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Posts Tagged ‘artist’

Artist Susan Jaworski-Stranc is having a show she’s calling Water Blues at Centro Restaurant and Bar in Lowell. The exhibit, which includes oil paintings and linoleum prints, runs to March 17 at 24 Market St.

If you can get to Lowell on Sunday, Feb 23, there’s a reception where you can meet the artist, 1 pm to 3 pm.

My husband and I have been to a number of art shows in Lowell, which is quite a creative community. Our favorite Lowell artist is a former boss of mine, Meredith Fyfe Day, who held down a newspaper job while she was artist in residence at the Whistler House. I worked for her at the Harte-Hanks community newspaper chain in the early 1990s.

Here’s the intriguing artist statement from Jaworski-Stranc: “I am a printmaker, specializing in the creation of linoleum block prints. After each successive printing of a color, the surface of the block is reduced while at the same time the printing surface is built up with multi-layered colors. Born from one block of linoleum, my relief prints have the nuance and rich textural surfaces of an oil painting.

“Although Picasso coined this method of working, a ‘suicide print,’ I rather think of this printmaking process as emulating the journey of life. While creating my prints, I am never able to re-visit past stages. I can only proceed forward with the acceptance of all good and not so good choices which were mediated and acted upon with the hope and joy of completion.”

When Asakiyume and I met in December at the Worcester Art Museum, there was an exhibit on printmaking that showed what prints looked like at each of the layering stages. Challenging work. I love that Jaworski-Stranc sees the printmaker’s role as accepting each previous stage and working with it. As she says, “The journey of life.” Another good topic for a poem.

Find out more about Susan Jaworski-Stranc here. And thank you, Vyü magazine, for the lead.

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congress st nook

The City of Boston has a nice opportunity for folks with ideas about making cities more livable.

The City says, “In Boston, a third of the land is open to the public. We invite you to reimagine that space. How can our streets, plazas, sidewalks, street furniture, and public buildings better serve people?

“The Mayor’s Office of New Urban Mechanics Streetscape Lab is sourcing ideas from designers, makers, artists, and engineers to improve Boston. We are asking members of our vibrant creative community to submit project ideas to make our public spaces simple, intuitive, and literally awesome. Project ideas can be entirely new creations or a new way of using an existing product. The City will review the submissions and may select up to six ideas total to implement in the following categories:

“The Streetscape: sidewalks, streets, medians, plazas, and our other civic front porches. What improvements would you make to space? What is the next iteration of our classic street furniture? Look at the sample locations to get you thinking.

“Boston City Hall: rethinking the indoor and outdoor space, signage, improving service delivery and the user experience. These designs may help inform future improvements to the building.

“Random Awesome Designs: great ideas that defy classification or location.” Guidelines here.

I see no reason you have to be an artist or an engineer. What’s to stop you from sending in a good idea? Go for it.

Dewey-Sq-_farmers_market

providence author lovecraft

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Lately, I have been following a very artistic art consultant on twitter called Liz Devlin.

Here is what her website says about her: “Since launching FLUX. in 2008, I have provided an online resource for local artists and Arts enthusiasts in the Boston area, and beyond. Through weekly event coverage, artist interviews, Open Studios recaps, and educational posts, the site enables readers to feel informed, engaged in, and connected to the pulse of Boston Arts.”

Here’s the part that floors me: “My 9-5 is in the corporate world as a Financial Analyst.” Gosh, how can she possibly have time for it all?

She continues, “My downtime, in-between times and restless nights are spent actively pursuing and supporting creative endeavors.”

A reason to follow her on twitter is that she keeps up on everything in the Boston arts scene for you. You can also check out weekly lists of events — with commentary — at her website. For example, here.

I especially like the nostalgic, off-kilter look of this piece in the current  Montserrat exhibit.

Art: Andrew Houle’s “Leaving East Gloucester.”
Montserrat College of Art Galleries, 23 Essex St., Beverly, Mass., through February 14

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Photo and Art: Andrés Amador

Much obliged to Paul for posting about this sand-painting artist on Facebook.

Andrés Amador, of San Francisco, creates lovely designs with a rake. He maintains that his work is “more about the process and less about the result.”

The website Viral Nova explains that Amador “uses a rope as a guide so that he can make the geometric patterns. … By raking up the wet sand at low tide, he is able to make contrasting sand colors.”

And he apparently takes orders — for marriage proposals (“Love Letters in the Sand”?) and even for corporate team-building exercises.

If I lived in San Francisco, I might ask Amador to create a message about something — maybe peace or kindness or helping the homeless. Some year, a sand painting could be my donation to the San Francisco-based Homeless Prenatal Program, an outstanding organization that Suzanne told me about.

Check out the collection of Amador’s other works is at Viral Nova, a site that bears watching.

Photo and Art: Andrés Amador
I caught my breath when I saw the inevitable happening to this painting. With sand art, it seems that “Ars longa, vita brevis” becomes “Memoria longa, ars brevis.”

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Photo of John Bauer: Wikimedia Commons

When I was poking around the web for art to illustrate my post Iceland Has Elves, I found a lovely picture by John Bauer.

I didn’t know anything about him. But Stuga40 wrote in the comments that he was Swedish. She knew where he had lived before his untimely death in 1918 and said she grew up on his fairy stories.

I decided I wanted to know more.

Wikipedia says John Bauer is “best known for his illustrations of Bland tomtar och troll (Among Gnomes and Trolls). Princess Tuvstarr and the Fishpond  [is] perhaps Bauer’s most notable work. …

“Bauer’s early work was influenced to a large extent by Albert Engström and Carl Larsson, two contemporaries and influential painters. Bauer’s first major work was commissioned in 1904, when he was asked to illustrate a book on Lappland. It was not until 1907 that he would become known for his illustrations of Bland tomtar och troll, the yearly fairy tale book.”

A contemporary story collection called Swedish Folk Tales uses Bauer’s illustrations and is available here. Also, someone posted a bunch of his illustrations on Pinterest, including a sweet Santa Lucia.

John Bauer art showing a boy and a troll: Wikimedia Commons

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Jenna Gottlieb of the Associated Press has a great story about elves.

“In this land of fire and ice,” she writes, “where the fog-shrouded lava fields offer a spooky landscape in which anything might lurk, stories abound of the ‘hidden folk’ – thousands of elves, making their homes in Iceland’s wilderness.

“So perhaps it was only a matter of time before 21st-century elves got political representation.

“Elf advocates have joined forces with environmentalists to urge the Icelandic Road and Coastal Commission and local authorities to abandon a highway project building a direct route from to the tip of the Alftanes peninsula, where the president has a home, to the Reykjavik suburb of Gardabaer. They fear disturbing elf habitat and claim the area is particularly important because it contains an elf church. …

“It’s not the first time issues about ‘Huldufolk,’ Icelandic for “hidden folk,” have affected planning decisions. They occur so often that the road and coastal administration has come up with a stock media response for elf inquiries, which states in part that ‘issues have been settled by delaying the construction project at a certain point while the elves living there have supposedly moved on.’ …

“Terry Gunnell, a folklore professor at the University of Iceland, said he was not surprised by the wide acceptance of the possibility of elves.

” ‘This is a land where your house can be destroyed by something you can’t see (earthquakes), where the wind can knock you off your feet, where the smell of sulfur from your taps tells you there is invisible fire not far below your feet, where the northern lights make the sky the biggest television screen in the world, and where hot springs and glaciers “talk,” ‘ Gunnell said.

” ‘In short, everyone is aware that the land is alive, and one can say that the stories of hidden people and the need to work carefully with them reflects an understanding that the land demands respect.’ ”

More.

John Bauer 1913 illustration found at nordicculturespot.blogspot.com

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I’m adding Julian Peters to the blog roll on your right. He’s a genius. A graphic artist from Canada who has chosen to illustrate some of the greatest poems ever. At least, some of my favorites.

Matthew Gilbert did a spread about Peters and his work on T.S. Eliot’s “The Love Song of Alfred J. Prufrock” for the Boston Globe. Illustrations that could break your heart. I am in Matthew Gilbert’s debt for this gift of happy-sad. Read his essay, here.

Below are a few frames from Peters’s “La Belle Dame Sans Merci,” by Keats, a poem I can’t read without hearing my father’s voice choke up on my cassette tape.

Go to Peters’s website, here, and luxuriate.  

Art: Julian Peters

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The other day I was walking past the Emerson Umbrella and saw some new sculptures  on the lawn. I thought one, the graceful bent metal below, looked like two people dancing.

Geoff Edgers of the Boston Globe came to town to watch the installation and interview the sculptor, David Stromeyer.

“Stromeyer, a Marblehead native who splits his time between Vermont and Texas, has had his work shown at, among others, the deCordova Sculpture Park and Museum in Lincoln, National Building Museum in Washington, D.C., and the University of Vermont’s Robert Hull Fleming Museum, in Burlington. Stromeyer also has a connection to Concord. His sister-in-law, Mimsey Stromeyer, is a painter and mixed-media artist who is one of 54 artists renting space at Emerson Umbrella. …

“On the first day of installation, in the rain, Stromeyer and crew unloaded the steel pieces. The first challenge was lifting the heavy steel pieces over a series of wires on the site. On the second day, with the sun out, the artist worked on moving those pieces into place and mounting them properly. …

“He takes pride in the fact that he creates his art, from the twisting of the metal to the sandblasting and painting.

“ ‘It sounds really simple, but you don’t grab one end and turn it in the way you intuitively might think,’ he said. “[Each piece has] to be built incrementally, every inch, bending it in multiple directions at once. I spent two months building jigs for the hydraulic press to create those forms. And each twist is different.” More.

I’ve known Mimsey West (her professional name) for 30 years. One of her sons was in school with John. I love her art, especially some slightly abstract watercolors she did years ago of sheep in Wales.

A couple times a year the Umbrella artists hold open studios, and it really is a treat to go — lots of art available for one-of-a-kind holiday gifts.

waltz-of-the-sculptures

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Someone tweeted this today, and I thought you would like it.

Chinese artist Ai Weiwei has created a nighttime art installation made of bicycles all lit up.

On October 5, says Alice at the website My Modern Met, “Chinese artist and activist Ai Weiwei presented a new version of his incredible Forever Bicycles installation. As the centerpiece of this year’s Scotiabank Nuit Blanche, the all-night contemporary art event that takes over city streets, 3,144 bicycles, the most Weiwei has used of this work to date, were stacked 100 feet in length and 30 feet in height and depth in Toronto’s Nathan Phillips Square. This was the first time the installation has been displayed in an open air, public space. Since this was a night-time festival, it was spectacularly lit up with pink and blue lights.”

Check My Modern Met for a stunning array of photos, here.

Photo: http://www.mymodernmet.com

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This was posted at an Arlington blog last May, but I just saw the sculpture it refers to.

“You are invited to watch the ladybugs for the Waldo Park Tree Sculpture being made right before your eyes … Work by artists has already begun to transform a tall tree stump on the hill in Waldo Park … into multimedia sculpture that features local birds, animals and insects. The Friends of Waldo Park are holding two community participation days as this work is created. …

“Watch the metal-smiths at work as they cast aluminum ladybugs to be bolted onto the tree sculpture. Stop by for however long you’d like to see how metal-casting is done!” More.

Note the metal ladybugs crawling up the trunk, the bunnies peeking out from inside, and the hawk on top.

carved-hawk-and-metal-bus

bug-close-up

rabbit-in-tree-waldo-park

hawk-carved-from-dead-tree

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Remember the new Dewey Square mural I blogged about recently, here?

The Boston Globe has a brief update for you, but their picture is blocked by a cherry picker. As soon as the Greenway moved the heavy equipment, I shot my own picture.

Be watching for more on Dewey Square. I have blogged about the two months that Occupy Boston camped there. I have blogged about the Greenway’s teaching garden alongside the Big Dig exit and about the farmers market that sets up Tuesdays and Thursdays. Soon I will show pictures of the pianos that arrived today — with people playing them, I hope.

Dewey-Square-mural-Sept-2013

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Candy creates interactive street art. Her “Before I Die” wall garnered a lot of attention — and contributors. Folks wanted more.

So she decided to create a website explaining in detail how others could replicate the wall.

Here she tells how it all started: “It’s easy to get caught up in the day-to-day and forget what really matters to you. After I lost someone I loved very much, I thought about death a lot. This helped clarify my life, the people I want to be with, and the things I want to do, but I struggled to maintain perspective. I wondered if other people felt the same way. So with help from old and new friends, I painted the side of an abandoned house in my neighborhood in New Orleans with chalkboard paint and stenciled it with a grid of the sentence “Before I die I want to _______.” Anyone walking by could pick up a piece of chalk, reflect on their lives, and share their personal aspirations in public space.

“It was an experiment and I didn’t know what to expect. By the next day, the wall was bursting with handwritten responses and it kept growing: Before I die I want to… sing for millions, hold her one more time, eat a salad with an alien, see my daughter graduate, abandon all insecurities, plant a tree, straddle the International Date Line, be completely myself…  People’s responses made me laugh out loud and they made me tear up. They consoled me during my toughest times. I understood my neighbors in new and enlightening ways.”

Candy’s how-to page reads, in part, “Once you’ve created a wall, you can share your wall here by creating a mini-site! A mini-site is a page where you can post photos and responses and document the story of your wall. It’s super easy to use, absolutely free, and no technical skills are required. Visit the Budapest mini-site to see an example.”

Everything you need if you’re going to create a “Before I Die” wall is here.

Photo: Before I Die

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Cultural institutions are getting smaller. And more local.

We wrote about a library in a phone booth here and the Little Free Library here. You can see fully realized short films on YouTube and street art just around the corner.

Now folks in Somerville have launched a museum in a doorway. It’s The Mµseum.

From the website: “Judith Klausner (Co-Founder, Curator) is a Somerville MA artist with a love for small, intricate, and overlooked things. She first dreamed up the Mµseum in 2010, as a way to combine her love of  serious miniature art with her passion for making art accessible, and her conviction that New England arts institutions should show the work of New England artists. Three years (and a lot of planning) later, she is delighted to see it become a reality. … Contact Judith at judith@themicromuseum.com.

“Steve Pomeroy (Co-Founder, Engineer) is a programmer and a builder, both by profession and by nature. He’s largely responsible for the engineering behind the Mµseum, from the solar-powered miniature track lighting to the 3D-printed doric columns and laser-cut façade typography. He formally studied computer science at the Rochester Institute of Technology where he discovered a love of communication protocols and formal computer languages. Contact Steve at steve@themicromuseum.com.”

WBUR had a story on the micro museum here.

There is something childlike and innocent about miniature enterprises. Didn’t you always think as a child you could take a few toys and tea cups and bags of flour and new sponges from around the house and set up a table on the street as an authentic store? You thought, Why not? Just do it.

I get a kick out of people just doing it.

Photo: Mara Brod, http://marabrod.com/fineart.html

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Did you like last week’s entry on stained glass windows that produce solar energy? Well, there’s more.

Kristine Lofgren writes at Inhabitat about an amazing solar chandelier.

“British artist Luke Jerram is known for his stunning art installations, which are often inspired by science. His latest project, unveiled [last year] at the Bristol and Bath Science Park, is the world’s largest solar chandelier! The 16.5-foot-tall chandelier is made of 665 glass bulbs that spin when exposed to light …

“The chandelier was created using glass radiometers rather than traditional light bulbs. As the sun hits each radiometer, it begins to turn, speeding up and slowing down as the light changes. The overall effect is a shimmering, gently moving piece of artwork. At night, it is lit up using electric light.” More.

By the way, Inhabitat also features a piece on a sculptural sound chamber that sings when the wind blows, here.

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And speaking of payment systems, community-supported agriculture has been around for years and, more recently, community-supported art. I blogged about the approach here in 2011, when the Cambridge Center for the Arts embraced the concept.

The NY Times has written about it, too. Randy Kennedy lays out the principles: “For years, Barbara Johnstone, a professor of linguistics at Carnegie Mellon University [in Pittsburgh], bought shares in a C.S.A. — a community-supported agriculture program — and picked up her occasional bags of tubers or tomatoes or whatever the member farms were harvesting.

“Her farm shares eventually lapsed. (‘Too much kale,’ she said.) But on a recent summer evening, she showed up at a C.S.A. pickup location downtown and walked out carrying a brown paper bag filled with a completely different kind of produce. …

“ ‘It’s kind of like Christmas in the middle of July,’ said Ms. Johnstone, who had just gone through her bag to see what her $350 share had bought. The answer was a Surrealistic aluminum sculpture (of a pig’s jawbone, by William Kofmehl III), a print (a deadpan image appropriated from a lawn-care book, by Kim Beck) and a ceramic piece (partly about slavery, by Alexi Morrissey).

“Without even having to change the abbreviation, the C.S.A. idea has fully made the leap from agriculture to art. After the first program started four years ago in Minnesota … community-supported art programs are popping up all over the country …

“The art programs are designed to be self-supporting: Money from shares is used to pay the artists, who are usually chosen by a jury, to produce a small work in an edition of 50 or however many shares have been sold.”

Read all about it, here. Could be risky if you really don’t want a sculpture of a pig’s jawbone. But if you look at it as supporting the arts, you are likely to be satisfied with that side of things — and there’s always a chance you will love what you get or find its value increase.

Photo: Zoe Prinds-Flash
Drew Peterson’s prints and Liz Miller’s collages were among the art for members of this C.S.A., community-supported art, in Minnesota.

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