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Posts Tagged ‘christmas’

For our family, this day is partly about opening gifts and eating. If the roads don’t ice up for our get togethers, it just feels happy and sleepy and good.

Sending greetings to all who celebrate Christmas, to all who are celebrating the beginning of Chanukah tonight, and to all who celebrate other traditions.

In fact, I’d love to hear of any childhood memory you may have of a tradition in your family. Not necessarily for this time of year. Families sometimes develop traditions that no one else shares. I’m thinking of little things like singing a certain song every year when you catch the first glimpse of your favorite beach. Or special gestures after two people say the same thing simultaneously.

I’d also be interested in cultural traditions from a place you spent time as a child.

Thank you for your presence on WordPress. It’s fun to have friends in other places.

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Photo: Sarah Rose Sharp/Hyperallergic.
Hallmark’s “Oscar Mayer Wienermobile” Christmas ornament from 2001.

As Christmas approaches, I usually write something about traditional Christmas ornaments or handmade ornaments with special meaning for me.

In today’s article, we learn about Hallmark items that are a bit less traditional. Just as dictionaries choose new words each year to add to their new editions (eg, rewild for “return to a natural state” or smishing for “sending text messages to trick someone into giving away personal information”), Hallmark liked to identify cultural touchstones to make into Christmas ornaments.

Hyperallergic‘s Sarah Rose Sharp wrote skeptically about the Hallmark decorations exhibited in a 2022 show at the Henry Ford Museum.

“Christmas is an occasion for many, especially in the United States, to engage in a series of depraved practices — from overwhelming our aural space with relentless Christmas music and offering free holiday parking in shopping districts to sending photo cards that insincerely highlight family accomplishments. …

“At Detroit’s Henry Ford Museum of American Innovation, an exhibition [celebrates] decorating the Christmas tree. Miniature Moments: A Journey Through Hallmark Keepsake Ornaments features an impressive 7,000 ornaments that range from traditional spheres and bulbs to admittedly weird baubles honoring an Oscar Mayer weiner, The Twilight Zone, a 2009 Jonas Brothers moment, and yes, Michael Scott from The Office.

“The Christmas tree, at least as recognizable in its modern conception, is credited to 16th-century Germany. Certainly, the practice of holiday decoration utilizing evergreen boughs — not to mention literal tree worship — predates this, but as far as the practice of kidnapping trees from their natural environment, dragging them into our homes, and dressing them up in lights and tiny objects, that’s all Germany. The holiday trend became more widespread through the marriage of Prince Albert of Saxe-Coburg and Gotha to Queen Victoria, which brought the tradition to England. …

“Hallmark, having already established an empire built on greeting cards, broke out in a bold and definitive new direction in 1973, launching its annual series of keepsake ornaments that would go on to become a fixture of American Christmastime. The series was discontinued in 2009, and in 2019, the Henry Ford Museum announced its acquisition. [The exhibition shows] an overall shift from very traditional, Christmas-oriented ornaments in the ’70s and ’80s to more pop-culture and personality-reflecting trends from the ’90s onward.

“ ‘There are some things that perhaps 40 years ago we wouldn’t have thought of as appropriate Christmas ornaments to appear on people’s trees,’ curator Jeanine Head Miller, who oversaw the acquisition and installation of the monumental collection, told Hyperallergic. ‘Christmas tree decorating has become more about personal identity and self expression now, as opposed to more traditional Christmas tree decorating. So, people choose things to put on a tree that reflect their interests, or even their personal experiences.’

“Certainly, there are many ornaments that would make no sense without some context — from a Star Wars Imperial AT-AT Walker about to be felled by a rebel Snowspeeder, to Indiana Jones poised to replace a golden idol with a bag of carefully weighted sand.

“Perhaps even stranger are those pop culture figures that have been adapted to the Christmas context. This is at least marginally on brand for characters like the Peanuts, who famously star in a series of beloved and confoundingly depressing holiday specials, and more of a stretch with, say, an ornament of Pixar’s WALL-E, wrapped in a string of seasonal lights.

“ ‘One of the ornaments that’s the hardest to find, so it’s very popular, is Cousin Eddie’s RV from National Lampoon’s Christmas Vacation,’ said Head Miller. Naturally, one does not immediately think of hanging a rusty RV on the Christmas tree, but that just goes to show you how eclectic and odd some of the Hallmark ornaments can be — even though a huge majority of them are fairly sentimental and nostalgic. …

“Then there’s stuff like the bear. It appears to be a reference to Steiff stuffed animals on wheels, which were apparently all the rage in 1904. … Hilariously and with no additional context, the bear ornament is labeled ‘Son.’ …

“And don’t even get me started on an ornament of Ralphie in his pink rabbit sleeper, instantly recognizable as a moment from the iconic 1983 holiday film A Christmas Story — but utterly confusing when taken out of context as a small, unhappy child in a pink rabbit costume hanging on a Christmas tree. …

“These Hallmark ornaments touch people, as is obvious during a visit to the exhibition, which finds visitors of all ages and types pointing to this or that on the wall, exclaiming in recognition. It’s always lovely to see folks bask in the collective glow of shared culture.

“From an outsider perspective, it is a wild mish-mosh of insane symbols and signifiers — which is actually wonderful in its own, secular way.”

More at Hyperallergic, here.

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Photo: Wild Gratitude.

Many of us know about the World War I Christmas truce, when as many as 100,000 soldiers on European battlefronts lay down their arms for a night.

I’ve been saving up a similar story by Dave Kindy at the Washington Post — this one from World War II. It’s a lovely one, with a Loaves and Fishes angle.

“On Christmas Eve 1944, heavy snow blanketed the Hürtgen Forest in Germany, near the Belgian border. Inside a tiny cabin deep in the woods, 12-year-old Fritz Vincken and his mother, Elisabeth, listened to warplanes and artillery shells as the Battle of the Bulge neared its climax. …

“Months earlier, the mother and son had moved to the isolated cottage when their home in nearby Aachen had been destroyed by Allied bombing. For Fritz, who first recounted his story in a 1973 article for Reader’s Digest, the remote cabin offered a reprieve from the death and destruction of World War II.

“They were alone because Fritz’s father, Hubert, who baked bread for the German army, had recently been called into service as Allied armies pressed closer to Germany. …

“Less than two weeks earlier, the tranquility of the Hürtgen Forest had been shattered when Field Marshal Gerd von Rundstedt unleashed 30 divisions hidden in the nearby Ardennes Forest of Belgium for the last major German offensive of World War II. Vicious fighting erupted across the Western Front, including around the Vincken cabin, as Allied armies desperately tried to repel the surprise attack amid blizzard conditions.

“As mother and son prepared Christmas Eve dinner, they were startled by a knock on the door. The closest neighbors were miles away. With Fritz by her side, Elisabeth opened the door and saw three young soldiers, all armed. Two were standing; the third was lying in the snow with grievous wounds. The men spoke a language unknown to the Vinckens. Fritz realized they were Americans.

“ ‘I was almost paralyzed with fear, for though I was a child, I knew that harsh law of war: Anyone giving aid and comfort to the enemy would be shot,’ Fritz later remembered.

“Elisabeth also knew the penalty for harboring Americans. But the soldier bleeding in the snow was young enough to be her son. She motioned for all three to enter the tiny cabin. Fritz and his mother helped the severely injured man into a bed and tended to his wounds.

“None of the Americans spoke German, but Elisabeth and one of the men communicated in French. Elisabeth, seeking to stretch their meager meal to accommodate the guests, told Fritz, Go get Hermann.’

Hermann was a rooster being fattened in case Hubert made it home for dinner. He was named for Hermann Göring, a Nazi leader for whom Elisabeth had little regard.

“Suddenly, there was another knock on the door. Fritz opened it, expecting to see more Americans lost in the forest. Instead, he was alarmed to find four German soldiers. The young men had become separated from their unit and were looking for shelter from the cold.

“Elisabeth went outside to speak with the new arrivals, telling them they were welcome to spend the night but had to leave their weapons outside. When the young Wehrmacht corporal started to object, Elisabeth looked at him sternly and said, ‘It is the Holy Night and there will be no shooting here.’

“While the Germans placed their weapons next to the woodpile, Elisabeth went back into the cabin and returned with the Americans’ guns. When they were all gathered inside, the enemies stared at each other in stony silence. …

“Elisabeth took command of the scene, Fritz wrote in Reader’s Digest, and had the combatants mingle close together. …

“When the wounded American started moaning, one of the Wehrmacht soldiers examined him. He had been a medical student before the war. … Eventually, everyone began to relax. Both groups of soldiers searched their backpacks for food to share. The Wehrmacht corporal contributed a bottle of red wine and loaf of rye bread.

“Soon the soup was served. Elisabeth bowed her head and said grace. Fritz remembered seeing tears in his mother’s eyes and noticed that some of the soldiers wept too, perhaps thinking of their families far away or feeling grateful that they wouldn’t have to fight on Christmas Eve. …

“Fritz always hoped to meet the soldiers again, though he knew his chances of seeing the Germans were not good, given their staggering casualty rate at the end of the war. He thought publicity might help, starting with his 1973 Reader’s Digest article, which President Ronald Reagan mentioned in a 1986 speech. In 1995, Fritz appeared on national television, telling his story on Unsolved Mysteries to host Robert Stack.

“A nursing home chaplain in Frederick, Md., saw the episode and remembered a resident telling a similar story. He contacted the TV producers about Ralph Blank. In 1996, Fritz flew to Maryland to meet with Blank, who was 76 and in poor health. They recognized each other immediately. …

“The reunion was filmed and shown on Unsolved Mysteries later that year. At one point during the episode, Ralph turned to Fritz and said, ‘Your mother saved my life.’ For the former German boy who was now an American citizen, that moment was the high point of his life.”

More at the Post, here.

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Photo: Antonio Olmos/The Guardian.
Debbie Chazen, Gemma Barnett and Josh Glanc, the stars of JW3’s holiday pantomime in London.

There’s a kind of Christmas entertainment in England (English friends: correct me if I am describing this wrong) called a pantomime, or panto. I have read about it but never seen it. It’s kind of like the old, slapstick Punch and Judy show, but without puppets.

This year, a comedy troupe in London is doing a takeoff of Christmas panto in a Jewish storytelling style.

Deborah Linton writes at the Guardian, “What else would you call ‘Britain’s first professional Jewish pantomime’ but Red Riding Hood and the Big Bad Pig? And where else would you set it but north London, at Hanukah? At the JW3 centre in London – an arts and community venue. …

“The cast of the first professional stage production to merge two great traditions in Jewish storytelling and festive panto are gathered around a table sharing their experiences of both. And the crossover, it transpires, is richer and more obvious than one might first imagine.

“Comedy, community, a fairytale quest and a flawed hero are ‘at the heart of every panto,’ says the show’s writer, Nick Cassenbaum. ‘But I think it comes from … the Talmudtoo.’ …

“So, too, the panto dame, he says – in this instance Mother Hoodman, Red’s eccentric mum who appears on stage heavily made up, wigged and wearing a voluminous dress modeled on a Hanukah dreidel singing You Spin Me Round – has a natural home in both traditions. ‘A panto dame is warm, loving and says the wrong thing. It’s a Jewish mother,’ says Cassenbaum. …

“Audiences will be immersed in a production that combines Jewish humour and music (imagine new lyrics to Jewish artists including Amy Winehouse, Doja Cat, Paul Simon and Craig David) with traditional panto magic – lots of slapstick comedy, a scene where the leads get lost in the woods, and cartoonish baddies – as it transposes the millennia-old Hanukah miracle into a fairytale fit for 2023.

“Cassenbaum’s premise is that Red, a hard-working young scientist pushing against the plans her mum – the dame – has for her to marry a Jewish doctor, sets out on a quest to find enough sustainable energy to power her village through Hanukah. … The wolf, the main antagonist in the storybook version, is replaced here by a hyper-capitalist pig, the best known non-kosher animal of the lot. Although, Cassenbaum explains, ‘in my mind, all the characters are Jewish, even the pig, who as a city boy who made a lot of money under Thatcher, maybe isn’t so open about his Jewishness.’

“Cassenbaum, a former street performer … was interested ‘in how we could hold both things – something that was really British, all the panto techniques, but something that also felt unashamedly Jewish. With panto, you have to pick from the canon of fairytales. Red Riding Hood is such a short story, you’re not so set with the script. I wanted to make something that can hold Jewish traditions, dense Jewish jokes and reflect certain Jewish archetypes, so you’ll see the ex-black-cab driver and a wolf who is a neurotic mess.’ …

“It mirrors the generational Jewish experience – and the immigrant humor that accompanies it. ‘Humor is our biggest cultural export. It’s truth humor,’ says Josh Glanc, an award-winning Australian comedian who plays the pig. …

” ‘In British popular theatre, Jews were there from the [beginning] – Bud Flanagan (who sang the theme tune to Dad’s Army), writers Barry Cryer and Marty Feldman – but they weren’t “out.” Then, with more modern comedians, like Matt Lucas and Sacha Baron Cohen, the Jewishness is secondary to the joke. Through it all, there’s something about using community and humor as a way of fitting in and being part of things, a means of assimilation.’

“Gemma Barnett, who plays Red, agrees. ‘It’s intense self-awareness,’ she says. … ‘Red’s constantly trying to work out if she believes what her mum believes. I love the character.’ …

“East London-born musical director Josh Middleton, a world-leading klezmer (eastern and central European Jewish folk) musician, has given Streisand and other Jewish artists a klezmer flavor, via accordion and violin live on stage, as well as a lyrical rewrite and song sheet, in pure panto style. …

“ ‘Let’s take the premise of rewriting pop songs, because that’s what people expect at panto, but let’s do people of Jewish descent. … I want them to recognize the songs and enjoy that familiarity, and I want them to feel they’re at a Jewish panto,’ says Middleton.”

More at the Guardian, here. No paywall, but they do rely on donations.

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“I Heard the Bells on Christmas Day” is song that really makes you think. Not the usual jolly fare, it speaks solemnly about how humanity has fallen short of the universal ideals the holiday is supposed to represent. Do we make peace our priority?

I myself stand accused of not focusing enough on ending war, given that I want to see Ukrainians triumph over the Russian invasion last February. It’s complicated. Of course I wish the heroic people fighting back didn’t have to die, but I have to respect why they are fighting.

The hymn is also hopeful because it reminds us that there are others who feel as we do and long for peace everywhere.

The carol was written by Henry Wadsworth Longfellow on Dec. 25, 1863, in response to the near fatal wound his son, Charles Appleton Wadsworth, received at the Mine Run campaign in Virginia during the Civil War. Now, that’s a heartbreaking war!

Blogger Will McMillan of “A Musical Life on Planet Earth” has a lovely rendition of the carol that you can listen to here. And today I would like to share this version from the group Casting Crowns.

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Photo: Suzanne’s Mom.
One of my granddaughters made this gingerbread house from a kit. The idea for a carrot was her own.

Time for another photo round-up.

Sandra M. Kelly surprised us with a picture of Patrick making a mince pie for Thanksgiving. And, here, we thought Sandra was the only chef!

The hellabore below loves cold weather. You can understand why it’s sometimes called Christmas Rose.

My husband sent me photos of mysterious “ice flowers,” taken by Ned Friedman, director of Harvard’s Arnold Arboretum. The flowers formed the other day on a herbaceous Chinese plant called Isodon henryi, and even Friedman doesn’t know for sure what conditions cause the phenomenon.

Sandra also sent the photograph of the Christmas cactus. She’s a genius at rescuing cacti that people like me can never get to bloom. I have her instructions if you want to try.

In the next picture, you see our niece, who’s a genius with youth orchestras in North Carolina. She gets pretty worn out with concerts at this time of year.

Stuga40’s snowy image was shot in Stockholm. She is now in New England for a visit with Erik, Suzanne, and our half-Swedish grandchildren. Maybe she’ll have other snowy photos after the family goes skiing in Vermont.

The next snow scene was shot in my own yard. Our first snow this year. The last two photos need no explanation.

PS. 12/22/22. I’m sharing the worn bench at Hannah’s church in Philadelphia, because I love worn benches. I wish I had photographed the really beat-up one I admired on a train platform yesterday.

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Even though we’re buying smaller and smaller Christmas trees each year and you’d think I wouldn’t be able to cram on decades’ worth of ornaments, I hate to leave anything out.

There’s a cross-stitched ornament that John made from a kit when he was four. Numerous decorations were created by my husband’s Aunt Mae, who had an active life past age 100 and made knitted, crocheted, and sequined ornaments that she kept secret as she worked on them during the year.

There are many items made in the Crafts for Christmas workshops at church, which encourages children to make, rather than buy, presents to give. Most were the work of John and Suzanne in the 1980s. Others were made by their own children in pre-Covid church workshops. The wide range of workshop items include everything from Christmas doorknob covers to reindeer ornaments constructed of clothespins.

I love looking at the tiny crocheted figures from China that I found in a shop at Niagara on the Lake when Suzanne was two. They remind me of our time at the Shaw Festival in Canada. My husband and I traded off babysitting so he could see a play and I could laugh myself silly at a performance by the concert comedienne Anna Russell.

I also have an origami star in shiny green paper from someone in an Esperanto group that used to meet monthly at my house.

A little baseball ornament and a tiny box of fishing tackle remind me of early interests of John, who now coaches baseball and teaches kids in the family to fish.

Really far back in time, I acquired a small Christmas stocking for one of my dolls — that goes on the tree, too.

There’s a horse-saddle ornament, a memento from a vacation that the Clymers took out West. And I still hang up a large glass ball from the Lillian Vernon surprise box. I painted “1980” on it back then.

I also hang up quotations looped with a green ribbon, an idea my husband got on a business trip to Singapore, where they hang sayings outdoors.

The clunky red-paint-and-sparkles thing you see below is something I made from an egg carton years ago. Recently married, I thought it would be fun to take Crafts for Christmas at the local adult ed after work while my husband took a different class. Can’t imagine how I stayed awake in those days!

Please be sure to notice that hanging near a bear ornament is something white that has the same shape. That is what my husband made for a three-year-old John, who asked him to make another bear. Though not usually into crafts, the guy did his best, and I like seeing his white cardboard bear every year.

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This year, while choosing ornaments for the tree, I felt particularly drawn to anything that looked like a bird or an angel. All the bird and angel ornaments went up. The small snowy ball also gives me a good feeling. It was from a winter wedding in 2011.

On Sunday’s trip to Rhode Island to deliver the kids’ presents, Suzanne prepped her porch with cozy, festive elements. The candelabra has a bit of a story. When Suzanne and John were still little kids, I bought two of these from a Lillian Vernon sale. When my children grew up and had their own homes, I gave each one their candelabra. They light theirs every year with their own children.

Suzanne and Erik allowed each kid to open two gifts early so Mormor and Morfar could see how they reacted while we were still at their house.

In addition to those Christams-y photos, I want to share a couple pictures from far-flung friends. Earle, in California, makes the magnificent wooden bowls on his lathe and is known to donate a bowl to one of his environmental causes at the holidays to delight the top donor.

Stuga40 is in Stockholm, where there is almost no sun at this time of year. She caught a little today after weeks of overcast skies. I asked her take a picture of a shadow, but she said the sun is so low on the horizon now that she might not be able to. In the end, she was able to get some very, very long shadows! The sun set at lunchtime.

But you can trust those Swedes to light up their nights with outdoor decorations and to make some kind of fun during the day, too. Stuga40, in the light green jacket below, stepped into the instructor’s role for the outdoor exercise class after new Covid restrictions kept the leader from traveling by bus. The woman in red is 91, and rain or snow, they all keep up the outdoor exercising. Stuga40 says she leads the group using Spotify and a speaker from home. One day, some passing teens and a few boys from a school class joined in.

Back in wintry New England, you can see that our big new bird feeder is popular. It arrived the day before we had a snowstorm, and it’s such fun to watch. The gray squirrel tolerates a rabbit but chased away a gang of 11 mourning doves. Also very aggressive are the goldfinches. Does anyone know (Nancy G.? Kim?) if goldfinches are always aggressive? The first day at the feeder we had cardinals, bluejays, a purple finch, a house finch, juncos, and even a red bellied woodpecker. Now it’s mostly goldfinches. I love them, but I do wonder.

There’s also a little red squirrel that makes tunnels under the snow and pops up all over the yard like a gopher.

Happy Holidays to Everyone, wherever you are and whatever your weather!

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Photo: Nic Antaya for The Boston Globe
Dana Mendes held his niece, Izariel Brown, 5, as he walked around Boston’s annual Christmas in the City, a happy event for homeless children.

The other day, I was talking to a woman about her idyllic-sounding childhood on the island of Dominica in the West Indies. One thing that she mentioned really struck me. No one was homeless. People looked after each other, she said.

That is how it should be, I thought. In a country like the US, where there is enough wealth to house and care for everyone if we have the will, I’m naturally grateful that homeless children get a joyful day in December but can’t help wishing that their happiness didn’t get rolled up and put away afterward.

In this update on the giant Boston Christmas party that started small in 1989, we learn about the illness of event founder and lead organizer Jack Kennedy, who wouldn’t miss this party for the world.

Naomi Martin writes at the Boston Globe, “The children and parents awoke Sunday in homeless shelters around Greater Boston and boarded school buses, some with no idea where they were going other than to a Christmas event.

“As they entered the Boston Convention and Exhibition Center, solemn faces broke into wide smiles and dropped jaws as they stepped onto a red carpet toward people waving and applauding them, along with extravagantly costumed characters — Disney princesses and Superman, Star Wars storm troopers and the Incredibles — all there to welcome them. Snowflake confetti fluttered. Lights sparkled. Parents dance-walked to the upbeat Christmas tunes, filming their children’s faces on phones, some with tears in their eyes.

“ ‘Wow, it’s beautiful!’ said Aylajoy Dufresne, 5, who wore a pink tutu, as she ran to princess Elena of Avalor and hugged her. ‘Elena!’ …

“Thousands of volunteers rallied this year to serve more than 6,000 people from dozens of shelters at the 31st annual Christmas in the City, which has grown from a small gathering at City Hall in 1989 to a massive party thrown for families struggling with homelessness.

“The event featured performances by the Blue Man Group, a gospel choir, and an Afro-Caribbean band, as well as a petting zoo, amusement rides, Santa Claus photo booths, face paint, manicures, haircuts, dental screenings, flu shots, and white-clothed tables holding pizza, chicken tenders, and gingerbread cookies.

“This year took on particular poignancy because the founder and lead organizer, Jake Kennedy, 64, has been diagnosed with ALS, which took the lives of his father and brother. Kennedy’s son, Zack, a neuroscientist at University of Massachusetts Medical School, has dedicated himself to researching a cure for the lethal disease. …

“Mayor Martin J. Walsh of Boston stood onstage beside Kennedy and his wife, Sparky, and expressed his gratitude and admiration of Jake Kennedy.

“ ‘Many of you in this room might not know him personally, but he does this because he loves you,’ Walsh said. ,,,

“Offstage, Kennedy struggled to speak, though he made a point to say one thing.

“ ‘When you ask people what they like best — the winter wonderland, Santa, the food, the Blue Man Group — they all reply,

‘ “This is the first time in our lives we’ve been treated with dignity and compassion,” ‘ Kennedy said. ‘That’s because of the volunteers.’ …

“Many parents said they were thrilled to see their children laughing and having fun with activities they can rarely access.

“ ‘I don’t want to miss anything; this is beautiful,’ said Anthony Raye, as he and his son, Antonio, 10, plotted their next moves: face-painting and visiting animals. …

“By a ‘salon’ sign, hairstylists buzzed, cut, and blow-dried the hair of parents and kids. Aaron Lauderdale, 7, received a mohawk, his face painted like a green Grinch.

“ ‘This is the one and only time I’ll let him have a mohawk,’ said his mother, Natashia Lauderdale. ‘This is his day. I’m just along for the ride. I feel like a big little kid all over again.’

“A parade led by men playing bagpipes filed through the room, followed by Santa Claus on a raised platform. The Kennedys led a countdown, prompting a red curtain to rise on one wall, leading to a winter wonderland of amusement rides and a petting zoo. Children clamored for a carousel, flying chair swings, bouncy castles, super slides, trampolines, and a rock-climbing wall. …

“Amelia McCauley pushed her 2-year-old, Lauryal, in a stroller. ‘I feel special,’ she said. ‘I don’t know when something like this is going to come by again, so I just want to enjoy it.’ ” More here.

 

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Photo: Thomas Jones
Hafod Hardware in Rhayader, Powys, Wales, has a story to tell about generations working in a family business. Its low-budget, Christmas advertising video has gone viral.

The Holy Grail of many small businesses is a video ad that touches people in such a meaningful way that it goes viral. I am not sure if going viral necessarily generates a lot of business, but it definitely generates attention.

Consider, for example, this hardware store in Wales. Unless you lived nearby, you would not actually be able to shop there regularly. But I think that after seeing this video, you might go out of your way to buy something one day and take a selfie.

Copied more or less from the style of a department store giant with a huge ad budget, the ad has managed, on a shoestring, to draw a large following. According to the Guardian, that’s because the small family business has a real story to tell.

Stuart Heritage’s report starts with the department store. “This year’s John Lewis Christmas advert, in which a dragon tries to kill several people then holds up a pudding, reportedly cost £7m [$9,190,300] to make. And that’s fine. It’s a good advert, and John Lewis has a reputation to uphold, and you can’t really put a price on the half a morning of vaguely duty-bound Twitter buzz it generated.

“However, by no means is it the best Christmas ad this year. That plaudit now goes to Hafod Hardware, a tiny independent family-run hardware store in Rhayader, Powys, whose ad cost just £100 [$131.35] to make. …

“A little boy wakes up. He brushes his teeth, eats his breakfast and goes to work. He opens the shop, fixes a broom; he cleans the counter and restocks the shelves. He serves a customer, does a bit of accounting, serves another customer. At the end of the day he switches off the light, bends down to pick up a Christmas tree and – PLOT TWIST! – he’s actually a 30-year-old man. The strapline comes up: ‘Be a kid this Christmas’. …

“The advert is being hailed as a celebration of traditional Christmas spirit, the strength of the independent, and the importance of community. … [But] while it’s impressive that the shop has only spent £100 on the ad – and that was to pay for an engineer to record the song on the soundtrack – it still manages to crib pretty heavily from the John Lewis playbook. There’s a kid. There’s a tree. There’s a slowed-down cover version of a well-loved song. …

“But let’s not be too mean-spirited. The fact is that the Hafod Hardware advert packs an almighty punch, because of the history of the shop itself. It has been open since 1895, fending off competition from bigger companies with every step; and it’s a true family shop, passed down through the generations.

“The grandfather in the advert is the nephew of the founder, the man at the end (his son) runs the shop with him and the little boy could feasibly grow up to run the shop after him. Any old idiot can get a kid to sweep up a shop, but the magic of the ad is that it shows the real flesh and blood lineage of Hafod Hardware. It’s the beating heart of the community, and has been for years. No amount of money can buy that.”

If you were making a video for your business that you hoped would click with a large audience, what would you put in it?

More at the Guardian, here.

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No Christmas Snow

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A handful of snowflakes came down on Christmas Eve Day, but not enough for me to shoot a snowy picture. Although I was mighty tired of snow last March, I would have liked to see some this week.

A fresh snowfall is pretty, but I guess I’m glad the roads are dry. Our plan for Christmas is to watch John’s children open presents early, then come home and get ready for our Christmas dinner, which shouldn’t be hard as two of the world’s best cooks are bringing more than half the meal.

Suzanne, meanwhile, is in the Caribbean with the Swedish side of the family. Note the photo of her kids learning a traditional song from their Swedish-Danish cousins while dancing around the tree (actually, it’s a lamp this year) on an island that probably never sees snow.

In other December photos: John’s children getting creative with an erector set (who needs to know what the Ukrainian directions say?), an Amaryllis on Erik’s piano as well as his Santa Lucia and Swedish creche, early Christmas gift-opening before the trip to the Caribbean, and family members enjoying 80-degree weather. Finally, the Swedish tomtens that my husband and I received in time for Christmas.

I hope that those who celebrate this holiday have a merry one, and I send warm wishes to everyone. See you tomorrow.

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Photo: Henrik Montgomery / TT

The history of the Christmas market at Gamla Stan in Stockholm is described in a newspaper’s Swedish Advent calendar series.

This year I started following on twitter a newspaper called The Local. It covers Sweden, which is nice for me because my son-in-law is Swedish. Today’s post is on a series the paper has featured this month.

“Every day until Christmas Eve, The Local explains the unique history behind Swedish Christmas traditions in our own Advent calendar. …

“For centuries, Swedish Christmas markets have brought warmth and light to the darkest time of the year. Visiting a Swedish Christmas market (julmarknad) isn’t just a great way of becoming truly immersed in Sweden’s Christmas traditions, it may also be one of the best ways, short of a time machine, to experience what life was like in the past.

“The history of the festive markets goes back to 14th century Germany, and Sweden appears to have adopted the Christmas market not long afterward. Much like today, the earliest Christmas markets were typically held in town squares throughout the month of December, and featured small stalls where merchants and craftspeople could sell their wares.

“At Stortorget, Stockholm’s oldest square located in what is now known as Gamla Stan, markets were held at different times throughout the year as early as the 1300s, and there is evidence that one of these was held in connection with the feast day of St. Thomas the Apostle on December 21st.

“In 1523, during the first year of his reign, King Gustav Vasa established a permanent Christmas market at Stortorget. Though there have been periods over the centuries when the Stortorget julmarknad has not operated, it is still the oldest such market in Sweden and one of the oldest in Europe.

“When the Stortorget julmarknad was established, the king took care to stipulate that only Swedish goods were sold, a tradition carried on today by Stockholms-Gillet, which has organized the market since 1915. …

“Scents from traditional Swedish favourites like warm glögg, brända mandlar (candied almonds), and julgodis like knäck permeate the air just as they have in the past.

“The traditional foods and handicrafts offered for sale give a glimpse of life in the past, as well as the opportunity to incorporate them into modern life. The sense of stepping back in time is enhanced when attending a julmarknad at a historic location, or at one of Sweden’s fantastic open-air museums, such as Skansen in Stockholm. …

“Each day until Christmas Eve, we’re looking at the story behind one Swedish festive tradition. Find the rest of our #SwedishChristmas series here.”

Other topics covered: How one Swedish woman influenced the candy cane, Sweden’s favourite Christmas film, how a folklore tomte became Sweden’s Santa, and how glögg sends Swedish wine consumption through the roof.

Erik has been known to warm our insides with glögg at Christmas. But not this year: the Swedish side of the family is celebrating in Guadalupe and keeping warm by the swimming pool.

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121118-gingerbread-house-plus-garage

Today I’m posting recent photos, including a few gingerbread pictures that really get me into the spirit of the season.

The first is of a gingerbread house that two of my grandchildren decorated. You can see that they also made a garage from some extra pieces of gingerbread.

Next there’s one of my shadow pictures, followed by the random donkey that graces the yard at Boston’s old city hall.

Background for the photo after that: About a week ago all four grandchildren were at a Christmas crafts workshop where grownups in elf hats made everything run smoothly. The next day I found elf hats on parking meters around town.

Next are several gingerbread creations at annual displays in town. The tree house, hobbit house, Victorian advertisement for the Gentleman Handyman, and the Acton Dental house with Santa inside in the dentist chair are all at the Colonial Inn. The last gingerbread house is in the library and is created every year by a local physician who starts to work weeks in advance.

Finally, what’s this? Another shadow picture. A Christmas-y one this time.

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120318-Colonial-Inn-gingerbread-treehouse

 

120318-Hobbit-Home-in-gingerbread

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120318-Santa-at-the-dentist

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otherwiseman4

Art: Robert T. Barrett
The “other” wise man, meeting the needs that cross his path, is too late to present gifts to the baby in the manger. But “Inasmuch as thou hast done it unto one of the least of these my brethren, thou hast done it unto me.” (Matthew 25:40)

I loved this story as a child. Just for you, I present a summary from Wikipedia, slightly edited.

“The Story of the Other Wise Man,” by Henry van Dyke, was initially published in 1895. The story is an expansion of the account of the Biblical Magi. It tells about a “fourth” wise man, a priest of the Magi named Artaban, one of the Medes from Persia. Like the other Magi, he sees signs in the heavens proclaiming that a King had been born among the Jews. Like them, he sets out to see the newborn ruler, carrying treasures to give as gifts to the child — a sapphire, a ruby, and a “pearl of great price.”

However, he stops along the way to help a dying man, which makes him late to meet with the caravan of the other three wise men. Because he missed the caravan, and he can’t cross the desert with only a horse, he is forced to sell one of his treasures in order to buy the camels and supplies necessary for the trip. He then commences his journey but arrives in Bethlehem too late to see the child, whose parents have fled to Egypt. He saves the life of a child at the price of another of his treasures.

He then travels to Egypt and to many other countries, searching for Jesus for many years and performing acts of charity along the way. After 33 years, Artaban arrives in Jerusalem just as Jesus as been condemned to death. He spends his last treasure, the pearl, to ransom a young woman from being sold into slavery. He is then badly injured in an accident and realizes he is dying. He has failed to meet Jesus because he has been busy meeting the needs that appear before him.

Then he hears a voice: “Verily I say unto thee, Inasmuch as thou hast done it unto one of the least of these my brethren, thou hast done it unto me.”(Matthew 25:40) His treasures have been accepted.

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singing

Photo: Teachingtimes.com
Could these faces lifted in song be any sweeter?

I was tired of “Deck the Halls,” “Jingle Bells,” and “I Saw Mommy Kissing Santa Claus” before I got through Thanksgiving this year. Maybe you felt the same. Why is it so rare to hear carols like “I Wonder as I Wander,” the haunting “Minuit, Chrétiens,” or authentic Gospel music at this season?

Today I decided to correct that loss a little with YouTube music that should not make anyone feel like running and hiding. I’d love it if you would share your favorite seasonal music with other readers in the Comments.

Above, the Choir of Kings College sings “In the Bleak Midwinter.” Next we have the Cambridge Singers with “I Wonder as I Wander.”

Finally, whatever one’s faith or feelings about religion, who can resist the voice of Harry Belafonte with his honeyed Jamaican diction? (Note where the person typing the lyrics wrote “the” instead of what he really said, which is so much more charming.)

 

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