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iputonpantsforthisfbbanner4-5-20

Humorous online show from Philadelphia: Thursdays at 6 pm, here.

Many of us have been bingeing on the new online offerings for education, entertainment, or simply communicating.

But not everyone has time to check things out. In the beginning, I was sending lots of online links meant for kids. But as John pointed out, two working parents teaching themselves to home-school might not have the bandwidth even to click and see if the links were actually cool.

They are definitely busy. I’ve been busy, but I do have time to try links for my own entertainment and to pass along a few to friends.

As I mentioned yesterday, a took an online seminar on TikTok. It was presented by First Draft, an organization that offers resources for journalists and has a focus on spotting and countering fake news. The webinar was way above my level, but it got me interested in learning more about TikTok. I do like social media.

Meanwhile, in the Berkshires of Massachusetts, theater-going is pretty much shut down. But I saw a very good 20-minute play by David Mamet and his actress wife Rebecca Pidgeon at the Great Barrington Public Theater site “Bear Tales: Six Feet Together,” here. The play is about the famed, hard-drinking journalist Dorothy Kilgallen (1913-1965) and promotes a theory about the Lindbergh baby that was completely new to me. For more of Great Barrington Public Theater’s “Bear Tales,” click here.

I moonlighted for many years as a theater reviewer, and I reviewed the Boston Theater Marathon for New York-based TheaterMania.com a number of times. So I was interested to see how scores of 10-minute Theater Marathon plays would be handled in the pandemic. Turns out, the Boston Playwrights Theater decided to Zoom one new play at a time. What is nice is that you can enjoy extra features after watching the play: discussions among the playwright, the actors, the director, and more. Each person is, of course, at home. Catch new plays at noon until May 18, here.

Nancy Greenaway, the poet I know from New Shoreham, alerted me to an online reading organized by Connecticut’s Arts Café Mystic and scheduled for the last day of National Poetry Month. I watched that, too.

There was a lot of variety, and it was kind of fun to see what indoor or outdoor home settings the readers had chosen for a backdrop. Some people read classic favorites from the canon, some read their own poems. I got a kick out of a poem by Stephen Dobyns about an old man who heard his dog suggesting fun things to do that they once used to do. The suggestions seemed to dead-end. Finally the dog suggested that they go back in the house and make a big sandwich. We leave the old man looking in the fridge “for answers.”

Dobyns has been a college professor and a mystery writer as well as a poet. I heard him once in person and got the message that he really didn’t like to mix his poetry side with his novel-writing side, but I sure did love his entertaining Charlie Bradshaw/ Saratoga detective series.

You can listen to the poetry reading here. Click on “In This Together.”

For entertainment on Thursdays at 6 pm, you might like “I Put on Pants for This,” by Philadephia-based comedy troupe 1812 productions. My husband and I found plenty of laughs in the episode about comedians Mae West, Sophie Tucker, and Moms Mabley. Go here here to access the 1812 productions.

For those who like Sondheim’s music — and many people do — there’s a YouTube tribute from an astonishing number of stars, including Sutton Foster, Josh Groban, Jake Gyllenhaal, Patti LuPone, Lin-Manuel Miranda, Audra McDonald, Mandy Patinkin, Bernadette Peters, Randy Rainbow, Meryl Streep, and Raúl Esparza.

The video is more than two hours, though. I watched it in chunks, here. It’s also a fundraiser for ASTEP (Artists Striving to End Poverty).

I’ll wrap up today by mentioning an amazing collection of 175,336 photographs you can access for free at the Library of Congress, here. It’s from the period of the Great Depression (Dorothea Lange, anyone?) and is labeled “Farm Security Administration/Office of War Information.” It’s a beautiful reminder that when artists are out of work, a certain kind of government will pay them to document hard times.

Take Me to the World: Sondheim 90th Birthday Celebration

 

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Photo: Natalie Bell
Natalie Bell and her kids, says CBC, “have been making Tik Tok and Instagram videos together to pass the time while they’re isolating at their home in Winnipeg, Canada.”

The other day, I took an online seminar on how to do TikTok. Just because. But even before I read today’s story, I was pretty sure you would need a teenager in the house to move to the next level. (Namely, the level beyond downloading the app.)

Rachel Bergen at CBC Manitoba writes, “Families cooped up together during the COVID-19 pandemic are turning to Netflix, board games and puzzles to get them through — but a few are going renegade and taking on TikTok dance challenges.

“Take Pat Tetrault and his three daughters in La Broquerie, Manitoba, who found they had an abundance of time on their hands and decided to use it making TikTok videos together.

” ‘They showed me a few TikToks that I thought were hilarious, so I said, “What the heck, let’s do something crazy. Let’s get something done,” ‘ he said.

“TikTok is one of the world’s most popular social media platforms, with more than 800 million people around the world using the app regularly to create and share short videos. It’s mostly popular with teens, who often post videos of themselves taking on dance challenges. …

“Although Tetrault is still going to work, his daughters are home and isolated from their friends. It can be challenging, he said, but the videos are ways they can have fun together — and his daughters can make fun of their dad. …

“Making creative videos is a great outlet, says parenting commentator Ann Douglas. The parenting book author and columnist for CBC Radio says children and teens are likely feeling very vulnerable and out of control, so parents ceding control of activities allows kids to take a bit more ownership of a challenging situation.

” ‘I think it’s great to let kids take the lead on some of the activities because right now, a lot of kids are feeling like they’ve lost all control over their life,’ she said. … ‘One thing kids can control is coming up with a way to have fun.’

“Tetrault’s daughters control their TikTok videos and, apparently, his dance moves.

” ‘I’ll be honest with you. I’m old school. I’m not a big dancer. … The girls are teaching me all sorts of new stuff. … We’re actually getting closer because of it. … It’s a different avenue of connecting with them.’

“Natalie Bell is also making TikTok videos using her account @pegcitylovely with her children to pass the time.

‘We try to do things more now as a family than we ever have before because, of course, it used to be just the business of the day. … It’s just something fun. There’s no stress, there’s no pressure. It’s just if we want to do it, we do it,’ Bell said. ‘We have fun and we don’t care who sees it.’ …

“In Trois-Rivières, Quebec, Nellie Guimond, Alexa Haley and Lily-Jade Haley create daily videos on TikTok featuring their mother, Cindy Guimond, and their dad, Éric Haley — whom they are teaching to dance.

” ‘Showing this to the world, to our family and friends, was really entertaining for everyone, and everyone loved it. I think that’s the main reason for our little popularity … his goofy side that people didn’t think he would, or could, show,’ Nellie said in a CBC Quebec AM interview.

“Lily-Jade said making the videos keeps them happy and connected.

‘Sometimes we laugh about our dad, because he doesn’t get the moves right away,’ she said. …

“[Parenting commentator] Douglas said there are many creative ways parents can connect with their children during the pandemic, and they don’t need to use social media to do it.

“For example, it can be an opportunity to try new things in the kitchen and access a kind of ‘improvisational inspiration,’ she says. ‘What if you only have these five or six ingredients? And what could you Google and find a recipe for? And how might it really turn out?’

“For parents of craft-loving kids, Douglas suggests making signs with community-minded messages to put in the window for others to see.”

OK, but if you ask me, TikTok videos of dancing dads who don’t know how to dance sure beats signs in the window.

More at the CBC, here.

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Photo: Anne Lakeman/Mediamatic ETEN
Testing the Serres Séparées safe-eating concept at Mediamatic restaurant in the Netherlands.

My husband keeps saying he can’t imagine that going to restaurants will ever be the same after coronavirus. In fact, he says, if nice restaurants continue doing takeout, maybe we should just stick with that.

Of course, restaurant owners are already thinking about these issues.

Byron Mühlberg reports from the Netherlands that the possibility of future guests requesting their own separate spaces has got some restaurateurs thinking creatively.

“With Dutch restaurants, bars and other catering services engulfed in uncertainty over how they might adjust to the 1.5-meter society,” he writes, “one Amsterdam restaurant is set to experiment with a brand new way of condoning off its guests: Using enclosed greenhouses.

“Mediamatic ETEN, part of a larger arts and entrepreneurship center focusing on sustainability, is a vegan restaurant. … From May 21, the restaurant will begin taking in guests, only this time they will be seated inside Serres Séparées (‘separated greenhouses’), enclosed glass structures, each equipped with a table for two or three diners.

” ‘This was one of the most feasible ideas from a large list of ideas we had when brainstorming,’ Mediamatic’s founding partner Willem Velthoven told NL Times. …

Initially, no more than three guests will be allowed to dine inside each greenhouse, even though there is the capacity for more. ‘[This is] is because we are now careful with our optimism,’ Velthoven explained. …

” ‘Bigger groups could [come] now, but then they should be families. For now, bigger groups are being discouraged because, from our experience, they are just louder and then you get the excited behavior causing spittle to fly and so on, and that’s the kind of behavior that would make the virus spread faster,’ Velthoven said. …

“Catering industry association KHN told NL Times, ‘We sent a protocol to the government two weeks ago, containing advice on how best to open the 1.5 [meter] distance. It is crucial that the government provide perspective quickly.’

“While KHN said it would not yet advise restaurants to reopen on June 1, renowned catering tycoon Laurens Meyer … questioned the idea of people becoming too careful with space.

” ‘We have to realize that there will always be some kind of virus. Whether it is worse than the flu, we have to see. If there is nothing left of our economy, we will no longer be able to afford health care and that will also cost human lives,’ explained Meyer.

“Velthoven, on the other hand, disagrees with Meyer’s approach, urging caution before advising restaurants to open their doors to the public without careful examination. ‘It’s about others and not just yourself in this case,’ he said. …

“Velthoven also understands the business argument, even though he has spent a career looking for creative solutions to problems instead of blunt responses. He ultimately wondered what the government’s plan is for the catering sector if those businesses are ordered to stay closed for a longer duration. If billions of euros are being diverted to KLM, he wonders what the government will be able to do to bail out his industry.

” ‘If I am not allowed to do anything the rest of this year, it’s finished,’ he lamented.” More at NL Times, here.

If you have heard of other good ideas for restaurants and bars in our cautious Covid-19 world, please share them in Comments. Pretty sure that there’s a large group of potential patrons who will be looking for the safest way to dine out — at least until a vaccine is widely available.

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After I posted yesterday about the bee hotels and other pollinator-friendly initiatives in Costa Rica, I received several delightful photos taken by Lolo Dahlsten in Sweden. A member of Erik’s extended family, Lolo writes, “I had some fun Saturday a week ago when I made this bee hotel. The metal part is actually two zinc shelves tied together with some tarred rope. The other day I put some moss and dandelions on the roof 🌻🌱🐝 Today there’s only the moss left.”

Of course, I had to show you all that bee hotels are a real thing — not just in Costa Rica. And it looks like you can also bring your bee hotel indoors for company at dinnertime.

Hat tip: Stuga40

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Photo: Curridabat Municipality
A bee hotel, part of Curridabat’s drive to welcome and protect pollinators. Costa Rica takes environmental issues seriously, which has made it a popular destination.

Some folks believe that many of the troubling aspects of our world will get fixed after coronavirus. Some say that’s unlikely. Others expect everything to get worse — problems such as inequality, nationalism, and environmental degradation.

The only prediction I’m confident about is that it will be a long time before we know. Meanwhile, stories from around the world are showing us options — often completely different ways of being.

Consider this story. Patrick Greenfield reports at the Guardian that a suburb of San Jose, Costa Rica, is taking environmental quality very seriously. In fact, the attitude toward nature nationwide has made this part of Central America a desirable destination in normal times. We ourselves went there when the kids were young.

” ‘Pollinators were the key,’ says Edgar Mora, reflecting on the decision to recognise every bee, bat, hummingbird and butterfly as a citizen of Curridabat during his 12-year spell as mayor.

‘Pollinators are the consultants of the natural world, supreme reproducers and they don’t charge for it. The plan to convert every street into a biocorridor and every neighbourhood into an ecosystem required a relationship with them.’

“The move to extend citizenship to pollinators, trees and native plants in Curridabat has been crucial to the municipality’s transformation from an unremarkable suburb of the Costa Rican capital, San José, into a pioneering haven for urban wildlife.

“Now known as ‘Ciudad Dulce’ – Sweet City – Curridabat’s urban planning has been reimagined around its non-human inhabitants. Green spaces are treated as infrastructure with accompanying ecosystem services that can be harnessed by local government and offered to residents. Geolocation mapping is used to target reforestation projects at elderly residents and children to ensure they benefit from air pollution removal and the cooling effects that the trees provide. The widespread planting of native species underscores a network of green spaces and biocorridors across the municipality, which are designed to ensure pollinators thrive. …

“The metropolitan area surrounding San José is home to more than 2 million people – about half of the population of Costa Rica – despite covering less than 5% of the country’s area.

“Were it not for the lush volcanic peaks that surround Costa Rica’s central valley, it would not be immediately obvious that you were in the heart of one of the most biodiverse countries on the planet. Humans dominate and the country’s cloud forests, pristine coastline and emblematic sloths can feel a long way from the concrete and traffic.

“ ‘We attract a lot of tourists because of nature and conservation but there is still friction in the city,’ says Irene Garcia, head of innovation at the mayor’s office in Curridabat, who oversees the Sweet City project. …

“By the middle of the century, the UN projects that 68% of humanity will live in towns and cities, placing further pressure on ecosystems and rapidly vanishing habitats.

“But many urban planners are trying to change this relationship and the importance of green spaces in towns and cities has been recognised in a draft UN agreement to halt and reverse biodiversity loss, often referred to as the Paris agreement for nature.

“Sweet City is just one of a number of biocorridors around the country that allow the genetic spread of species to maintain their strength. In Central America, this concept has developed since the early 2000s following an agreement to form a biocorridor network to connect jaguars.

“ ‘Grey infrastructure makes the city warm up too much. So the idea to connect green areas is to cool down parts of the city, return the ecosystem services that were there previously but have deteriorated,’ says Magalli Castro Álvarez, who oversees Costa Rica’s network of biocorridors with the National System of Conservation Areas (Sinac).

“ ‘Inter-urban biocorridors have a double objective: they create ecological connectivity for biodiversity but also improve green infrastructure through roads and river banks lined with trees that are linked with the small forested areas that still exist in metropolitan areas. They improve air quality, water quality and give people spaces to relax, have fun and improve their health.’

“Many Costa Ricans are happy to speak about the policy benefits of schemes such as Sweet City, as their response to the challenges of bringing nature into the city is part of a deeper national sentiment. It is not in this tiny Central American country’s DNA to behave as if humans were somehow set apart from nature. …

“Says the country’s president, Carlos Alvarado Quesada, who credits Costa Rica’s tradition of pacifism and respect for nature with its desire to tackle big environmental issues, ‘Even though we have a small territory, its characteristics allow us to have 6% of the biodiversity of the world in our land.’ ”

More here.

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As usual on sunny days, I’m paying a lot of attention to shadows, and thinking about shadows often calls to mind these words from A Midsummer Night’s Dream:

If we shadows have offended,
Think but this, and all is mended—
That you have but slumbered here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend.
If you pardon, we will mend.

Although Shakespeare is referring to the characters as shadows or perhaps the actors, I’m wondering whether we’re the ones who are shadows. But if so, who is slumbering and seeing visions? When I go down that path, I get all snarled up. Better back off.

Today I was planning to share light and darkness in the form of photos going back to Easter (which seems a long, long time ago for some reason), including photos of shadows. Doesn’t the picture above make you think of a New England painter best known for projecting loneliness?

Sandra M. Kelly sent pictures of the Easter Sunrise Service in New Shoreham and a statue that the folks on the island call Rebecca. Please note she’s wearing her mask.

I used a Sharpie for my hard-boiled eggs this Easter as I had no dye. There were 8 other Easter eggs representing the people who would have come here but for coronavirus. We ate them. 🙂

Kristina Joyce shot the cactus. It bloomed for her twice this Easter. She told me that had never happened before.

On April 18, we had snow, which surprised the flowering bushes at my neighbor’s. The Trout Lilies persevered.

There follow random items that caught my eye on my walks. The mystery vegetable arrived with my farm produce order Thursday. It turned out to be ramps (as in the awesome history of Appalachia called Ramp Hollow) and we sauteed the whole thing, minus roots. We saw online that you don’t cultivate ramps. They need to be foraged. They tasted like a very sharp onion.

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Photo: Erin Clark/Globe Staff
Note that they are wearing gloves! Members of Chelsea Collaborative in Massachusetts pray before opening the doors to a pop-up food pantry. Covid-19 food distribution has been operating for about a month with food donated by local businesses and food pantries.

A sad but hardly surprising aspect of the Covid-19 plague is that the poor, minorities, and immigrants are often the most affected. A community in the Greater Boston area has been learning that the hard way. But in Chelsea there is a spirit of helping your neighbor that is a lesson for us all

Boston Globe columnist Adrian Walker writes, “Gladys Vega’s office at the Chelsea Collaborative does not normally resemble a food pantry. But normal times ended in Chelsea roughly six weeks ago.

“’We probably have 2,000 people lined up, and I’m giving out food in an hour,’ she said when I talked to her Thursday afternoon.

“In a state that has become a hot spot of the coronavirus, hard-hit Chelsea might be its white-hot center. But the frightening prevalence of COVID-19 is only part of the reason her nonprofit has become such a popular spot.

“The city’s status as home to a large population of undocumented immigrants has taken on new meaning in recent weeks. The people Vega advocates for are being shut out of other means of assistance, such as stimulus checks — one more way the pandemic has deepened the divide between haves and have-nots.

“ ‘They don’t have income,’ Vega said. ‘And now they are not able to pay bills or buy food.’

“Vega is giving out not just donated food, but diapers and other supplies as well. For this, she has relied upon a network of donors cultivated over many years.

“That’s where her friend Bob Hildreth came in. Hildreth is a wealthy philanthropist, having made many millions in finance. After walking away from that he founded a nonprofit in Lynn to help poor families, especially immigrant families, save up to send their children to college by matching their savings. …

“Hildreth told me he thinks this is a critical time for philanthropists to do as much as possible to help those the federal government won’t.

“ ‘I don’t think my fellow philanthropists are acting fast enough,’ Hildreth said. “’When you need food and drink you need it within a week. I think this requires an extraordinary effort to get money to grass-roots organizations.” …

“The tragedy in Chelsea has mobilized donors large and small, Vega said. A produce collaborative has contributed food. A group of women in Cambridge have made regular deliveries of diapers and baby formula. Local bodegas that may not survive the lockdown are donating to the food supply.

“ ‘I’ve been so blessed,’ Vega said. ‘Two weeks ago I was crying because I had no food and I had a list of 200 people looking for food. Today we delivered 65 boxes of 25 pounds of food for people with COVID who can’t come out of the house. We call ahead and leave it outside.’

Especially striking has been the philanthropy of Chelsea residents with relatively little to give. ‘A man on Social Security gave me $10,’ Vega said. ‘A woman I don’t know gave me her stimulus check. She said, “You don’t know me, but I want to help.” It’s been the most beautiful show of poor people helping poor people.’

“By Vega’s reckoning, Chelsea’s recovery will be a long haul. The city had been turning around, but that’s been stopped in its tracks. As of last week, Chelsea had the highest per capita number of coronavirus cases in Massachusetts.

“ ‘The coronavirus in one month has taken five years of progress,’ she said. ‘This is a war zone right now.’

“Still, she and her staff keep performing their daily triage operation, with no plans to slow down. She said she’s getting about two to three hours of sleep a night. For now, that’s enough.

“ ‘You see the line and it gives you energy,’ she said. ‘You don’t have time to think about pain. You just continue to go.’ ”

I crossed paths with philanthropist Hildreth in my last job, and I can attest that he is sets an example for philanthropy. But what touches me the most is that people who don’t have much are giving such a big chunk of what they have.

More at the Globe, here, and at the Chelsea Collaborative, here.

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Photo: Maria Magdalena Arrellaga
The beautiful golden lion tamarin is like the proverbial canary in the coal mine. If this species goes, others will, too. Activists in Brazil are working to protect its habitat.

I really like the Science section of the New York Times. Right before we all began isolating, I had started reading headlines to a grandson and letting him pick an article we could read and talk about. He picked one about a planet small enough to fit in a living room. The tiny planet was a real thing, but we learned that it was only passing through Earth’s orbit.

Alas, who knows whether any grandchild will still be up for reading science articles with me when/if I ever get out of quarantine.

I believe this story about a beautiful endangered monkey in South America would have been of interest.

As James Gorman reported, “The golden lion tamarin, one of the world’s most charismatic primates, has a dark face that can look inquisitive, challenging, almost human, framed in an extravagant russet mane.

“The endangered New World monkey weighs less than two pounds. It lives only in Brazil, and only in the Atlantic coastal forest there. Tamarins spend their time high in the trees, up to 100 feet off the ground, in small groups of up to eight or so animals, with one breeding pair among each group. …

“The golden lion tamarin has always had its human admirers, many of them in the Old World. Europeans imported the animals as pets in the 1500s, and they can be seen in portraits of Spanish royalty.

“But deforestation, agriculture and development destroyed much of its habitat, as the pet trade continued into the 20th century. By the 1970s, only about 200 animals survived.

“In 1992, the Golden Lion Tamarin Association (Associação Mico-Leão-Dourado) was founded in Brazil. In concert with international conservation groups and supported by a dedicated U.S. charity, Save the Golden Lion Tamarin, the group began to buy up land to create connected conservation areas. And zoos around the world, like the Smithsonian’s National Zoo in Washington, D.C., contributed to reintroducing the animals to the wild.

“The population had reached 3,700 in the wild, according to Luis Paulo Ferraz, the director of the association, but suffered its first population decline last year, when yellow fever killed hundreds of the tiny monkeys. … Today there are about 2,500 tamarins living in about five million acres of forest. But only some of those forest acres are connected. …

“ ‘Our main goal,”’ Mr. Ferraz said, ‘is to create a viable population in the long term.’ What that means in numbers is a population of 2,000 tamarins with a connected conservation area of 2.5 million acres, milestones the group hopes to reach by 2025. Scientists say such a size is necessary for the population to be self-sustaining.

“One challenge to getting connected areas was the widening of a major coastal highway, BR-101, which cuts through large chunks of Atlantic forest. The improvement of the highway created a barrier that isolated several forest areas and their more than 700 tamarins from three other large forest fragments.

After negotiations and lawsuits, the conservationists managed to get the construction company to agree to build and pay for a forested overpass for animals, the first in Brazil, with a tunnel and forest canopy connections, to enable the tamarins and other animals to pass from one side to the other. …

“As with many other conservation campaigns, the golden lion tamarin is the beloved and beautiful poster animal for the preservation of a habitat that includes many plants and less compelling animals, like sloths and frogs. The forest also provides a watershed for human use.

” ‘We are not only talking about one species,’ Mr. Ferraz said. ‘We are talking about the environment.’ ”

Click here for more of the story — and some gorgeous pictures.

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Photo: VAN

How’s your Latin? It might help in appreciating this post about 16th century classical music. Then again, you don’t need Latin to understand that a black classical composer from that long ago should not be forgotten. Garrett Schumann reports the story at an online magazine called VAN.

” ‘Only then can his creative genius begin redounding, as it should, to the glory of Black music history,’ writes the musicologist Robert Stevenson in his 1982 article, ‘The First Black Published Composer.’

“Stevenson’s subject was Vicente Lusitano (ca. 1520-ca. 1561), an African-Portuguese priest and musician who enjoyed an international career. Stevenson heralds works like the motet ‘Heu me domine”’ (1551), which exemplifies the composer’s unusual embrace of chromatic counterpoint. …

“Of Lusitano’s compositions, ‘Heu me domine’ has received the most attention from modern scholars and performers, but it is not the only example of his remarkable creativity. In a 1962 essay, Stevenson reproduces a passage from Lusitano’s motet ‘Regina coeli’ to highlight its adventurous chromatic writing, and notes that other works in Lusitano’s 1551 motet collection feature extremely uncommon combinations of accidentals. Musicologist Philippe Canguilheim, in a 2011 essay regarding Lusitano’s unpublished counterpoint treatise, writes that Lusitano is ‘particularly tolerant’ of dissonance, a practice he justifies in the text by citing Pythagoras and Boethius.

“The alluring counterpoint and voice leading of ‘Heu me domine’ connect to improvisation techniques which Lusitano outlines in his counterpoint studies. As Canguilheim notes, these works make pioneering arguments regarding canons and the productive interplay between composition, free improvisation, and structured improvisation.

“ ‘Heu me domine’ is one of just two pieces in Lusitano’s output that 20th-century scholars have transcribed into modern notation — until last month, it was the only piece of his to be recorded. The other work, a 1562 madrigal called ‘All’hor ch’ignuda,’ was recently arranged for woodwind trio and recorded by multi-instrumentalist Misty Theisen. …

“Ironically, Lusitano’s obscurity originates in the most famous episode of his career. In 1551, while in Rome, Lusitano was drawn into an aesthetic dispute by fellow composer Nicola Vicentino (1511-ca.1576), an argument which gained so much attention that a Vatican tribunal convened to issue a verdict. Lusitano won, and Vicentino paid a fine, but, for years afterward, Vicentino published egregiously disingenuous descriptions of the proceedings with the aim of damaging Lusitano’s reputation.

“A 17th-century source in Rome attests that Lusitano’s name was scratched off copies of the widely-published introduction to his counterpoint treatise, and it is plausible he faced other reprisals that went undocumented. These developments likely led to Lusitano’s relocation to Germany sometime after 1553,  where he converted to Protestantism, married, and continued his career until his death. …

“Lusitano’s obscurity also shows the influence of collective action on a composer’s legacy. Vicentino worked hard to distort and erase Lusitano’s achievements, but these efforts only retained their impact because other scholars and artists have — perhaps out of convenience or ignorance — uncritically reproduced Vicentino’s version of the facts.

“Whether any of these developments are related to racial bias is difficult to prove. Nevertheless, composers with historically excluded identities, like Lusitano, have been extraordinarily underserved by institutions of classical music performance and scholarship. Reports from Bachtrack.com analyzing programming from more than 160,000 classical performances around the world between 2014 and 2019 show a population of just 15 white men constitute the 10 most-programmed composers in each of those five performance seasons. Recent research by Philip Ewell exploring the intersection of music theory and critical race theory also compellingly asserts that institutionalized music scholarship is structured in a way that ignores the achievements of women and people of color.”

It’s a long article, but interesting. Read it here.

Hat Tip: Arts Journal.

Douglas Lawrence leads the Australian Chamber Choir at St Martin-in-the-Fields in “Heu me domine” (1551), by Vicente Lusitano, the first published Black classical composer.

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Photo: Sky News
Dutch students sail across the Atlantic to get home after coronavirus blocks their flight.

Of all the nutty adaptations caused by Covid-19, this is one of the most unusual. A group of Dutch students who were on an educational sailing trip in the Caribbean were unable to fly home. So they sailed all the way back over the Atlantic Ocean.

Aleksandar Furtula (with contributions from Associated Press writer Mike Corder in The Hague) reports at the Washington Post, “A group of 25 Dutch high school students with very little sailing experience ended a trans-Atlantic voyage Sunday that was forced on them by coronavirus restrictions.

“The children, ages 14 to 17, watched over by 12 experienced crew members and three teachers, were on an educational cruise of the Caribbean when the pandemic forced them to radically change their plans for returning home in March.

“That gave one of the young sailors, 17-year-old Floor Hurkmans, one of the biggest lessons of her impromptu adventure. …

“ ‘The arrival time changed like 100 times. Being flexible is really important.’

Instead of flying back from Cuba as originally planned, the crew and students stocked up on supplies and warm clothes and set sail for the northern Dutch port of Harlingen, a five-week voyage of nearly 7,000 kilometers (4,350 miles), on board the 60-meter (200-foot) top sail schooner Wylde Swan. …

“The teens hugged and chanted each other’s names as they walked off the ship and into the arms of their families, who drove their cars alongside the yacht one by one to adhere to social distancing rules imposed to rein in the spread of the virus that forced the students into their long trip home.

“For Hurkmans, the impossibility of any kind of social distancing took some getting used to. … Her mother, Renee Scholtemeijer, said she expects her daughter to miss life on the open sea once she encounters coronavirus containment measures in the Netherlands.

“ ‘I think that after two days she’ll want to go back on the boat, because life is very boring back at home,” she said. ‘There’s nothing to do, she can’t visit friends, so it’s very boring.’ …

Masterskip, the company that organized the cruise, runs five educational voyages for about 150 students in all each year. Crossing the Atlantic is nothing new for the Wylde Swan, which has made the trip about 20 times.

“The company’s director, Christophe Meijer, said the students were monitored for the coronavirus in March to ensure nobody was infected. He said he was pleased the students had adapted to life on board and kept up their education on the long voyage.

“ ‘The children learned a lot about adaptivity, also about media attention, but also their normal school work,’ he said. ‘So they are actually far ahead now of their Dutch school colleagues. They have made us very proud.’

More at the Washington Post, here. A Reuters article with other details is here.

 

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Image: Phantom of the Opera

It may sound like a scenario for a Phantom of the Opera sequel, but a month in a mask factory, nights included, is what 43 workers at Braskem America in Pennsylvania experienced when their company tackled a rush order of a key ingredient in personal protective equipment (PPE).

Meagan Flynn writes at the Washington Post, “At his factory just off the Delaware River, in the far southeastern corner of Pennsylvania, Joe Boyce clocked in on March 23 for the longest shift of his life.

“In his office, an air mattress replaced his desk chair. He brought a toothbrush and shaving kit, moving into the Braskem petrochemical plant in Marcus Hook, Pa., as if it were a makeshift college dormitory. The casual office kitchen became a mess hall for him and his 42 co-workers turned roommates. The factory’s emergency operations center became their new lounge room.

“For 28 days, they did not leave — sleeping and working all in one place.

“In what they called a ‘live-in’ at the factory, the undertaking was just one example of the endless ways that Americans in every industry have uniquely contributed to fighting coronavirus. The 43 men [worked] 12-hour shifts all day and night for a month straight, producing tens of millions of pounds of the raw materials that will end up in face masks and surgical gowns worn on the front lines of the pandemic.

“No one told them they had to do it, Braskem America CEO Mark Nikolich said. All of the workers volunteered, hunkering down at the plant to ensure no one caught the virus outside as they sought to meet the rocketing demand for their key product, polypropylene, which is needed to make various medical and hygienic items. …

[Said] Boyce, an operations shift supervisor and a 27-year veteran at Braskem America, …’We’ve been getting messages on social media from nurses, doctors, EMS workers, saying thank you for what we’re doing. But we want to thank them.’ …

“Nikolich said the company has shifted its production lines to focus on making that key ingredient, polypropylene, given the high demand due to covid-19. The company then sells the product to clients that turn it into a nonwoven fabric, which medical manufacturers ultimately use to make face masks, medical gowns and even disinfectant wipes, among other items. …

“Nikolich said the plants decided to launch the live-ins so employees could avoid having to worry about catching the virus while constantly traveling to and from work, and so the staff at the factory could be closed off to nonessential personnel. They were paid for all 24 hours each day, with a built-in wage increase for both working hours and off time, the company said. …

“Boyce said some guys brought their Xbox consoles and TVs, and even a cornhole set, to stay entertained. They stayed active at the on-site gym, which ‘has never been used so much before,’ Boyce said, and stayed extra busy in the kitchen. A skilled cook, Boyce and others asked corporate for more pots and pans and a stove. …

” ‘We had to kind of adapt. We came up with a chart for housekeeping chores so we could all clean the bathrooms and clean up after meals,’ Boyce said. …

“But being separated from family got harder as time went on, said Boyce, a father of two teenagers. Some guys counted down the days. One missed the birth of his first grandchild. Visitors weren’t allowed.

“So on Day 14, the families organized a ‘drive-by visit.’ ”  Read more at the Washington Post, here. Although the Washington Post is typically behind a firewall, you can sign up for the Coronavirus newsletter for free here. It’s really good.

Photo: WPVI
Greeting local news station WPVI staff, Braskem America workers finally clock out on Sunday after living and working inside the factory in Marcus Hook, Pennsylvania, for 28 days.

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Photo: Craig F. Walker/Boston Globe
Research scientist Hen-Wei Huang talked about Spot the robot during a demonstration at Brigham and Women’s Hospital in Boston.

When Boston Dynamics first launched its robot dog, people regarded it more as a toy with fancy tricks than as a serious partner in the working world.

Then came coronavirus.

As Hiawatha Bray reports at the Boston Globe, the robot’s remarkable agility is one reason it has become useful for screening potential Covid-19 victims safely.

Bray writes, “At Brigham and Women’s Hospital, the first encounter a potentially infected person might have is not with a doctor or nurse swathed in protective gear, but with a talking, animal-like robot that looks like it might have wandered off the set of ‘Star Wars.’

“Spot, the agile walking robot from Waltham-based Boston Dynamics, gained Internet notoriety for showing off its dance moves on YouTube. But now it’s going to work in the real world, striding into the danger zone, armed only with an iPad. The robot is posted just outside the hospital, not so much as a sentinel, but as an intake worker that will help doctors safely interview people who fear they may have been infected with the coronavirus. …

“The yellow-and-black Spot robot, which resembles a large dog, is positioned inside a big white tent set up in front of the hospital’s main entrance as a triage area for potential COVID-19 cases. It is fitted with an iPad that displays a physician located safely inside the hospital who can use the device’s camera to see the patient’s physical condition. The doctor can talk to the patient through the built-in microphone and a mounted speaker, asking standard diagnostic questions.

“The physician is also able to remotely control Spot, directing the machine to move around for a better perspective of the patient. …

‘Most people have been very excited to be interacting with this robot and mostly see it as something that is cool and fun,’ [said emergency room doctor Farah Dadabhoy].

“Michael Perry, Boston Dynamics’ vice president of business development, said that as early as February the company began receiving inquiries from hospitals worldwide. Was it possible, they asked, to use a Spot robot to conduct triage interviews? …

“Many had set up their COVID triage areas outdoors, on lawns or in parking lots. On such uneven surfaces, ‘traditional robotics doesn’t make sense,’ he said. ‘We need something that can handle this difficult terrain.’ …

“Doctors at the Brigham had also been looking into automated triage. In cooperation with engineers at the Massachusetts Institute of Technology, they worked on remote diagnostic sensors, but they needed a robot to carry them. So in March they reached out to Boston Dynamics.

“The result was a specially modified Spot, featuring the iPad and a little carrying pouch mounted near the robot’s ‘tail.’

“There’s nothing flashy about the pouch, but it’s quite practical. It allows Spot to deliver small items such as bottled water to infected patients, without the need to send in a nurse. Personnel can’t approach a COVID-infected patient, even for something as simple as giving him a bottle of water, without putting on safety gear. … With the medical version of Spot, health care workers can just put the bottle in the pouch and have it marched over to the patient. And the moisture-resistant robot is designed to be sanitized easily.

“The current version of Spot is only good for conducting interviews. But the Brigham will soon deploy an upgraded model with cameras that can measure a patient’s respiration rate and body temperature, with no need to make physical contact. …

The company said it is giving its medical hardware and software designs at no charge to any robotics company that cares to use them. Perry said Boston Dynamics has already had talks with a Canadian maker of wheeled robots.

Read more at the Globe, here.

Spot the Robot Dog in an earlier career as a YouTube dancing sensation.

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Photo: Mizuki Production/via Kyodo
An amabie drawn by the late manga artist Shigeru Mizuki. The amabie, says National Public Radio, is a “sea monster from 19th century Japanese folklore that has become an Internet meme and pop culture mascot in the fight against COVID-19.”

Isn’t it interesting how we turn to ancient wisdom and mythology to find meaning in crisis? It’s not so much that we believe in fantasies, but we begin to realize that metaphor may have something to tell us that can’t be captured in headlines or scientific reports.

Consider the little amabie, a friendly, protective monster that has risen up from Japanese folklore to address coronavirus.

From the Japan Times: “Social media users have been getting creative recently with images of a legendary Japanese [monster] said to have emerged from the sea and prophesied an epidemic. …

“The story of the half-human, half-fish amabie monster was first featured in a 19th century woodblock-printed news sheet from the Edo Period (1603-1868). The creature was depicted with long hair and a beak, and a body covered in scales.

“An amabie is said to have [told a Kumamoto] official, ‘There will be a bountiful harvest for six years, but disease will also spread. Quickly draw a picture of me and show it to the people.’ …

“On March 6, Kyoto University Library posted on its Twitter account a picture of the original news sheet, dated April 1846, with an illustration of an amabie and a description beside it. …  Since then, social media users have posted amabie images in myriad forms — including clay figurines, embroidery, paper cutouts and manga — alongside phrases wishing for an early end to the current pandemic. …

“A drawing of the monster by late manga artist Shigeru Mizuki (1922-2015) [was] published on the Mizuki Production Twitter account on March 17. …

” ‘Japan has traditionally had a custom of trying to drive off epidemics by such means as drawing oni ogres on pieces of paper and displaying them,’ said Yuji Yamada, a professor at Mie University who is well versed in the history of faith practices in Japan.

“ When many people are suffering and dying, our wish for an end (of the pandemic) is the same in all ages,’ he said.” More at the Japan Times, here.

National Public Radio (NPR) points out that even the Japanese health ministry has pressed the amabie into service:

” ‘Stop the infection from spreading!’ The words appear to come straight from the beak of a creature with a bird’s head, human hair and a fish’s scaly body, in a recent public service announcement from Japan’s health ministry.’ ” More at NPR, here.

P.S. Since most of us continue to be fascinated by humanoids sporting fish tails, I have to point you to Asakiyume’s post about a real-life maker of mermaid and merman tails, here.

Art: Kaori Hamura Long
At NPR, another illustration of an Amabie.

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Photo: Lauren Justice for the New York Times
“Faced with grocery shortages,” reports the
New York Times, “many Native Americans have started collecting seeds to plant in their gardens at home.” Among members of the Oneida Nation, white corn, above, is prized for its versatility and nutrient density. 

As many of us non-gardeners start to wonder if we could grow tomatoes and lettuce in the kitchen window, we look with envy at people who can feed themselves without grocery stores.

Recently I read an article in the New York Times by Priya Krishna about indigenous Americans who, although suffering in the pandemic like the rest of us, at least have ancient wisdom they can dust off to help them survive.

“For the roughly 20,000 members of the Oglala Sioux Tribe living on the Pine Ridge Indian Reservation — a vast, two million-acre expanse in southern South Dakota — social distancing is certainly feasible. Putting food on the table? Less so.

“Getting to food has long been a challenge for Pine Ridge residents. For a lot of people, the nearest grocery store is a two-hour drive away. Many rely on food stamps or the Food Distribution Program on Indian Reservations, a federal initiative that provides boxes of food (historically lacking in healthy options) to low-income families. Diabetes rates run very high.

“The coronavirus crisis [has] only made access to food harder, as shelves of the few groceries empty out, shipments of food boxes are delayed because of supply chain disruptions, and hunting and gathering are restricted by government regulations and environmental conditions.

“But the Oglala Sioux, like many other Native Americans across the country, are relying on the practices — seed saving, canning, dehydrating — that their forebears developed to survive harsh conditions with limited supplies. …

“Big-box stores and processed foods have eroded some of the old customs. But now, faced with a disrupted food system, many Native Americans are looking to those traditions for answers.

“Milo Yellow Hair, who lives in Wounded Knee, S.D., on the Pine Ridge Reservation, is hard at work preparing 8,000 seedlings of local varieties of squash and corn — hearty crops with a short growing time — to plant in people’s yards. …

‘Here on the reservation it is a day-by-day existence,’ said Mr. Yellow Hair, 70, who works for the nonprofit Slim Buttes Agricultural Development Program. ‘If this thing goes crazy and the external food services stop, the food we grow locally is going to be paramount to meet this need.’ …

“The coronavirus emergency is dire on the Navajo Nation in Arizona, Utah and New Mexico, which as of [April 13] had 698 cases and 24 deaths. …

“The Turtle Mountain Band of Chippewa has a strong tradition of canning local crops like beets, cucumbers and carrots, and some families are known for their expertise. Many are now donating their stockpiles to those on the reservation in need.

“ ‘You don’t think twice about it,’ said [Jamie Azure, the tribal chairman of the Turtle Mountain Band of Chippewa, in Belcourt, N.D. ]. ‘And then when the Covid-19 threat comes through, you realize how important all of this is.’

“In Alaska, the Athabaskan peoples have long dealt with brutal, protracted winters by preserving produce and freezing meats. Cynthia Erickson, who is Athabaskan and an owner of the only grocery store in her village, Tanana, has a freezer full of moose, caribou and whitefish. But she has been struggling to get her usual wholesale suppliers to fill orders. The tribe may ask Gov. Mike Dunleavy to open moose hunting season (which normally begins in August or September) early if the food supply runs low, she said. …

“After much of his work dried up, Brian Yazzie, a private chef in St. Paul who is Navajo, decided to volunteer at the Gatherings Café in Minneapolis, which is feeding Native American seniors. He is cooking almost exclusively with traditional Native ingredients, making stew out of tepary beans from Ramona Farms in Sacaton, Ariz., and cooking elderberries into a sauce for barbecue chicken.

‘Indigenous peoples survived colonization, and so has our food and ingredients,’ said Mr. Yazzie, 33. ‘Practicing our foodways is a sign of resiliency.’ …

” ‘As this pandemic continues to grow,’ [says Chelsey Luger, who co-founded an indigenous wellness program with her husband], ‘I can tell you that I feel safer on the reservation than anywhere else.’ ”

More at the New York Times. here.

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Art: Andy Andersen via Hyperallergic
Andy Andersen’s depiction of Dr. Anthony Fauci, of the National Institute of Allergy and Infectious Diseases, as Saint Pantaleon the Healer. Andersen, a Los Angeles area illustrator, is one of many artists reimagining the doctor as pandemic cultural icon.

Don’t you love how creative people always find ways to have fun with current events, no matter how dire? Consider this charming story by Hakim Bishara at Hyperallergic, where we learn about the art community’s take on the doctor at the center of federal Covid-19 communications, the doctor that people trust.

“Dr. Anthony Fauci, head of the National Institute of Allergy and Infectious Diseases and a member of the White House coronavirus task force, is by all accounts the man of the hour [and] being showered with praise and admiration, sometimes uncomfortably, as he became the most recognized voice in the United States on the coronavirus pandemic.

“On social media, Fauci is being celebrated with thousands of artistic tributes, from admiring portraits and cartoons to tattoos, sock puppets, and saint icons bearing his image.

“One of the most intricate tributes to Fauci belongs to Andy Andersen, an illustrator based outside of Los Angeles. His illustration depicts the famed doctor as the late-medieval Saint Pantaleon the healer. ‘Saint Fauci’ holds a box of medicine, flanked by angels of death and spikey coronaviruses.

“ ‘I based it on some of the classic saint iconography that exists,’ Andersen explained to Hyperallergic in an email. ‘The pose, the composition, the elements all reference those iconic images, but updated with references to the virus.’

“ ‘To me, Fauci is the calming, reassuring voice during this confusing and unpredictable time,’ Andersen wrote. ‘He reminds me of a grandfather who assures you that everything will be ok. It will be hard, it will most likely suck, and sh#!t will happen, but in the end, everything will be ok. The silver lining is that humanity has such a competent, intellectual powerhouse on its side.’

“Several other fans also elevated Fauci to saintdom. One of them created a ‘Saint Fauci’ votive candle with the caption: ‘Not all heroes wear capes! 🙏🙏🙏🙏’ [See @taintedsaint_ on Instagram.]

“One of the most famous public images of Fauci captures him facepalming … during a coronavirus briefing at the White House. For many Americans, the image highlighted Fauci as a voice of reason …

“Brad Albright, an artist and an illustrator based in Texas, decided to perpetuate Fauci’s facepalm with a sticker. ‘Somebody get this man some (more) medals, honors and awards!!! Seriously. He’s a saint,’ he wrote in the caption.

“In addition, there are myriad admiring portraits of Fauci online, from pencil sketches to paintings and GIFs. One such artwork, titled ‘The Explainer in Chief,’ captures Fauci explaining the disease to the press cameras. The artist, Phil Bateman, writes in the caption: ‘Who else but Anthony Fauci could tell you terrifying things and yet whose terrifying explanations made you feel better because you believed only him.’ …

“How does this intense level of attention affect Fauci himself? When asked in an interview with CBS’s Gayle King if he feels personal pressure he calmly answered, ‘It’s my job. This is the life I’ve chosen and I’m doing it.’ ”

Read Hyperallergic here. And for more on the curious manifestations of Fauci fandom, check out the Verge.

By the way, did you ever see the documentary How to Survive a Plague, about the AIDS crisis?  Dr. Fauci was in government back then, too, and in the the early 1980s, before his hair turned gray, he was definitely not considered a hero by terrified AIDS victims. Clearly, he has learned a lot. Which proves that there really are second chances in life.

Photo: Donut Crazy via the Hartford Courant
Donut Crazy has honored infectious disease expert Dr. Anthony Fauci with special doughnuts bearing his image.

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