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Libraries are busting out all over. We’ve blogged about the Little Free Library in Cambridge as well as Sam and Leslie Davol’s uni, which got invited to Kazakhstan — not to mention a library housed in an unused pay phone shelter.

Now it seems that a subway system in China is getting into the act.

Writes Zhang Kun at China Daily, “Shanghai’s Metro Line 2 is turning a new page with a library taking literally an online approach. Passengers will be able to select a book at one station, and return it to any of the other stations with customized bookshelves.

“Readers do not have to pay a deposit or any rent for the books and magazines they take. Instead, they are encouraged to donate 1 yuan (16 US cents) to charity at the bookshelf.

” ‘Now you can read a real book, rather than staring at the cellphone through the metro ride,’ said Zou Shuxian, a spokeswoman for the Aizhi bookstore, which initiated the project jointly with Hujiang.com” and the Metro Line.

“The Chinese Academy of Press and Publication released a survey recently that said the general public between the ages of 18 to 70 read 4.39 books in 2012, much fewer than in Western countries.”

The library “has been a resounding success with office workers. Waiting lines have developed during rush hour. … All the books have green tape on the cover to inform people about the program [and] to remind people it is borrowed and should be returned.”

I myself find it essential to have a book with me whenever I take the subway, but that’s largely because I ride the oldest system in America and it’s always breaking down.

My husband, who lived in Shanghai for about a year, says subways there are fast and efficient. I don’t think book lovers will have time to finish their books before their last stop. A lot of green tapes will be going home with commuters. You can’t keep a book lover down.

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Did you like last week’s entry on stained glass windows that produce solar energy? Well, there’s more.

Kristine Lofgren writes at Inhabitat about an amazing solar chandelier.

“British artist Luke Jerram is known for his stunning art installations, which are often inspired by science. His latest project, unveiled [last year] at the Bristol and Bath Science Park, is the world’s largest solar chandelier! The 16.5-foot-tall chandelier is made of 665 glass bulbs that spin when exposed to light …

“The chandelier was created using glass radiometers rather than traditional light bulbs. As the sun hits each radiometer, it begins to turn, speeding up and slowing down as the light changes. The overall effect is a shimmering, gently moving piece of artwork. At night, it is lit up using electric light.” More.

By the way, Inhabitat also features a piece on a sculptural sound chamber that sings when the wind blows, here.

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Kaili knows how much I want to believe that U.S. manufacturing is not dead. He sent me this example from Wired magazine — a story about the making of Statue of Liberty souvenirs.

Wired‘s Liz Stinson reports that of the many souvenirs you see in New York, most “come from overseas where they’re stamped out on machine-driven assembly lines. But a select batch—the ones you can buy on Ellis Island—were made in the United States, right here in New York City, with actual human hands.

Colbar Art in Long Island City, Queens, creates prototype and custom molds, castings and original artwork, but the factory is most well known for being one of the largest producers of Statue of Liberty figurines in the world, and one of the last in the United States. …

“Ovidiu Colea’s story is the focus of a recent mini-doc made by NYC-based videographer Rebecca Davis.

“Davis, a video journalist at NBC, documented the Colbar Art crew during their daily routine of making statues, and it’s surprisingly fascinating to watch. ‘Growing up, one thing that had a lasting impression on my memory were the Mr. Rogers episodes where they’d go to the crayon factory and show you how the crayons were made,’ she explains. ‘I wanted to see from start to finish how these statues, as New Yorkers we see all over the place, how they come into being.’ ” Me, too.

More.

Rebecca Davis’s charming video, found at http://narrative.ly/meet-your-maker/the-liberty-factory/, captures the Romanian craftsman’s pride in his work and in workers who come from all over the world.

I apologize that the embed code doesn’t work. I wanted to put the video here.

http://www.wired.com/design/2013/08/watch-where-your-favorite-nyc-souvenirs-come-from/

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And speaking of payment systems, community-supported agriculture has been around for years and, more recently, community-supported art. I blogged about the approach here in 2011, when the Cambridge Center for the Arts embraced the concept.

The NY Times has written about it, too. Randy Kennedy lays out the principles: “For years, Barbara Johnstone, a professor of linguistics at Carnegie Mellon University [in Pittsburgh], bought shares in a C.S.A. — a community-supported agriculture program — and picked up her occasional bags of tubers or tomatoes or whatever the member farms were harvesting.

“Her farm shares eventually lapsed. (‘Too much kale,’ she said.) But on a recent summer evening, she showed up at a C.S.A. pickup location downtown and walked out carrying a brown paper bag filled with a completely different kind of produce. …

“ ‘It’s kind of like Christmas in the middle of July,’ said Ms. Johnstone, who had just gone through her bag to see what her $350 share had bought. The answer was a Surrealistic aluminum sculpture (of a pig’s jawbone, by William Kofmehl III), a print (a deadpan image appropriated from a lawn-care book, by Kim Beck) and a ceramic piece (partly about slavery, by Alexi Morrissey).

“Without even having to change the abbreviation, the C.S.A. idea has fully made the leap from agriculture to art. After the first program started four years ago in Minnesota … community-supported art programs are popping up all over the country …

“The art programs are designed to be self-supporting: Money from shares is used to pay the artists, who are usually chosen by a jury, to produce a small work in an edition of 50 or however many shares have been sold.”

Read all about it, here. Could be risky if you really don’t want a sculpture of a pig’s jawbone. But if you look at it as supporting the arts, you are likely to be satisfied with that side of things — and there’s always a chance you will love what you get or find its value increase.

Photo: Zoe Prinds-Flash
Drew Peterson’s prints and Liz Miller’s collages were among the art for members of this C.S.A., community-supported art, in Minnesota.

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The music of avant garde composer Kenneth Kirschner is open source, free to experiment with.

Other musicians are looking for sales models that may render hidebound and  unimaginative music labels obsolete.

Allan Kozinn of the NY Times describes what Rabbit Rabbit Radio is doing.

“With some help from George Hurd, a composer and music administrator, [Matthias Bossi and Carla Kihlstedt] produced a blueprint for Rabbit Rabbit Radio and started the Web page in February 2012. The plan was to release a new song for subscribers on the first of every month.

“Along with the song, Ms. Kihlstedt and Mr. Bossi, who are married to each other, began posting video clips, slide shows and photo albums; information about the making of the track; essays on various subjects; and lists that might include links to clips by other musicians whose work they admire or notes about restaurants they have discovered on tour. Past releases can be explored in their online archives.

“Subscribers pay $2 to $5 a month. (There is no difference in access; it’s a matter of paying what you can.) …

“So far, 18 months into the project, Rabbit Rabbit Radio has nearly 900 subscribers.”

More here.

Pay-what-you-can usually relies on some people paying more than they would ordinarily pay for the product. Theaters offer it occasionally, but they could never survive just on that. Panera Bread struggled with the model when it first tested it in St. Louis.

John has told me about a video-game payment model that requires people to pay small amounts for tools that can help them win the otherwise free game. Sometimes, he says, there’s a pop-up in the intense middle of the game that says you have to wait eight minutes to continue but if you want to keep going right now, you can pay a small amount.

I think if you are motivated enough, you will pay a small amount for almost anything. I hope the approach works for Rabbit Rabbit.

Photo: Gretchen Ertl for the NY Times
Matthias Bossi and Carla Kihlstedt, with their daughter, 4.

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Oh, boy, what a cool site! Modern Hieroglyphics started following me after my last Banksy post, so I clicked and took a look at his site. It’s all about street art. I especially loved this post on “reverse graffiti.”

Says Modern Hieroglyphics, “Paul Curtis (Moose) uses a powerwasher to remove dirt and grime off of walls, resulting in the creation of stunning images and patterns. The new art form is known as ‘reverse graffiti’ or ‘clean tagging,’ and is growing in popularity all over the world. This is the story of Moose. …

” ‘I became an artist by accident really, I was promoting music that my label was releasing by using reverse graffiti. I created it for that purpose, then I would do large pieces for fun or like a strange hobby, then people started to ask me to work for them… and the Internet happened and I became notorious. …

” ‘I discovered reverse graffiti one day when I was a teenager working as a dishwasher in a restaurant. I aimlessly wandered out of the kitchen one day to just be in the restaurant section. I’d cleaned everything I could in the kitchen, and felt like I owned the place. So when I saw a small mark on the wall, I reached for the my cloth and wiped it off, only to find that in the process of wiping the mark off the wall, I made a much bigger mark by cleaning the original mark with the cloth.

” ‘In those days people smoked freely in establishments and the wall was brown with nicotine. I had always thought that the wall was painted that color, and now this almost-white cleaning stripe was shining out of the wall like I had a tin of white spray paint and started to write. It was quite a shock for me, and I spent a long time trying to rectify what looked like damage but was only cleaning.

” ‘Years later, while gazing out of the window on a bus, I saw that in the road tunnels in Leeds, these clean marks appeared everywhere, drunks sliding home along the tiled walls left long streaks that looked like chrome in the car lights. Later on, I finally did something with that observation.’ ”

More samples of Moose’s art are at Modern Hieroglyphics.

Art by Paul Curtis (Moose), creator of reverse graffiti

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This post is for singer Will McMillan. It refers to singing in choirs, but I think singing with family around the campfire — or on the stage — would have the same effect on endorphins.

Slate  recently adapted a chapter from Imperfect Harmony: Finding Happiness While Singing With Others, by Stacy Horn,  Algonquin Books.

Horn says, “I used to think choir singing was only for nerds and church people. Since I was neither, I never considered singing in a group—even though I loved singing by myself. ”

She describes a period in her 20s when she was feeling really down. As she searched for ways to pull herself out of it, she remembered how happy she felt one time when she joined others to sing Christmas carols.

So, she continues, “I joined a community choir. Except that at that first performance, we didn’t sing Christmas carols—we sang a piece of music that was 230 pages long: Handel’s Messiah. It was magnificent. I was left vibrating with a wondrous sense of musical rapport. Since that performance, I haven’t found the sorrow that couldn’t be at least somewhat alleviated, or the joy that couldn’t be made even greater, by singing. …

“Music is awash with neurochemical rewards for working up the courage to sing. That rush, or ‘singer’s high,’ comes in part through a surge of endorphins, which at the same time alleviate pain. When the voices of the singers surrounding me hit my ear, I’m bathed in dopamine, a neurotransmitter in the brain that is associated with feelings of pleasure and alertness.

“Music lowers cortisol, a chemical that signals levels of stress. Studies have found that people who listened to music before surgery were more relaxed and needed less anesthesia, and afterward they got by with smaller amounts of pain medication. Music also releases serotonin, a neurotransmitter associated with feelings of euphoria and contentment.  ‘Every week when I go to rehearsal,’ a choral friend told me, ‘I’m dead tired and don’t think I’ll make it until 9:30. But then something magic happens and I revive … it happens almost every time.’  More.

Makes me want to sing. (Thanks for the lead, Jean!)

Photo: Slate.com

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Artist Sarah Hall is killing two birds with one stone. Or solving two challenges with one creation. According to Canadian Public Broadcasting, Hall has made stained glass windows that can convert the sun’s rays into energy for the building the stained glass embellishes.

Emily Chung writes, “Lux Gloria by Sarah Hall, at the Cathedral of the Holy Family in Saskatoon, is currently being connected to Saskatoon Light & Power’s electrical distribution network, confirmed Jim Nakoneshny, facilities manager at the cathedral.

“The artwork, which consists of solar panels embedded in brightly coloured, hand-painted art glass, had just been reinstalled and upgraded after breaking and falling into the church last year.

“Once it is connected, the cathedral will be able to use the solar power produced by the art installation to offset its own power consumption from the regular grid, Nakoneshny added.

“According to Kevin Hudson, manager of metering and sustainable electricity for Saskatoon Light & Power, the solar panels are expected to produce about 2,500 kilowatt hours annually or about a third to a quarter of the 8,000 to 10,000 kilowatt hours consumed by a typical home in Saskatoon each year.”

Read all about it at the CBC, here.

Photo: Sarah Hall on Popsci.com website
Lux Gloria: The solar-stained glass installment features dichroic glass and will be connected to the electrical grid in Saskatoon, Saskatechewan.

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The website “This Is Colossal” has a lovely bit on a fish with artistic tendencies.

Japanese photographer Yoji Ookata “obtained his scuba license at the age of 21 and has since spent the last 50 years exploring and documenting his discoveries off the coast of Japan. Recently while on a dive near Amami Oshima at the southern tip of the country, Ookata spotted something he had never encountered before: rippling geometric sand patterns nearly six feet in diameter almost 80 feet below sea level. He soon returned with colleagues and a television crew from the nature program NHK to document the origins what he dubbed the ‘mystery circle.’ …

“The team discovered the artist is a small puffer fish only a few inches in length that swims tirelessly through the day and night to create these vast organic sculptures using the gesture of a single fin. …

“Apparently the female fish are attracted to the hills and valleys within the sand and traverse them carefully to discover the male fish where the pair eventually lay eggs at the circle’s center, the grooves later acting as a natural buffer to ocean currents that protect the delicate offspring.” Read more.

Never imagine that there is nothing left to discover. After all, “According to the National Oceanic and Atmospheric Administration less than five percent of the world’s oceans have been explored,”

Photo: This Is Colossal.
The male puffer fish makes this nest to attract a female.

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Margareta suggests that dinner in the lusthus might make a nice post.

Google Translate informs me that a “lusthus” is a “gazebo.” If you break it into two words, it’s “desire house.” I will ask Erik to explain more about that.

Judging from the light and the absence of high chairs, the folks are having a late dinner, after the young laird has retired for the evening. Everyone looks relaxed. I think it is a kind of shrimp they are eating.

lusthus

something-like-shrimp

garden-thru-the-window

calm-dining

nighttime-gazebo

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Cate McQuaid, my favorite Boston Globe art critic, who usually covers more esoteric subjects, explains some large artsy globes seen around Boston in recent days.

“Huge, colorful orbs line up in a row down the Tremont Street side of Boston Common. It looks like a giant might be marshaling his marbles. Get up close, and you’ll see that the spheres, each 5 feet in diameter, are globes, fancifully decorated and proffering solutions to climate change.

“ ‘Cool Globes: Hot Ideas for a Cooler Planet’ has landed in Boston. The public art project, for which artists designed globes with green strategies to contend with environmental issues, originated in Chicago in 2007 and has traveled the world.”

Environmental activist Wendy Abrams, says McQuaid, is the initiative’s founder.

“Abrams cites two inspirations for the project, the wrecked cars that Mothers Against Drunk Driving pointedly deploy in their Crash Car Program, and the painted cow sculptures that showed up in the streets of Chicago in 1999 — a public art project that prompted Boston to follow suit with painted cod.”

Read about individual artists’ Cool Globe themes, the outreach to students, and more, here.

The first two photos below are near the Park Street subway station. The third is in front of the aquarium, and I am not sure if it is part of the traveling series.

cool-globes-boston

globes-for-a-coller-planet

globe-at-aquarium

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Photo: Getty Popperfoto
L.S. Lowry, (pictured in 1957), the artist from Manchester, is the subject of a major new show at the Tate Britain gallery.

Some years ago when my husband was in England on business, he acquired a print of workers coming and going outside a factory. The original was by L.S. Lowry, whose paintings of industrial Britain turn out to be very popular in the UK.

Popularity, however, is not a ticket to being shown at the Tate Britain. Belatedly, Lowry will receive a retrospective in 2014.

Oliver Wainwright at the Daily Mail writes, “Clouds of smoke belch from forests of chimneys, while armies of spidery figures scuttle to and fro between narrow terrace houses and imposing factory gates.

“Crowds of fans shiver on the edge of a football field, a fist-fight breaks out, and barefoot children tease a stray cat on the street corner.

“These are the scenes depicted in the haunting paintings of L.S. Lowry who, more than any other artist, managed to capture the strange, bleak beauty of daily life in northern industrial towns.

“His dream-like images captured the popular imagination, adorning chocolate boxes and biscuit tins, tea towels and jigsaws.

“Yet they are scarcely to be found on the walls of our major national galleries. The Tate owns 23 of his works, but has only ever exhibited one on its walls in the past 20 years — and then only briefly. …

“Why has it taken so long?

” ‘He’s a victim of his own fan base,’ said Chris Stephens, Tate Britain’s Head of Displays. ‘What makes Lowry so popular is the same thing which stops him being the subject of serious critical attention. What attracts so many is a sort of sentimentality about him.’

“This is a strangely inverted piece of art world logic,” Wainwright comments, “where the popularity of an artist is seen as an obstacle to showing their work.”

If you’re an artist, be careful to stay off “chocolate boxes and biscuit tins, tea towels and jigsaws” — or wait to be discovered by art experts of a future generation.

More here and here.

 © The estate of L.S. Lowry
L.S. Lowry, Coming out of School, 1927

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Suzanne sent me this door from Denmark.
doorway-in-Denmark

It made me think of the book The Door in the Wall, by Marguerite De Angeli. I don’t remember the story, but I do remember the illustration of the door and the scent of mystery: What is behind a door like that?

I started taking photographs of doors.

Behind almost any one of these I can picture Frances Hodgson Burnett’s Little Princess dining on bread crusts and water in her drafty garret until an emissary from the man who back in India bankrupted her father sneaks through a window (with monkey) while she is out doing chores, and redecorates her space with luxurious fabrics and fittings and a luscious spread of sweets.

Can’t you?

doorway

doorway-2

doorway-3

dorrway-4

doorway-5

doorway-6

doorway-7

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The prime minister of Norway is running for reelection and wants to get close to the voter.

So he decided to drive a taxi.

Bob Crilly writes in the Telegraph, “For one afternoon in Oslo it was the passengers who were able to say, ‘You’ll never guess who I had in the front of my cab, after realising they were being driven by the Norwegian prime minister, Jens Stoltenberg. He worked incognito, wearing a standard uniform and dark glasses, in an effort to hear voters’ true views. …

“Most passengers cottoned on to his identity pretty fast, gazing in disbelief for a few seconds before leaning forward to take a better look.

” ‘From this angle you really look like Stoltenberg,’ said one.

“An elderly woman said she was lucky to have come across the prime minister as she was just about to write him a letter, before launching into criticism of corporate fat cats.” Read all about it, here.

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I like to listen to a jazz radio station out of Worcester, WICN.

The other day the announcer mentioned an effort funded by TD Bank’s charitable foundation to collect old school instruments and refurbish them for a new generation.

If you live near Worcester and have been wondering what to do with those drums and violins, consider dropping them off at 50 Portland St. If you don’t live near Worcester, you might consider looking for a similar program in your town — or even starting one. Other TD Banks might help out. Banks in general can be good sources of such community support.

Here’s what the website says: “WICN 90.5, the NPR jazz station in Worcester, and Worcester Public Schools continue their collaboration called Instrumental Partners. The program collects used musical instruments from Central New England residents for the benefit of public school students. ‘We’re approaching 100 instruments donated so far!’ said WICN General Manager Gerry Weston. Instrumental Partners began in 2012.

“All instruments are accepted: brass, wind, string, percussion, acoustic, electric, etc. Worcester Public Schools Performing Arts Liaison Lisa Leach said, ‘We are very excited about this collaboration and putting instruments in the hands of young people who are unable to purchase or rent them, but still have the desire and work ethic to make music an integral part of their developing lives.’ ” More.

If you want to call first, the number is 508 752 0700.

12/27/13 Update. Today I took the oboe and the alto sax below to WICN for the Worcester Public Schools music program. Now a new generation of children will play them.

school-instruments-sax=oboe

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