Feeds:
Posts
Comments

042520-bee-hotel-outside

After I posted yesterday about the bee hotels and other pollinator-friendly initiatives in Costa Rica, I received several delightful photos taken by Lolo Dahlsten in Sweden. A member of Erik’s extended family, Lolo writes, “I had some fun Saturday a week ago when I made this bee hotel. The metal part is actually two zinc shelves tied together with some tarred rope. The other day I put some moss and dandelions on the roof 🌻🌱🐝 Today there’s only the moss left.”

Of course, I had to show you all that bee hotels are a real thing — not just in Costa Rica. And it looks like you can also bring your bee hotel indoors for company at dinnertime.

Hat tip: Stuga40

042520-bee-hotel-with-dandelions-Sweden

042520-bee-hotel-by-Lolo

 

2437

Photo: Curridabat Municipality
A bee hotel, part of Curridabat’s drive to welcome and protect pollinators. Costa Rica takes environmental issues seriously, which has made it a popular destination.

Some folks believe that many of the troubling aspects of our world will get fixed after coronavirus. Some say that’s unlikely. Others expect everything to get worse — problems such as inequality, nationalism, and environmental degradation.

The only prediction I’m confident about is that it will be a long time before we know. Meanwhile, stories from around the world are showing us options — often completely different ways of being.

Consider this story. Patrick Greenfield reports at the Guardian that a suburb of San Jose, Costa Rica, is taking environmental quality very seriously. In fact, the attitude toward nature nationwide has made this part of Central America a desirable destination in normal times. We ourselves went there when the kids were young.

” ‘Pollinators were the key,’ says Edgar Mora, reflecting on the decision to recognise every bee, bat, hummingbird and butterfly as a citizen of Curridabat during his 12-year spell as mayor.

‘Pollinators are the consultants of the natural world, supreme reproducers and they don’t charge for it. The plan to convert every street into a biocorridor and every neighbourhood into an ecosystem required a relationship with them.’

“The move to extend citizenship to pollinators, trees and native plants in Curridabat has been crucial to the municipality’s transformation from an unremarkable suburb of the Costa Rican capital, San José, into a pioneering haven for urban wildlife.

“Now known as ‘Ciudad Dulce’ – Sweet City – Curridabat’s urban planning has been reimagined around its non-human inhabitants. Green spaces are treated as infrastructure with accompanying ecosystem services that can be harnessed by local government and offered to residents. Geolocation mapping is used to target reforestation projects at elderly residents and children to ensure they benefit from air pollution removal and the cooling effects that the trees provide. The widespread planting of native species underscores a network of green spaces and biocorridors across the municipality, which are designed to ensure pollinators thrive. …

“The metropolitan area surrounding San José is home to more than 2 million people – about half of the population of Costa Rica – despite covering less than 5% of the country’s area.

“Were it not for the lush volcanic peaks that surround Costa Rica’s central valley, it would not be immediately obvious that you were in the heart of one of the most biodiverse countries on the planet. Humans dominate and the country’s cloud forests, pristine coastline and emblematic sloths can feel a long way from the concrete and traffic.

“ ‘We attract a lot of tourists because of nature and conservation but there is still friction in the city,’ says Irene Garcia, head of innovation at the mayor’s office in Curridabat, who oversees the Sweet City project. …

“By the middle of the century, the UN projects that 68% of humanity will live in towns and cities, placing further pressure on ecosystems and rapidly vanishing habitats.

“But many urban planners are trying to change this relationship and the importance of green spaces in towns and cities has been recognised in a draft UN agreement to halt and reverse biodiversity loss, often referred to as the Paris agreement for nature.

“Sweet City is just one of a number of biocorridors around the country that allow the genetic spread of species to maintain their strength. In Central America, this concept has developed since the early 2000s following an agreement to form a biocorridor network to connect jaguars.

“ ‘Grey infrastructure makes the city warm up too much. So the idea to connect green areas is to cool down parts of the city, return the ecosystem services that were there previously but have deteriorated,’ says Magalli Castro Álvarez, who oversees Costa Rica’s network of biocorridors with the National System of Conservation Areas (Sinac).

“ ‘Inter-urban biocorridors have a double objective: they create ecological connectivity for biodiversity but also improve green infrastructure through roads and river banks lined with trees that are linked with the small forested areas that still exist in metropolitan areas. They improve air quality, water quality and give people spaces to relax, have fun and improve their health.’

“Many Costa Ricans are happy to speak about the policy benefits of schemes such as Sweet City, as their response to the challenges of bringing nature into the city is part of a deeper national sentiment. It is not in this tiny Central American country’s DNA to behave as if humans were somehow set apart from nature. …

“Says the country’s president, Carlos Alvarado Quesada, who credits Costa Rica’s tradition of pacifism and respect for nature with its desire to tackle big environmental issues, ‘Even though we have a small territory, its characteristics allow us to have 6% of the biodiversity of the world in our land.’ ”

More here.

Shadows

042220-Hopper-esque-in-lonely-era

As usual on sunny days, I’m paying a lot of attention to shadows, and thinking about shadows often calls to mind these words from A Midsummer Night’s Dream:

If we shadows have offended,
Think but this, and all is mended—
That you have but slumbered here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend.
If you pardon, we will mend.

Although Shakespeare is referring to the characters as shadows or perhaps the actors, I’m wondering whether we’re the ones who are shadows. But if so, who is slumbering and seeing visions? When I go down that path, I get all snarled up. Better back off.

Today I was planning to share light and darkness in the form of photos going back to Easter (which seems a long, long time ago for some reason), including photos of shadows. Doesn’t the picture above make you think of a New England painter best known for projecting loneliness?

Sandra M. Kelly sent pictures of the Easter Sunrise Service in New Shoreham and a statue that the folks on the island call Rebecca. Please note she’s wearing her mask.

I used a Sharpie for my hard-boiled eggs this Easter as I had no dye. There were 8 other Easter eggs representing the people who would have come here but for coronavirus. We ate them. 🙂

Kristina Joyce shot the cactus. It bloomed for her twice this Easter. She told me that had never happened before.

On April 18, we had snow, which surprised the flowering bushes at my neighbor’s. The Trout Lilies persevered.

There follow random items that caught my eye on my walks. The mystery vegetable arrived with my farm produce order Thursday. It turned out to be ramps (as in the awesome history of Appalachia called Ramp Hollow) and we sauteed the whole thing, minus roots. We saw online that you don’t cultivate ramps. They need to be foraged. They tasted like a very sharp onion.

041120-statue-with-facemask-by-SMKelly-BI

041220-Easter-sunrise-by-SMKelly-BI

041120-Morfar-Grandma-eggs 2

041720-second-bloom-by-Kristina-Joyce

041820-April-snow-ConcordMA

041820-trout-lily

042920-dragonfly-mailbox

050220-wild-animals

050220-tulips-on-Stow-Street

050220-ramps

042240-shadow-on-tree

042620-shadow-on-big-house

042720-shadows

050220-anthurium-red-leaves-shadow

041020-Nature-is-waiting

 

 

Photo: Erin Clark/Globe Staff
Note that they are wearing gloves! Members of Chelsea Collaborative in Massachusetts pray before opening the doors to a pop-up food pantry. Covid-19 food distribution has been operating for about a month with food donated by local businesses and food pantries.

A sad but hardly surprising aspect of the Covid-19 plague is that the poor, minorities, and immigrants are often the most affected. A community in the Greater Boston area has been learning that the hard way. But in Chelsea there is a spirit of helping your neighbor that is a lesson for us all

Boston Globe columnist Adrian Walker writes, “Gladys Vega’s office at the Chelsea Collaborative does not normally resemble a food pantry. But normal times ended in Chelsea roughly six weeks ago.

“’We probably have 2,000 people lined up, and I’m giving out food in an hour,’ she said when I talked to her Thursday afternoon.

“In a state that has become a hot spot of the coronavirus, hard-hit Chelsea might be its white-hot center. But the frightening prevalence of COVID-19 is only part of the reason her nonprofit has become such a popular spot.

“The city’s status as home to a large population of undocumented immigrants has taken on new meaning in recent weeks. The people Vega advocates for are being shut out of other means of assistance, such as stimulus checks — one more way the pandemic has deepened the divide between haves and have-nots.

“ ‘They don’t have income,’ Vega said. ‘And now they are not able to pay bills or buy food.’

“Vega is giving out not just donated food, but diapers and other supplies as well. For this, she has relied upon a network of donors cultivated over many years.

“That’s where her friend Bob Hildreth came in. Hildreth is a wealthy philanthropist, having made many millions in finance. After walking away from that he founded a nonprofit in Lynn to help poor families, especially immigrant families, save up to send their children to college by matching their savings. …

“Hildreth told me he thinks this is a critical time for philanthropists to do as much as possible to help those the federal government won’t.

“ ‘I don’t think my fellow philanthropists are acting fast enough,’ Hildreth said. “’When you need food and drink you need it within a week. I think this requires an extraordinary effort to get money to grass-roots organizations.” …

“The tragedy in Chelsea has mobilized donors large and small, Vega said. A produce collaborative has contributed food. A group of women in Cambridge have made regular deliveries of diapers and baby formula. Local bodegas that may not survive the lockdown are donating to the food supply.

“ ‘I’ve been so blessed,’ Vega said. ‘Two weeks ago I was crying because I had no food and I had a list of 200 people looking for food. Today we delivered 65 boxes of 25 pounds of food for people with COVID who can’t come out of the house. We call ahead and leave it outside.’

Especially striking has been the philanthropy of Chelsea residents with relatively little to give. ‘A man on Social Security gave me $10,’ Vega said. ‘A woman I don’t know gave me her stimulus check. She said, “You don’t know me, but I want to help.” It’s been the most beautiful show of poor people helping poor people.’

“By Vega’s reckoning, Chelsea’s recovery will be a long haul. The city had been turning around, but that’s been stopped in its tracks. As of last week, Chelsea had the highest per capita number of coronavirus cases in Massachusetts.

“ ‘The coronavirus in one month has taken five years of progress,’ she said. ‘This is a war zone right now.’

“Still, she and her staff keep performing their daily triage operation, with no plans to slow down. She said she’s getting about two to three hours of sleep a night. For now, that’s enough.

“ ‘You see the line and it gives you energy,’ she said. ‘You don’t have time to think about pain. You just continue to go.’ ”

I crossed paths with philanthropist Hildreth in my last job, and I can attest that he is sets an example for philanthropy. But what touches me the most is that people who don’t have much are giving such a big chunk of what they have.

More at the Globe, here, and at the Chelsea Collaborative, here.

merlin_163064895_235f5cd5-5733-41b5-a037-4062b743e933-superjumbo

Photo: Maria Magdalena Arrellaga
The beautiful golden lion tamarin is like the proverbial canary in the coal mine. If this species goes, others will, too. Activists in Brazil are working to protect its habitat.

I really like the Science section of the New York Times. Right before we all began isolating, I had started reading headlines to a grandson and letting him pick an article we could read and talk about. He picked one about a planet small enough to fit in a living room. The tiny planet was a real thing, but we learned that it was only passing through Earth’s orbit.

Alas, who knows whether any grandchild will still be up for reading science articles with me when/if I ever get out of quarantine.

I believe this story about a beautiful endangered monkey in South America would have been of interest.

As James Gorman reported, “The golden lion tamarin, one of the world’s most charismatic primates, has a dark face that can look inquisitive, challenging, almost human, framed in an extravagant russet mane.

“The endangered New World monkey weighs less than two pounds. It lives only in Brazil, and only in the Atlantic coastal forest there. Tamarins spend their time high in the trees, up to 100 feet off the ground, in small groups of up to eight or so animals, with one breeding pair among each group. …

“The golden lion tamarin has always had its human admirers, many of them in the Old World. Europeans imported the animals as pets in the 1500s, and they can be seen in portraits of Spanish royalty.

“But deforestation, agriculture and development destroyed much of its habitat, as the pet trade continued into the 20th century. By the 1970s, only about 200 animals survived.

“In 1992, the Golden Lion Tamarin Association (Associação Mico-Leão-Dourado) was founded in Brazil. In concert with international conservation groups and supported by a dedicated U.S. charity, Save the Golden Lion Tamarin, the group began to buy up land to create connected conservation areas. And zoos around the world, like the Smithsonian’s National Zoo in Washington, D.C., contributed to reintroducing the animals to the wild.

“The population had reached 3,700 in the wild, according to Luis Paulo Ferraz, the director of the association, but suffered its first population decline last year, when yellow fever killed hundreds of the tiny monkeys. … Today there are about 2,500 tamarins living in about five million acres of forest. But only some of those forest acres are connected. …

“ ‘Our main goal,”’ Mr. Ferraz said, ‘is to create a viable population in the long term.’ What that means in numbers is a population of 2,000 tamarins with a connected conservation area of 2.5 million acres, milestones the group hopes to reach by 2025. Scientists say such a size is necessary for the population to be self-sustaining.

“One challenge to getting connected areas was the widening of a major coastal highway, BR-101, which cuts through large chunks of Atlantic forest. The improvement of the highway created a barrier that isolated several forest areas and their more than 700 tamarins from three other large forest fragments.

After negotiations and lawsuits, the conservationists managed to get the construction company to agree to build and pay for a forested overpass for animals, the first in Brazil, with a tunnel and forest canopy connections, to enable the tamarins and other animals to pass from one side to the other. …

“As with many other conservation campaigns, the golden lion tamarin is the beloved and beautiful poster animal for the preservation of a habitat that includes many plants and less compelling animals, like sloths and frogs. The forest also provides a watershed for human use.

” ‘We are not only talking about one species,’ Mr. Ferraz said. ‘We are talking about the environment.’ ”

Click here for more of the story — and some gorgeous pictures.

screenshot2-1587647268-30

Photo: VAN

How’s your Latin? It might help in appreciating this post about 16th century classical music. Then again, you don’t need Latin to understand that a black classical composer from that long ago should not be forgotten. Garrett Schumann reports the story at an online magazine called VAN.

” ‘Only then can his creative genius begin redounding, as it should, to the glory of Black music history,’ writes the musicologist Robert Stevenson in his 1982 article, ‘The First Black Published Composer.’

“Stevenson’s subject was Vicente Lusitano (ca. 1520-ca. 1561), an African-Portuguese priest and musician who enjoyed an international career. Stevenson heralds works like the motet ‘Heu me domine”’ (1551), which exemplifies the composer’s unusual embrace of chromatic counterpoint. …

“Of Lusitano’s compositions, ‘Heu me domine’ has received the most attention from modern scholars and performers, but it is not the only example of his remarkable creativity. In a 1962 essay, Stevenson reproduces a passage from Lusitano’s motet ‘Regina coeli’ to highlight its adventurous chromatic writing, and notes that other works in Lusitano’s 1551 motet collection feature extremely uncommon combinations of accidentals. Musicologist Philippe Canguilheim, in a 2011 essay regarding Lusitano’s unpublished counterpoint treatise, writes that Lusitano is ‘particularly tolerant’ of dissonance, a practice he justifies in the text by citing Pythagoras and Boethius.

“The alluring counterpoint and voice leading of ‘Heu me domine’ connect to improvisation techniques which Lusitano outlines in his counterpoint studies. As Canguilheim notes, these works make pioneering arguments regarding canons and the productive interplay between composition, free improvisation, and structured improvisation.

“ ‘Heu me domine’ is one of just two pieces in Lusitano’s output that 20th-century scholars have transcribed into modern notation — until last month, it was the only piece of his to be recorded. The other work, a 1562 madrigal called ‘All’hor ch’ignuda,’ was recently arranged for woodwind trio and recorded by multi-instrumentalist Misty Theisen. …

“Ironically, Lusitano’s obscurity originates in the most famous episode of his career. In 1551, while in Rome, Lusitano was drawn into an aesthetic dispute by fellow composer Nicola Vicentino (1511-ca.1576), an argument which gained so much attention that a Vatican tribunal convened to issue a verdict. Lusitano won, and Vicentino paid a fine, but, for years afterward, Vicentino published egregiously disingenuous descriptions of the proceedings with the aim of damaging Lusitano’s reputation.

“A 17th-century source in Rome attests that Lusitano’s name was scratched off copies of the widely-published introduction to his counterpoint treatise, and it is plausible he faced other reprisals that went undocumented. These developments likely led to Lusitano’s relocation to Germany sometime after 1553,  where he converted to Protestantism, married, and continued his career until his death. …

“Lusitano’s obscurity also shows the influence of collective action on a composer’s legacy. Vicentino worked hard to distort and erase Lusitano’s achievements, but these efforts only retained their impact because other scholars and artists have — perhaps out of convenience or ignorance — uncritically reproduced Vicentino’s version of the facts.

“Whether any of these developments are related to racial bias is difficult to prove. Nevertheless, composers with historically excluded identities, like Lusitano, have been extraordinarily underserved by institutions of classical music performance and scholarship. Reports from Bachtrack.com analyzing programming from more than 160,000 classical performances around the world between 2014 and 2019 show a population of just 15 white men constitute the 10 most-programmed composers in each of those five performance seasons. Recent research by Philip Ewell exploring the intersection of music theory and critical race theory also compellingly asserts that institutionalized music scholarship is structured in a way that ignores the achievements of women and people of color.”

It’s a long article, but interesting. Read it here.

Hat Tip: Arts Journal.

Douglas Lawrence leads the Australian Chamber Choir at St Martin-in-the-Fields in “Heu me domine” (1551), by Vicente Lusitano, the first published Black classical composer.

Students Sail Home

skynews-students-yacht-atlantic_4977292

Photo: Sky News
Dutch students sail across the Atlantic to get home after coronavirus blocks their flight.

Of all the nutty adaptations caused by Covid-19, this is one of the most unusual. A group of Dutch students who were on an educational sailing trip in the Caribbean were unable to fly home. So they sailed all the way back over the Atlantic Ocean.

Aleksandar Furtula (with contributions from Associated Press writer Mike Corder in The Hague) reports at the Washington Post, “A group of 25 Dutch high school students with very little sailing experience ended a trans-Atlantic voyage Sunday that was forced on them by coronavirus restrictions.

“The children, ages 14 to 17, watched over by 12 experienced crew members and three teachers, were on an educational cruise of the Caribbean when the pandemic forced them to radically change their plans for returning home in March.

“That gave one of the young sailors, 17-year-old Floor Hurkmans, one of the biggest lessons of her impromptu adventure. …

“ ‘The arrival time changed like 100 times. Being flexible is really important.’

Instead of flying back from Cuba as originally planned, the crew and students stocked up on supplies and warm clothes and set sail for the northern Dutch port of Harlingen, a five-week voyage of nearly 7,000 kilometers (4,350 miles), on board the 60-meter (200-foot) top sail schooner Wylde Swan. …

“The teens hugged and chanted each other’s names as they walked off the ship and into the arms of their families, who drove their cars alongside the yacht one by one to adhere to social distancing rules imposed to rein in the spread of the virus that forced the students into their long trip home.

“For Hurkmans, the impossibility of any kind of social distancing took some getting used to. … Her mother, Renee Scholtemeijer, said she expects her daughter to miss life on the open sea once she encounters coronavirus containment measures in the Netherlands.

“ ‘I think that after two days she’ll want to go back on the boat, because life is very boring back at home,” she said. ‘There’s nothing to do, she can’t visit friends, so it’s very boring.’ …

Masterskip, the company that organized the cruise, runs five educational voyages for about 150 students in all each year. Crossing the Atlantic is nothing new for the Wylde Swan, which has made the trip about 20 times.

“The company’s director, Christophe Meijer, said the students were monitored for the coronavirus in March to ensure nobody was infected. He said he was pleased the students had adapted to life on board and kept up their education on the long voyage.

“ ‘The children learned a lot about adaptivity, also about media attention, but also their normal school work,’ he said. ‘So they are actually far ahead now of their Dutch school colleagues. They have made us very proud.’

More at the Washington Post, here. A Reuters article with other details is here.

 

 

43db5b2c-phantomoftheopera-1024x758_ff8fe874-7a25-4282-b94a-f245c7f2bfdf_1200x1200

Image: Phantom of the Opera

It may sound like a scenario for a Phantom of the Opera sequel, but a month in a mask factory, nights included, is what 43 workers at Braskem America in Pennsylvania experienced when their company tackled a rush order of a key ingredient in personal protective equipment (PPE).

Meagan Flynn writes at the Washington Post, “At his factory just off the Delaware River, in the far southeastern corner of Pennsylvania, Joe Boyce clocked in on March 23 for the longest shift of his life.

“In his office, an air mattress replaced his desk chair. He brought a toothbrush and shaving kit, moving into the Braskem petrochemical plant in Marcus Hook, Pa., as if it were a makeshift college dormitory. The casual office kitchen became a mess hall for him and his 42 co-workers turned roommates. The factory’s emergency operations center became their new lounge room.

“For 28 days, they did not leave — sleeping and working all in one place.

“In what they called a ‘live-in’ at the factory, the undertaking was just one example of the endless ways that Americans in every industry have uniquely contributed to fighting coronavirus. The 43 men [worked] 12-hour shifts all day and night for a month straight, producing tens of millions of pounds of the raw materials that will end up in face masks and surgical gowns worn on the front lines of the pandemic.

“No one told them they had to do it, Braskem America CEO Mark Nikolich said. All of the workers volunteered, hunkering down at the plant to ensure no one caught the virus outside as they sought to meet the rocketing demand for their key product, polypropylene, which is needed to make various medical and hygienic items. …

[Said] Boyce, an operations shift supervisor and a 27-year veteran at Braskem America, …’We’ve been getting messages on social media from nurses, doctors, EMS workers, saying thank you for what we’re doing. But we want to thank them.’ …

“Nikolich said the company has shifted its production lines to focus on making that key ingredient, polypropylene, given the high demand due to covid-19. The company then sells the product to clients that turn it into a nonwoven fabric, which medical manufacturers ultimately use to make face masks, medical gowns and even disinfectant wipes, among other items. …

“Nikolich said the plants decided to launch the live-ins so employees could avoid having to worry about catching the virus while constantly traveling to and from work, and so the staff at the factory could be closed off to nonessential personnel. They were paid for all 24 hours each day, with a built-in wage increase for both working hours and off time, the company said. …

“Boyce said some guys brought their Xbox consoles and TVs, and even a cornhole set, to stay entertained. They stayed active at the on-site gym, which ‘has never been used so much before,’ Boyce said, and stayed extra busy in the kitchen. A skilled cook, Boyce and others asked corporate for more pots and pans and a stove. …

” ‘We had to kind of adapt. We came up with a chart for housekeeping chores so we could all clean the bathrooms and clean up after meals,’ Boyce said. …

“But being separated from family got harder as time went on, said Boyce, a father of two teenagers. Some guys counted down the days. One missed the birth of his first grandchild. Visitors weren’t allowed.

“So on Day 14, the families organized a ‘drive-by visit.’ ”  Read more at the Washington Post, here. Although the Washington Post is typically behind a firewall, you can sign up for the Coronavirus newsletter for free here. It’s really good.

Photo: WPVI
Greeting local news station WPVI staff, Braskem America workers finally clock out on Sunday after living and working inside the factory in Marcus Hook, Pennsylvania, for 28 days.

maxresdefault

gjw6gssc7jtv42liwz2xxprp6i

Photo: Craig F. Walker/Boston Globe
Research scientist Hen-Wei Huang talked about Spot the robot during a demonstration at Brigham and Women’s Hospital in Boston.

When Boston Dynamics first launched its robot dog, people regarded it more as a toy with fancy tricks than as a serious partner in the working world.

Then came coronavirus.

As Hiawatha Bray reports at the Boston Globe, the robot’s remarkable agility is one reason it has become useful for screening potential Covid-19 victims safely.

Bray writes, “At Brigham and Women’s Hospital, the first encounter a potentially infected person might have is not with a doctor or nurse swathed in protective gear, but with a talking, animal-like robot that looks like it might have wandered off the set of ‘Star Wars.’

“Spot, the agile walking robot from Waltham-based Boston Dynamics, gained Internet notoriety for showing off its dance moves on YouTube. But now it’s going to work in the real world, striding into the danger zone, armed only with an iPad. The robot is posted just outside the hospital, not so much as a sentinel, but as an intake worker that will help doctors safely interview people who fear they may have been infected with the coronavirus. …

“The yellow-and-black Spot robot, which resembles a large dog, is positioned inside a big white tent set up in front of the hospital’s main entrance as a triage area for potential COVID-19 cases. It is fitted with an iPad that displays a physician located safely inside the hospital who can use the device’s camera to see the patient’s physical condition. The doctor can talk to the patient through the built-in microphone and a mounted speaker, asking standard diagnostic questions.

“The physician is also able to remotely control Spot, directing the machine to move around for a better perspective of the patient. …

‘Most people have been very excited to be interacting with this robot and mostly see it as something that is cool and fun,’ [said emergency room doctor Farah Dadabhoy].

“Michael Perry, Boston Dynamics’ vice president of business development, said that as early as February the company began receiving inquiries from hospitals worldwide. Was it possible, they asked, to use a Spot robot to conduct triage interviews? …

“Many had set up their COVID triage areas outdoors, on lawns or in parking lots. On such uneven surfaces, ‘traditional robotics doesn’t make sense,’ he said. ‘We need something that can handle this difficult terrain.’ …

“Doctors at the Brigham had also been looking into automated triage. In cooperation with engineers at the Massachusetts Institute of Technology, they worked on remote diagnostic sensors, but they needed a robot to carry them. So in March they reached out to Boston Dynamics.

“The result was a specially modified Spot, featuring the iPad and a little carrying pouch mounted near the robot’s ‘tail.’

“There’s nothing flashy about the pouch, but it’s quite practical. It allows Spot to deliver small items such as bottled water to infected patients, without the need to send in a nurse. Personnel can’t approach a COVID-infected patient, even for something as simple as giving him a bottle of water, without putting on safety gear. … With the medical version of Spot, health care workers can just put the bottle in the pouch and have it marched over to the patient. And the moisture-resistant robot is designed to be sanitized easily.

“The current version of Spot is only good for conducting interviews. But the Brigham will soon deploy an upgraded model with cameras that can measure a patient’s respiration rate and body temperature, with no need to make physical contact. …

The company said it is giving its medical hardware and software designs at no charge to any robotics company that cares to use them. Perry said Boston Dynamics has already had talks with a Canadian maker of wheeled robots.

Read more at the Globe, here.

Spot the Robot Dog in an earlier career as a YouTube dancing sensation.

…–Ø‚³‚ñ‚ª•`‚¢‚½ƒAƒ}ƒrƒG

Photo: Mizuki Production/via Kyodo
An amabie drawn by the late manga artist Shigeru Mizuki. The amabie, says National Public Radio, is a “sea monster from 19th century Japanese folklore that has become an Internet meme and pop culture mascot in the fight against COVID-19.”

Isn’t it interesting how we turn to ancient wisdom and mythology to find meaning in crisis? It’s not so much that we believe in fantasies, but we begin to realize that metaphor may have something to tell us that can’t be captured in headlines or scientific reports.

Consider the little amabie, a friendly, protective monster that has risen up from Japanese folklore to address coronavirus.

From the Japan Times: “Social media users have been getting creative recently with images of a legendary Japanese [monster] said to have emerged from the sea and prophesied an epidemic. …

“The story of the half-human, half-fish amabie monster was first featured in a 19th century woodblock-printed news sheet from the Edo Period (1603-1868). The creature was depicted with long hair and a beak, and a body covered in scales.

“An amabie is said to have [told a Kumamoto] official, ‘There will be a bountiful harvest for six years, but disease will also spread. Quickly draw a picture of me and show it to the people.’ …

“On March 6, Kyoto University Library posted on its Twitter account a picture of the original news sheet, dated April 1846, with an illustration of an amabie and a description beside it. …  Since then, social media users have posted amabie images in myriad forms — including clay figurines, embroidery, paper cutouts and manga — alongside phrases wishing for an early end to the current pandemic. …

“A drawing of the monster by late manga artist Shigeru Mizuki (1922-2015) [was] published on the Mizuki Production Twitter account on March 17. …

” ‘Japan has traditionally had a custom of trying to drive off epidemics by such means as drawing oni ogres on pieces of paper and displaying them,’ said Yuji Yamada, a professor at Mie University who is well versed in the history of faith practices in Japan.

“ When many people are suffering and dying, our wish for an end (of the pandemic) is the same in all ages,’ he said.” More at the Japan Times, here.

National Public Radio (NPR) points out that even the Japanese health ministry has pressed the amabie into service:

” ‘Stop the infection from spreading!’ The words appear to come straight from the beak of a creature with a bird’s head, human hair and a fish’s scaly body, in a recent public service announcement from Japan’s health ministry.’ ” More at NPR, here.

P.S. Since most of us continue to be fascinated by humanoids sporting fish tails, I have to point you to Asakiyume’s post about a real-life maker of mermaid and merman tails, here.

Art: Kaori Hamura Long
At NPR, another illustration of an Amabie.

90507095_1344951189040379_9196939669948858368_o_custom-debf119d9d9aad4d61291d81c56dd00c49acd924-s800-c85

merlin_171325053_7e964ad6-9a5e-4fbb-a992-81804bd3bb07-superjumbo

Photo: Lauren Justice for the New York Times
“Faced with grocery shortages,” reports the
New York Times, “many Native Americans have started collecting seeds to plant in their gardens at home.” Among members of the Oneida Nation, white corn, above, is prized for its versatility and nutrient density. 

As many of us non-gardeners start to wonder if we could grow tomatoes and lettuce in the kitchen window, we look with envy at people who can feed themselves without grocery stores.

Recently I read an article in the New York Times by Priya Krishna about indigenous Americans who, although suffering in the pandemic like the rest of us, at least have ancient wisdom they can dust off to help them survive.

“For the roughly 20,000 members of the Oglala Sioux Tribe living on the Pine Ridge Indian Reservation — a vast, two million-acre expanse in southern South Dakota — social distancing is certainly feasible. Putting food on the table? Less so.

“Getting to food has long been a challenge for Pine Ridge residents. For a lot of people, the nearest grocery store is a two-hour drive away. Many rely on food stamps or the Food Distribution Program on Indian Reservations, a federal initiative that provides boxes of food (historically lacking in healthy options) to low-income families. Diabetes rates run very high.

“The coronavirus crisis [has] only made access to food harder, as shelves of the few groceries empty out, shipments of food boxes are delayed because of supply chain disruptions, and hunting and gathering are restricted by government regulations and environmental conditions.

“But the Oglala Sioux, like many other Native Americans across the country, are relying on the practices — seed saving, canning, dehydrating — that their forebears developed to survive harsh conditions with limited supplies. …

“Big-box stores and processed foods have eroded some of the old customs. But now, faced with a disrupted food system, many Native Americans are looking to those traditions for answers.

“Milo Yellow Hair, who lives in Wounded Knee, S.D., on the Pine Ridge Reservation, is hard at work preparing 8,000 seedlings of local varieties of squash and corn — hearty crops with a short growing time — to plant in people’s yards. …

‘Here on the reservation it is a day-by-day existence,’ said Mr. Yellow Hair, 70, who works for the nonprofit Slim Buttes Agricultural Development Program. ‘If this thing goes crazy and the external food services stop, the food we grow locally is going to be paramount to meet this need.’ …

“The coronavirus emergency is dire on the Navajo Nation in Arizona, Utah and New Mexico, which as of [April 13] had 698 cases and 24 deaths. …

“The Turtle Mountain Band of Chippewa has a strong tradition of canning local crops like beets, cucumbers and carrots, and some families are known for their expertise. Many are now donating their stockpiles to those on the reservation in need.

“ ‘You don’t think twice about it,’ said [Jamie Azure, the tribal chairman of the Turtle Mountain Band of Chippewa, in Belcourt, N.D. ]. ‘And then when the Covid-19 threat comes through, you realize how important all of this is.’

“In Alaska, the Athabaskan peoples have long dealt with brutal, protracted winters by preserving produce and freezing meats. Cynthia Erickson, who is Athabaskan and an owner of the only grocery store in her village, Tanana, has a freezer full of moose, caribou and whitefish. But she has been struggling to get her usual wholesale suppliers to fill orders. The tribe may ask Gov. Mike Dunleavy to open moose hunting season (which normally begins in August or September) early if the food supply runs low, she said. …

“After much of his work dried up, Brian Yazzie, a private chef in St. Paul who is Navajo, decided to volunteer at the Gatherings Café in Minneapolis, which is feeding Native American seniors. He is cooking almost exclusively with traditional Native ingredients, making stew out of tepary beans from Ramona Farms in Sacaton, Ariz., and cooking elderberries into a sauce for barbecue chicken.

‘Indigenous peoples survived colonization, and so has our food and ingredients,’ said Mr. Yazzie, 33. ‘Practicing our foodways is a sign of resiliency.’ …

” ‘As this pandemic continues to grow,’ [says Chelsey Luger, who co-founded an indigenous wellness program with her husband], ‘I can tell you that I feel safer on the reservation than anywhere else.’ ”

More at the New York Times. here.

andyandersen_st.fauci_-1080x1080-1

Art: Andy Andersen via Hyperallergic
Andy Andersen’s depiction of Dr. Anthony Fauci, of the National Institute of Allergy and Infectious Diseases, as Saint Pantaleon the Healer. Andersen, a Los Angeles area illustrator, is one of many artists reimagining the doctor as pandemic cultural icon.

Don’t you love how creative people always find ways to have fun with current events, no matter how dire? Consider this charming story by Hakim Bishara at Hyperallergic, where we learn about the art community’s take on the doctor at the center of federal Covid-19 communications, the doctor that people trust.

“Dr. Anthony Fauci, head of the National Institute of Allergy and Infectious Diseases and a member of the White House coronavirus task force, is by all accounts the man of the hour [and] being showered with praise and admiration, sometimes uncomfortably, as he became the most recognized voice in the United States on the coronavirus pandemic.

“On social media, Fauci is being celebrated with thousands of artistic tributes, from admiring portraits and cartoons to tattoos, sock puppets, and saint icons bearing his image.

“One of the most intricate tributes to Fauci belongs to Andy Andersen, an illustrator based outside of Los Angeles. His illustration depicts the famed doctor as the late-medieval Saint Pantaleon the healer. ‘Saint Fauci’ holds a box of medicine, flanked by angels of death and spikey coronaviruses.

“ ‘I based it on some of the classic saint iconography that exists,’ Andersen explained to Hyperallergic in an email. ‘The pose, the composition, the elements all reference those iconic images, but updated with references to the virus.’

“ ‘To me, Fauci is the calming, reassuring voice during this confusing and unpredictable time,’ Andersen wrote. ‘He reminds me of a grandfather who assures you that everything will be ok. It will be hard, it will most likely suck, and sh#!t will happen, but in the end, everything will be ok. The silver lining is that humanity has such a competent, intellectual powerhouse on its side.’

“Several other fans also elevated Fauci to saintdom. One of them created a ‘Saint Fauci’ votive candle with the caption: ‘Not all heroes wear capes! 🙏🙏🙏🙏’ [See @taintedsaint_ on Instagram.]

“One of the most famous public images of Fauci captures him facepalming … during a coronavirus briefing at the White House. For many Americans, the image highlighted Fauci as a voice of reason …

“Brad Albright, an artist and an illustrator based in Texas, decided to perpetuate Fauci’s facepalm with a sticker. ‘Somebody get this man some (more) medals, honors and awards!!! Seriously. He’s a saint,’ he wrote in the caption.

“In addition, there are myriad admiring portraits of Fauci online, from pencil sketches to paintings and GIFs. One such artwork, titled ‘The Explainer in Chief,’ captures Fauci explaining the disease to the press cameras. The artist, Phil Bateman, writes in the caption: ‘Who else but Anthony Fauci could tell you terrifying things and yet whose terrifying explanations made you feel better because you believed only him.’ …

“How does this intense level of attention affect Fauci himself? When asked in an interview with CBS’s Gayle King if he feels personal pressure he calmly answered, ‘It’s my job. This is the life I’ve chosen and I’m doing it.’ ”

Read Hyperallergic here. And for more on the curious manifestations of Fauci fandom, check out the Verge.

By the way, did you ever see the documentary How to Survive a Plague, about the AIDS crisis?  Dr. Fauci was in government back then, too, and in the the early 1980s, before his hair turned gray, he was definitely not considered a hero by terrified AIDS victims. Clearly, he has learned a lot. Which proves that there really are second chances in life.

Photo: Donut Crazy via the Hartford Courant
Donut Crazy has honored infectious disease expert Dr. Anthony Fauci with special doughnuts bearing his image.

oiwoz6yjrnbpjpvre2mrkujbhu

20sci-climattesounds-jumbo

Art: Matt McCann
As the planet warms, say scientists, Earth’s creatures are having a harder time making noises needed for survival.

Today is the 50th anniversary of the first Earth Day. Are you old enough to remember what you were doing then? I was teaching sixth grade language arts in a Pennsylvania public school. The science teacher spearheaded our Earth Day and made sure everyone absorbed lessons about pollution.

Pollution was the biggest concern 50 years ago, says Denis Hayes, Earth Day founder. Global warming “was not part of the national discussion,” but that has changed, he adds.

Among the many climate-change topics I could highlight on this Earth Day, I found the altered soundscape of the natural world especially interesting.

Emily Anthes writes in the Science section of the New York Times, “Spring in Sugarloaf Ridge State Park, in Northern California, is typically a natural symphony. Streams whoosh, swollen with winter rains, and birds — robins, sparrows, grosbeaks, woodpeckers and hawks — trill and chatter.

“But in 2011, a yearslong drought set in. By spring 2015, a local creek had dried up and the valley had gone quiet. ‘The park went from an extremely vibrant habitat to one that was dead silent,’ said Bernie Krause, a soundscape ecologist who has been recording in the park since 1993.

‘Nothing was singing, nothing was chirping, nothing was moving. It’s like it was dead.’

“In the coming years, severe droughts are likely to become more common; as the water dries up, bird song could disappear along with it. It is just one example of how climate change may be altering the planet’s soundscapes, or ‘breaking Earth’s beat,’ as Dr. Krause and his colleagues put it in a paper last year. Dr. Krause, who has amassed more than 5,000 hours of natural recordings for his company, Wild Sanctuary, wrote the paper with Jérôme Sueur, an ecoacoustician at the French National Museum of Natural History in Paris, and Almo Farina, an ecologist at the University of Urbino in Italy.

“Climate change will silence some species and nudge others into new habits and habitats, changing when and where they sing, squeak, whistle, bellow or bleat. (In New York, several species of frogs now begin croaking nearly two weeks earlier in the spring than they did a century ago.) It will also alter the sounds that animals produce, as well as how such vocalizations travel.

“These shifts could make it more difficult for wild creatures to attract mates, avoid predators and stay oriented, as well as force them to expend more energy to make themselves heard. …

“Snapping shrimp are some of the noisiest creatures in the ocean. By rapidly closing their large claws, the animals make snaps, crackles and pops loud enough to stun prey into submission. But ocean acidification, which occurs as seawater absorbs rising levels of carbon dioxide, could soften their snaps. … Researchers at Australia’s University of Adelaide found that the shrimp snap less often and at lower volumes when the water becomes more acidic. …

“ ‘It’s not that ocean acidification completely takes away their ability to make loud snaps,’ said Ivan Nagelkerken, a marine biologist who led the study. ‘They can still do that but essentially don’t want to do that any more.’ [Meanwhile] many marine organisms, especially fish larvae, rely on the sound of snapping shrimp to navigate to suitable habitats.”

Other sound research is on the birds of northern Denmark. “In spring 2010, they were singing from positions nearly four feet higher above the ground than in the late 1980s, Anders Moller, an ecologist at the French National Center for Scientific Research, found.

“Dr. Moller suspects that climate-related changes in vegetation could be responsible. Over the last several decades, the spring and summer temperatures in the region rose 20 percent and precipitation increased 30 percent, he found, and other research has demonstrated that spring is arriving earlier than it used to across much of Europe.

“Foliage can interfere with the transmission of bird songs. If trees are leafing out earlier, or the vegetation is denser, birds might seek higher song posts to avoid this interference, Dr. Moller suggested. He found that species that breed in the forest increased their singing height more than those who mate in more open habitats, like grasslands.

But sitting higher in the trees could come with costs, too. ‘A bird that sits more exposed will run a higher risk of being captured by a sparrow hawk,’ Dr. Moller said.

“Climate change will bring extreme weather, including more frequent and intense storms, to many places on the planet. This uptick in wind and rain could drown out animal calls. … King penguins, which rely on acoustic cues to find their mates and chicks in crowded colonies, … cannot fully counteract the noise, and it takes them longer to find their mates when the wind is howling.”

Lots of other curious tidbits about changing soundscapes here.

Are you doing anything particular for Earth Day? Before lockdown, I was thinking of joining a demonstration against fossil fuel expansion, Stop the Money Pipeline. Instead I’ll probably donate to that, the Arbor Day Foundation, or the highly rated Eden Reforestation Projects. Bad air quality has made coronavirus more deadly, and trees remove pollutants.

1300

Photo: Tuul and Bruno Morandi/Alamy Stock Photo
The Apocalypse Tapestry was “made after war and pestilence had killed millions in medieval Europe,” says the
Guardian. “It is remarkable that the tapestry still exists, given that during the French Revolution it was looted, cut into pieces and used as floor mats and blankets for horses.”

Sometimes we need a reminder that many people in past ages got through pandemics. And we are so much better off. For one thing, most of us believe in germs and know how to protect ourselves. We can get reliable news on the latest science about our plague. We can talk to friends near and far and see how they’re doing. We can have video chats with family. Some of us can even continue our jobs or our volunteer work online.

In the 14th century, it must have been even scarier than now, and it’s no wonder people turned to fanciful interpretations of ancient texts to try to understand. John Kampfner writes at the Guardian about a beautiful tapestry of the Apocalypse that might have reassured some folks that war and pestilence were part of a divine plan.

“In a basement gallery in a French provincial chateau stands the perfect artwork for our chilling times. The Apocalypse Tapestry is by turns grotesque and daunting. It is also mesmerising in its beauty and intricacy. …

“The 90 different scenes tell the story of the Book of Revelation, the Bible’s last gasp of horror, retribution and redemption. It hangs in the city of Angers, in a dimly lit modern gallery at the foot of the castle. …

“In 1373, at the height of the hundred years war and not long after the Black Death, [Louis I, the Duke of Anjou,] instructed Hennequin de Bruges, a Flemish painter to the court of King Charles V, to draw a group of miniatures from the final book of the Bible. His designs were then woven into 100 separate tapestries by the workshops of Nicolas Bataille and Robert Poincon using vivid red, blue and gold woollen thread.

“This epic work – the largest known medieval tapestry in the world – took nine years to complete but was kept in a chest and rarely shown. …

“Revelation was written by Saint John the Divine. … It marks the final battle between good and evil: Satan as a dragon and Christ as a lamb. The tapestry tells the story of the book through the eyes of John, who is present in almost all of the panels. It depicts the seven seals, seven golden candlesticks, seven angels and seven trumpets – and, of course, the four horsemen, who are released by the opening of the first four seals. One of the most beautiful images, after all the blood and fury, is of John on the point of walking up the river of life into the new Jerusalem. …

“So what does Revelation – and what might the tapestry – tell us about our responses to Covid-19? …  Over the past few weeks, as people have had more time to reflect, discussions about human behaviour and causality have adopted a more urgent tone. To put it another way: is this pandemic a dress rehearsal for trials to come, a final warning perhaps?

“When I visited the tapestry in February, none of this was on my mind, even as coronavirus was spreading across China and into South Korea. I was awed by the beauty and horror of the work. Now, in seeking to relate it to our present predicament, I spent a day of isolation reading Revelation.

” ‘And he opened the bottomless pit and there arose a smoke … and there came out of the smoke locusts upon the earth … those which have not the seal of God in their foreheads should be tormented five months; and their torment was as the torment of a scorpion when he striketh a man.’ … Believers are raptured to heaven, and those left behind suffer seven (more) years of torment before the second death arrives. …

“Reformation, revolution, rebellions – the more dangerous the world, the more art fell back on Revelation. Albrecht Dürer’s cycle of 15 woodcuts at the end of the 15th century came at a time of pestilence and peasants’ revolts. The works of William Blake and James Gillray reflected fears that the upheaval of the French Revolution would arrive on British shores.

“It wasn’t just bloodshed that caused artists to turn to Revelation. One of the great works of this genre is John Martin’s The Great Day of His Wrath, painted in 1853. … Martin depicts a pile of rocks collapsing, sending people falling into an abyss. Some eight million people saw Martin’s works, a third of the British population at the time. According to William Feaver, art historian and author of a seminal work on Martin, the artist was reflecting a fear of machines, of lives torn asunder by rapid industrialisation. …

“[Dr Natasha O’Hear, whose book, Picturing the Apocalypse, points out that some are more directly based in Revelation than others. She cites as example the video game Darksiders, released in 2010, which draws on the four horseman of the apocalypse and the evil angel Abaddon for some of its characters. But she insists that nowhere is the story more vividly told than on the tapestry in Angers. …

It is remarkable that the tapestry still exists, given that during the French Revolution it was looted, cut into pieces and used as floor mats and blankets for horses. The pieces were gathered back by a canon of the cathedral and all but 16 were found and restored. …

“The castle is planning to build a new interpretation centre within its grounds. It was scheduled to open in June, but now who knows when?”

More at the Guardian, here.

jeannetteandevon

Photo: Beautiful Day
The photo above was taken before social distancing. But the nonprofit Beautiful Day has made Covid-19 adjustments like the rest of us and continues to train refugees in making delicious products.

It’s been a while since I wrote about the Rhode Island miracle called Beautiful Day (originally Providence Granola Project), and I want to update longtime blog readers while also letting newer readers know about this amazing initiative.

The nonprofit was founded in 2012 by Keith Cooper, who grew up among missionaries in foreign lands. It gives workplace training to refugees and supports itself not only by donations and grants but by selling the delicious products the trainees learn to make. I laid in a haul of my favorite granola at the beginning of the pandemic, and I must say it cheers me up every day.

On March 27, Keith wrote on his blog about the childhood that shaped him.

“I was born during a curfew. I grew up in a war zone. Over the last couple weeks I’ve been having flashback memories from my childhood. We lived in the central highlands of Vietnam, in a town called Kontum, not far from the border or Laos and Cambodia. We lived near a US military airport and compound which we always called MAC-V.

“So military conflict was part of the context for daily life. Just the way things were. My siblings and I had a bullet shell collection. My mom sometimes kept flowers in a brass mortar shell. My parents were linguists working with indigenous peoples who were in the process of being displaced by the war. There were visitors and stories, adults making decisions or talking in a certain tone of voice. There were sometimes flares and gunshots at night, the whir of Chinook and helicopter blades.

“When I was around 4 or 5 … my dad built built a cement-walled bunker under the house with steep steps going down from a wooden trapdoor. Some of my earliest memories, either real or imagined, came from that bunker.

“For some reason I remember the light down there as a beautiful emerald green. I remember a cylindrical kerosene heater with pretty blue flames. My dad had been in ROTC and part of a reserve unit, so he knew enough to make a guessing game of estimating the distance and counting down to the boom of mortars. For some reason, having a shaking boom correctly predicted for you by a voice you love counters any surge of fear….

“I know we can all feel the world getting a shaking these days. I suspect there will now be a break between a pre- and post-carona world and our pre- and post-carona lives. Yet my flashback memories remind me how significant the little things are. My mom pinning laundry. My puppy and a paper birthday hat. The bright scent of coffee blossoms or taste of ripe coffee cherries.

The fact that I remember these better than artillery booms reminds me to make room in my life these days for the small things.

“I’m painting the ceiling of my entryway a twilight blue and a woman at our local hardware store spent a half hour on the phone helping me choose the right finish. What a kind gift from a stranger. And we made a special trip to the store today for cake flour. Tomorrow my daughter and I will bake a lemon birthday cake for my sister. One of my daily joys now is going for a walk around dinner time. Never before have I seen so many apartment lights on or smelled so many wonderful things being cooked in our neighborhood. It has a completely different feel.

“Even in a great shaking there are joys.” More.

Earlier this month, Keith emailed supporters about how Beautiful Day is managing in the pandemic, which has coincided with moving into a new kitchen.

“Everything went as smoothly as could be expected given the new space, the new equipment, and the new routines. The trainees worked long hours making hundreds of [granola] bars and bags of Mochaccino Hazelnut, Ginger Muesli and Pistachio Cardamom granola. …

A big challenge has been to make sure that everyone maintains proper social distance while still having enough room to dance.

“That’s right, dance! The owners of the kitchen left us a big Bluetooth speaker along with a playlist of spirited tunes. When the trainees aren’t listening to music from their own countries, they are blasting top 40’s hits and bouncing around. The Bluetooth has been a big hit and has helped everyone stay productive and focused. Morale is high. …

“We have so much to learn from our trainees in times like these. Even in the midst of a pandemic, they remain upbeat and strong. And they are dancing.”

My past posts on Beautiful Day may be found in 2012, 2015, and 2018.

Buy something yummy for yourself or send a care package to a shut-in, here. You won’t regret it.