions that reduce resilience in a country like Haiti – where such institutions were undermined by Western powers for centuries – to a more individual matter. Anyone who has visited the nation has witnessed the sheer energy and unoppressed vitality of the people that crowd the streets of Port au Prince. The spirit is there, but it’s a resilience on foot, a personal challenge, and not yet a resilience that can collectively build safety from the next natural disaster.

“Individual learning can be a flashlight for families, communities, organizations, nations. But it is collective learning, what we achieve together, that holds real power. In fact, civilization itself could be defined as collective learning.”

More at the Monitor, here.

Photo: Dan Cameron.
Chumono, Muelle de Alma (2005), site specific art installation near Cucao, Chiloé, Chile.

Today’s article is the first in a Hyperallergic series about a fellowship for curators that one recipient used for a project in Chile. Blogger Rebecca may know the part of Chile that curator Dan Cameron talks about.

He writes at Hyperallergic, “While preparing this project one day, I was perusing Chilean regional news outlets for details about the December 2021 fire that damaged or destroyed a number of houses in Castro, the capital of the Isla Grande de Chiloé, when I noticed that multiple sources referred to the island as a ‘tourist’ destination.

“Maybe it’s the just intellectual vanity that goes with being the sort of curator who leaves New York City to come to a remote corner of South America, but it felt weirdly like a slap in the face to see this little-known (outside of Chile) place that I’d been steadfastly exploring for a future curatorial project seemingly transformed by a single word into a locale that would be for, well, tourists. In my mind it didn’t matter that Chiloé’s famed palafito stilt houses and 17th- and 18th-century wooden churches attract visitors worldwide, or that the more secluded corners of Chiloé I’d scouted on previous trips had everything a moderately resourceful traveler would need for a splendid visit. …

“My flash of pique at reading Chiloé so described is curiously linked to my personal history with Chile, which I first visited exactly 30 years ago. … I’ve returned consistently to Chile over the years, precisely because I thought I wouldn’t otherwise get to know it. This was summarized by the word that the Santiago-based artist Eugenio Dittborn would employ five years later as his title for a survey exhibition I curated of his signature pinturas aeropostales (airmail paintings) at the New Museum: Remota.

In 1992 I hardly knew anybody who possessed firsthand information about Chile, and that made it irresistible.

“During our initial meeting at his studio in Santiago, I shared with Dittborn my very ambitious itinerary, which included Santiago, Valparaiso, Easter Island, and the northern cities of Iquique and Antofagasta. … Dittborn responded that in the future, I should visit the southernmost art museum in the world, in Castro [in Chiloé], and perhaps consider organizing an exhibition there. …

“I finally made it to Chiloé in 2015 with the artist Gianfranco Foschino. … It helped that Gianfranco was personally enthusiastic about organizing a contemporary art exhibition in Chiloé, but what became less clear once we’d made our initial reconnaissance of the island was whether or not MAM Chiloé was the ideal venue for a project that would function largely as a platform for local artists. After spending time with and talking to various artists living on the island, it seemed that, for most, the museum functioned as a venue for artists based in Santiago. If I wanted to see where local artists showed, I’d need to dig a little deeper into the patchwork of regional museums, municipal libraries, gallery-cafés, and community centers, which tended to be scattered all over Chiloé, and on the nearby islands of Quinchao and Lemuy.

“My last time in Chiloé, in November 2019 … I started envisioning Alrededores more as a long-term curatorial endeavor, where instead of artworks appearing for one season and vanishing, some might require years even to come to fruition. That would place the project closer in spirit to the niche that the Chilote artist Chumono opened up with his site-specific Muelle del Alma (‘Pier of the Soul’), which since its 2005 construction has become emblematic of art and nature co-existing on mutually beneficial terms. Thousands of visitors each year park their cars near the village of Cucao and hike nearly three miles through verdant hills and pastures to the westernmost edge of the island.

“There, according to Chiloé folklore, the boatman Tempilcahue will someday ferry them to the afterlife; fittingly, Chumono’s wooden ramp visually beckons visitors up into the sky and out over the Pacific Ocean. …

“The most exciting part of my plan was the possibility that Chiloé’s artists might end up with an international context for their work, without rupturing the sociocultural framework of their lives.

“The art was already there — I had already been surprised by its depth, and it was simply a matter of introducing the world to it. Even if cultural tourism, broadly speaking, was on a temporary hiatus as new waves of COVID spread worldwide, other avenues could bring the public to the art of Guillermo Grez or Anelys Wolf, or to the sole-proprietor storefront Museum of the Accordion in Chonchi.

“The latter, a modest but beloved establishment, preserves an integral part of the musical legacy left through centuries of ships — on which the accordion was that rare instrument capable of surviving adverse conditions — rounding Tierra del Fuego to pass between the Atlantic and Pacific Oceans, which slowed to a crawl after the 1914 opening of the Panama Canal. Part of the original Alrededores concept had been to move the museum’s collection — acquired long ago from sailors who left their accordions for repair and never returned — temporarily to MAM Chiloé, while putting some TLC into the museum’s display and conservation in Chonchi, where exhibits are typically set out on folding tables with hand-written labels.

“This month I’m returning to Chiloé for the fifth time in eight years … in pursuit of something that compels me to return over and over again, and to continue dreaming of a truly marvelous future art exhibition.”

More at Hyperallergic, here, where you can click through the curator’s updates. No firewall, nice pictures.

Lead-Poisoned Eagles

Photo: Tri-State Brid Rescue & Research.
Study: Nearly half of bald eagles and golden eagles have chronic lead poisoning, probably from bullets lodged in their prey.

Eagles rebounded when humans stopped using DDT to kill mosquitos. But like most things in life, there’s always something else that comes along. Eternal vigilance is required. Today’s story looks into the reasons many of these eagles are now suffering from lead poisoning.

As Maria Cramer reported at the New York Times last month, “The bald eagle, whose resurgence is considered one of the great conservation success stories of the 21st century, is facing a serious threat: lead poisoning.

“Researchers who tested the feathers, bones, livers and blood of 1,200 bald eagles and golden eagles, another bird of prey in the Northern Hemisphere, found that nearly half of them had been exposed repeatedly to lead, which can lead to death and slow population growth.

“Scientists believe that the primary source of the lead is spent ammunition from hunters who shoot animals that eagles then scavenge, usually during the winter, according to the study, which was published on Thursday in the journal Science.

“Nearly a third of the birds tested also showed signs of acute poisoning, or short-term exposure to lead, according to the study, which was led by scientists from the United States Geological Survey, Conservation Science Global, Inc. and the U.S. Fish and Wildlife Service.

“The effects of lead poisoning are devastating, said Vincent A. Slabe, the lead author of the study and a research wildlife biologist for Conservation Science Global in Montana.

“Lead poisoning can prevent an eagle from digesting food properly, eventually leading to starvation, he said. It can cause loss of locomotion so severe that an eagle will lose the ability not only to fly, but also to move at all, he said. …

“The study, which examined bald eagles and golden eagles from 38 states, is the first to look at the effects of lead poisoning on the bird populations on such a large scale, said Todd E. Katzner, a research wildlife biologist at the U.S. Geological Survey.

” ‘The research also showed that poisoning slowed down population growth rates by about 4 percent for bald eagles and 1 percent for golden eagles. … These percentages seem small, but, over time, thousands and thousands of individual birds are being removed from the population’ because of lead poisoning, Dr. Katzner said. …

“Dr. Slabe said he hoped the report’s findings would help to educate hunters and encourage more of them to switch to lead-free ammunition.

“ ‘This is 100 percent human caused and totally preventable,’ said Laura Hale, president of the Badger Run Wildlife Rehab in Klamath Falls, Ore., whose organization has taken in bald eagles, golden eagles, and different species of hawks that were poisoned by lead.

“In 2018, the group tried to save an eagle that a hunter had found in the woods and was unable to fly and gasping for air.

When Ms. Hale told the hunter that the eagle most likely became sick from feeding on contaminated gut piles … ‘He was horrified. [He] wanted to stop hunting.’ [She] told him that he did not have to stop hunting; he needed only to stop using lead ammunition.

“Many hunters, concerned about effects not only on wildlife, but also on game meat consumed by humans, have been moving away from lead ammunition and have begun using copper bullets.

“Sporting Lead-Free, a hunters and anglers group based in Wyoming that seeks to raise awareness about the adverse effects of lead ammunition, posted a short film with testimonials from hunters who stopped using it.

“ ‘Hunters are conservationists,’ said Bryan Bedrosian, a co-founder of Sporting Lead-Free and a raptor biologist. ‘This does not need to be a polarizing issue.’

“Some hunters hesitate to switch ammunition because of tradition, a mistaken belief that copper bullets are less effective, or because they have a backlog of lead bullets, he said.

“ ‘Then there are still folks who just don’t know,’ said Mr. Bedrosian, who says he uses lead bullets at the range, where he knows the ammunition will not come into contact with wildlife.

“Hannah Leonard, the group’s outreach coordinator, said she hunted with lead bullets until four years ago, when she came upon an emaciated golden eagle hobbling on the ground while she was hunting in Anaconda, Mont.

“ ‘Her talons were really clenched, her wings were drooped,’ Ms. Leonard said. ‘You could tell she was in danger.’

“The eagle later died and Ms. Leonard said the animal rescue group she called to try and save the bird told her the cause of death was lead poisoning. ‘It was a no-brainer for me to switch’ types of ammunition, she said.

“In January 2017, the U.S. Fish and Wildlife Service issued a policy [later reversed] to phase out the use of lead ammunition and fishing tackle used on national wildlife refuges. … The service declined to say whether that policy would be reinstated as a result of the new study. …

“Dr. Slabe said that hunters, once they were educated, would voluntarily stop using lead ammunition. ‘Hunters are very receptive to this issue,’ he said.”

More at the Times, here.

Photo: Adria Malcolm/ NYT.
Lieutenant Colonel Susana Corona of the New Mexico National Guard worked as a substitute teacher in a third grade class in Estancia, New Mexico.

When things are bleak, it’s helpful to remember the advice that Fred Rogers’s mother gave him when he was small: “Look for the helpers. There are always helpers.”

On National Public Radio the other day Ari Shapiro interviewed a woman who had just escaped from Ukraine and came back to the border the next day to help people with translation. And yesterday I learned that Asakiyume — from her home in Massachusetts — was helping translators make their English sound more natural. Perhaps I can also help with that.

Many, many people have also stepped up during the pandemic to meet needs wherever they are. Consider this story about a National Guard lieutenant colonel filling in for an elementary school teacher in New Mexico.

Erica L. Green wrote at the New York Times, “The chorus of small voices ringing from a third grade classroom on a recent morning signaled how far Estancia Elementary School had come in resuming a sense of normalcy after the latest coronavirus surge.

“Students in this small, remote community were enthusiastically engaged in a vocabulary lesson, enunciating words with a ‘bossy r,’ as well as homophones and homonyms, and spelling them on white boards.

“But there was also a sign of how far the district, about an hour outside Albuquerque, New Mexico, still had to go. The teacher moving about the classroom and calling on students to use the words in a sentence was clad in camouflage. ‘My substitute is wearing gear,’ one student responded.

” ‘Yes,’ Lt. Col. Susana Corona replied, beaming. ‘The superintendent allows me to wear my uniform. I’m wearing a pair of boots.’

“[Dozens] of soldiers and airmen and women in the New Mexico National Guard have been deployed to classrooms throughout the state to help with crippling pandemic-related staff shortages. Gov. Michelle Lujan Grisham has also enlisted civilian state employees — herself included — to volunteer as substitute teachers. …

“The presence of New Mexico’s state militia — whose members are trained to help with floods, freezes and fires, as well as combat missions overseas — has largely been embraced by schools as a complicated but critical step toward recovery. Teachers have expressed gratitude for ‘extra bodies,’ as one put it.

Students were mostly unfazed but aware that, as Scarlett Tourville, a third grader in Corona’s class put it, ‘This is not normal.’

“Superintendents were given the choice of whether to have the guardsmen and women wear regular clothes or duty uniforms; most joined Cindy Sims, superintendent of the Estancia Municipal School District, in choosing the uniforms. ‘I wanted the kids to know she was here, to know why she was here,’ Sims said. ‘I wanted them to see strength and community.’ …

“ ‘Trying to have school at a time when everybody’s heart was broken was very difficult,’ Sims said. ‘Our mission is to keep hope alive, and the National Guard is helping us do that.’

“Corona, an intelligence officer in the New Mexico Guard … never envisioned that one of her missions would require being armed with a lesson plan, Wet-Naps and dry-erase markers. But nor did she envision watching her own fourth grader try to learn from a teacher through a screen last year.

“ ‘You always have to be ready when there’s a need,’ she said, ‘when there’s a call to service.’ …

“Coronavirus-related illnesses, quarantines and job-related stress have hit many districts hard. But the country’s education leaders say the pandemic is just accelerating trends that were at least a decade in the making. …

“ ‘Crisis is the word we have to use now,’ said Becky Pringle, the association’s president, describing the enlistment of the guard as a ‘stopgap.’ …

“At Belen High School, in a farming community less than an hour south of Albuquerque, the staffing crunch has been felt acutely. … Principal Eliseo Aguirre said he believed the death of a teacher from COVID-19 had a chilling effect on teacher and substitute applications.

“The arrival of Airman 1st Class Jennifer Marquez last month was a ‘blessing,’ Aguirre said. On a recent Wednesday, she was covering a Spanish class — her third subject in two weeks. …

“Veronica Pería, a freshman at Belen, was happy to see [her]. She said her grades suffered last semester when her teachers were absent and random staff members were popping in and out of her classes, leading to inconsistent instruction. ‘It’s better than watching a video or something,’ she said of having Marquez filling in. ‘It’s good to have someone I can go to and ask for help.’ …

“When the call came from the governor, the New Mexico National Guard’s commander-in-chief, Brig. Gen. Jamison Herrera, knew he would have no trouble recruiting volunteers for Operation Supporting Teachers and Families, or STAF.

“Many guardsmen and women had already seen how the pandemic affects students up close, having delivered meals to those at risk of going hungry when schools closed. …

“Although some members have advanced degrees or certifications that could translate to the classroom — a welder is teaching shop class in one district, for example — Herrera, a former teacher, impressed upon his team they were there to accomplish one goal.

“ ‘We are there to support the learning objectives of the teacher, because we certainly know we can’t fill their shoes,’ he said.”

More at the Times, here.