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WordPress Fail

Dear friends, today I tried to publish from the JetPack app that WordPress is pushing, and the post disappeared from both the phone and the laptop. If I can’t find it, I will post something else after dinner.

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A Photo Roundup

Photos: Suzanne and John’s Mom.
Above, early fall morning on the Sudbury River.

Leaves are falling like gold coins in New England and it’s getting cool enough for a wool scarf on early morning walks. When I wrap mine tightly around my neck, I think of my friend Pam, who died in April after a bad fall. So many things remind me of her, but the scarf reminds me how she said that if her neck is warm on cold days, she’s OK. I’m the same.

Where I live now, I have a nice view of the Sudbury River from the fitness center treadmill. The photo above cuts out the buildings that I normally see in the view. Isn’t it beautiful?

I take my usual walk past the local golf course, seen in the next picture. Golf makes me think of another friend, one who golfs almost every day in Florida. I sent her a picture, too.

I’m seeing lots of pretty fungi and mushrooms and expect that before long there will be new and interesting ones emerging from the stump left behind by the monster tree below. I can’t help wondering why such a nice, big tree was cut down. I’m sure it didn’t want to be.

I don’t see fungi in the little garden plots where I take my compost offerings every few days. Just rich soil, flowers, tomatoes, and curious artifacts like the decorative tea cup in the photo.

The big echinacea at the house we are selling took me completely by surprise. I don’t remember when I planted it, and I know it never bloomed before. It strikes me as something dropped in from outer space. And as my kids know, that is likely to remind me of the 1978 version of The Invasion of the Body Snatchers.

Because so many things do remind me of that movie.

My next shot notes the 150th celebration of the local library, for which a beautiful day came through, as ordered. (Costume parade, Anyone? Speeches by Ralph Waldo Emerson?)

Next, there’s a photo of a typical sight near Boston’s North Station, where I went to have coffee with my friend Lillian one day. A number of tour businesses use Segways to get people from one historic site to another. Remember when Dean Kamen’s invention was going to revolutionize transportation? So far, it seems to have revolutionized only tourism.

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Photo: José Hevia.
The Guardian reports on “affordable housing near Palma, Mallorca, built by Balearic social housing institute Ibavi, constructed from load‑bearing stone quarried locally.” 

The materials we use these days for constructing new buildings are generally harmful to the environment, at least in their creation. Now some architects are advocating for the old ways, the more sustainable and beautiful old ways.

Rowan Moore writes at the the Guardian, “Imagine a building material that is beautiful, strong, plentiful, durable and fireproof, whose use requires low levels of energy and low emissions of greenhouse gases. It is one of the most ancient known to humanity, the stuff of dolmens and temples and cathedrals and Cotswolds cottages, but also one whose sustainability makes it well-suited to the future. Such a material, according to a growing body of opinion in the world of construction, is among us. It’s called stone.

“Last week I sat in the roof garden of a hefty pile of masonry in central London, talking to three advocates of this magnificent substance: engineer Steve Webb, Pierre Bidaud of the Rutland-based Stonemasonry Company and architect Amin Taha. … The building on top of which we met is their joint creation: the six-storey, five-year-old Clerkenwell block where Taha has his office and his home.

“Their point is that stone has been supplanted in the industrial era by steel, concrete and mass-produced bricks, and is used (if at all) mostly as a thin cosmetic facing, while the hard work of holding up a building is done by the upstart alternatives. They argue that solid stone can once again form the walls and structure of building, with benefits for the environment and for the beauty of architecture. Any form of the material – limestone, sandstone, basalt, granite – can, depending on its properties, be used.

“Webb explains how the strength of stone compares well with steel and concrete, yet its environmental impact is far lower. The latter require several different energy-consuming activities, including extraction, smelting, transport, processing and installation. Stone only needs to be cut out from a quarry, taken to a site and put in place. Where the many ingredients of steel and concrete require multiple holes to be dug in the ground, not to mention such things as blast furnaces and rolling mills, the stonework for a given project only needs one.

“The planet, as Taha points out, is made mostly of stone. … We are in no danger of running out. For the same reason, stone should almost always be locally available, which keeps the environmental costs of transport down. The material is long-lasting and recyclable. ‘Any stone building is a quarry,’ says Bidaud. ‘It can be dismantled.’

“At the same time, 21st-century engineering allows stone to be used more effectively than ever before. The material is naturally strong in compression – that is, when loads are pushed down on it – which means it is good for walls, columns and arches, but less so if it is stretched or bent, as in beams or floor slabs.

It is now possible to combine stone with a (sparing) use of steel such that it can perform like reinforced concrete. …

“Next year, a 10-storey residential tower is due for completion on Finchley Road in north London (by Taha’s practice Groupwork and Webb’s firm Webb Yates Engineers), whose load-bearing stone structure will make it one of the most remarkable buildings in modern Britain. The three are collaborating on a grand new private house whose masonry vaults look almost medieval in their craftsmanship.

“They also cite works by others, such as an eight-storey, all-stone social housing building in Geneva by local architects Atelier Archiplein, and the Salvador Espriu project on the edge of Palma, Mallorca, whose graceful stone ceilings belie the fact that these are affordable homes built by a government housing institute called Ibavi. …

“Webb, Bidaud and Taha argue that stone doesn’t have to be costly. Taha, for example, has demonstrated that you can cut stone into bricks at the same cost or cheaper than the more usual fired-clay kind, with less than one fortieth of the carbon emissions, which has led to 10 quarries offering them as a commercial product. The problem is rather ‘forces of habit in the building industry.’ …

“Meanwhile, [2 billion] bricks of the traditional, energy-hungry, carbon-intensive kind are bought in this country every year. Steel and concrete remain the standard options for a wide range of building tasks. Webb is scathing about professional inertia on the subject, about architects ‘who protest about climate emergency, cycle to work and eat locally grown tomatoes’ but don’t examine their own decisions about construction techniques.

“You can get a glimpse of the highly appealing alternatives in a display at the Design Museum in London, How to Build a Low-Carbon Home, where the work of Taha, Webb and Bidaud is on show (until March 2024) alongside structures in wood and straw. …

“Who could look at the solid stone structure of, for example, the Mallorcan social housing, where the forces of nature and the work of humans is evident in the fabric, and prefer the processed surfaces and plasticized finishes of their British equivalents? And the great thing about stone is that, having been used for millennia, it’s well tested.” More at the Guardian, here.

Construction in the UK is often shoddy. Consider the tragic Grenfell Tower fire, here, and the completely avoidable death toll. “The fire was started by an electrical fault in a refrigerator on the fourth floor. This spread rapidly up the building’s exterior, bringing flames and smoke to all residential floors, accelerated by dangerously combustible aluminum composite cladding and external insulation, with an air gap between them enabling the stack effect.”

My husband has been following that story and says more has been spent on lawyers than on fixing the materials in buildings or adding sprinklers.

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Photo: Alexandra Ionescu/Rhode Island Collective.
This floating wetland, an artificial island hosting a human-made ecosystem, was scheduled to remain in Ice Pond in Southborough, Mass., until Sept. 17.

Here’s a new thing under the sun: a floating wetland. Art and science join forces, and Frank Carini at ecoRI News has the story.

“Floating in a circle around a pond in Massachusetts is a mini-wetland built by six Rhode Islanders. Earlier this summer, the mostly natural creation was chosen as the winning installation in the seventh annual Art on the Trails outdoor art and poetry program.

“But the freshwater wetland, built by a group of Ocean State artists, designers, and a botanist, wasn’t commissioned to win an award. It was designed to raise awareness about the importance of wetlands and show how they work. Mission accomplished.

“Art juror Sarah Alexander, who chose ‘Below and Above: A Floating Wetland Supports Life” by the Rhode Island Collective as the best installation, said, ‘The amount of careful research and thoughtful response to the space, along with the combined efforts of its dedicated creators, blew me away.’ …

“The wetland has been floating in Ice Pond in Southborough since June 11. It was created by sourcing native plants, and experiments with natural cordage. It shows how pollutants could be sucked from stressed waterbodies with a little help from human hands. A single anchor line keeps the wetland floating in a 15-foot circle, and not all over the popular skating pond.

“Members of the Rhode Island Collective include Holly Ewald (visual artist), Maxwell Fertik (interdisciplinary artist), Alexandra Ionescu (ecological artist), Hope Leeson (botanist), and August Lehrecke and Matthew Muller (co-founders of an inflatable architecture studio), who led the project’s construction. …

“ ‘The floating wetland ecosystem creates a habitat for the more-than-human world below and above the water line through the growth of native macrophytes. Through the plants’ life cycles, they regenerate the food web, amplifying the natural processes between sunlight, water, and microorganisms,’ according to the Collective. …

“Their structure was built using dried Japanese knotweed, broadleaf cattails, and bamboo for buoyancy, as alternatives to petroleum-based materials such as plastic and foam typically used to construct floating wetlands. A small amount of stainless steel wire mesh and cable holds the craft together.

“The knotweed used to create the floating wetland was harvested in late winter as dry stems from Mashapaug Pond and Gano Park in Providence. Fertik said repurposing invasive species for the project’s pontoons removed some of their biomass from the environment and transformed the nonnative plants into a vessel to improve water quality and promote biodiversity. (The dead stalks weren’t capable of spreading.) …

“The craft is home to 18 native wetland plant species: American bur-reed; bayonet rush; brown fruited rush; Canada rush; common cattail; Alleghany monkey-flower; blue flag iris; boneset; cardinal flower; flat-topped goldenrod; Joe-Pye weed; New York ironweed; northern water horehound; pickerelweed; swamp milkweed; buttonbush; silky dogwood; and steeplebush. …

“Suspended in water, the plant roots provide a home for diverse communities of algae, bacteria, fungi, and protozoans, known as periphyton. As the plants upcycle nutrients from the water into their roots, stems, leaves, and flowers, the periphyton provide nutrient uptake, filtration, oxygenation, and toxin removal.

“Southern New England’s freshwater lakes and ponds, especially the shallow ones, are being stressed by development, wastewater overflows, old and failing septic systems, antiquated cesspools, and stormwater runoff carrying nutrients such as nitrogen and phosphorous from fertilizers and roadway pollutants such as polycyclic aromatic hydrocarbons. …

“The Collective’s 48-page PowerPoint presentation noted Indigenous communities built floating islands for hundreds of years by harvesting natural materials found in their surroundings. ‘By incorporating native plants from freshwater marsh and pond ecosystems, we are supporting a variety of other life forms,’ they said.

“Ice Pond, part of the 58.5-acre Elaine and Philip Beals Preserve, is a healthy ecosystem in little need of a floating wetland to pull pollutants out of the water, but it did give the Collective an opportunity to learn how floating wetlands create a habitat, observe the decay of the natural materials used to build the craft, and document the growth of the native wetland plants. … The Providence Stormwater Innovation Center has requested the craft’s presence for the ponds at Roger Williams Park. …

Art on the Trails is an annual site-specific ecological sculpture park exhibition. To watch a video about the project, click here.

More at ecoRI News, here.

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Photo: Julius Jansson via Unsplash.
Aerial view of the centre of Helsinki, which is still a low-rise city.

I like learning how different countries make their cities more livable. Finland is known for being a trendsetter in many areas, including funny contests, housing, education, eldercare, basic income — and urban living.

Gillian Darley at Apollo magazine wrote recently about design in Finland.

“The Helsinki skyline is startlingly low for a capital city, its further horizons determined by water and scattered wooded islands. In the centre, urban civility and a clear-headed planning regime have established a height limit of around eight stories, punctuated by occasional eminences. The standout is the heroic central station, designed in the early 1900s by Eliel Saarinen. …

“Otherwise, only a few spires and the lofty white Lutheran cathedral, the jazz-style tower of the Hotel Torni and pencil-thin chimneys from redundant power stations cut into the ordained pattern. One of the power stations, Hanasaari, which closed down this March, is currently preoccupying the city authorities. They have turned to Buro Happold for advice, in the hope that the firm’s experience with Battersea Power Station may help rescue the 1970s brick shell.

“A little further east, overlooking the harbor, a gaggle of multi-story blocks has recently loomed – as if testing the water. Otherwise, only a few spires and the lofty white Lutheran cathedral, the jazz-style tower of the Hotel Torni and pencil-thin chimneys from redundant power stations cut into the ordained pattern. …

“Another factor is starting to determine the physiognomy of the city centre: some of it is, and more will be, sited below ground. There is no single clear reason for this, though factors include the exigent climate, respect for that polite skyline, and the key part that open space plays as amenity, in the city as in the overwhelmingly forested country.

“The use of subterranean space and the creation of a new realm overhead are becoming a speciality of Helsinki-based architectural practice JKMM. The Amos Rex art museum (named for the Finnish publisher and patron Amos Anderson) sits beneath a swooping pedestrian square – formerly a bus terminal, now an unorthodox playground of sculptural skylights and domes at the foot of a cheerful art-deco clock tower.

“The galleries below are reached via the handsome glazed entrance of the Lasipalatsi (‘Glass Palace’), part of a restored modernist complex together with the Bio Rex cinema (1936) next door. Elegant stairs sweep into a lobby and the sequence of soaring new galleries. …

“[Another] subterranean structure is due to open in 2027: this is an ambitious underground annex for the National Museum of Finland in central Helsinki. The spectacular new space is flagged by a circular cantilevered entrance, a concrete vortex from which visitors will descend on a series of stairs to the galleries and facilities below. Above, a public garden will be open all year round.

“For decades, visitors to Finland had been drawn by Alvar Aalto’s questing version of modernism, seen as closely aligned with Nordic social democratic aspirations and sustained by a tight group of followers, at home and abroad. Inevitably, his work has been challenged by the passing of time and changing usage. In Helsinki, the shrouded hunk of the white Carrara marble-clad Finlandia Hall, dating from 1971, is in the middle of a recladding expected to take five years; the crisp Academic Book Store of the 1960s – a smart street-front clad in beautifully detailed copper, with dramatic angular roof lights bursting into life within – is compromised by chipped and stained marble facings on the entry columns.

“West of central Helsinki is another post-war landmark: the ‘garden city’ of Tapiola, which has been highly influential in European town planning. It shares its roots with British first-generation New Towns and, patched and amended though it is, it still offers compelling evidence of an urbane landscape, the antithesis of the formless out-of-town development. …

“When considering a future for the best works by Aalto and his circle, there is often a clash between function and feasible preservation, but in Tapiola there is also a town of 9,000 people to consider. The building materials of the early 1950s, especially in schools and sports buildings, have not stood the test of time; the hazards of asbestos are ubiquitous. The swimming hall, already restored once, is wrapped in sheeting and plywood, its fate uncertain.

“Yet the best of the flats and housing are highly sought after: the terraced houses, with perky monopitch roofs and skinny clerestory windows on to the roadside, benefit from back gardens and immediate access to a natural landscape of rock and pinewoods.  The little cinema has been restored and is highly valued, the lake remains centre stage and expanses of open parkland stretch out on every side.

“The societal hopes that brought Tapiola into being in 1953, according to the ideas of a visionary lawyer, Heikki von Hertzen, may have faded. Established according to principles of social enterprise, Tapiola has been outstripped by Espoo, the municipality of which it is a part, and which is a product of modern broad-brush urban development. But Tapiola is more than just a name in the history of town planning – it richly deserves a second look and, even, another close look at those founding principles.

More at Apollo, here. No paywall.

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Photo: Nebraska Public Media.
Members of the Otoe-Missouria tribe pose with the proclamation that designates September 21 as “Otoe-Missouria Day” in Nebraska.

However we celebrate Monday, it’s a good idea to think it through. What is loyalty to Columbus about? What is loyalty to the original inhabitants about? What can we learn?

In a 2021 National Public Radio (NPR) story, Dylan Baca, a 19-year-old Arizonan who was instrumental in helping broker the proclamation recognizing Indigenous Peoples’ Day, said, “I still don’t think I’ve fully absorbed what that has meant. This is a profound thing the president has done, and it’s going to mean a lot to so many people.”

But he acknowledges that Italian Americans also deserve to be celebrated because Columbus Day was founded as a way to appreciate the mistreatment of Italian Americans. “Italian American culture is important, and I think there are other times and places to recognize that. But I think it’s also important to also recognize the history of Columbus Day itself. Should we recognize a man whose labors [decimated] the Native American population here? I don’t think that is something that we want to be honored.”

I know now that the traditions I learned in elementary school are mostly based on fairy tales. So I appreciate the opportunity to gain information based on facts. Here, for example, is an interesting article about a tribe indigenous to Nebraska.

Jackie Ourada at Nebraska Public Media reports, “The last time Otoe-Missouria families walked together on Nebraska prairie, they were headed south to hot, dry reservation land in Oklahoma. They wouldn’t be officially welcomed back to their ancestral home for nearly 200 years.

“This is where Christina Faw Faw’s relatives hunted elk and bison, where they kept their corn and wild plants, where they held celebrations and ceremonies, and eventually, where they had to leave. Though, Faw Faw says her ancestors’ presence remains.

“ ‘As soon as we got out of the car and started walking down this road, I could feel it,’ she said.

“Oregon marked its first statewide recognition of Indigenous Peoples’ Day, in place of Columbus Day, in 2021 after its legislature passed a bill brought by its Indigenous lawmakers. Rep. Tawna Sanchez, one of those lawmakers, said the movement to recognize the day is an ideal time to capitalize on the momentum of political recognition.

” ‘I don’t know that we’ll ever get to a place where people have their land back or have the recognition of who they are, to the degree that we that we need to or should. But the fact that people are paying attention at this very moment — that’s important, because we will have a greater opportunity to educate people and help them understand why we are where we are right now,’ she told NPR in 2021. …

“Her tribe’s land stretched across southeastern Nebraska, from Yutan to the Salt Creek in Lincoln. They were forced out in 1833 to make way for white settlements, some of which became the concrete city blocks of Lincoln and the University of Nebraska. Both are now officially recognizing the damage done to Native people.

“[Faw Faw] made the trip to Lincoln, as the city’s mayor signed a proclamation designating September 21 as Otoe-Missouria Day. It’s the latest step in a growing movement, in Nebraska and across the world, to recognize the harm white settlers inflicted on Indigenous people and to reconcile relations. …

“Nebraska State Historical Society excavations show the Otoe-Missouria tribe built several round earth lodges across this southeastern land they called nyi brathge, or ‘flat water,’ which later gave Nebraska its name. They had separate storage areas for their corn and wild plants, dedicated areas for their fishing and hunting utensils, and large gathering spaces for tribal ceremonies. …

‘Dozens of families from the 3,200-member tribe traveled from their reservation in northern Oklahoma for the ceremony. While the trip back to their former tribal land sparked feelings of gratitude and healing, Vernon Harragarra said there’s still pain that may never fully mend.

“ ‘Today is just one step forward in gaining what we lost,’ Harragarra said. His elders have long spoken of the culture white settlers erased when they pushed tribes to reservations.

“ ‘We used to share the pipe with the Omaha people and the Winnebagos – our neighbors,’ Harragarra said. ‘When we left, a lot of our ceremonial and ancient ways were gone.’

“The first arrival of white settlers and the diseases they carried nearly decimated the Missouria tribe. It’s what eventually brought the two groups together. At one point, the Missouria tribe dwindled to just one hundred relatives – forcing them to join the Otoes to survive.

“And when they were forced south to Oklahoma, Harragarra said his bloodline almost didn’t survive. His ancestors made the long trek as soldiers pushed other tribes along the Trail of Tears, the infamous and deadly 5,000-mile route that displaced Indigenous populations to reservations.

“Harragarra thought about that history when he and his family drove up from Oklahoma. Getting away from the reservation with his children felt like he was restoring lost traditions – such as his tribe’s sacred buffalo hunts, where families would take their growing children to gather food for the first time.

“ ‘When I took my daughter out of school, it reminded me of those stories,’ Harragarra said. ‘I wanted my kids to be here to witness this historic day. I kept telling them that on the way up here.’

“Harragerra said he expects his children to also keep traditions alive despite pressure to assimilate. ‘They’re not done yet. You know, in the future, I’m not gonna be here forever,’ Harragarra told his three children. ‘You guys got to carry on what we’re trying to get back.’ “

More at NPR, here, and at Nebraska Public Media, here. No firewalls.

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Happy Cobblers

Photo: Marcie Parker for the Boston Globe.
Leslie Bateman and Emily Watts are the founders of Coblrshop, a modern shoe repair company in Boston.

I don’t know if you would recall a photo blog post of mine that included a picture of a new-ish cobbler shop in Providence. I was surprised at the time to see that anyone new was eager to get into the shoe-repair business. Wasn’t it supposed to be a dying art?

It turns out that there are enough customers who want to keep their favorite shoes intact that cobbling services are actually increasing.

Marcie Parker reports at the Boston Globe, “Leslie Bateman always loved shoes. Since she was a little girl, she has walked with her eyes cast downward, checking out shoes as their owners stepped along sidewalks. She scoured shoe stores, department stores, and vintage clothes shops for the perfect shoes for school, work, exercise, formal occasions, and casual gatherings.

“And once she found the right shoes, she never wanted to toss them out. Thus began Bateman’s relationship with cobblers, the craftspeople who repair, customize, and sometimes make shoes. Whenever she moved to a new city — Montreal, New York, and now Boston — she searched for cobblers to keep her shoes in good condition, a task that became harder as the number of people practicing the trade dwindled.

“Now Bateman and her partner, Emily Watts, are launching a new service to make it easier for shoe lovers to get their shoes fixed. Their Boston-based startup, called Coblrshop, combines the latest in digital technology with a centuries-old craft, using its website and a mobile app coming next year to diagnose repairs for luxury shoes and handbags, estimate costs, and connect to cobblers.

“ ‘You bring technology in and it adds so much efficiency,’ Watts said. ‘[We’re] using technology to really improve a well-established and long-lasting industry.’

“Coblrshop is among the latest companies to use technology to connect customers with services, joining a host of websites and mobile apps that provide one-stop shopping for auto repair, dry cleaning, home maintenance, and food delivery.

“Bateman and Watts are betting if they make shoe repairs fast, convenient, and competitively priced, more people will fix rather than toss out worn shoes, not only helping to revive the art of shoe repair but also reducing the environmental impact of the footwear industry. …

“Coblrshop contracts with a downtown Boston shoe repair shop, David’s Instant Shoe Repair on Franklin Street, to make repairs. Ultimately, the company plans to find a larger, central location to host several cobblers and train new ones.

“Here’s how the service works: Customers go to the company’s website, where they can choose the type of shoe or handbag that needs repair. From there, they select from a drop down menu the condition of the shoes and the services needed.

“Customers can choose from broad repair categories, such as a clean and shine, wear and scuffing services, or a complete repair. They also have the option to add protective soles to reduce future wear and tear. … After ordering repairs and paying online, customers receive within three to five days a biodegradable and recyclable mailer bag to send their shoes to the company’s cobbler. The process, from estimate to delivery of just-like-new shoes, takes about two weeks.

“Eduard Harutyunyan, who works at David’s Instant Shoe Repair, is Coblrshop’s cobbler. After immigrating to Massachusetts from Armenia in 1997, he learned the craft from a cousin who owned a shoe repair shop in Natick.

“Bateman and Watts said they searched extensively to find a cobbler who they believed would do the highest quality work and be open to modernizing shoe repair. They chose Harutyunyan after speaking to more than 60 cobblers.

“Harutyunyan, 46, said … ‘The issue with the cobblers in general — they don’t get much respect,’ said Harutyunyan. ‘What I like is to be able to change that.’ …

“Few appreciate that as much as Bateman. She recalled becoming particularly attached to a pair of gold Chanel flats that her husband found at a vintage store in Manhattan in 2010 and gave to her for her birthday. She wore the flats every day for years, getting them resoled four times. …

“ ‘You’re not buying something and sending us something new or something via resale,’ Bateman said. ‘You are sending something in that has a story, and we need to take care of that and give you back that magical experience.’ ”

More at the Globe, here.

Photo: John and Suzanne’s Mom.
Providence cobbler shop.

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Photo: Mata, et al, CC BY 4.0.
Entomology Today says, “City insects need native plants just like country insects do. A new study, conducted in a small greenspace in Melbourne, Australia, found that an increase in the diversity and complexity of plant communities leads to a large increase in insect biodiversity, a greater probability of attracting insects, and a higher number of ecological interactions between plants and insects.”

My friend Jean Devine, founder of Biodiversity Builders and Devine Native Plantings, works with young people to plant native species that nurture beneficial insects. Between her and University of Texas Prof. Alex Wild, @alexwild, I have been learning a lot about bugs and how essential to life they can be. I even work hard to understand some of Alex’s posts, of which the following is not unusual: “A genomic study of a small group of tiger beetles shows that convergent color evolution had misled past morphological taxonomists.” Ha!

Meanwhile, under the title “Every Little Bit Helps,” Entomology Today advises those responsible for plantings in cities thus: “By increasing the diversity of native plants in urban areas, researchers from the University of Melbourne have seen a seven-fold increase in the number of insect species in just three years, confirming the ecological benefits of urban greening projects. The findings were published [in August] in the British Ecological Society journal, Ecological Solutions and Evidence.

“The study, conducted in a small greenspace in Melbourne, Australia, found that an increase in the diversity and complexity of plant communities leads to a large increase in insect biodiversity, a greater probability of attracting insects, and a higher number of ecological interactions between plants and insects.

“Bringing nature into cities has been shown to deliver a host of benefits, from well-being to increased biodiversity and climate change mitigation. Being able to quantify the benefits of greening projects like rooftop gardens or urban wildflower meadows has become a sharp focus for people creating and funding them.

However, prior to this study, little evidence had been documented on how specific greening actions can mitigate the detrimental effects of urbanization through boosting the numbers of indigenous insect species that have become rare or ceased to exist in a particular area.

“ ‘Our findings provide crucial evidence that supports best practice in greenspace design and contributes to re-invigorate policies aimed at mitigating the negative impacts of urbanization on people and other species,’ says Luis Mata, Ph.D., researcher at the University of Melbourne’s School of Agriculture, Food and Ecosystem Sciences, lead research scientist at Cesar Australia, and lead author of the study.

“Prior to the beginning of the study in April 2016, the research team’s chosen greenspace was limited in vegetation: simply a grass lawn and two trees. Across April, the site was substantially transformed through weeding, the addition of new topsoil, soil decompaction and fertilization, organic mulching, and the addition of 12 indigenous plant species.

“Across the four-year length of the study, the researchers conducted 14 insect surveys using entomological nets to sample each plant species for ants, bees, wasps, beetles and more. Overall, 94 insect species were identified, 91 of which were indigenous to Victoria, Australia.

“ ‘Most importantly, the indigenous insect species we documented spanned a diverse array of functional groups: detritivores that recycle nutrients, herbivores that provide food for reptiles and birds, predators and parasitoids that keep pest species in check,’ Mata says.

“The 12 plant species planted at the beginning of the study were found to support an estimated 4.9 times more insect species after only one year than the original two plant species that previously existed in the greenspace where the research took place. …

“ ‘An increase in the diversity and complexity of the plant community led to, after only three years, a large increase in insect species richness, a greater probability of occurrence of insects within the greenspace, and a higher number and diversity of interactions between insects and plant species,’ Mata says. …

“ ‘I’d love to see many more urban greenspaces transformed into habitats for indigenous species,’ Mata says. ‘We hope that our study will serve as a catalyst for a new way to demonstrate how urban greening may effect positive ecological changes.’ ”

More at Entomology Today, here. No firewall.

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Photo: MBARI.
Researchers nicknamed the Muusoctopus robustus species the pearl octopus because of the way they look while upside down protecting their eggs. In 2018, a team of scientists found thousands of M. robustus at the base of the Davidson Seamount, about 80 miles southwest of Monterey, California.

Some people may recall Ringo Starr singing “Octopus’s Garden” on “Abbey Road,” but who knew there was really such a thing as an octopus garden? Kasha Patel describes one at the Washington Post.

“About 80 miles from the coast of central California, thousands of octopuses gather on rocks two miles below the surface of the ocean. This location, dubbed ‘octopus garden,’ is the largest known aggregation of these mollusks in the world. … Scientists have been puzzled why so many octopuses plant themselves in these abysmal, colder waters — until now.

“After three years of monitoring the area, researchers found the site is a popular mating and nesting ground for pearl octopuses, where hot springs help embryos develop twice as fast as expected at this depth. The faster development increases a hatchling’s likelihood of survival through the brooding period, according to a study released [in August] in the journal Science Advances. …

“ ‘We’re supposed to be managing these areas and protecting them for future generations, and we didn’t even know that this habitat was down there [and] what kind of impact it was having,’ said Andrew DeVogelaere, research ecologist and study co-author. …

“The discovery of the octopus garden back in 2018 was lucky, said DeVogelaere, who runs the research program for NOAA’s Monterey Bay National Marine Sanctuary. For more than two decades, researchers have been studying an extinct underwater volcano called the Davidson Seamount. The seamount, located southwest of Monterey, Calif., is one of the largest seamounts in the world and known for its beautiful deep sea corals. It is also one of the most well-studied seamounts in the world, so when DeVogelaere wanted to explore it further, others were skeptical he would find anything new.

“ ‘We said, “Don’t waste your time going there,” ‘ said Jim Barry, senior scientist at the Monterey Bay Aquarium Research Institute and lead author of the new study. ‘ “We’ve been all over it.” ‘ …

“Nevertheless, Barry and his colleagues said there is an unexplored area on the foothills of the seamount that could be interesting to investigate. The researchers then sent a ship to study the area.

“DeVogelaere, who was following along on a video feed, said it was at first pretty dull, just a lot of mud. Then suddenly, they spotted a hoard of balls, like opalescent pearls, on the seafloor.

“They had found the ‘octopus garden,’ home to at least 6,000 nesting, Muusoctopus robustus. … The researchers estimate there could be 20,000 in this nursery.

“For three years, the team monitored the population through cameras and dives with remotely operated vehicles, measuring water temperature and oxygen. They found only adult males and female octopus, developing eggs, and hatchlings at the location, indicating the site was used exclusively for mating and nesting.

“They also noticed shimmering water, which was indicative of a thermal spring — something ‘totally new in this area,’ Barry said. He explained the shimmering water appears when warm water (such as from a thermal spring) and cool waters mix. Water temperature from these thermal springs can reach nearly 51 degrees Fahrenheit, while ambient water temperature is around 35 degrees. …

Typically at near-freezing temperatures in the deep ocean, researchers expected pearl octopus eggs at least five years to hatch. These hatched in just two years.

“ ‘As you get into colder waters, whether it’s polar waters or deeper waters, colder water slows down metabolism, slows down metabolic rates, slows down growth and embryonic development rates,’ Barry said. ‘We think that the warm water is providing some sort of reproductive benefit for them.’ …

“The team thinks the octopus garden is just one of many deep sea octopus environments out there. Just five miles away from the garden, researchers found another octopus nursery near thermal springs. In June, another group of researchers discovered a nursery near thermal springs in Costa Rica.

“[Beth Orcutt, vice president for research at the Bigelow Laboratory for Ocean Sciences in Maine] helped lead the Costa Rica expedition. [She] said both of these discoveries show that these small outcrops of rock on the seafloor, which are often passed over for study to focus on larger seamounts, can be incredibly rich and productive sites of life.

“ ‘I don’t think it’s a one-off curiosity,’ DeVogelaere said. ‘Most of the deep sea hasn’t been looked at.’ ”

More at the Post, here. For a version of the story with no firewall, see CNN, here.

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Illustration: Elara Tanguy.
The Miyawaki Method (bottom) speeds up the process of natural ecological succession (top) through the planting of “climax species.”

Ideas on combating climate change through the planting of sustainable forests come today from an employee-owned publishing company called Chelsea Green. Here they focus on a book by Hannah Lewis about the Miyawaki Method.

“Author Hannah Lewis is the forest maker transforming empty lots, backyards, and degraded land into mini-forests and restoring biodiversity in our cities and towns to save the planet. …

“Most of us know the term old-growth forest, which refers to natural forests that are still mostly free of human disturbance (though not necessarily free of human presence). These forests have reached maturity and beyond — a process that often takes centuries. As a result, they host incredible biodiversity and sustain a complex array of ecosystem functions.

“The Miyawaki Method is unique in that it re-creates the conditions for a mature natural forest to arise within decades rather than centuries. 

At the heart of the method is the identification of a combination of native plant species best suited to the specific conditions at any given planting site.

“As we’ll see, determining this combination of special plants is not always so straightforward.

“More than just the species selection, the Miyawaki Method depends on a small collection of core techniques to ensure the success of each planting. These include improving the site’s soil quality and planting the trees densely to mimic a mature natural forest. It’s also necessary to lightly maintain the site over the first three years — which can include weeding and watering. Amazingly, though, if the simple guidelines are followed, after that point, a Miyawaki-style forest is self-sustaining.

“The trees grow quickly (as much as 3 ft per year), survive at very high rates (upward of 90 percent), and sequester carbon more readily than single-species plantations. The Miyawaki Method is also special for its emphasis on engaging entire communities in the process of dreaming up and planting a forest. Whether you are three years old or eighty-three, chances are you can place a knee-high seedling into a small hole in the ground. At the very least you can appreciate and cherish the return of quasi-wilderness to a space that was once vacant.

“The Miyawaki Method calls for planting native species, but not just any natives. In particular, the method involves a careful investigation of what’s known as potential natural vegetation (PNV). This unusual term refers to the hypothetical ecological potential of a piece of land. Or another way to say it is that potential natural vegetation is ‘the kind of natural vegetation that could become established if human impacts were completely removed from a site’ over an extended period of time. A site’s PNV depends on many factors, including current climate conditions, soil, and topography.

“How is potential natural vegetation different from the plants we see growing around us in towns and cities? For starters, in almost all developed landscapes, many of the plants are not native to the area, and as such may require maintenance to survive or reproduce.

“Given that most of Earth’s land surface is significantly altered by urbanization, agriculture, road construction, mining, and the like, it is far from obvious what the original vegetation of any given location would have been. (Original vegetation and potential natural vegetation are not necessarily exactly the same, but they are closely related.) Unraveling this mystery takes curiosity, patience, and persistence.

“However, thinking about land in terms of its potential natural vegetation is a powerful angle from which to approach ecosystem restoration, because it reveals which species and groups of species are best adapted to a particular environment and therefore more likely to thrive and to support a wider web of wildlife. …

“If left alone, previously forested land can grow back into mature forest via a process known as ecological succession, wherein the biological components of the ecosystem change over time as larger and longer-lived plant communities colonize the land. As mentioned, this process can take centuries to unfold. A foundational aspect of the Miyawaki Method is that it sidesteps the slow and capricious march of natural succession, instead focusing on those plants that mark the theoretical endpoint of succession.

“In nature, the successional process begins when lightweight seeds drift in and germinate on bare ground. Hardy, fast-growing plants — what scientists call pioneer species — such as clover, plantain, and dandelion take advantage of ample sunlight and space. They live short lives, produce a lot of seeds, and shelter the ground in the process. Next to show up are larger perennial herbs and grasses, followed by shrubs and pioneer trees, such as birch, poplar, or pine.

“ ‘Each new group of species arrives because the environmental conditions, especially the soil, have been improved; each new species becomes established because it is more shade tolerant than the previous species and can grow up under their existing foliage,’ Miyawaki wrote. He explains that just when a community of plants appears to be reaching its fullest potential, the seeds of the succeeding community are already germinating in its shade. The species making up each new successional stage tend to be bigger, more shade-tolerant, and longer living than those of the previous stage.

“ ‘The plant community and the physical environment continue to interact,’ Miyawaki explained, ‘until the final community most appropriate for the environment comes into being, one that cannot be replaced by other plant types. In regions with sufficient precipitation and soil, the final community is a forest.’

“Theoretically, this final community of plants, known as the climax community, is not easily superseded. Big trees that are considered climax species in their respective environments live for hundreds or thousands of years, forming canopies that shade the interior of the forest, keeping it cool and moist. Climax species shade out pioneer species and dominate the forest.

“ ‘In the absence of major environmental change, the climax is normally the strongest form of biological society and is stable in the sense that its dynamic changes are constrained within limits,’ Miyawaki wrote. Partly on account of the microclimate they create, such ecosystems tend to be more resistant to external conditions, such as heat or drought.”

More at Chelsea Green, here. No firewall.

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Photo: Lanna Apisukh for NPR.
Concertgoers dancing at the Silent Disco dance party at Lincoln Center, New York City, on Saturday, July 1, 2023. “Haptic” suits designed for the deaf community were provided by Music: Not Impossible.

Of the many interesting kinds of jobs in the world, I bet you never heard of this one: “Chief Vibrational officer”! Jennifer Vanasco explains at National Public Radio (NPR).

“When Daniel Belquer was first asked to join a team to make a better live music experience for deaf and hard-of-hearing people, he was struck by how they had developed work-arounds to enjoy concerts.

” ‘What they were doing at the time was holding balloons to feel the vibrations through their fingers, or go barefoot and flip the speakers facing the floor,’ Belquer said.

“He thought the team could make something to help hard-of-hearing people enjoy live music even more with the technology now available. 

“Belquer, who is also a musician and theater artist, is now the ‘Chief Vibrational Officer’ of Music: Not Impossible, an off-shoot of Not Impossible Labs, which uses new technology to address social issues like poverty and disability access. …

“His team started by strapping vibrating cell phone motors to bodies, but that didn’t quite work. The vibrations were all the same. Eventually, they worked with engineers at the electronic components company Avnet to develop a light haptic [3D touch] suit with a total of 24 actuators, or vibrating plates. There’s 20 of them studded on a vest that fits tightly around the body like a hiking backpack, plus an actuator that straps onto each wrist and ankle.

“When you wear the suit, it’s surprising how much texture the sensations have. It can feel like raindrops on your shoulders, a tickle across the ribs, a thump against the lower back.

It doesn’t replicate the music — it’s not as simple as regular taps to the beat. It plays waves of sensation on your skin in a way that’s complementary to the music.

“The vibrations are mixed by a haptic DJ who controls the location, frequency and intensity of feeling across the suits, just as a music DJ mixes sounds in an artful way.

“The evening’s haptic DJ was Paddy Hanlon, co-founder of Music: Not Impossible. ‘What we’re doing is taking the feed from the DJ, and we can select and mix what we want and send it to different parts of the body,’ he said. ‘So, I’ll kind of hone in on, like, the bass element and I’ll send that out, and then the high hats and the snare.’

“The haptic suits were just one component of the event, which was celebrating Disability Pride Month as part of Lincoln Center’s annual Summer for the City festival. There were American Sign Language interpreters; the music was captioned on a screen on the stage; there was audio description for those who were blind, and there were chairs to sit in. There’s also a chill-out space with noise-reducing headphones, earplugs and fidgets for those who feel overstimulated. Because it’s a silent disco — meaning you can only hear the music through headphones — attendees could adjust the sound. …

“The suits are the star attraction. Lily Lipman, who has auditory processing disorder, glowed when asked about her experience.

” ‘It’s cool, because I’m never quite sure if I’m hearing what other people are hearing, so it’s amazing to get those subtleties in my body.’

“Said Kevin Gotkin, one of the evening’s DJs and the curator of disability artistry events at Lincoln Center, ‘This is a chance for us to be together and experience access that’s integrated into a party artistically and not as, like, a compliance thing. … Disability is the center of the party.’ “

More at NPR, here. No paywall.

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Photo: chrisstockphoto/Alamy.
Traditional west African instrument, the balafon. 

Having fun today learning about unusual musical instruments, whose fans, though small in number, are nevertheless as devoted as those who love the sound of a French horn or steel drum.

Kevin LeGendre reports at the Guardian, “In the 2022 film Alice, the titular heroine – a slave living on a 19th-century-style plantation in Georgia – discovers that she is really living in the 1970s. The soundtrack reflects the latter period … with interludes that feature an instrument that was first heard in the days of plantations: the contrabass clarinet.

“The instrument is played by James Carter, a 54-year-old musician from Detroit who has been a significant figure in jazz since the early 90s. ‘I just loved the “muddy earth” sound it has,’ he says.

‘All that air flowing through it made you feel like you’re the lord of the underground. The contrabass clarinet has such expressive range; it reminds me of bullfrogs in the night, yet it is also a kind of wise old sage, it’s so commanding.’

“You can hear what he’s talking about on his 2003 album, ‘Gardenias for Lady Day,’ a tribute to the vocal great Billie Holiday. On Strange Fruit, Holiday’s anti-lynching anthem, Carter draws from the contrabass clarinet a series of primeval, haunting wails that entirely suit the subject matter. The low-end horn is like an engulfing darkness. …

“For those who play the sorts of instruments that are rarely seen in orchestras and jazz bands, there are practical hurdles to overcome, such as honing posture and technique to successfully negotiate the shape, size and structure of these uncommon inventions. Not to mention the cost and complexity of servicing and maintaining such devices. …

“First used in 19th-century classical orchestras and military bands, the contrabass clarinet is one of the more obscure members of the woodwind family. It has long held an appeal for jazz musicians intent on creating a wide tonal spectrum in their work. One of Carter’s major sources of inspiration, Anthony Braxton, an innovative Chicago-born composer-improviser, raised the profile of the instrument when he used it at prestigious international festivals in Montreux and Berlin back in the mid 70s.

“ ‘He was way ahead of his time,’ says Carter, whose arsenal of reed instruments also includes F-mezzo, soprano, tenor and baritone saxophones. ‘When he hits a low C, it takes you to another dimension. I wanted to experience the same thing when I played it myself.’

‘With its broad, upright frame, like a giant paperclip, the contrabass clarinet requires its players to have physical strength as well as technique. … Says Carter, “You have to make your lungs work a little bit harder with it, but that’s also the beauty. You feel everything you put into it.’

“As much as Carter, who has worked with jazz and rock stars such as Herbie Hancock and Ginger Baker, hails the wonders of the contrabass clarinet, he is keen to acknowledge the role that specialist woodwind makers such as Benedikt Eppelsheim have played in its evolution. The renowned German instrument maker, who died earlier this year, fitted it with trill keys – small levers that facilitate the shaking and warbling of notes – and additional octaves that ‘let the instrument sing more.’

“[Most] exciting are those custom-made devices that were never put into mass production. Such is the case of a one-off low-register beast played by Paul Rogers that straddles eras, genres and cultures. A hybrid of the baroque-period viola da gamba, double bass and Indian sitar, this unnamed instrument has seven rather than four playing strings, as well as 14 ‘sympathetic strings’ – non‑playing strings tucked under the playing strings to produce greater resonance.

“ ‘It’s a weird combination of many things,’ says Rogers. ‘I told a French luthier, Antoine Leducq, what I wanted and he took about a year and a half to make it. The shape of the instrument is like a small canoe. It’s like a medieval thing, really. But I listen to all sorts of music – medieval classical, Asian and African music – and with this instrument I can really find some of those sounds. …

“Yahael Camara Onono [loves] the balafon. It is one of many traditional west African instruments featured in Balimaya Project, the ensemble he leads that has built a sizeable audience in Britain in the past few years through its blend of Mandé rhythms, jazz, funk and spoken word. Similar in appearance to a xylophone, the balafon has keys made of strips of wood that resonate through small calabashes (gourds) tied underneath. The instrument must be handled with care.

“ ‘You have to be in the right atmospheric conditions because it’s quite fragile,’ says 31-year-old Onono, a percussionist and historian of west African instruments. ‘Heat and humidity affect every part of the instrument, so traveling from one continent to another is tricky.’ “

“When the Dust Settles by Balimaya Project is out now on New Soil/Jazz Re:Freshed.” If you are in London on the 17th of this month, check them out at the Barbican.

More at the Guardian, here. No paywall. Contributions encouraged.

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Photo: Modacity.
“To understand how Groningen got to where it is today, one must look back nearly 50 years, to a young, idealistic politician who bravely decided to go against conventional wisdom,” says the Daily Hive.

I haven’t been to Ocean Beach on Fire Island in decades, so I don’t know if it is still entirely free of cars, but it definitely was in my childhood summers, and it’s hard to convey just how radically that changes the quality of life for the better. Car-free in the Netherlands sounds heavenly, too.

Chris and Melissa Bruntlett write at the Daily Hive, “When we initially selected the five Dutch cities we would explore over the course of our #CyclingAbroad adventure, many of our friends had no idea where Groningen was, let alone why we would want to visit there. But among our colleagues in the transportation and urbanism world, a pilgrimage to this once-fortressed college town, 200 km northeast of Utrecht – famously declared ‘The World’s Cycling City’ by Streetfilms’ short documentary  – was an absolute must.

“With a population of around 200,000, a quarter of whom are students at the two local universities, Groningen has accomplished a feat many emerging cycling cities could only dream of: a bicycle mode share that eclipses the established powerhouses of Amsterdam and Copenhagen. Recent figures indicate a staggering 61% of trips in the city are made by bicycle. That’s almost nine times larger than Vancouver’s celebrated mode share. …

“To understand how Groningen got to where it is today, one must look back nearly 50 years, to a young, idealistic politician who bravely decided to go against conventional wisdom.

“In the mid-1970s, as cities across the country were scrambling to create the ideal conditions for mass motoring (including, most notably, Amsterdam), a left-leaning Groningen council recognized the inherent flaws in rebuilding their city around the private automobile. Max Van den Berg, then just 24 years old, and the councillor responsible for traffic and urban development, resolved to take his city in the opposite direction. Under Van den Berg’s advice, in 1977, council all but banished motor vehicles from the city centre, making it a far more pleasant place for people on foot and bicycle.

“For Lior Steinberg, an urban planner born and raised in Tel Aviv, the resulting lively cityscape is what drew him to relocate to Groningen, after a study tour while completing his master’s degree. ‘Groningen is a vibrant city, and there is a great cultural life. It’s a real hidden gem,’ he claims. …

“Steinberg credits Van den Berg’s Traffic Circulation Plan as central to Groningen’s successes: ‘The circulation plan divided the city centre to four parts, forbidding cars to cross between those quarters,’ he explains. ‘This made the city centre practically impenetrable with a car, and made cycling and walking the best way to get around.’

“While the plan didn’t completely remove motor vehicles from the equation (public buses and delivery vans still access certain parts of the city centre), we pedalled practically everywhere with our children over the course of a week, feeling completely at ease with our surroundings. Bicycles definitely rule the road in Groningen, with thousands of cyclists rolling along virtually every one of its cobblestone streets, from dawn until long after dusk. …

“Other Dutch cities began replicating their winning formula, and – having discovered that improving cycling conditions serves as an inexpensive and effective way to remain competitive – quickly started catching up.

“At the same time, many of the city’s cycle routes were experiencing problematic congestion, particularly on corridors leading to the university campus. The need to deal with an ever-increasing volume of people on bikes, along with the desire to retain their title of ‘The World’s Cycling City,’ are what provided the impetus for the Groningen Cycling City strategy.

“ ‘Cycling is in our DNA. We are proud of it and definitely aim to keep it that way,’ reads the preface of the 48-page plan. This is as clear of a mission statement as it gets. …

“Many the projects contained in this ‘bicycle first’ strategy are rather ambitious and innovative. Most notably, as a northern city, Groningen’s temperatures often hover around freezing during winter months, creating frosty conditions unsafe for road users, especially those on the narrow wheels of a bike. Within the next decade, officials hope to use geothermal energy (from the earth) and wastewater thermal energy (from the sewers) to heat the cycle tracks, keeping them clear of frost and snow, and allowing for safe, year-round, two-wheeled travel.

“Other measures include a series of ‘smart routes‘: direct, convenient cycle paths designed to get students and staff to school in 15 minutes, without having to make a single stop.

Groningen is also one of the first cities to attempt to ‘solve traffic situations with eye contact,’ first piloting, then expanding, a counterintuitive, but highly effective four-way green light for cyclists at 29 different intersections.

“With as many as 20,000 cyclists traveling certain corridors on a given day, planners are being forced to ‘think outside the lane,’ and experiment with the notion of handing entire streets – known as fietsstraten (Dutch for ‘bike streets’) – over to the bicycle as the dominant mode of transportation.

“The plan also includes a long-overdue expansion of their central train and bus station. Already overflowing from its above and below-ground parking lots – capable of holding 10,000 bikes – the strategy aims to expand that availability by another 5,000 bikes. The City also hopes to improve connectivity from the station to the existing cycling network by building a bicycle tunnel under the bus depot, reducing conflicts between these two popular modes. …

“In every Dutch city we toured, moving by bike was simple and intuitive, even for our seven-year-old son. But traveling on foot was much less desirable, and Groningen was no exception. Sidewalks are narrow, and teeming with bikes parked anywhere their owners could find a space. In fact, shops along the busier routes in Groningen now roll out red carpets to their front doors; not to make their patrons feel like royalty, but to discourage the parking of bicycles, and maintain access for their customers.

“Steinberg feels addressing people on foot is of utmost importance: ‘To be frank, the biggest concern at City Hall today shouldn’t be cycling, but walkability. Many of the city’s sidewalks are not accessible to elderly or physically-challenged people.’ ”

More at the Daily Hive, here. Because the Hive article is from 2016, I recommend that biking enthusiasts check out this update from 2022.

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Photo: JShadab1/Twitter.
Says the NY Post, “A sea lion enjoyed a brief taste of freedom as she hitched a ride on floodwaters and swam out of her Central Park Zoo pool enclosure on Friday.”

Once upon a time, I was a kid who shared a crowded bedroom with two younger brothers. As the oldest, I was often relied on to help out — for example, by keeping the younger ones from wandering when they were supposed to go to sleep. And I did like telling them stories.

My series about a seal called Sammy who left the zoo at night for adventures but always came back in the morning must have meant something important to me because there were many episodes.

Sammy’s escape was different from Sally the Sea Lion’s in today’s story because Sammy had a secret place in the bottom of the tank where he went in and out, and he stayed away all night. Sally, on the other hand, merely took advantage of yesterday’s flooding to swim out the top of her enclosure for a brief look around and then go home.

I guess she was used to hanging out with the other sea lions there, her friends. I know what my hairdresser would think about this. She has almost convinced me that zoos are wrong. I think Tracie would let all the animals out if there were a way to do it safely.

Claire Fahy reports at the New York Times, “A female sea lion, known as Sally, escaped from her enclosure at the Central Park Zoo briefly on Friday, swimming out of the pool where she is kept when the heavy rains lashing New York City flooded the zoo grounds.

“Workers monitored Sally’s movements as she explored the area around the enclosure before rejoining the zoo’s other two sea lions in the pool, said Jim Breheny of the Wildlife Conservation Society’s Zoos and Aquarium, which oversees four zoos and the city’s aquarium.

“By 3 p.m., the water at the zoo had receded, and all animals were contained in their enclosures, Mr. Breheny said. No staff members were in danger during the storm, and the city’s four zoos were closed so that employees could focus on keeping animals safe.

“For Karen Dugan and her colleagues at the city’s parks department, the roving sea lion made for a rare sight from their third-floor offices in the agency’s headquarters at the Arsenal, a building inside the park that overlooks the zoo.” More at the Times, here.

What does an animal escaping the zoo mean to you?

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Photo: Lakshmi Rivera Amin/Hyperallergic.
Page spread from Feral Hues, a book by Ellie Irons on making your own paints.

Artistic types are going back to nature for pigments these days. My friend Ann grows special weeds and flowers to make dyes for her beautiful textiles. In today’s Hyperallergic interview by Lakshmi Rivera Amin, we learn about an artist making her own paints.

“Taking the concept of a ‘green thumb’ several steps further, artist Ellie Irons approaches plants as a literal source of color: She creates her watery paintings with pigments tinted by organic hues found in the natural world. These works … record, honor, and reorient our relationship to the vegetation around us, specifically in current-day New York State’s Hudson area.

“I picked Irons’s brain about the process of creating her own paints through harvesting on the occasion of her recent book, Feral Hues: A guide to painting with weeds (Publication Studio Hudson). This interview has been lightly edited for clarity.

Hyperallergic: What is the most joyful part of making your own pigments?
Ellie Irons: There are many joys, which is why I’ve been entranced by the process for so many years: an ever-deepening and shifting connection to urban ecosystems and the land that supports them that emerges through careful, considered harvesting practices; the smells, colors, and textures that reveal themselves when plant parts are processed by hand in the studio; the joy of sharing the process with other humans who also become entranced by the relatively simple act of lovingly harvesting often overlooked weedy plants and creating paint with them; the process of attuning to the cycles of vegetal life sprouting, growing, blossoming, fruiting, [dying] across the seasons and years — there is always something to delight in and harvest, in any habitat, even in deep winter. …

H: How has your practice evolved over the past several years?
“Irons: I would say recently, since maybe 2019, my work has become more locally rooted and grounded. In the decade before that, I found myself investigating plants across urban habitats in a global sense — comparing pokeweed and honeysuckle growing in a parking lot in Taipei with the same species sprouting from a concrete river in current-day Los Angeles, for example.

“I’m still fascinated by those global connections, and find them resonant and relevant, but in recent years my focus and my daily practice have shifted to be more bioregional — I take the Mahicanituck/Hudson River Watershed as a salient range in which to work, connecting with human and plant populations up and down the river from New York City to the Adirondacks. …

“This shifting focus is based on a range of factors, from my increasing discomfort with energy-intensive travel to my new(ish) status as a mother to my day job with a community science and art organization that focuses on hyper-local environmental justice issues, to of course, the ongoing impacts of the pandemic. There are other ways it has changed, of course — writing has become increasingly important to me, as has enduring land-based work (a result of living in a shrinking upstate city where access to soil and open earth is simpler than in New York City, where I started working with plants more than a decade ago).

H: What are your favorite plants to work and be in relation with, and why?
Irons: Perhaps unsurprisingly, I have many favorites, and feel fortunate regularly meet plants who are new to me — my loves change by the season, and across contexts. Right now, in early August, each morning I’m greeted by innumerable, intensely blue Asiatic dayflower … blossoms lining the border of my neighbors’ chainlink fence where it meets the sidewalk.

“The blossoms only last until noon or so, depending on the weather and the intensity of the sun. I take 20 to 30 blossoms most mornings, and store them in a small cup in the freezer, accumulating them until I’m ready to process them into a range of shades of blue.

“I love dayflowers for the way they become unmissable once they catch your eye, and draw you in. They have an unassuming stature, foliage that’s easy to overlook, but when they burst into flower for several hours each morning, the proliferation of electric blue petals — almost sparkling if you look closely — can feel like tiny jewels sprinkled along the sidewalk. …

“Having migrated to the American continent, they live well in cities, where they are sometimes appreciated as a ‘wildflower,’ and are gaining notoriety as a super weed in round-up ready soybean fields, where they’ve demonstrated resistance to the herbicide glyphosate. And in their native China they are being studied as a hyperaccumulator due to their ability to thrive on the polluted soils of old copper mines, absorbing large amounts of heavy metals. …

H: What do you hope anyone interested in approaching plants as material sources for art will first consider and reflect upon?
Irons: I hope people will keep in mind processes of gratitude and respect — of mutual exchange, rather than of taking to satisfy a material need. This can look many ways. Maybe even just asking yourself a few questions before harvesting: Who else might be in relation with this plant, human or more-than-human? What is the plant doing here and why? How long has this plant been here, will they be here tomorrow, or in 100 years?” 

More at Hyperallergic, here. No paywall, but subscriptions are encouraged.

Photo: Ermell/Wikimedia Commons.
Asiatic Dayflower, or Commelina communis.

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