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Despite its size, the compassionate Netherlands has welcomed a large number of refugees during the largest migration since World War II, perhaps remembering the terrified families that fled Hitler.

To house all the newcomers is naturally a challenge, but a design competition has yielded creative ideas.

Jon Comulada writes at Upworthy, “As the worldwide refugee crisis continues, innovative solutions are needed so that the people fleeing civil war and sectarian violence have a safe place to live. …

“In January 2016, the Netherlands launched a design competition called ‘A Home Away From Home’ in which entrants were tasked with designing temporary housing for refugees and disaster victims. All of the winning designs rethought the idea of public housing, adding amenities and innovations to make the buildings more like fully functioning homes than simply a bed to sleep on.

“The winners of the contest recently appeared on display in Amsterdam as part of Dutch Design Week and included things like solar power, water purification systems, and ingenious use of space and material.

“The cube design of the Farmland [below] means dozens can be stacked, placed together, and moved easily. The architects of this design imagined the miniature villages establishing a ‘DIY economy’ with local towns. …

“Home is a concept many of us take for granted, but it’s not a small thing. It makes us feel safe, comfortable, and human.

“The current refugee crisis hasn’t showed signs of slowing down, and with climate change creating more and more dangerous weather systems, we’re likely to see climate refugee numbers grow sharply. All of those people are going to need places to live. Innovative solutions like these help them to not only live, but live with dignity and opportunity.”

Check out several other designs from the competition at Upworthy, here.

Photo: A Home Away From Home
This Farmyard shelter is designed to transform vacant farmland into mini villages.

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The street art in St. Petersburg, Florida, is a selling point for tourism. It started with unwanted tagging on buildings and evolved into murals authorized by building owners and respected by taggers.

Tampa Bay Times art critic Lennie Bennett has the backstory.

“In recent decades, murals have become a way to spruce up bare walls of buildings and to discourage graffiti. St. Petersburg has street murals in many areas but there is a concentration of them along the downtown Central Avenue corridor. To see them at their best, you need to walk through the area. Even if you travel the route regularly by car, you’ll miss many of them because they adorn the once-drab back walls facing alleys.

“An incentive for owners of the buildings, says [Florida CraftArt executive director Diane Shelly], is that they were regularly ‘tagged,’ meaning a graffiti artist would use an exterior wall as a canvas or to scrawl messages with spray paint. ‘It’s illegal and the city has a graffiti removal program,’ so city workers come out and use whatever paint is available to cover up the tags, which led to a different kind of unsightliness, she said. ‘But taggers respect art, and most won’t tag an existing mural.’ …

“Shelly commissioned Derek Donnelly to create a mural that would replace those painted-over areas and discourage future tagging. ‘A Moment to Reflect ‘was created by Donnelly and Sebastian Coolidge, another well-known street painter whose most beloved work is probably the image of a young man with elongated limbs stretching for an orange on the exterior of the clothing store Freshly Squeezed at First Avenue N and Dr. Martin Luther King Jr. Street.

” ‘Reflect’ is the largest of the Central Avenue murals, stretching up four floors. It depicts a businessman wearing a green tie, the color associated with CraftArt’s neighbor and sponsor of the mural, Regions Bank, discovering his creative side. ‘I think it’s the largest free-hand mural in St. Petersburg,’ Shelly says, meaning it wasn’t done using a grid method or projector. …

“Because of the murals’ growing popularity, some business owners rehire the artists to freshen up the works rather than painting over them.

“But in [the experience of Leon Bedore, or Tes One] ‘You end up learning that all murals are temporary art and not intended to stay up forever. (When painting illegally) I felt lucky to have one up for a night. A week was amazing. When an owner didn’t have one removed I thought, ‘” might be on to something if they’re keeping it up.” ‘ ”

The Tampa Bay Times article by Lennie Bennett is here. A comprehensive tour of the murals is here.

Photo: Creative Loafing

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Sheikh Khalifa believes the United Arab Emirates would benefit in multiple ways if people there had more time to read. So he saw to it that a law got passed requiring employers to do their bit.

The National reports, “Employees will be given time off work to read under a law that was passed [in October], which also exempts reading material from taxes and fees.

“The President, Sheikh Khalifa, announced the law, which is aimed at achieving the country’s vision of a knowledge-based economy. …

“As part of the law, the Government will give a ‘knowledge briefcase’ to the families of newborns.

“Schools will be obliged to encourage reading among pupils, as well as a respect for books. Books that are no longer wanted must not be destroyed, but preserved, reused or donated, Sheikh Mohammed said.

“Fees and taxes for distributing, publishing and printing reading material will be scrapped, and facilities for authors, editors and publishing houses will be provided. Sheikh Mohammed said the law would consolidate ‘the cultural image of books in our society, and oblige coffee shops in shopping malls to offer reading material for customers.’ …

“A national fund will be set up to support reading initiatives and assist media organisations to advertise the importance of books. The fund will also be used organise a month dedicated each year to promoting literature.”

More here.

It’s an unusual approach, but it seems OK as long as there is freedom to choose what gets read. Lately, I’ve been immersed in the beautiful, wrenching autobiography of poet Jimmy Santiago Baca and learning all over again how literacy gives people wings. Baca learned to read in prison at around age 20 and it transformed his life.

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I like this about traditions: they are always a little the same and a little different. You carry forward the old activities, but you and the people around you are a little different every year and customs get tweaked.

I’m posting a few pictures of holiday doings that are both the same and different in our family.

The youngest grandchild decorating a reindeer cookie. My collage gift tags made from scraps. Another grandchild’s Christmas tree watercolors. Luminaria bags with candles. A traditional light display.

My husband and I and Suzanne’s family gathered for a magnificent meal at John’s house, and everyone ended up dancing to Gummy Bears disco videos in the dark.

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Getting Ready

Except for the cooking, I think I’m ready. Suzanne’s family is staying at our house, and John’s family will come for supper and the church pageant. (Here’s hoping the minister doesn’t give a long prayer like last year when all the toddlers were holding lighted candles. My advice: Just raise the candles and blow them out.)

On Sunday, we all go to John’s house for my daughter-in-law’s fabulous cooking, bringing a few contributions of our own.

So. Donations have been mailed. Almost all the tips have been handed out (have to catch the sanitation engineers next week; they were too fast for us). The tree is decorated. The presents are wrapped. The camera is recharged. What am I forgetting?

Whatever your holiday, please take it slow. And savor.

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Waiting

I went to the five-hanky Amahl and the Night Visitors again this year — so moving for so many reasons. I’m moved by the Italian composer’s last-minute inspiration to use the three kings of his childhood as the basis for the opera commissioned for a live television broadcast, the love between the mother and child, their extreme poverty, young Amahl’s optimism, the miracle, and numerous lines — “the keys to his kingdom belong to the poor,” “for such a king, I have waited all my life.”

Waited. Waiting.

The Catholic church in Concord sets up a crêche outside the parish hall every year. They don’t complete it and place the baby in the manger until Christmas Eve.

I like to think of the kneeling figures as waiting, although once the tableau is complete, they are seen as worshiping.

I see them as waiting and believing that a reason to be hopeful is coming. And I think their belief plays a role in making it come true.

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The world’s oldest working actor has died at age 101. And good for him to have worked at something he loved for so long!

Shaun Walker wrote recently at the Guardian, “Vladimir Zeldin, believed to have been the world’s oldest working actor, has died aged 101, after appearing for 71 years at the same Moscow theatre.

“The Russian actor appeared on stage as recently as [September], using a walking stick due to a broken hip, to appear in the play The Dance Teacher by the Spanish playwright Lope de Vega.

“He had appeared in the play more than 1,000 times, Tass reported. The theatre had planned for him to appear again next February, to mark his 102nd birthday. …

“Zeldin was born in 1915, when Tsar Nicholas II was on the Russian throne. He shot to fame when he appeared in the film They Met in Moscow, on which shooting began shortly before the Nazi invasion of the Soviet Union in 1941. …

“When the war finished, Zeldin joined Moscow’s Red Army Theatre, where he was part of the troupe from 1945 until his death. The theatre is now known as the Russian Army Theatre. Fellow actors at the theatre described him as full of energy until the very last.” More.

I think the actress who played 104-year-old Great-Great-Grandmaw in All the Way Home (the stage version of James Agee’s A Death in the Family) must have been nearly as old as Zeldin. I remember her voice came out as kind of a croak. But that may have been because she was acting.

Photo: Alexander Zemlianichenko Jr/AP  
Vladimir Zeldin on stage in Moscow.

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My high school friend Susie posted this KQED article on Facebook. I couldn’t agree more with its focus on the value of daydreams and allowing everyone adequate  time to recharge batteries.

Referencing today’s many distractions, KQED reporter Katrina Schwartz writes, “Many people believe they are skilled multitaskers, but they’re wrong. Neuroscience has shown that multitasking — the process of doing more than one thing at the same time — doesn’t exist.

“ ‘The brain doesn’t multitask,’ said Daniel Levitin, author and professor of psychology, behavioral neuroscience and music at McGill University on KQED’s Forum program. ‘It engages in sequential tasking or unitasking, where we are shifting rapidly from one thing to another without realizing it.’ The brain is actually fracturing time into ever smaller parts and focusing on each thing individually. …

“The brain has a natural way of giving itself a break — it’s called daydreaming. ‘It allows you to refresh and release all those neural circuits that get all bound up when you’re focused,’ Levitin said. …

“[Daydreaming] is particularly important for students, who are often asked to sit through a long school day with very few breaks. Lots of research has shown the importance of recess and free play time for academic success, but schools still tend to emphasize time spent in class ‘learning’ over a more nuanced view of how and why kids learn.

“ ‘Children shouldn’t be overly scheduled,’ Levitin said. ‘They should have blocks of time to promote spontaneity and creativity.’ Without that time, kids don’t have the mental space to let new ideas and ways of doing things arise. Daydreaming and playing are crucial to develop the kind of creativity many say should be a focal point of a modern education system.” More.

Time to think, time to free associate, is not just important for kids. If the electric handwarmers I use in winter take twice as long to recharge as to expend their stored heat, then I, too, should have double time to recharge after engaging on anything. You, too.

Photo: Brynja Eldon/Flickr

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A while back, I wrote about Lata, which teaches older folks around the world to create street art with spray paint. I follow Lata on Instagram and can confirm that the results of senior graffiti are a hoot.

Now Vicky Thornton writes at Arts Professional about starting a modern dance troupe for people over 60. There’s hope for us all.

She writes, “DANCE SIX-0 started in response to a visit to the Elixir Festival at Sadler’s Wells that included a performance by the Company of Elders, a contemporary dance company for people aged over 60. Judith Bossano, Meg Edgar and Philippa Heseltine were inspired to establish a similar opportunity for contemporary dance in Salisbury and sought my advice and support.

“I was overwhelmed by their effervescence in describing what they had seen, their enthusiastic response and a very clear directive that ‘we need this’. Judith spoke passionately and eloquently about why at the age of 80 she felt it absolutely necessary to keep moving and dancing and experience the joy she feels when performing. …

“Meg felt this was something needed in Salisbury, recognising that dance brings many physical, social and emotional benefits that are so important for overall wellbeing. She identified Salisbury Playhouse as an ideal venue, considering its location, facilities and audience base.

“Salisbury Playhouse enthusiastically recognised the project’s potential, offering support to trial the idea. We were keen to emphasise that it cater for anyone over 60 with varying levels of mobility. The playhouse facilitated three taster workshops with three professional dance practitioners …

“The high demand for places resulted in two open classes and we held an audition for our inaugural performance company, selecting nine women and three men. …

“At the Wiltshire Public Health Awards in April we won our category of ‘Tackling Health Inequalities in the Community’ for our work with people aged over 60. We hope this award reflects our commitment to offering opportunities but also in challenging stereotypes of what older people can and should do.”

I’m down with that. Read more at Arts Professional, here.

Photo: Adrian Harris/ArtsProfessional
DANCE SIX-0 is a contemporary dance company for the over 60s in Salisbury, UK.

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Attempts to improve housing for low-income people have often destroyed a sense of community. That’s eminently clear in Robert Kanigel’s new biography of Jane Jacobs, an activist who helped to end the construction of the large complexes known as the “projects.”

So there is some irony in a new Global Oneness film about a 70-year-old housing project that probably once destroyed a neighborhood but has since created its own sense of community. Today it is threatened with what sounds like very pleasant improvements.

Life is complicated.

The Global Oneness Project has interviewed Yesler Terrace residents and created a film to spark discussion of the pluses and minuses of revitalization.

“Even the Walls is a short documentary about the multi-generational residents living within Yesler Terrrace, a public-housing neighborhood in downtown Seattle grappling with the forces of gentrification.

“For over 70 years, Yesler has been home to thousands of Asian, Asian American, African, African American, Native American, Hispanic, and Caucasian residents. The 30-acre property is being redeveloped quickly and the residents are being forced to make a decision — collect their memories and belongings and leave, or return to a place they know well, but do not recognize due to heavy reconstruction.

“Even the Walls chronicles the intimate stories and experiences from the residents of Yessler and defines the human connection to home and community.”

The film is here. Lesson plans for teachers are here. And the good intentions of the City of Seattle are described here.

Photo: Seattle Housing
In an organic 70-year process, the residents of Seattle’s somewhat worn Yesler Terrace have made the “projects” into a real community. So not everyone is thrilled that improvements are afoot.

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https://www.etsy.com/listing/463665183/chartreuse-yellow-fondue-pot-and-stand?ref=related-2

Photo: Etsy

I can pretty much trace the decades of my marriage by the cooking fads I once took seriously: fondue, cooking in a clay pot, sourdough, woks.

Then there are the foods I used to prepare regularly that I haven’t thought about in ages: beer bread, lime pie made with sweetened condensed milk, hot dog casserole with sauerkraut and mashed potatoes. Oy.

Fondue was popular in the early 1970s. I remember that we went to a dinner party involving several couples cooking their own chicken one bite at a time around a fondue pot. For some reason, that fad didn’t last long.

Clay pots had to be soaked in water first, and then the meat and vegetables would gradually become a stew as they sort of steamed inside the pot in the oven. If you ever decide to try clay-pot cooking, a word to the wise: store clay in a lighted, airy place. My pot kept growing mold because it retained moisture after being cleaned and I didn’t realize that storing it in a dark, enclosed cupboard was asking for trouble. Figured it out after contacting the company.

To keep my live sourdough culture going for months and years, I made pancakes with a bit of it every week, adding a little to my batter. I made a pictorial version of the blueberry pancake recipe and taped it to the cabinet for John when he was 3 so that he could make pancakes with my husband if I was not there.

As for the wok, a couple whom my husband knew from work came over one Saturday night so the wife and I could put her Chinese cooking classes into practice. I remember that I was nearly nine months pregnant with Suzanne. We made the most fabulous meal of all time — everything from scratch — but didn’t sit down to eat until after 11 pm.

Nowadays if I can’t whip something up in half an hour, I’m probably not going to make it, but all these fads were fun at the time.

Photo: Houzz

Romertopf Classic Dutch Oven
 Photo: Wagshalsblog

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Is the neighborhood of the future going to be on the water? A growing number of architects around the world seem to think so.

Eleanor Ross and Laura Paddison write at the Guardian about some pluses and minuses.

“Architects and city planners across the world are starting to look beyond the traditional confines of the city, towards building on water as one of the answers to reducing inner-city population density and also developing flood-resilient designs. Global damage to cities from flooding could amount to $1tn a year by 2050 if no action is taken, according to a World Bank report. …

“Building on water isn’t straightforward, however. The recent collapse of the Makoko Floating School in Lagos, one of the most famous examples of floating architecture, shows some of the complexities. …

“There are also environmental concerns. The need for foundations of many floating buildings to go deep into the river bed, for example, will have an impact on the environment, says Phillip Mills, director of the Policy Consulting Network, and a specialist in water construction.

“ ‘Foundations or structures within the river could also alter the river bed with silt erosion and deposition elsewhere in the river. The same thing already happens around bridge piers,’ he says. …

“However, Lucy Bullivant, adjunct professor of history and theory of urban design at Syracuse University, thinks there are greater environmental consequences building on land – such as the tendency to be more car focused – than on rivers. ‘Floating designs will create a good anchor point for plants to help foster biodiversity and create habitats for fish and birds.’

“Building on ‘bluefield’ sights can be environmentally friendly, according to Mark Junak, director of Floating Homes. He says floating structures such as those at Noorderhaven in the Netherlands have recently been subject to underwater drone surveys to observe whether their construction has negatively affected the ecosystem.

“According to the research project, the underwater footage ‘revealed the existence of a dynamic and diverse aquatic habitat in the vicinity of these structures, showing that floating structures can have a positive effect on the aquatic environment.’

“For London architect Carl Turner, who has designed a pre-fabricated, open-source amphibious house specifically designed to float on floodwater, called the Floating House, climate change means needing to work with water.

“ ‘You either protect the house or protect the land,’ he says. ‘Creating large-scale flood protection zones is expensive and in itself potentially harmful to the environment. Once breached, homes are left defenceless, as opposed to floating homes that can simply rise with flood waters.’ ”

More.

Photo: Mark Junak 
The Chichester prototype floating home designed by Baca Architects.

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I’ve been encouraged to see an increased focus on keeping food from going to waste when so many people are hungry.

In the Boston area, for example, Spoiler Alert and 2012 Mass Challenge winner Lovin’ Spoonfuls are just two of several local organizations moving leftovers and surplus to places they can be used. And how about Daily Table, which makes delicious prepared meals from surplus ingredients and sells the meals at low prices?

Meanwhile, in France, action is taking place on a national scale.

Writes NewCo Shift, “Back in 2014, the third largest supermarket chain in France, Intermarché, launched their memorable ‘Inglorious’ fruits and vegetables campaign. To help reduce ‘cosmetic’ food waste, Intermarché sold scarred, disfigured and odd-shaped fruits and vegetables for 30 per cent less than ‘normal-looking’ produce. On the back of their playful marketing and waste-conscious campaign, many supermarkets all over the world followed suit and wonky veg has been the unlikely pin-up of food waste ever since.

“[France was] the first country in the world to ban supermarkets from throwing away or destroying unsold food, forcing them to donate to food banks and charities instead. The law was a result of a grassroots campaign launched by councillor, Arash Derambarsh. After his petition gained more than 200,000 signatures and celebrity support in just four months, he managed to persuade French MP’s to adopt the regulation, which is now being copied in different parts of the world. Since the ban has been in place, over 300,000 tonnes of food has been saved from landfill and redistributed to France’s three networks of food banks. …

“Let’s not forget France’s most shimmering, sequin-laden, food-saving exports: Disco Soupe! Disco Soupe (or disco soup) has captured the imagination of the world, proving to be one of the most fun events out there, while reducing food waste. Strangers collide, music spins, food is saved from the clutches of the bin, chopped to the beat and eaten with rhythm.”

More at NewCo. If you like this topic, you can also subscribe to Zero Waste Weekly here. Do you tweet? You might like to follow the entertaining @UglyFruitAndVeg. Send your whimsical pictures of produce to those folks and join the fun.

Photo: Shift.NewCo.co

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An obvious barrier for single mothers who want a good education is lack of day care. Some high schools help low-income moms with that, but not many colleges. Kirk Carapezza writes at WGBH radio about one college that is leading the way.

“Twenty-three years ago, when Endicott College President Richard Wylie set out to subsidize room, board and childcare for single teenage mothers at this small, four-year private college in Beverly, Massachusetts, he met some resistance. …

“What Endicott decided to do was admit ten low-income single mothers each year, providing them with housing, meals, and childcare. Today, Endicott’s Keys to Degrees program costs the college about half a million dollars a year. It’s an expensive program for a school with a relatively small $65 million endowment, but Wylie says the school has a moral and professional obligation to help single parent students.

“ ‘We’re not here just to educate the brightest and the most privileged,’ Wylie said. ‘If I can send my football team out of the country to play, why can’t we do more?’

“College is usually an opportunity for students to get ahead and improve their lives. But that promise can lead to disappointment for low-income parents if they can’t find affordable, high-quality childcare. According to the Institute for the Women’s Policy Research, only 17 percent of college students with children graduate within six years. …

“A new poll from NPR, the Robert Wood Johnson Foundation and the Harvard T.H. Chan School of Public Health finds more than 70 percent of parents say the cost of childcare is a serious problem. And experts say that cost can prevent students with children from graduating.

” ‘Childcare and taking care of your kids can be a major barrier in terms of completion,’ said Gina Adams, a senior fellow at the Urban Institute. Adams says more schools focusing on serving student parents could positively affect the economy, since most jobs created after the recession require more than a high school degree.

“ ‘Education absolutely is a route out of poverty for low-income parents and for their kids,’ Adams said. ‘But if they have kids and we don’t provide them with the opportunities to make sure that their children are well cared for, then they are unlikely to enroll or be able to succeed.’ ”

More at WGBH radio, here.

Photo: Kirk Carapezza/WGBH
Sarah Schuyler, a junior at Endicott, and her son Asher play in their dorm room after class.

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Now for something a little different in the Christmas cookie department. How about gingersnaps that look like ancient clay tablets? With cuneiform inscriptions.

As Jennifer A Kingson writes at the New York Times, that’s what Katy Blanchard of the University of Pennsylvania Museum of Archaeology and Anthropology brought to her holiday party a few years ago. Now everyone wants to try it.

“Ms. Blanchard, whose passions are archaeology and baking, used chopsticks, a fish knife and a gingerbread recipe that came packaged with a Coliseum-shaped cookie-cutter she once bought. Not only did her cuneiform cookies beguile her colleagues at the office party, they also gained some measure of internet renown after a Penn Museum publicist posted an article about how she made them. (Sample comment from the public: ‘Mine will probably taste more like the Dead Sea Scrolls.’)

“From there, cuneiform cookies started to become — as the newspaper The Forward put it — ‘a thing.’ Bloggers were enthralled, including one who said she was taking a class in Hittite and opted to practice on shortbread. …

” ‘It really struck the world in just the right nerdy place,’ said Ms. Blanchard, noting that a number of people, including home schooling parents, classroom teachers and scholars of ancient languages, had taken the idea and run with it. …

“Inspired by Ms. Blanchard’s cuneiform cookies, Esther Brownsmith, a Ph.D. student in the Bible and Near East program at Brandeis University who has been studying Akkadian for years, went all out: For a New Year’s party, she baked four tablets of gingerbread, each on a 13-by-18-inch pan, and copied part of the Enuma Elish, a seven-tablet Babylonian creation myth, onto them. A stunning step-by-step description of this feat has drawn thousands of ‘likes on her Tumblr blog.”

More here, at the Times.

Photo: The Forward and Kay Blanchard
The online world is snapping up recipes for these gingerbread cuneiform cookies by Katy Blanchard of the University of Pennsylvania Museum of Archaeology and Anthropology.

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