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Gallery’s Wall Text Is in Indigenous Languages

November 7, 2018 by suzannesmom

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Photo: CBC News
Canadian grocery stores and art galleries are starting to include indigenous languages on their labels. North West Company, which has grocery stores in more than 120 communities across northern Canada, embraced the idea after it was piloted by a 2015 school project. Snapping QR codes lets you hear word pronunciation, too.

Yesterday, for the first time, Native American women were elected to Congress: in Kansas, a Ho-Chunk, and in New Mexico, a member of the Laguna Pueblo tribe. Of course, it’s about time, but it also seems to be part of a trend bringing more visibility to indigenous people. Very belated, but good.

Canada is actually farther along in trying to address and rectify transgressions against First Nations. The following story covers one aspect of that effort.

Judith H. Dobrzynski writes at the Art Newspaper, “Canada Day, 1 July, [ushered] in a new era for the presentation of Modern and contemporary Canadian art at the Art Gallery of Ontario (AGO) in Toronto. The 13,000 sq ft J.S. McLean Centre for Indigenous and Canadian Art — which added the ‘Indigenous’ to its name last year when the museum established a Department of Canadian and Indigenous Art — [has] reimagined galleries that give primacy to First Nations and Inuit art for the first time.

“In each McLean gallery, ‘contemporary indigenous art starts the conversation with Canadian art.’ says Wanda Nanibush, who became the AGO’s first curator of indigenous art in 2016. Nanibush and Georgiana Uhlyarik, the AGO’s curator of Canadian art, have designed the centre’s display of 75 works around six themes: origins, self, land, water, transformations and ‘indigenous2indigenous.’ …

“Works by Canadian artists such as Emily Carr and Florence Carlyle are hung in dialogue with works by indigenous artists including Carl Beam and Rebecca Belmore … For instance, in the ‘self’ gallery, Belmore’s ‘Rising to the Occasion’ (1987-91), a dress that the Anishinaabe-kwe artist wore in a performance responding to a royal visit to Ontario, is paired with Joanne Tod’s painting ‘Chapeau Entaillé’ (1989) of a woman in a similar dress. … Labels in the McLean Centre are now written in indigenous languages (either the local Anishinaabemowin language or Inuktitut), as well as English and French.”

More at the Art Newspaper, here.

Art: Rebecca Belmore
Belmore’s “Rising to the Occasion” (1987-91) is a dress that the Anishinaabe-kwe artist wore in a performance responding to a royal visit to Ontario. It was recently displayed at the Art Gallery of Ontario in Toronto.

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Who Cares If the Whale Wasn’t Altruistic?

November 6, 2018 by suzannesmom

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Art: Olga Shvartsur/Fine Art America
Humpback whale and baby. Recently, a humpback whale appeared to intentionally protect a researcher from a tiger shark.

A scientist who studies whales underwater was astonished and more than a little frightened in September 2017 when a whale kept pushing her toward her boat. After her colleagues pulled her to safety, she saw that in the other direction a dangerous tiger shark was lurking. The researcher believes that the whale was intentionally trying to protect her. Other scientists argue that whales aren’t altruistic.

I say, Who cares? The point is the whale’s action moved the diver away from danger, and she is grateful.

Sarah Gibbens writes at the National Geographic, “For 28 years, Nan Hauser has been researching and diving with whales. The biologist is the president and director of the Center for Cetacean Research and Conservation. … During a trip to look at whales in the Cook Islands in the South Pacific last September, Hauser says she had an encounter unlike any she had experienced before.

“A humpback whale, a marine mammal capable of weighing 40 tons and growing 60 feet long, swam toward Hauser. For ten minutes, it nudged her forward with its closed mouth, tucked her under its pectoral fin, and even maneuvered her out of the water with its back. …

” ‘I was prepared to lose my life,’ she says. ‘I thought he was going to hit me and break my bones.’

“In addition to conducting research, Hauser says she was also in the Cook Islands to work on a nature film, so at the time the whale approached, both she and a fellow diver were armed with cameras. Hauser’s point-of-view footage shows just how persistently the whale nudged her. A second whale can also be seen lurking just behind the first.

“When she finally made it out of the water and up onto her boat — bruised and scratched from the barnacles on the whale — Hauser saw a third tail moving from side-to-side.

” ‘I knew that was a tiger shark,’ she says.

“Now, after viewing the footage and reflecting on the whole harrowing experience, Hauser concludes that the whale who nudged her likely exhibited an extraordinary example of altruism. …

“Hauser’s retelling isn’t the first time scientists have questioned whether humpback whales can show signs of altruism. A 2016 study in the journal Marine Mammal Science looked at 115 instances from the past 62 years in which humpbacks interfered with a pod of hunting orcas.

“Banding together, humpbacks were seen effectively protecting their calves. But there were also examples of humpbacks showing the same behavior to protect other species of whales, seals, and sea lions. …

“Martin Biuw from the Institute of Marine Research in Nowary is skeptical of Hauser’s claim that altruism is at play in the video. Hauser had speculated the whale was male, but Biuw believes it appears to be a female.

” ‘If that is the case, it is possible that she may show protective behavior towards a human (or other animal for that matter) if she has for instance recently lost her calf,’ he says.

“Biuw explained that hormonal changes could have spurred the whale to show protective behavior.” Oh, ha, ha, hormonal changes? Good grief, give me a break.

More at the National Geographic, here.

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Vote!

November 5, 2018 by suzannesmom

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California graphic designer @lenawolffstudio printed lots of these Vote posters, with help from a Kickstarter campaign, and sent them around the country. If you want a few for 2020, contact her or email suzannesmom@lunaandstella.com.

Why is it that some Americans don’t take advantage of the greatest right and duty of living in a democracy — the vote?

Some people say one vote doesn’t count, but that makes no sense. Millions of votes are made only from many, many one-votes. And many races are extremely close.

Others don’t see anything on the ballot — candidate or ballot question — that they care about. But just showing up is important. It increases overall turnout, which shows we care, and you can always write in a name. I’ve done that in races where only one candidate was on the ballot.

Some people fear election results will get hacked, but at least one expert, the executive director of the Center for Election Innovation & Research, says so much work has been done since 2016 that the polls are now the most secure they have ever been. Read his op-ed.

Then there is the question of getting registered (having automatic registration for those getting a driver’s license would really help) and then getting to the polls. Volunteers from your party will give anyone a ride who needs one, you know. And many states let you choose your day by having absentee voting (generally by mail) and early voting (staff waiting for you at your town hall). In addition, you could support those who are trying to make Election Day a national holiday so fewer people are tied up at work.

The biggest concern to my mind is vote suppression. There have always been groups trying to keep some people from voting. This year we are seeing restrictive laws in North Dakota preventing tribes from voting by requiring all individuals to have street addresses, which Indian reservations don’t usually have. And in Georgia, where the man in charge of voting wants everyone to vote for him to be governor, we see massive vote suppression for inconsistent punctuation and challenges to recent naturalization. These kinds of tricks are similar to those that were still keeping African Americans from voting in the South in the 1960s.

People died for your right to vote.

Since voter suppression will probably always be attempted by unscrupulous people, the best thing someone who believes in democracy can do is to keep donating to organizations that take such people to court, like the American Civil Liberties Union. There will always be people who don’t want every eligible citizen to vote — the bedrock of democracy — but you can fight back. Even small efforts count. In Kansas, for example, the Dodge City polling place was moved a great distance from where voters lived, but many ordinary folk stepped up, and now there are enough volunteers to drive everyone to the distant polling place.

One and one and 50 make a million.

New York City subway mosaic: She voted.

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Scotland’s Culture Policies

November 4, 2018 by suzannesmom

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Photo: Elliott Simpson
“Two Piece Reclining Figure No.1,” by Henry Moore, Glenkiln Sculpture Park in southwest Scotland. Scotland’s government has proposed a policy that, among other things, would give ordinary Scots a greater say in shaping the cultural life of their communities.

What I remember about a trip to Scotland decades ago is Loch Ness, the glowing quality of sunlight in Inverness, how Edinburgh’s castle looms over the city, sheep on the hills, sheep crossing narrow highland roads.

But there is more to Scotland, and now the government is working to give communities a greater say in how the country’s culture is presented to the world.

Christy Romer writes at Arts Professional, “Ensuring culture is fundamental to Scotland’s social and economic prosperity is a core aim of the country’s first culture strategy in over ten years. …

“The draft document outlines plans for a new Government cultural adviser and new funding models for the sector. In addition, it aims to give people a ‘greater say’ in shaping the cultural life of their communities through participatory models of decision-making and community ownership.

“ [The draft strategy says Scotland] ‘places culture as of equal importance alongside other areas such as the economy, education, environment, health and tackling inequality, and values culture for the unique perspectives it can bring.’ …

“One of the major initiatives announced is a new cultural leadership post within Scottish Government, which would be supported by strategic thinkers from the culture sector and beyond.

“This figure would be responsible for joining up thinking across Government and with major stakeholders. They would aim to respond to big societal issues and make culture central to progress in areas such as health, the economy and education.

“Other initiatives include developing a national partnership for culture, which would see the sector work with academics to develop new approaches to measuring and articulating the value of culture.

“Partnership working with businesses, schools and care homes is also seen as key to creating opportunities for more people to take part in culture. The document …  suggests using Scottish Government powers to generate a collective responsibility to support culture in the long term.’ This could involve the National Investment Bank or devolved tax and legislative powers.”

Oh, dear. Already I see trouble ahead. The intentions are good, but that wonky document suggests to me that artists were not involved in the writing and may not be helping much to carry out the policy. Hmmm. I’m wondering if government’s role in a country’s culture should be limited to funding it.

For example, consider what Claire Selvin reported in October at ArtNews about New York City: “With largest-ever allotment for department of cultural affairs, New York City Grants $43.9 million to arts programs.” That’s putting your money where your mouth is. I realize some of the funds may get lost in the bureaucracies of the various recipient arts organizations, but I think I’d rather have them working on the ultimate allocations than a government entity.

More on Scotland at Arts Professional, here.

One of Scotland’s historical highlights is the Antonine Wall, built by the Romans across what is now the Central Belt of Scotland. These ruins mark the northernmost frontier barrier of the Roman Empire.

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When Indigenous Homes Are Safer

November 3, 2018 by suzannesmom

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Photo: Fathul Rakhman/Mongabay-Indonesia
The traditional homes on the island of Lombok have survived several earthquakes over the years. Concrete homes crumble.

Often there is wisdom in the old ways. That’s what residents of an Indonesian island in the Ring of Fire learned after a series of earthquakes created havoc with modern concrete structures.

Fathul Rakhman has a report at Mongabay.

“Jumayar’s house fell early on Aug. 5, as the second of four large earthquakes in the span of three weeks ripped through the Indonesian island of Lombok, clobbering his village of Beleq in the process. …

“Although Lombok, which is next to Bali, sits squarely on the quake-prone Ring of Fire, heavy, concrete homebuilding is the norm. These rigid structures became death traps during the earthquakes. Only the handful of wooden traditional houses in Beleq, with their lightweight, flexible designs, emerged unscathed. …

“Though elements like floor height or wall width may vary in different parts of the island, all traditional Sasak homes employ the same basic design: Thatched bamboo walls enclose dirt floors, connecting them to roofs of woven reeds. … Wooden homes can sway, or ‘breathe’ when earthquakes strike, concrete houses cannot; they have no flex and topple easily.

“In North Lombok, the epicenter of the damage, 70 percent of the houses collapsed or were severely damaged. Rebuilding will require hundreds of millions of dollars, according to government estimates.

“In Beleq, families in traditional houses ran outside like everyone else, fearing for their lives. Not a single one of their traditional structures fell, even as the concrete homes around them crumbled.

‘If the government offers to rebuild here, we will reject the [construction of] concrete homes,’ said Sahirman, the Beleq village head. ‘We want to go back to our ancestral homes.’ …

“ ‘The ancestors bequeathed to us an architecture that is in harmony with nature,’ said Lalu Satriawangsa, chairperson of the provincial AMAN [the country’s largest indigenous rights nongovernmental organization] chapter. …

“The Indonesian government has typically looked upon the traditional houses as ‘slum dwellings,’ an indicator of poverty. But Lalu says the government should support the construction of traditional houses. Not only are they cheaper, but as the recent disasters proved, they are infinitely safer.

“For too long traditional homes have been seen to mark the persistence of poverty rather than the preservation of culture, ignoring their instrumental value, Lalu said.

“ ‘Now is the time for us to campaign for [the rebuilding of] homes that are more in tune with nature,’ he said. …

“As rebuilding plans take form, Sahir, the Beteq village head, believes the community should look to the past for inspiration.

“ ‘I don’t want to sleep in a concrete house ever again,’ he said.”

More at Mongabay, here.

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Grand Friends Day

November 2, 2018 by suzannesmom

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My husband and I went to one of our grandchildren’s schools this morning for a delightful event called Grand Friends Day. Suzanne‘s oldest knew the ropes and was fine with letting us look over his shoulder as he worked, but her youngest said not to come because she would be too sad when we left after the designated hour. We knew that might be true. Since pretty much anyone can be a child’s Grand Friend, our granddaughter’s teacher was happy to serve in that capacity and enjoy extra one-on-one time with her.

Before Suzanne’s family joined a Montessori school, we didn’t know a lot about this approach to education, even though one of my own grandmothers actually studied with founder Maria Montessori. Even now we have no idea how one lone teacher sets all these little spinning-top children working independently on different tasks, but each one in the multilevel class (first, second, third grade) seems to know what to do.

Our grandson demonstrated a whole new way of getting ready for multiplication. It took me a while to catch on as he did his work. He didn’t want to explain it. Then he headed off to other tasks, including the one above with compound words. My husband and I helped him match all the words at the left end of the pink strips with words at the right end of other pink strips. We ended up with words like “necklace,” “earthworm,” and “bluebird.” After the teacher checked the work, he began to write it all down — first as two words and then as compound words. He was still writing as we left. (The picture with the teacher was taken by Suzanne on a different day.)

It was fun to see him in operation. He definitely didn’t want much help. I offered a red pencil when his yellow one didn’t show up on a manila card he was using for consonant blends, but he said he was supposed to use yellow for those particular words, and he was right. Also, I always have a really good eraser with me, but he didn’t want it. He preferred the one that was nearly gone on his pencil. I think independence is part of the Montessori deal, but he is probably kind of independent anyway.

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Turning Plastic Waste into Parks

November 1, 2018 by suzannesmom

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Photos: Recycled Island Foundation
This prototype for a floating park in Rotterdam is open to the public. It’s made of recycled plastic and is welcoming to many species, including homo sapiens (who is less than sapiens, it would seem, considering ongoing planet damage).

With the activities of humankind causing animal populations to decline 60 percent since 1970 and massive loss of essential insect species, I’m looking everywhere for more leadership in the environmental arena. So far, what I find are relatively small activities of isolated groups. But thank goodness for that! Small activities add up.

Jeremy Berke writes at Business Insider, “Rotterdam’s Floating Park — which is now open to visitors, though the park is just a prototype of what may become a much larger installation — is made out of plastic recycled from Rotterdam’s waterways.

“The recycled plastic is constructed into hexagonal pods, which mimic the landscape of Rotterdam’s Maas River before humans altered the landscape, according to the Recycled Island Foundation, the group behind the park.

“The pods can be used to create gardens, as habitat for wildlife, or for chilling out, and they can be molded into different seating arrangements.

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The Recycled Island Foundation says the park’s plastic hexagons were designed to provide habitat for native waterbirds, plants, fish, and even algae.

“On top of that, plastic dumped into the city’s canals is collected by ‘litter traps,’ which prevent plastic from flowing into the ocean.”

Pretty sure that dynamic and broadly effective leadership in the global-warming arena is going to come from people who are now only teenagers or even in middle school. Kids know what’s what.

More at Business Insider, here.

A litter trap in Rotterdam collects plastic waste, which can be recycled to make a floating park.

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Boo!

October 31, 2018 by suzannesmom

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Boo!

Is that a ghost emerging from the earth beneath the sidewalk or a piece of sycamore bark? Is that the Grim Reaper scratching around inside the wall of your bedroom or a squirrel? Is that a witch tapping at the kitchen window or a tree branch?

Is that an invading army at the border with tanks and surface-to-air missiles or ragtag neighbors praying for compassion?

It’s OK on Halloween to imagine dangers that don’t exist, but how about on the next day, All Saints Day, we go back to being logical.

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The Police Officer and the Bees

October 30, 2018 by suzannesmom

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Photo: The Guardian
What it looked like when a swarm of bees attacked a New York City hotdog stand.

As you know, I think New York City is an endlessly unspooling entertainment reel. This adventure with swarming bees is a typical example. Wish I had seen it. The police officer in charge must have been surprised to discover that a bit of obscure training would actually come in handy someday.

As Adam Gabbatt reported at the Guardian, “Productivity came to a halt across New York City offices on Tuesday afternoon, as hordes of people eagerly followed the removal of 20,000 bees from a hotdog stand. …

“Thousands watched a Reuters livestream – the stand is located outside the news agency’s New York headquarters – and followed on Twitter as a police officer was called in to remove the bees. With a vacuum cleaner. …

“Officers from the New York police department stood guard, some more willingly than others, as one of their colleagues donned a beekeeper’s hat and approached the hotdog stand.

“The bees had gathered in a densely packed, roughly 15-square-foot clump, and the unidentified officer, who wore a white jacket, thick gloves and has a moustache, proceeded to vacuum up the bees. The bee cleansing took about 40 minutes, much of which was watched online.

“By around 3 pm, the officer, who told journalists he ‘has training,’ had removed the bulk of the bees, but many remained in the area, swarming around a selection of soft drinks displayed on the hotdog stall. …

“Andrew Coté, who runs the New York City beekeepers’ association, had answered a call from the NYPD and was watching as the bees were removed. Removal by vacuum cleaner – it was a specially adapted vacuum cleaner – was common, Coté said. He estimated there were 20,000 bees on the umbrella, but said: ‘You’ve got to count the legs and divide by six to be sure.’

“Coté said … this late-August swarm had likely occurred because of an ill-managed beehive. He said there were a number of hives within a block of the hotdog stand.

“By 3.15 pm police had re-opened the street, although a number of bees were still on the scene.” More here.

You definitely have to know what you’re doing with bees. I’m sure a transplanted Minnesota beekeeper I know in Berlin, Massachusetts, would have managed his hives better if he had set up in a city. Beekeeping is serious business, and you don’t want to be responsible for anyone with an allergy getting stung.

Video: Reuters

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Back in Massachusetts

October 29, 2018 by suzannesmom

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My new photography resolution, which I hope to stick to through the winter, is to capture shadows whenever the sun is out. Apart from the fact that I really like sunlight and shadow, I know I can find examples even in months when the photographic attractions of flowers and sailboats are not in evidence.

Today’s photo collection includes Massachusetts fall color, decorations for Halloween (I particularly liked that there were three witches, as in Shakespeare), curiosities from the MIT Museum (I loved Arthur Ganson‘s walking wishbone — and all his kinetic sculptures), and a graffiti warning in a Central Square alley.

“Come away, O human child!
“To the waters and the wild
“With a faery, hand in hand,
“For the world’s more full of weeping than you can understand.”

Read the rest of the W.B. Yeats poem here.

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How Small Acts Make Big Change

October 28, 2018 by suzannesmom

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Photo: Furkan Latif Khan/NPR
Jadav Payeng, “The Forest Man of India,” has planted tens of thousands of trees over the course of nearly 40 years. He has made bloom a once desiccated island that lies in the Brahamputra river, which runs through his home state of Assam.

When we are pummeled by the evil around us, as we have been this past week, it’s hard to hold on to the credo that small acts of good move mountains. But they do. There are way more people practicing random acts of kindness every day than there are shooters, and when good people stand up, they make a difference.

Consider the “Forest Man of India,” a humble farmer from a marginalized community who made the desert blossom like a rose, and the Vancouver immigrant whose can collection has been contributing thousands of dollars to fighting cancer.

Leyland Cecco writes at the Guardian about the Canadian immigrant who gets a big kick out of raising money to fight cancer — one disposable can at a time.

“Nearly every weekday over the past two decades, a Canadian woman has dropped by the offices of a cancer foundation in Vancouver to make a donation. The money, earned by collecting cans and bottles, rarely comes to more than $10 a time.

“But staff at the BC Cancer Foundation recently calculated that Gia Tran’s 21 years of donations have totaled more than $15,000 – a testament to what they say is the ‘kindness of her heart.’ …

“Each day, Tran, 62, walks the streets of downtown Vancouver, hunting for discarded cans and bottles.

“Summer is a more bountiful time for her, when most of the city is out in the sun, enjoying the parks. But she persists with the task even in the damp, chilly winters of Canada’s west coast.

“ ‘My kids say: ‘”Mom, I don’t want you to go outside. It’s too cold,” ‘ Tran told the CBC. ‘I say: ‘”No, I go. I want to help people. I want to go to the hospital – cancer. I help people.” ‘ …

“Sarah Roth at the BC Cancer Foundation told the CBC: ‘No matter what kind of day you’re having, when Gia comes in, you forget about it and you just focus on her warmth and her laughter and her true benevolence.’ ” More.

And here is Julie McCarthy of National Public Radio on the Forest Man of India.

“Jadav Payeng has single-handedly changed the landscape in his state of Assam. Payeng, 58, is reclaiming an island in the mighty Brahmaputra river where increased flooding has changed the flow and built up sandbars along the long stretch of the river that runs through the middle of Assam. …

“When Payeng was a boy, the son of poor a buffalo trader, this strip of land in the middle of the river was attached to the mainland. Erosion from powerful river waters of the Brahmaputra severed it. He bends down to pick up a handful of earth to explain how the island’s landscape has changed.

” ‘Earlier, this was all sand. No trees, no grass — nothing was here. Only driftwood. Now, seeds of grass carried downriver from China wash up, and pollinate, on their own.’

“Today fields of swaying grasses stretch into the distance. Along with emerald pastures dotted with cows, cotton trees stand straight in rows as far as the eye can see — ‘excellent plywood,’ Payeng says. …

” ‘First with bamboo trees, then with cotton trees. I kept planting — all different kinds of trees,’ Payeng says.

‘It’s not as if I did it alone,’ says the self-styled naturalist.

‘You plant one or two trees, and they have to seed. And once they seed,’ he adds reverentially, ‘the wind knows how to plant them, the birds here know how to sow them, cows know, elephants know, even the Brahmaputra river knows.’ “

Photo: LifeDaily
Gia Tran has donated $15,000 to the BC Cancer Foundation over 21 years in $10 increments from recycled cans. She takes them to the return depot on foot. “On the bus, I only get one bag, not two bags. I walk, I don’t care.” 

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Film: “Stations of the Elevated”

October 27, 2018 by suzannesmom

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Still shot of Manfred Kirchheimer’s nonverbal documentary Stations of the Elevated, which depicts the graffiti and anxious ambience of New York City in the late 1970s.

There’s a story about a documentary created by my sister’s friend Manny Kirchheimer. For years, though admired by critics, Stations of the Elevated could not be distributed because it was not possible to meet the price set by a jazz musician’s widow for use of the music.

Then a film buff from Artists Public Domain discovered the artistic, wordless evocation of a New York moment tucked away on a shelf.

As Joel Rose reported at NPR in 2014, “The first film to point a camera at the graffiti movement in New York City was Stations of the Elevated, which debuted at the New York Film Festival in 1981.

“The film hasn’t been seen much since, except by generations of graffiti fans and writers who watched it on VHS tapes. Now it’s being re-released on the big screen. …

“Stations of the Elevated is not a documentary in the usual sense. It’s only 45 minutes long; there’s no narrative and hardly any dialogue. The camera follows subway cars painted from top to bottom with vibrant graffiti compositions over a soundtrack of jazz by Charles Mingus. One critic compared Stations to a nature film, in which director Manny Kirchheimer stalks graffiti-covered subway cars in their native habitat.

” ‘He went big-game hunting, and he caught the big game, you know?’ says graffiti writer Lee Quinones, whose work is featured prominently in the film. … ‘This is the first film of its kind that captured a beautiful golden age where a lot of these cars were being painted, and that urgency,’ he says. ‘He was able to capture that, and way before the established art world even got a pulse that this was going on underneath their feet.’

“Kirchheimer … was born in Germany and fled to New York with his parents in 1936. He was in his late 40s when he shot Stations of the Elevated in 1977. He didn’t know anyone who wrote graffiti, and he’d never given it much thought.

” ‘As a matter of fact, there was a great deal of graffiti around that I didn’t pay much attention to,’ Kirchheimer says. Then he found himself driving up to the Bronx early in the morning, and he saw the trains running overhead.

” ‘They would come by and it would be screaming full of colors — just gorgeous,’ he says. ‘The smart thing I did was shoot it all outdoors. Most of the lines are indoors, and the way most people see these paintings was indoors. Doing it outdoors gave a whole other perspective.’

“It was a grittier time in New York’s history, when the city could barely afford to clean subway cars, inside or out. Most straphangers considered graffiti writers a nuisance, or worse. But Kirchheimer was focused on ‘elevating’ their work. …

” ‘The genre, if there is one, is one that goes back to the beginning of cinema. That’s the city symphony,’ says Jake Perlin, who is reissuing Stations of the Elevated through his company, Artists Public Domain. …

“Stations of the Elevated contrasts the painted subway cars with outdoor advertising on billboards — giant images of cigarettes, alcohol and semi-nude women. Artist Quinones says the film captures something essential about a moment in the history of the graffiti movement, and of New York City, which is long gone.” See more at NPR, here.

You may also check out Criterion for a review by Joshua Brunsting: “This short documentary contains some really beautiful richly colorful photography of the elevated subways and the neighborhoods around them circa 1980. It’s filled with impressionistic scenes of subway cars, passengers and track workers, junkyards, neighborhood kids, billboards – scenes of everyday life. Interludes of Mingus drift in and out along with background subway announcements and ambient noise and conversation.”

And now that Artists Public Domain has settled the music rights question, you can get the movie here.

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Oh, What a Beautiful City!

October 26, 2018 by suzannesmom

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OK, New York is not a beautiful city in the sense of the traditional song (Dave Van Ronk sings “Oh, What a Beautiful City!” here), but that spiritual has been playing in my head today because I really like New York.

It’s definitely not a clean city. Every day of the week there are so many trash bags on the sidewalk that the garbage trucks often leave half behind for a later pass, and not-civic-minded New Yorkers toss last night’s take-out on the heap as they walk their children to school.

The electronic kiosks that I love featured a relevant quote by Fran Lebowitz this week: “When you leave New York, you are astonished at how clean the rest of the world is. Clean is not enough.”

Speaking of clean, Asakiyume once pointed out that the business that attracts almost as much creative naming as beauty salons is the porta-potty business, so the first photo below is for her collection.

Next I have two indoor photos, followed by several from beautiful Central Park. Having been warned never to go near the park when I walked the Corgi in the morning decades ago, I’m always astonished that today one can walk there early in the morning and join many other people — runners, bikers, dog walkers, children headed to school, sometimes a solitary practitioner of tai chi chuan.

I love the shadows at that time of day and the greenery, the park’s architectural touches, the benches with thoughtful quotes, the paths that beckon. It’s pretty magical.

Riffing off a Lawrence Block quote, another kiosk asked what was “the thing about New York, if you loved it, if it worked for you, it ruined you for anyplace else in the world”? New York doesn’t ruin anywhere for me, but I feel challenged to answer what is the main thing I like about New York: it’s just that it’s always interesting.

(More quotations about New York City here.)

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Reposted from Beautiful Day

October 26, 2018 by suzannesmom

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I lifted this from Beautiful Day, an organization I’d like you know about if you don’t already.

Founder Keith Cooper writes, “A couple months ago a guy named Scott Axtmann brought a great group of interns from his church (Renaissance) to visit our kitchen facility at Amos House. We did the things we usually do — greeted the trainees, chatted with our chef and other staff, then sat out in the dining hall to talk more about mission and share thoughts about resettlement, the job market, and being a part of positive change in our city.

“This is an aside — but if you live in driving distance of Providence and are interested in our work, you should stop by for this kind of tour. Plan to come after 5 on Tuesday, Wednesday or Thursday. If possible give us a couple weeks warning. A tour doesn’t take long, but seeing something with your own eyes usually takes the strangeness out of it. I know we are intense and painstaking about the way we make granola, but making granola is still not rocket-science. Neither is job training. What I always find mysterious in our kitchen (though I know we’ve also been painstaking about creating this atmosphere too) is the laughter shared by a group of trainees and staff who don’t even share a language. This is always the thing that reassures me that we are doing something right. But please take this as an open invitation. These tours are part of our mission to connect more people with refugees. Our organization may lack a lot of things, but we’re rich in relationships with former refugees and would love to share our wealth with you.

“Anyway, during that tour Scott challenged me in the style some faith leaders have perfected—encouragement that leads to self discovery. In this case, he created space for me to say something I hadn’t intended to say. The gist went something like this:

Scott (to the interns): Keith writes a [something flattering here] blog for Beautiful Day about immigration and refugee resettlement.

Me (grimacing): Oh thanks Scott. Actually I’ve hardly been writing anything this year.

Scott: Really? Why not? You should be. [Then, to the interns, some thoughts about how critical it is for people of faith to welcome refugees and what a privilege it is. Scott has a contagious enthusiasm about our city that I love.]

Me: Honestly, I feel like I’ve lost my voice over this last year. I’m really struggling with it.

Scott: You had better get it back.

“Then suddenly we all had to go.

“That was back in July and I’ve been chewing on this ever since. I’m pretty sure I intended to answer his question by complaining about how busy I am, how many hats I need to wear. These things are true and I say them all the time. Saying I lost my voice instead provoked me to think about what’s happening to or in me. Beautiful Day works with marginalized people who, for the most part, are hidden and voiceless — most obviously because they don’t speak English and don’t yet understand much about American culture, but also because they’ve had experiences of being chased away, silenced, discarded, warehoused. We live in a country that has welcomed them, yet is also growing more ambivalent and sometimes openly hostile to them. I believe we all have something critical to learn from these voices.

“So how can I possibly advocate for voiceless people if I don’t have a voice myself?

“And another thought: isn’t saying I’m voiceless another way of saying I’m afraid. What am I afraid of?

“But, okay, Scott. Thank you both for the compliment and the invitation to think. Here’s my idea. I’ll try to start writing more often. I know I need to do this right now if only because we are heading into the holiday season when we hope (need!) to sell about 75,000 dollars of granola in 3 months. These sales are vital to our training program, so I need to be connecting and resonating with our customers.

“(And, a sideways invitation here: as part of this sales initiative, we are currently launching efforts to increase traffic to our website. Part of what helps attract traffic is interaction, so if you appreciate anything in this blog and what Beautiful Day is doing, please speak up and comment either here or on our Facebook or Instagram feeds. It’s okay if you disagree as a long as you’re not trolling. A voice isn’t very real until it’s in dialogue.)

“Along the way, maybe I can try to figure this out by writing it out. I know one of my fears is that I just can’t write an Inc-style business post where I try to play the confident hipster entrepreneur and wax eloquent on how great our product is, how well we are doing, how hard we work, and which fancy apps we use. Something about who I am and about working with voiceless people makes that impossible. Nor can I promise that it will be consistent or coherent or polished. It will need to just come out of what’s in my head at that moment with what time I’ve got available. But I’ll give it a try. Maybe I’ll rely on some of the internet’s favorite formats like top 10 lists. But I’ll try to let it be a real voice. I suspect I’m not the only one trying to retrieve theirs these days.”

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How Puppets Saved a Language

October 25, 2018 by suzannesmom

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Photo: PjrTravel/Alamy
The act of building puppets has long been a form of protest for the Czech people.

Never underestimate the power of the arts to affect the course of nations. In this story, puppets kept the Czech language alive during a period of repression by German speakers.

Jacklyn Janeksela writes at the BBC, “It was thanks to the humble puppet that the Czech nation – and its language – was inadvertently saved.

“In the 17th Century, when the kingdom of Bohemia was under Habsburg rule, the Czech language almost disappeared. …

“When the Protestant court left Prague in the early 1600s, the city fell into decline for almost two centuries. The new ruler, Ferdinand II, did not tolerate non-Catholics, viewing Protestants as a threat to his faith. Czech locals, mostly peasants and working class people, were forced to speak the German language of their invaders. Soon after, intellectuals, who had initially resisted the German language, followed suit. Even Czech actors began to perform in German as an official mandate. Czech became a mere dialect, and would have slipped into oblivion had it not been for some unassuming pieces of wood.

“The act of building puppets has long been a form of protest for the Czech people. Seventeenth-Century wood-carvers, who were more versed in sculpting Baroque seats for churches than human facsimiles, started making puppets for the actors of Bohemia soon after Ferdinand II came to power, as puppets were the only remaining entities that had the right to speak Czech in public places. While the rest of the country and its people adhered to the newly imposed German language, wandering actors and puppet-masters spoke through the puppets in their native Slavic tongue.

“It might seem unlikely that a few hundred puppets and puppet-masters could safeguard a language, especially through a loophole, but the people’s last remaining legacy to their past was tied to the puppet’s strings.

“It’s easy to see why these marionettes have found a home in Czech hearts, and why the magic of puppets continues to permeate the city. …

“In the streets, puppeteers make magic happen. I watched a puppet show in a charming cobblestoned square, where the puppet-master wore the velvety cap of a pageboy, pierced by a single plume that swayed along with the puppet’s movements. He used his puppets to beckon bystanders. Melodic medieval music accompanied the dance of a peasant male and young princess, a Czech love story with a plot twist that favours the underdog, the peasant who wins the heart of a far-fetched royal love.” Read more at the BBC, here.

With minority languages threatened around the world today, it’s worth remembering that a culture and way of life can be preserved through arts like puppet-making. See also my blog post on the historically important role of shadow puppets in Armenia, here.

Photo: Carol J Saunders/Alamy
Puppets have a special place in the hearts of the Czech people. For one thing, they saved the language in the early 1600s when German-speaking rulers prevented everyone but puppets from speaking Czech in public.

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