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You never know what curiosity is going to turn up on AndrewSullivan.com, which is why I am a paying member of that blog (the posts are mostly free, except for a few jumps). Here Andrew links to a story about bees that are sniffing out deadly landmines.

As Olivia Solon writes at Wired, “A team of Croatian researchers are training honeybees to sniff out unexploded mines that still pepper the Balkans.

“Nikola Kezic, a professor in the Department of Agriculture at Zagreb University, has been exploring using bees to find landmines since 2007. Croatia, Bosnia-Hercegovina and other countries from former Yugoslavia still have around 250,000 buried mines which were left there during the wars of the early 90s. Since the end of the war more than 300 people have been killed in Croatia alone by the explosives, including 66 de-miners.

“Tracking down the mines can be extremely costly and dangerous. However, by training bees — which are able to detect odours from 4.5 kilometres away — to associate the smell of TNT with sugar can create an affective way of identifying the locations of mines.

“Kezic leads a multimillion-pound programme sponsored by the EU, called Tiramisu, to detect landmines across the continent. … The movements of the bees are tracked from afar using thermal cameras. Bees have the advantage of being extremely small and so don’t run the risk of setting off the explosives in the same way that trained mammals such as dogs or rats do.” More at Wired.

Andrew also links to posts on a mysterious illness affecting bee populations, an international concern. The cause, still under investigation, may relate to a pesticide.

Photo:: United States Department of Agriculture

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Here are a few photos from recent rambles. You will note that I am drawn to flowers. You can identify these or your own flowers, shrubs, weeds, and houseplants by uploading pictures to MisterSmartyPlants.

bird-sculpturedavis-sq-break-dancer

clematis

rose-says-hello

bloom-and-decay

abandoned-farmstand

graveyard

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My husband suggested we go to Worcester County Horticultural Society’s Tower Hill Botanic Garden today. When we got there, we learned that this weekend, the admission is free for fathers.

All the flowers and trees have labels, so it’s another way to get your plants identified (besides MisterSmartyPlants). There were lots of plants. Lots of families, too. A curious thing: In spite of the crowds and the absence of trash cans, I did not see one single piece of litter.

My husband chose to pose by a large aloe. Borrowing a line from A Raisin in the Sun, he said the aloe “expresses me”: prickly and healing. 🙂

grandpa-with-aloe

morfar-gets-greetings

tower-hill-fountain

tower-hill-tortoise

tower-hill-hippo

tower-hill-dad-day

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Solving a problem by definition means making something better. But for many years, disciplinary action in schools made things worse. Now more communities are testing the potential of “restorative justice,” an approach focused on helping a perpetrator change for the better.

It was at a neighborhood picnic that I first heard from a couple neighbors that they were restorative-justice volunteers.

They told me that if a student spray paints someone’s garage, let’s say, the police get called in, and the kid may end up with a record.

Under restorative justice, however, police, perpetrator, victim, school personnel, and community volunteers hear the case and agree on suitable compensation — in this case, it might be repainting the garage. The youth sees face to face how the victim feels. Change is possible with the community involved.

Patricia Leigh Brown writes at the NY Times about a restorative justice program in Oakland, California, where a high school’s “zero tolerance” policies had ridden roughshod over underlying causes, leading to escalation of problems.

She writes about youth adviser Eric Butler, whose “mission is to help defuse grenades of conflict at Ralph J. Bunche High School, the end of the line for students with a history of getting into trouble. He is the school’s coordinator for restorative justice, a program increasingly offered in schools seeking an alternative to ‘zero tolerance’ policies like suspension and expulsion.

“The approach … encourages young people to come up with meaningful reparations for their wrongdoing while challenging them to develop empathy for one another through ‘talking circles’ led by facilitators like Mr. Butler.” More.

In one talking circle, participants discovered that a girl in trouble for uncontrolled aggression had just lost a brother to gun violence. She had not told anyone or sought support. She began to learn other ways to deal with her anger.

Photo: Jim Wilson/The New York Times
Mr. Butler with a student at Ralph J. Bunche High School in Oakland.

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Rodin’s the Thinker, Wikipedia Commons

Went to Augusta, Maine, yesterday for a conference, where I took a bunch of pictures but not a single good one. Even when a conference is interesting, as this one was, it’s very hard to make it look interesting, although in one shot a panelist looked as absorbed as Rodin’s The Thinker.

I need a camera that shows thought processes — or a cartoonist who can draw light bulbs over people’s heads.

So here are few photos of a stretch-my-legs stop instead. Wells was about halfway to the Augusta, and I was curious about it as I always heard that a founder of Wells (Edmund L. Littlefield) was an ancestor. I couldn’t stay long, but the spiffy little train station made me want to take the Downeaster from Boston someday. Maybe spend a weekend in Portland and check out its art museum. …

wells-maine-train-station

wells-train-clock

wells-stop-on-Downeaster

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“JR,” a French street artist, has created a series of murals called “The Wrinkles of the City.”

The wrinkles are the intriguing faces of older people, often pictured on crumbling edifices. Kevin Harnett writes about them at the Sunday Globe, here.

“JR, a Frenchman whose real name is unknown, has become an international art celebrity thanks to his work flyposting oversized black-and-white photographs, often portraits of ordinary people’s faces, to the sides of buildings in cities around the world. …

“JR’s series ‘The Wrinkles of the City,’ which he began in Cartagena, Spain, has also appeared in Los Angeles and Shanghai. More recently he and collaborator José Parlá took to Havana, where they bedecked the old communist capital with the faces of dozens of Cuban Revolution survivors wearing expressions of deep-creased sanguinity. ‘The Wrinkles of the City, Havana, Cuba’ has been adapted for display at the Bryce Wolkowitz Gallery in New York City.” The show may be seen until July 12.

Street art in Cuba by JR

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“How did the turtle get its shell?” asks Carolyn Y. Johnson in the Globe.

“A group of scientists at Yale University and the Smithsonian Institution argue that a reptile fossil that has been gathering dust in museum collections is actually a turtle ancestor, and that its reduced number of ribs, distribution of muscles, and T-shaped ribs could help settle the question once and for all.

“In a paper published Thursday in the journal Current Biology, they unveil the argument that a 260 million-year-old creature called Eunotosaurus africanus was a turtle ancestor, hoping to help resolve a debate that has split the scientific community for decades. …

“The ink spilled so far has roughly divided the scientific community in two camps. On one side are those who believe that the turtle shell came about as external bony scales, similar to the ones found on armadillos or certain lizards, that eventually fused together with the reptile’s internal rib cage. On the other side are those who believe that reptiles’ ribs instead began to broaden until they eventually formed the bony protrusion that is the shell, mirroring the way that turtles develop in the egg.”

Which theory does the 260-million-year-old Eunotosaurus support? Read up.

“ ‘The results are pretty convincing; previously I was skeptical as to whether Eunotosaurus was a likely relative of turtles,’ [Kenneth Angielczyk, a paleobiologist from the Field Museum in Chicago], wrote in an e-mail. ‘But Tyler [Lyson]’s results make me think it is a plausible idea.’  ”

Scientists clearly have a lot of fun, but let me try a more Kipling-esque approach to the turtle question.

When the world was new, Oh, Best Beloved, the Turtle was a small, soft creature who played all day with other small, soft turtles on the banks of the great gray greasy Limpopo River all set about with Giant Eucalyptus Trees. He was timid. He was shy. He kept his distance from the great beasts of the jungle. But he was watchful, too, and he learned from what he saw. And so it happened, Oh, Best Beloved, that at the very day, hour, and minute that the Giant Python Rock Snake stretched out the stumpy nose of the Elephant’s Child, the Turtle felt a great fear come upon him. And he ran and rolled himself in the grease of the greasy Limpopo River all set about with Giant Eucalyptus Trees, raced to the most gigantic of the Giant Eucalyptus Trees, embedded his sticky self in the most gigantic of the Giant Eucalyptus Trees seeds, and there remained.

When he felt brave enough to stick his head out, he reported to all the small, soft turtles what he had seen. And thus the world gained not only a Turtle with a Shell, but the very first embedded reporter.

Photo: Luke Norton
This South African sideneck turtle bears a structural resemblance to the fossil of a creature called Eunotosaurus africanus.

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As a scientist with young children, Gregg often tweets ideas for engaging kids in science. Recently @gfavalora tweeted about a website with instructive and fun videos. It’s called The Kid Should See This.

The site describes the video below thus:

“To celebrate World Ocean Day 2013, director and animator Akiko McQuerrey created a Papa Cloudy stop-motion music video: Overfishing Song from Papa Cloudy’s Restaurant.

Overfishing—catching fish faster than they can reproduce—is an urgent and devastating issue, and may be the single biggest threat to ocean ecosystems… The global fishing fleet is operating at 2.5 times the sustainable level—there are simply too many boats chasing a dwindling number of fish.

“What can we do to help? With more sustainable practices, our oceans can be healthy and plentiful for everyone. Recommendations from the Monterey Bay Aquarium suggest that we select sustainable fish from restaurants and stores, and diversify the kinds of fish we eat beyond just the popular choices.

“To help make these choices easier, they created a Monterey Bay Aquarium Seafood Watch pocket guide and mobile app. They even have recipes and more information about how to solve our ocean challenges.”

More videos here.

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This is the story of how a song saved a cultural center in the Catskills.

Dennis Gaffney writes for the NY Times that at a recent celebration of success,  “Jay Ungar, a fiddler wearing a black vest and hiking boots, and his wife, Molly Mason, playing guitar, stood on a stage in a barnlike performance hall that did not exist a year ago. ‘Can you stand to hear this tune one more time?’ he asked the audience. …

“The tune is ‘Ashokan Farewell,’ the bittersweet lament familiar to millions as the theme song that the filmmaker Ken Burns used for the emotional crescendos of his Civil War series. But most do not know that Mr. Ungar’s moving hymn helped save the Catskill place that inspired the song, resulting in the Ashokan Center, a $7.25 million campus here dedicated to traditional music, Catskill history, environmental education, and local arts and crafts. …

“Many still assume that Mr. Ungar wrote ‘Ashokan Farewell’ with the Civil War in mind. But he wrote it on a September morning in 1982, after the end of his third Ashokan summer music and dance camp on this property, which the State University of New York at New Paltz owned and had used since 1967 as a field campus for environmental education.

“ ‘I left on a cloud of utopian euphoria,’ Mr. Ungar said of that summer. ‘You try to keep it alive, but it evaporates.’ ”

The song went on to have a life of its own, and Ungar even performed it at the White House. NY Gov. Pataki had heard it, too, and when a dismayed Unger contacted him about the pending sale of the Ashokan Center in Olivebridge,  the governor took action.

Soon a lot of people were on board, with the wistful song always at the heart of their efforts.

Writes Gaffney, “Mr. Ungar has come to believe that his song, like a traditional hymn, evokes much more than loss. In the mid-1990s, he got an e-mail from a man in Africa who said he was driving in his car when he heard ‘Ashokan Farewell’ on the radio. ‘He started crying uncontrollably and he had to pull off the road,’ Mr. Ungar recalled. ‘He said that in his culture, after the age of 10, men don’t cry, but he needed to cry.’ ”

More.

Photo: Nathaniel Brooks for The New York Times
Jay Ungar and Molly Mason playing “Ashokan Farewell” at the Ashokan Center.

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Heavy rain Friday night stunned our dogwood. I include before and after, plus a gaggle of other photos from my springtime meanderings.

The elephant mural is at the entrance to Boston’s Chinatown. The fancy light fixture is outside Trade restaurant. The fence with crocheted wheels is at the Davis Square subway stop. The fountain is next to a rose garden honoring the mother of President Kennedy, Rose. The urban birdhouse is in the Greenway. The herring gull is at Boston Harbor. The Canada Geese are too prolific. The Mudworks sign is in Fort Point. And the flowers are at Verrill Farm.

dogwood-late-May

rain-pummeled-dogwood

elephant-mural-chinatown

trade-restaurant-lamp

earth-day-concord-mass

davis-square-somerville

rose-kennedy-garden-fountain

birdhouse-downtown-boston

gull-boston-harbor

canada-geese-goslings

fort-point-sign

verrill-farm-concord-mass

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A WordPress blogger who clicked on one of my posts has a nifty site, here. The blogger is Razvan, from Romania. Razvan apologizes for a lack of fluency in English, but I am grateful for any amount. Wish I could speak other languages.

You will like Razvan’s origami. Here’s a description of the fruit basket below.

“I want to introduce another model Origami: 3d origami fruit basket, this 3d origami model  consists of about 3,000 pieces. Origami 3d basket is 25 cm diameter and 9 cm tall and is made of around 1,100 pieces.Pieces are made from rectangles of paper with dimensions of 5.2-3.6 cm and took me about 16 hours to finish. 3D Origami fruit are  made of around 170-500  pieces . Pieces are made from rectangles of paper with dimensions of 3.8-2.7cm and took me about 24 hours all.”

I hope Razvan checks out a couple of my past posts on paper art. This one is from Tokyo Bling. This one involves a stealth project in English libraries. And Peter Gentenaar’s Flying Paper Jellyfish and other paper artworks are gorgeous.

3-D Fruit Basket Origami: Razvan at Razcaorigami.

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Speaking of forebears, I interrupt this program to ask, Do you have something for your grandfather or father on June 16? Luna & Stella has unusual locket cufflinks into which you can put tiny mementos or birthstones of family members.

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You have heard of Let Us Now Praise Famous Men, the Depression era book on poverty in the South by James Agee and photographer Walker Evans. The forerunner was an article assigned by Fortune magazine to a young Agee but never published. This past Tuesday it was published as a book.

There are a couple aspacts to Christine Haughney’s NY Times story on the new book that intrigue me. One is the image of a young Agee moved by the plight of the sharecroppers and indignant at the magazine’s apparent exploitation of them.

The other is  how the original subjects, and later, their children, were embarrassed and didn’t want names used, but the grandchildren are able to see the beauty in their forebears.

Writes Haughney, “In 1936 Fortune magazine’s editors assigned a relatively unknown and disgruntled staff writer named James Agee to travel to Alabama for the summer and chronicle the lives of sharecroppers. When Agee returned, he was inspired by the subjects he had met and lived with, but frustrated by the limitations of the magazine format. His subjects, he argued, warranted far more than an article.

“What readers have known for decades is that Agee used his reporting material to create his 1941 book, Let Us Now Praise Famous Men, a literary description of abject poverty in the South, accompanied by starkly haunting Walker Evans photographs.

“The original magazine article was never published, as Agee squabbled with his editors over what he felt was the exploitation and trivialization of destitute American families. In the early pages of Famous Men, he wrote that it was obscene for a commercial enterprise to ‘pry intimately into the lives of an undefended and appallingly damaged group of human beings.’ What readers are about to discover now is what all the fighting was about.

“Melville House [is publishing] Agee’s original, unprinted 30,000-word article in book form, under the title Cotton Tenants: Three Families. The publication gives Agee fans a glimpse of an early draft of what became a seminal work of American literature.

” ‘With the book, we have a much better map of him writing Let Us Now Praise Famous Men,’ said John Summers, who edited Cotton Tenants and printed an excerpt from the article in a literary journal he edits, The Baffler. …

“Irvin Fields, whose grandfather Bud Fields was featured in the book, said he didn’t mind that the names were now being published.

“ ‘It makes me appreciate my relatives for bearing up under those circumstances and making me appreciate what I’ve got today.’ ” More.

A photo by Walker Evans, from “Cotton Tenants: Three Families,” via Library of Congress

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An artist discovered at 64 has a gallery show in New York.

Jim Dwyer writes at the NY Times, “For more than three decades, [Rafael Leonardo] Black, 64, has made a portal to the world in dense, miniature renderings of ancient myth and modern figures: Frank Wills, the security guard who discovered the Watergate break-in; Shirley Temple as a sphinx; the head of the surrealist André Breton as the head of John the Baptist; Marianne Faithfull in multiple incarnations.

“Until recently, few people ever saw his work because he had almost no visitors. He held paying jobs as a typist in a law firm, a salesman at Gimbels and then Macy’s, and as a secretary in a school. Most recently, he has worked mornings as a part-time receptionist in a hospital. …

“ ‘I just never made the effort to sell it,’ Mr. Black said. ‘I never expected to be able to make a living at it, but I’ve always done it since — well, I guess, since I’ve known my self.’

“Then [in May], a Manhattan gallery owner, Francis M. Naumann, mounted ‘Insider Art,’ an exhibition of 16 works by Mr. Black. Ten of them sold within days, at prices ranging from $16,000 to $28,000.

“ ‘People liked them, people who know art,’ Mr. Black said. ‘It makes me very happy.’ …

“Late last year, [his friend John] Taylor passed along Mr. Black’s number to [another] friend, Tej Hazarika, who publishes in the art world. Mr. Hazarika urged Tom Shannon, an artist and inventor, to look at the work. In turn, he brought it to Mr. Naumann’s attention. …

“ ‘If you are going to make a picture, you have to make something that’s in concert with the way the world operates,’ Black said. ‘There’s a line from the Lovin’ Spoonful: “You came upon a quiet day, and simply seemed to take your place.” ‘ ” More.

Photo: Victor J. Blue for the NY Times
“There’s a saying: ‘Everybody writes poems at 15; real poets write them at 50,’ ” said Rafael Leonardo Black, who draws miniature figures.

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After seeing a beautifully composed NY Times photo of people walking by bluish and rose-colored buildings in a nearly empty North Korea street, I began following the photographer on twitter, .

David Guttenfelder is one of the few Western photographers in North Korea. He was there when former Secretary of State Madeline Albright met with the previous ruler, Kim Jung Il. He takes pictures for media outlets and for his own amusement. His Instagram pictures of “artifacts” like a frilly computer screen cover and visitor handbooks can be hilarious or creepy.

Nina Porzucki had a lovely piece about Guttenfelder at Public Radio International’s “The World,” here. If you go to the PRI site, you have your choice of reading the transcript or listening to the report via SoundCloud.

The photographer tells Porzucki, “Over the years, every time I’ve gone back I’ve had more access, I’ve seen more. I’ve actually met people, I’ve seen real things.

“And I had this transformation. I kind of feel like that’s what I’m trying to do with my photography, is to take people who see my pictures through the same process. When they opened up the 3G local network and suddenly I could post pictures or tweet from the streets, from North Korea, that was more revolutionary than it would be anywhere else in the world, for sure. It’s sort of anything goes. I can just stop and take pictures of all these little mundane things in life that aren’t really so-called ‘newsworthy.’

“These are the things you run past on your way to covering the news. You know, a picture of bar snacks or a little yellow computer cover over a computer terminal, and none of them are great pictures the way photographers describe great pictures, ‘Oh, that’s a great picture.’ …

“It has as big of an impact probably as my professional daily newspaper work does. … I know that I’m not photographing anywhere near everything that’s going on in the country, especially the darkest things. But this is a long-term project, and we’re pushing to do as much as we can. If I’m not there, the only pictures that we’re getting out of Korea are distributed by Korean Central News Agency, where propagandist is not a dirty word.” More.

Photo of North Korea: David Guttenfelder, AP

 

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