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On the principle that “one and one and 50 make a million,” a better world relies on everybody pitching in. Ordinary people can help scientists and other leaders of worthy initiatives.

Lisa Mullins and Lynn Jolicoeur report at WBUR on one example.

“It’s a cloudy, cool July morning, and we’ve come to the docks at Fairhaven Shipyard, near New Bedford, to meet Chris Parks. She’s a tall, elegant, retired Boston banker in jeans and a sweatshirt.

“Parks is a volunteer with the Buzzards Bay Coalition. Residents formed the group 30 years ago to help the struggling bay.

“She’s got a plastic bottle attached to a long metal pole. She submerges it and fills it with sea water. Then she pulls out her tool box full of vials and chemicals. She mixes and measures.

“Parks determines the water is pretty cool on this day — 67 degrees. … In addition to temperature and clarity, Parks tests the water for how much salt and oxygen are in it. She’s been coming to this dock, fastidiously, one or two mornings a week for 17 years.

” ‘I’m doing it because it’s one of the few things that I can do that is a tangible task towards helping the environment,’ Parks says. ‘It’s a little bit of science that helps tell us what’s going on in Buzzards Bay.’

“What’s going on is that the water is warming — and that may be contributing to long-lasting pollution problems in the bay.”

Buzzards Bay Coalition science director Rachel Jakuba says, ” ‘If you have too much algae in the water, that’s when you get cloudy, murky water, loss of eel grass, low oxygen levels that make it hard for fish and shellfish to survive … Bay scallops are very rare now because part of their life cycle depends on eel grass blades.’

“The Buzzards Bay Coalition is attacking that pollution aggressively. It’s working with homeowners to upgrade their septic systems with technology that reduces nitrogen. …

“Jakuba says as researchers figure out how global warming fits into the bay pollution picture, citizen scientists will be key.

“Mark Sweitzer, 68, is a citizen scientist and lobsterman based at Point Judith in Galilee, Rhode Island. …

“Six times a month while he’s catching lobster, Sweitzer lowers a device to the bottom of the ocean — about 200 feet. It tracks the temperature and other characteristics of the water at every depth, and it syncs the data to an iPad on board. …

” ‘I’m just happy to do it, because I feel like I’m providing some information — even though it might not have immediate effect on my boat, but in long-term trends in the fishery and how it might influence policy or regulations,’ Sweitzer says. …’

” The settlers — the tiny little ones that are four days old that have reached the bottom — there is a temperature at which they will not survive … and there are temperatures at which we have an influx of fish. Black sea bass used to be primarily a mid-Atlantic fish. And now … the black sea bass are down there gobbling up these little lobsters that don’t have much of a chance to make it in the first place.’ ”

Read how other fishermen are noticing ocean changes before scientists do and reporting back, here.

We have a friend who sets lobster pots off New Shoreham, Rhode Island. His catch has gone down steadily over the past few years, so I know there is a problem.

Photo: Mark Degon/WBUR
Lobsterman Mark Sweitzer works out of Point Judith, Rhode Island.

Photo: Thierry Bal
Artist Richard Woods’s cartoon-like fake bungalows, installed for Folkestone Triennial, are a commentary on the surge in second homes along the coast.

An English artist who favors cartoon-like architectural constructions has created six bungalows for a Folkestone Triennial installation called Holiday Home.

Kathryn Bromwich interviewed him for the Guardian. “Born in Chester in 1966, Richard Woods graduated from the Slade School of Art in 1990. … [For the triennial] Woods has created six colourful bungalows, situated in unexpected locations around the town.”

According to the interview, the artist is trying to reflect general concerns about who gets housing. People who can afford a second home? Immigrants from Calais across the Channel?

” ‘I was in Folkestone 18 months ago and got given this strange leaflet saying, “Have you thought about turning your property into cash?” – basically, “give up your house so someone can buy it as a second home”. The idea grew out of that: to make six identical bungalows and install some in very desirable locations, some not, but keeping it very open-ended. There’s been equal [numbers of] people coming up to me and discussing the second home issue, and immigration. …

” ‘There’s one house in the harbour, floating around – somebody heard through gossip in the town that it was going to be floated to Calais and back again. Some people are genuinely interested in whether “boat people” will move into the houses. But then lots of people in the town completely get the project.’ ”

The interviewer asks, “What can Folkestone tell us about wider trends across the country?

” ‘It’s a compressed version of the UK: all those issues that are prevalent everywhere are kind of heightened. On a clear day we can see Calais … Folkestone has very broad, different economic groups and because of its proximity to London people are moving here wanting a second home. People have asked if the homes are going to be available for local residents or just people from London.’ ”

The exhibit runs until November 5. More at the Guardian, here.

I’m sitting in my second home as I write this. There is no question that second homes in resort areas make housing extremely difficult for year-round residents. That’s one reason I support efforts to build affordable housing with subsidies, but I’m afraid it’s just a drop in the bucket.

The Sun and Moon


Art: Sun and Moon
A beautiful book reviewed at Brainpickings and featuring the work of ten of India’s indigenous artists.

Maria Popova, my go-to source for children’s book suggestions, tweeted about the book Sun and Moon in August, around the time of the eclipse.

“In Sun and Moon,” she writes, “ten Indian folk and tribal artists bring to life the solar and lunar myths of their indigenous traditions in stunningly illustrated stories reflecting on the universal themes of life, love, time, harmony, and our eternal search for a completeness of being.

“This uncommon hand-bound treasure of a book, silkscreened on handmade paper with traditional Indian dyes, comes from South Indian independent publisher Tara Books, who for the past decades have been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on books handcrafted by local artisans in a fair-trade workshop in Chennai …

“Among the indigenous traditions represented in the book are Gondi tribal art by Bhajju Shyam (of London Jungle Book fame), Durga Bai (featured in The Night Life of Trees), and Ramsingh Urveti (of I Saw a Peacock with a Fiery Tail); Madhubani folk art by Rhambros Jha (of Waterlife); and Meena tribal art by Sunita (of Gobble You Up).”

Popova links to WorldCat, a library system, for the book’s publishing details and this description: “Part of everyday life, yet rich in symbolic meaning, renderings of the sun and the moon are present in all folk and tribal art traditions of India. Agrarian societies have always kept track of time by referring to markers in the seasonal variations of the sun, moon and planets. They have also woven wonderful stories and myths around them. Here, for the first time, is a collection of unusual stories and exquisite art from some of the finest living artists, on this most universal of themes.”

Be sure to read the Brainpickings post, here, for more art, more of Popova’s insights, and her ever thoughtful suggestions for related reading.

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I love stories about people who get a good idea and just go do it. In this one by Deborah Allard at Fall River’s Herald News, a man who enjoys gardening is sharing beauty in his own way.

“Del Thurston examined the earth oblivious to the traffic rolling up and down busy Bedford Street.

“The drivers probably didn’t notice the gardener either, but it would be hard to miss the wall of yellow blooms that sprouted up this summer like a centerpiece in the middle of this cement-heavy city neighborhood.

“ ‘I wanted something to brighten up the corner,’ Thurston said.

“And, he found it in the form of sunflowers. The lemon queen variety flowers stretch across the front of the empty property on Bedford Street, and along the corner of Oak Grove Avenue. …

“A gardener who came to the literal field later in life, he approached the property owner in the spring and asked if he could plant sunflowers. With the go-ahead, Thurston nurtured the flowers from seedlings and has watched them stretch toward the sun all season long. …

“He said he used to drive by the vacant lot and noticed the raised flower beds on the property, formerly used by the YMCA.

“ ‘I would see these beds,’ Thurston said. ‘It had good soil. I’ve always wanted to try this with sunflowers. …

“ ‘I’ve met some absolutely phenomenal people in the neighborhood,’ he said

“The fat and happy bees seemed OK with his work, too. They buzzed around the blooms, paying no attention to the humans keeping watch on them, doing what bees do. …

“Gardening has become a favorite hobby for Thurston, who has been involved with the Bristol Community College community garden. … He said he started gardening when he was in his 50s, but Thurston’s knowledge of plants and seedlings seems more mature than a mere decade or so.

“He pointed to the center of the property where herbs and perennials, including sage, sprouted up on a mound of dirt.

“ ‘The rabbits jumped on my pineapple sage,’ he said, extending a leaf that emitted a nice scent of the fruit that bears its name. …

“ ‘This has been very empowering for me,’ Thurston said. ‘I like the positive feedback from the neighborhood.’ ”

More here. Hat tip: @FallRiverRising posted this on twitter.


Photo: The Economist
A statue of Juha, the wise old fool of Arab folklore.

It’s interesting to me that all cultures seem to have something like a wonton as part of their cuisine. Jewish cooks make kreplach, Italians make ravioli, Polish cooks make pierogis, and so on. We have more in common than we often realize.

The same goes for folktales. For example, most cultures have a wise fool, like the old court jesters or Don Quixote. I just learned about an Arab example.

The Economist comments, “Western audiences have grown used to the marauding heroes of Arabic folklore. Characters like Sinbad the Sailor and Ali Baba instantly conjure images of hidden treasure and desperate sword fights. But in the Middle East itself, many people prefer a more down-to-earth figure: Juha, a wise old fool, and his long-suffering donkey. …

“Juha first appeared in an Arabic book of the ninth century, though this was likely adapted from an older oral tradition. From there, Juha quickly splintered to the far ends of the Mediterranean world. He followed the Arabs to Sicily, where he became known as Giufà. In Turkey, his legend merged with a Sufi mystic called Nasruddin, while the Ottomans exported him to the Balkans. Some even claim that Juha inspired Cervantes’s ‘Don Quixote.’ …

“In some tales, Juha is accompanied by his faithful donkey and much amusement springs from it getting lost. One story begins with Juha looking for the animal around town; everywhere he goes, he thanks God. People are confused. ‘Why are you praising God?’ they ask. ‘Surely this is nothing to be thankful for?’ Juha smiles. ‘If I were riding the donkey right now, I’d be lost too!’

“Not all Juha’s tales are so innocent. Like court jesters in medieval Europe, his everyman style has proved an ideal vehicle for social criticism. In one fable, Juha is approached by a proud king. ‘All the great rulers of the past had honorific titles with the name of God in them,’ he proclaims. ‘There was God-gifted, and God-accepted. Can you think of a name for me?’ Juha pauses. “God-forbid,’ comes his retort. …

“Ali Ahmed Bakathir, an Egyptian nationalist, reimagined the fable of ‘Juha’s nail’ in 1951 to mock Britain’s obsession with the Suez Canal (just as Juha keeps ownership of a single nail at his old house so he always has an excuse to visit, Bakathir suggested that the British used Suez to justify their occupation of Egypt generally). …

“Amid the confusion of the modern Middle East, Juha is one way people find common ground. Last year, storytellers from around the Gulf met in the United Arab Emirates to celebrate Juha. The internet provides another space for communal appreciation. A popular Reddit page features dozens of volunteers reading a classic Juha story in their native Arabic dialect.”

More at the Economist, including sightings of Juha in unlikely parts of the world, here.

Oh, I do love kindhearted stealth projects. This worldwide campaign promotes reading. Chayanit Itthipongmaetee filed a report about it at KhaosodEnglish in Thailand.

“ ‘A Little Prince’ was hiding at BTS Siam [Bangkok Transportation System, or Skytrain]. A ‘Cat in the Rain’ was discovered at BTS Sala Daeng. …

“Fairies hid copies of these books and more in public places [in early August] as a local launch of The Book Fairies project, an international initiative in which people leave texts for others to discover in cities around the world. After readers finish a book, they are supposed to pass it on to others.

“One of the Bangkok book fairies said she learned about the book-drop project a few days before attending Saturday’s TedxBangkok. At the event held inside the KBank Siam Pic-Ganesha Theatre, she sneakily dropped five copies of best-selling memoir ‘Tuesdays with Morrie.’

“ ‘I was really excited for my first book drop, hiding one book at a time, mostly on breaks throughout the event,’ said the woman. …

“She was delighted to hear from one of her book beneficiaries a day later.

“ ‘Dear #bookfairies, I found this at #TEDxBangkok and took it home with me. I don’t know who you are but thank you for passing it on,’ wrote Facebook user Awm Has Standards. …

“Asked what kind of books she wants Thais to read more, the Bangkok book fairy said it would be literary publications for youths.

“ ‘This might sound strange, but I would love to recommend everyone to read English children’s books. … They are doors to creativity, language learning and life lessons. With or without pictures, the exciting stories for children always allow you to be free with your imagination and color them wild. They are also a good start for those who want to practice English.’

“The Book Fairies campaign was originally launched March 8 on International Women’s Day. The campaign became world-famous when British activist and actress Emma Watson, best known as Hermione Granger in the ‘Harry Potter’ film franchise, left copies of books with feminist themes around cities such as London, Paris and New York.”

More here.

Photo: The Book Fairies Thailand / Facebook

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Photo: Lisa Nolan
A child called Melissa painted artist Lisa Nolan’s portrait of her at Lowell’s Making Art with Artists program in 2015. When artists work with children, freedom to create is the name of the game.

Did you catch the National Public Radio story about a free art camp in Michigan? I read about it at ArtsJournal, one of my favorite sources.

My friend and former boss Meredith Fife Day led a similar program in Lowell, Massachusetts, called Making Art with Artists. It was amazing.

Zak Rosen at NPR’s Weekend Edition Saturday interviewed one of artists behind the Michigan arts camp.

“In Hamtramck, Mich., a working class city almost surrounded by Detroit, camp is not affordable for many kids. An artist has started a camp inspired by adventure playgrounds and neighborhood artists. …

“Hamtramck is formerly a working-class Polish city. But in recent years, there’s been a huge surge of other immigrants, many from Bangladesh and Yemen. Accompanying that surge have been lots of artists who work to put community at the center of their practice, people like Faina Lerman. [Lerman and her husband have] eight open lots.

“They garden on a few of them, but that still leaves plenty of space for other stuff. And in this part of the city, there aren’t any playgrounds. So this summer, Lerman and some neighborhood artists started a free, week-long day camp. …

“Camp Carpenter does not have a stated mission. If it did, it might be, let’s just do this and see what happens. And adults are here to help, not to lead.

“LERMAN: I feel like everything is just very over structured for kids. Like, they don’t have even the space to make their own decisions or to let their minds expand to different ways of learning or gathering information.

“ROSEN: So here, the structure is intentionally loose. But by the end of the week, there is the start of an adventure playground, built in part by the campers. …

“ROSEN: One young camper, Jimmy Engalan, is learning how to use a hammer. A less patient adult may have allowed him a few whacks of the nail and then taken over — but not teaching artist Liza Bielby. …

“She watches Jimmy until he drives the nail all the way down into a wood pallet. It takes 258 knocks. I counted — 258. But he does it. …

“ANGILENA OMOLARA-FOX: I’m Angilena Omolara-Fox, and I am 11 years old. I made a pillow. I made a dress. I helped with the little fort thing over there.

“ROSEN: So would you come back to camp?

“ANGILENA: Yes, because I don’t really get a lot of chances to use tools and to make, like, things that I would like to make.”

More at NPR, here.

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When we lived in Minneapolis in the late 1990s, we would tell friends back in Massachusetts that we thought the Twin Cities theater scene was the best anywhere. They would say, “You mean the Guthrie?”

No, actually. We meant the many small, more-experimental theater groups that popped up everywhere.

Friday we were introduced to new one, TigerLion, which performed an outdoor “walking” play about Henry David Thoreau and Ralph Waldo Emerson at the Old Manse. Above you see one of several stages and the warm-up team performing before the show. (Note also that the audience’s path to the next stage set is lined with apples.)

The highly physical acting style kept everyone from toddlers to adults entertained as did the whacky sound effects, wild locomotive and cabin-in-the-woods creations, and energetic choruses.

When the Royal Shakespeare Theater decided in the late 1970s that the best way to convey the uniqueness of Dickens was to recite chunks of his narration (as in their production of Nicholas Nickleby), I think they changed theater forever. The inventive TigerLion expands on the use of a chorus, at one point having it speak the conversation of the pantomiming protagonists — even the crunching of the apples they eat. (Really funny.)

The troupe wants audiences to delight in nature and save the planet from unchecked exploitation. From the website: “We celebrate human wisdom and the spirit of nature through creative works that awaken, inform, and delight. …

TigerLion Arts presents Nature, the mythic telling of Emerson and Thoreau’s mutual love affair with the natural world.  …

“A professional ensemble of actors takes the audience on a journey through the natural environment as scenes unfold around them. Bagpipes, ancient flutes, drums and rich choral arrangements are intricately woven into the experience. …

“This original work is collaboratively created with writer/actor Tyson Forbes, a direct descendant of Ralph Waldo Emerson.

“In today’s world, we are so estranged from our natural environment, and at TigerLion Arts, we feel that humankind must reconnect with nature in order to survive.  As oil spills into our oceans, as we race through our lives, as we look further and further outside ourselves for the answers, it is our hope that Nature can be a catalyst for our collective healing.”

More.

Photo: TigerLion
Energetic Minneapolis theater group recreating the interactions of Henry David Thoreau and Ralph Waldo Emerson.

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A Vegetable Orchestra


Photo: Johnny Milano for the New York Times
Members of the Long Island Vegetable Orchestra practice for a performance at Long Island’s Oyster Bay Music Festival.

If you liked my 2015 post about MIT wizards making vegetable instruments, wait! There’s more!

Recently, Annie Correal wrote at the New York Times about an orchestra of such instruments.

“On a muggy day in July, in a Long Island backyard, a group of musicians had gathered for rehearsal. As their conductor gently raised both hands, they steadied their instruments, and played the first notes of a Bach chorale, ‘Nun freut euch, Gottes Kinder all.’

“The conductor stopped them. The snake gourd had not hit the D and the butternut squash had come in a little sharp. Take it from the top, he told the players.

“The group rehearsing, the Long Island Vegetable Orchestra, plays instruments made entirely from vegetables. On this day, in addition to the squash and the snake gourd, it included two carrot flutes.

“The orchestra was created more than a decade ago by Dale Stuckenbruck, a classically trained musician from Germany who teaches music on Long Island. It is not the first of its kind. … But it may be the only orchestra of its kind in New York. Over the years, it has performed at schools, galleries, libraries and at an environmental conference in Geneva. It even appeared in a film.

“On this day, Mr. Stuckenbruck, 63, and his four players were rehearsing for their annual performance at the Oyster Bay Music Festival.

“Because vegetable instruments don’t last, fresh ones have to be made every time they play, and they had spent the hour before rehearsal carefully drilling into carrots and hollowing out squashes with an ice cream scoop. The table before them was covered with pulp and broken carrots. …

“The instruments had been kept in ice water so they would stay crisp. … But the temperature hovered around 90 and the day was windless, and as they played the Bach chorale, they were racing against time. In this weather, the instruments would soon grow soft and the mouthpieces gummy, or they might dry out.

“Mr. Stuckenbruck’s … patience was perhaps the key to the continued existence of the Vegetable Orchestra.

“ ‘Let’s do it again,’ he said, as they sat in the broiling sun. …

“Mr. Stuckenbruck was born in Stuttgart, Germany, the son of a saw player. He attended a Waldorf school — which favors hands-on learning — and moved to New York in his 20s to play violin and saw; he played the saw with the New York Philharmonic this spring. …

“He had been asked to create a music program for students who were not musically inclined, he said. After failing to capture their interest with in drumming and music theory, he stumbled across the Viennese Vegetable Orchestra on YouTube.”

“ ‘Everything looks easy on YouTube,’ he said.

“Making playable vegetable instruments turned out not to be easy, but once he got the hang of it, the concept caught on. Carrots could be wind instruments — flutes, panpipes and clarinets, or, as Mr. Stuckenbruck called them, carronets. (The reed is often made from a slice of sweet potato.)

“Depending on the depth of the cavity and the size of the mouth hole, butternut squashes could be trumpets, trombones or French horns.

“Over the years, Mr. Stuckenbruck added more instruments. Broccoli and potatoes made melodious flutes. A daikon, a big white radish, made a deep, honking sound like an oboe. Peppers, with their seeds, were natural maracas.”

More at the New York Times, here, where you can learn which leafy vegetables are good for a sound like scratching a record. Also, be sure to check out the array of instruments on the vegetable orchestra’s home page, here.


Photo: Eric Sander
Monet’s water garden and the Japanese footbridge in Giverny, France. Gilbert Vahé has been working to maintain the aesthetic of the Impressionist painter’s gardens since 1977.

I’ve always admired historic preservation efforts that save beautiful, old buildings while giving them new, modern purposes. There is a recognition of beauty as both immutable and changeable.

Similarly, ensuring a garden continues to look the same as when an artist painted it is a matter of germinating, blooming, dying, and rebirth. You can’t preserve a garden in amber.

Casey Lesser writes at Artsy about a horticulturist who practices a complicated art that is at the mercy of the seasons.

“Each year, from late March to early November, more than 500,000 people travel to Giverny, France, to visit a place they’ve primarily seen in paintings,” Lesser writes.

“They arrive to find a charming pink farmhouse with emerald-green shutters, set among brilliant flowerbeds that overflow with tulips, lavender, or sunflowers, depending on the season. They follow signs to a tunnel, and are led to an oasis of weeping willows and bamboo shoots, where they can amble along a pond packed with waterlilies, before crossing a familiar Japanese footbridge cloaked in wisteria.

“More than just the idyllic inspiration and open-air studio behind some of the world’s most famous paintings, Claude Monet’s gardens in Giverny have long been understood as a total work of art in their own right. …

“On July 10th, Jean-Yves Le Drian, French Minister for Europe and Foreign Affairs, announced that the site would be a candidate for a UNESCO World Heritage Site designation. That achievement is due in no small part to Gilbert Vahé, Giverny’s head gardener. …

“Vahé’s post at Giverny began with the restoration of the gardens in 1977. While Michel Monet, the artist’s son, had left the property to Paris’s Académie des Beaux-Arts upon his death in 1966, with a view for it to become a museum, it went untouched for a decade.

“An initiative to revive the garden eventually materialized thanks to the French philanthropist and curator Gérald Van der Kemp, who is also known for spearheading the restoration of the Palace of Versailles, and who would go on to become the first director and curator of at Giverny. In 1970, he set up the Versailles Foundation in New York, which was backed by American patrons, and would also fund Giverny. But it was not until an auspicious meeting with Vahé that the gardens really began to take shape. …

“The process of revitalizing the gardens was slow, spanning a long four years. Vahé worked alongside a team of fellow gardeners, including one who had worked alongside Monet himself. …

“Monet had bought the farmhouse and its land in 1883, stumbling upon it while on a walk, and later permanently traded the avenues of Paris for the rolling hills of Normandy. After fitting the house to his needs — painting its walls in hues of blue and yellow, setting up a studio, and hanging it with his collection of Japanese prints — he turned to the gardens.  …

“The plants we see today are not exactly the ones that Monet painted a century ago, and they’re not all placed where they were when the artist lived, but Vahé believes that’s not what’s important. Rather, he works to maintain the original aesthetic — a certain profile of color and light — that corresponds to Monet’s vision.”

More at Artsy, here. The article includes some pictures you’ll like.

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I’ll start with the parrot.

Do you ever think about how a slight change of routine can lead to something interesting? When I was commuting every day, I often missed my train, so I would tell myself maybe it’s OK. Maybe this means I’ll run into an old friend or make a new one or see something amazing out the window that I would have missed otherwise.

Last week, I walked home from an errand on a different side of the street because it was shadier, and I’m pretty sure I would have missed the parrot if I had stuck with routine. Such a small change! The owner returned as I was taking pictures and told me it was an Amazon Parrot. I was impressed that it hadn’t tried to exit the open window.

The next photos are of a local community garden. I tried to find out if the food bank could do gleaning there as I know the original donor wanted the land to feed the poor. Still researching that. It looked like a lot was going to waste there.

Next comes Verrill Farm, with flowers in pots and flowers you can pick yourself — under amazing skies. That farm seems to have especially wonderful skies. I also liked the sky over the church steeple.

The tree, of course, has a face. I don’t know if it’s an Ent. I hope so, but it wasn’t talking.

The next shot shows the early morning sun over Minuteman Park. Then you have some dancing ladies near the deciduous holly. And a photo of the parrot looking at me indignantly.

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Architectural Chuckles


Photo: Jared Soares for the New York Times
Dupont Underground, a converted trolley station, functions as an experimental art and cultural space in Washington’s Dupont Circle neighborhood.

Kids are pretty literal about things they hear adults say. I knew a girl, a granddaughter of John D. Rockefeller, who when very young was supposed to recite Bible verses with all the students in her school. In her mind, the words “Praise and magnify Him forever” were “Praise the grandfather with a feather.” Someone corrected her.

If I were to tell one of my young granddaughters about underground art, I suspect she’d picture art that was literally under the ground, maybe for the ants that “go marching one by one, down to the ground, to get out of the rain.”

In Washington, DC, she’d be close to the mark. As Avantika Chilkoti wrote recently for the New York Times, an experimental-art space is located under Dupont Circle.

“Roaming the streets of the Dupont Circle neighborhood about 20 years ago, Julian Hunt spotted a grimy staircase leading down from the pavement to a boarded-up door.

“He spent many hours on the phone and in the city’s archives, which led Mr. Hunt to crawl through filthy tunnels with a flashlight to discover an old trolley tunnel inhabited by a small group of homeless people.

“Since the city’s trolley service shut down in 1962, the 75,000-square-foot labyrinth had been the site of a subterranean murder, rumored ’80s rave parties and a Cold War-era bomb shelter. Now, Mr. Hunt, an architect who was a founder of the Hunt Laudi Studio, has turned the tunnels into the Dupont Underground art space, which draws 3,000 visitors every month. …

“The tunnels are now part of a wave of spaces — from small galleries that host artists to sitting rooms that accommodate musicians — where local talent can showcase work in the capital rather than fleeing to New York. …

“ ‘We’re this intermediate opportunity,’ said Noel Kassewitz, director for arts programming at Dupont Underground. ‘We’re a young nonprofit so we have the flexibility to host more experimental works here while at the same time having the space.” …

“The tunnels belong to the District of Columbia government. But after much haggling with the authorities, delayed further by the turmoil of the global financial crisis, Mr. Hunt won a five-year lease in 2014.

“His nonprofit has since spent about $300,000 — raised through crowdfunding and private donations as well as ticket sales — to clean the space and install basic lights and ventilation. Local officials are watching its success closely after an attempt to draw people to the tunnels with a food court on another platform failed in the 1990s.

“For Mr. Hunt, the project is a form of activism in a city where, when people think of beautiful architecture, they think mostly of the preservation of historic buildings.

“ ‘It’s not the kind of activism where you actually do things, new things and where you experiment,’ Mr. Hunt said. ‘That’s not here. This is not an entrepreneurial city.’ ” More here. Check out the pictures.

I do like the concept, but I wish the reporter had told me what happened to the homeless people that Hunt found there 20 years ago.

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The Providence bus hub is in the center of town near shops, corporate offices, Burnside Park, restaurants, galleries, hotels, and other attractions. In bad weather it becomes an unofficial day shelter for homeless people, with the result that the whole area is a magnet for Rhode Islanders who need more help than a roof.

Panhandling has become a constant fixture there, and with businesses complaining loudly, the city has tried to address the issue in a variety of ways. Some of them have been ham-handed, like the short-lived initiative to put panhandlers in jail.

The latest approach appeals to me, despite seeming like a superficial way to address deep social problems. It involves a kind of parking meter, where the compassionate can donate indirectly to those who need help knowing that the money will not go toward anything that makes their lives worse.

Providence is also experimenting with a program piloted by Albuquerque, New Mexico, which pays people to do work around the city rather than panhandling.

A year ago, Edward Fitzpatrick at the Providence Journal described the thinking behind the effort to find constructive solutions.

“The Washington Post just wrote about Albuquerque’s ‘There’s a Better Way’ program, which pays $9 an hour for day jobs beautifying the city. In partnership with a local nonprofit that helps the homeless, the program employs about 10 panhandlers per day and offers them shelter. In less than a year, they’ve cleared 69,601 pounds of litter and weeds from 196 city blocks, and 100 people have been connected with permanent jobs.

“Republican Mayor Richard Berry told The Post that most panhandlers have been eager to work. ‘It’s helping hundreds of people,’ he said, ‘and our city is more beautiful than ever.’

“And now, the Albuquerque model is being looked at by both Providence Mayor Jorge O. Elorza and former Providence Mayor Joseph R. Paolino Jr., a downtown property owner who just became chairman of the Downtown Improvement District and called a meeting on panhandling and homelessness. …

“Paolino said he does not want to address panhandling in ‘the Giuliani way — throw them out and not fix any of the problems.’ Rather, he wants to work with social-service agencies so that if people are homeless they get shelter and if they’re addicted they get treatment, but if they’re dealing drugs they should be apprehended, he said.

“ ‘Although this is a crisis, this is an opportunity,’ Paolino said. ‘These social-service agencies never had the business community working with them before.’ ”

That program strikes me as a good idea. I have seen it in action. I also like the meters. For me, it’s a great way to keep pocket change from weighing me down while reassuring me that small amounts will add up to something meaningful. The money goes to reliable agencies, and people in need of assistance can contact them using information on the meters.

More at US News, here, and the Providence Journal, here.


Photo: Irish History
In Ireland and elsewhere, a ring of mushrooms is thought to be a
fairy ring.

Turtle Bunbury posts lots of interesting stories about Ireland on Facebook, and recently he shared an article about the notoriously vengeful Irish fairies.

Michael Fortune, folklorist and filmmaker, writing at an Irish publication called the Journal, says that “there’s not a village in the country that doesn’t have these fairy stories. Our folklore tell us that they inhabit certain places: bushes, stones, corners of fields and especially old enclosures which number 40,000 plus around the country. …

“It’s generally claimed that we have lost some 10,000 since they were first mapped in the 19th century and this is mostly due to mechanisation and developments in agriculture, land reclamation etc.

“Growing up on the coast of Wexford my own late father brought me to every raheen in our area, while in the same breath showed me the spots where others once stood and most importantly, told me who was involved in removing them and the consequences they suffered. …

” ‘It’s not worth the risk,’ I repeatedly hear from farmers. …

“When the landscape changed due to developments in agriculture and field formation over the centuries, these physical spaces were left behind, untouched and this is where your fairy paths come into play. …

“We literally have thousands of stories relating to the consequences of building/interfering on such paths recorded in our archives or alive in the stories of communities around the country. …

“In extreme cases I’ve seen houses abandoned due to the torment brought on by the fairies. And if your DIY skills couldn’t fix it, you’d call for some outside expertise and I’m not talking Dermot Bannon here with his concepts of light and open spaces. No, more along the lines of those those ancient Druid like fellas with their prayers, magic water and long flowing cape ie the local parish priest.

“Although Rome mightn’t have agreed with their actions, there are numerous accounts of priests being brought in to perform exorcisms of sorts on such houses all over the country. In my own village in Wexford one such story still survives of a priest who was brought into a house which the fairies visited every night and after ‘driving the fairies out, he died three weeks later as a result of his efforts.’ Such was the power of the fairies.” More at the Journal, here.

I loved Fortune’s video of two believers. I especially loved their brogue since I failed to record James‘s speech, and now he’s gone.

Film: Michael Fortune
Two men discuss encounters with the fairies in Ireland.