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Photo: MediaPunch/REX/Shutterstock/
Prima ballerina Misty Copeland (right) and Raven Wilkinson at the Urban World Film Festival in New York City in 2015. Wilkinson has mentored many dancers since retiring from dancing at age 50.

Former ballerina Raven Wilkinson has shared her experiences — and her strength — with dancers of color since ending her own dancing career at age 50. She’s a great example of someone turning even bad experiences into something that sustains others.

Olivia B. Waxman writes at Time magazine, “In the years since she became the first black ballerina to be a principal dancer with the American Ballet Theatre, Misty Copeland has become a well-known symbol of breaking down barriers in her art. The strides she has made build on the work of one particular dancer — a mentor of Copeland’s, Raven Wilkinson, who broke new ground in similar ways during the 1950s. …

“Wilkinson’s passion for ballet began at an early age and would take her around the nation with the Ballet Russe de Monte Carlo. As the first African American ballerina to dance with a major touring troupe, she performed the coveted solo waltz in Les Sylphides.

“But her story — which is told in the new picture book Trailblazer: The Story of Ballerina Raven Wilkinson, written by Leda Schubert and illustrated by Theodore Taylor III … didn’t always feel like a fairy tale.

“Wilkinson, now 82, risked death and arrest by touring with the company in the South during a period when it was illegal for black and white dancers to share a stage. …

“As a native New Yorker, Wilkinson grew up only seeing the Ku Klux Klan in newsreels at the movie theater. It was through dance that she had her first real-life encounter with the group, in 1957 in Montgomery, Ala, while her company passed through the city on tour. …

“ ‘The KKK were everywhere. There was a convention,” Wilkinson recently recalled to TIME. “The [hotel] manager said, “You can’t dance tonight. Go to your room, stay in your room, lock the door, and don’t come out and don’t let anybody in.” ‘ There, she saw a cross burning outside her window. She says she wouldn’t have been able to get through … tense moments without her fellow dancers in the company. …

“After a brief stint in a convent to reflect on the path she had chosen, she moved to Europe, where it was easier for her to dance professionally. She danced with the Dutch National Ballet in Holland before returning to the States in 1974, where she danced with the New York City Opera until her retirement at age 50. …

“When TIME asked Copeland what has changed since Wilkinson was dancing professionally, she said ‘a lot is still so much the same. … We won’t be told to leave the company because our safety is at risk, but I had a similar experience being told to pancake my skin a lighter color to fit in with the rest of the company. … [Knowing Raven] made me feel really empowered not to let the negativity of racism even to this day affect me and my career. I can be strong and persevere and allow my talent to shine beyond the color of my skin.’ ”

It makes you think about the strength of character and the courage that barrier-breakers embody. The “poor, terrified girl” story melts away into the “young woman of steel” story.

More here.

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Photo: Bethesda Magazine
New research finds some children are more attentive after experiencing a class taught on the lawn.

As the fourth snow event of March 2018 decorates my yard, I’m finding it hard to visualize academic lessons on a lawn, but I know they do happen.

Tom Jacobs writes at Pacific Standard, “A carefully designed 10-week study found outdoor lessons ‘boost subsequent classroom engagement, and boost it a great deal,’ writes a research team led by Ming Kuo of the University of Illinois — Urbana-Champaign. ‘After a lesson in nature, teachers were able to teach for almost twice as long without having to interrupt instruction to redirect students’ attention.’

“In the journal Frontiers in Psychology, Kuo and her colleagues note that, while many European nations have incorporated classes in nature into children’s education, the idea has not been embraced in the United States. This may reflect ‘concern on the part of teachers that outdoor lessons will leave students keyed up and unable to concentrate,’ they write. Their findings debunk that notion.

“The study featured third-graders (ages nine and 10) at an environment-oriented magnet school in the Midwest. The kids were predominantly African American, and 87 percent qualified for a free or reduced-price lunch.

“Two teachers — one keen on the idea of teaching in nature, the other somewhat skeptical — each ‘delivered 10 pairs of lessons over 10 different weeks.’ On five of the 10 weeks, the first lesson of the pair was taught at a grassy spot just outside the school, adjacent to some woods.

” ‘For any given pair of lessons, both the treatment lesson (in nature) and its indoor counterpart were delivered by the same teacher to the same students, on the same topic, in the same week of the semester,’ the researchers write.

“The students’ engagement in the lesson taught immediately afterwards—which was always indoors—was measured in a variety of ways, including the teacher’s perception; the judgment of an independent observer who examined photographs of the classroom; and how often the teacher needed to stop teaching to attend to a student’s inappropriate behavior.

” ‘Classroom engagement was significantly better after lessons in nature,’ the researchers report. … Most striking was the reduction in ‘redirects,’ which are defined as ‘instances where a teacher interrupted the flow of instruction to redirect students’ attention.’

” ‘Normally, these occur roughly once every 3.5 minutes of instruction’ in a third-grade classroom, the researchers write. But after a lesson in nature, ‘teachers were able to teach for 6.5 minutes, on average, without interruption.’ …

“The five-minute-long walks to and from the outdoor learning area may have played a positive role. It’s also possible the kids were responding to rejuvenated instructors.” More here.

In college, I found the occasional springtime lesson on the lawn distracting, but there is no doubt it could perk up a teacher. And I know that both kids and adults benefit from just getting up and moving.

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Water for Congo

Photo: Ideo
Asili, an enterprise designed by the American Refugee Committee (ARC), IDEO.org, and the people of Kabare in the Congo, has distributed millions of liters of clean water to people who didn’t have any. In the photo, a prototype offers sample cups of Asili water outside a Sunday church service. 

One of my favorite organizations is the Minneapolis-based American Refugee Committee, which does good work all around the world. In this story about bringing clean water to people in the Congo, they demonstrate the importance of asking the local people what they want, consulting with them on how work should be done, and enabling them to take charge.

In the Congo’s Kabare region, ARC partnered with residents and USAID to create a community-run business called Asili, and Asili partnered with residents and the design firm Ideo to launch a clean water initiative.

The project is described at Ideo.

“The Democratic Republic of Congo (DRC) has been beset by decades of war, deep poverty, and an underdeveloped infrastructure for international development projects. Yet Asili — a community-run business delivering essential services in the Kabare region — is flourishing, thanks to the pride, strength, and ingenuity of the Kabare locals.

“[It] offers clean water, agricultural services, and a health clinic to area communities. Designed by the American Refugee Committee (ARC), IDEO.org, and the people of Kabare themselves, Asili has distributed millions of liters of water, seen local farmers’ incomes and outputs jump tremendously, and had thousands of patients at its three health clinics since they were established in 2014.

“Perhaps what’s most important, especially in a landscape of failed international development projects, is that Asili was born from — and is run by — the people of Kabare.

“In 2013, the American Refugee Committee (ARC) approached IDEO.org with a bold challenge: How might we build a community-owned, for-profit business in eastern DRC to support better health and improved livelihoods? …

“The early results have been truly remarkable. Since Asili was launched, 60 kilometers of pipeline have brought 5.3 million liters of clean water to previously overlooked villages, and this influx has helped cultivate a new local agriculture ecosystem. In addition, world-class healthcare has been delivered to over 3,000 people in some of the most vulnerable communities on earth….

“The Asili team have totally embraced human-centered design, and Congolese staff are hard at work building prototypes, iterating on what’s working, and using a design approach to build the next steps for this remarkable organization.” Wow.

In my ESL volunteering, I have had the privilege of meeting many Congolese refugees. To say that life in Congo is hard would be a gross understatement. Projects by Asili represent hope.

More at the American Refugee Committee website, here, and at Ideo, here.

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It’s A Pity . . .

Here is a Nor’Easter Bonus for you. It’s by blogger KerryCan. I got *such* a kick out of it.

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Photo: My Modern Met
Sekai Kobayashi allows customers to work 50-minute shifts in order to earn their meal.

This story is such a good example of how diversity breeds creativity. The restaurant entrepreneur here got her ideas about a new model of eatery, an open-source eatery, from her former techy career. In the same way, having diversity in a workplace or other organization, including diversity of thought, can be a kind of power pack (as my 3-year-old granddaughter would say) for the mission.

Jessica Stewart has a report at My Modern Met, “Don’t have enough money for a hot meal? That’s not a problem if you are dining at Tokyo’s Mirai Shokudo (aka Future Eatery). Since opening its doors in 2015, owner Sekai Kobayashi has allowed customers to work 50-minute shifts in order to earn their meal at the small eatery, which seats 12 people around a small counter. Kobayashi, a former software engineer, sees the system as part of her ‘open source’ restaurant concept, where the participation of customers helps the business.

“The idea struck her while working for a recipe website, Cookpad Inc., which has an in-office kitchen that staff could use. Encouraged by her colleagues’ compliments, she decided to leave behind her work as an engineer and open her own restaurant. Now, in a little over two years, more than 500 helpers have worked with Kobayashi — who runs Mirai Shokudo by herself — and earned a meal by doing so.

“Ranging from university students looking to save money to a former teacher in her mid-50s hoping to move into the food industry, there’s always someone new in the kitchen. And for Kobayashi, this is part of the joy.

‘I use this system because I want to connect with hungry people who otherwise couldn’t eat at restaurants because they don’t have money.’

“This desire to give back doesn’t just end with a free meal. The former engineer takes things a step further, even sharing the finances of her restaurant with the public, … she shared with China Daily.

“ ‘I posted the restaurant’s business plan and finances on its website so I can collect input from the public on how to make improvements.’ Not only does it help her, but it also serves as a resource for others who may be interested in opening their own restaurant.” More here.

Hat tip: Boston Public Radio with Jim Braude and Margery Eagan, a show I really enjoy. It airs from 11 a.m. to 2 p.m. on weekdays.

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Photo: u-theopera
A scene from “u,” the first Klingon opera on Earth.

I was late to the Star Trek party. I didn’t get hooked until the spinoff Deep Space 9, which featured an actor I had performed with as a child (René Auberjonois). But I have friends who are lifetime Trekkies — Asakiyume for one. (She’s a Vulcan.)

Partly because I’m interested in invented languages like Esperanto, I have written before about Klingon, a language created for Star Trek. Today I’m here to tell you about a new Klingon center — in Sweden, if you can believe it.

Lee Roden writes at The Local, “The world’s first ‘Klingon tourist centre’ [opened February 3] in Sweden, in a collaboration between a Stockholm theatre and an organization which calls itself the Klingon Institute of Cultural Exchange.

“The doors of ‘Visit Qo’noS’ [are] open at Turteatern in southern Stockholm … until late March. No stone has been left unturned at what Turteatern’s Theresa Jonasson told The Local is the ‘first Klingon centre in Alpha Quadrant’ (which apparently is the part of the Milky Way where Earth lies, in Star Trek lore).

” ‘The visitors check in at the reception desk, where they will get some tourist information, such as a visitor map of the Klingon capital First City. They will then be invited into the ceremonial presentation hall. The non-hologram live-act presentation is performed by the four Klingon ambassadors Ban’Shee, Mara, Morath and Klag, all from the House of Duras,’ she explained.

” ‘The visitors/audience will be introduced to the Klingon culture and customs and acquire lifesaving tips to apply when interacting with Klingons. There will also be a singalong, dancing, Klingon opera, and scenes from the famous Klingon play Romyo je joloywI’ (better known on Earth as Romeo and Juliet), by Shex’pir.’ …

“Even by science fiction standards, Star Trek fans are known for being a particularly passionate bunch, and the Stockholm theatre has been careful to try to meet their high expectations when it comes to costumes and staging. It has also called upon the help of Klingonska Akademien (The Klingon Academy), an Uppsala-based society with expertise in the Klingon language. …

“The Klingons will be of the more traditional kind [says Jonasson]:

‘The most common question is if the Klingons look like the Klingons in the new Star Trek TV series Discovery, which of course they do not. That series is offensive for Klingons, and should not be mentioned during the presentation.’ …

“For any readers fluent in alien languages, a message from the Klingon Institute of Cultural Exchange in Klingon can even be found here.”

More at the Local, here.

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Photo: CNN
Garbage collectors in Ankara, Turkey, created a library from abandoned books.

This story seems to go with the one about the homeless man in South Africa who sells used books to passersby. The books in the CNN article, however, are not only used — they have been thrown in the trash or abandoned.

Garbage collectors in Ankara thought it was a shame that so many salvageable books should be landfilled when there are people who would appreciate access to them.

Here’s the report from Spencer Feingold and Hande Atay Alamat.

“Garbage collectors in the Turkish capital have opened a public library composed entirely of books once destined for the landfills. The library, located in the Çankaya district of Ankara, was founded after sanitation workers started collecting discarded books.

As word of the collection spread, residents also began donating books directly.

“Initially, the books were only for employees and their families to borrow. But as the collection grew and interest spread throughout the community, the library was eventually opened to the public in September of last year.

” ‘We started to discuss the idea of creating a library from these books. And when everyone supported it, this project happened,’ said Çankaya Mayor Alper Tasdelen, whose local government oversaw the opening of the library.

“Today, the library has over 6,000 books ranging from literature to nonfiction. There is also a popular kid’s section with comic books and an entire section for scientific research. Books in English and French are also available for bilingual visitors.

“The library is housed in a previously vacant brick factory at the sanitation department headquarters. With an aged brick façade and long corridors, the space was ideal for a library. …

” ‘On one hand, there were those who were leaving these books on the streets. On the other hand others were looking for these books,’ Tasdelen said.

“The collection grew so large the library now loans the salvaged books to schools, educational programs, and even prisons.

” ‘Village schoolteachers from all over Turkey are requesting books,’ Tasdelen said. The city government also hired a full-time employee to manage the library. …

“The library is especially popular with cyclists who bike in the nearby valley and break for a quick read and cup of tea.” More here.

You know what I love best about this? It shows how a good idea attracts people of good will as fast as honey attracts flies.

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Photo: Good News Network
Philani Dladla, once homeless, now serves others with the money he gets selling used books he reviews.

Terry Turner reported recently on a South African man who went through a period of homelessness and, while relying on the kindness of strangers, gave a lot of thought to how he might give back. He started providing book reviews for used books he sold and using the proceeds to help others.

Turner’s Good News Network piece begins, “Called the ‘Pavement Bookworm,’ he may look like a roadside panhandler, but this once homeless man is actually running a reading foundation. …

“Philani Dladla credits his love of books, specifically motivational ones, with breaking his drug habit. Now that he’s clean, he has dedicated his life to being of service to others.

“Today, he can be found selling used books to passing motorists — but only after he’s read them first. That way, he can give passersby a book review and set the price accordingly; from a dollar for books he doesn’t like, to six dollars for real page-turners.

“While still homeless himself, Dladla began using the money to buy other homeless people soup and bread every day.

“ ‘Seeing their smiles motivated me to keep using the little I had to spread happiness,’ Dladla said. …

“No longer homeless, he still feeds those on the streets, and even started a ‘Pavement Bookworm’ Book Readers’ Club in a local park where kids can hang out and read until their parents come home from work.

“He has also set up a website where people in Johannesburg, South Africa, can donate books or support a child in the reading club.”

Read more at Good News Network, here.

I’m pretty clueless about how to interact with someone who is homeless, although I’ve learned to smile since Suzanne told me that smiling was Mother Teresa’s advice.

And I’m getting to know the woman who spends the winter in one of the two ladies room cubicles at the Porter Square T station. She tends to rant, but her rants sometimes make sense. I think it’s a kindness that the T lets her stay on cold nights. She doesn’t seem to be doing any harm. Of course, it’s an outrage that anyone is without a home in this country.

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Today I thought I’d start my picture roundup with Lynn’s photo from Florida. Lynn says she was first introduced to trumpet lilies when she toured Africa with her cabaret show. I definitely don’t have any trumpet lilies growing outside my house today.

What I do have is ice, snow, and shadows. Here goes. The icicles were shot back in January. The tulips were a little joke in February (I got them in the store and planted them before the snow). The other photos don’t need much explanation. You know I love shadows.

The moose is waiting for the mail lady.

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Photo: Carter Burden Gallery
The Carter Burden Gallery in Chelsea shows works by artists who are at least 60 years old.

I’m always happy to see that older people are still appreciated in some quarters — in this case, at a New York gallery that features only artists over 60. Susan Stamberg has the story at National Public Radio (NPR).

“Some artists in New York may be wishing to get older faster. A gallery there caters to artists age 60 and older. No kids allowed.

“Some 200 artists have exhibited at the Carter Burden Gallery since it opened nine years ago in Chelsea. Business is good, and works sell from $200 to $9,000. It’s a lot like hundreds of other galleries in New York — except for one important thing: The Carter Burden has an age limit. Why?

” ‘Older adults do not stop being who they are because they hit a particular age,’ said gallery director Marlena Vaccaro. ‘Professional artists never stop doing what we do, and in many cases we get better at it as we go along.’

“What does change is the art market. With rare exceptions, artists who were hot when they started out found that galleries, and certainly museums, cooled to them as years passed. They kept making art, but weren’t being shown or bought. Carter Burden’s mission is to give them a wall, ‘because walls are the thing we need,’ Vaccaro said.

“According to Vaccaro, very few galleries represent older professional artists, unless they’re really famous. ‘And I get that,’ she said. “Galleries are a business. They need to show artists that are going to bring in big bucks.’

“Carter Burden is different. It’s a nonprofit, supported by a board, a corporate sponsor and philanthropists. …

“Artist Nieves Saah, 67, originally from Bilbao, Spain, has painted all her life. ‘My first show was in SoHo in ’85,’ she said. ‘And I had like 28 paintings there. I sold a few, and then from that I got many shows. I think that year I was in like 15 shows.’

“Then things slowed down. There wasn’t much interest for 10 years. Saah kept on painting her figures and fantasies in vividly colored, cheerful oils. One day she heard about Carter Burden and decided to apply online. ‘I was in a show one month after I sent the application,’ she recalled. …

“Werner Bargsten, a newbie, had his first show this past October. It consisted of stunning, powerful sculptured wall hangings made with clay and copper tubing, and formed into what look like wrapped packages. …

“At 69, Bargsten is glad to be part of the Carter Burden over-60 crowd. ‘I mean, look, it’s always harder to get out of bed the older you get, but most of the artists that I’ve met here seemed like they missed that memo that they were getting old. Most of them have the brains of a 20-year-old or a 30-year-old or something. So they haven’t really aged in terms of their spirit.’ ”

More at NPR, here.

Photo: Carter Burden Gallery
“Under the Stars,” by Nieves Saah, an 0ver-60 artist who shows her work at the Carter Burden Gallery in New York.

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Photo: Richard Vogel/AP
A statue of Gene Autry and Champion at the entrance to the Autry Museum of the American West in Los Angeles. The museum opened in 1988
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My family had one of the early televisions because my father was writing a story about Dumont for Fortune. It was a clunky little thing, showing black and white only, of course, but we loved it, and all the kids in the neighborhood came to watch.

My hero was Gene Autry, the singing cowboy. (Want me to sing the opening number for you, the one Autry sang when he rode Champion up close to the camera and reined him in with a little bounce?)

Recently I learned that in 1988, Autry founded a museum in Los Angeles about the American West. Here’s an Associated Press report by John Rogers at US News on the museum’s 2016 expansion.

“The Autry Museum of the American West [is expanding] to include a garden of native Western flora, as well as new galleries showcasing hundreds of Native American works, some from present day, others centuries old, many never seen publicly.

“The expansion, named California Continued, adds 20,000 square feet of gallery and garden space to the museum that, with its red-tiled courtyard and distinctive beige bell tower, evokes images of an 18th century, Spanish-styled California mission . …

“Museum officials say visitors will now see one of the largest collections of Native American artifacts found anywhere. Also included will be more than 70 plants native to California — many medicinal and some endangered — as well as new displays that include Western mixed-media paintings and interactive works showing such sights as California from the highest point in the continental United States (Mount Whitney in the state’s midsection) to its lowest (Death Valley on the Nevada border).

“Because it’s the Autry Museum, visitors also will still see such venerable Hollywood artifacts as the Singin’ Cowboy’s Martin guitar, TV Lone Ranger Clayton Moore’s mask and a wealth of silent cowboy star Tom Mix memorabilia. …

“[Autry] died at age 91 in 1998, just a few years before … its 2003 merger with Los Angeles’ Southwest Museum of the American Indian. …

” ‘This collection that is now in the Autry Museum is a native collection of the very same rank, and in some quarters even better, than the Smithsonian’s,’ said [the museum’s president, W. Richard West Jr.,] who was founding director of the Smithsonian’s National Museum of the American Indian.

“Some of the best of the collection on display is contained in the exhibition ‘The Life and Work of Mabel McKay,’ a Pomo Indian basket weaver, healer, civil rights activist and person believed to be the last speaker of her tribal language when she died in 1993. Her intricately woven, often colorful baskets are accompanied by a recreation of her workroom, narration by her son and other works. …

“The garden contains native plants that caretaker Nicholas Hummingbird hopes will make people realize there is more to Western flora than cactus and sagebrush.”

More at US News, here.

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“My hair was over in the grass/ My naked ears heard the day pass.”

These bent-over bushes, usually so tall, look resentful to me: “How can you keep letting this happen?”

“Well,” I respond, “I can’t control the weather.”

And then it occurs to me that I am actually relieved there are still things humans can’t control.

One thing we can control, usually anyway, is our decision making. I often think about how hard it is to make a decision with incomplete information and, when you look back at what you ended up doing, how obvious the choice seems.

Usually I spend two nights in Providence at Suzanne and Erik’s so I can volunteer in a couple Rhode Island ESL classes. But early Monday I had to decide where to spend my blizzard. One report quoted a manageable 2-4 inches. Others said 6-12. I even heard 18 inches was a possibility in places.

Without complete information about the amount of snowfall projected, the time that the blizzard would hit, and the likelihood of classes being canceled, I struggled to decide whether to stay in Providence or go back to Massachusetts.

Another wrinkle: I had promised to take an Eritrean refugee to a parking garage to see if there were any job openings, and I knew that if I left Providence late, I could hit heavy Boston traffic and might have to drive in the dark, which I have been avoiding lately.

In the end, I took The Eritrean student to the garage. The man in charge wasn’t exactly friendly to her, but she was thrilled to have practiced asking for work and to have received a URL for making an online application. She told me she hadn’t had any ideas about how to get started.

A very independent woman, the student insisted on taking the bus home, and I headed north.

As it happened, I was going to be on my own whether in Providence or at home, and today being at home seems so obvious I wonder why I was anxious about making the right choice. At home, my car is sheltered, there’s a greater possibility of someone checking on me, and a reduced likelihood of power failures. (The town has a municipal light plant, and outages are both rare and quickly fixed if they do occur.)

What was your last many-moving-parts decision? Doesn’t it seem obvious to you now?

Bushes to homeowner: “Seriously?”
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Photo: L’Artisan Café and Bakery
This Providence eatery, founded by immigrants, has created jobs in two Rhode Island cities. I especially love the tea at l’Artisan and the takeout food.

The idea that most immigrants take jobs away from other people in this country makes no sense to me. Some immigrants may take some jobs, but when you consider all the immigrant-founded companies, large and small, that create jobs for Americans, there is no comparison.

Here is an op-ed from an immigrant who, as an economist, has studied the issue in depth.

Dany Bahar writes at The Hill that calling the thousands of immigrants who, like him, have come here via the diversity visa lottery “the worst of the worst” shows a lack of understanding of the facts.

“I’ve been privileged enough to have accomplished many things since winning a green card, such as having completed doctoral studies at Harvard and joining a highly respected think tank. I did all of this while paying my fair share of taxes.

“My story is not unique, and, as a researcher on the economics benefits of migration, I can say that most other migrants actually are good people, work hard, pay taxes and often create jobs even at a higher rate than natives.

“Take David Tran, who in 1978 arrived in California as a refugee from Vietnam. Two years later, he founded Huy Fong, a company that produces and exports a highly popular version of Sriracha sauce.

“Huy Fong, named after the refugee vessel on which Tran came to the U.S., earns millions in sales year and employs hundreds. Tran’s tale is just one of many that illustrate how first- or second-generation migrants have shaped the U.S. economy. …

“For the most part, migrants (low- and high-skilled) compete with other incumbent migrants, not with natives. In fact, [one] study shows that, between 1990 and 2006, immigration had a small positive effect on the wages of American-born workers, as the presence of migrants encourage natives to specialize in better jobs. …

“Migrants are highly entrepreneurial and create jobs. While immigrants represent about 15 percent of the general U.S. workforce, they account for around a quarter of this country’s entrepreneurs and a quarter of inventors. …

“Immigration and diversity foster economic growth. More diverse countries perform better economically and migrants create business networks with their home countries that foster trade and investment. …

“Subsequent generations of migrants contribute considerably to the economy, thus offsetting the cost of absorbing first-time migrants. While the average fiscal burden of each immigrant is about $1,600, second- and third-generation migrants create a net positive fiscal contribution of $1,700 and $1,300, respectively.

“In addition, migrants and their families also eat, wear clothes, consume housing and all sorts of other goods and services, which contributes to economic growth.”

I know I’m biased. My daughter-in-law’s parents were immigrants from Egypt years ago, and my son-in-law is an immigrant who now holds citizenship in both the United States and his home country, Sweden. My husband and I feel lucky.

More at The Hill.

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Photo: Hartford Courant
Former US Marine Roman Baca
develops ballets that help veterans heal and help audiences gain empathy. For his Fulbright Fellowship, he’s creating a new version of Igor Stravinsky’s
Rite of Spring tied to WW I.

Not long ago, Suzanne’s friend Liz found a piece of antique weaponry and asked instagram friends how it might be used in an art project or something else positive.

I said to “beat it into plowshares.”

In their own way of beating weapons into plowshares, war veterans may continue to serve the country after their time in the military. They may run for Congress like Seth Moulton of Massachusetts or establish a nonprofit like Soldier On, which treats veterans suffering from addictions.

And then there’s the Marine who became a choreographer to tell stories that enlighten and heal.

Candice Thompson writes at Dance Magazine, “When Roman Baca returned home from active duty in Iraq in 2007, he found himself having a tough time transitioning to civilian life.

” ‘I remember a couple of instances where I was mean and angry and depressed,’ says Baca. [His wife] suggested Baca return to his roots in dance. ‘She asked me, “If you could do anything in the world, what would you do?” ‘…

“Baca had to broker his transition back into dance. Earlier, he had trained at The Nutmeg Ballet Conservatory in Connecticut and spent a few years as a freelance dancer before feeling compelled, like his grandfather had, to serve his country. ‘I walked into the recruiter’s office and said, “I want to help people who can’t help themselves.” ‘ Baca reveled in the rigor of the Marine Corps, which seemed like a perfect analog to classical ballet. …

“Baca served as a machine gunner and fire team leader [in Fallujah]. And while his job was one of looking for insurgents and intelligence, Baca also ended up doing humanitarian work, bringing water and school supplies to those in need. The transition from violence to aid helped him meet his original desire to defend the vulnerable.

“In 2008 … he reached out to his mentor Sharon Dante from The Nutmeg Ballet Conservatory. He had dabbled in choreography before joining the Marines and had begun to write while overseas. Dante suggested [that he] focus his writing and choreography on his experiences in Iraq. The exploration led Baca to form Exit12 Dance Company, a small troupe with a goal of inspiring conversations about the lasting effects of violence and conflict. …

“When a theater in the UK reached out to him in 2016 about creating a new Rite of Spring — one that would explore the connections between the creation of this famous ballet and the outbreak of World War I, in commemoration of the war’s centennial, as well as touch on today’s veterans and current events — he knew immediately it was a project for [him].

” ‘One percent of our population serves in the military, and an even smaller number serves in war,’ explains Baca of one of the central questions motivating this new commission. ‘How do we take all of this remote and little understood experience and inspire the audience to positive action?’ ”

More at Dance Magazine, here.

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030818-bent-dogwood-at-backdoor

March 8, 2018, New England. Beaten-down dogwood blocks the back steps.

After the blogger behind Jnana’s Red Barn posted 10 things he liked about March, I thought, “Wow! What a challenge!” New Englanders often find it hard to think of even one good thing about March. Winter hangs on and hangs on and hangs on, the snow no longer seems magical, and activities get canceled that you thought for sure you would be able to do in March.

Could I possibly think of 10 good things? I knew it would be good for me to try.

1. Daylight. I definitely like having more daylight.

But although I thought about Jnana’s challenge for days, daylight was the only thing I could think of that I liked about March.

Should I mention how quiet it is at Suzanne and Erik’s house when they take the family off for March vacation? (I stay at the house when I volunteer in Rhode Island.) It’s much more entertaining when the grandchildren are there, but quiet can be nice once in a while, and I’ll never get to 10 if I don’t include this.

2. A quiet house.

A couple items are comparative — that is, they start to happen a lot more in March.

3. More walks in the woods.

4. More sightings of neighbors.

Once I got this far, I began to think it might be possible to get to 10.

5. The first spring flowers.

6. Four young cousins playing at my husband’s birthday.

7. Decorating Easter eggs.

8. John and Suzanne planning their two families’ New Shoreham summer.

9. Irish music by the Clancy Brothers and Tommy Makem.

10. Return of the redwing blackbirds.

Yaay! I’m feeling more positive already. How about you? Can you find 10 things you like about March?

 

 

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