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Posts Tagged ‘boston’

My workplace closes down on Veterans Day, so today my husband and I finally got a chance to visit the new Art of the Americas wing at the Museum of Fine Arts.

I didn’t realize that people bring cameras to museums now and take pictures of whatever they like. Is that allowed? For this post, I wanted to use a particular painting I saw today, but after trying the MFA site and searching the Internet, all I could find was a bootlegged photo for sale at Flickr. Fortunately, I did buy an MFA postcard that I was able to photograph at home.

This is a Louis Comfort Tiffany-designed stained glass window of parakeets and a goldfish bowl.

My favorite floor was the third, though. There we saw some great 20th Century art: Calder mobiles, a Jackson Pollock, works by Charles Sheeler, Georgia O’Keeffe, Arthur Dove, Marsden Hartley, the photographer Weegie, and more. Although the MFA also has a new gallery of contemporary art in a different part of the building, I liked the selections on the third floor of the Americas wing best.

At lunch we ate in the new dining area, a large, beautiful space that combines both classical and modern styles comfortably and features a tall, green, glass sculpture by Dale Chihuly.

The food was very good.

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I went to a conference today on how industry and higher-education entities can collaborate better to prepare students for the jobs that companies want to fill. There was a big crowd, and among the speakers were U.S. Senator Sheldon Whitehouse of Rhode Island and Connecticut Governor Dannel Malloy.

I was especially pleased to hear panel member Gerald Chertavian and catch up with what his nonprofit has accomplished in the past few years.

Starting in college, Chertavian volunteered as a Big Brother, and the experience had a profound effect on him. After he went to Harvard Business School, launched a company, and sold it, he decided to invest in helping motivated youths aged 18-24 who lacked the money, networks, or opportunity to get a good education or decent job.

So he founded Year Up. He built on his list of corporate contacts to make internships a key part of a training program that ended in jobs.

Interested young people had to have a high school diploma or GED and demonstrate through the application process (which involves getting references) that they are serious. They earn a stipend during a year of training in either financial-industry or tech skills. They learn workplace behavior and business communication. At the same time they get college credits at an affiliated school, which most students decide to put toward a degree after their year in the program. Companies have found the Year Up youths invaluable, and some are changing their HR requirements to allow in more people without a bachelor’s already in hand.

At the conference, Chertavian acknowledged that in spite of having helped 5,000 students over a decade through Year Up programs around the country, the organization was not big enough to achieve its ambition of a major impact on the opportunity divide. To scale up, he said, Year Up is partnering first with a college in Baltimore that will use the approach. It hopes to keep expanding the new model after Baltimore.

There are a lot of great You Tube videos that might interest you — some about the Year Up program, some about Chertavian, some about the students. Here is one.

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Taking my walk in Chinatown this morning,

I noticed an unusual mural.

 

I got up close to read the sign, which said the South Cove Community Health Center Tobacco Control Project that had created the mural in 1998. The Boston Youth Fund site adds more: “This mural was commissioned by the South Cove Health Center as part of their antismoking campaign. It was funded in part by the Massachusetts Department of Public Health. The mural depicts the path to a healthy lifestyle from cigarette addiction.”

Your eyes are drawn to the Buddha-like figure in the center and the yin/yang symbol, but if you look more closely, there are giant cigarettes throughout the scene. This photographer got sharper pictures.

Much as I love projects like this, I do wonder if they meet their intended goals. Did more people quit smoking? How about the people who created the mural? Was the goal to have youth working on something constructive? Did they continue to be constructive in their lives?

I remember when the storekeepers in my hometown were worried about getting their windows soaped on Mischief Night. They decided to partner with the school to have young people create nice window paintings for them at Halloween. I was one of those kids. Did that prevent store windows from getting soaped? Little Miss Goody Two Shoes would no more have done mischief on Mischief Night than have flown to the moon. The initiative may not have hit the intended target.

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Steve McGonagle is a set designer whose community-theater work always amazed me back when I was a reviewer. One set that stands out in my mind was his huge train engine charging toward the audience in the Vokes Players performance of On the Twentieth Century (not to mention all the scene changes for that old-time musical).

Recently, Steve returned to school, to Boston University, to get his PhD, and he mentioned to me that he and other students were working on a BU Fringe Festival entry. (I blogged a bit about the original, 50-year-old Edinburgh Fringe Festival here.)

On Sunday my husband and I went to see the 90-minute opera in the black box space upstairs from the Huntington Theater.  It was wonderful in every way, not least because Steve designed and built a beautifully plausible Golden Gate Bridge with only a $200 budget.

The new Jake Heggie opera, Three Decembers, was based on a Terrence McNally play. The story revolves around a self-centered and overbearing stage diva. Her grown children find her maddening and hurtful but still important to them. The acting was subtle and true to life in a way that opera seldom is, for me anyway. And we were amazed at the clarity of the words sung by the cast from BU’s School of Music Opera Institute. (We got the “blond cast” and understood that there was also a “brunette cast” to give more students opportunities.)

We admired the variety of styles and moods in Heggie’s score, some of it wonderfully lyrical. Three Decembers had a libretto by Gene Scheer and was directed by Tomer Zulun. Allison Voth was music director. More here.

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More curiosities seen on the Rose Kennedy Greenway in Boston: Waves. The first wave pictured below has a sign saying, “From the Greenway.” The second says, “From the Peabody Essex Museum, Salem, MA.”

This website helps to explain that an urban collaboration led by artists Susan Hoffman Fishman and Elena Kalman is behind this project, “The Wave: An Interactive Public Art Installation Fostering Global H20 Awareness.” I love it, but it didn’t raise my water awareness immediately because I had trouble figuring out what it was. Thank goodness for Google.

A couple weeks ago, I wrote to the Greenway people (and to the city of Boston) about bikers who were using the Greenway paths despite signs saying not to use “bicycles, skateboards, personal transportation, i.e. Segway.” I like that people bike instead of use cars, but not on footpaths. The signs cause walkers to lower their guard. I’ve seen near misses.

The city wrote me: “Thank you so much for your email. It is illegal to ride on the Greenway. We at the City of Boston are aware of this issue. We will be installing a bike lane on the road for the cyclists this season. Research shows that that bike lanes dramatically reduce sidewalk riding.”

The Greenway people wrote: ” For the safety and enjoyment of all Greenway visitors, biking is not permitted anywhere in the parks. When our horticultural and maintenance staffs witness a cyclist, they will ask them to dismount; City of Boston Police Department handles enforcement.  … The City of Boston installed five new Hubway stations along the Greenway.  This fall, the City will be installing painted bike lanes onto the street which will help alleviate the problem in the parks.”

(At the moment the Boston police are more preoccupied with Occupy Boston. They arrested 141 Occupiers early Tuesday because they had spread into the Greenway from Dewey Square. Funny how a few days can change one’s perspective. Today the concerns of the Occupiers and the concerns of the police both seem more serious than bikes on footpaths.)



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A while back I blogged about the book groups called Daughters of Abraham, involving women from three related religions: Muslim, Jewish, Christian. I mentioned that I had met book group participant Heidi, who founded something similar for children, Kids4Peace.

Today I thought I would check back to see what Heidi’s organization has been up to, and I was led to a delightful blog on the first Kids4Peace summer camp. Here’s a taste.

“July 11, 2011 — This morning there was basketball before breakfast! The Christian children had prepared a Sunday morning service for us with the Reverend Josh Thomas, Executive Director of Kids4Peace USA, presiding. The Muslim and Jewish children had many questions after the service and the Christian children were able to answer many of them. In the afternoon, we had our choice of activities with other campers whom we hadn’t met before. Choices included archery, windsurfing, arts and crafts, drama, and woodworking.”

A different sort of project took the Kids4Peace folks to the Interfaith Youth Service Day at the Swedenborgian Church on the Hill (Beacon Hill, Boston). Heidi wrote me that Kids4Peace organized “a program geared towards children under 12 (the older kids did outdoor service projects). We created 40 toiletry kits, cards and scarves to be donated to a women and children’s shelter in Boston.” Read about it here.


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This is the time of year for walnut trees to bear fruit, for bees to bring in the last of the wine, and for block parties. Beacon Hill’s party is way more elaborate than any block party in Concord and is considered a time to raise funds for a cause. See if you can guess which party is which.

Orchard
by H. D.

I saw the first pear
as it fell—
the honey-seeking, golden-banded,
the yellow swarm
was not more fleet than I,
(spare us from loveliness)
and I fell prostrate
crying:
you have flayed us
with your blossoms,
spare us the beauty
of fruit-trees.

The honey-seeking
paused not,
the air thundered their song,
and I alone was prostrate.

O rough-hewn
god of the orchard,
I bring you an offering—
do you, alone unbeautiful,
son of the god,
spare us from loveliness:

these fallen hazel-nuts,
stripped late of their green sheaths,
grapes, red-purple,
their berries
dripping with wine,
pomegranates already broken,
and shrunken figs
and quinces untouched,
I bring you as offering.

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Check out this story in the Boston Globe. It seems especially timely given the increasing numbers of people growing their own food and the concerns about many others who are struggling.

“Every summer, 40 million backyard farmers produce more food than they can use, while people in their communities go hungry. If only they could link up. Enter Gary Oppenheimer, 59, of West Milford, N.J. He was directing a community garden a couple of years ago when inspiration struck. In May 2009, AmpleHarvest.org hit the Internet, connecting food pantries and gardeners. In just 150 days, Rosie’s Place in Boston became the 1,000th pantry on the site, and the growth has continued. As of Labor Day, 4,188 pantries were listed, in all states. Oppenheimer says the nonprofit organization is actively seeking grant funding to sustain what has sprung up.” Read more here.

If you have extra produce from your garden, you can go to AmpleHarvest to find a food pantry near you.

Photographs: Sandra M. Kelly

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At lunch I went across Fort Point Channel with my colleague Lillian to visit the Children’s Museum. We wanted to see the new exhibit called Boston Black.

It was very nicely done. Lillian was delighted to discover that her AME Zion church was featured in the history part, complete with stained glass Star of David (her church’s building was once a synagogue).

We played all the games but couldn’t seem to operate one that involved connecting circuits — probably because we are not kids. I definitely could have used a kid to remind me how to use the camera on my mobile phone, but Lillian figured out hers and took a photo of the museum’s rendering of her church. (You can’t see the Star of David in her picture, so have a look here at the actual church.)

In addition to the history section, there was a barber shop and hair salon that you could play in, a section on Boston-area Haitians, one on Cape Verdeans, a grocery store with play fruits and vegetables, a magazine stand, quizzes to help you learn about the different cultures, and so on.

One thing we hadn’t realized was that if you come to the Children’s Museum without a child, they hold onto your driver’s license or other picture I.D., and they give you a special pass to wear around your neck in case parents think you seem sketchy. I know I look disreputable, but Lillian is the soul of respectability. 🙂

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This morning on my walk I noticed a sign about energy-saving LED (light-emitting diode) street lamps. The sign is hard to read here, but it says that the LED lighting was provided by the Friends of Christopher Columbus Park. It also says that “the City of Boston is testing different types of LED lighting systems around the town and wants to know what you think.” Tell the City here.

The main reason I’m interested is that John is in the optics business, and his team is always working on LED, 3-D, and other optical projects beyond my ken. (I blogged about his Eastern European optical engineers here and here. John and Gregg tweet at OFH_John and gfavalora.)

And while we’re on the subject of optics, check out an article about “bizarre optical phenomena, defying the laws of reflection and refraction. …

“Cambridge, Mass. – September 1, 2011 – Exploiting a novel technique called phase discontinuity, researchers at the Harvard School of Engineering and Applied Sciences (SEAS) have induced light rays to behave in a way that defies the centuries-old laws of reflection and refraction.” They bend light. Kind of like a fun house mirror.

You can see what they are talking about here.

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Near where I work in Boston, there is something new to see every day.

Here are two shots of the ever picturesque North End. 

Here are shots of the harbor post-Irene and the James Hook & Co. golden lobster.

And here are the deep red plants that attracted a hummingbird outside the cafeteria yesterday. He didn’t show up today for his screen test, so I borrowed someone else’s hummingbird.

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I wrote before about a program using the arts to help people in prisons get beyond the prisoner mindset. Here’s a similar story.

Michelle “Bankston, who has short, blond hair and a muscular build, has spent almost 20 years behind bars. She was incarcerated first at a medium-security facility here in Alabama, and then at a private prison in Louisiana (to relieve overcrowding, Alabama sends some inmates out of state), and finally here, at the Montgomery Women’s Facility, a sun-soused cluster of buildings on the outskirts of the capital city.

” ‘A while back I decided that I could either spend decades in the bunks, watching TV or playing cards,’ Bankston says, ‘or I could get out here and take the opportunity to write poetry and draw.’

“That she’s been given this opportunity to do her art is testament to the work of Kyes Stevens, an avuncular and outspoken educator, poet, and Alabama native. Since 2002, Ms. Stevens has headed The Alabama Prison Arts + Education Project (APAEP), which offers literature and art classes in a range of prisons across the state. The program is funded by Auburn University and an array of grants. The teaching staff consists of five Auburn-based instructors and a rotating cast of teaching fellows from the graduate creative-writing program at the University of Alabama in Tuscaloosa. Classes run for 14 weeks and are rigorously structured, like college courses, demanding a full commitment from students.”

Read the article in the Christian Science Monitor.

On a related note, I met a woman in my playwriting class who founded a nonprofit called On With Living and Learning, Inc. Mary Driscoll lives in the Fort Point Channel area of Boston and works with people who have been through the prison system. She uses theater to generate the catharsis that can result from their telling their stories and also to help them develop “job skills for the 21st century.” Read about her here. A script that Mary was working on in my playwriting class is now going to be made into an opera, with all sorts of helpers, like the Harvard-trained opera composer, the cabaret singer, and the reggae performer.

I can’t help thinking that when these creative people use their talents to help others, they are getting something special in return.

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Nicole Freedman is a woman with a mission. A professional bike racer from 1994 to 2005 and a competitor in the 2000 Olympics, she was appointed by Boston Mayor Menino in 2007 to move the city from the bottom of the bikable-cities list to the top. In a few years, much has changed. Protected bike lanes have appeared all around the Greater Boston area, citywide biking events have enticed everyone from beginners to experts, and new bike maps are widely available.

Now Freedman and the New Balance company have brought bike sharing to the Hub. It’s not just for Europe anymore.

“New Balance Hubway is your Boston bike sharing system. Launched in Boston on July 28, 2011, with 61 stations and 600 bicycles, with an eye towards expanding into Boston neighborhoods and surrounding communities, New Balance Hubway provides you with an accessible and green transit option. Rent a bike near your home or office and pedal your way to the next lunch meeting, errand or shopping trip, or to visit friends and family.”

Read more here. Learn how you can borrow bikes and where you can return them.

But BYO helmet because Boston drivers are still Boston drivers.

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The other day on an American Public Media radio broadcast, I heard a story about Better Block Houston and its approach to urban revitalization. “The Better Block is a national movement which originated in the Oak Cliff neighborhood of Dallas. Better Block projects have improved neighborhoods in Chicago, Dallas, Fort Worth, Portland, and Memphis.”

Concerned residents focus on a vision for one block and throw a daylong event showing the potential.  The idea is that visitors might come to see the event and its special one-day amenities and would then notice cool things about the area and decide to return. New businesses might decide to move in. Sounds like wishful thinking, but the Better Block folks claim the approach is attracting more foot traffic and business.

“The ‘Better Block’ project provides a one-day living workshop of how a ‘Complete Street’ works, by actively engaging the community, helping them to visualize better outcomes for the future, and empowering them to provide feedback in real time. Better Block is a fun and interactive demonstration of a ‘Complete Street’ — and what it can do for a neighborhood. Complete Streets …  are designed and operated to enable safe access for all users. Pedestrians, bicyclists, motorists and transit riders of all ages and abilities must be able to safely move along and across a complete street. Complete Streets make it easy to cross the street, walk to shops, and bicycle to work. They allow buses to run on time and make it safe for people to walk to and from train stations.”

In Boston, a young couple I know, Sam and Leslie Davol, had an idea to set up a temporary library in Chinatown, which had not had a branch library in decades. Their project made use of a storefront that had been vacant during the economic downturn.

Leslie just sent out an e-mail about what they’re working on next: The Uni Project.

“Many of you know the Storefront Library, which Sam and I undertook in a vacant storefront in Boston’s Chinatown last year. That project had a big impact on us, just as it did on the Chinatown community. Since then, we’ve helped several local groups take over the books and Chinatown’s library advocacy, and we’ve spent time exploring a broader need for places like libraries in urban neighborhoods and cities generally. …

“The Uni is a portable infrastructure that will allow us to quickly deploy and create staffed, open-air reading rooms in almost any available urban space. The Uni is based on a system of cubes, and the books inside those cubes are just the start. Like libraries, we plan to use the Uni to provide a compelling venue for readings, talks, workshops, and screenings, through partnerships with local organizations and institutions. And the best part, once we fabricate this lightweight infrastructure, we can keep it running, serve multiple locations, and even replicate it.” Read about The Uni Project here.

8/11/12 update on Uni Project here. Now it’s even in Kazakhstan.

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The Hip Harpist I wrote about before has a lot of interests, about which she both tweets and blogs extensively. An especially kooky interest is her Burnt Food Museum.

She explains: “The museum was founded in the late 1980’s one night when Deborah put on a small pot of Hot Apple Cider to heat, then received an unexpected . . . fascinating . . . and very long phone call. By the time Deborah returned to the kitchen, the Cider had become a Cinder and thus the first, and perhaps still the most impressive, exhibit: Free Standing Hot Apple Cider was born.

“Since then, countless other works have entered the museum, such as Thrice Baked Potato, ‘Why Sure, You Can Bake Quiche in the Microwave,’ the indestructible ‘Mmmm……Soy Pups,’ and the lovely matching set of Pizza Toast.”

Like the Museum of Bad Art (MOBA, the world’s only museum dedicated to the collection, preservation, exhibition, and celebration of bad art in all its forms), the Burnt Food Museum gets a lot of press in the mainstream media for sheer kookiness. These cultural institutions are both in the Greater Boston area.

Don’t let anyone tell you Boston is staid.

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