Feeds:
Posts
Comments

Archive for the ‘Uncategorized’ Category

tiep8r0mct2xnjxb7w8tntetqtbkuyah6hj-zgw637s

Photo: Amy Sterling
Amy Sterling’s guerrilla-gardening campaign means tulips will be blooming in unexpected places come spring. You could do this in your neighborhood.

Boston Globe reporter Steve Annear gets all the fun stories. Here is one that John knew at once was made for this blog. I do love public-spirited projects that people organize just for the heck of it.

“Amy Sterling had tulips on the brain,” writes Annear. “After returning from a recent trip to Amsterdam, where she served on a panel about artificial intelligence, the Cambridge resident went to a home improvement store and picked up a bag of bulbs so she could plant the spring-blooming flowers in her yard.

“When she was finished gardening, Sterling and her husband, Will, realized they had about 50 bulbs left over. In a moment of spontaneity, they decided to bury them in random places around their neighborhood near Inman Square.

“Now Sterling wants others to do likewise and participate in this act of so-called ‘guerrilla gardening.’ …

“ ‘It’s just a way to cheer people up,’ Sterling said. ‘Get outside, it’s super nice out, go plant some stuff, and then sit back and relax — and when spring comes, you can enjoy the spoils.’ …

“After burying bulbs beneath public trees in Cambridge Sunday, she posted a picture of herself, shovel in hand, to the Boston Reddit page, as a way to spread some happiness, [and] others quickly latched on to the concept. …

“Sterling started calling around to Home Depot stores in the area, asking if they’d be willing to donate to the cause. In the days since sharing her impromptu project with others online, Sterling has collected hundreds of additional bulbs, she said. …

“Sterling said she chose tulips because they’re ‘a signifier of the death throes of winter’ and require very little maintenance. You dig a hole, plop the bulb in the ground, cover it up, and then just wait, she said. …

“She has also started a Google signup sheet for the ‘Boston Tulip Takeover,’ where people can get a free bag of tulips to plant around their neighborhood.

“ ‘We need some actions to bring us together,’ she said, noting that the news has been particularly hard to swallow lately. ‘And remind us that people are generally pretty nice and want to do well for their neighbors.’ ”

More at the Boston Globe, here.

Read Full Post »

Pretty much every job I’ve had since the early 1990s came with a free mug. One day I decided to line up my job mugs and take a picture.

The one on the far left is from a Yankee Swap at either Harte-Hanks or Charlesbridge. I can’t remember which. The second is a stand-in for Harvard Business Review. I broke my HBR mug and didn’t love the job enough to replace the free one with a paid one.

The next two are from jobs I had in Minnesota. My husband was running a company in Maple Grove, so I moved to Minneapolis for a few years.

The two mugs after Minnesota represent 15 years of my life and two small pensions. My final paid job (the cute mug with attached spoon) lasted eight months before I decided all I wanted to do now was volunteer in ESL classes for immigrants.

If you have photos of your own job mugs, I’d love to share them.

I’m laughing at myself here.

101117-my-life-in-mugs

Read Full Post »


Photo: Catskill Mountain Foundation
Catskill Mountain Foundation’s Doctorow Center for the Arts provides cultural opportunities in a rural area.

The arts are important everywhere, not just in cities. But sometimes it’s a challenge to attract to rural areas the kind of philanthropy that keeps urban cultural institutions alive.

Through the lens of a rural New York foundation, Mike Scutari of Inside Philanthropy considers the issue.

“In 1998, [Peter and Sarah Finn] founded the Hunter, New York-based Catskill Mountain Foundation, an organization committed to transforming rural communities through the arts. …

“The genesis of the CMF dates back to the early 1990s, when the Finns took over a family property in the town of Hunter. ‘The community had gone through a long decline,’ Peter said, and ‘many buildings on Main Street were for sale, and some buildings were in a serious state of disrepair and collapsing.’ …

“Peter and Sarah grew up in families that were very involved with the arts and had read stories about communities that were transformed through arts-based economic revitalization. …

“In 2018, the CMF will celebrate its 20th anniversary. Its program offerings include over 20 performances and 200 films a year, artist residencies, education programs, a piano performance museum, gallery and bookstore, and, for good measure, an operating farm.

“Its success is all the more startling when you realize that Hunter, New York has 2,732 residents.

“The problems facing rural communities are deep and complex. Yet we generally don’t see rural areas receive a proportionate amount of support from large institutional funders. … Funders, quite understandably, want the most bang for their buck, and more people live in urban areas. …

“Finn’s smaller-is-more-impactful approach flips conventional wisdom on its head: Funders can move the dial more effectively by operating in more concentrated communities. …

“[One] important form of engagement is ‘attracting others to invest in the community. Others who have invested significant amounts into the community have stated outright that they were inspired to do so by the work of the Catskill Mountain Foundation.’ …

” ‘Historically,’ Finn said, ‘the Town of Hunter was once known as a bar town. Today, it is known as a family arts community.’ ”

Read more at Inside Philanthropy, here.

Read Full Post »

The United States still has a primarily throwaway culture and has not caught on yet to the Dutch “repair café” concept or Swedish notions about a mall for recycling.

Which is why it probably took a New American to notice that there was a need.

As Isaiah Thompson reports at WGBH radio, “It isn’t entirely clear from looking through the big windows facing Dorchester Avenue, in the Field’s Corner neighborhood, what the business is.

“The only advertising is an inauspicious plastic sandwich board reading ‘Repair Service: From $30 and Under 30 Minutes, Walk-in Welcome.’

“Inside is a large, room, with electronic equipment stacked in bins along the wall and lying in piles around the floor, and a few guys hunched over cheap plastic tables. But what they’re doing is as much a fine craft as it is hi-tech.

“They’re fixing cell phones.

“These guys don’t work for Apple or Samsung, or any manufacturers. That’s the whole point.

“ ‘I’m not officially sanctioned by the manufacturer,’ explains Quang Le, who, with his friend and business partner Minh Phan, started this scrappy repair shop in 2015.

The shop, says Le, ‘exists because there’s a need, and they don’t satisfy it.’ …

“The need he’s talking about is ubiquitous: cracked smartphone screens.

“Samsung screens can cost hundreds of dollars to replace. iPhone screens can cost an Apple customer around $150. …

“ ‘When they come to my store it’s like 80 bucks … Wouldn’t you rather go to the store down the block? we do it in like five minutes!’

“Born in Vietnam, Le came to the United States as a foreign student when he was sixteen. ..

“Where most of us see broken glass, Quang saw opportunity. …

“Le realized that by teaching himself this one, super-difficult skill: separating the broken glass from working screens — he could get an edge – and make money.

“He and his partner Phan hired some friends. They bought heavy-duty glue-warming tables from China. They built a dust-proof chamber out of metal. And they taught themselves by watching Youtube videos – and by trial and error. …

“ ‘Like, we broke so many screens – like we broke probably hundreds of them, trying to do it,’ Le chuckles.” Read more here and see what ambition Le wants to tackle next.

Hat tip: The International Institute of New England, on twitter.

Photo: Isaiah Thompson/WGBH News
Quang Le has built a business doing phone repairs the tech giants would rather not bother with.
 

Read Full Post »


Photo: Museum of Fine Arts, Boston
The museum now offers free family admission to new citizens.

The magnificent collections of Boston’s Museum of Fine Arts have gotten out of reach for many people as admission on most days has escalated. So it was with great interest that I read at the MFA website about a generous program for one deserving group of people: New Americans.

“Starting July 1, the Museum of Fine Arts, Boston (MFA), [began welcoming] newly naturalized U.S. citizens living in Massachusetts with complimentary one-year family memberships through a new program called MFA Citizens — the first of its kind in the country. …

“Engaging new citizens is part of the MFA’s ongoing efforts to build a more inclusive community of visitors, volunteers, staff and supporters, fostering the next generation of museum-goers and professionals that reflects the region’s changing demographics. …

“New citizens can sign up for the program by showing a copy or photo of their naturalization certificates at any MFA ticket desk within one year of their ceremony.

“In addition to free admission to the MFA for one year for two adults and unlimited children (ages 17 and under), discounts on programs, shopping, parking and dining, and invitations to member events, the MFA Citizens membership includes a special in-person welcome packet in a custom-designed tote bag. Included in the packet [is] information about upcoming exhibitions and programs — available in Spanish, Chinese, Haitian Creole and Portuguese, the most common non-English languages spoken at home in Boston. On-site signage in these languages will also be placed at the MFA’s Huntington, Fenway, and Schools and Groups entrances to encourage enrollment. …

“The Museum will work with Project Citizenship, the Mayor’s Office for Immigrant Advancement and Boston Public Library to raise awareness of the MFA Citizens program among the approximately 25,000 immigrants who are expected to go through the naturalization process across the Commonwealth within the next year. …

“In addition to hosting ESL classes and conversation groups, Boston Public Library’s Central Library in Copley Square and 24 neighborhood branches house Immigrant Information Corners, which provide information about resources and services available to help advance the well-being of the city’s immigrant residents.”

They don’t put this initiative in terms of the current controversies swirling around immigration, but to me it feels like an institution taking a positive stand in a troubling climate. I hope it will catch on.

Read Full Post »

884

Photo: Wycliffe College/PA
English school girl
Gracie Starkey wrote a winning haiku. Here she is at the prize-giving ceremony in Tokyo.

I’ve always liked the standard 17-syllable haiku poem and taught the form to fifth graders years ago. Asakiyume remembers one I wrote for her at a business magazine where we worked. It was about a dream she’d recounted, and it referred to the moon as “trending downward” (business jargon we heard a lot).

Of course, most experts are Japanese. Until now. Here is a story my husband emailed me about a young girl in England who won a haiku contest.

Steven Morris writes at the Guardian, “A British schoolgirl inspired by an autumnal stroll across a newly mown lawn has become the first non-Japanese person to win a prestigious haiku competition.

“Gracie Starkey, 14, from Gloucestershire, beat more than 18,000 entries to take the prize in the English-language section of the contest organised annually by a Japanese tea company. …

“As she and a friend took a walk after [her school’s haiku] workshop, grass cuttings stuck to her footwear and the haiku came to her:

“Freshly mown grass
“clinging to my shoes
“my muddled thoughts

“Her poem – a non-traditional form that does not follow the classic five-seven-five syllable pattern – was entered into the competition organised by the multinational Ito En, first held in 1989. For the first 27 years the English-language section was won by Japanese people. …

“Gracie said she was amazed when she heard she had won and had been invited to Tokyo.

“ ‘I could only tell my mum and dad and sister and my Japanese teacher at Wycliffe College,’ said Gracie. ‘I told my friends that I was going to Wales for a week and that I wouldn’t have any phone reception.’ …

“As well as winning the trip, Gracie’s poem was rendered by a famous calligrapher, and she received a cash prize. Most thrillingly, her poem is being reproduced on thousands of bottles of green tea. …

“Previously she had little interest in poetry. ‘This has certainly made me more interested in poetry and in Japanese culture.’ ”

More at the Guardian,  here.

Read Full Post »

Photo: Current, News for People in Public Media
Truck driver Finn Murphy, author of The Long Haul.

It shouldn’t be a source of wonder that anyone who drives a lot in the US should listen to National Public Radio, given that the stories are longer than other radio stations’ stories and are repeated less monotonously. So nothing but unconscious bias can account for my surprise about truckers who tune in.

Alan Yu, a producer at WHYY, reported at Current, “In July last year, long-haul truck driver Stephanie Klang got a rare speeding ticket because she was too engrossed listening to public radio.

“ ‘It’s okay, I only get a speeding ticket about once every 10 years,’ she said. ‘… It was worth it for the story.’

“She told the state patrolman that yes, she knows listening to the radio is not a valid excuse, then proceeded to tell him all about the radio show that took her mind off her speed — an episode of BackStory about the history of taxes in the U.S. after the country had just broken away from England.

“Klang has been a truck driver for 37 years, going through all 48 contiguous states, and she listens to public radio all the time. She said she used to have a small booklet listing all the public radio stations in the country, which she got as a gift for pledging support.

“ ‘I used that book until it absolutely fell apart, and I wish I’d ordered two of them now,’ she said. …

“She’s not the only truck driver who listens to NPR — far from it, according to Finn Murphy, who has been a long-haul trucker for more than 30 years.

“ ‘Every single driver I’ve ever talked to listens to NPR,’ said Murphy.

“He recently published The Long Haul, a book about his experiences. ‘If I can, I’ll schedule my driving to catch Fresh Air with Terry Gross,’ Murphy wrote. …

I’ve got a little crush on Terry, actually. It’s probably because I’ve spent more time with her than anyone else in my life.’ …

“Murphy writes that even if truckers ‘may not like the slant, if there is one,’ they still listen to public radio. …

“Fred Manale, a 55-year-old trucker from Louisiana, said he listens to public radio, though he finds it ‘disturbing.’ For example, he said NPR should not be blaming President Trump for having a connection to Russia. …

“Ray Hollister discovered public radio when he was a long-haul truck driver for a year in 2002. Now the general manager of an IT company, Hollister said the network needs to ‘speak more to the flyover states. … Do stories that affect more people than just the coast.’

“ ‘Truck drivers come from across America,’ he said. ‘They’re a pretty decent cross section of America. I knew a ton of white, black, Asian, Hispanic truck drivers, and the only thing we had in common was that we were all truck drivers.’ ”

More here.

Read Full Post »


Photo: Shelly Davidov/Miami New Times
In Miami’s Wynwood neighborhood, street art transformed Jose de Diego Middle School.

It’s interesting to see how street art can be a route to gallery representation for painters, especially if they apply their tagging to public projects.

Ahmed Fakhr writes at Rolling Stone about how painting the walls in a Florida neighborhood helped some artists gain wider recognition.

“Miami is becoming a destination for global collectors looking for a multimillion-dollar Jeff Koons sculpture or one-off by Gerhard Richter. While some opt for the hallowed white-walled galleries to sip white wine, other local artists continue to gain notoriety when by taking to the streets to paint huge murals on bare walls with cans of spray paint. This graffiti explosion was the creation of the street art scene in Wynwood.

“In 2007, Wynwood was a rundown textile and manufacturing area. Then a cohort of street artists decided to bring attention to their neighborhood, but as a way to establish their own art.

“Slowly the area transformed into a haven for creative people looking for a way to express themselves. Soon enough, a developer purchased the properties and capitalized on the growing art culture in the gentrifying area now known as the Wynwood Arts District. …

“Native Robert de los Rios, founder of the RAW project, has been entrenched in street art scene in Miami for years, so he used this opportunity as a way bring art to underfunded schools in the area. ‘Art budgets for schools in the Wynwood area were slashed to zero,’ Rios says.

“So he decided to approach the area school district and street artists from around the world to paint murals on the indoor and outdoor walls of the school. By doing so, Rios hoped this would jumpstart the issue of funding art in schools again and to inspire kids’ creativity. ‘They felt like they were coming to a prison before,’ he says. ‘But now they come to school excited and happy.’ …

“While Rios prides himself in being able to bring an international graffiti scene together to transform the aesthetic of the school, he also collaborated with multiple Miami artists – Ahol Sniffs Glue, Typoe, Santiago Rubino and FL.Mingo – to bring challenging concepts to the school’s campus.

“Typoe, one third of an art collective known as Primary Flight, along with Cristina Gonzalez and Books Bischof, started in Wynwood when Art Basel launched in 2007. Having no luck at the fair, the trio decided street art was more lucrative. … Now they have a gallery space in the Design District.”

Read about more of the artists at Rolling Stone, here, including the one who prefers to stick to illegal tagging of trains and remain anonymous.

I’d be very curious to know how all this has affected the students at the middle school. Perhaps some are aiming to become artists now or are just feeling more special.

Read Full Post »

After my two half-Swedish grandchildren were off breast milk — or even before — they started on bottles of a ground-up oat concoction that I’m told all Swedish children drink rather than cow’s milk. Välling. We can’t get along without it.

So the following story from the Guardian is not as curious to me as it might be to others.

Tom Levitt reports, “Adam Arnesson, 27, is not your usual milk producer. For starters, he doesn’t have any dairy cattle. Our first photo opportunity is in the middle of one of his fields of oats.

“Until last year all these oats went into animal feed, either sold or fed to the sheep, pigs and cows he rears on his organic farm in Örebro county, central Sweden.

“With the support of Swedish drinks company Oatly, they are now being used to produce an oat milk drink …

“ ‘The natural thing for us would be to increase our livestock numbers, but I don’t want a factory,’ he says. ‘The number of animals has to be emotionally right so I know each of them.’ …

“The rearing of livestock and meat consumption accounts for 14.5% of global greenhouse gas (GHG) emissions. Alongside carbon emissions from deforestation (for pasture or crops to feed animals), the livestock sector is also the single biggest human-related source of methane (from cattle) and nitrous oxide emissions (from fertiliser and manure), two particularly potent greenhouse gases. …

“ ‘I had a lot of arguments on social media with other farmers, because I thought what Oatly was doing could bring better opportunities to our sector,’ says Arnesson, who decided to contact the company in 2015 to see if they could help him switch away from livestock. …

“After the first year of producing oats, analysis by researchers at the Swedish University of Agricultural Sciences found that Arnesson’s farm was producing double the amount of calories for human consumption per hectare and had halved the climate impact of each calorie produced. …

“ ‘I don’t want to take pride from having a tractor or producing 10 tonnes of wheat or a sow with 10 piglets, but in feeding and preserving the planet – that is one of the big things I want as a farmer to be involved in changing,’ says Arnesson.

“Oatly said it plans to work with three more farmers to demonstrate the environmental benefits of switching from livestock to more crop production. But Arnesson says livestock farmers need government support in order to do so in large numbers.”

More at the Guardian , here.

Photo: Tom Levitt for the Guardian 
Adam Arnesson in a field of oats at his organic farm in Örebro country, Sweden.

Read Full Post »

061817-new-shoreham-bluffs

 

 

 

 

 

 

 

On the principle that “one and one and 50 make a million,” a better world relies on everybody pitching in. Ordinary people can help scientists and other leaders of worthy initiatives.

Lisa Mullins and Lynn Jolicoeur report at WBUR on one example.

“It’s a cloudy, cool July morning, and we’ve come to the docks at Fairhaven Shipyard, near New Bedford, to meet Chris Parks. She’s a tall, elegant, retired Boston banker in jeans and a sweatshirt.

“Parks is a volunteer with the Buzzards Bay Coalition. Residents formed the group 30 years ago to help the struggling bay.

“She’s got a plastic bottle attached to a long metal pole. She submerges it and fills it with sea water. Then she pulls out her tool box full of vials and chemicals. She mixes and measures.

“Parks determines the water is pretty cool on this day — 67 degrees. … In addition to temperature and clarity, Parks tests the water for how much salt and oxygen are in it. She’s been coming to this dock, fastidiously, one or two mornings a week for 17 years.

” ‘I’m doing it because it’s one of the few things that I can do that is a tangible task towards helping the environment,’ Parks says. ‘It’s a little bit of science that helps tell us what’s going on in Buzzards Bay.’

“What’s going on is that the water is warming — and that may be contributing to long-lasting pollution problems in the bay.”

Buzzards Bay Coalition science director Rachel Jakuba says, ” ‘If you have too much algae in the water, that’s when you get cloudy, murky water, loss of eel grass, low oxygen levels that make it hard for fish and shellfish to survive … Bay scallops are very rare now because part of their life cycle depends on eel grass blades.’

“The Buzzards Bay Coalition is attacking that pollution aggressively. It’s working with homeowners to upgrade their septic systems with technology that reduces nitrogen. …

“Jakuba says as researchers figure out how global warming fits into the bay pollution picture, citizen scientists will be key.

“Mark Sweitzer, 68, is a citizen scientist and lobsterman based at Point Judith in Galilee, Rhode Island. …

“Six times a month while he’s catching lobster, Sweitzer lowers a device to the bottom of the ocean — about 200 feet. It tracks the temperature and other characteristics of the water at every depth, and it syncs the data to an iPad on board. …

” ‘I’m just happy to do it, because I feel like I’m providing some information — even though it might not have immediate effect on my boat, but in long-term trends in the fishery and how it might influence policy or regulations,’ Sweitzer says. …’

” The settlers — the tiny little ones that are four days old that have reached the bottom — there is a temperature at which they will not survive … and there are temperatures at which we have an influx of fish. Black sea bass used to be primarily a mid-Atlantic fish. And now … the black sea bass are down there gobbling up these little lobsters that don’t have much of a chance to make it in the first place.’ ”

Read how other fishermen are noticing ocean changes before scientists do and reporting back, here.

We have a friend who sets lobster pots off New Shoreham, Rhode Island. His catch has gone down steadily over the past few years, so I know there is a problem.

Photo: Mark Degon/WBUR
Lobsterman Mark Sweitzer works out of Point Judith, Rhode Island.

Read Full Post »

Photo: Thierry Bal
Artist Richard Woods’s cartoon-like fake bungalows, installed for Folkestone Triennial, are a commentary on the surge in second homes along the coast.

An English artist who favors cartoon-like architectural constructions has created six bungalows for a Folkestone Triennial installation called Holiday Home.

Kathryn Bromwich interviewed him for the Guardian. “Born in Chester in 1966, Richard Woods graduated from the Slade School of Art in 1990. … [For the triennial] Woods has created six colourful bungalows, situated in unexpected locations around the town.”

According to the interview, the artist is trying to reflect general concerns about who gets housing. People who can afford a second home? Immigrants from Calais across the Channel?

” ‘I was in Folkestone 18 months ago and got given this strange leaflet saying, “Have you thought about turning your property into cash?” – basically, “give up your house so someone can buy it as a second home”. The idea grew out of that: to make six identical bungalows and install some in very desirable locations, some not, but keeping it very open-ended. There’s been equal [numbers of] people coming up to me and discussing the second home issue, and immigration. …

” ‘There’s one house in the harbour, floating around – somebody heard through gossip in the town that it was going to be floated to Calais and back again. Some people are genuinely interested in whether “boat people” will move into the houses. But then lots of people in the town completely get the project.’ ”

The interviewer asks, “What can Folkestone tell us about wider trends across the country?

” ‘It’s a compressed version of the UK: all those issues that are prevalent everywhere are kind of heightened. On a clear day we can see Calais … Folkestone has very broad, different economic groups and because of its proximity to London people are moving here wanting a second home. People have asked if the homes are going to be available for local residents or just people from London.’ ”

The exhibit runs until November 5. More at the Guardian, here.

I’m sitting in my second home as I write this. There is no question that second homes in resort areas make housing extremely difficult for year-round residents. That’s one reason I support efforts to build affordable housing with subsidies, but I’m afraid it’s just a drop in the bucket.

Read Full Post »


Art: Sun and Moon
A beautiful book reviewed at Brainpickings and featuring the work of ten of India’s indigenous artists.

Maria Popova, my go-to source for children’s book suggestions, tweeted about the book Sun and Moon in August, around the time of the eclipse.

“In Sun and Moon,” she writes, “ten Indian folk and tribal artists bring to life the solar and lunar myths of their indigenous traditions in stunningly illustrated stories reflecting on the universal themes of life, love, time, harmony, and our eternal search for a completeness of being.

“This uncommon hand-bound treasure of a book, silkscreened on handmade paper with traditional Indian dyes, comes from South Indian independent publisher Tara Books, who for the past decades have been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on books handcrafted by local artisans in a fair-trade workshop in Chennai …

“Among the indigenous traditions represented in the book are Gondi tribal art by Bhajju Shyam (of London Jungle Book fame), Durga Bai (featured in The Night Life of Trees), and Ramsingh Urveti (of I Saw a Peacock with a Fiery Tail); Madhubani folk art by Rhambros Jha (of Waterlife); and Meena tribal art by Sunita (of Gobble You Up).”

Popova links to WorldCat, a library system, for the book’s publishing details and this description: “Part of everyday life, yet rich in symbolic meaning, renderings of the sun and the moon are present in all folk and tribal art traditions of India. Agrarian societies have always kept track of time by referring to markers in the seasonal variations of the sun, moon and planets. They have also woven wonderful stories and myths around them. Here, for the first time, is a collection of unusual stories and exquisite art from some of the finest living artists, on this most universal of themes.”

Be sure to read the Brainpickings post, here, for more art, more of Popova’s insights, and her ever thoughtful suggestions for related reading.

Read Full Post »

080517-never-enough-sunflowers

I love stories about people who get a good idea and just go do it. In this one by Deborah Allard at Fall River’s Herald News, a man who enjoys gardening is sharing beauty in his own way.

“Del Thurston examined the earth oblivious to the traffic rolling up and down busy Bedford Street.

“The drivers probably didn’t notice the gardener either, but it would be hard to miss the wall of yellow blooms that sprouted up this summer like a centerpiece in the middle of this cement-heavy city neighborhood.

“ ‘I wanted something to brighten up the corner,’ Thurston said.

“And, he found it in the form of sunflowers. The lemon queen variety flowers stretch across the front of the empty property on Bedford Street, and along the corner of Oak Grove Avenue. …

“A gardener who came to the literal field later in life, he approached the property owner in the spring and asked if he could plant sunflowers. With the go-ahead, Thurston nurtured the flowers from seedlings and has watched them stretch toward the sun all season long. …

“He said he used to drive by the vacant lot and noticed the raised flower beds on the property, formerly used by the YMCA.

“ ‘I would see these beds,’ Thurston said. ‘It had good soil. I’ve always wanted to try this with sunflowers. …

“ ‘I’ve met some absolutely phenomenal people in the neighborhood,’ he said

“The fat and happy bees seemed OK with his work, too. They buzzed around the blooms, paying no attention to the humans keeping watch on them, doing what bees do. …

“Gardening has become a favorite hobby for Thurston, who has been involved with the Bristol Community College community garden. … He said he started gardening when he was in his 50s, but Thurston’s knowledge of plants and seedlings seems more mature than a mere decade or so.

“He pointed to the center of the property where herbs and perennials, including sage, sprouted up on a mound of dirt.

“ ‘The rabbits jumped on my pineapple sage,’ he said, extending a leaf that emitted a nice scent of the fruit that bears its name. …

“ ‘This has been very empowering for me,’ Thurston said. ‘I like the positive feedback from the neighborhood.’ ”

More here. Hat tip: @FallRiverRising posted this on twitter.

Read Full Post »


Photo: The Economist
A statue of Juha, the wise old fool of Arab folklore.

It’s interesting to me that all cultures seem to have something like a wonton as part of their cuisine. Jewish cooks make kreplach, Italians make ravioli, Polish cooks make pierogis, and so on. We have more in common than we often realize.

The same goes for folktales. For example, most cultures have a wise fool, like the old court jesters or Don Quixote. I just learned about an Arab example.

The Economist comments, “Western audiences have grown used to the marauding heroes of Arabic folklore. Characters like Sinbad the Sailor and Ali Baba instantly conjure images of hidden treasure and desperate sword fights. But in the Middle East itself, many people prefer a more down-to-earth figure: Juha, a wise old fool, and his long-suffering donkey. …

“Juha first appeared in an Arabic book of the ninth century, though this was likely adapted from an older oral tradition. From there, Juha quickly splintered to the far ends of the Mediterranean world. He followed the Arabs to Sicily, where he became known as Giufà. In Turkey, his legend merged with a Sufi mystic called Nasruddin, while the Ottomans exported him to the Balkans. Some even claim that Juha inspired Cervantes’s ‘Don Quixote.’ …

“In some tales, Juha is accompanied by his faithful donkey and much amusement springs from it getting lost. One story begins with Juha looking for the animal around town; everywhere he goes, he thanks God. People are confused. ‘Why are you praising God?’ they ask. ‘Surely this is nothing to be thankful for?’ Juha smiles. ‘If I were riding the donkey right now, I’d be lost too!’

“Not all Juha’s tales are so innocent. Like court jesters in medieval Europe, his everyman style has proved an ideal vehicle for social criticism. In one fable, Juha is approached by a proud king. ‘All the great rulers of the past had honorific titles with the name of God in them,’ he proclaims. ‘There was God-gifted, and God-accepted. Can you think of a name for me?’ Juha pauses. “God-forbid,’ comes his retort. …

“Ali Ahmed Bakathir, an Egyptian nationalist, reimagined the fable of ‘Juha’s nail’ in 1951 to mock Britain’s obsession with the Suez Canal (just as Juha keeps ownership of a single nail at his old house so he always has an excuse to visit, Bakathir suggested that the British used Suez to justify their occupation of Egypt generally). …

“Amid the confusion of the modern Middle East, Juha is one way people find common ground. Last year, storytellers from around the Gulf met in the United Arab Emirates to celebrate Juha. The internet provides another space for communal appreciation. A popular Reddit page features dozens of volunteers reading a classic Juha story in their native Arabic dialect.”

More at the Economist, including sightings of Juha in unlikely parts of the world, here.

Read Full Post »

Oh, I do love kindhearted stealth projects. This worldwide campaign promotes reading. Chayanit Itthipongmaetee filed a report about it at KhaosodEnglish in Thailand.

“ ‘A Little Prince’ was hiding at BTS Siam [Bangkok Transportation System, or Skytrain]. A ‘Cat in the Rain’ was discovered at BTS Sala Daeng. …

“Fairies hid copies of these books and more in public places [in early August] as a local launch of The Book Fairies project, an international initiative in which people leave texts for others to discover in cities around the world. After readers finish a book, they are supposed to pass it on to others.

“One of the Bangkok book fairies said she learned about the book-drop project a few days before attending Saturday’s TedxBangkok. At the event held inside the KBank Siam Pic-Ganesha Theatre, she sneakily dropped five copies of best-selling memoir ‘Tuesdays with Morrie.’

“ ‘I was really excited for my first book drop, hiding one book at a time, mostly on breaks throughout the event,’ said the woman. …

“She was delighted to hear from one of her book beneficiaries a day later.

“ ‘Dear #bookfairies, I found this at #TEDxBangkok and took it home with me. I don’t know who you are but thank you for passing it on,’ wrote Facebook user Awm Has Standards. …

“Asked what kind of books she wants Thais to read more, the Bangkok book fairy said it would be literary publications for youths.

“ ‘This might sound strange, but I would love to recommend everyone to read English children’s books. … They are doors to creativity, language learning and life lessons. With or without pictures, the exciting stories for children always allow you to be free with your imagination and color them wild. They are also a good start for those who want to practice English.’

“The Book Fairies campaign was originally launched March 8 on International Women’s Day. The campaign became world-famous when British activist and actress Emma Watson, best known as Hermione Granger in the ‘Harry Potter’ film franchise, left copies of books with feminist themes around cities such as London, Paris and New York.”

More here.

Photo: The Book Fairies Thailand / Facebook

littleprince-420x420

Read Full Post »

« Newer Posts - Older Posts »