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This story at WBUR radio was fun.

Reporter Andrea Shea says, “It starts off kind-of guerilla with its hand-held camera shots of people in the Museum of Fine Arts’ Shapiro Family Courtyard. But soon the now-trending video captures the swift bloom of a holiday-spirited ‘flash mob.’ At least that’s what the MFA is calling it. It’s actually more of a ‘pop-up’ performance by 50 or so students from Berklee College of Music.

“Music stands appear, followed by a posse of string players and a choir. Their rendition of ‘O Holy Night’ peaks with soloist Mark Joseph. This surprise concert came together on last Saturday. The video was posted Wednesday.”

As of this posting had nearly 182,550 views.

Shea continues, “What’s being dubbed the ‘XMAS flash mob’ was 25-year-old Berklee grad Evan Chapman’s idea. He’s in charge of an organization called the Loft Sessions that showcases up-and-coming artists. …

” ‘It’s a little surreal to be honest,’ he said, ‘I mean, in the back of my head I think I was hoping it would do this well — but I never thought that it would.’ ” More.

A commenter on YouTube says of the video, “OK, so maybe this is a sort of poser version of a flash mob in that it was so incredibly well organized with microphones and folks bringing their instruments and music and such…but it ROCKS nonetheless! Why didn’t I go to Berklee when I had the chance?!?!”

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The Arab world is divided on whether Jennifer Grout is an interloper or the reincarnation of their beloved Egyptian chanteuse Umm Kalthoum. Last night she placed third in the Beirut-based “Arabs Got Talent.”

You will be hearing a lot about this young American singer of classical Arabic songs, who is wowing judges without being able to speak a word of Arabic. If nothing else, she is giving the show international recognition. This story is from Agence France Presse (AFP).

Having taught herself to sing “the Arab world’s best-known, most difficult songs,” says AFP, Grout gave contestants in “Arabs Got Talent” a run for their money.

In early December, “Her blonde hair loose and without a sign of make-up, the 23-year-old appeared before a panel of judges to audition for the ‘Arabs Got Talent.’

“When Egyptian film star and panel member Ahmed Helmy asked her in Arabic what her what her name was, she didn’t have a clue what he was saying.

“But then she began to play the oud and sing a classic by Egyptian diva Umm Kalthoum, ‘Baeed Annak’ (Far From You).

“She stunned the audience, enunciating every word to perfection as her voice effortlessly navigated the quarter-notes that make Arabic music so distinctive. …

“As a 20-year-old student in Boston, Grout says she ‘came across an online article about Fairouz” [a Lebanese singer often referred to as ambassador to the stars].

” ‘I listened to her and watched a video of her, and I was just really intrigued and mesmerised by her voice. So I decided to start exploring Arabic music more,’ Grout told AFP.”

Read more about her discovery of Arab music and the classical instrument called the oud three years ago and how she ended up competing on a show in Lebanon, here.

Photo: Joseph Eid/AFP
Jennifer Grout, a contestant in the pan-Arab TV show “Arabs Got Talent”, poses for a photo at the MBC television station studios in Zouk Mosbeh, north of Beirut, on December 4, 2013.

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Gaelic McTigue, at All Things Bright and Beautiful in Waitsfield, Vermont, fills orders from around the world to create painted wooden ornaments. Here she is in her shop. Below is a bear ornament that she signed for two of our grandkids. (We got a Swedish elf ornament for our Swedish-American grandson’s tree.)

I’ve included a couple other seasonal photos: the Hampton Falls, New Hampshire, tree at Macy’s, the brass band starting to warm up at the craft market.

For a nice Advent carol, check out composer Jeff Fuhrer’s “What Are We Waiting For?” on http://www.soundcloud.com. I tried to upload the MP3 he sent but couldn’t figure out how. Catchy tune.

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Macys-tree-Downtown-Crossing

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The NY Times contains a Science section on Tuesdays, and it always has delightful tidbits. Today Sindya N. Bhanoo writes that if you had music lessons at a young age, the experience may benefit you in old age.

“A new study reports that older adults who took lessons at a young age can process the sounds of speech faster than those who did not.

“ ‘It didn’t matter what instrument you played, it just mattered that you played,’ said Nina Kraus, a neuroscientist at Northwestern University and an author of the study, which appears in The Journal of Neuroscience.

“She and her collaborators looked at 44 healthy adults ages 55 to 76, measuring electrical activity in a region of the brain that processes sound.

“They found that participants who had four to 14 years of musical training had faster responses to speech sounds than participants without any training — even though no one in the first group had played an instrument for about 40 years.” More here.

Now, of course, I am looking back and trying to count how many years of piano lessons I had as a kid. I’m sure it was at least the four Kraus deems necessary. But I hardly ever practiced, so probably the effect was small.

The serious pianist below was sitting on my lap when the picture was taken in 2011.

at-the-piano

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In April, singer Will McMillan read a post at Suzanne’s Mom’s Blog, here, about research on why people feel joyful when singing with others.

Having dug into the physiological research and found that heartbeats often synchronize, Will wrote a blog post of his own and included an MP3 of singing “Blue Moon” with his frequent collaborator, Bobbi Carrey. “(They perform at Scullers in Cambridge this coming Thursday.)

It was in the comments at Will’s blog, here, that I found this YouTube recommendation — a deeply empathetic baby listening to a sad song. You see what music can do.

I hasten to add that for me, there are fewer happier moments than crying to a sad song. Don’t know how old you have to be to feel  happy-sad. I hope the baby feels good.

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My husband and I are big fans of Broadway music and also of Boston area singer Will McMillan, who gave a free concert in the Brighton library today.

The show was centered around the composer Harold Arlen, beloved for songs such as “Somewhere Over the Rainbow,” “It’s Only a Paper Moon,” “Blues in the Night,” “Let’s Fall in Love,” and “That Old Black Magic.” Interspersed with his songs, Will gave a delightful rundown on Arlen’s life, work, and main collaborators (Ted Koehler, Johnny Mercer, and Yip Harburg).

For my money, no one puts over a song with the emotional truth of Will McMillan. He becomes the story. In fact, he almost skipped a beat on the little-known intro to “Rainbow,” when the words seemed to carry special meaning for him. And I really liked how he tied the words of “If I Only Had a Heart” to an important goal in his life: “to be a friend to the sparrows and the boy with the arrows.” Or, to see all sides.

Joe Reid, a fine jazz improviser, accompanied Will on the piano and got “Happiness Is a Thing Called Joe” in his honor.

Read more at Will’s blog, here, where you can listen to his MP3s, too. Catch him and frequent collaborator Bobbi Carrey at Scullers November 14.

Cabaret singer Will McMillan with a fan after his show in Brighton today.

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Hidden Faces of Courage, a “theater piece with music” created by Mary Driscoll in collaboration with formerly incarcerated women, is coming soon. I will write more after I have seen the production in November, but I need to alert you that if you want tickets, you might want to get them now as the performance space is rather small. Go to Fort Point Theatre Channel, here.

I met Mary in the playwriting class that I blogged about a few times. I didn’t continue with theater after the class, but Mary kept working at this play. She has a deep commitment to helping women who have been in prison, having worked with them for years at her nonprofit, OWLL (On With Living and Learning Inc.).

Mary writes: “The voices of previously incarcerated women are notably absent in the artistic world—a world that can engage a broader community in reform and foster greater understanding between the individual and diverse audiences. Sometimes in unexpected ways.”

Read more about her show at Broadway World, Boston, here.

Hidden Faces of Courage is directed by Tasia A. Jones, with music by Allyssa Jones, and runs November 8-10, 15-17,  at The Boiler Room, 50 Melcher Street, Fort Point, Boston.

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The Street Pianos are in Boston and getting some enthusiastic use. Today was a lovely day to be outside, and I saw several people of varying skill levels playing the two pianos in Dewey Square.

Occupy Boston’s time in the square having failed to do anything to change the tragedy of homelessness, a loose-knit fraternity were hanging out, listening to the music or taking a turn. A group of us from work went over to hear an economist/musician play duets with strangers and then start taking requests.

Since the pianos are supposed to stay outdoors in Boston until October 14 — sunshine, rain, or snow — several colleagues were wondering about how the Celebrity Series folks, who are sponsoring them, intend to keep the pianos safe. We concluded that the huge pieces of plastic nearby were placed there in the faith that public-spirited passerby would do the right thing in case of a cloudburst.

It was a beautiful day for a work break singing Gospel, rock, “Climb Every Mountain, and “Old MacDonald Had a Farm” (for a toddler in a stroller whose mom stopped to watch).

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The music of avant garde composer Kenneth Kirschner is open source, free to experiment with.

Other musicians are looking for sales models that may render hidebound and  unimaginative music labels obsolete.

Allan Kozinn of the NY Times describes what Rabbit Rabbit Radio is doing.

“With some help from George Hurd, a composer and music administrator, [Matthias Bossi and Carla Kihlstedt] produced a blueprint for Rabbit Rabbit Radio and started the Web page in February 2012. The plan was to release a new song for subscribers on the first of every month.

“Along with the song, Ms. Kihlstedt and Mr. Bossi, who are married to each other, began posting video clips, slide shows and photo albums; information about the making of the track; essays on various subjects; and lists that might include links to clips by other musicians whose work they admire or notes about restaurants they have discovered on tour. Past releases can be explored in their online archives.

“Subscribers pay $2 to $5 a month. (There is no difference in access; it’s a matter of paying what you can.) …

“So far, 18 months into the project, Rabbit Rabbit Radio has nearly 900 subscribers.”

More here.

Pay-what-you-can usually relies on some people paying more than they would ordinarily pay for the product. Theaters offer it occasionally, but they could never survive just on that. Panera Bread struggled with the model when it first tested it in St. Louis.

John has told me about a video-game payment model that requires people to pay small amounts for tools that can help them win the otherwise free game. Sometimes, he says, there’s a pop-up in the intense middle of the game that says you have to wait eight minutes to continue but if you want to keep going right now, you can pay a small amount.

I think if you are motivated enough, you will pay a small amount for almost anything. I hope the approach works for Rabbit Rabbit.

Photo: Gretchen Ertl for the NY Times
Matthias Bossi and Carla Kihlstedt, with their daughter, 4.

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I like to listen to a jazz radio station out of Worcester, WICN.

The other day the announcer mentioned an effort funded by TD Bank’s charitable foundation to collect old school instruments and refurbish them for a new generation.

If you live near Worcester and have been wondering what to do with those drums and violins, consider dropping them off at 50 Portland St. If you don’t live near Worcester, you might consider looking for a similar program in your town — or even starting one. Other TD Banks might help out. Banks in general can be good sources of such community support.

Here’s what the website says: “WICN 90.5, the NPR jazz station in Worcester, and Worcester Public Schools continue their collaboration called Instrumental Partners. The program collects used musical instruments from Central New England residents for the benefit of public school students. ‘We’re approaching 100 instruments donated so far!’ said WICN General Manager Gerry Weston. Instrumental Partners began in 2012.

“All instruments are accepted: brass, wind, string, percussion, acoustic, electric, etc. Worcester Public Schools Performing Arts Liaison Lisa Leach said, ‘We are very excited about this collaboration and putting instruments in the hands of young people who are unable to purchase or rent them, but still have the desire and work ethic to make music an integral part of their developing lives.’ ” More.

If you want to call first, the number is 508 752 0700.

12/27/13 Update. Today I took the oboe and the alto sax below to WICN for the Worcester Public Schools music program. Now a new generation of children will play them.

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Photo: Daniel Balter
Moby Disc, a creature sculpted from 6,000 CDs salvaged from landfills by Fireseed Arts.

Central Massachusetts is getting its own arts and music festival this weekend in Devens (what used to be the military base Fort Devens).

Nancy Shohet West writes at the Globe, “During her years as a university student in Austin, Texas, Monica Hinojos witnessed firsthand the way the city’s iconic festival, South by Southwest, grew meteorically from a music festival with 700 participants in 1987 to an amalgam of music, film and interactive media that drew 25,000 people to this year’s gathering in March.

“So it’s understandable that when Hinojos took up the reins as executive director for 3Rivers Arts, a Groton-based nonprofit whose mission is to support local artists and the arts while spurring the creative economy and enriching community life in the towns in and around Central Massachusetts, she arrived with grand visions.

“One of those visions will materialize this weekend in the form of ‘The Nines.’ The multistage music and arts festival’s inaugural edition kicks off Saturday at Willard Field in the Devens property off Route 2.

“Hinojos concedes the scale of the event might seem a little bit outsized for the normally low-key performance scene in the Nashoba Valley, but she says it is time to start building up local cultural offerings — and that’s why she’s choosing to do it with a bang.

“’ I had a vision of a music, film, multiart festival, modeled on South by Southwest,’ Hinojos said. ‘We want to provide a platform for artists in Central Massachusetts by which we can elevate their work. We have some world-class artists out here. My vision is to amplify their presence so that others throughout New England and the world can see it.’ …

“ ‘In the end, we found a little bit of something for everyone,’ she said. ‘Most of the musical performers are nationally touring, emerging acts …’

“Identifying local artists appropriate for the event was the job of 3Rivers Arts art director Christopher Cyr, a Rhode Island School of Design graduate now living in Pepperell. One of the studios he chose to highlight was FireSeed Arts of Framingham, known for its ‘art with a repurpose’ mission and focus on eco-design.

“ ‘We call it locally harvested trash,’ said Daniel Balter, a cofounder of FireSeed Arts. ‘We try to bring awareness to the role of repurposing trash as art. The Nines festival is a perfect opportunity to provide platforms for local artists, and create some great things.’ ”

“Gates open at noon; the music begins at 1 p.m. and will continue until 11 p.m. … www.theninesfestival.com or  800-653-8000. Children under 10 admitted free if accompanied by parent or guardian. ” More.

Photo: Colm O’Molloy for the Boston Globe
Monica Hinojos of 3Rivers and Benjamin Jachne of Great Northeast Productions are co-sponsoring The Nines music, comedy, arts festival in Devens.

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Suzanne is in Denmark at the moment and sent me a website for something unusual she saw there: a modern Stonehenge.

“The idea of creating The DODECALITH arose in 2006 when the composer Gunner M. Pedersen saw sculptor Thomas Kadziola’s land art project Anemarken (Ancestors’ field) … on the island of Lolland.

“The composer suggested that he and the sculptor create a Stonehenge on Lolland, consisting of a circle of twelve huge menhirs with heads in the open countryside.”

The creators write, “On a hill overlooking the sea, we are creating a singing monument … that will give everyone from near and far an experience of greatness, closeness and beauty, of time’s migrations and settlements. It will express pride and humbleness, times gone by, the present, and, importantly, time coming. …

“The stone figures will stand on invisible foundations and they will sing!
Under a circle of natural sitting stones, a 12 channel sound system will be installed. This system will allow spatial electro acoustic song and music specially created for The DODECALITH to sound inside the circle at intervals every day, all year round. …

“The ancestors [came] from afar, from the land to the south where the waters rose 7,500 years ago and sent the Lolers on their long journey. … Along the coast from Ravnsholt to Ravnsby alone, over 70 burial mounds have survived, several of which are passage graves. … There are now only four mounds … It is here we are re-erecting the Ring of the Lolers, The DODECALITH, to let the new Lolers ancestors sing.” More.

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John’s son has a friend at the beach, a three-year-old musician whose dad is the contemporary composer Kenneth Kirschner.

5against4 has a word on Kirschner’s work, here: “Ken Kirschner’s second longest release to date is a hypnotic exploration of what we might call ‘mobile stasis’. The complex texture, comprising vibes, electronic tones & strings intermingle in ever-changing permutations. Certainly one of Kirschner’s most ambitious texture works &, for those open to its unique type of language, an immersive, rewarding listening experience.” They link to a free download.

Last.fm has more, here: “Composer Kenneth Kirschner was born in 1970 and lives in New York City. He is known for his open source approach to music, his experiments with software-based indeterminate composition, and his interest in adapting the insights and aesthetics of 20th century composers such as Morton Feldman and John Cage to the context of contemporary digital music.

“His work has been released on CDs from record labels such as 12k, Sub Rosa, Sirr, and/OAR and Leerraum, as well as online through a wide variety of netlabels and other sources. A large selection of Kirschner’s music is freely available for download from his website.” See http://www.kennethkirschner.com.

You can also find remixes of Kirschner’s work at Soundcloud.com, but it doesn’t look like he puts his compositions there himself.

Photo: Last.fm. Uploaded by uf_on.

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A high-minded concert may be a drop in the bucket when it comes to fighting global poverty, but as you know, I’m a believer in the power of “One and one and 50 make a million.”

In May, James C.McKinley Jr. wrote for the NY Times, “When the Global Poverty Project staged a benefit concert with Neil Young, the Black Keys and Foo Fighters in Central Park last fall, skeptics wondered if that nonprofit’s attempt to generate pressure on world leaders to help the poor would fade as soon as the amplifiers and guitars were put away.

“But this week the charity proved it had won converts, at least within the music industry. More than 70 artists, among them Jay-Z, Beyoncé, Bruce Springsteen, Pearl Jam and Bruno Mars, have pledged to give the project two tickets from each of their concerts over the next year, creating a pool of more than 20,000 tickets.

“The tickets will be used as prizes to encourage people to become involved in causes like fighting poverty in the third world, eradicating polio, building schools and ending famine. To win the tickets, fans are asked to earn points by taking action through a related Web site, globalcitizen.org. They can sign petitions, pledge to volunteer their time as aid workers, write elected leaders or donate money to aid organizations.

“‘It provides us with an opportunity to get really powerful activism worldwide,’ said Hugh Evans, the chief executive of the Global Poverty Project.” More.

Do check out a related post from 2011 on a countertenor who runs Artists for a Cause, a collaboration that provides talent for fundraising events — here.

Photo: Julie Glassberg for The New York Times
Neil Young with Crazy Horse performing in Central Park in September 2012 in a benefit concert for the Global Poverty Project.

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Here’s a tip for anyone planning to be in London in late fall. A cabaret festival, said to be the first ever, will take place in locales around the city.

Matthew Hemley writes at The Stage, “Comedian Alexander Armstrong and US singer Michael Feinstein are among the performers lined up to appear as part of the first London Festival of Cabaret.

“The festival will run from October 22 until November 15 with events taking place in a variety of venues across London.”Other acts taking part include Elaine Paige, Maria Friedman and Barb Jungr.

“Armstrong will appear in Alexander Armstrong and his Band Celebrate the Great British Songbook from October 28 to 31 at the St James Theatre, where Friedman will give a master class in performing cabaret on October 25.

“Friedman said: ‘Cabaret is a unique way for an artist to hone their communication skills, allowing the audience an up-close, concentrated, in-the-moment experience.’ ”

More.

My husband and I enjoy cabaret music. We like to catch Will McMillan when he performs, whether it’s in Jeff Flaster’s original musical Tortoise or on the terrace in front of Cambridge Adult Ed.

Are you going to London, Will? These London guys need to see the show you put on with Bobbi and Doug, don’t you think?

Photo: Willsings.com

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