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Photo: City of Asylum
City of Asylum Books specializes in translation and world literature. 

With Amazon opening retail bookstores in Greater Boston and elsewhere, the independent bookstores we all love are more threatened than ever. What new models will help them survive?

The Nonprofit Quarterly discusses one idea.

Louis Altman writes, “Conventional wisdom is that the goliath Amazon, the dominant and diversified Internet retailer of everything from books to 7-string zithers has, with unbeatable pricing and almost infinite selection, crushed all brick-and-mortar booksellers in its path. …

“The truth is that independent booksellers are thriving, with 30 percent growth in the number of these stores from 2009–2016, to 2,311 as of 2016. Between 2014 and 2015, independent booksellers saw their market share actually grow from 7 percent of all book sales in 2014 to 10 percent in 2015. …

“The answer may lie with niche-filling shops like Pittsburgh’s new City of Asylum Books, part of a nascent multipurpose cultural center on the city’s North Side called Alphabet City Center. Alphabet City is a consolidated space recently acquired by City of Asylum, a nonprofit arts organization providing sanctuary and forums of expression for exiled writers of all genres from other countries, introducing many unsung voices to the Pittsburgh public through literary community events. …

“The nonprofit bookstore opened … January 14th, offering some 10,000 titles on a wide range of subjects, specializing in translated works and world literature, in 1,200 square feet of space in the Alphabet City building, which includes a bar, restaurant and a venue for readings, performances and workshops. The bookstore sells everything from cookbooks to children’s books to poetry and harbors a giving library, where patrons can take—and give—books for free. …

“Kepler’s Books of Menlo Park, California, [restructured] as a community-owned bookstore, creating a ‘hybrid model’ maintaining operation of the for-profit bookstore, connecting it with a nonprofit arm housing and sponsoring local literary events and presentations for local schools and the community.” More here.

Whether the independent bookstore will find salvation in nonprofit approaches remains to be seen, but creative thinking is sure to be a requirement for longevity. I myself think independents will need to provide services that many used bookstores, particularly nonprofit used bookstores like the Bryn Mawr Book Store in Cambridge, Mass., provide — for example, tracking down out-of-print books for a fee.

My local independent doesn’t offer many extras. It won’t order self-published books for customers, so I am forced to use Amazon if I want one. “Self-published” can include popular books published in England but not yet available in the US through normal channels. Amazon will provide. Why not independents?

There are other issues with my local independent such as shelving two of my three ordered books when they are all the same title, not offering delivery for a fee, and having a website they know is not worth using. But I want the shop to survive, so I order anything from there that it is willing to get for me.

I’d be interested in other people’s experiences and advice for independents.

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Photo: Arnaud Stephenson
Perfectly timed movements create the illusion of weightlessness in performances that combine ballet and juggling.

Artists always seem to be looking for new forms of expression. The Washington Post recently reported on a production that increases the challenges of two precise kinds of movement by performing them in tandem.

Sadie Dingfelder spoke with Sean Gandini, “the creator, the director and one of the performers of ‘4×4: Ephemeral Architectures,’ a mesmerizing clockwork of human bodies and juggling objects flying through space. …

“In the months of rehearsals that took place before the piece’s London premiere in 2015, there were plenty of unintentional ballerina clubbings. …

“When the touring group arrives at a new venue, the first thing the performers do is mark the stage with 60 pieces of colored tape. That’s about twice as many marks as other performances, [and] getting the measurements exactly right is crucial. …

“ ‘I called the show “Ephemeral Architectures” because it’s what I think dancers and jugglers have in common — we are both creating traces in the air, traces that only last for an instant, and then they are gone,’ Gandini says. …

“Despite the challenges, the performers of ‘4×4′ have dropped only a few balls in hundreds of performances,’ [Emma Lister, the show’s artistic coordinator and one of the dancers] says. Additionally, all of the dancers have picked up some juggling skills, and the jugglers have gotten into ballet.

“The marriage of juggling and ballet in ‘4×4: Ephemeral Architectures’ has been so successful, it resulted in one actual marriage. Six months ago, artistic coordinator Emma Lister tied the knot with juggler Sakari Mannisto. The two are now working on a new show together that combines their art forms.

” ‘Being married to a juggler has practical advantages as well as creative ones,’ Lister says.

“ ‘If I’m on the other side of the room and I want to toss him the car keys, I can make any kind of wild throw and he’ll catch it,’ she says. ‘On a day-to-day basis, it can be quite handy.’ ” More here.

I keep thinking that, for better or worse, this period in history should be fertile for artists seeking challenges — and should elicit many forms of juggling.

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Photo: Ronald van der Meijs
In January, this candle organ was on exhibit in the Netherlands. 

You may recall my January 2014 post about zebra finches playing instruments at a museum (here) and a December 2016 post on Croatia’s sea organ (here). The sea organ harnessed the tides to push water through narrow passages leading to organ pipes under marble stairs.

How many ways there are to make music! So much need for music!

Today’s post is about an artist who created a candle pipe organ. Lauren Young at Atlas Obscura explains.

“There’s a curious low industrial hum emanating from what used to be a fish market built in 1769. At De Vishal gallery in Haarlem, Netherlands, a large nine-pipe organ operated by burning candles purrs a continuous concert.

“In the video, Dutch artist Ronald van der Meijs shows his elaborate musical mechanism. Inspired by the Muller Organ housed at Grote Kerk church next to the gallery, the series of pipes looks like a massive artillery weapon connected to wooden beam air ducts. The intricate system requires careful maintenance — van der Meijs changes out the candles multiple times a day as they burn.

“For the pipe organ, ‘the candles are the musicians,’ van der Meijs explains. The candles vary in size. As the wax melts, the pitch of each pipe shifts slowly and irregularly. The shortening of the candles causes a vertical movement in each mechanism, pulling a wheel connected to a brass valve at the front end of each pipe. Opening the valves allows for different toned pitches.” More.

The mechanical kookiness makes me smile and reminds me of Rube-Goldberg-esque egg-breaking machines I have known. (See this February 2013 post.)

 

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Photo: Judy Benson, Day Staff Writer
Kevin McBride, far right, anthropology professor at the University of Connecticut and director of research at the Mashantucket Pequot Museum, contemplates artifacts uncovered by Hurricane Sandy.

Today I’m linking to a couple articles about the work of Prof. Kevin McBride, director of research at the Mashantucket Pequot Museum in Connecticut. The first describes how he found a mutually beneficial way to work with metal detectionists so that details of finds would not be lost.

The partnership is surprising as archaeologists put a high priority on removing artifacts from their surroundings in a scientific way, and are usually at loggerheads with people using metal detectors.

The New York Times, where I read about this, has new firewalls that make it hard to share excerpts of articles like this one, alas, so I scouted out a related article by Judy Benson, a Day staff writer. In this one, Kevin McBride’s team turned up signs of Manisses activity on Block Island after Hurricane Sandy.

Judy Benson wrote, “Each no bigger than a fingernail, the two brown shards easily could have been mistaken for insignificant bits of rock, hardly a fitting reward for a day’s work. But to Kevin McBride and his dozen-member archaeology crew … at Grace’s Cove beach [that was] exactly what all the careful digging, scraping and sifting were about. … They probably are pieces of pottery left by the Manissee tribe that once inhabited the island. …

“McBride has been running archaeological digs here since 1983, but it wasn’t until 2012, when Superstorm Sandy gouged out broad sections of these dunes, that his chance to lead this project — the most comprehensive archaeological study of Block Island that’s ever been done, he said — came along. The state of Rhode Island decided to use about $500,000 of federal storm relief funds earmarked for assessments of cultural resources damaged by the storm to fund archaeological work along the state’s shoreline and the Block Island coast. …

” ‘Sandy did things to this island’s coastline that no one’s ever seen before, stripping away these dunes. The sites we’re focusing on are at risk in the next storm. The artifacts we’re finding will be lost if you don’t pick them up.’ ”

More at the Day, here.

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It is not really spring yet although a weird February tried to fool us with several warm days before handing us back to single-digit temperatures.

There is a period in New England when the weather teeters back and forth between winter and spring — and inevitably brings to mind the e.e. cummings poem “[In Just-].” It’s a happy poem reminding one that as long as there are springs, there will always be excited children running outdoors to play, hollering back at someone in the house, “I don’t need a coat — it’s hot!”

Here is the poem:

in Just-
spring when the world is mud-
luscious the little
lame balloonman

whistles far and wee

and eddieandbill come
running from marbles and
piracies and it’s
spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and

it’s
spring
and

the

goat-footed

balloonMan whistles
far
and
wee

 2017-sunrise
021217-tree-in-snow-Providence
021217-tree-in-snow-Providence
021817-snow-melting-at-stream
022517-fungus-rock-lichen-woods
022117-thru-the-looking-glass
030217-vinca-rises-from-decay

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Photo: Floyd Davidson
Genuine “Eskimo Kiss.” Iñupiat sharing a kunik at a Nalukataq festival in Barrow, Alaska.

For Asakiyume and others interested in inventive efforts to preserve the culture of marginalized groups, this New Yorker story may be of interest.

“Iñupiat people, a tribe native to Alaska, did not have a written language for much of their history,” reports the magazine’s Culture Desk. “Instead, for thousands of years, their culture was passed down orally, often in the form of stories that parents and grandparents would tell and entrust to their children.

“In recent years, those stories, and the lessons and values and history that they contain, have become harder to preserve, as the young people of the tribe, growing up in the modern world, have drifted further and further from traditional ways.

“[A new] video, which originally appeared on ‘The New Yorker Presents‘ (Amazon Originals) and is based on a story by Simon Parkin, is about a recent experiment in transmitting Iñupiat culture through a new medium: a video game … in which an Iñupiat child travels across the wilderness to find the source of the bitter blizzards that have been hitting his village.

“Before they began building the game, E-Line developers travelled up to Barrow, in northern Alaska, in the deep, dark cold of January, to meet with tribe members and to lay the groundwork for the project. The resulting game is called Never Alone. …

“Never Alone was created through a highly collaborative process: ‘We’ve had everybody from eighty-five-year-old elders who live most of the year in remote villages to kids in Barrow High School involved in the project,’ Amy Fredeen, the C.F.O. of E-Line, told Parkin. …

“As Clare Swan, who sits on the tribal council that had to approve the project, recalls, ‘We just said, “Shoot, of course it’s difficult.” Anything that’s worth it is.’ ”

More at the New Yorker, here.

I imagine that elders and students got a thrill out of this project in different ways. I would love to know to what extent their feelings overlapped. Did the elders care more about the preservation aspects and the children about making modern media?

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All Dutch electric trains are now powered by wind energy, the national railway company NS has said.

“Since 1 January, 100% of our trains are running on wind energy,” said NS spokesman, Ton Boon. …

“We in fact reached our goal a year earlier than planned,” said Boon, adding that an increase in the number of wind farms across the country and off the coast of the Netherlands had helped NS achieve its aim.

“[Dutch electricity company Eneco] and NS said on a joint website that around 600,000 passengers daily are ‘the first in the world’ to travel thanks to wind energy. NS operates about 5,500 train trips a day.

“One windmill running for an hour can power a train for 120 miles, the companies said. They hope to reduce the energy used per passenger by a further 35% by 2020 compared with 2005.” More at the Guardian, here.

Meanwhile in London, researchers are looking into solar-powered trains.

As Michael Holder said in BusinessGreen, part of the Guardian Environment Network, “Imperial College London has partnered with the climate change charity 10:10 to investigate the use of track-side solar panels to power trains. …

“The renewable traction power project will see university researchers look at connecting solar panels directly to the lines that provide power to trains, a move that would bypass the electricity grid in order to more efficiently manage power demand from trains.” More.

I wonder what sounds solar- and wind-powered trains make. Can we still say choo-choo-choo and whoo-oo-OO with our grandchildren? And who will update Thomas the Train?

Photo: Geography Photos/UIG via Getty Images
Intercity train arriving at Leiden Central railway station, Netherlands.

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Photo: Frasers Property
Fairwater, developed by Frasers Property, is the largest geothermal community in the southern hemisphere.

These days there’s a lot of talk about “sustainable” daily-living practices and “sustainable” business practices. But let’s be honest: some practices are more sustainable than others.

One monitoring organization that sets a high bar is the Green Building Council of Australia (GBCA).

Clarissa Sebag-Montefiore wrote recently at the Guardian about projects the council has approved: “In 2016, a new master-planned estate in [Blacktown, near Sydney] became the first residential community in New South Wales to be awarded a top, six-star Green Star community rating by the Green Building Council of Australia.

“Not only that, Fairwater, developed by Frasers Property, is the largest geothermal community in the southern hemisphere. Houses are cooled or heated by a refrigerant that pumps air underground then back to the surface, using less power than air-conditioning or heating and saving residents of a three-bedroom house $500 to $600 a year.

“ ‘There’s this avenue of mature trees with this massive lake and lovely terrace houses – yoga by the lake, cycling paths, all these people walking,’ says the GBCA chief executive, Romilly Madew. …

“Green-star buildings produce, on average, 62% fewer greenhouse gas emissions and use 51% less potable water and 66% less electricity than average buildings in Australia, according to GBCA’s 2013 report The Value of the Green Star.

“Since launching in 2003, hundreds of buildings around the country have been certified for the rating system and 120,000 people are now moving into Green Star communities. …

“The key is looking at the project holistically, says Madew. ‘It’s about going back to that old adage of community: people, walkability, liveability, places for the kids to play. [We want to] change the way people think about how they live.’

“Developers, ultimately, ‘are there to sell house and land packages – so they’re not going to be successful unless they’re building something people want to buy. Take “sustainability” out and ask what [buyers] want. They want something close to amenities – schools, public transport, shops and parks. And a home that is cheap to run.’ ” Read about other sustainable projects in Australia here.

Hat tip to ArtsJournal.com, a great source of stories.

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Photo: Craig F. Walker/Globe Staff
From left, Army veteran Kevin Faherty speaking with Paul Connor, veteran services coordinator, and Middlesex County Sheriff Peter Koutoujian in January.

A sad fact of war is that those who serve too often come back suffering from emotional trauma or addiction.

Fortunately, there are understanding people who can help them move on. We just need more of them.

Kevin Cullen at the Boston Globe describes what one Massachusetts sheriff is doing to make veterans’ lives more hopeful.

“For the past year, with hardly any attention, Middlesex County Sheriff Peter Koutoujian and his staff have developed an innovative approach that is transforming lives for the better, lowering recidivism rates and raising the odds that those who have served their country can become more responsible, productive citizens.

“[Jan. 13] marked the first anniversary of the Housing Unit for Military Veterans at the Middlesex jail and house of correction, the first of its kind in New England, and really the only one quite like it nationwide. Its acronym is HUMV, or Humvee, an armored vehicle that once protected many of the younger vets in the unit. …

“Koutoujian tapped Paul Connor, an Army veteran, to run the unit. They got a waiver from the state, so that pre-trial prisoners and inmates already serving their sentences could be housed together. The HUMV is set up like a barracks, bunks lined up in the self-contained unit. …

“The men in the unit are broken down into squads, sharing chores and other duties, which builds camaraderie and accountability. …

“Connor’s veteran status makes a real connection with those in the unit. His decade of sobriety, meanwhile, makes him a role model. Like the vast majority of inmates in the general population, most of the vets in the HUMV have struggled with alcohol and substance abuse. …

“Amy Bonneau, a social worker from the Boston Vets Center, runs a support group at the HUMV.

” ‘For a lot of these guys, their underlying issues can be traced back to their service,’ she said. ‘If we don’t treat what got them here, they end up coming back. What we see is the camaraderie that this unit fosters makes them more willing to take the treatment seriously. It’s more than helping themselves. They don’t want to let down their brothers.’

“Connor, still a captain in the National Guard, puts it in terms that everybody in the unit understands.

“ ‘In boot camp, they break you down,’ he said. ‘A lot of these guys come in here broken. We are building them back up.’ ”

More here.

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Photo: Addis Fortune
A passerby looks at what’s on sale at a sidewalk bookshop.

A love of reading appears to be growing in Ethiopia. According to Mahlet Workayehu at Addis Fortune and All Africa, “It is a common sight to have people carrying around books on the roads and selling them to people sitting in cars or people walking on the streets. …

” ‘Now people hanging out at bars and khat stores are buying books from us,’ says Addis, a book vendor.

“The cost of books in Addis, with the average price of a fiction novel book by a local author coming in around 80 Br [about $3.25], has increased in the past two years. …

“The people credited for expanding the readership of books in Addis are the mobile vendors. They walk around with books in their hands stacked all the way up to their neck, approaching any and everyone to buy a book of them. There are close to 1000 mobile vendors roaming the streets of Addis.

“Addis is a mobile vendor; he has been selling books for five years. Although he is not literate, Addis knows all the titles of the books he carries, whether it be in Amharic or English.” More here.

That bookseller’s lack of literacy really struck me. I work as a volunteer with adult refugees, some of whom never had any schooling and are eager to learn. Book vendor Addis is so near and yet so far from the joy of books.

(For fun, read Roger Duvoisin’s storybook Petunia, about the goose who thought she was wise because she carried around a book. I don’t accuse Ethiopian book vendors of being like Petunia, but I do wish someone could help them learn to read. Of all people, I imagine, they would most enjoy being literate.)

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Photo: Luke Spencer
Inside the main concourse of the abandoned art deco Buffalo, New York, train station. 

It seems everyone loves old art deco buildings, but no one knows how to preserve them. At least that is the feeling I get listening to the endless discussions of the future of Providence’s Superman Building, so-called because it looks like the Daily Planet building from the 1950s television series.

Meanwhile, as Luke Spencer writes at Atlas Obscura, preservationists in Buffalo, New York, are holding out hope for an art deco “train station, lying forlorn and mostly forgotten … the old Buffalo Central Terminal.

“Opened in 1929 for the New York Central Railroad, the Buffalo Central Terminal was every bit as grand and opulent as Manhattan’s Grand Central Terminal, Philadelphia’s 30th Street station and Washington DC’s Union Station.

“These were the days when Buffalo was known as the Queen City, built on the strength of automobiles, livestock, steel, and other heavy industries prospering along the seam of the Erie Canal, connecting New York to the Great Lakes. Buffalo thrived to such an extent it was chosen to host the prestigious 1901 Pan American World’s Fair. At this point, Buffalo was the eighth-largest city in the United States. … In its heyday, Buffalo Central Terminal was servicing 200 trains a day.

“But the decline in Buffalo’s economic fortunes, and the rise of domestic airlines and automobiles, spelled the end of the grand Terminal. In the early hours of the morning of October 28, 1979, the last Lake Shore Limited train service heading west left Buffalo. The grand old Terminal was never used again.

“For decades, the building was left abandoned, silently falling apart, while the surrounding neighborhood similarly declined. But the spirit of the Nickel City is strong. No more so than in the recent efforts of the non-profit, Central Terminal Restoration Corporation (CTRC), which has been fighting to not only preserve the Terminal, but restore it to its original magnificence. …

“The building itself would need extensive repairs. Forty years of neglect have seen much of the original fixtures either stolen or stripped, particularly in the mid 1980s, when the Terminal was sold off in a foreclosure sale. …

“Perhaps the best chance for the Terminal’s rejuvenation lies with Canadian property developer Harry Stinson, who was named as the designated developer of the site by the City of Buffalo and the CTRC in 2016.” More at Atlas Obscura, here.

It’s a treat to see historic buildings saved and turned to new and profitable uses. Let’s keep tabs on this one.

Photo: Luke Spencer
Is this the prison staircase in the opening scene of Little Dorrit, by Charles Dickens? Oh, guess not.

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Photo:

At my former magazine we focused on lower-income issues, which meant we sometimes published research on topics such as prison reform, the criminalization of addiction, and job programs for ex-offenders.

Recently, I saw an article that reminded me of those efforts. It’s about an unusual fine-dining restaurant in Cleveland.

Jenn Hall covers the story at Paste, “Though the numbers vary by state, roughly three-quarters of ex-convicts are rearrested within five years, and more than half of those return behind bars. Ask Brandon Chrostowski about it, and he’ll tell you that it’s more than a problem. It’s a civil-rights issue — and that’s why he decided to do something about it.

“For diners at Edwins Restaurant in Cleveland Shaker Square, fine French cuisine is an initial draw. The setting is nouvelle-chic, befitting a Francophile menu that garners praise. Bar service is sophisticated, with a wine list that runs deep. But the reason to return goes beyond the plate. In almost every position, both front and back of house, ex-offenders are training to launch new careers.

“It’s the only white-tablecloth restaurant of its kind in the U.S.

“The trainees are part of Edwins’ six-month Restaurant and Leadership Training Program, of which Chrostowski is founder and CEO. (Edwins is a portmanteau of ‘education’ and ‘wins.’) Covering everything from mother sauces to white-tablecloth service, the program aims not just to equip ex-offenders with skills, but also to power them with the confidence to apply them.

“It’s a program borne of careful planning. Chrostowski first had the idea in 2004, secured approval to operate as a 501 (c) (3) in 2008, and then spent six years perfecting the pedagogy before opening the restaurant’s doors in 2013. Now, 20,000 diners visit Edwins each year.

“But job prep and a fine French meal is just one part of the story. Ultimately, Edwins is a support network for those determined to challenge statistics. So while participants indeed learn a perfect braise, they also get help with everything from reinstating their driver’s license to securing medical care. It’s a humanizing approach to a sobering problem, and perhaps that’s why it’s working. The Edwins-alumni recidivism rate stands at just 1.2 percent. …

“Asked what drives him, he says it’s about paying forward a break he was given. Growing up in Detroit, Chrostowski had a legal run-in and was lucky to land probation instead of a prison sentence. That ‘aha’ moment primed him to take stock, find a mentor and launch a fine-dining career …

“Though he reads like an optimist (and is when it comes to a belief in transformation), Chrostowski sees himself as a pragmatist. Given the chance, he says, many ex-offenders have the capacity and strength to rebuild. They just need that all-critical chance.”

To read Hall’s interview with Chrostowski, click here.

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Two Kansas philanthropists with ties to Chicago have chosen to benefit that city and its youth for 25 years to come with a gift extending eligibility for free admission.

Matt Masterson writes at Chicago Tonight, “Chicago teens won’t have to pay to visit the Art Institute again for quite a long time. [City] residents under the age of 18 will no longer be required to pay the $14 admission fee at the Loop museum thanks to a donation from a pair of Kansas donors.

“The gift comes courtesy of Glenn and Claire Swogger of the Redbud Foundation, a Topeka-based nonprofit … The Swoggers’ gift specifically allows Chicago teens between the ages of 14-18 to enter the museum at no cost. Guests under the age of 14 already receive free admission.

“Glenn Swogger began attending the University of Chicago on scholarship at age 16, according to Hicks, and though he has since moved away, he has maintained a strong connection to the city and wanted to provide a gift that would reflect the impact his teachers and education have had on him.

“Though the actual amount of the donation has not been released, Hicks said museum staff reviewed attendance projections with the Swoggers and believe the gift will cover every Chicago teen for the next 25 years. …

“The Art Institute already consults with a five-member teen council of volunteers who represent different schools and neighborhoods across the Chicago area. They meet weekly to advise and brainstorm with various departments within the museum about how to make the museum more engaging and meaningful for young people.”

More here.

Photo: Art Institute of Chicago
Whitney Young Magnet High School senior Rosario Barrera, right, and Kenwood Academy High School Junior Walela Greenlee, both members of the museum’s teen council, in the Art Institute of Chicago’s Modern Wing.

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foot_chart1_small

Photo: Wikimedia
People who practice reflexology believe that stimulating different zones of the foot improve the function of different organs of the body.

In tai chi, we’ve learned to get the circulation going in our feet by kneading so-called pressure points and massaging from sole to calf. Although I am not sure I buy into the ancient Chinese view that massaging different zones on the foot affect particular organs and improve overall health, I certainly think that stimulating the blood flow in feet is a good idea, especially if you have circulation issues.

Recently, I decided to try a local reflexology place and see if my feet felt happy afterward.

They did.

I had experienced this treatment only once before, in 2007, when my husband was working in Shanghai and I was visiting. Walking around the French Quarter, I came upon a sandwich board outside a storefront. It said “foot massage.” I thought, “Why not?” I was shown along a dark corridor lined with cubicles, not quite sure what I was getting into. In one cubicle, I sat back and took off my shoes and socks. I remember a window. A young woman who spoke no English got to work, first soaking my tired tourist feet. The massage involved her really pressing hard on the pressure points. We communicated with sign language and friendly smiles, and I think we each found the other rather exotic. My feet liked the experience.

My recent experience was both the same and different. The staff spoke a little more English, but not a lot more. The cubicles were dimly lit and comfortable. A bucket of hot water for the feet started off the relaxation process. Soft music played. At first it sounded Chinese, then morphed into “Danny Boy.” I think I dozed off. The pressure that the young woman applied to my feet was gentler than in Shanghai. Very nice. My husband summed it up with an apt quote: “Be jubilant my feet!”

You can read up on the theory behind reflexology at Wikipedia, here. Far be it from me to question ancient Chinese medicine, but whether or not different parts of your sole improve the functioning of kidneys, liver, digestion, etc., I’m pretty sure that, first, reflexology does no harm.

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Art: Tomihiro Hoshino

For more than 30 years, a woman from Hokkaido, Japan, who stayed at our house while studying the local PTA has been sending me magnificent calendars.

The calendars are from a talented artist and former athlete whose paralysis led him to master holding a brush in his mouth. His name is Tomihiro Hoshino.

An article at AccessibleJapan reports, “Tomihiro Hoshino was an experienced 24-year-old gymnastics teacher with a real passion for the sport. An active mountain climber and gymnastics instructor, his life changed completely as he was demonstrating a double somersault technique to a group of junior high school students. Hoshino unfortunately injured his neck during the maneuver and since that day he has been completely paralyzed from the neck down.

“The accident was a serious blow to this extremely active person who was forced to lay motionless for nine years in a Gunma orthopedic Hospital where he was kept under heavy surveillance for respiratory problems and complications as a result of the injury. He and his family never gave up hope that his physical condition would stabilize and improve. Although it took nine years, and he came close to death many times, there was always hope for the future.

“Many say that this hope came two years after his accident. In 1972 one of the patients that had stayed in the same room as Tomihiro Hoshino was being transferred into a different hospital. He asked that the staff, as well as all of the people that stayed with him, to sign a card as a memento of his time in the hospital. Tomihiro couldn’t come up with a solution as to how he would be able to sign his name for the man but with the help of his mother he was able to hold a pen in his mouth and eventually sign Tomo. This would be the beginning of how Tomihiro would begin his career in writing and painting.

“The second event that produced real inspiration for Tomihiro Hoshino was a time that a friend brought him flowers and left them in the window. …

“He was moved to start expressing what they meant to him. He began to gradually draw flowers and eventually became an adept painter with his mouth. …

“Tomihiro Hoshino has successfully produced hundreds of pieces of artwork, many of his essays and poems have been published and his work is displayed in permanent exhibitions at the Tomihiro Hoshino Museum. …

“If you are interested in Tomihiro Hoshino’s works, you can purchase them on Amazon or visit his art gallery in Gunma, Japan.”

More at AccessibleJapan, here. Read about his museum here. Those who read Japanese may click here.

I feel lucky to have had this decades-long friendship with a woman in Hokkaido. Although we haven’t seen each other since the 1980s, her daughter, Mika, came to visit while living in New York. Mika helped decorate our Christmas tree that year. Nowadays, I never do the tree without thinking of her.

Image: Tomihiro Art Museum

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