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Posts Tagged ‘providence’

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The Providence bus hub is in the center of town near shops, corporate offices, Burnside Park, restaurants, galleries, hotels, and other attractions. In bad weather it becomes an unofficial day shelter for homeless people, with the result that the whole area is a magnet for Rhode Islanders who need more help than a roof.

Panhandling has become a constant fixture there, and with businesses complaining loudly, the city has tried to address the issue in a variety of ways. Some of them have been ham-handed, like the short-lived initiative to put panhandlers in jail.

The latest approach appeals to me, despite seeming like a superficial way to address deep social problems. It involves a kind of parking meter, where the compassionate can donate indirectly to those who need help knowing that the money will not go toward anything that makes their lives worse.

Providence is also experimenting with a program piloted by Albuquerque, New Mexico, which pays people to do work around the city rather than panhandling.

A year ago, Edward Fitzpatrick at the Providence Journal described the thinking behind the effort to find constructive solutions.

“The Washington Post just wrote about Albuquerque’s ‘There’s a Better Way’ program, which pays $9 an hour for day jobs beautifying the city. In partnership with a local nonprofit that helps the homeless, the program employs about 10 panhandlers per day and offers them shelter. In less than a year, they’ve cleared 69,601 pounds of litter and weeds from 196 city blocks, and 100 people have been connected with permanent jobs.

“Republican Mayor Richard Berry told The Post that most panhandlers have been eager to work. ‘It’s helping hundreds of people,’ he said, ‘and our city is more beautiful than ever.’

“And now, the Albuquerque model is being looked at by both Providence Mayor Jorge O. Elorza and former Providence Mayor Joseph R. Paolino Jr., a downtown property owner who just became chairman of the Downtown Improvement District and called a meeting on panhandling and homelessness. …

“Paolino said he does not want to address panhandling in ‘the Giuliani way — throw them out and not fix any of the problems.’ Rather, he wants to work with social-service agencies so that if people are homeless they get shelter and if they’re addicted they get treatment, but if they’re dealing drugs they should be apprehended, he said.

“ ‘Although this is a crisis, this is an opportunity,’ Paolino said. ‘These social-service agencies never had the business community working with them before.’ ”

That program strikes me as a good idea. I have seen it in action. I also like the meters. For me, it’s a great way to keep pocket change from weighing me down while reassuring me that small amounts will add up to something meaningful. The money goes to reliable agencies, and people in need of assistance can contact them using information on the meters.

More at US News, here, and the Providence Journal, here.

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Image: Ida Schmulowitz
Artist Ida Schmulowitz says, “I have painted landscapes outside from a pedestrian bridge overlooking a highway since 1983. I feel a very strong bond to this particular place.”

My friend and former boss Meredith Fife Day, an artist, put up an intriguing Facebook post not long ago. It was about the work of a Rhode Island artist who has been painting the view from the bridge at India Point over and over since 1983. No two paintings alike.

Meredith wrote, “Ida Schmulowitz of Providence has painted on site on a pedestrian bridge over the highway near her home and studio for more than 30 years. No camera. No sizing canvases to fit her easel. No hesitation to return again and again until the painting is finished. The paintings are on canvas and average 6-by-8 feet. …

“I had the good fortune of meeting the artist and writing about her work for Art New England 10 years ago. Here is an excerpt from that review:

“ ‘Applying paint in thin layers Schmulowitz often took a morning painting back out at sunset months after it was begun. A pale sky gone peachy-orange carries its history and alludes to color’s role in the passage of time. As highway shadows lengthened at the end of the day, their geometry became more explicit and their hue more saturated. Footprints left in the foreground from walking on the canvas to reach the upper edges mimic brushmarks. The confidence that comes with knowing a site, and developing over the years a vocabulary that expresses its essence, unleashes great intuitive force. That force explodes in these works.’ “

At her website, Schmulowitz explains, “I feel a very strong bond to this particular place (India Point). I’ve felt compelled to record it year after year in all seasons and times of the day. I struggle with trying to combine the structural essence of the place with my internal vision. Changes in the landscape itself, or shifting my vantage point just slightly, are the catalysts for creating a new series.”

I love the strong colors and shapes of the paintings on the website — and the way the shadows lengthen in views of the same scene. Choose from tabs “Bridge View,” “Park View,” “Highway,” “School View,” “Stop Sign,” and “Studio View.”

Photo: Sandor Bodo
The artist says that on the way home after work, “I lay the wet canvas flat and drag it back flat through the streets to my studio. This contributes somewhat to an imperfect surface, that I like to work with, and feel it is part of the process.” 

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Photo: Heidi Gumula/DBVW Architects
After the Mercantile Block in Providence, Rhode Island, was restored, it became a hub of activity once again.

Rhode Island in general is good at preserving historic sites, offering developers monetary assistance in the form of generous tax credits. Providence in particular has a history of successful efforts to renovate properties for new uses.

At the National Trust for Historic Preservation, Jared Foretek writes about one: “When the Providence, Rhode Island nonprofit AS220 set out to purchase its third downtown building, it knew the Mercantile Block had exactly what it was looking for. Its sheer size — 50,000 square feet, four stories, and a basement — made the 1901 structure perfect for the diverse uses the artist-run organization had in mind. There was storefront space for creative businesses, office space for local nonprofits, and room for 22 live/work studios for local artists.

“Built in 1901, the building was once the hub of a bustling commercial strip in downtown Providence [and] remained a destination until the middle of the 20th century, when the Mercantile and its surrounding neighborhood fell victim to the same economic and migratory forces that ravaged urban cores around the nation.

“The building was nearly vacant when AS220 — an organization dedicated to creating artist space in Providence since 1985 — undertook a $16.9 million rehabilitation in 2008. …

“A meticulous restoration of the building’s four-story facade by DBVW Architects has helped revitalize the entire streetscape and inspired building owners to take up rehabilitations nearby. The mixed-use redevelopment has benefited the broader community as well, with affordable storefronts for local small businesses, office space for Providence-based nonprofits, and subsidized live/work studios for artists. …

“The renovation also allowed locally owned small businesses — some long-time tenants — to lease newly desirable downtown storefronts at low cost. For a restaurant like Viva Mexico!, one of just a few Latino-owned businesses in the downtown area, affordable space with good real estate is hard to come by. …

“ ‘It’s a story that a lot of communities have. Artists live in places that are semi-legal or if they’re legal, they’re underdeveloped. And as soon as spaces become viable and interesting, artists get pushed out, and low-income people get pushed out,’ said Shauna Duffy, AS220’s Managing Director. ‘So our mission is to create these spaces and create this community. And that involves having a permanent place for artists to live affordably downtown in Providence.’ ”

More.

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Looney Lu

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I was passing the wetlands in Blackstone Park this morning when I stopped for a while to get a better look at a water bird. Was it a heron? What heron is brown? Maybe it was a bittern.

When the bird flew into a tree, I returned to the walking path. That’s when I noticed a young man with a fancy camera parked along the river. I asked him if he was looking for birds.

“No,” he said, “but I can show you what I’m doing if you are interested.”

He told me that he makes videos to encourage young people to get up early and not waste their lives sleeping. He said he wants them to enjoy this beautiful world. He calls himself Looney Lu. He showed me his most recent video, which states that old people sleep all he time but young people shouldn’t. 🙂

Looney Lu’s been taking videos every day since his birthday, but by the time he edits them, he says, they get posted more like every other day.

I was quite taken with his enthusiasm and his early-bird philosophy. I checked out his site and decided to share his first YouTube video. Personally, I’m not offended by the colorful language, but that’s a kind of warning to folks who might be.

I hope you think Looney Lu’s high-energy talk about setting goals is as much fun as I do.

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071917-OMG-hydrangea-6tagTime for another photo roundup. All these pictures are from Massachusetts, except for the sunflower, which is reaching for the sun in Providence. Most of the photos are self-explanatory, but the tuba band is marching for an annual sidewalk sale that blocks off Walden Street, and the Mariachi band was featured at the library’s concert series.

Also, I liked how a trash can become a lovely little garden. The tree in the cemetery looked to me like it was frowning.

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After feeling pretty under the weather for a couple days, I rejoiced to be back to normal on Friday, well enough to help out at the ESL class for Haitians in Boston, if not well enough to eat, say, a pizza. I feel the way you are supposed to feel when you stop hitting your head with a hammer. Perhaps you can tell that the two quirkier photos were taken in a happy mood.

Anyway, the collection represents more of my Rhode Island and Massachusetts travels, in sun and shade.

First, New Shoreham, Rhode Island, overcast but lovely.

The Providence photos start with the wild turkey I saw on a morning walk. Erik tells me the turkeys are common. He and the children followed a group of them one day to see if they could find out where they were headed.

Next comes a reproduction of the Hokusai’s “The Great Wave of Kanagawa” on the bleachers of a high school baseball stadium. Then a piece of art welcoming urban farmers to the Fox Point Community Garden. My third Providence photo shows the end of the line for an old train track near a new bikeway. The drawbridge has been frozen in time.

The off-kilter gargoyle is on a building at Downtown Crossing, Boston. Near there I took a picture of the mosaic at St. Anthony’s Shrine, where Lillian and I went to light a candle in amazement and gratitude for an election some years ago. Neither of us is Catholic, but we felt the need of a ceremony.

I had to look up St. Anthony on Wikipedia, which says, “He was proclaimed a Doctor of the Church on 16 January 1946. He is also the patron saint of lost things.”

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Suzanne has been dolling up the studio of her birthstone-jewelry company. Would you like to see what it looks like? Margareta took the photos. I especially love the Munch-like landscape of the moon on water and the view of the river from the studio window.

Do check out the Luna & Stella website, especially if you are thinking of giving your Valentine a piece of jewelry for Valentine’s Day. Suzanne’s antique locket collection has been getting a lot of attention lately, and there is a wide variety of contemporary necklaces, bracelets, cuff links, earrings, and more, including the moons and stars that gave Luna & Stella its name.

“Who’s your moon and stars?”

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I thought I’d collect some early-winter images, but an out-of-season iris decided to redefine early winter for me. The iris loves that Dunkin Donuts brick wall so much it decided to bloom. Then the temperatures went down into the teens.

The USS Concord (1923-1947) had a bell that the town acquired and put on display in a public ceremony shortly after Veterans Day this year. I enjoyed watching the evolution of the pocket park that hosts the bell and was amazed by what a deep hole had to be dug for the pedestal support.

The unusual “Lost & Found for the People” is beside the path that runs down the middle of Blackstone Boulevard in Providence. (I hope that “the people” will find what they lost soon.)

The next picture is of the daily dog-walker gathering at Emerson Field, where I was delighted by a message nestled in the roots of a tree: “Just do right.”

The veggie colors spoke to me of Christmas.

The gingerbread house competition is at the Colonial Inn and will be up until January 1. The last gingerbread house is in the library. It all makes a person want to try her hand at some decorative baking.

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https://www.goodreads.com/book/show/30992410-such-mad-fun

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https://www.goodreads.com/book/show/30992410-such-mad-fun

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Photos with meaning. Well, maybe not all these photos have meaning. Some exist for their own sakes.

The first, from my backyard, captures two things I love — fall colors and shadows. The second shows the Concord River flowing through Minuteman Park; the third, shadows on the monument at the North Bridge.

The restaurant with the kitchen facing the street is a delightful new entrant to the celebrated Providence restaurant scene. It’s on Westminster Street and is called Bao Bao.

The winged creature on a Boston building looks like a gryphon to me. Do correct me if I’m wrong. Next is a rhino outside the Museum of Fine Arts museum school. That’s followed by the amazing cloister of the Isabella Stewart Gardner Museum and an illuminated manuscript from a current exhibit in the new wing.

Finally, I couldn’t capture the whole Leonard Cohen lyric on the sidewalk in Wayland Square — would have had to stand in a busy street at rush hour. But it’s from his song “Anthem” —

“Ring the bells that still can ring / Forget your perfect offering / There is a crack in everything / That’s how the light gets in.”

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Photo: Evensi

My husband and I alternate between our two sets of grandchildren on Halloween. Last year we got a kick out of seeing John perform the role of MC for the costume fashion show at the park on his street. Although we won’t be there this year, I’m glad I got to see my oldest grandson in this year’s Yoda costume and his sister as a mermaid. Her puzzlement about the way the bottom of her costume was cut led to explanations of mermaid anatomy and collaboration on mermaid drawings.

This year we join the Providence grandkids (one gentleman fire chief, one lady construction worker) for the gathering at Brown Street Park and the annual parade through blocked-off Providence streets.

Brown Street Park has many Friends (changed to “Fiends” for the holiday). It’s in an upscale neighborhood near the university and flourishes because of people who both care about it and know how to raise money. If only all Providence neighborhoods were like that (which I say because behind one place where I volunteer, there’s a filthy campsite where drugs are sold. I am told the city cleaned it up once, but the vacant lot reverted to its current sorry state. How I wish the city would try again and neighbors would feel that they could go in and plant a garden or something!) But I digress.

If you go to the Friends of Brown Street Park website, here, you will find a well-organized group of volunteers soliciting help from other potential volunteers for initiatives such as the Hallloween party and parade, the summer concert series and the Earth Day clean-up.

In poor communities, good things can happen, too, but no outsider can come in and decree what those good things should be. First come efforts to build trust among all neighbors, as suggested here, then come deliberations about what neighbors actually want. I am going to look into getting the city to deal with that no-longer-vacant lot. It’s so disturbing for children who attend nearby activities. All neighborhoods should be safe for children.

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Photo: The Genesis Center

I’ve been having the best time lately. I’m volunteering in English classes at three refugee agencies, assisting the classroom teachers. The nonprofits are all near one another in Providence.

Dorcas International is an official refugee resettlement agency. It offers a range of services not just for refugees but for other immigrants and for native-born people living in poverty. At Dorcas, I help a teacher work with students who have just arrived in the United States. Most of them know no English at all, and some never went to school in their own countries and are just learning to write.

We have students from Myanmar, the Dominican Republic and Cape Verde, among others, but they are not all refugees. In fact, the majority of families being resettled by the State Department in Providence right now are from Syria and the Congo.

I read in the paper today that 80 percent of the refugees that have entered the United States this year are children, but I work with adults.

The Genesis Center is not a government resettlement agency, but it works with refugees and other immigrants on English and on job skills. It has a great culinary program and places many people in jobs. It also has a day-care center. The students I work with at the Genesis Center are generally a bit farther along in English.

The Refugee Dream Center was more recently established than the other two. It was founded by Omar Bah, a refugee who had been a journalist in Gambia and who had to flee when his articles on human rights garnered him death threats. Bah’s nonprofit is small so far, but its focus on helping people after the four months or so that they receive government assistance is needed. At the Dream Center last week, I worked with a woman newly arrived from Haiti and another from Burundi who has lived in Providence about a decade.

Pretty much all the students act grateful for the help, and it’s a treat to see a face light up when the penny drops. In January, closer to home, I plan to take a training to co-lead small conversation groups.

Did I mention I’m having a lot of fun?

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We turned on the heat and started wearing warm coats. (I’m even wearing gloves and earmuffs in the early morning, but don’t tell anyone.)

I think it’s time for a round-up of late summer scenes in New England before the snow flies.

First come two pictures illustrating the Providence claim to fame as Creative Capital. Then shy mushrooms. Next are four photos from New Shoreham, including horses and a turtle who really hoped I’d just go away.

Moving right along: lovely shadows and fall colors in field and farmstand.

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Photo: Isabelle de Pommereau
Anja Reefschläger has taken Ahmad Madarati and other refugees under her wing since they arrived near her Berlin home last year.

The Christian Science Monitor always has great stories about good works around the globe, and this one on ordinary Germans who are volunteering to help refugees get settled is no exception.

Isabelle de Pommereau writes, “ ‘Frau Anja.’ Hearing this name for a Berlin volunteer who teaches refugees German – and has become a second mother to many of them – brings a smile to Ahmad Madarati’s long, sad face.

“Mr. Madarati, who fled war-torn Aleppo, Syria, and Anja Reefschläger met on a freezing November morning last year. …

“Today, Madarati works practically gratis at a youth center in Berlin, helping young people build furniture. And in a few weeks, he is set to move out of the so-called Treskowallee camp into a house. The house is next to Reefschläger’s, and she is the one who persuaded the owner to rent it out to Syrians.”

Ordinary Americans are also showing kindness and warm hearts, even when state government refuses to participate.

In Texas, for example, when the governor refused to sign on to the federal effort to resettle Syrians, ordinary Texans and nonprofits stepped up to the plate.

Jim Malewitz writes at the Texas Tribune, “Texas’ top elected officials have not exactly welcomed refugees over the past year. [In September] Gov. Greg Abbott followed through on his threat to end cooperation with the nation’s refugee resettlement program because federal officials refused to ‘unconditionally approve’ a Texas plan requiring extra vetting of applicants. Such a move will not keep refugees from coming here, but it eliminates the state government’s role.

“But everyday Texans seem to be more willing to help refugees from Syria and elsewhere start new lives in the Lone Star State. Nonprofits that resettle refugees say volunteer turnout has increased — in some cases dramatically — since Texas Republicans first suggested they threatened security.” More. See also an article in the Nonprofit Quarterly, here, for details on the critical role of nonprofits and volunteers in Texas at this point in time.

I have personal knowledge of the many volunteers reaching out to refugees in Providence via the Providence Granola Project (how about giving their yummy products as holiday gifts?), the Refugee Dream Center, Genesis Center, and Dorcas International. The Diocese of Providence is also at the forefront of service as an official resettlement agency, like Dorcas.

You know what else? I just heard of a woman in my town who is selling her house and moving to “wherever she’s needed.” She wants to use her years of language-teaching skills to help refugees.

[10/15/16 Update: Read about the outpouring of support for refugees in Lowell, Mass., here.]

Photo: Marjorie Kamys Cotera
A group gathered at Wooldridge Park in Austin on Nov. 22, 2015, to show support for refugees.

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Among the sights I’ve wanted to photograph in the last few weeks is a sculpture outside the Umbrella Community Arts Center. It invites you to look through and focus on an aspect of the view.

Next up, the old house where Ephraim Bull developed the Concord Grape. Another sign there told me that there was a “Sale Pending.”

My friend Meredith is a featured artist at Concord Art’s new juried show. She has done several treatments of her fica plant, but the one in the show is a lovely collage of painted paper.

I recently discovered on a morning walk that the Providence Preservation Society has generously opened its multilevel garden to the public during certain hours of the day. What a peaceful place to just sit and think! Not far away is the What Cheer Garage (I like the name). Across Providence, you can discover a fine-looking hen on the wall of Olga’s Cup and Saucer, and a street art stencil recommending Speak no evil, See no evil, Hear no evil.

I also like the alley alongside the Providence Performing Arts Center and a hilly street that looks more like Europe than New England.

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For the longest time, it looked like nothing at all, this art installation of 10,000 sunflowers where route 195 once polluted the soil.

Adam E. Anderson, the brains behind the community-building project, writes on his website, “Ten Thousand Suns is a summer-long botanical performance in which over 10,000 sunflower seeds have been planted and being nurtured over the course of the summer months, on land that until recently sat under a highway, with high compaction, low-organic material, and embedded with toxicity.  …

“Rather than using high maintenance and energy intensive large swaths of turf grass, the installation uses the bio-accumulating (removes toxins) and habitat creating properties of Helioanthus (aka, Sunflower) planted in rows in a series of large circles, leaving paths in-between for intimate exploration.

“The project will create a spontaneous and unique cultural identity for the citizens of Providence and its visitors during the summer months.”

With little rain all summer, the project looked like a hopeless cause for many weeks. Until it didn’t.

In celebration of the cheery results, I want to share a few lines of a poem about a goldfinch loving a sunflower. Because who wouldn’t love a sunflower?

From poet Ross Gay‘s “Wedding Poem”

Friends I am here modestly to report
seeing in an orchard
in my town
a goldfinch kissing
a sunflower
again and again
dangling upside down
by its tiny claws
steadying itself by snapping open
like an old-timey fan
its wings
again and again
until swooning, it tumbled off
and swooped back to the very same perch …

Read more about the project at Adam Anderson’s site, here, and on Facebook, here. Click on my photos to check the dates.

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