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Gavin Hardy is good at both the bass and basketball. For a bigger image, watch the video at WFMY.

Our niece teaches orchestra at a middle school in North Carolina. Teaching orchestra is a job she loves, and she has often said she thinks she was born to do it. Sometimes she gets notes from long ago students telling her things like, “I always looked forward to your class. It was the time I felt best in school.”

She encourages students of every ability, and when she sees exceptional talent, she likes to spread the word. Here’s a story about a young bass player.

Maddie Gardner at television station WFMY in Clemmons has the report.

“You might say basketball is like music. The ball hitting the court: resonance. A shoe squeaking against the hardwood: pitch. The perfect shot: crescendo. And then there’s the discipline.

” ‘I think both go hand in hand. You have to be very disciplined to be a musician – same thing with an athlete. You have to practice it. You have to do it when nobody is looking. You have to be able to work hard when nobody is watching you do it.’

“Coach Tommy Witt says 8th grader Gavin Hardy brings a certain harmony to the Clemmons Middle School gym.

” ‘I hope to play at a division one school. My dream is to play in the NBA, but I know it’s going to take a lot of hard work, but I’m willing to put in the work,’ Gavin said. …

” ‘Just keeping the tunnel vision, staying focused, you gotta block out all of the distractions that get in your mind, know what you want and attack it. Strive to be the best,’ he said. …

“For 10 years Gavin’s been on the court. … But playing the National Anthem on his bass was something he’d never done before.

” ‘It’s funny – we want to get people to play the national anthem and I went to [his orchestra teacher] Barbara and said, “Do you think he can play the national anthem in his uniform?” ‘ Witt said.

‘It was just a no brainier; he can do anything,’ Gavin’s orchestra teacher, Barbara Bell said. ‘Whatever he puts his mind to he can do.’ …

” ‘I’ve been listening to classical music ever since I was four. I just like the string family and I like the dark tone of the bass,’ Gavin said.

Gavin says he usually listens to string music to get pumped up for a game but before the team played Winston-Salem Prep he decided he’d be the string music before tip off. …

” ‘He’s always interested in more. He keeps working harder to get to the next level,’ [said Bell]. …

” ‘When your best player is also your hardest worker you have a chance to be really good and that’s what Gavin has done for us,’ [Coach] Witt said.” More here.

Barbara tells me that her student learned the National Anthem on the bass in two days and that the publicity brought him wider attention.

“The National Bass Society has contacted Gavin,” she said in a text. “They want him and they’re offering a playing opportunity. The assistant principal bassist from the Philadelphia Orchestra contacted him. He teaches at Juilliard and he is very interested in helping him. I am beyond excited for him. I was screaming and jumping up and down when he told me.

“The Philadelphia Orchestra bassist loved his playing and was especially excited about his work ethic and attitude. I told Gavin he had to give me tickets to wherever he lands.”

Gavin’s teacher with her twins. All three are string musicians.

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Photo: Daniel Boud
“It’s in our Indigenous DNA to use oral stories … to carry culture,” says Stephen Page of Bangarra, a dance company in Australia.

When the new has practically obliterated the old, it’s not a bad idea to co-opt the new and use it for your own purposes. That’s what some indigenous people in Australia are doing as they test the possibilities of virtual reality for passing along oral traditions.

As Clarissa Sebag-Montefiore writes at the Guardian, “When Brett Leavy recently showcased his digital renditions of pre-colonial landscapes in Australia, one Aboriginal man in the audience started to cry.

“ ‘I get tears [from the Indigenous audience] because they feel a sense of loss. … And then there’s also anger,’ he says. Leavy is a Kooma man and founder of Brisbane-based Virtual Songlines: a First Nations interactive design agency whose output ranges from video games to virtual reality.

‘I’m doing this in a fun way – it’s a bit gamefied – but the question I’m asking is: who are the sovereign custodians of the land?’

“For millennia, Indigenous Australian communities have been passing down histories, knowledge, language and customs, largely through oral storytelling. But in a world of digital addiction, where even the most remote parts of the country are being infiltrated by smartphones, telling stories via screens is the new necessary: a way to both preserve tradition and reach out to the young. …

“ ‘There is massive intellectual capital in our community. There is this whole untapped resource,’ Mikaela Jade, founder of the Indigenous augmented reality app Indigital Storytelling, said at a talk in Sydney in 2017. ‘Don’t wait for it to be built and then be given it to us.’

“Stephen Page, creative director of Indigenous dance company Bangarra, is taking this idea seriously. [To] celebrate its 30th anniversary, Bangarra [opened] a free immersive installation, Knowledge Ground: 30 Years of Sixty-Five Thousand [and launched] the company’s new digital archive site of the same name, which contains interviews, photographs, videos and essays about Bangarra’s productions and processes. …

“Of course simply putting content up online – or placing it on a screen in an art show – does not mean it will automatically make an impact, or find an audience.

“Torres Strait Islander filmmaker John Harvey, 44, sees this harsh truth every day at home on the Sunshine Coast with his two children, aged four and 13. Kids, he sighs, are brutally honest. If online content doesn’t ‘feel authentic to them in a way that they can relate to, they will stop straight away. It doesn’t matter if it’s been made by an Indigenous person or not – they will just stop.’

“Harvey is in the process of creating a work for the new permanent exhibition at ACMI [Austrailian Centre for the Moving Image], which opens in Melbourne in May 2020. Inspiration came from seeing the first-ever footage of Indigenous people in Australia: a four-and-a-half minute sequence shot by British zoologist AC Haddon during a Cambridge University expedition to the Torres Strait in 1898. Locals were portrayed as anthropological subjects.

“In his artwork, Harvey wants to counteract this by filming intimate moments at home. Rather than white rich outsiders holding the camera, he’s using his own phone to capture his own people as he sees them, from the inside. It is, as he says, about ‘democratisation of stories and storytelling.’ …

“Virtual reality was not an obvious tool to tell the story. But many of the senior women observed young people ‘increasingly engaging with screens and technology, and so wanted to capture their attention and interest,’ [Angela Lynch, manager of the Ngangkari program at NPY [Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara] Women’s Council] says. ‘They strongly believe that traditional culture and Anangu law holds the answers to the issues and problems of contemporary life in remote communities.’ ”

More here. PS. Please look at the wonderful photoat the NPY Women’s Council Page. It’s protected, and I can’t copy it for you. Made me smile.

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Photo: Allison Aubrey/NPR
In the digester on his farm, Peter Melnik combines food waste with manure from his cows. The mixture cooks at about 105 degrees Fahrenheit. As the methane is released, it rises to the top of a large red tank with a black bubble-shaped dome to create electricity.

People are complicated. Even companies are complicated. Just the other day, I noted that I avoid Whole Foods because there is already enough money going to Amazon owner Jeff Bezos. Today I give you a story about something Whole Foods is doing for the environment.

Alison Aubrey reported the story for the PBS NewsHour and National Public Radio (NPR).

“If you piled up all the food that’s not eaten over the course of a year in the U.S., it would be enough to fill a skyscraper in Chicago about 44 times, according to an estimate from the U.S. Department of Agriculture.

“And, when all this food rots in a landfill, it emits methane, a powerful greenhouse gas that contributes to climate change. In fact, a recent report from the United Nations from a panel of climate experts estimates that up to 10 percent of all human-made greenhouse gas emissions are linked to food waste.

So, here’s one solution to the problem: Dairy farmers in Massachusetts are using food waste to create electricity. They feed waste into anaerobic digesters, built and operated by Vanguard Renewables, which capture the methane emissions and make renewable energy.

“The process begins by gathering wasted food from around the state, including from many Whole Foods locations. We visited the chain’s store in Shrewsbury, Mass., which has installed a Grind2Energy system. It’s an industrial-strength grinder that gobbles up all the scraps of food the store can’t sell, explains Karen Franczyk, who is the sustainability program manager for Whole Foods’ North Atlantic region. …

“While Whole Foods donates a lot of surplus food to food banks, there’s a lot waste left over. Much of it is generated from prepping prepared foods. Just as when you cook in your own kitchen, there are lots of bits that remain, such as onion or carrot peel, rinds, stalks or meat scraps. The grinder turns all these bits into a slurry. …

“From here, the waste is loaded into a truck and sent to an anaerobic digester. ‘There’s no question it’s better than putting it in the trash,’ Franczyk says. She says the chain is committed to diverting as much waste as possible and aims for zero waste. …

“We visited Bar-Way Farm, Inc. in Deerfield, Mass. Owner Peter Melnik, a fourth-generation dairy farmer, showed us how his anaerobic digester, which is installed next to his dairy barn, works.

” ‘We presently take in about a 100 tons [of waste], which is about three tractor-trailer loads, every day,’ Melnik says. In addition to all the food waste from Whole Foods, he gets whey from a Cabot Creamery in the area, as well as waste from a local brewery and a juice plant.

“In the digester, he combines all of this waste with manure from his cows. The mixture cooks at about 105 degrees Fahrenheit. As the methane is released, it rises to the top of a large red tank with a black bubble-shaped dome.

” ‘We capture the gas in that bubble. Then we suck it into a big motor,’ Melnik explains. Unlike other engines that run on diesel or gasoline, this engine runs on methane. ‘This turns a big generator, which is creating one megawatt of electricity’ continuously. …

‘We only use about 10 percent of what we make, and the rest is fed onto the [electricity] grid,’ [enough] to power about 1,500 homes.

“He says times are tough for dairy farmers, so this gives him a new stream of revenue. … In addition, he’s able to use the liquids left over from the process as fertilizer on his fields.”

More here.

 

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Photo: Ben Stansall/AFP via Getty Images
Tate Britain’s curator said the projection of William Blake’s Ancient of Days was in keeping with Blake’s ‘lifelong dream to be an artist with real public impact.’

As happens all too often, I miss the deadline for when you could go see something I’ve written about. If you were in London two months ago, I apologize. I would have loved to see this art myself, having long been a fan of William Blake.

Mark Brown, writing at the Guardian in November, explains what we all missed.

“William Blake always dreamed of making vast works for churches and palaces but to his bitter disappointment he never achieved it. More than two centuries after his death Tate has announced it is going some way to making up for that by projecting his final work on to the giant dome of St Paul’s Cathedral.

“For four evenings [in November], his illustration Ancient of Days will dramatically light up the skyline of London.

“Martin Myrone, the senior curator of pre-1800 art at Tate Britain, said Blake always had grand ambitions as an artist, proposing huge frescoes that were never realised. … ‘What he said he wanted to do was produce altarpieces and large-scale pictorial schemes in churches and palaces.’ …

“Blake is regarded as a visionary, radical artist who was ahead of his time and unappreciated for most of his life.

“ ‘He had a frustrating career and had moments when he was really down and depressed,’ said Myrone. ‘He felt alienated from the art establishment and he never really won the audience that he wished to have. He did see himself as an artist who should be read and seen by not just a few connoisseurs but by lots and lots of people.’

“The project, which marks his birthday, stems from Tate Britain’s current exhibition of Blake, the biggest for a generation. … The St Paul’s dome takes it to another level and is an appropriate venue because it is home to a memorial to Blake. His body was buried in an unmarked grave in Bunhill Fields burial ground near Old Street in London.” More at the Guardian.

A Wikipedia post says in part, “The Ancient of Days is a design by William Blake, originally published as the frontispiece to the 1794 work Europe a Prophecy. It draws its name from one of God’s titles in the Book of Daniel and shows Urizen [who in the mythology of William Blake is the embodiment of conventional reason and law] crouching in a circular design with a cloud-like background. His outstretched hand holds a compass over the darker void below. Related imagery appears in Blake’s Newton, completed the next year. As noted in Gilchrist’s Life of William Blake, the design of The Ancient of Days was ‘a singular favourite with Blake and as one it was always a happiness to him to copy.’ ”

Anyone else a Blake fan?

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Photo: Bank of America
Nonprofit Haley House uses food and community ties to provide job training and to revitalize neighborhoods. When it was closed 11 months for reflection, it was sorely missed in Dudley Square, now Nubian Square.

There’s a nonprofit gathering place in Boston’s Roxbury section where food and mission come together. But when persistent financial losses seemed to threaten its future, fans far and wide worried.

In December, Kay Lazar reported at the Boston Globe, “The little bakery that could is making a comeback.

“When Haley House Bakery Cafe in Roxbury, a bustling eatery and beloved community gathering place, closed its doors in January [2019], its executive director vowed it wasn’t goodbye. It was a timeout to figure out how to make the grand social experiment in Dudley Square financially sustainable. Since its opening in 2005, it never broke even.

“Now the cafe, known for providing job training for former prisoners and hosting community discussions, poetry slams, live music, and community dinners, is planning to reopen in mid-December. It will feature a new menu with an international flair (and some reimagined old favorites). …

“Pivotal to its sustainability, says Bing Broderick, the cafe’s executive director, is its new open-book approach. The restaurant’s financial information is being shared with workers, everyone from the cashier to the dishwasher, and each is being trained to be an efficiency expert. They’ll learn how seemingly little things, such as food waste or showing up late for work, affect the entire operation. Employees will have a say in menu pricing and taste-testing new dishes.

‘It’s very empowering if everyone understands how they can help the success of the business and lead to a better organization overall,’ Broderick said. …

“All food assembly will be moved to the kitchen to free up more space for its legendary live performances, as well as for private events, such as wedding receptions and corporate meetings that Broderick hopes will help them bridge the financial gap. …

“The meals will be bowl-based, with customers choosing a base of grits, home fries, mixed salad greens, or rice, with a pick of protein options — including vegetarian offerings — and a sauce topping. The new recipes will reflect the culturally diverse Dudley Square [now Nubian Square] area, including the bakery’s workers, with African- and Caribbean-influenced sauces and spices. …

“The process of redesigning the menu has featured some fascinating in-house discussions among the bakery’s international staff, [new general manager Misha Thomas] said.

“ ‘It’s been cool to get their thoughts,’ she said. ‘Everyone has an idea of how spicy things are supposed to be.’ …

“One thing that will not be changing is Haley House’s social mission. Founded in 1966 as a provider of food and shelter for the homeless in the South End, Haley House, the bakery’s nonprofit parent company, uses food and community ties to provide job training and help revitalize neighborhoods. … The meal and training programs went on hiatus after the bakery closed last winter, but Broderick said they will be bringing them back.

“Also returning will be cultural events in the evening, from jazz and history to poetry and movies, all offering a beacon in a community that has weathered some tough times and frustrating one-step-forward-two-steps-back revitalization efforts.

“ ‘The arts and cultural programming at the cafe was very much its identity and community ownership, too,’ Broderick said.”

More here.

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Photo: TripAdvisor
Debra’s Natural Gourmet helps customers cut back on plastic like liquid-soap bottles. They don’t have an answer yet to takeout containers, though.

Every day I’m trying to think of ways to cut back on plastic like the good people at Plastic Free Hackney in England. How am I doing so far? Not great. Plastic is so ubiquitous. But “one and two and 50 make a million,” and there is help from like-minded businesses.

I found a dish-soap concentrate that lets me reuse bottles (etee dish soap), and now a local organic store is letting folks reuse bottles from home over and over by filling up from the store’s large dispensers.

According to Emily Holden at the Guardian, we need to cut back because recycling of plastics is not really working. No one wants them. Holden offers tips on reducing our plastics dependency.

“As plastics corporations ramp up production,” she writes, “they are also promoting a failing recycling system.

Just 9% of plastics get recycled. Traditional plastics are made from extracted oil and gas, and they contribute to the rising temperatures behind the climate crisis.

“Environment experts are increasingly calling for a reduction in plastic use, as the waste accumulates in the oceans, poor countries and even human bodies. Plastics are also burned, as China – which once accepted the bulk of America’s waste – has begun to refuse it. And more than a million Americans lived next to polluting incinerators.

“Significant reductions will require systemic change, researchers say. But there are also some easy tips for individuals who want to cut back on plastics. (If this list is overwhelming and you’re not sure where to start, collect your plastic waste for a month and conduct an audit. Cut back on what you find the most of.)

“1. Carry a reusable bottle, fork/spoon and bag …

“2. Refuse the lid on your coffee cup. … (Some coffee shops will say they are required to give you a lid, citing possible liability for burns.)

“3. Choose products in glass or cans if they are an option. Recycle those materials. … Glass and aluminum cans are much more likely to be recycled. Glass is most efficient when reused (ie. with returnable milk bottles).

“4. When possible, eat in the restaurant instead of taking it to go. Unless you have a physical disability, let your server know in advance that you won’t need a straw.

“5. If you order takeout or delivery, tell the restaurant you don’t want plastic utensils or straws. …

“6. Opt for products with less packaging. Say no to bagged lemons, apples, onions and garlic, and tea that comes in plastic packets. Choose more fresh produce for snacks to avoid individual plastic wrappers.

“7. Shop from the bulk section and use your own containers. …

“8. Use bars of soap (also available for shampoo and shaving) instead of bottles. … For an extra environmental benefit, avoid palm oil.

“9. Use a razor that requires replacing only the individual blades. … You will save money over time. Note that TSA does not allow passengers to fly with individual blades.

“10. Use a bamboo toothbrush or one with a replaceable head.

“11. Buy concentrated cleaners that can be mixed with water in a reusable container. …

“12. Choose frozen, concentrated juice that comes in cardboard tubes instead of the plastic jugs. …

“13. Don’t buy bottled water. …

“14. Buy fewer clothes, or shop secondhand. Wash your clothes less so they last longer. Hang them to dry. …

“15. When shopping online, group as many items together as possible, so you can receive fewer plastic envelopes.”

More here.

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Photo: Ryan Jenq for the New York Times
Robby Kraft created two origami, left,
“using his own custom code for developing new crease patterns.” He also folded “Hyperbolic Cube,” right, which was designed by Thomas Hull of Western New England University.

Origami is an ancient paper-folding technique that is turning out to have some very modern applications.

Kathleen Massara at the New York Times interviewed a few folks who know a lot about it.

” ‘I would say the biggest rule is no cutting,’ said Wendy Zeichner, the president and chief executive of OrigamiUSA. It’s ‘one piece of paper and no glue.’

“OrigamiUSA is a nonprofit organization dedicated to educating the public about the art form. The group traces its roots to the 1950s, when Lillian Oppenheimer, one of its eventual founders, began to communicate with paper folders around the world, including Akira Yoshizawa in Japan, who is often credited as the father of modern origami — they would send each other diagrams explaining how to fold different shapes from a single square sheet of paper. …

” ‘Origami is really almost as old as paper,’ Ms. Zeichner explained — it means ‘to fold paper’ in Japanese — and paper in sheet form is thought to have been invented in China around 105 A.D. To start making shapes like cranes and frogs, it boils down to two basic techniques: mountain folds and valley folds, which are different ways to make the edges meet. After that, you can get creative….

A few years ago, NASA engineers were able to create foldable telescopes and a flower-shaped shade to block out light from distant stars by using paper-folding techniques.

” ‘If you want to send something in a rocket, it has to be packed small,’ Ms. Zeichner said. ‘The same algorithms you would use in origami would be used in this.’ The same goes for folding an airbag into a car, or creating pop-up homeless shelters.

“Precision is key, whether someone is folding a humble crane or a complex modular structure with interlocking parts. So is enthusiasm. ‘The majority of people are either enthusiasts on the simple end or on the complex end,’ said Jason Ku, a lecturer at M.I.T. and a faculty adviser to the origami club there. …

“The goal is to arrive at the most efficient and elegant means of achieving a particular effect. ‘I want the result to be complex, but I want to simplify the process it takes to get there,’ Dr. Ku said. …

“As in math, it’s important to show your work. … ‘Showing your technique is one of the biggest aspects of origami,’ said Taro Yaguchi, the founder of Taro’s Origami Studio in Brooklyn.

“Before the 1950s, certain origami objects were more difficult to create, partly because diagrams weren’t standardized. Some guide books simply presented the results, without the necessary steps to get there. Yoshizawa, in Japan, and Samuel Randlett, in the United States, helped develop a set of international diagram conventions that is now referred to as the Yoshizawa-Randlett system.

“ ‘Before it got codified, it could be very confusing,’ said Jeannine Mosely, a software engineer in Cambridge, Mass. Ms. Mosely is known for large-scale projects such as an origami Menger sponge, a series of cubes adding up to a giant cube, made out of business cards. At the time, the fact that she didn’t use square paper caused ripples throughout the origami community. ‘There were people who didn’t want anything to do with my work because I started with rectangles,’ she said. …

“Diagrams and algorithms won’t be much help if you’re not using the right materials. ‘It’s a mistake a lot of beginner’s make: they go online and find the most beautiful kind of paper,’ said Jewel Kawataki, a New York-based jewelry maker who creates different designs with chiyogami, a sleek fabric-like paper. “You can see their frustration in YouTube tutorials. They’ve used the wrong paper.’ …

“Toshiko Kobayashi, an art therapist in Manhattan who grew up folding as a child in Tokyo after World War II, believes in the art’s ability to heal. ‘Just after the war, there was nothing. Paper was one of the readily available toys for me,’ she said. In New York, she has been busy introducing the art to different communities through the Origami Therapy Association in Manhattan, which she founded in 2002. …

“For many, the practice is embraced for its calming aspects. ‘It’s lessened my anxiety a lot,’ Ms. Kawataki said.

“Regardless of techniques, the community, whether in person or online, keeps people excited about the art form. ‘Origamists from around the world will meet and fold together,’ Ms. Mosely said. ‘They might not be able to talk to each other, but they can fold.’ ”

For some breathtaking photos, check out the New York Times article, here.  And be sure to watch the origami documentary Between the Folds by Vanessa Gould.

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Photo: Bryan Anselm for the New York Times
Co-managers Maureen Disimile and John D. Ynsua at the employee-owned Montclair Book Center in New Jersey innovate to keep the magic going.

Who doesn’t find a bookstore magical — especially an independent bookstore? It takes a certain amount of flexibility and creativity to keep one going and not get plowed under by a certain online billionaire. If we all look for books first at our local indy, we can help keep the magic alive.

In New Jersey, Montclair Book Center has found that employee ownership, ability to improvise, and independent-minded customers are critical.

Dana Jennings writes at the New York Times, “Montclair Book Center is 35 years old, going on eternity. A ramshackle throwback to a funkier, more literary time, the store has shelves handmade from raw lumber. And its customers and clerks are often just as eccentric as the shelves.

“I’ve been shopping and snooping there since 1995 and still haven’t exhausted all of this biblioscape’s labyrinths and warrens — some of which, I suspect, lead to C.S. Lewis’s Narnia or Mervyn Peake’s Gormenghast. …

“I’ve stumbled across Italo Calvino limited editions, a hardcover of William Burroughs’s ‘Naked Lunch,’ and a stash of musty, black-and-white comics magazines from the 1960s and ’70s that included ‘Eerie, Creepy and Savage Tales.’ …

“The place is suffused with the sweet reek of ink, decaying pulp and vintage book dust — seductive scents that are like pheromones to book lovers.

“ ‘Unless you work at a bakery, you don’t get many customers talking about how good your store smells,’ said Pete Ryby, who has worked there since it opened in 1984 and is now the store’s primary owner. (Other employees own smaller stakes.)

“The pre-World War I building itself is so cockeyed that it looks set to pratfall down the street, as in some silent Buster Keaton two-reeler. … Still, the store is orderly if not antiseptic. Signs are hand-lettered; there are plenty of chairs for contemplation and ladders for climbing; and, whether by accident or puckish design, the crime section stops short at a fittingly dead end. …

“When I tell people about Montclair Book Center, I almost always mention Ynsua, a friendly 56-year-old filigreed with tattoos and earrings who started there in 1999 and who embodies its eclectic vibe. He owns five kilts and hundreds of vintage T-shirts — Count Chocula, the Emma Peel and John Steed ‘Avengers’ — and his passions as a bibliophile include comics, science fiction and pre-Renaissance European history. He’s also the store’s resident carpenter and a talented cartoonist who once studied at Joe Kubert’s cartooning school in Dover, N.J.

‘I’ve tried not to work for corporations,’ Ynsua said. ‘I like bosses who own their businesses. I like jobs where I can improvise.’

“There’s plenty of that at the Book Center. Indeed, improvisation has helped the store stay in business. Since it started selling used vinyl in 2014, for example, the records ‘have brought in a lot of new customers and increased foot traffic,’ said the co-owner Maureen Disimile, who manages the music side of the business. …

“A quick look at the records revealed a healthy infestation of Beatles; ‘Together,’ by Marvin Gaye and Mary Wells; the musical ‘Hair,’ in the ‘version originale française”’; and even the 1960s British blues rockers Blodwyn Pig. There was also a strong dose of 45s.

“Still, the store comes down to what employees call ‘book people.’ ‘I like being around literature, art and music, and the people who like that stuff,’ said Ynsua, who doesn’t own a computer or subscribe to cable TV. ‘My brain isn’t calcifying here.’

“Lucas McGuffie, a clerk since 2014, added:

‘The attraction is the books, and the book people. They aren’t stupid. They’re more open-minded. They’re smart enough to know that they don’t know all there is to know.’ “

More at the New York Times, here. By the way, if you love vintage vinyl records like the ones at the Montclair Book Center, check out a great R&B collection on my nephew’s site, here. For listening only.

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Photo: Taiwan News
There’s an edgy vibe among artists in and around Moscow. The Associated Press
describes one painter:  “Hailing from southern Russia, self-taught painter Pasmur Rachuiko [right] offers an extreme outsider’s view of Moscow reality.”

Speaking of authoritarian governments that label art and architecture they don’t understand “degenerate,” we turn now to a free-spirited movement that is rising up in Moscow, mostly in the suburbs.

Kate de Pury of the Associated Press says that one self-taught artist’s “paintings sparked disapproval from Moscow’s culture department.” Sounds good to me.

“As sleet falls on a cold November day, communist-era apartment blocks dominating Moscow’s suburban skyline look bleak and forbidding,” writes de Pury. “But it’s precisely these sprawling city outskirts that are the focus of a major international art exhibition.

“ ‘Beyond the Center’ is staging art events across Moscow’s vast urban space [culminating] in March 2020. With the participation of the Museum of Vienna and the Austrian Cultural Forum, the exhibit uses contemporary art to explore the many hidden facets of life outside the Russian capital’s nucleus.

“Simon Mraz, Austria’s cultural attache to Russia and director of the Austrian Cultural Forum in Russia, says the ‘real’ Moscow, where most of the city’s 12.6 million people live, is outside the center.

“ ‘They all come to Moscow with some dreams, facing struggles, hoping for a better future. They won’t find it in Red Square and definitely not in the Kremlin,’ Mraz, curator of the exhibition, told The Associated Press. …

“Hailing from southern Russia, self-taught painter Pasmur Rachuiko offers an extreme outsider’s view of Moscow reality. Burka-clad figures, policemen and wolves pose in the suburbs, gangsters have angels’ wings and young women carrying AK-47 rifles stare out of his canvases. Rachuiko depicts himself as ‘everyman’ among this cast of new Russian archetypes. …

“The paintings sparked disapproval from Moscow’s culture department, but Rachuiko found support from the arts establishment, including theater director Kirill Serebrennikov, himself still under threat from the authorities after a long term of house arrest. …

“The urban renewal project aimed at impressing World Cup visitors to Moscow in 2018 didn’t reach Liublino, a working-class suburb. In this dilapidated industrial zone, the ‘Museum of Industrial Culture’ houses a private collection of discarded objects, amassed by former auto engineer Lev Zheleznyov. It’s a social history of more than 70 years of communism, told through ordinary things people recognize from a shared past.

“ ‘It’s a museum of memory. We are not so interested in how a lamp works, more that it was in someone’s home,’ Zheleznyov said. …

“In ‘Polly wants a cracker,’ Austrian artist Michele Pagel sees a darker side of Moscow – domestic abuse. Her visceral sculptures, on show in Mraz’s apartment, located opposite the Kremlin, seek to bring violence against women back from the peripheral vision of Russian society to its central focus.

“Attending the opening, lawyer Alyona Popova campaigns to reverse a 2017 law decriminalizing certain types of domestic abuse in Russia. According to the advocacy group ‘You Are Not Alone,’ an estimated 16 million Russian women suffer domestic violence each year.

“A residential complex called Novo-Molokovo, just outside Moscow and still under construction, houses the newest generation of Muscovites. A studio apartment here costs $95,500. Curator Elena Ishchenko set art installations inside [one].

“ ‘We got used to viewing the suburbs as strange, remote areas we don’t want to visit,’ she said. ‘But when you get out here, thanks to the artist, you see something you wouldn’t expect.’…

“[Sociologist Natalia Zubarevich] hopes a grassroots civil society will grow in Moscow’s residential districts, but it’s a social trend the Kremlin watches carefully and any political activism brings repression. ‘This city shows what Russia could be,’ she said. ‘It’s our hope of modernization.’ ”

More at AP via the Seattle Times, here.

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I wanted to do another photo post but didn’t have very many photos. That’s mainly because I have been doing my daily walk indoors when it’s not nice out. ‘Round and ’round indoors. Kind of dull.

So I went to a couple free art exhibits, and now I have more pictures.

In Providence, Racine Holly was showing some dramatic skies at a church. When I went in, I didn’t see anyone around. Very trusting. I could hear construction workers talking behind a screen at least. I’m sharing the two oils I liked best. They both had “sold” stickers. The second one was tiny.

Then I went to the Bell Gallery at Brown University, where there was a show of work by Brown art professor Wendy Edwards that had been recommended by critic Cate McQuaid at the Boston Globe. I find I like art that McQuaid likes.

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This artist had a lot of works related to reproduction. The giant peach looks great in the Globe article but up close was “too buch for be,” to quote the Elephant’s Child. Below are a few paintings I liked better.

While at the Bell Gallery, I also took a picture of a Brown University Design Workshop pedestal that I didn’t quite understand. It looks like a range of stamping techniques carved in different styles. But if you used one as a stamp, the words would be backwards. It’s probably just to show potential clients what can be done.

The final six photos reflect recent travels in Massachusetts and Rhode Island. Note the path of rose petals a clever florist scattered to her door for Valentine’s Day shoppers to follow.

If anything needs more explanation, please let me know in Comments. (Did you get where I’m trying to imitate Magritte?)

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Photo: Yagazie Emezi for the New York Times
“The neighborhood of the Médina in Dakar has welcomed street artists from all over the world to practice their craft in what the founder of the project calls an open sky museum,” writes the
New York Times.

You can’t keep a good artist down. Art will out. It’s a reassuring thought. In the course of history, we’ve seen governments that think they know best, branding cutting-edge art and architecture as “degenerate.” Fortunately, such governments don’t last.

In Senegal, Anemona Hartocollis of the New York Times discovered a vibrant street art community that has grown up almost spontaneously.

She writes, “On one wall, the painting of a marabout, a Muslim holy man, peers out from behind a line hung with laundry. Nearby, a poster of an African woman in a bustle has been pasted to a house. …

“These are the painted houses of the Médina, a poor and working-class neighborhood near downtown Dakar. The neighborhood has welcomed street artists from all over the world to practice their craft in what the founder of the project calls the open sky museum. …

“Artists from not just Senegal but Burkina Faso, Algeria, Morocco, Congo, France and Italy have come to paint on these walls. They in turn have brought art lovers and tourists into a neighborhood where they otherwise might not go, to mingle with people they otherwise might not meet. …

“Street art seems to come naturally to Senegal, where many small shops are adorned with images of what they sell. Paintings of scissors signify tailors; heads with fancy hairstyles advertise barbers; images of cows and bowls of milk herald the ubiquitous sweet milk shops; a drawing of a sheep broadcasts the presence of a vendor serving grilled meat.

“Shop art is commissioned by the shop owners, and sometimes painted by them too. But to paint on a house in the Médina neighborhood, it helps to go through Mamadou Boye Diallo, known as Modboye.

“Mr. Diallo, 31, was born and raised in the Médina, the son of an elevator operator. He dropped out of school at 15 to become a break dancer and rollerblader. He got to know the art scene by working as a messenger, delivering fliers on roller blades for art galleries.

In 2010, he created Yataal Art, a nonprofit arts collective, and painted the first wall in the Médina with friends. The beauty of it is that ‘you don’t have to take a nice shower and wear perfume’ to see the art, Mr. Diallo said. …

“ ‘You have to pass by him in order to work in the Médina,’ one of the street artists, Doline Legrand Diop, said. ‘He functions a bit like a curator.’ …

“In the beginning, it was not always easy to convince homeowners to let people paint on their walls.

“ ‘They wanted money,’ Mr. Diallo said. But as the project caught on, they wanted to keep up with their neighbors. …

“The painted-houses project has gotten so big that this year, Delphine Buysse, a Belgian curator, has arranged for artists in residence to live at a luxury hotel in Dakar, the Pullman, for a week, while painting in the Médina.

“One of the most recent wall paintings was a collaboration between Kouka Ntadi, a Congolese-French artist, and Barkinado Bocoum, a Senegalese artist. Mr. Ntadi painted abstract portraits in black-and-white, and Mr. Bocoum added folksier portraits in bright colors.

” Mr. Ntadi loved sharing the neighborhood with the commercial artists of the barbershops and the milk stores.

“ ‘I would say there is not really a border between the two in Africa,’ he said. ‘It’s not like in France or the U.S. where there is a snobbism about art, and you can’t be in marketing. So for sure, we can still be an artist and make a design for a bottle of milk or a side of beef.’ ”

More here.

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Photo: Robert Sansom
Employees at a small bookshop in England were inundated with orders last week after a day with no sales was reported on Twitter. Pictured here is John Westwood, one of the shop’s owners.

For better or worse, the thing about Twitter is it can reach a lot of people very fast. Some people reached by tweets are not so nice. In this story, though, kindly Twitter users decided to give strangers a helping hand. Of course, it helped that one person with millions of followers took an interest.

“After more than 100 years in business,” writes Cathy Free, “the Petersfield Bookshop in Hampshire County, England, had perhaps never seen a day quite like Jan. 14.

“For the first time that anyone could remember, the independent shop on Petersfield’s Chapel Street did not have a single sale, saddening bookseller Robert Sansom so deeply he decided to tweet about his ‘tumbleweed’ day.
‘Not a single book sold today. . . £0.00,’ he wrote. …

After closing up shop that day, Sansom, 48, went home, thinking the 102-year-old secondhand shop specializing in antique and collectible books might have to close permanently, he said.

“But overnight, something unexpected happened. Sansom’s tweet went viral and was retweeted by author Neil Gaiman to his 2.8 million followers, prompting thousands of people to inundate the shop’s website with orders.

“The worst day ever quickly turned into the best day ever, said Sansom, who works at the bookstore with owners Ann Westwood, her son, John Westwood, and sales clerk Barbara Kelsey.

‘‘ ‘Just reading the messages we have received has brought tears,’ he said. ‘This was a lightning strike. …

‘’We’re now actively looking for ways to pay it forward.’’

“For the past two weeks, Sansom, his co-workers and a small band of volunteers in Petersfield — population 14,372 — have spent 14 hours a day frantically filling hundreds of orders and mailing them to customers around the world. …

‘‘ ‘One lady, recently back home in the States after a UK holiday, sent us her leftover UK currency,’ he said. ‘One couple drove 460 miles, round trip, to visit us, and many drove at least an hour or two.’ …

“On the afternoon he tweeted about his lonely day, he said, a storm had swept into town, bringing steady rain and putting a damper on customers.

‘‘ ‘There wasn’t a single penny in the till — not a book was sold to a flesh-and-blood customer,’ he said. ‘Of course we have slow days — everyone does. But that particular week, the shop was facing one of its worse crises ever. Even on a slow day, we would expect to sell 20, 30, or 50 books. We were wondering if we would have to announce the closure of the shop by the end of the week.’ …

“Now that the shop has 21,000 Twitter followers, ‘We have a voice we didn’t have before,’’ Sansom added. ‘Please, go and find your local indie bookshops, new and secondhand, and buy real books from them. If you don’t, they will just close and disappear. … You won’t even notice to start with,’ he said, ‘and then you will. And it will be too late.’ ”

How lovely that the shop is looking for ways to “pay it forward”! I wonder what they will decide to do. Encouraging followers to shop at indie bookstores is a good place to start. Personally, I avoid Amazon for books, food (Whole Foods), and other items unless I have tried and failed to get the thing somewhere else. Too much power in one pair of hands.

Although I read this story in Boston’s Sunday Globe, the article originally appeared in the Washington Post. More here.

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Photo: Hayam Adel/Reuters
Cat statues found near Saqqara’s necropolis are pictured in Giza, Egypt. Recently, mummified cats, birds, lion cubs, and an enormous mummified beetle have also been found.

Members of my extended family are making a trip to Egypt this year, where the youngest generation can meet relatives they have only heard about and visit famous cultural sites. Maybe a toddler will get to ride a camel, who knows?

Historic sites in Egypt are benefiting from ongoing discoveries by archaeologists, as Ruth Michaelson reports at the Guardian.

“A rare discovery of mummified big cats, cobras and crocodiles has been unveiled by Egyptian authorities.

“Egyptologists are thrilled at the cache, which includes dozens of mummified cats, 75 wooden and bronze cat statues, mummified birds, and an enormous mummified beetle three to four times the normal size. …

“Of five large mummified wildcats, two have been identified as lion cubs; the remaining three will be analysed to determine their species.

“ ‘If it’s a cheetah, a leopard, a lioness, a panther – whatever, it will be one of its kind,’ said Mostafa Waziry, the head of Egypt’s Supreme Council for Antiquities.

“The mummified large cats were found close to the remains of an adult mummified lion discovered beneath the Saqqara necropolis in 2004, and provide more information about the ancient Egyptians’ use of animals in worship.

“Worshippers either believed that the mummified animals were deities to be worshipped, or mummified the creatures in order to offer them to the gods. ‘People would make devotional offerings in the form of animals as mummies,’ said Dr Salima Ikram, an Egyptologist and mummy expert at the American University of Cairo. …

“Ikram was elated by the new finds, which she estimated date from the Ptolemaic period that ended in 30BCE. ‘I think it’s one of the most exciting series of finds in the world of animal mummies ever,’ she said.

“Egyptian officials hope the new discoveries will spark curiosity among potential visitors to the country in the run-up to the opening of the Grand Egyptian Museum close to the Saqqara necropolis. The long delayed opening is expected [in 2020], amid fervent hopes the project will help draw tourist numbers back to the highs of over 14 million visitors who came to the country in 2010, before the 2011 revolution which overthrew former autocrat Hosni Mubarak.

“Political instability and concerns about security drove down tourist numbers in the years following, dipping to record lows after the downing of Metrojet flights 7K9268 close to the resort town of Sharm el Sheikh in 2015. In recent years there has been a surge in arrivals, with 11.3 million people visiting Egypt last year, according to local news reports. The UK recently lifted a ban on flights to Sharm el Sheikh that had been in place since 2015.”

More at the Guardian, here.

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Photo: Irena Stein Photography/Immigrant Food
Chef Enrique Limardo says the “Columbia Road” bowl at his restaurant, Immigrant Food, combines elements of Salvadoran and Ethiopian cuisine. A special side dish: opportunities to help recent immigrants.

People say, “I’m upset, but I don’t know what to do.” Or, “I don’t have time to do anything extra.”

Look, when you shop, do you have time put a can in the food pantry bin? Do you have time to write a handful of postcards to voters once in a while? There is always time to put a can in a bin; there are always nonprofits that will accept a tiny bit of volunteering. It adds up.

And here’s the biggest benefit: you will feel better. Was it Ann Landers or Dear Abby who was always recommending helping someone worse off as a cure for nonclinical blues? You just need to find a volunteer gig that fits your interests.

This post is mostly about a cool restaurant in Washington, but be sure to note what the owners are trying to do in addition to presenting delicious, creative dishes.

In November, Catherine E. Shoichet reported at CNN about a new restaurant that opened up in the nation’s capital.

“It’s called ‘Immigrant Food,’ ” she wrote, “and it’s just a block from the White House. The fast-casual spot caters to a weekday lunchtime crowd, with bowls blending cuisines from different cultures around the globe — like a dish that combines Vietnamese spicy-rice noodles with pickled bananas in what the restaurant says is an ‘ode both to Central America’s favorite fruit and to German-style pickling.’

“It also gives diners a chance to donate to local immigrant advocacy groups, all under a slogan aiming to bridge the political divide and find common ground: ‘United at the Table.’

“[Co-founder Peter Schechter] wants people to feel at home here, and to hear the story he’s excited to tell. …

“As the child of immigrants from Austria and Germany, Schechter says he felt like he had to respond to the surge in anti-immigrant rhetoric across the United States.

” ‘This isn’t the America I recognize. … Immigrants have been the foundation of growth and vibrancy. This country has been great again and again and again because of immigrants. …

” ‘Immigrants are feeding America,’ he says. ‘All of the industries that make food, whether it is the picking or the shucking or the meatpacking or the slaughterhouses, (or) in restaurants, the servers, the bus boys, this is an industry that is dominated by immigrants.’ …

“At Immigrant Food, menus available by the door describe each of the nine fusion bowls and five vegan drinks on tap. They also encourage visitors to donate to and volunteer with local immigrant advocacy groups.

“Among the suggestions listed on the restaurant’s ‘engagement menu’: teaching English, visiting detention centers, staffing hotlines and helping with mock ICE interviews. …

“There’s also a photo booth featuring a world map. Diners can point to where their families are from, snap a selfie and get a text message with a frame around the image that says, ‘We are all immigrants!’ …

‘People say, “I’m really upset about what’s happening, but I don’t know what to do,” ‘ Schechter says. ‘And so, you come to this restaurant, we will give you stuff to do — concretely and easily.’

“Local immigrant advocacy groups will also be able to use the restaurant’s upstairs space for things like meetings and English classes, free of charge. And on its website, the restaurant will serve up bite-sized breakdowns of immigration policy issues, dubbed ‘The Think Table.’ …

“The location turned out to be a case of serendipity, Schechter says. ‘[But] I really think it goes beyond the political.’ …

As he sips on a drink called ‘Across the Border’ — which blends cacao, dates, peppers, allspice, vanilla and cashew milk — Robert Evans, 72, says he loves the concept but worries the restaurant might end up preaching to the choir rather than crossing political lines.

“But then again, he says, one day someone who works in the White House might stop by. … In Schechter’s view, immigration shouldn’t be a polarizing topic. He points to polls that show most Americans say immigration is a good thing. And he hopes Democrats and Republicans will dine at Immigrant Food together.

” ‘The table, the restaurant, has always been a place where people unite,’ he says.” More.

By the way, if you’re ever in Providence, the immigrant restaurant called Aleppo Sweets is just fantastic. An extra treat for me is running into one of my former ESL (English as a Second Language) students who’s working alongside her family members there.

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Photo: Alight (formerly American Refugee Committee)
The nonprofit called Alight, which believes in “doing the doable” amid daunting challenges, knows how to make a huge difference with just a small gift. For this tea lady in Sudan, the gift was a few chairs for customers.

I love this nonprofit and want you to know about it. It used to be called American Refugee Committee. Today it is Alight, an organization that focuses on doing the doable for those in need, including refugees here or in camps around the world. I get Alight’s e-newsletter, and it’s always full of inspiring stories about places many people think of as hopelessly damaged. Here are some words of cheer from Sudan.

Alight’s “Changemakers 365 is all about doing the doable. It’s about opening our eyes to the opportunities to make an impact in a person’s life with relatively few resources – and making change each and every day of the year. …

“Tea ladies are a neighborhood institution in Khartoum. They provide the place – a piece of shade and a place to sit – for the community to meet, connect and share a cup of tea. They don’t earn much at all, but they really are the glue that holds together communities.

“Fatima’s tea stand is right outside [Alight’s] front door. And that’s given us a great opportunity to get to know everyone who lives and works in the neighborhood.

“We wanted to thank Fatima for her service to the community, so we asked if there was anything she needed.

“ ‘Chairs,’ she said, immediately! Fatima’s stools weren’t very comfy and she wanted everyone to feel at ease as they discussed neighborhood happenings and the news of the day.

“It was an easy wish to grant. 30 minutes later we delivered a couple dozen chairs to an astonished Fatima.

“ ‘I’m the most happiest ever!’ ” Click here.

“Mayo is a large section of the city that is home to people who’ve relocated to Khartoum, mostly from western Sudan. And inside Mayo, there’s a neighborhood called Mandela that refugees from South Sudan now call home. Some came fleeing conflict near home, others were seeking the opportunity of the capital and the chance at a different future.

“For most the promise hasn’t lived up to reality. But there is a group of changemakers in Mayo determined to change that. Samira and Kemal lead the Green Hope Association for Peace and Development. They don’t have any regular funding. So, when they decide to do something new, they mostly just bootstrap it by gathering resources and talent from their own community.

“Green Hope offers adult education, skills training for women in carpentry, welding, food service, handicrafts, electrical repair and more. They even offer a food-for-work program for the vulnerable elderly in the neighborhood, providing food staples in exchange for seniors collecting trash in the community. But Green Hope’s primary mission is running a K-8 school for 200+ students.

South Sudanese and Sudanese students attend together in harmony. Teachers are college educated. There are no funds for teacher salaries, so they volunteer. And when the school day ends in the afternoon, they have to find some small jobs to make ends meet.

“Green Hope is abundant with hope, joy, possibility and a can-do spirit. But scarce in almost everything else. When we asked the students how we could help, their response was unanimous. Books! …

“So they gave us a list and we headed to the store to buy all the books that students from 5th to 8th grade would need to prepare for their high school entrance exams – Arabic, English, Mathematics, Geography, History, Science. The budget allowed for a notebook and pen for every single student in the school. And we received a donation of storybooks for the younger children – so everyone in Green Hope received at least one book. For many, their first ever book.

“ ‘We’re so happy, we want to dance,’ Samira told us. And they did.” More.

“Green Hope Founders Samira, Kemal and a group of women had built the center themselves some 15 years ago. At night!

‘We built at night, because construction work wasn’t really acceptable for women. AND we all had to work to make a living during the day,’ Samira told us.

“The school is compact, but there’s space for separate classrooms for all of the grade levels. What there wasn’t was a chair for every student. Some kindergarteners sat on the floor. Other kids shared chairs. We knew we could do something about that.

“We called up a local furniture maker and he got to work building wooden and metal chairs – small ones for the younger kids and big chairs that would work for older students and for the adults who come to Green Hope for adult education and skills training.

“The kids had also asked us for some exercise materials, so we grabbed some soccer balls and jump ropes. And we had enough left over to buy a small stock of crayons and JUMBO coloring books for the two, three and four-year olds who accompany their older siblings to school – and sit so nicely, by the way – because their mothers are at work.

‘You may think that what you have done here is small, but it will make a big difference for our children,’ said Kemal. ‘Thank you for coming back to us down this bad road.’

More.

If you’re feeling down, you can sign up for the doing the doable newsletter or follow Alight on Facebook or Twitter @We_Are_Alight . Alight has earned the top rating at Charity Navigator.

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