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060918-piano-recital-Arlington

Everything happens in June — suddenly urgent yardwork, weddings, anniversaries, graduations, Father’s Day, piano recitals, festivals, youth baseball. Sometimes there are two things you want to attend in two different states happening at the same time. That’s June for you. We could use a little of that weekend excitement in other months. (Blogger New England Nomad said almost the same thing. See the comments in his post.)

Above, my oldest grandson performs “Blue Interlude” and “Love Me Tender” for a piano recital in a setting with a delightful Old World feel.

Next are three photos from the annual Middlesex Jazz Festival in Concord. I especially liked watching the intrepid couple that got up to swing dance.

On the same Saturday as the piano recital and the jazz festival, I drove south to Providence for the hugely popular PVD Fest that Suzanne had been telling me about the last couple years: streets given over to pedestrians, performers of all kinds, costumes, food, fun activities for kids. I saw a lot of people wearing flower garlands in their hair and several in Native American dress.

It was a busy day. I slept well that night.

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Photo: Kensy Cooperrider
A man in the village of Gua, Papua New Guinea, points while describing a representation of Yupno history. Recent research confirms the long-held hunch that every culture uses hands in communicating.

Esperanto was meant to be a bridge between native languages, and I still believe in its potential. But three cheers for languages that don’t need bridges at all.

Blogger KerryCan mentioned one universal yesterday: music. Today’s post is about the nearly universal language of gestures — “nearly” because some gestures have wildly different meanings depending upon the culture.

Kensy Cooperrider writes at Aeon, “In the spring of 1528, the Spanish explorer Álvar Núñez Cabeza de Vaca made landfall on what is now the gulf coast of Florida. Over the next eight years, as he and a small party traversed thousands of miles, they found themselves in a new-world Babel, moving from ‘one strange tongue to another’. In their many encounters with native peoples, their own tongue, Spanish, proved of little use. But their hands served them well. ‘You would have thought, from the questions and answers in signs,’ de Vaca later recounted, ‘that they spoke our language and we theirs.’

“De Vaca is not the first or last explorer to claim successful communication with indigenous peoples through gesture. Similar reports abound. … Sometimes, the messages conveyed were surprisingly sophisticated. If you stay until morning, we will feed you. In that direction, there are goats and pigs of all sizes. The people in that direction eat human flesh. 

“The parties in these exchanges could not have known it at the time, but they were following the advice of Joseph Marie Degérando, a French philosopher with an anthropological bent. In 1800, he wrote a treatise offering practical advice for would-be explorers and ‘philosophical travellers’. …

“Degérando’s proposals swam with the tide of much of Western thinking. The notion that gesture is a natural mode of expression – one that transcends the contrivances of culture – is a very old one. In 95 CE, the Roman rhetorician Quintilian wrote that ‘though the peoples and nations of the earth speak a multitude of tongues, they share in common the universal language of the hands’. …

“[When] Europeans were impressed by the universality of gesture, they were mostly impressed by the strength of their own intuitions. They had not actually been to ‘all regions of the habitable world’. They had no photographs, videos or other visual documents to consult. …

“In the past 50 years, however, much has changed. Technical limitations have evaporated. Video-recording technologies are now cheap, portable and easy to use; video files can be readily stored, swapped and posted online in massive databases. …

“In every group yet studied, the hands at least occasionally stir and take flight as people talk. We are certainly capable of communicating without these aerialist accompaniments, but our hands tend toward motion.

“A second preliminary point is that evidently not all gestures are universal. Most, perhaps all, human communities harbour a storehouse of hand gestures with fixed meanings, which are often called ‘emblems’. Examples of emblems in the English-speaking world include the shhh gesture (an index finger held vertical across the mouth), the peace sign (an outward-facing V made with the index and middle fingers), and the thumbs up. Notoriously, such gestures can lead to confusion or worse. Another emblem, the okay gesture, made by forming a ring with the thumb and index finger, is perfectly benign in the US but a provocation elsewhere.

“Emblems might be what many think of when they first think of gestures, but in the United States and perhaps most other places they are only rarely put to use. (Try to recall the last time you shhh-ed someone, or gave a thumbs up.) What people produce much more often are gestures for ‘yes’ and ‘no’; points to people, places and things; gestures that sketch objects, actions and represent abstract ideas through visual metaphors. These are the real workhorses of gestural expression. And, as it turns out, a case can be made that these workhorses are broadly similar the world over.”

More here. It’s a thoughtful article, and I will only add that if you help immigrants learn English, as I do, the shhh gesture and the thumbs up appear frequently. In fact, teachers and students pantomime pretty much anything that is not easily accessible using Google Translate.

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Photo: Mary Carole McCauley, The Baltimore Sun
Tuba player Dan Trahey has helped make OrchKids a national model for lifting up kids. “We’re all interconnected,” he says. “We’re bad at this in America, where we’re all bred to be soloists. We create our own little worlds, and that’s really dangerous.”

When I was in second grade, my mother convinced the school principal to show a movie for children that I think came from the United Nations. It involved hand puppets who were enemies. And what I remember most was that in the end, each puppet felt its way up the arm of the puppeteer and discovered that they were connected.

That message, the message about human interconnectedness, is always having to be retaught, but people who understand it often get involved in initiatives that help disadvantaged children. Consider this story.

Michael Cooper writes at the New York Times, “From the outside, Lockerman-Bundy Elementary School looks forbidding, a tan monolith built in the 1970s. Some of the rowhouses across the street are boarded up — reminders of the cycles of poverty and abandonment this city has struggled with for years.

“Inside on an afternoon [in April], though, it was a different story. Music echoed through brightly colored halls lined with murals. Classes were over, but school was not out: Young string players rehearsed Beethoven in one classroom, while flutists practiced in another and brass players worked on fanfares in a third. Also on offer were homework tutors, an after-school snack and dinner. …

“It was just another afternoon at OrchKids, the free after-school program that the Baltimore Symphony Orchestra and its music director, Marin Alsop, started a decade ago with just 30 children in a single school. The program now reaches 1,300 students in six schools; its participants have gone on to win scholarships to prestigious summer music programs; play with famous musicians, including the cellist Yo-Yo Ma and the trumpeter Wynton Marsalis; perform at halftime at a Baltimore Ravens game; and win accolades at the White House.

“The program was the idea of Ms. Alsop, who began thinking about how to forge closer ties to the city soon after she became Baltimore’s music director — and the first woman to lead a major American symphony orchestra — in 2007. …

“The first student to enroll in the program was Keith Fleming, then a first grader. ‘At first I didn’t really like music,’ he recalled recently. ‘I just thought, I’m going to do this because I didn’t really have something else to do. The first day came, and I started to learn music — and I started to like it.’

“He is 15 now, and his tuba skills have taken him to Austria and London and helped him win an audition to the Baltimore School of the Arts, where he is a sophomore. …

“From the very beginning,” [Nick Skinner, the OrchKids director of operations], said, ‘it was very important that we were immersed in the school, and in the community.’ ”

More at the New York Times, here. And there’s a nice article at the Baltimore Sun about tuba player and OrchKids volunteer Dan Trahey, here.

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Photo: Josh Reynolds for The Boston Globe
Volunteers try to find housing and employment opportunities for asylum seekers in Arlington, Cambridge, and Somerville, Mass. Refugees have government-approved supports. Asylum seekers have nothing.

In the last couple years, since I’ve been volunteering in ESL classes, I have learned there is a differences between refugees, who arrive in this country fully vetted and eligible for official support, and asylum seekers.

Asylum seekers are generally fleeing persecution and danger. One woman I heard about knew that the government in her country intended to arrest her after disappearing her husband for his vocal opposition. When she arrived here, she had nothing.

Numerous groups of US citizens are now organizing to help such people.

Zipporah Osei reports at the Boston Globe, “With more attention than ever on the crisis and issues of immigration, Fowkes knew what he needed to do was to effect direct change. …

“Said Fowkes, “I wanted to do more than just mail a check to an organization. I wanted to have a hand in changing someone’s life.’

“Fowkes and his wife joined ArCS Cluster, a group of volunteers helping refugees and asylum seekers in Arlington, Cambridge, and Somerville. The group started in the spring of 2016 as an arm of the Malden-based nonprofit Refugee Immigration Ministry, with a mission of helping through person-to-person connection

“Asylum seekers come to the United States to escape issues such as war, persecution, or domestic violence. Once here, they must apply for asylum and then wait at least five months to apply for a work permit.

“While they wait to be approved, individuals can lack access to medical care and face housing insecurity and social barriers that make the process even more difficult. The group attempts to make the transition as smooth as possible. …

“The cluster, which has over 250 members with roughly 50 active volunteers, provides services to asylum seekers from countries including Saudi Arabia, Libya, Liberia, and Rwanda. It is the first explicitly LGBT-friendly cluster in the Refugee Immigration Ministry. Although the cluster was formed out of First Parish Unitarian Universalist of Arlington, all volunteers are welcome whether or not they are affiliated with any religious organization. …

“For many of the volunteers, the connections made with asylum seekers are long-lasting.

“ ‘I have so enjoyed forming relationships with these people. We develop friendships together,’ said [Sarah Trilling, co-coordinator]. …

“The cluster helps the asylum seekers in seemingly small ways as well. After finding out that one of their guests was uncomfortable taking the bus late at night, volunteers took turns driving her home from appointments.

“ ‘They support me morally and financially. This is a blessed group,’ she said of the coordinating team. ‘I love them for all they do.’

“Fowkes and his wife, who live in Medford, have been members of First Parish for more than 20 years. He recently retired and felt he had more time to invest in charity work. The experience of housing an asylum seeker has also had a positive impact on him.

“ ‘This kind of work suits me,’ said Fowkes. ‘You can do a small thing for a great many people or you can do a huge thing for one person, and I just know I’m making a tremendous impact on someone’s life.’

“The couple took in an asylum seeker who had been living on the street. The guest has been living with the pair for more than a year now. The three have dinner together every night, and the couple has introduced him to his family and friends. Fowkes said they have formed a deep connection.

“ ‘He introduces me to people as his American dad,’ said Fowkes.”

More.

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Photo: Toast Ale 
Toast Ale brews its commercial ales with surplus bread at a brewery in Yorkshire. It also pairs up local breweries and bakeries to help them tackle food waste in their own communities.

I have never been a beer drinker, but I have to give a thumbs-up to Toast Ale in the UK because it’s trying to reduce food waste through an unusual brewing process.

Carolyn Beeler of PRI’s The World has the story. “It’s a Wednesday night in central London and the trendy Temple Brew House pub is packed with people out for after-work beers and burgers. A crowd in one corner is sipping intently from half-pint tasting glasses, savoring a beer they helped brew about a month earlier using an unusual ingredient: leftover bread. …

“The beer was brewed at the pub’s tiny in-house brewery in collaboration with Toast Ale, a British craft beer company that uses waste bread to make beer on a commercial scale.

“ ‘In the UK, 44 percent of all bread is wasted,’ says Toast Ale’s chief brand and finance officer Louisa Ziane. ‘So we take surplus bread from bakeries and sandwich makers, and we replace a third of the barley that would otherwise have been used to brew, upcycling bread that would have otherwise been wasted.’ …

“Once the company starts turning a profit, it plans to donate those profits to Feedback, a charity that fights against food waste and shares a founder, Tristram Stuart, with the beer brand. (The company says it’s been able to make donations to Feedback already through its local collaborations.) …

“Around the world, about one-third of the food that’s produced ends up going to waste. That’s a big problem for the world’s hungry, but it’s also a big contributor to climate change: Producing that food emits as much greenhouse gases as many individual countries. …

“ ‘There are bakeries up and down the country who are left with surplus bread at the end of the day, and there are also over 2,000 breweries in the UK,’ Ziane says, so Toast is playing matchmaker with these local bakeries and breweries. …

Toast says it works with bakeries to make sure they’ve exhausted the options to get bread to people who would eat it before agreeing to turn it into beer. …

“Michael Mulcahy, who helped stir up that mash with a red plastic shovel, says, ‘It takes it away from being a hippie environmentalist thing,’ Mulcahy says. ‘It’s the pub. It’s the guys at the bar drinking beer, it’s football and baseball.’

Toast’s beer recipe is online for home-brewers to try, and the company has franchised or licensed its brand in South Africa, Brazil and Iceland. Last year they expanded to the New York City area.” More here.

My husband once tried home brewing, but it was a lot of work, and the beer that resulted didn’t taste as good as the beers he could buy. Still, if someone is into home brewing, the Toast recipe could be fun to try.

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This is not a fox. Or as René Magritte might say, “Ceci n’est pas un renard.”

I crept up on it slowly, slowly near the North Bridge, wondering why it stayed so still. Didn’t it see me?

So much for my eyesight: It was a statue. But I did see a real fox crossing a road Friday. (I knew it must be a fox because it trotted like a cartoon fox and had a long, bushy tail.) I have also seen a fawn with its mother and a little weasel recently.

Alas, I wasn’t fast enough with the camera for any of those. I can give you mental pictures only — the deer ambling in a leisurely way, the fox trotting, and the weasel a high-speed blur.

My other photos are mostly accounts of spring in New England, although I couldn’t resist shooting the funny bar inside an actual bank vault. It was located in a Harvard Square restaurant called the Hourly Oyster.

Next you have a view of the Buttrick House garden in Minuteman National Park, an evening shot of our dogwood, a morning shot of a neighbor’s lupines (they do remind me of visiting Sweden’s west coast last year), roses, clematis, honeysuckle, and topiary.

The last two photos are from Rhode Island — early morning at an old house and yellow iris near where Suzanne’s family lives.

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Photo: Stephen Bay  
Bioluminescent waves crashing against rocks at Torrey Pines State Beach in San Diego, Calif., last month.

How I loved the glowing waves we sometimes saw at night in late summer on Fire Island! The microscopic marine organisms that light up when disturbed apparently visit California earlier in the year.

Vanessa Romo writes at National Public Radio, “It took four attempts for Stephen Bay to see the neon blue waves crashing against the rocks at Torrey Pines State Beach in Calif., but when he did, just one thought went through his mind: ‘Holy cow, the waves are glowing!’ …

“A red tide off the San Diego coast is behind the brilliant display of bioluminescence that is lighting up the water and drawing huge crowds to marvel at the rare phenomenon.

“According to Scripps Institution of Oceanography at the University of California San Diego, the red tide is due to a cluster of dinoflagellates — microscopic organisms — that live in phytoplankton and light up when there is movement or are disrupted. …

“Bioluminescence expert Michael Latz said that local red tides like the one visible this week from Encinitas to La Jolla — about a 20 mile stretch — ‘have been known since the early 1900s due to observations by Scripps scientists.’ …

“It’s not clear how long the current red tide will last; in some instances they’ve lasted from a week to a month or more. The last red tide in San Diego took place in September 2013 and lasted a full week. A similar event in October 2011 lasted a month. More here.

Swimming in a warm, glowing ocean at night — heavenly. Some red tides are harmful, but NOAA says, “Most blooms, in fact, are beneficial because the tiny plants are food for animals in the ocean. In fact, they are the major source of energy that fuels the ocean food web.”

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Photo: Bloom Family
Thrifty Sylvia Bloom, seen here with her husband, was a secretary for the same law firm for 67 years. She left $6.24 million to Henry Street Settlement’s Expanded Horizons College Success Program, which helps disadvantaged students prepare for and complete college.

This inspiring story doesn’t need any comment from me, but I’d love to know what you think about it.

Corey Kilgannon writes at the New York Times, “Even by the dizzying standards of New York City philanthropy, a recent $6.24 million donation to the Henry Street Settlement on the Lower East Side was a whopper — the largest single gift from an individual to the social service group in its 125-year history.

“It was not donated by some billionaire benefactor, but by a frugal legal secretary from Brooklyn who toiled for the same law firm for 67 years until she retired at age 96 and died not long afterward in 2016.

“Her name was Sylvia Bloom and even her closest friends and relatives had no idea she had amassed a fortune over the decades. She did this by shrewdly observing the investments made by the lawyers she served.

“ ‘She was a secretary in an era when they ran their boss’s lives, including their personal investments,’ recalled her niece Jane Lockshin. ‘So when the boss would buy a stock, she would make the purchase for him, and then buy the same stock for herself, but in a smaller amount because she was on a secretary’s salary.’

“Since Ms. Bloom never talked about this, even to those closest to her, the fact that she had carefully cultivated more than $9 million among three brokerage houses and 11 banks, emerged only at the end of her life — ‘an oh my God moment,’ said Ms. Lockshin, the executor of Ms. Bloom’s estate. …

“Ms. Bloom’s will allowed for some money to be left to relatives and friends, but directed that the bulk of the fortune go toward scholarships of Ms. Lockshin’s choice for needy students.

“Ms. Lockshin, the longstanding treasurer of the settlement’s board, called the group’s executive director, David Garza, and asked him if he was sitting down.

“ ‘We were all agape, just blown away,’ recalled Mr. Garza. …

“Ms. Bloom, who never had children of her own, was born to eastern European immigrants and grew up in Brooklyn during the Great Depression. She attended public schools, including Hunter College, where she completed her degree at night while working days to make ends meet. …

“Ms. Bloom’s husband, Raymond Margolies, who died in 2002, was a city firefighter who retired and became a city schoolteacher with a pharmacist career on the side, relatives said. …

“Nearly all the money was in Ms. Bloom’s name alone, Ms. Lockshin said, adding that it was ‘very possible’ that even Mr. Margolies did not know the size of his wife’s fortune. …

“Ms. Bloom was known for always taking the subway to work, even on the morning of the Sept. 11, 2001, terror attacks on the World Trade Center, not far from the firm’s offices.

“That day, Ms. Bloom, at 84, fled north and took refuge in a building before walking over the Brooklyn Bridge and taking a city bus — not a cab — home. …

” ‘She never talked money and she didn’t live the high life,’ [Cleary Gottlieb Steen & Hamilton human resources executive  Paul Hyams] said. ‘She wasn’t showy and didn’t want to call attention to herself. … She was a child of the Depression and she knew what it was like not to have money. She had great empathy for other people who were needy and wanted everybody to have a fair shake.’ ”

More at the New York Times, here.

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Photo: Melanie Stetson Freeman/Christian Science Monitor
People come with plastic bottles and jugs to collect free water in Cape Town, South Africa, where a dire shortage spurred residents to cut water usage in half.

You may have read about the dire water scarcity in Cape Town, South Africa, a situation resulting from lack of public funds to do the work that would have protected the supply.

But this story shows how much people can accomplish when faced with a life or death challenge.

Ryan Lenora Brown reports at the Christian Science Monitor, “A year ago, [Musa] Baba and [Helen] Moffett had almost nothing in common, and in many ways, they still live in two different universes. Moffett lives in a manicured gated community flanked by mountains. Baba’s house is two tin rooms she built herself that grip the side of a hill cluttered with other small shacks.

“But these days, the two women, along with millions of others here, share a common preoccupation: how to save water. For Baba and many others, that’s been a lifelong project of necessity. But for another population of Cape Town residents, including Moffett, it’s part of a massive lifestyle pivot that has helped bring the city on the southwestern tip of South Africa back from the brink of the unthinkable.

“As recently as March, Cape Town’s government was instructing residents to prepare for an imminent ‘Day Zero,’ when taps across most of the city would be shut off indefinitely. …

“Newspaper headlines across the world blared [Cape Town] was about to become the first developed city in the world to completely run out of water.

“But behind the scenes, a tectonic shift was under way. As the city bartered for water with local farmers and hustled to build desalination plants, its residents simply started using less water. A lot less.

“And it has worked – at least for now. … Using a combination of sticks and carrots to coax residents on board, the city has cut its water use by half. Its biggest customers now use 80 percent less. Today, every Capetonian is allowed just 13 gallons of municipal water per day – a little less than the amount it takes to flush a toilet four times. Use more, and the city reduces your pressure to a trickle, and your water bill can turn into a mortgage payment. …

“Here in Cape Town, suburban residents have become connoisseurs of taking 90-second showers and then flushing their toilets with the water they collected while doing it.

“On popular water-saving Facebook groups, city residents debate the best way to wash their dog ‘off the grid’ (bottled water, one woman suggests. Scrub him down with used bath water, offers another.) They swap the names of local companies that will sink a personal well in your backyard. Local police, meanwhile, receive a steady stream of tips from concerned residents who’ve seen their neighbors committing the ultimate middle-class drought crime: watering their lawns. …

“Says Kirsty Carden, an engineer at the University of Cape Town’s Urban Water Management Research Unit, ‘Yes, it’s been a crisis, but it’s also good to learn these lessons now. Cape Town isn’t the only city in the world that’s going to need them for the future.’ …

“Water restrictions have had another, less obvious effect: They have given the rich a small but rare experience of how the poor have always gotten by.

“ ‘It’s humbling, learning to think about water the way most South Africans have been doing for a long time,’ Moffett says, arranging two gallon jugs of water from another local spring in the trunk of her car. ‘Every household chore takes three times as much thought, and three times as long.’ …

” ‘We have always lived like this – nothing has changed because of the drought,’ says Baba, sloshing a T-shirt in a sudsy bucket outside her house. ‘If now rich people can understand better what that’s like, I think that’s a good thing.’ ”

More at the Christian Science Monitor, here.

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Photos: Suzanne’s Mom
My husband and I visited one of Sweden’s World Heritage Sites this time last year — the Bronze Age petroglyphs in Tanum. They aren’t included in the CyArk/Google digitized sites but may be someday.

I remember when Google’s motto was Don’t Be Evil, and even now, when the company is far less high-minded, it does sometimes engage in activities that could benefit humanity, including a new preservation collaboration.

Claire Voon writes at Hyperallergic, “Over the last seven years, Google’s Arts & Culture platform has offered web users a growing library of digitized artworks. [It] has now begun a more ambitious project, collaborating with digital archaeologists to spotlight heritage sites threatened by natural disasters, war, tourism, or urbanization.

“Its latest online collection, ‘Open Heritage,’ features digitized, 3D models of over 25 locations from around the world, from the ancient Mayan metropolis of Chichen Itza in Mexico to the protected Watangi Treaty Grounds in New Zealand. Each was created by CyArk, a nonprofit that has been engineering incredibly detailed 3D versions of heritage sites since 2003 with the intention of archiving and freely sharing the results with the public.

“While CyArk’s own website presents many of these models, it does not have the resources to publish all of its data, although people could request files through somewhat troublesome processes. It has also held the copyright for its digital models until now; on Google Art & Culture, they are available under a CC license. …

“Google’s involvement thrusts these files into a global spotlight, inviting anyone with internet access to examine the painted fauna on cave ceilings in Somaliland, or even virtually enter the Ananda Ok Kyaung temple in Bagan, Myanmar. Placed beside the museum collections on Arts & Culture, Open Heritage also argues that these sites, like priceless and carefully guarded paintings and sculptures, deserve the world’s attention.

“Making available these technically astounding models to raise awareness of at-risk sites is a noble idea, but some scholars are hesitant to praise this mission. …

“For art crime specialist Erin Thompson, Open Heritage raises the question of what these digital models leave out. From an architectural perspective, they are packed with an impressive amount of information. A temple in Bagan, for instance, is reconstructed as it appears before and after a 2016 earthquake damaged the 13th-century structure. A detailed, 3D point cloud scan of El Castillo at Chichen Itza illustrates the millimeter precision of the laser technology (LiDAR) CyArk used to scan the site. Yet, the structures leave out the people who once passed through them, and this absence, for Thompson, erases histories vital to our understanding of these sites.

“There’s no hint of human presence — no reminder that people live near them, care about them, and have different interpretations of them than American viewers might,” Thompson told Hyperallergic.

“CyArk wants people to learn about sites they may not know much about, but it also uses the data it captures to support on-site conservation efforts. …

“After the earthquake shook Myanmar in 2016, its team visited Bagan at the request of UNESCO and the Myanmar Department of Archaeology to document the damage. This information was then used to assist stabilization and restoration efforts.

“CyArk’s spokesperson also clarified that Google did not pay CyArk to provide the data sets on Open Heritage, although Google provided financial support as part of the team’s relief effort at Bagan. In addition, the company supported hosting costs ‘associated with making our datasets downloadable through the platform we created,’ the spokesperson said.

“In its current form, Open Heritage only presents a fraction of the models CyArk has created. (While Google claims the group represents the largest 3D collection of heritage data, Sketchfab actually has a far greater gathering of similar models.) The nonprofit is planning to add more sites overtime, with a goal to publish nine more in a second stage.”

The complete Hyperallergic story is here. And to learn about the ancient rock carvings in Sweden, check this Wikipedia page.

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Photo:  Diana Markosian / Magnum Photos
Yazidi refugee children are overcoming fear of the water in Germany.

One reason I was interested in the following story is that I have worked with Yazidi refugees from Iraq like these. One of the people in the family I know actually has relatives in Germany, where the story takes place.

Philip Oltermann writes at the Guardian, “When Hanan Elias Abdo looked over the side of the rubber boat into the deep blue sea, she could make out two large shapes, moving at speed. Were those dolphins? Or sharks? ‘Did you see the fishes?’ she shouted at her siblings.

“Six-year-old Sulin, the youngest, … was lying on top of a thin patch on the boat’s floor and could feel the water moving underneath her. At home, in the Sinjar mountains in Iraq, she had never more than splashed through an ankle-deep brook. What if the floor gave way and she got pushed into the bottomless depths? What, she thought, if the fishes started nibbling at her feet?

“That was in September 2015. Two and a half years later, Sulin stands atop a starting block in northern Germany, takes a two-step run-up, waggles her arms and legs mid-air, before landing in the 2-metre-deep turquoise water and splashing her giggling sisters who are paddling near the edges. Surfacing, she pulls a funny face at the man with the white beard and white slippers applauding her from the side of the pool. ‘That’s it!’ says Günter Schütte, Germany’s first swimming instructor to specialise in helping to cure refugees’ fear of water.

“Schütte is a teacher with 40 years’ experience teaching politics and sport at schools in Wolfsburg, and a passionate swimmer since he was 13. Throughout his career, he says with pride, he made sure that by the end of the school year there was never a non-swimmer in any of his classes. …

“When Schütte realised that many refugees who arrived in Wolfsburg were families from countries with little open water, and that many children had been traumatised by the journey across the Mediterranean, he decided that swimming could become a tool for better integration.

“From October 2015, he booked a two-hour slot every Sunday at a municipal swimming pool and handed out flyers advertising the course at asylum seekers’ shelters in the area. …

” ‘We take our time,’ he says, ‘because when you are scared, time-pressure is the last thing you need.’

“The purpose of the course was to help the new arrivals ease into an unfamiliar element – in a metaphorical sense, too. ‘By learning how to swim, refugees are no longer shut out from the sports lessons at school,” Schütte says. ‘Some of them also get a head start on their German peers – they have a sense of achievement.’ …

“Sinjar province, where Hanan, Helin and Sulin, now nine years old, grew up, is a traditional stronghold of the Yazidi minority who were declared infidels by al-Qaida and actively targeted by Isis in 2014. Helin, now 12, recalls a phone call late that summer from her grandmother, who lived in the next valley along: Isis fighters were approaching and the villagers had run out of ammunition. …

“There was no time to wait any longer. Their mother, the six siblings and a neighbouring couple all piled into a single car and headed for the Turkish border, leaving behind the two family goats and the cherry and orange trees in their garden. Months later, after crossing the Mediterranean and seven different countries, someone sent Helin a photograph of their village. ‘The war had flattened everything,’ she says. …

“For now, the pool can suspend the pressures bearing on them outside. … Hanan wants to go a step further and get the rescue swimming badge in silver, for which she has to take a jump from a 3-metre board, swim 25 metres underwater in one breath, and rescue a drowning person with pull stroke. Asked what she wants to do when she grows up, she doesn’t take long to come up with an answer. ‘I want to become a sports teacher.’ ”

More here.

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Art: Mary Delany (1700-1788)
Flowering Raspberry (Rubus odoratus) paper collage.

I’m not sure how I learned about the extraordinary botanical collages of Mary Delany, but as soon as I saw photos of her work, I headed straight to Wikipedia.

There I got enraged for the umpteenth time about the helplessness of women in past centuries (Delany was forced to marry a 60-year-old when she was 17). Finally, I came to this description of her late-blooming avocation.

“In 1771, a widow in her early 70s, Mary began on decoupage, a fashion with ladies of the court. Her works were detailed and botanically accurate depictions of plants.

“She used tissue paper and hand colouration to produce these pieces. She created 985 of these works, calling them her ‘Paper Mosaiks,’ [from] the age of 71 to 88, when her eyesight failed her.

‘With the plant specimen set before her she cut minute particles of coloured paper to represent the petals, stamens, calyx, leaves, veins, stalk and other parts of the plant, and, using lighter and darker paper to form the shading, she stuck them on a black background. By placing one piece of paper upon another she sometimes built up several layers and in a complete picture there might be hundreds of pieces to form one plant. It is thought she first dissected each plant so that she might examine it carefully for accurate portrayal.’ [Hayden, Ruth. Mrs Delany: her life and her flowers] …

Frances Burney (Madame D’Arblay) was introduced to her in 1783, and frequently visited her at her London home. … She had known many of the luminaries of her day, had corresponded with Jonathan Swift [among others], and left a detailed picture of polite English society of the 18th century in her six volumes of Autobiography and Letters (ed. Lady Llanover, 1861–1862).”

More pictures at Wikipedia, here. You may also be interested in this post, about the botanical art of Peter Rabbit creator Beatrix Potter. Potter, as a woman, failed to receive the attention men in science achieved — a century after Delany.

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Photo: Walker State Prison/Times Free Press
Holly Mulcahy, left, and Mary Corbett perform in front of 128 Walker State Prison’s Faith and Character Based inmates.

When I read about some of the crimes that send people to prison, I do have trouble experiencing empathy for the perpetrators. But then I remember that not everyone in prison is unreachable. That’s why I find stories like Barry Courter’s at the Associated Press hopeful.

He writes about a music program in a Georgia State prison: “Holly Mulcahy stands with her violin, her back to the wall of the gym at Walker State Prison in Rock Spring, Georgia. Next to her is Mary Corbett with her violin. Between them and 128 inmates serving time for a host of crimes big and small. …

“The men are seated in chairs fanned out in a semicircle facing the stage, quiet and staring at the two women, who are smiling and relaxed.

“The place is so quiet, Corbett steps to the microphone and says with a laugh, ‘Talk amongst yourselves. We have to tune up.’

“It’s a relatively simple moment, but it sets the tone for how the rest of the evening will go.

“Walker State Prison, home to about 400 inmates, is unique among Georgia prisons. In 2011, the facility became the testing ground for the Georgia Department of Corrections’ new Faith and Character Based program, which focuses on accountability, responsibility, integrity and faith.

“Inmates in the Faith and Character Based curriculum have all requested to be there and have gone through a vetting process before being allowed to participate in the two-year program. …

“ ‘Half of the men there are lifers, but to be there, they must be eligible for parole,’ says Alan Bonderud. He’s been volunteering there since 2010 and was involved in mentoring new mentors when the prison added the [program]. …

“The goal is to give the men skills that will help them increase their chances of reacclimating into society upon release and to reduce the chances of the men ever returning to prison.

“Education is a key component as the men take a variety of classes — a few have earned Master of Divinity degrees, for example — but so is character development.

“Mulcahy first visited Walker State about three years ago after a chance meeting with Bonderud at a Chattanooga Symphony & Opera-sponsored gala. When Mulcahy, the CSO concertmaster, learned that Bonderud mentored at Walker State, she expressed an interest in performing there.

“ ‘I didn’t want to just go there and perform,’ she says. ‘I wanted to do more.’

“Bonderud says the recitals ‘have been very effective. They continue to increase the numbers of men who attend, and reports from the men are that they now share their programs with family members, and it gives them something new to talk about. It encourages them with their families. Some even have had family members take up the violin.’ …

“The program begins with ‘How Majestic the Expanse’ by Shawna Wolf, then Mulcahy opens the floor for discussion. Two inmates move around the room delivering hand-held microphones to prisoners who have raised their hands to speak.

“No one speaks except for the inmate with the microphone.

“ ‘I pictured it reminded me of icicles,’ he begins. ‘I could hear the sound of light coming through the trees and birds chirping. I heard the pulse in the music.’ …

“Mulcahy doesn’t try to lead, correct, judge or in any way influence the discussion, except to encourage the men to say what they think.

“ ‘There are no wrong answers,’ she says. …

“[Inmate Scott] Reed says he did not attend the early recitals, but he couldn’t help but be surprised at what he heard in the dormitories (the men live in bunk beds in large open rooms rather than cells) after the performances.

“ ‘I heard grown men talking about their feelings and their emotions that they felt hearing the music,’ he says.

“ ‘These are pretty hard guys from the streets.’

“Says inmate Garrett Anderson, ‘I’ve never heard this kind of music before. Never. And I never thought about how something made me feel. I never talked about it.’ ”

More.

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Illustration: J.V. Aranda
The website
Vulture has a list of 100 important pages that shaped comics as an art form.

Are you into graphic novels — serious books designed like comics? I haven’t read many, but I thought Stitches: A Memoir, by David Small, was wonderful. It was a dark but insightful retelling of the artist’s childhood. A doctor friend bought copies for patients after I told her about it.

At Vulture, 12 authors came together to choose 100 memorable comic-book pages that shaped the art form. In each case, they explain their reasoning. It’s a pretty fascinating post.

“The origin story of comic books isn’t flashy. No radioactive spider bite, atomic explosion, or shadowy experiment granted the medium the sort of ability that would have allowed it to arrive on early-20th-century drugstore racks as glossy, fully formed vehicles for sophisticated entertainment. Rather, it took a steady progression over the course of more than 75 years for the form to fully understand, and then harness, its powers. When the first comics arrived on newsstands in the early 1930s, they were a cynical attempt to put old wine in new bottles by reprinting popular newspaper comic strips. Cheaply printed and barely edited, those pamphlets were not what a critic at the time would have called high art.

“Yet today, the medium is flourishing in ways its ancestors could never have imagined: … a dizzying array of what the great cartoonist Will Eisner famously termed ‘sequential art.’ And, as evidenced by the sheer number of adaptations in film, television, and even on the Broadway stage, the rest of the entertainment industry has grown wise to what fans have long known: There’s a special alchemy that comes when you tell a story with pictures. …

“We have set out to trace the evolution of American comics by looking at 100 pages that altered the course of the field’s history. We chose to focus on individual pages rather than complete works, single panels, or specific narrative moments because the page is the fundamental unit of a comic book. … When comics have moved in new directions, the pivot points come in a page.

“To assemble our list of 100, we assembled a brain trust of comics professionals, critics, historians, and journalists. Our criteria were as follows: A page had to have either changed the way creators approach making comics, or it had to expertly distill a change that had just begun. In some cases, there were multiple pages that could be used to represent a particular innovation; we’ve noted those instances. We didn’t necessarily pick the 100 best pages. …

“Some pages are notable for their written content — game-changing first appearances, brilliant narrative innovations, and so on. Some are significant because the artwork told a story in ways no one had thought to do before, and ended up being emulated — or, in some cases, outright aped. … You can click on the title of each page to open a window with a full-sized version.”

I liked the first example, the 1929 Lynd Ward spooky guy. I think Asakiyume and I saw it the Fitchburg Art Museum when we met up for the graphics exhibition some years ago.

Vulture explains, “It’s inarguable that one of the leading pioneers of modern longform graphic storytelling was Flemish illustrator Frans Masereel. Right after World War I, he created a series of ‘pictorial narratives’ without words — you may have spotted his most famous, Passionate Journey (1919), in the gift shop at your local art museum.

“Chicago-born art student Lynd Ward discovered Masereel’s work while studying printmaking in Leipzig, Germany, and was inspired to use the oldest print medium — woodblocks pressed into ink — to create something very modern: the first stand-alone graphic narrative by an American, or as he called it, a ‘novel in woodcuts.’

“Gods’ Man (1929) tells the story of a struggling artist who makes a supernatural bargain with a mysterious stranger (pictured here) for a magic brush that comes at a terrible cost. The book, composed of one woodcut illustration on each of the volume’s 139 pages, was a surprise success,”

More.

Art: Lynd Ward
Gods’ Man (1929). Always read the fine print when dealing with spooky strangers.

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Photo: Jason Moon / NHPR
These large stones come from the foundation of an early 17th century garrison house near Durham, New Hampshire’s Great Bay. Sea-level rise is adding urgency to archaeological digs.

I’m losing count of the ways that melting glaciers and global warming are beginning to affect our lives. This story comes from New Hampshire, which some readers may be surprised to learn has a border on the ocean. As glaciers melt and waters rise, parts of that border are washing out to sea.

New Hampshire Public Radio’s Jason Moon “joined a [University of New Hampshire] researcher for a hike to see a centuries-old archaeological site that is literally washing away.

“UNH anthropological archaeologist Meghan Howey has a map. It was made in 1635 and it shows the location of garrison houses that once stood near Great Bay in what is now Durham. Garrison houses, in case you’re wondering, were a sort of fortified log cabin built by early colonial settlers in New England.

“But Howey says even though we’ve had this map for almost 400 years, until recently, no one has actually gone out to find the sites. To look for what may have been left behind. …

“Howey and a team of volunteers discovered the location of one of the garrison houses on that map – the remains of a structure where some of the earliest Europeans to ever be in this region lived, worked, and died.

“But that exciting discovery came with some sobering news.

“We reach the end of the forest, where a steep bank drops to a narrow strip of sandy beach. Howey points to the ground beneath our feet.

“I realize that she’s not showing me what’s here, so much as what’s gone. Most of the land where the garrison house once stood has been eaten away by the rising tidal water of the bay.

“ ‘Like quite literally washing away,’ says Howey, ‘and it’s gone, whatever the artifacts were with it – they’ve been, over the years, just washed away.’

“Just one corner of the garrison house’s foundation remains on solid ground. A few feet away, Howey points out a couple of bricks submerged in the shallow salty water. She says the bricks were likely part of the garrison house’s chimney and could date back to the 1600s. They are what remains of an archaeological site that’s largely been lost.

“ ‘Yeah it’s gone. It was a pretty depressing find,’ says Howey. …

“In a new report, she combined sea-level rise projections from climate scientists with the location of historic sites on the Seacoast. She found that as many as 1 in 7 of the region’s known historic sites are at risk.

“But even that number could be a low estimate because it doesn’t include sites like this one, which weren’t known until Howey found it just last year. …

“In many cases, saving historic sites like this from climate change just isn’t feasible. So the best Howey can do is to document what’s here before it’s gone — an archaeological race against time.

“ ‘I feel a great sense of urgency especially after finding these sites are washing away,’ says Howey, ‘there’s a part of me that feels I’m 20 years too late to the problem.’ ”

More here.

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