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Photo: Garden of Eden Orchards

One of the great things about going for a walk is that your mind just wanders off on its own. You never know what it will bring back.

Today as I was walking, a phrase popped into my head that I haven’t thought of in decades: gooper feathers. As a very little girl, I liked to watch my father shave. When he was done, he would show me how soft his cheek was. He would say, “See: gooper feathers.”

I have no idea why I thought of that today. But I had to go to Google and see what I could learn. Here’s all I found about gooper feathers: “The fuzz from peaches, according to an Amos ‘n’ Andy phonograph record from the late 1920s or thereabouts.”

Two other old-timey things got looked up today. After I said to Bob, who was getting into the up elevator when he wanted to go down, “Wrong-way Corrigan,” he looked the guy up.

You can click on the NY Times and Wikipedia learn about Corrigan. Here’s Wikipedia: “an American aviator born in Galveston, Texas. He was nicknamed ‘Wrong Way’ in 1938. After a transcontinental flight from Long Beach, California, to New York, he flew … to Ireland, though his flight plan was filed to return to Long Beach. He claimed his unauthorized flight was due to a navigational error … He had been denied permission to make a nonstop flight from New York to Ireland, and his ‘navigational error’ was seen as deliberate.”

That train of thought led me to One-Eyed Connelly. My father used to call a rather bold pigeon of his acquaintance One-eyed Connelly because the bird would alight on the deck and sashay into the house through any open door. The original One-eyed Connelly was a famous gate crasher. A former bantam weight boxer from Boston, Connelly began crashing events in the early 20th century, sometimes pretending to be a deputy sheriff.  Read that character’s story in the 1953 Milwaukee Journal.

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Late Sunday night, Kevin, a colleague who is a bicyclist, completed the Midnight Ride.

It’s an event that started a few years ago when one guy suggested to some fellow bikers that they bike the Boston Marathon route the night before the big event.

Stacey Leasca of the Los Angeles Times has the story.

“For the last six years, the Midnight Marathon Bike Ride has covered the Boston Marathon course the night before the race, as a way for more Bostonians to take part.

” ‘It was a way for me, who is not a runner, to connect with Boston, to connect with all this marathon energy,’ said Greg Hum, the ride’s originator.

“Although the Boston Athletic Assn., which oversees the Boston Marathon, has never officially sanctioned the ride, it has become a celebrated tradition to help kick off Marathon Monday.

“The night before the 2013 race, the Massachusetts Bay Transportation Assn. even provided riders with a special commuter train to get them to the start of the route.

“This year, however, race officials and the Massachusetts Emergency Management Agency asked that the ride be canceled, and the MBTA did not offer its Midnight Marathon train. …

“But the Midnight Marathon had momentum that he and the agencies could not derail.

“Once word spread that there would be no train from downtown Boston to the starting line, riders began organizing carpools, vans, trucks and even a few buses via social media to help get them to the start.”

Kevin said Hum really wasn’t an organizer, just a guy whose idea grew, and he didn’t know any way to call it off. So it happened. There were people cheering along the route, even that late. Kevin got home at 2 a.m., exhilarated. His toddler woke him bright and early on Patriots Day, the day closely associated with another midnight ride.

More here.

Photo: Wikimedia Commons

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4th-floor-roof-gardenIt may get colder, but there’s no turning back now. It’s spring for sure.

Here is a greening-up roof garden maintained by a brilliant landscaper at work. The tree in the foreground is my second favorite of his twisty trees. The first favorite is behind glass, and when I try to snap it, I just get a picture of Suzanne’s Mom taking a picture.

In other photos: The wind was causing a cow balloon to pull against its tether. A bumblebee was one of 20 in my neighbor’s weeping cherry. See it at the top of the picture.

Orange jackets from yesterday’s happy Boston Marathon were lined up for a city tour. And in the Rose Kennedy Greenway, several organizations, including the Coast Guard and Life is good were volunteering for clean-up duty as part of Earth Day.

And speaking of Earth Day, you can enjoy a genuine earthy-crunchy Earth Day celebration in Concord on Saturday. The parade is always a hoot. Check out details here.

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There is a constant drumbeat in the news these days about the cost of college. Of course, it’s not really news. Families have struggled to pay for generations, and there have always been students who worked their way through (Suzanne’s dad, for one). And there have always been a few institutions seeking ways to help them.

Lisa Rathke writes in the Boston Globe about today’s “work colleges,” which believe that working your way through has many advantages, especially if all students are in the same boat.

She writes, “After college, many students spend years working off tens of thousands of dollars in school debt. But at seven ‘Work Colleges’ around the country, students are required to work on campus as part of their studies — doing everything from landscaping and growing and cooking food to public relations and feeding farm animals — to pay off at least some of their tuition before they graduate.

“The arrangement not only makes college more affordable for students who otherwise might not be able to go to school, it also gives them real-life experience while teaching them responsibility and how to work together, officials said. …

“With rising college costs and a national student loan debt reaching more than $1 trillion, ‘earning while learning’ is becoming more appealing for some students. But the work-college program differs from the federal work-study program, which is an optional voluntary program that offers funds for part-time jobs for needy students.

“At the seven Work Colleges — Sterling College, Alice Lloyd College in Pippa Passes, Ky., Berea College in Berea, Ky., Blackburn College in Carlinville, Ill., College of the Ozarks in Lookout, Mo., Ecclesia College in Springdale, Ariz., and Warren Wilson College in Asheville, N.C. — work is required and relied upon for the daily operation of the institution, no matter what the student’s background.” Read more.

Photo: Sterling College via Associated Press
At the seven Work Colleges, it’s not optional: Students must hold jobs during their undergraduate careers and pay off some of their tuition before they graduate.

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flowering-tree-BostonlEven though it was a bit chilly early on, the flowering trees and sunshine suggested that spring isn’t going back on us.

After church, we had a lively, chaotic Easter egg hunt and marching band with grandkids who are 1, 2, and 4 and very funny.

Then came a leisurely brunch with a beautiful fruit salad from my daughter-in-law, and new recipe for egg strata that turned out very well.

My husband and I got a little bonus time with Suzanne and Erik as the three of us tried to tire out the two-year-old in the playground before his car ride back home.

Suzanne is always up for an Easter egg hunt. In fact, Liz, her roommate, used to do the honors for her back in college. Liz sent Suzanne a text this year to make sure that everyone’s Easter was being taken care of.

Easter-at-churchdyed-eggsWhatever you celebrate, I hope you had a sunny weekend.

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A Syrian actor who visited a refugee camp, felt compassion for the children, and returned to help them put on a play decided to start at the top. Only the best playwright would do.

From the Zaatari refugee camp in Jordan, NY Times reporter Ben Hubbard describes the scene: “On a rocky patch of earth in this sprawling city of tents and prefab trailers, the king, dressed in dirty jeans and a homemade cape, raised his wooden scepter and announced his intention to divide his kingdom. His elder daughters, wearing paper crowns and plastic jewelry, showered him with false praise, while the youngest spoke truthfully and lost her inheritance.

“So began a recent adaptation here of King Lear. For the 100 children in the cast, it was their first brush with Shakespeare, although they were already deeply acquainted with tragedy. All were refugees who had fled the civil war in Syria. …

“ ‘The show is to bring back laughter, joy and humanity,’ said its director, Nawar Bulbul, a 40-year-old Syrian actor known at home for his role in ‘Bab al-Hara,’ an enormously popular historical drama that was broadcast throughout the Arab world.

“Last year, he and his French wife moved to Jordan, where friends invited him to help distribute aid in Zaatari. …

“Children he met in the camp made him promise to return, and he did — with a plan to show the world that the least fortunate Syrian refugees could produce the loftiest theater. …

“The mere fact that the play was performed was enough for the few hundred spectators. Families living in nearby tents brought their children, hoisting them on their shoulders so they could see. …

“The crowd burst into applause, and a number of the leading girls broke into tears. Mr. Bulbul said they were overwhelmed because it was the first time anyone had clapped for them.”

More here, at the NY Times, where you can also see a slide show and watch a video about the refugee-camp theater initiative.

Photo: Warrick Page for The New York Times

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Photo: Julie Van Stappen, National Park Service
Apostle Islands sea caves

Winter seems to be hanging on, so it’s not too late to blog about the Apostle Islands and the sea caves in winter.

My husband and I visited the Apostle Islands 16 years ago, almost to the day. We stayed in a pleasant B&B that had a waitress who, my husband recalls, acted like one’s sojourn there “was the experience you had been waiting for your whole life.” We drove around and tried to keep warm. I’m looking at a pottery pitcher with an apple on it that we bought in a little shop.

At the New Yorker, Siobhan Bohnacker introduces a slide show on the sea caves, calling them “Cathedrals of Ice.”

“This past February, thanks to an unusually cold winter, the sea caves along the Apostle Islands National Lakeshore, in northern Wisconsin, were accessible by foot for the first time in five years. Visitors were able to walk two miles over the thick ice of Lake Superior to see the ice formations that run up the coastline. Erin Brethauer, a photographer living in North Carolina, visited …

“Describing the trek to the caves, Brethauer told me, ‘A steady stream of people cut a colorful line on the horizon. More than a hundred and thirty-eight thousand people visited the ice caves this winter, up from twelve thousand seven hundred in 2009.’ …

“The shorelines along the Apostle Islands have been slowly shaped by the movement of the water of Lake Superior, and by its annual freezing and thawing. Sea caves, which resemble honeycombs, are sculpted in the course of centuries by waves breaking onto cliffs. This impact creates what are called reëntrants, or angular cavities that tunnel into cliffs. When reëntrants join behind the cliff face, sea caves result. When water is trapped in the caves and cavities, and freezes, dramatic ice formations occur.

“Brethauer said, ‘We were struck by the size and coloring of the ice along the coastline. Some ice was a pale blue, while other formations were yellow or reddish, depending on the sediment the water collected when it was freezing. … I loved watching how people interacted with the caves and ice, climbing or taking pictures. They provided such scale and added to your feeling of wonder. And then, stepping inside one of the caves, looking up, and listening to the silence or the ricochet of sound, it felt like being in a cathedral.’ ”

Check out the slide show at the New Yorker, here.

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It’s been surprisingly cold this April week, but at least we have had some sunshine. What if we lived in Norway, where people go for months without the sun? How would we manage? For that matter, how do Norwegians manage?

Suzanne Daley writes in the NY Times about one Norwegian town that got fed up with light deprivation and decided to try something new.

“Yearning for sunlight has been a part of life in [Rjukan, a] quaint old factory town in central Norway for as long as anyone can remember. Here, the sun disappears behind a mountain for six months of the year.

“It is worse for newcomers, of course, like Martin Andersen, a conceptual artist who arrived here 12 years ago and would find himself walking and walking, searching for any last puddle of sunshine to stand in. It was on one of these walks that he had the idea of slapping some huge mirrors up against the mountain to the north of town and bouncing some rays down on Rjukan.

“The town eventually agreed to try, and last fall, three solar- and wind-powered mirrors that move in concert with the sun started training a beam of sunlight into the town square. Thousands of people turned out for the opening event, wearing sunglasses and dragging out their beach chairs. And afterward, many residents say, life changed.

“The town became more social. Leaving church on Sundays, people would linger in the square, talking, laughing and drinking in the sun, trying not to look up directly into the mountain mirrors. On a recent morning, Anette Oien had taken a seat on newly installed benches in the square, her eyes closed, her face turned up. She was waiting for her partner to run an errand, and sitting in the light seemed much nicer than sitting in a car. ‘It’s been a great contribution to life here,’ she said.” More here.

Daley writes the article like a folk tale. You could imagine your own ending.

Photo: Kyrre Lien for The New York Times
In winter, the town square of Rjukan, Norway, is illuminated by sunlight reflected from three computer-controlled mirrors on a mountain overlooking the town.

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G. Willow Wilson, a convert to Islam, has created a female Muslim superhero for both educational and entertainment purposes. Abraham Riesman interviewed her at Vulture.com.

“G. Willow Wilson,” he writes, “has done something even Superman never bothered to do: create a female Muslim superhero and turn her into an overnight marketing sensation.

“Wilson writes Ms. Marvel, a monthly Marvel Comics series that debuted in February. It stars Kamala Khan, a 16-year-old child of Pakistani immigrants living in Jersey City …

“Kamala is a hero in the Peter Parker tradition: dweeby, self-doubting, unpopular. Like so many of today’s teen geeks, she spends her nights resenting her parents and writing fan fiction for online forums. A bizarre incident leaves Kamala with shapeshifting powers. …

“Born in New Jersey herself, Wilson was a white kid with no religious upbringing, but converted to Islam during the height of the War on Terror. She’s lived in Egypt, done foreign correspondence for the New York Times, penned a memoir, written an acclaimed novel, and labored in relative obscurity within the mainstream comics industry for years.”

Riesman asks Wilson, “What’s unique about writing a female Muslim superhero in 2014, as opposed to 10 or 20 years ago?”

Her response: “If we had written Ms. Marvel ten years ago, Kamala’s religion would probably have to be an even bigger part of the conversation than it is today, because closer to 9/11, there was a lot more scrutiny placed on the actions of everyday American Muslims. But today, now that there’s a bit of distance — particularly for the younger generation, for whom 9/11 happened when they were small children — there’s a greater desire to see more well-rounded stories. Being a Muslim is really only one part of her overall arc, her overall journey. …

“I write about real life as it is lived by the young American Muslim women that I’ve had the pleasure of meeting throughout the course of my travels as a writer and being able to speak in different places and meet different people at signings and things.”

Read more at Vulture, here, where you can also see a few panels from the comic strip.

Photo: Vulture

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I used to love finding little red salamanders when I was a child.

I didn’t know they played an important role in the ecosystem, even balancing out processes that contribute to climate change. Of course, when I was a child, nobody talked about ecosystems or climate change. But I’m glad to learn salamanders are important. Small things often are.

Writes Richard Conniff in the NY Times, “According to a new study in the journal Ecosphere, salamanders play a significant role in the global carbon cycle. …

“The study — by Hartwell H. Welsh Jr., a herpetologist at the United States Forest Service’s research station in Arcata, Calif., and Michael L. Best, now at the College of the Redwoods in Eureka, Calif. — notes that salamanders’ prey consists almost entirely of ‘shredding invertebrates,’ bugs that spend their lives ripping leaves to little bits and eating them.

“Leaf litter from deciduous trees is on average 47.5 percent carbon, which tends to be released into the atmosphere, along with methane, when the shredding invertebrates shred and eat them.

“If there aren’t as many shredders at work and the leaves remain in place, uneaten, they are covered by other leaves. … The anaerobic environment under those layers preserves the carbon until it can be captured by the soil, a process called humification.

“At least in theory, having more salamanders in a forest should mean fewer shredding invertebrates and more carbon safely locked underground.”

Read how they tested their theory, here.

 Photo: Todd W. Pierson/University of Georgia

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I am utterly tickled with the updated website for Suzanne’s birthstone-jewelry company Luna & Stella, the company that is behind this blog.

I really hope you will take a look — both for new products like stacking rings and a star pendant and for the wonderful pictures customers submitted showing warm  family and friend relationships.

Suzanne says, “We had so much fun with this contest we decided to keep it going. Send black & white vintage or recent family photos to contest@lunaandstella.com and you could win a $100 gift certificate if we use your photo on the site!”

Suzanne has given me such a free rein with this blog that it’s possible some readers don’t realize it’s a Luna & Stella blog. So I’m thrilled that the new website is up today. It gives me the opportunity to remind everyone that Mother’s Day is the second Sunday in May.

(One of the many perks of being a grandma is that I get a new Luna & Stella charm or ring every Mother’s Day that there’s a new baby in the family.)

 

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Even if, like me, you never got into the TV show “The Wire,” you may know that it was about a troubled section of Baltimore. You also may be interested in a new school there, intended to serve as a real community gathering place.

New York Times design critic Michael Kimmelman has the story.

“In many ways, public schools are gated communities, dead zones,” writes Kimmelman. “They’re shuttered after dark and during the summer, open to parents and students while in session but not to the larger community.

“A new public school in one of the poorest neighborhoods in East Baltimore wants to challenge the blueprint. Designed by Rob Rogers, of Rogers Partners in New York, Henderson-Hopkins, as it’s called, aspires to be a campus for the whole area — with a community center, library, auditorium and gym — as well as a hub for economic renewal.

“This is the neighborhood where parts of ‘The Wire’ were filmed. In 2000, when the city’s mayor convened local business leaders, the vacancy rate was 70 percent. Poverty was twice the city average. Crime, infant mortality and unemployment were all through the roof.

“The idea that emerged — of making the school the centerpiece of a major redevelopment project — is a grand urban experiment. Operated by Johns Hopkins University in collaboration with Morgan State University, the school, which opened in January, belongs to a $1.8 billion plan that also includes new science and technology buildings, a park, retail development and mixed-income housing. While gentrification might threaten to displace the poor, the school is to be the glue that helps bind the district together.” Read more here.

Photo: Matt Roth for The New York Times
Henderson-Hopkins, which shares its library, gym, auditorium, and other features with the surrounding area, is designed to catalyze change in a blighted section of Baltimore.
 

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A lovely, warm day for walking, grandkids, and friends.

Here are a few photos, including one of director-playwright Jermaine Hamilton with cast members at Brandeis University.

I was so happy I managed to get to Jermaine’s senior-thesis play about inequality of U.S. high schools, Bridging the Gap. What a challenge to make it work for both his social sciences major and his theater minor! A great bunch of natural actors and Jermaine’s lighting and sound collaborators pushed it over the finish line, and judging from the audience comments in the talk-back, the issues that the play presented struck chords.

Jermaine has a teaching job lined up for next year, after graduation. The school is lucky to have him.

Jermaine, standing, joins his cast for a talk-back with the audience. The other pictures are walking-around shots.
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13Forest is an art and craft gallery in Arlington that invites Opera on Tap singers to perform at openings. Our daughter-in-law sent us an e-mail about this today, and we went. It was charming.

From Mark Adamo’s opera Little Women, the young performers sang Amy’s aria, Prof. Bhaer’s aria, and Beth’s, a gentle farewell. There was also a song based on a letter a soldier wrote to his wife before a battle in the Civil War.

A short and sweet event. Made us wonder why more galleries don’t do this.

Opera on Tap taking a bow at 13Forest Art Gallery. Read about the national organization bringing opera to the people here.

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The last tidbit from my recent New York City trip is about the Kelpies on loan in Bryant Park, near the New York Public Library.

Kelpies are water spirits of Scottish folklore, typically taking the form of a horse. Artist Andy Scott was inspired by the legends to create giant ones for Helix Park in Falkirk, Scotland.

The ones in New York are smaller maquettes but still pretty huge.

The artist writes that he came up with an idea eight years ago about “mystical water-borne equine creatures. …

“Since then it has evolved dramatically and in the process the ethos and function has shifted from the original concept. Falkirk was my father’s home town and that inherited link to the town has been one of my driving inspirations. A sense of deep personal legacy has informed my thinking from the outset …

“The mythological associations behind the original brief have been absorbed by other sources of inspiration in the creative processes, and the ancient ethereal water spirits have been forged into engineered monuments. The Kelpies are modeled on heavy horses (two Clydesdales of Glasgow City Council actually served as models in the process), and it is this theme of working horses which captured my imagination and drove the project.”

The website adds that the Kelpies in New York City “were installed by Andy and his colleague Simon Chambers, with the assistance of the American Scottish Foundation, the Bryant Park Corporation, Mariano Brothers freight & cranes, Synlawn matting and the New York City Department of Parks & Recreation. Thanks to Creative Scotland for their funding assistance towards the costs of the transport and install.”

You really have to check out Scott’s website. The full-size sculptures are unbelievable. Click here.

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