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Child-Driven Play

Photo: Abby Oulton 

I’ve written before about outdoor nursery schools and child-directed play. Today we carry the concepts a bit further as Timothy D. Walker writes at the Atlantic about the “junk playground of New York City.”

“ ‘It looks like a dumpster playground,’ my wife told me, as we pushed our double stroller down a hill on Governor’s Island in New York City. ‘Like some slum.’

“In front of us was an area that looked like — to my eyes, at least — an Occupy Wall Street campground, with shoddy constructions of plywood, wooden palates, and blue tarp. I counted 10 children, who were roaming a space about half the size of a soccer field littered with car tires, plastic crates, orange cones, and a sea of unidentifiable debris. …

“In 1943, the first adventure playground (‘junk playground’) was piloted in the city of Copenhagen, Denmark, which was under Nazi occupation. From then on, the concept was embraced around the world, especially in Europe. A professional methodology called ‘playwork’ was established in the United Kingdom, in which trained adults (‘playworkers’) would run these environments. …

“Despite their global popularity, adventure playgrounds have struggled to gain traction in the U.S. … Peter Gray, a psychology research professor at Boston College, wrote in the American Journal of Play that free play — ‘activity that is freely chosen and directed by the participants and undertaken for its own sake’ — has declined over the past half century in America, and he inferred that a high level of parental fear about the safety of children and the rise of ‘adult-directed, school-like activities’ are two of the major causes. …

“On the ferry ride back to Manhattan, I reflected on how four  simple ingredients — junk, tools, physical space, and playworkers — could create such a powerful learning environment, where children appeared to develop their ‘Four Cs’ (communication, collaboration, critical thinking, and creativity) for hours on end. Indeed, these Four Cs were the key ’21st-century skills’ that many American schools strived to sharpen in their students, but at the junk playground, this development seemed to happen rather effortlessly through self-directed play, supported by well-trained playworkers. …

“Not only do I think playworker-run junk playgrounds represent the future of playgrounds, they seem to provide a glimpse into the future of schooling, too. Today, teachers — especially in America — are gravitating toward more active, child-directed pedagogical methods that look similar to what I observed on the junk playground: ‘project-based learning,’ ‘makerspaces,’ and ‘genius hour.’

“Finland, the Nordic nation that’s often praised as a leader in public education, is implementing its newest national core curricula this fall, in which playful learning and developing student agency are emphasized.”

Interesting, no? For me, child-directed play has always been the goal, but at the same time, I’m a safety nut. I suspect that US parents’ focus on increasing the safety of playgrounds may have something to do with the fact that fewer parents are there to watch. Just as monitoring your preschooler on a swimming trip may be something you don’t want to delegate, you may prefer to be nearby when you let your kids experiment with a junk playground.

There is more at the Atlantic, here. Hat tip: Taught by Finland, on Facebook.

New England Again

Well, we’re home and adjusting to the time change more easily than when we traveled east. Meanwhile, it occurs to me that I have a bunch of New England photos from both before and after our trip that I want to share. I call the first one “There Will Be Grapes.”

The yellow and white tulips have since died off, but the yard they graced has a floral display that keeps on giving.

My three shadow pictures feature the North Bridge in Concord, Mass., a wildly exuberant dogwood, and a vase of spring flowers.

Two antique child vehicles are on the porch of a home furnishings store.

The life forms by Korean sculptor Jaeok Lee at the Concord Center for the Visual Arts completely captivated me. The artist has written about making the tiny cabinet objects while experiencing health challenges that kept her from other projects.

“The healing quality of nature also motivates my work,” Lee says. “A few years ago, I developed an illness that doctors could not diagnose. While going through various diagnostic tests, since I did not have much energy, I started working with very small objects.

“I would go out to my garden for inspiration and would start to pinch small forms of seeds, pods, berries and flowers. Over the course of one year, I made thousands of small pieces that filled a Chinese medicine cabinet that I bought from an antique shop a few years ago.

“I named the project ‘Making my own medicine.’ The simple act of pinching the forms has been a healing experience that gave me enormous hope for my recovery.”

More at her website, here.

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24 Hours in Oslo

Because we went to Sweden by Norwegian Air, we took a bus back to Oslo to catch our homeward-bound plane, allowing a day for sightseeing in the city first. My husband had been there in the 1960s; I had never been.

As I came out of the bus station wheeling my bag, I saw an activity that I had recently read was occurring in several countries. A barber was giving a haircut to a homeless man. Another man explained to passersby about an effort to raise money for one homeless person at a time. I was so happy to find a good place to unload the rest of my Swedish kroner.

Here are my Oslo photos. Some are self-explanatory, but you might be puzzled if I don’t explain the bubbling water: it kept the eggs hot at our amazing hotel breakfast.

The first of three museums we visited was the Edvard Munch Museum, where the author Karl Ove Knausgaard had curated a show. I love Munch, and although I would have liked some wall text about what was going on in his life when he painted various pictures (a fantastic 2001 show at Boston College did that), I came away with some good ideas for representing the bark of pine trees.

The Nobel Peace Museum had an outdoor mural to free-speech heroes around the world and a moving photography show about Syrian refugees in Lebanon and how they longed for home. The main exhibit felt ironic though, given that Peace Prize recipients have sometimes been tyrants. And this hit me hard: hundreds of prizes, so little peace.

The wall text at the Ibsen museum was great and got me interested in reading more of his plays. The book below is not unique in using Munch cover art. Many Norwegian books use Munch paintings on their covers. He captures something powerfully Norwegian.

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On Sunday we took a boat ride to the Weather Islands in Sweden’s western archipelago, Väderöarna. The drizzle didn’t stop us from enjoying a walk around and eating very fresh cod for lunch. Stuga 40 took all of the pictures seen here but the wooden sign.

We will be thinking about these views as we fly west over the Atlantic.

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It’s going to be an adjustment, not just in terms of time zones. Monday we are off to Oslo and will catch our plane back to Boston from Norway on Tuesday.

Here are a few more Sweden pics.

I love the picturesque seaside streets and cottages, the hidden staircases covered with flowers, the boats in snug harbors, the colorful cabins, and the views.

The last picture is one that Stuga 40 took at 10 p.m. Imagine how light it is in Sweden in June!

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I love the family compound belonging to our hosts, with its birches, lupines, red cottages, and blue doors. Stuga 40 and I took photos there and at the nearby Vitlycke museum, a World Heritage site, where we saw ancient petroglyphs and a Bronze Age garden.

Near the garden were goats chewing their cud and two different kinds of shelters replicating life before 500 BC. It didn’t look luxurious. My photo of  Bronze Age instruments, below, is especially for Modern Age musician Will McC.

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This morning Stuga 40 took us on a walk around breathtaking Veddö. I can take time now to give you only a few pictures as we are headed out again, but you may expect more photos in the days to come. Stuga 40 took the beautiful view of a red house with the harbor behind it.

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Stuga 40 followed an inspired impulse on our way to the Swedish west coast and took a detour to a historic church that she had never visited. Off in the open countryside, the Romanesque Husaby Kyrka was beautiful and serene. We felt like we were discovering it.

I am sharing a few photos, including one showing the tombstones of Queen Estrid and King Olof Skõtkonung, who was said to have been baptized at a nearby spring in 1008 by the English missionary Sigfrid. Olof was the first Christian monarch in Sweden.

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On Thursday we are off to our hosts’ summer place on Sweden’s west coast. So these pictures are probably my last from Stockholm.

A few words on what you see here. Swedish day care is largely outdoors. We loved seeing these adorable groups of toddlers in the park.

Starbucks saves cups for regular customers. Air balloons and decorated buildings are common. Some crocheted objects may have a deep meaning about offering covering to the stranger.

Our hosts have three traditional porcelain fireplaces in their apartment.

The history museum includes an ornate door and a model of an 830 AD Viking ship that was unearthed in 1904. Although no others like it have been found, it has become the image of what everyone thinks of as a typical Viking ship.

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Tuesday we went to Artipelag, a pretty spectacular new museum in the archipelago on the east coast of Sweden. It was built by the founder of Baby Bjorn, with great attention to detail. We liked the wide windows that brought the outdoors in and the way that massive archipelago rocks were kept in place and worked into the design of the rooms.  Below you can see the rock wall in the bathroom, for example, and the rock in the lunchroom with its live candles marching along one edge.

I took some of these pictures, and Stuga 40 took the rest. The current exhibit features the still life paintings of Giorgio Morandi (Italian, 1890-1964) and ceramic pieces made in admiring response by British potter and author Edmund de Waal. (Some people know the latter for the book The Hare with Amber Eyes, a memoir highlighting his family’s netsuke art.) I had not known about Morandi and found his simple, domestic shapes and shadows beautiful.

I should mention that the food at Artipelag was delicious. We had a smörgåsbord buffet, and Stuga 40 made sure we knew how to eat the dishes in the correct Swedish order. I have posted a picture of her friend Anna (in orange) discussing the art with me.

On less wet days, you can have a beautiful walk up and down the Artipelag grounds or tie up your boat at the museum’s dock and climb up for a picnic.

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Good morning.

I’m watching Stockholm from the balcony. A garbage truck came for the trash cans behind the publishing house across the street. At 7, a young man on a bicycle took off his helmet and stowed his bike, came around the iron gate, and went into the front of the building.

People are running along the edge of the park. Soon parents will be rushing their toddlers to day care in the park. A blond woman is walking a small black dog with a curly tail past the Royal Swedish Academy of Letters, History, and Antiquities.

Spring was late here, so after we had enjoyed the tulips and daffodils and lilacs back home, we are getting to enjoy them again in Stockholm. A dad pulls down a branch of white lilacs and lifts his son to smell them.

From where I sit, I can see pink rhododendrons in the park, a red bus picking up passengers, and a man commuting by Segway.

Time to get a refill on tea.

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My hostess knows just the kind of pictures I like. Lots of sunlight and shade. While my husband and I were window shopping in Stockholm today, she went for her seven-mile run and took these photos along the way.

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With the best Swedish tour guides imaginable, Erik’s folks, we saw many Stockholm highlights today, starting with a couple views from their balcony.

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Off to Sweden!

Will blog if I can. Otherwise … see you June 7.


Photo: Los Angeles Times
Jackie DesRosier conducts a YOLA at HOLA (Youth Orchestra Los Angeles at Heart of Los Angeles) youth orchestra spring concert.

The arts have a mysterious capacity to touch people in ways that nothing else does. It’s as if most of what we do or even think about every day is on the surface of things, involving the small part of our brains that is conscious. The arts, however, can reach into the unconscious part and make hidden flowers bloom.

Read how, in Los Angeles, an arts program is helping students flourish.

Jessica Gelt writes at the Los Angeles Times, “It is one of the most densely populated areas west of the Mississippi. The poverty rate is over 35%, and more than a quarter of all households earns less than $15,000 per year. At least 30 gangs roam the streets, recruiting children as young as 9. The high school graduation rate is around 50%.

“That’s the state of affairs in Westlake, Pico Union and Koreatown, according to the organization Heart of Los Angeles. The group reaches more than 2,000 kids in those neighborhoods every year through after-school arts and athletics programs, but its crowning achievement is its partnership with the Los Angeles Philharmonic: Youth Orchestra Los Angeles at Heart of Los Angeles, or YOLA at HOLA. …

“The program provides intensive orchestral instruction, including classes on music creativity, singing and ensemble rehearsals, to 250 students in 1st through 12th grades. Classes take place daily. An hour of academic tutoring is thrown in each afternoon for good measure. …

“More than 350 families land on the waiting list for programs at HOLA every quarter, so Brown said HOLA wants to build a recreation center to serve more people. The statistics coming out of the HOLA’s academic enrichment, visual arts and music programs speak to why demand is so high.

“Of the 63 students in those programs who were high school seniors in 2015, 100% of them graduated, and 97% went on to college. …

“[HOLA Executive Director Tony] Brown and his staff are aggressive in preventing kids from falling between the cracks. They sometimes attend parent-teacher conferences to find out what support a child needs, and when a student disappears from their programs, a staff member might make a house call to help bring that student back. …

“Brown likes to tell the success story of a boy named Raymond who came through the program as a troubled middle-school student. His grandmother brought him to YOLA at HOLA because he was failing in school and in danger of joining a gang.

“ ‘This young man started playing the clarinet, and he played the heck out of it. Next thing you know he’s earned his way to playing in London with YOLA at HOLA and Dudamel,’ Brown said, referring to the youth orchestra’s 2013 trip overseas. Raymond is now attending UC Santa Cruz.”

Read why National Endowment for the Arts is crucial to this program, here.